WEBVTT - Talking Vision 709 Week Beginning 1st of January 2024

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host, Sam Collins.

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<v S2>Hello everyone. It's great to be here with you. And

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<v S2>for the next half hour we talk matters of blindness

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<v S2>and low vision. Hello and welcome to this special World

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<v S2>Braille edition of Talking Vision. Today we'll be chatting with

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<v S2>two individuals where Braille has played a major role in

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<v S2>their life from a very young age. First up, you'll

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<v S2>hear from Tess Herbert. You may remember a year or

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<v S2>two ago, I caught up with tests for World Braille

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<v S2>Day to discuss the role that Braille has played in

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<v S2>her life, especially in enabling her to pursue her love

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<v S2>of stories and reading. That conversation's coming up very shortly,

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<v S2>so make sure to stay tuned. And then later on

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<v S2>in the show today, Stella Gloria catches up with Dorothy Hamilton.

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<v S2>Dorothy is a name familiar to a large portion of

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<v S2>you out there. I'm sure she speaks about the doors

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<v S2>that Braille has opened for her as a musician, teacher,

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<v S2>and tireless Braille music advocate. And to wrap up this

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<v S2>show this week, following on from Dorothy, we've got a

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<v S2>little treat for you all out there. There's a piece

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<v S2>of music from the Braille Music camp, the annual camp

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<v S2>in Mittagong for children who are blind or have low

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<v S2>vision to learn by our music. I hope you'll enjoy

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<v S2>this week's special World Braille Day edition of Talking Vision.

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<v S2>In celebration of World Braille Day, we're talking to a

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<v S2>few people where Braille has changed their life, and the

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<v S2>next voice you hear might be familiar to quite a

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<v S2>few people. It's Tess Herbert who joins me to celebrate

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<v S2>World Braille Day. Tess, welcome to Talking Vision. Thanks very

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<v S2>much for being here today.

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<v S3>Thank you for having me, Sam. It's very strange being

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<v S3>in the the chair of the interviewee as opposed to

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<v S3>the interviewer. That's right.

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<v S2>And quite exciting. I don't I don't think we've done

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<v S2>this before. So it's, um, it's always. No, it's a

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<v S2>new experience for both of us. I think it.

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<v S3>Is. And, you know, working together for, for, you know,

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<v S3>well over a year, it's kind of fun to be

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<v S3>interviewing and, and what better day to do it than

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<v S3>for World Braille Day. Thank you for having me.

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<v S2>Super fun. Great to have you. Now, um, firstly, Tess, um,

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<v S2>why don't you start off by telling us the story

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<v S2>of how the love of reading started with them with Braille,

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<v S2>as I understand, 25 years ago, when you were for

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<v S2>your hand at a five page Braille book.

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<v S4>Yes, yes.

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<v S3>It was about 26 years ago, 1995, I think. I mean,

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<v S3>I'd always loved books from from when, you know, I

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<v S3>don't even know how. I mean, as long as I

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<v S3>can remember, I've loved books and my, my, my father

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<v S3>and my mum, they used to read me the Faraway

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<v S3>Tree books and, um, you know, Enid Blyton, Roald Dahl,

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<v S3>my Nana and my both my grandmothers would read me

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<v S3>specific books. There was Meg and Meg, um, and a

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<v S3>bunch of others. And so I just, you know, books

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<v S3>and stories were just my whole, you know, that that

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<v S3>and music, but particularly stories was basically just my favourite

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<v S3>thing in the whole world. And I was always listening

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<v S3>to tapes, story tapes, um, you know, the playschool stories or, um,

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<v S3>Grimm's Fairy Tales or whatever there was. I was just

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<v S3>always listening to it because I loved it. Um, and

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<v S3>then when I was four and I went to what

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<v S3>we called preschool in New South Wales, and it's possibly

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<v S3>called kindergarten in Victoria, I'm not sure. So when I

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<v S3>was in, in preschool, kindergarten or whatever it's called, um, I,

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<v S3>you know, I had a visiting teacher, um, Wendy, who

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<v S3>specialized in Braille. And so I don't really know I

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<v S3>don't know whether I was halfway through my second year

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<v S3>of preschool because we'd have two years. And so maybe

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<v S3>about halfway through or something like that. Um, she handed

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<v S3>me a book, uh, about 4 or 5 Braille pages,

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<v S3>and it was simply entitled Where's Tessa? Which I thought

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<v S3>was great. I didn't really twig the book had been

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<v S3>written specifically about me on the Braille Machine by Wendy.

