WEBVTT - Talking Vision 693 Week Beginning 11th of September 2023

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host, Sam Collins.

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<v S2>Hello, everyone. It's great to be here with you. And

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<v S2>for the next half hour, we talk matters of blindness

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<v S2>and low vision.

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<v S3>You know, if you close your eyes and you watch

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<v S3>Friends or you watch Modern Family or Gilmore Girls or

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<v S3>any of those sort of shows without vision, imagine just

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<v S3>how confusing it would be to you, because, you know,

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<v S3>obviously some of those shows have the laugh tracks in them.

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<v S3>You don't know what they're laughing at, and you won't

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<v S3>until you open your eyes and actually look at it.

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<v S3>That's what audio description is for us. It's basically, you know,

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<v S3>you watch the show your whole life with your eyes

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<v S3>closed and then audio description being added is like opening

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<v S3>your eyes and actually understanding what's happening and seeing what's

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<v S3>happening for the first time.

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<v S2>Welcome to the program. You may have seen an article

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<v S2>floating around here and there about a university student from

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<v S2>Brisbane who started a petition to gain audio description for

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<v S2>her favorite show, Gilmore Girls. Her name is Tiana and

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<v S2>she joins me on the show today to chat all

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<v S2>about her petition and raise awareness for greater audio description

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<v S2>services on streaming platforms. And then after you hear from Tiana,

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<v S2>I'm joined by Vision Australia radio manager Conrad Brown to

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<v S2>chat all about the Radio Listener survey, which is currently underway.

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<v S2>And finally to wrap up the program this week, Stellar

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<v S2>Glory catches up with me to chat all about the

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<v S2>latest issue of foyer information, otherwise known as FYI. I

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<v S2>hope you enjoy this week's episode of Talking Vision. Tiana

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<v S2>Offord is a Brisbane based university student and audio description

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<v S2>user who, as will soon discover, is a massive fan

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<v S2>of the show Gilmore Girls. But no matter how many

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<v S2>times she's watched every episode and memorized every line, there

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<v S2>are some crucial details that she and other viewers who

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<v S2>are blind or have low vision are missing out on

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<v S2>without the addition of audio description. Tiana has started a

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<v S2>Change.org petition to lobby Netflix to add audio description to

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<v S2>Gilmore Girls with the potential to expand this to other

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<v S2>shows in future. And it's my great pleasure to welcome

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<v S2>her to Talking Vision Now to chat all about it. Tiana,

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<v S2>welcome to Talking Vision.

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<v S3>Thank you so much for having me. I'm so excited

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<v S3>and can't believe this opportunity is here.

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<v S2>Now, how long have you been using audio description for?

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<v S2>Were you an early adopter or did you come to

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<v S2>it a bit later?

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<v S3>I would have to say that I'm not entirely sure

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<v S3>when audio description came into effect and when it became

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<v S3>sort of a normal thing for blind people to use it.

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<v S3>I believe I started using it around 2012 in the

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<v S3>cinema and then from there it kind of, you know,

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<v S3>I ended up using it for everything. And now I

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<v S3>find it very, very strange to watch anything without it.

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<v S2>You're a fan of shows like Gilmore Girls and Friends,

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<v S2>but I understand there's a few issues with audio description

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<v S2>for those older shows. Tell us about those. Yeah.

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<v S3>So Gilmore Girls is the main show that I'm promoting

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<v S3>at the moment that I'm trying to get audio description for.

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<v S3>It just doesn't have it and it doesn't there's not

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<v S3>a track for audio description anywhere for sure. I've tried

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<v S3>websites like the Audio Vault where they have shows with

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<v S3>audio description uploaded in the audio only format and they

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<v S3>normally have the audio description for them. But it's not there.

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<v S3>It's not on Netflix, which is where they hold it,

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<v S3>where they have the show to watch on streaming services.

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<v S3>And I just think that it needs to have it.

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<v S3>It's seven seasons long. It's a very popular show. It

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<v S3>ran from 2000 to 2007. And I think shows like

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<v S3>Friends where it does have audio description on the audio vault.