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<v S3>I was just like, wow, I'm in a book. I'm

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<v S3>in a book. This is great. Yes. I'm ready. I'm

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<v S3>a celebrity. And, you know, it was where's Tessa? You know,

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<v S3>is Tessa beside the gate or at the paddock? And

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<v S3>I don't entirely know where Tessa ended up being, but

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<v S3>we found her eventually. And that was the first Braille

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<v S3>book that that I ever read. And then, you know,

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<v S3>I remember reading smaller books like, um, The Very Hungry

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<v S3>Caterpillar and books about triangles. There were there were a

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<v S3>lot of them. But finally, for the first time, as

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<v S3>well as having people read to me and listening to

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<v S3>stories on tape, I, um, I could actually read, you know,

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<v S3>small books, which I thought was very, very exciting and,

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<v S3>you know, reading Braille, writing in Braille, that was basically,

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<v S3>you know, all I knew for the first few years. And,

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<v S3>I mean, I didn't learn to touch type on a

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<v S3>computer until about 9 or 10. But for those first

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<v S3>few years, all my school classes were done in Braille,

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<v S3>and I just I got better and better and read

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<v S3>more books. And then it sort of just developed from there.

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<v S2>Okay. So you've talked about, um, a few of the

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<v S2>exciting aspects of Braille, but what were some of the

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<v S2>other benefits of being able to read with Braille from

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<v S2>your point of view?

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<v S5>Oh, I would.

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<v S3>Say the biggest benefit, and I started to realize this

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<v S3>when I was about 11, is that you didn't need

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<v S3>lighting to read Braille. Everyone else, you know, when lights

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<v S3>went out in our house, no one else could read.

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<v S3>Because if you turn the light on, um, when everyone

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<v S3>was meant to be asleep, it was fairly easy for

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<v S3>mum and dad to see that. Um, however, I could just,

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<v S3>you know, have the book under under the covers. I

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<v S3>could basically read until my heart's content, um, lights out

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<v S3>or not. And I and I found this particularly useful

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<v S3>when I was reading a book called looking for Ala Brandy,

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<v S3>which some listeners may be familiar with. It was a,

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<v S3>you know, I mean, it was about a 17 year

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<v S3>old and I was only 11, so it was possibly

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<v S3>a little bit old for me, but I didn't mind that.

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<v S3>And I actually think sometimes it's better for, um, younger

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<v S3>children to read books that are a bit old for them,

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<v S3>introduces them to new concepts. But I was getting fairly

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<v S3>close to the end, and this book came in seven volumes.

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<v S3>So I was I think I'd started about, yeah, I

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<v S3>was in volume seven, and the character, um, the main

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<v S3>character was in the process of being jilted by her boyfriend.

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<v S3>And so I did not want to put the book down.

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<v S3>And it was, you know, time for bed. And my

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<v S3>sister had turned out her light and was going to sleep,

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<v S3>but I was buggered if I was not going to

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<v S3>find out what happened after her boyfriend dumped her. So

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<v S3>I just kept reading and I finished the book and

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<v S3>no one was any the wiser. So that that was

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<v S3>probably the biggest benefit. And that continued sort of, you know,

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<v S3>later on, if I wanted to read a book, it

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<v S3>was quite easy. And I could I mean, I didn't

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<v S3>I didn't tend to read, you know, after midnight or anything,

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<v S3>but I could certainly read late into the night, which

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<v S3>I really enjoyed.

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<v S2>So there's no there's no noticeably tired, sleep deprived tests

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<v S2>in the morning. No, no, no.

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<v S3>Well, I mean, if there was you know, I don't

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<v S3>I don't know that anyone really attributed it to reading

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<v S3>and I just tend to sleep in. But yeah, those

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<v S3>are the benefits.

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<v S2>Okay, cool. But on the other side of that for you,

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<v S2>I think you've said in the past that, uh, reading

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<v S2>Braille hasn't always been easy for you. So tell us

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<v S2>a bit more about that.