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<v S3>There's no reason why that same audio description track shouldn't

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<v S3>be available on Netflix or wherever else Friends is held.

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<v S2>Yeah, that's perfectly understandable. And well, how long have you

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<v S2>been watching Gilmore Girls for? How many times would you

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<v S2>say you've watched every episode by now?

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<v S3>I would have to say so. Different numbers to everyone

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<v S3>because I honestly have no idea. But it would have

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<v S3>to be like over 15 times. Like I've seen this

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<v S3>show so many times that you can say a line

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<v S3>to me and I can say the next one back.

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<v S3>Like it's just I just know this show off my heart, okay?

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<v S3>And it kind of just plays on a continuous loop

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<v S3>in my lounge room while I'm studying, doing homework, anything

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<v S3>like that.

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<v S2>Oh, cool. But even after you've watched it 15 times over,

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<v S2>you're still sort of missing key details, as I understand it,

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<v S2>with little things about the plot. And you find out later, Oh,

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<v S2>hang on. That's not how I thought it was, because

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<v S2>you didn't have the visual information conveyed to you through

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<v S2>the audio description. So you miss out on key aspects

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<v S2>of the plot even after you're a Gilmore Girls superfan.

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<v S2>And as he said, you know, every line off by heart,

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<v S2>but you're still missing out on those visual details. So

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<v S2>that also really speaks to why it is so important

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<v S2>to have audio description for these shows.

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<v S3>Yeah, I honestly, I don't understand why they haven't already

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<v S3>put audio description on this show. Like there was a

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<v S3>scene where a character, something happens in a dream and

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<v S3>I never knew that it was a dream because there

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<v S3>was no audio description. So I always assumed that that

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<v S3>scene was in the real life of that character and

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<v S3>that obviously it was a realistic scene. So it was

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<v S3>something that could have happened in their life, but it didn't.

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<v S3>And I always thought it did, which obviously changed my

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<v S3>understanding of the next couple of episodes because it was mentioned.

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<v S3>And yeah, so it just shows the little things that

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<v S3>sighted people wouldn't really think about that really impacts a

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<v S3>blind person's viewing of a show.

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<v S2>Yeah, exactly. I mean, when it changes the plot and

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<v S2>possibly the character arc of various people and you just

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<v S2>thinking like, okay, you get back into it 2 or

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<v S2>3 episodes later and they might make a reference to

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<v S2>it and you're thinking, Wait, hang on, that doesn't sound right.

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<v S2>I didn't, you know, didn't pick up on that. What's

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<v S2>going on now? So as you've mentioned, you've started a

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<v S2>petition recently calling on Netflix to add audio description to

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<v S2>Gilmore Girls. How's their response been so far?

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<v S3>Yeah, look, so the petition is calling on Warner Brothers

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<v S3>and Netflix to add audio description to Gilmore Girls. And

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<v S3>I'm hoping that in the future this will be a

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<v S3>stepping stone for them to go back and look at

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<v S3>their other old content and add it to that as well.

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<v S3>But the response has been incredible. I am up to

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<v S3>around 7200 signatures now. Oh my God. I had some

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<v S3>nine news articles published about me and back when they

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<v S3>published them the. Titian was at 2500. So it's insane

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<v S3>to see the progression of the condition. And I'm just

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<v S3>you know, my mind's blown to the fact that so

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<v S3>many people who don't even know me and who don't

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<v S3>actually understand what audio description is or how it impacts me,

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<v S3>are willing to make me have a better experience as

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<v S3>a viewer.

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<v S2>And Tiana, how long's the petition been going for and

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<v S2>is there a time frame that you're looking at going forward?

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<v S3>Yeah. So the petition has been going for about nearly

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<v S3>a month now. It started in the middle of August

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<v S3>and we're now partway through September, so we've got 7200

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<v S3>signatures already. That's huge for me. I never expected to

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<v S3>even get there. That is huge.

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<v S2>Definitely.