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<v S3>Apart from the fact that I'm quite a slow reader

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<v S3>because the books had to get railed, especially, you know, by,

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<v S3>I think it may have been the Royal Blind Society

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<v S3>at that stage, um, which is now in Australia, you

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<v S3>couldn't just walk into a library and, and, and grab

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<v S3>the book that you wanted. You couldn't just go to

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<v S3>the school library and grab whatever book you wanted as,

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<v S3>as you could. If you were reading print books. These

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<v S3>books had to be special. Israel. And some of them,

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<v S3>of course, hadn't been. So it could be quite a

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<v S3>long wait. Which, if you are, you know, if you're

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<v S3>very bookish and there's a book that you particularly want

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<v S3>to read and everyone else is able to read it,

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<v S3>it's not a very nice feeling to have to wait

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<v S3>for that book to be made available in Braille, when

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<v S3>everyone else can just pick it up and read it

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<v S3>in print. I think the hardest thing was the Harry

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<v S3>Potter books, especially the fifth Harry Potter book. I mean,

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<v S3>the first one, um, my dad read to us, and

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<v S3>then I had it available, an audio CD, and then

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<v S3>I had it in Braille much later, but and I'd

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<v S3>been so looking forward to having it in Braille, because

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<v S3>it's very different to be able to read a book yourself,

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<v S3>you know, either with your eyes or with your hands or,

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<v S3>you know, even even with your screen, even with the

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<v S3>screen reader. Um, and, and sort of hear the voices

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<v S3>in your head yourself without someone else doing them, you know,

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<v S3>really and be able to, especially in Braille, um, be

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<v S3>able to, to hear, see exactly how the words and

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<v S3>names were spelt. You know, I didn't know how word

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<v S3>names like, you know, um, McGonagall and Dumbledore with spelt

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<v S3>until I got to see them in Braille, you know,

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<v S3>which was different to how everyone else got to see them.

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<v S3>So to be able to to feel those, those letters

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<v S3>and words and characters and follow the plot with my

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<v S3>fingers was the most remarkable experience, um, for a nine

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<v S3>year old. And I think that book came in about, oh, God,

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<v S3>like 12 volumes, but I didn't care. I was so excited.

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<v S3>But it did become a problem when I was about

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<v S3>12 and the fifth Harry Potter book came out, because

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<v S3>by that stage, you know, we were following them like

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<v S3>we for the fourth one, we would run down to

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<v S3>the letterbox, you know, just to see if it had arrived.

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<v S3>So it was very new and everyone else had a copy,

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<v S3>but of course, it hadn't been made available in Braille yet.

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<v S3>Or if it had, I hadn't been told. So everyone

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<v S3>else had a copy and I didn't. And that's the

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<v S3>first time, and by far not the last, that it

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<v S3>hit me that everyone else could read this book that

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<v S3>I really wanted to read, and they could read it

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<v S3>in their own time whenever they wanted, you know, for

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<v S3>as long as they wanted, and I couldn't. And so

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<v S3>that was the very first time that I realised that, yes,

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<v S3>reading and Braille was great, but it also came with

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<v S3>the big problem in that you couldn't just go and

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<v S3>pick a book out of the library, and it can

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<v S3>be a bit upsetting. And I think it was, ah,

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<v S3>it wasn't the first time, but it was was one

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<v S3>of the only times when I was 12 that I

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<v S3>really felt like being blind was a crappy thing to,

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<v S3>to happen. Because, you know, when they talk about being blind,

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<v S3>they normally talk about things like, oh, you know, she

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<v S3>won't be able to find a way around or she

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<v S3>won't be able to do these things myself. All those

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<v S3>things are very manageable. But if you cannot read a

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<v S3>book that that you really want to read because it's

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<v S3>not available yet in the format that you needed in,

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<v S3>there is absolutely no time and energy and concentration that

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<v S3>will make that better.

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<v S2>Despite the challenges, though, you've, um, you've talked before about

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<v S2>the thrill of new Braille books arriving at, um, either

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<v S2>at school or your house. For example, the fifth book

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<v S2>eventually arriving um.

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<v S6>Did did.

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<v S2>One day.

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<v S3>I don't even know how many volumes that came in,

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<v S3>but oh my God, that was like Christmas. And Christmas

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<v S3>had happened the month before and I just I went 2.0,

0:11:18.118 --> 0:11:22.138
<v S3>Christmas 2.0. I know it was January. And when you

0:11:22.138 --> 0:11:25.978
<v S3>have been wanting to read something for yourself and really,

0:11:25.978 --> 0:11:28.738
<v S3>you know, if I if Braille had not been invented,

0:11:28.738 --> 0:11:31.888
<v S3>I would not have those experiences. I mean, it really

0:11:31.888 --> 0:11:34.528
<v S3>did change my life, you know, it it brought books

0:11:34.528 --> 0:11:37.648
<v S3>to me like it made books accessible. I didn't have

0:11:37.648 --> 0:11:39.688
<v S3>to just wait until I could get them on tape

0:11:39.688 --> 0:11:41.458
<v S3>at the Swan Hill Library. They would turn up at

0:11:41.458 --> 0:11:43.918
<v S3>my school and I could read them. And even now,

0:11:43.918 --> 0:11:48.088
<v S3>you know, even now I use Braille because if I have, um,

0:11:48.088 --> 0:11:51.748
<v S3>a presentation that I have to give or a script or,

0:11:51.748 --> 0:11:53.578
<v S3>you know, anything that I have to, that I have

0:11:53.578 --> 0:11:55.648
<v S3>to be able to read it out. I just, I

0:11:55.648 --> 0:11:57.508
<v S3>type it up and I read it out in Braille

0:11:57.508 --> 0:11:59.278
<v S3>with my fingers, because otherwise I had to spend a

0:11:59.278 --> 0:12:01.558
<v S3>lot of time memorizing it, which would. Make me terribly,

0:12:01.558 --> 0:12:05.068
<v S3>terribly nervous. And that Braille essay that I read out. Um,

0:12:05.068 --> 0:12:07.528
<v S3>some of you might remember last year for World Rail Day.

0:12:07.528 --> 0:12:09.718
<v S3>That was all I read that in rail. You know,

0:12:09.718 --> 0:12:11.518
<v S3>I was talking about rail and I was reading it

0:12:11.518 --> 0:12:14.098
<v S3>in braille because otherwise I would have had to remember it,

0:12:14.098 --> 0:12:16.888
<v S3>which wouldn't have been so good. So in spite of

0:12:16.888 --> 0:12:19.588
<v S3>the challenges, it really has brought a lot of benefits

0:12:19.588 --> 0:12:21.598
<v S3>and it really has changed my life.

0:12:21.868 --> 0:12:25.408
<v S2>That does sound like there have been a lot of benefits. And, um,

0:12:25.408 --> 0:12:28.438
<v S2>despite those challenges that you have talked about, it really

0:12:28.438 --> 0:12:31.108
<v S2>does sound like it has changed your life. And that's

0:12:31.108 --> 0:12:35.368
<v S2>fantastic to hear and all the exciting, you know, memorable

0:12:35.368 --> 0:12:39.988
<v S2>experiences that you've had over the past 26 years reading, um,

0:12:40.348 --> 0:12:43.888
<v S2>reading in Braille. So that's, um, fantastic. Thank you so

0:12:43.888 --> 0:12:48.268
<v S2>much for sharing all, um, all those experiences with us. Tess,

0:12:48.268 --> 0:12:51.478
<v S2>that was Tess Herbert there a voice quite a few

0:12:51.478 --> 0:12:54.058
<v S2>of you, I'm sure, are familiar with talking to me

0:12:54.088 --> 0:12:59.278
<v S2>today about her Braille reading experiences over the past two

0:12:59.278 --> 0:13:02.758
<v S2>and a half decades. Test. Thank you so much for

0:13:03.028 --> 0:13:07.528
<v S2>being here on our special World Braille Day episode of

0:13:07.528 --> 0:13:08.578
<v S2>Talking Vision.

0:13:09.058 --> 0:13:12.658
<v S3>Thank you for having me, Sam, and happy World Braille Day, everyone.

0:13:12.658 --> 0:13:14.848
<v S3>And let's let's make sure every year that we never

0:13:14.848 --> 0:13:18.538
<v S3>forget how important Braille is, because Braille is so important

0:13:18.538 --> 0:13:22.588
<v S3>from just a literacy point of view, and because you'll never,

0:13:22.588 --> 0:13:24.628
<v S3>no matter how quickly you can read through a book

0:13:24.628 --> 0:13:27.748
<v S3>on your screen reader, you will never be able to

0:13:27.748 --> 0:13:30.718
<v S3>replace the experience of actually feeling the words right in

0:13:30.718 --> 0:13:32.908
<v S3>front of you. So let's let's never forget how important

0:13:32.908 --> 0:13:34.558
<v S3>that is. And happy World Braille Day.