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<v S3>You know, while I don't have a time frame, I

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<v S3>do sort of have a signature goal for now, which

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<v S3>is 10,000 signatures. And we're very, very close. We're very

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<v S3>close to 7500, which is sort of a goal that

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<v S3>change.org sets. And once we get there, it's, you know,

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<v S3>it's just a matter of time before we reach 10,000.

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<v S3>And then after that, it's just a matter of, you know,

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<v S3>getting it to bigger programs, getting it to the TV,

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<v S3>seven news, all that kind of stuff, and making sure

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<v S3>that it reaches a wider audience.

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<v S2>Okay. And apart from Gilmore Girls and Friends, are there

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<v S2>any other shows that you're really interested in getting audio

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<v S2>description for, or is it sort of just a broader

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<v S2>campaign to move past once you know, you've got the

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<v S2>response about Gilmore Girls have all the description across the

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<v S2>board for as many shows as possible?

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<v S3>Yeah. Honestly, I'm just I'm looking to have audio description

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<v S3>on as many shows as possible, but I know that

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<v S3>that's not going to happen in one day. And so

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<v S3>my focus was to go with obviously my favorite show

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<v S3>because people who see petitions like this will sign if

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<v S3>they see it's close to someone else's heart. So if

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<v S3>I had, oh, everyone sign this so that we can

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<v S3>have audio description on everything because it's important, I don't

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<v S3>think it would have had sort of that emotional appeal. Yeah.

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<v S3>And obviously I as a fan and a viewer, I

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<v S3>want this like so much. I want to see this

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<v S3>show from a completely different perspective with audio description and

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<v S3>actually understand what is happening, what the characters are wearing,

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<v S3>what their fashion sense is. Yeah, things that they're carrying

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<v S3>that might not have known that they were carrying the

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<v S3>food that they eat, just like everything that you would see,

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<v S3>that you don't see when you're watching it, when you're blind,

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<v S3>you know, obviously at the end I want it to

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<v S3>be a wide spectrum thing and I want Netflix and

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<v S3>any other streaming services to go back and look at

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<v S3>shows that don't have audio description that could and just

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<v S3>making the viewing experience more accessible for everyone, really.

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<v S2>That's right. And it's also a matter of independence. Like

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<v S2>people might be thinking, oh, just get a friend to

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<v S2>tell you what's going on. And, you know, I can

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<v S2>just tell you this is what's happening. But that's not

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<v S2>what people are there to do and it's not what

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<v S2>people want. The last thing people want is for some

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<v S2>people to just go, Oh, just get somebody else to

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<v S2>help you. And that takes away your independence, takes away

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<v S2>your autonomy. And if that person's not there or they're

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<v S2>not available, then that option is not there, obviously. And,

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<v S2>you know, people shouldn't have to rely on, you know,

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<v S2>other people to be there and say, oh, this is

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<v S2>happening or that's happening that's going on. And yeah, and

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<v S2>people don't necessarily even know what sort of details people need.

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<v S2>And it might not even be that helpful in the

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<v S2>first place. As much as they're trying to help, they

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<v S2>don't necessarily understand, Oh, this is what we need to know,

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<v S2>this is what it should be. But with audio description that,

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<v S2>you know, you've got obviously people who are professionals and

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<v S2>they know exactly what needs to be described and all

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<v S2>that sort of thing. So what sort of messages would

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<v S2>you have for people who are listening, perhaps from Netflix,

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<v S2>to speak to the importance of audio description for people

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<v S2>who are blind or have low vision and they've got

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<v S2>the power to improve this, what would you say to them?

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<v S3>I just want them to put themselves in our shoes

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<v S3>and to sort of, you know, if you close your

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<v S3>eyes and you watch Friends or you watch Modern Family

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<v S3>or Gilmore Girls or any of those sort of shows

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<v S3>without vision, imagine just how confusing it would be to you. Because,

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<v S3>you know, obviously some of those shows have the laugh

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<v S3>tracks in them. You don't know what they're laughing at

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<v S3>and you won't until you open your eyes and actually

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<v S3>look at it. That's what audio description is for us.