0:13:41.508 --> 0:13:45.138
<v S2>I'm Sam Corley and you're listening to Talking Vision on

0:13:45.138 --> 0:13:50.568
<v S2>Vision Australia Radio, associated stations of RPA and the Community

0:13:50.568 --> 0:13:55.278
<v S2>Radio Network. I hope you're enjoying this special World Braille

0:13:55.278 --> 0:13:59.388
<v S2>Day episode of Talking Vision. We just heard from Tess

0:13:59.388 --> 0:14:02.748
<v S2>Herbert there, but if you missed any part of that

0:14:02.748 --> 0:14:06.468
<v S2>conversation with Tess, or you'd love to have a listen again.

0:14:06.468 --> 0:14:11.238
<v S2>Talking vision is available on the Vision Australia Radio website

0:14:11.238 --> 0:14:18.138
<v S2>at RVA radio.org. That's RVA radio.org. Or you can find

0:14:18.138 --> 0:14:21.558
<v S2>the show on the podcast app of your choice or

0:14:21.558 --> 0:14:26.688
<v S2>through the Vision Australia library. And now here's Stella Glory

0:14:26.688 --> 0:14:32.208
<v S2>with musician, teacher and Braille music icon Dorothy Hamilton.

0:14:32.328 --> 0:14:38.418
<v S1>We are dedicating Talking Vision today to Braille in general

0:14:38.418 --> 0:14:42.318
<v S1>and when I think of Braille and Braille music, I

0:14:42.318 --> 0:14:45.708
<v S1>always think of Dorothy Hamilton, who is with me now

0:14:46.038 --> 0:14:49.998
<v S1>to discuss Braille. Thanks for your time today, Dorothy.

0:14:50.298 --> 0:14:51.258
<v S7>It's a pleasure.

0:14:51.558 --> 0:14:54.798
<v S1>I should actually, uh, let's give the listeners a little

0:14:54.798 --> 0:14:59.838
<v S1>bit more context. So you are, um, a Braille music

0:14:59.838 --> 0:15:03.258
<v S1>teacher or just a music teacher in general, I should say? Yes.

0:15:03.258 --> 0:15:08.448
<v S7>I'm a music teacher, and I have taught Brown music

0:15:08.448 --> 0:15:09.018
<v S7>as well.

0:15:09.438 --> 0:15:13.608
<v S1>And you are also the first blind woman in the

0:15:13.608 --> 0:15:16.878
<v S1>southern hemisphere to get your Bachelor of Music.

0:15:17.208 --> 0:15:18.948
<v S7>Yes, I believe so.

0:15:19.248 --> 0:15:22.038
<v S1>So you wouldn't have done it without Braille, I understand.

0:15:22.068 --> 0:15:26.508
<v S7>I just could not have done anything. I couldn't have

0:15:26.508 --> 0:15:31.248
<v S7>coped in life without Braille. I used it every day

0:15:31.248 --> 0:15:32.238
<v S7>of my life.

0:15:33.168 --> 0:15:35.418
<v S1>Let's talk a little bit about that. You were a

0:15:35.418 --> 0:15:41.028
<v S1>big fan, and you used of the frame and stylus?

0:15:41.268 --> 0:15:46.788
<v S7>Yes. When I went to school right back in 1932,

0:15:47.088 --> 0:15:51.828
<v S7>that's when we learned our braille with using the braille

0:15:51.828 --> 0:15:58.158
<v S7>frame and stylus. The frame, uh, represented. It was a

0:15:58.158 --> 0:16:04.188
<v S7>wooden board with holes down either side. And it had

0:16:04.188 --> 0:16:10.218
<v S7>a guide which had six dots. Uh, in a cell,

0:16:10.518 --> 0:16:15.048
<v S7>25 cells in a line. And there were two lines.

0:16:15.048 --> 0:16:19.578
<v S7>So when you finished writing in the one line, uh, one, uh,

0:16:19.578 --> 0:16:24.108
<v S7>set of lines, uh, you moved the guide down to

0:16:24.108 --> 0:16:27.348
<v S7>the next lot of holes so that in the end,

0:16:27.348 --> 0:16:31.908
<v S7>then we had a whole page. The little cells in

0:16:31.908 --> 0:16:41.988
<v S7>the guide had six little niches now called one, two, three, four, five, six.

0:16:41.988 --> 0:16:46.098
<v S7>But we called them top right, middle right, bottom right,

0:16:46.128 --> 0:16:50.538
<v S7>top left, middle left, bottom left. And that's how we.

0:16:50.538 --> 0:16:56.148
<v S7>So we dotted each little, um letter, each dot to

0:16:56.148 --> 0:17:04.548
<v S7>make a letter. For example we would do .145 for

0:17:04.548 --> 0:17:12.978
<v S7>the letter D or perhaps .123 for L. And but

0:17:12.978 --> 0:17:16.818
<v S7>of course we'd say top right, middle right, bottom right.