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<v S3>It's basically, you know, you watch the show your whole

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<v S3>life with your eyes closed and then audio description being

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<v S3>added is like opening your eyes and actually understanding what's

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<v S3>happening and seeing what's happening for the first time. You know,

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<v S3>if you have the power to improve accessibility for someone

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<v S3>who can't see why not? Why not do it and

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<v S3>why not make accessible to people? We've done it with

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<v S3>other disabilities. We've done it for the deaf community with

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<v S3>captions and subtitles and all that. Why not do it

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<v S3>for other disabled communities?

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<v S2>Exactly right. And if people are interested in heading along

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<v S2>and signing the petition, what's the best place for them

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<v S2>to do that?

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<v S3>Yeah. So the link to the. Is Change.org add in

0:12:39.329 --> 0:12:42.959
<v S3>Gilmore Girls. So I would really, really appreciate anyone willing

0:12:42.959 --> 0:12:44.909
<v S3>to take a minute out of their day to sign

0:12:44.909 --> 0:12:48.419
<v S3>for accessibility for everyone. That would be amazing.

0:12:48.449 --> 0:12:51.389
<v S2>That's a wonderful note to end on and I'm sure

0:12:51.389 --> 0:12:54.719
<v S2>a sentiment a lot of people can agree with. I've

0:12:54.719 --> 0:12:59.849
<v S2>been speaking today with Gilmore Girls super fan and petition organizer.

0:12:59.849 --> 0:13:04.739
<v S2>Tiana offered all about her petition to create greater awareness

0:13:04.739 --> 0:13:08.969
<v S2>for audio description, especially when it comes to her favorite show,

0:13:08.969 --> 0:13:12.489
<v S2>Gilmore Girls. Tiana, thanks so much for your time today.

0:13:12.509 --> 0:13:14.789
<v S2>It was a pleasure to catch up with you and

0:13:14.789 --> 0:13:18.539
<v S2>wishing you all the best to hit that magic 10,000 mark.

0:13:18.749 --> 0:13:20.909
<v S3>Thank you so much for having me. Really appreciate it.

0:13:28.379 --> 0:13:31.649
<v S2>I'm Sam Culley and you're listening to Talking Vision on

0:13:31.649 --> 0:13:36.929
<v S2>Vision Australia radio associated stations of RPI and the Community

0:13:36.929 --> 0:13:40.559
<v S2>Radio Network. If you missed any part of my interview

0:13:40.559 --> 0:13:44.219
<v S2>with Tiana or you'd like to listen to the interview again,

0:13:44.219 --> 0:13:47.909
<v S2>you can listen to Talking Vision through the Vision Australia

0:13:47.909 --> 0:13:53.819
<v S2>Radio website at VR radio.org. That's V radio.org. Or you

0:13:53.819 --> 0:13:57.149
<v S2>can find the full program as well as selected interviews

0:13:57.149 --> 0:14:00.479
<v S2>on your podcast app of choice or through the Vision

0:14:00.479 --> 0:14:05.819
<v S2>Australia Library. The Vision Australia Radio Listener survey is currently

0:14:05.819 --> 0:14:09.509
<v S2>underway and we'd love to hear from you. So if

0:14:09.509 --> 0:14:11.969
<v S2>you'd like to have your say in what we do

0:14:11.969 --> 0:14:17.039
<v S2>on Vision Australia Radio and give your valuable opinions and feedback,

0:14:17.039 --> 0:14:20.189
<v S2>what better person to chat to with all the important

0:14:20.189 --> 0:14:25.229
<v S2>details than our manager of radio and audio services, Conrad Brown,

0:14:25.229 --> 0:14:29.329
<v S2>who joins me right now. Conrad, welcome back to Talking Vision.

0:14:29.339 --> 0:14:30.689
<v S2>Great to catch up with you.

0:14:30.719 --> 0:14:33.059
<v S4>Oh, always a pleasure, Sam. Great to be here.