0:17:17.358 --> 0:17:20.208
<v S1>When you're saying this, do you think there's people listening,

0:17:20.208 --> 0:17:26.208
<v S1>nodding their heads to this old frame and stylus users?

0:17:26.208 --> 0:17:27.828
<v S7>Oh, maybe summer.

0:17:28.488 --> 0:17:31.668
<v S1>But, uh, you said you used the frame and stylus

0:17:31.668 --> 0:17:35.988
<v S1>up until 1977, so all the way through university. And

0:17:35.988 --> 0:17:40.908
<v S1>something happened when the Perkins Broilers was in Australia in

0:17:40.908 --> 0:17:44.088
<v S1>the 1960s. But you weren't using it, but you were

0:17:44.088 --> 0:17:47.478
<v S1>kind of pushed into using the Perkins Brailler. Can you

0:17:47.478 --> 0:17:48.768
<v S1>tell us that story?

0:17:49.308 --> 0:17:52.578
<v S7>Yes, it's still said. I used the frame and style

0:17:52.578 --> 0:17:57.258
<v S7>right up to 1977. I had no need to use

0:17:57.258 --> 0:18:04.218
<v S7>anything else. Um, in 1976, George Findley, who was a

0:18:04.218 --> 0:18:10.638
<v S7>well-known Braille musician and he did all the Brown music transcribing,

0:18:10.818 --> 0:18:13.188
<v S7>said to me one day, you know, you'll have to

0:18:13.188 --> 0:18:18.438
<v S7>learn to use this, this Perkins, everybody else's. So he

0:18:18.438 --> 0:18:21.258
<v S7>showed me how to use it. Then he gave me

0:18:21.258 --> 0:18:24.828
<v S7>one and he said, now put your frame and style away,

0:18:24.828 --> 0:18:29.448
<v S7>and you use only the Perkins. So he went out

0:18:29.448 --> 0:18:32.628
<v S7>the door and I thought, that's what he thinks. So

0:18:32.628 --> 0:18:38.118
<v S7>I put the Perkins away and used to frame and style.

0:18:38.118 --> 0:18:42.678
<v S7>I was very. Comfortable with that. 12 months later, the

0:18:42.678 --> 0:18:46.308
<v S7>phone rang one night and it was his reader who

0:18:46.308 --> 0:18:49.938
<v S7>said to me, George is very, very ill, and we're

0:18:49.938 --> 0:18:53.778
<v S7>in the midst of doing a very important piece of music.

0:18:53.778 --> 0:18:57.888
<v S7>Could I come around and dictated to you? I said yes,

0:18:58.098 --> 0:19:01.788
<v S7>but my heart sank because I'd forgotten how to even

0:19:01.788 --> 0:19:05.058
<v S7>put the paper into the Bergen's. So I quickly rang

0:19:05.058 --> 0:19:08.028
<v S7>a friend and said, Hilda, Hilda, how do I put

0:19:08.028 --> 0:19:12.108
<v S7>the paper in? Marge came the next day and read

0:19:12.348 --> 0:19:16.098
<v S7>the music to me. I will remember it forever.

0:19:16.098 --> 0:19:17.958
<v S1>So Marge was your reader?

0:19:17.958 --> 0:19:22.548
<v S7>It was. Yes. Well, she was George's reader. And so

0:19:22.548 --> 0:19:25.788
<v S7>she read this piece to me, and I had to.

0:19:25.938 --> 0:19:30.858
<v S7>It was a massive undertaking, I can tell you to

0:19:30.858 --> 0:19:35.448
<v S7>just use the Perkins because it was everything was turned around,

0:19:35.448 --> 0:19:39.468
<v S7>whereas we had on the right hand side of the

0:19:39.588 --> 0:19:43.998
<v S7>using the frame and style was one, two, three and

0:19:43.998 --> 0:19:48.378
<v S7>that and then the left hand side of the so

0:19:48.408 --> 0:19:51.768
<v S7>4 or 5, six when you use the Perkins it

0:19:51.768 --> 0:19:56.118
<v S7>was reversed. So one, two, three was on the left

0:19:56.268 --> 0:20:00.228
<v S7>and four, five, six on the right. So I can

0:20:00.228 --> 0:20:06.048
<v S7>tell you it was not an easy undertaking, but it

0:20:06.048 --> 0:20:07.248
<v S7>taught me a lesson.

0:20:07.398 --> 0:20:09.408
<v S1>Well, what lesson did it teach you?

0:20:09.408 --> 0:20:13.308
<v S7>Give me a lesson. When I'm taught something, use it. Yes.

0:20:13.308 --> 0:20:16.278
<v S7>And so of course, the frame and style, if I

0:20:16.278 --> 0:20:20.148
<v S7>can explain, was more like you using a pen and

0:20:20.148 --> 0:20:25.758
<v S7>peel pencil. And the Perkins was like using the typewriter.

0:20:26.268 --> 0:20:29.388
<v S1>Do you feel like you've got a fond affection for

0:20:29.388 --> 0:20:33.198
<v S1>the frame and style? Yes. And a bit of a

0:20:33.198 --> 0:20:35.418
<v S1>love hate relationship with the Perkins.

0:20:35.418 --> 0:20:40.008
<v S7>Well, the. Yes, it's a bit noisy, but of course,

0:20:40.008 --> 0:20:43.458
<v S7>I was the Prime Minister. And of course, if you remember,

0:20:43.758 --> 0:20:47.148
<v S7>when I went to university, I had to take my

0:20:47.148 --> 0:20:51.618
<v S7>frame and style to the lectures and dot out everything. Wow.

0:20:51.618 --> 0:20:56.208
<v S7>So that. Yeah, but I'm very pleased that I've experienced

0:20:56.208 --> 0:20:57.528
<v S7>all systems.

0:20:57.528 --> 0:21:00.288
<v S1>Now we do need to talk about or I really

0:21:00.288 --> 0:21:04.938
<v S1>want to talk about your music broiling. Like, what do

0:21:04.938 --> 0:21:06.048
<v S1>you use to.

0:21:06.258 --> 0:21:10.548
<v S7>Well, now, when I first learned the piano, we all

0:21:10.548 --> 0:21:15.228
<v S7>learned piano at school, and the teacher would, um, tell

0:21:15.228 --> 0:21:18.558
<v S7>us what the notes to play and also play them

0:21:18.558 --> 0:21:22.758
<v S7>on the other piano. So I trained our ear very well.

0:21:22.758 --> 0:21:27.438
<v S7>But we were we learnt by rote, we learnt brown music,

0:21:27.438 --> 0:21:30.498
<v S7>but we didn't really put it to practical use, we

0:21:30.498 --> 0:21:34.638
<v S7>just learnt it. Um, it wasn't till I was about

0:21:34.818 --> 0:21:40.728
<v S7>was 14 and went to a sighted teacher at the Conservatorium,

0:21:40.788 --> 0:21:43.698
<v S7>and he sent me so much work to do that

0:21:43.698 --> 0:21:48.108
<v S7>I couldn't rely on somebody just playing it to me

0:21:48.108 --> 0:21:52.038
<v S7>and learning it by rote. So I had to learn

0:21:52.038 --> 0:21:57.438
<v S7>it and learn it well and correctly, everything correctly. And

0:21:57.438 --> 0:22:01.608
<v S7>that got me really moving and using my brown music.

0:22:01.608 --> 0:22:05.928
<v S7>And I can tell you I use it every day,

0:22:05.928 --> 0:22:10.008
<v S7>just about I certainly use Braille every day, and I

0:22:10.338 --> 0:22:15.828
<v S7>have had an enormous amount of use out of Braille music,

0:22:15.948 --> 0:22:19.488
<v S7>not only learning it myself, but teaching it to others.

0:22:19.758 --> 0:22:22.878
<v S1>What would you say to someone who's perhaps considering either

0:22:22.878 --> 0:22:27.138
<v S1>a a young person or an older person who might

0:22:27.138 --> 0:22:30.168
<v S1>have recently lost their vision? Would you say to them

0:22:30.168 --> 0:22:33.348
<v S1>about learning Braille? They might think.

0:22:33.408 --> 0:22:39.078
<v S7>So. For it really not to have the braille skill

0:22:39.078 --> 0:22:43.248
<v S7>means that you can't really be literate. You can't really.

0:22:43.248 --> 0:22:46.788
<v S7>You need you can't see a word. You don't know

0:22:46.788 --> 0:22:51.318
<v S7>how it's spelt. You need you really. And I think

0:22:51.318 --> 0:22:55.458
<v S7>you can't comprehend things much better if you've been able

0:22:55.458 --> 0:22:59.598
<v S7>to read it yourself. That's how I find it.