0:14:33.179 --> 0:14:36.749
<v S2>Now we're catching up about a very important topic today,

0:14:36.749 --> 0:14:39.539
<v S2>the Vision Australia survey. Tell us all about it.

0:14:39.689 --> 0:14:43.289
<v S4>So it's our annual listener survey for the Vision Australia

0:14:43.289 --> 0:14:48.329
<v S4>Radio Network, and it's the opportunity that we give to

0:14:48.329 --> 0:14:52.289
<v S4>our listeners and our community of interest to give feedback

0:14:52.289 --> 0:14:55.649
<v S4>on what we do on air and what they like

0:14:55.649 --> 0:14:58.979
<v S4>about the programs that we put out, the podcast that

0:14:58.979 --> 0:15:01.229
<v S4>we put out, but also to give us a bit

0:15:01.229 --> 0:15:04.349
<v S4>of an idea of where they are and who they

0:15:04.349 --> 0:15:08.279
<v S4>are and to tell us what we're doing well, what

0:15:08.279 --> 0:15:11.699
<v S4>we can improve on and potentially what else we could

0:15:11.699 --> 0:15:15.749
<v S4>be doing that they'd like to hear on Vision Australia Radio.

0:15:15.929 --> 0:15:18.989
<v S2>Okay. And how do people fill out that survey, Conrad?

0:15:19.169 --> 0:15:22.049
<v S4>So there's a couple of ways. The easiest way is

0:15:22.049 --> 0:15:26.339
<v S4>to go to the Vision Australia Radio website. So RVA

0:15:26.339 --> 0:15:29.399
<v S4>Radio dot org and on the home page there's a

0:15:29.399 --> 0:15:32.879
<v S4>link there that takes you straight to the survey. There's

0:15:32.879 --> 0:15:36.929
<v S4>also an option for a call back service for anyone

0:15:36.929 --> 0:15:42.479
<v S4>that may have difficulty navigating the Virgin Australia radio website

0:15:42.479 --> 0:15:45.839
<v S4>or the survey online itself. So all they need to

0:15:45.839 --> 0:15:50.939
<v S4>do is call the National Call Centre through Vision Australia

0:15:50.939 --> 0:15:54.719
<v S4>and register their interest for a call back. And one

0:15:54.719 --> 0:15:57.689
<v S4>of our lovely call centre team or one of our

0:15:57.689 --> 0:16:00.509
<v S4>volunteers will call them back and help them fill out

0:16:00.509 --> 0:16:03.059
<v S4>the survey later on this month.

0:16:03.209 --> 0:16:12.719
<v S2>Okay. And that number is 1300 847 466, that's 1300 847 466 if that

0:16:12.719 --> 0:16:16.799
<v S2>call back option does appeal. Now, Conrad, what is the

0:16:16.799 --> 0:16:19.769
<v S2>time frame for the survey? How long is it open for?

0:16:19.889 --> 0:16:23.369
<v S4>So it closes at the end of September. So people

0:16:23.369 --> 0:16:25.199
<v S4>have still got a little bit of time to do it.

0:16:25.199 --> 0:16:28.199
<v S4>But we really want to encourage people to get onto

0:16:28.199 --> 0:16:30.329
<v S4>it as soon as they can so that we can

0:16:30.329 --> 0:16:33.959
<v S4>make sure that we get everyone's feedback. And we also

0:16:33.959 --> 0:16:37.139
<v S4>want people to be able to let friends of theirs

0:16:37.139 --> 0:16:39.809
<v S4>know that the survey is going as well. A lot

0:16:39.809 --> 0:16:42.989
<v S4>of people think that because they might not listen to

0:16:42.989 --> 0:16:46.889
<v S4>Vision Australia radio locally, that potentially we might not want

0:16:46.889 --> 0:16:48.929
<v S4>to hear from them. But if you're listening to one

0:16:48.929 --> 0:16:52.319
<v S4>of our great shows as a podcast or you stream

0:16:52.319 --> 0:16:55.349
<v S4>it somewhere around Australia, you know, if you're one of