0:23:00.468 --> 0:23:04.788
<v S1>Dorothy Hamilton, it's always a pleasure having you on the program.

0:23:04.788 --> 0:23:07.758
<v S1>It's been a long time since you were on last.

0:23:07.758 --> 0:23:11.658
<v S1>And Dorothy Hamilton, who is a musician in her own

0:23:11.658 --> 0:23:17.028
<v S1>right and also a Braille music teacher and a Braille transcriber.

0:23:17.388 --> 0:23:19.248
<v S1>Thanks for your time today.

0:23:19.458 --> 0:23:21.498
<v S7>Thank you. Stella, it's been a pleasure.

0:23:28.438 --> 0:23:34.048
<v S2>That was stellar glory with Braille musician, teacher, and lifelong

0:23:34.048 --> 0:23:39.238
<v S2>Braille music advocate Dorothy Hamilton there. Dorothy has had a

0:23:39.238 --> 0:23:43.978
<v S2>long standing association with the Braille music camps, which take

0:23:43.978 --> 0:23:48.568
<v S2>place every year in Mittagong. One of the aspects of

0:23:48.568 --> 0:23:53.128
<v S2>those camps is, of course, the opportunity for young musicians

0:23:53.128 --> 0:23:56.488
<v S2>who are blind or have low vision to take part

0:23:56.488 --> 0:24:01.138
<v S2>in a choir, to learn new songs and harness their

0:24:01.138 --> 0:24:05.878
<v S2>newfound love for Braille music and a choral setting. And

0:24:05.878 --> 0:24:08.998
<v S2>on that note, here is a piece from the Royal

0:24:08.998 --> 0:24:14.818
<v S2>Music Choir in 2017 entitled How Lovely Are the Messengers.

0:24:22.638 --> 0:24:30.228
<v UU>We are the messengers to. All of these above, we

0:24:30.228 --> 0:24:35.778
<v UU>are the messengers that reach us. The gospel of peace,

0:24:36.258 --> 0:24:42.498
<v UU>the gospel of all. We are the passengers that preach

0:24:42.738 --> 0:24:59.508
<v UU>the gospel. It's just that we. Oh. All nations before

0:24:59.508 --> 0:25:09.348
<v UU>the sound of the world. Throw away. Some of the

0:25:09.348 --> 0:25:18.198
<v UU>some of the songs. That are beyond the messengers that

0:25:18.198 --> 0:25:28.588
<v UU>reach us. The gospel. To the passengers. One of the

0:25:28.588 --> 0:25:38.538
<v UU>things that brings us to the. For me to. Most

0:25:38.538 --> 0:25:50.978
<v UU>of the. Away from all the noise. It was to

0:25:50.978 --> 0:25:58.388
<v UU>other nations before the start of the first half of this.

0:26:01.998 --> 0:26:09.658
<v UU>One of the nations is one of the. Us and

0:26:09.658 --> 0:26:19.038
<v UU>all the. Us and the timing of the of the

0:26:19.038 --> 0:26:31.728
<v UU>message of the. For me. Maybe they. To preach the

0:26:31.728 --> 0:26:40.188
<v UU>gospel of the Kingdom. Preached of the Gospel of Jesus.

0:27:01.028 --> 0:27:05.618
<v S2>And that concludes our special World Braille Day episode of

0:27:05.618 --> 0:27:11.258
<v S2>Talking Vision. Talking vision is a production of Vision Australia Radio.

0:27:11.288 --> 0:27:15.578
<v S2>Thanks to all involved with putting the program together. And remember,

0:27:15.578 --> 0:27:18.758
<v S2>we love your feedback and comments. You can get in

0:27:18.758 --> 0:27:24.368
<v S2>touch with us by email on Talking Vision at Vision australia.org.

0:27:24.368 --> 0:27:29.708
<v S2>That's talking vision or one word at Vision australia.org. But

0:27:29.708 --> 0:27:33.608
<v S2>until next week it's bye for now and Happy World

0:27:33.608 --> 0:27:34.418
<v S2>Braille Day.

0:27:37.948 --> 0:27:41.998
<v S1>You can contact Virgin Australia by phoning us anytime during

0:27:41.998 --> 0:27:50.878
<v S1>business hours on one 308 40746. That's one 384 746

0:27:50.878 --> 0:27:56.098
<v S1>or by visiting Vision australia.org that's Vision Australia call.