0:16:55.349 --> 0:16:59.369
<v S4>those huge talking vision fans that live around Australia, we

0:16:59.369 --> 0:17:01.619
<v S4>want to hear from you. We want to know what

0:17:01.619 --> 0:17:04.199
<v S4>you love about the show, what you like about what

0:17:04.199 --> 0:17:07.079
<v S4>we're doing. And you know, like I said, what potentially

0:17:07.079 --> 0:17:10.049
<v S4>we could be doing in terms of new content and

0:17:10.049 --> 0:17:13.619
<v S4>new programs and that you'd like to hear across the

0:17:13.619 --> 0:17:15.419
<v S4>Vision Australia Radio Network.

0:17:15.719 --> 0:17:19.649
<v S2>And people also go into the running to pick up

0:17:19.649 --> 0:17:23.579
<v S2>a couple of exciting little things if they do participate

0:17:23.579 --> 0:17:27.009
<v S2>in the survey. Conrad So just quickly before we wrap up.

0:17:27.029 --> 0:17:28.289
<v S2>Tell us a bit about them.

0:17:28.409 --> 0:17:32.159
<v S4>So if they go to RVA Radio Org and complete

0:17:32.159 --> 0:17:34.569
<v S4>the survey and it takes about, I don't know, 5

0:17:34.569 --> 0:17:39.299
<v S4>to 6 minutes, let's say there's an opportunity there. Future also, right?

0:17:39.299 --> 0:17:41.849
<v S4>A little bit more. So let's say ten minutes all up.

0:17:42.209 --> 0:17:45.209
<v S4>You can put yourself into the draw to win one

0:17:45.209 --> 0:17:50.279
<v S4>of five $100 gift cards. So those cards are always

0:17:50.279 --> 0:17:52.169
<v S4>going to come in handy at the moment, cost of

0:17:52.169 --> 0:17:54.509
<v S4>living in all of that sort of thing. So there's

0:17:54.509 --> 0:17:56.969
<v S4>a bit of an incentive there, but we really hope

0:17:56.969 --> 0:18:01.349
<v S4>that the incentive that really gets you involved in want

0:18:01.349 --> 0:18:04.469
<v S4>to participate in this survey is to let us know

0:18:04.469 --> 0:18:06.809
<v S4>what you think about what we're doing. We really want

0:18:06.809 --> 0:18:09.419
<v S4>to hear from people and we really want to find

0:18:09.419 --> 0:18:14.369
<v S4>out what our audience is enjoying and also what we

0:18:14.369 --> 0:18:18.449
<v S4>can do to engage with our community of interest better

0:18:18.449 --> 0:18:22.529
<v S4>as well. So yeah, jump online RVA Radio org and

0:18:22.529 --> 0:18:24.359
<v S4>fill out that survey please.

0:18:24.539 --> 0:18:28.329
<v S2>Every little bit of feedback. Does help us immensely. Do

0:18:28.329 --> 0:18:31.389
<v S2>feel free to check it out and have your say.

0:18:31.419 --> 0:18:35.769
<v S2>I've been speaking today with Vision Australia, manager of Radio

0:18:35.769 --> 0:18:40.509
<v S2>and Audio Services, Conrad Brown, all about the Vision Australia

0:18:40.509 --> 0:18:44.589
<v S2>Radio survey, which is currently under way. Conrad, thank you

0:18:44.589 --> 0:18:47.459
<v S2>very much for your time today. Great to catch up again.

0:18:47.469 --> 0:18:49.149
<v S4>Thank you, Sam, Always a pleasure.

0:18:52.919 --> 0:18:56.909
<v S2>It's about that time of month again where Vision Australia's newsletter,

0:18:56.909 --> 0:19:02.199
<v S2>for your information, otherwise known as FII, hits people's inboxes.

0:19:02.219 --> 0:19:06.959
<v S2>And while Helen the usual editors away on a well-earned holiday,

0:19:06.959 --> 0:19:10.229
<v S2>if I, for the time being, is currently in the

0:19:10.229 --> 0:19:14.699
<v S2>extremely capable hands of a favourite of ours on Talking vision,

0:19:14.709 --> 0:19:18.449
<v S2>Stellar Glory, who joins me now. Stella, welcome back to

0:19:18.449 --> 0:19:20.709
<v S2>Talking Vision. Thanks so much for your time today.

0:19:20.729 --> 0:19:22.909
<v S1>Oh, you don't have to thank me, Sam.

0:19:22.919 --> 0:19:26.689
<v S2>There's an exciting issue of FII coming up for people.

0:19:26.699 --> 0:19:27.749
<v S2>Tell us all about it.

0:19:27.779 --> 0:19:30.449
<v S1>Well, I'm glad you used the word exciting. So I

0:19:30.449 --> 0:19:33.299
<v S1>guess the big one we're talking about at radio is

0:19:33.299 --> 0:19:37.649
<v S1>that the radio survey is out. So Vision Australia Radio

0:19:37.649 --> 0:19:41.489
<v S1>is committed to making a difference to our community of interest.

0:19:41.489 --> 0:19:45.239
<v S1>So that's your listeners there, Sam, but it needs to

0:19:45.239 --> 0:19:50.129
<v S1>ensure it remains relevant. So now is your chance to

0:19:50.129 --> 0:19:55.189
<v S1>help the station help you with the annual radio survey.

0:19:55.199 --> 0:19:58.229
<v S1>Maybe you wake up to our live to air news

0:19:58.229 --> 0:20:01.949
<v S1>reading programs, or perhaps you'd be lost without talking tech,

0:20:01.949 --> 0:20:06.509
<v S1>not to mention talking vision. Where would you be without

0:20:06.509 --> 0:20:08.939
<v S1>talking vision? And that's not to say if you don't

0:20:08.939 --> 0:20:11.399
<v S1>do the survey, we're going to take those shows off

0:20:11.399 --> 0:20:14.429
<v S1>the air. Is there something you're burning to tell us

0:20:14.429 --> 0:20:19.409
<v S1>about how the station could improve surveys confidential and takes

0:20:19.409 --> 0:20:23.639
<v S1>around 5 to 10 minutes to complete? It will be

0:20:23.639 --> 0:20:29.399
<v S1>in the upcoming F.Y.I. It's also on our website as well.

0:20:29.789 --> 0:20:33.719
<v S1>Other things that are in the newsletter Leep program. Are

0:20:33.719 --> 0:20:34.949
<v S1>you familiar with Leap?

0:20:34.949 --> 0:20:37.769
<v S2>Sam Yes, I've had quite a few dealings with Leap,

0:20:37.769 --> 0:20:41.279
<v S2>Great little program, a lot of wonderful projects in there.

0:20:41.279 --> 0:20:44.279
<v S1>Yep. So it's created for teenagers who are blind or

0:20:44.279 --> 0:20:48.509
<v S1>have low vision 14 to 18, and the program teaches

0:20:48.509 --> 0:20:52.169
<v S1>them the confidence and skills to thrive in life and

0:20:52.169 --> 0:20:57.209
<v S1>their future work place. I've got a really interesting article

0:20:57.209 --> 0:21:01.859
<v S1>from outside the organisation about a Brisbane University student who

0:21:01.859 --> 0:21:06.479
<v S1>started an online petition calling on Netflix to add audio

0:21:06.479 --> 0:21:10.859
<v S1>description to Gilmore Girls. Now the Gilmore Girls is about

0:21:10.859 --> 0:21:13.649
<v S1>20 years old. It's been on Netflix for about eight

0:21:13.649 --> 0:21:19.259
<v S1>years already and it is still one of the most

0:21:19.259 --> 0:21:23.129
<v S1>popular shows. And this young woman. So it's got a

0:21:23.129 --> 0:21:25.859
<v S1>bit of a cult following now. It's a real icon.

0:21:25.979 --> 0:21:29.939
<v S1>She's watched it about seven times, but she said she's

0:21:29.939 --> 0:21:32.789
<v S1>still missing out on key elements of the plot because

0:21:32.789 --> 0:21:34.859
<v S1>of the lack of audio description. So it's a bit

0:21:34.859 --> 0:21:37.949
<v S1>of David and Goliath going on there. There is now

0:21:37.949 --> 0:21:40.379
<v S1>I said Netflix for eight years, but his Netflix has

0:21:40.379 --> 0:21:41.609
<v S1>been going for eight years.

0:21:41.609 --> 0:21:44.969
<v S2>It has been. It actually used to be the competition

0:21:44.969 --> 0:21:48.029
<v S2>for Blockbuster. That's how long it's been around for.

0:21:48.029 --> 0:21:52.709
<v S1>Oh, right. Blockbuster video. That's right. Bingo for audio description.

0:21:52.709 --> 0:21:56.249
<v S1>We've got some information about something for young people to

0:21:56.249 --> 0:21:59.939
<v S1>get involved with. Audio description. We've got info about a

0:21:59.939 --> 0:22:06.809
<v S1>parenting mentoring program, and I've got some news about Team Australia.

0:22:06.809 --> 0:22:12.989
<v S1>At the recent IBSA World Games. Our team came home

0:22:12.989 --> 0:22:15.269
<v S1>with a total of nine medals.

0:22:15.389 --> 0:22:16.559
<v S2>Oh my God. Yeah.

0:22:16.799 --> 0:22:20.699
<v S1>Mike Lee scooped two gold medals along with two other

0:22:20.699 --> 0:22:24.779
<v S1>team members. So that's four gold medals. There you go.

0:22:24.779 --> 0:22:29.339
<v S1>And that's all in your upcoming FYI, a client fortnightly

0:22:29.339 --> 0:22:35.009
<v S1>newsletter which I put together, especially because Helen's on holidays. Yes.

0:22:35.009 --> 0:22:38.699
<v S2>And we're looking forward to hearing what Tom Helen's been

0:22:38.699 --> 0:22:42.389
<v S2>up to once she gets back into Melbourne. I've been

0:22:42.389 --> 0:22:47.639
<v S2>speaking today with Stellar Glory, editor of Foyer information, otherwise

0:22:47.639 --> 0:22:51.809
<v S2>known as FII. And if you're someone you know would

0:22:51.809 --> 0:22:54.419
<v S2>like to be added to the mailing list to receive

0:22:54.419 --> 0:22:58.619
<v S2>FII in your inbox, simply head to the Vision Australia

0:22:58.619 --> 0:23:05.039
<v S2>website at Vision australia.org. That's Vision Australia. All one word.org

0:23:05.039 --> 0:23:08.909
<v S2>and search for your information to sign up and receive

0:23:08.909 --> 0:23:13.469
<v S2>all these stories and more in your inbox every month. Stella,

0:23:13.469 --> 0:23:15.899
<v S2>great to have you back on the show. Thanks so

0:23:15.899 --> 0:23:26.369
<v S2>much for your time. Thanks, Sam. And now here's Francis

0:23:26.369 --> 0:23:28.379
<v S2>Kelland with a reader recommended.

0:23:28.409 --> 0:23:32.219
<v S5>Thank you, Sam. This book is back of Beyond One

0:23:32.219 --> 0:23:36.809
<v S5>Woman's remarkable story of love, adventure, disasters and wonderful times

0:23:36.809 --> 0:23:41.489
<v S5>in the Gulf country. This is by Jenny Old. At 22,

0:23:41.489 --> 0:23:43.919
<v S5>Jenny fell in love with Rick old and went to

0:23:43.919 --> 0:23:46.769
<v S5>live and work with him on his property. McAllister in

0:23:46.769 --> 0:23:51.509
<v S5>the Gulf of Carpentaria. There she faced incredible hardship, living

0:23:51.509 --> 0:23:54.329
<v S5>in a hut with not even basic necessities. Her only

0:23:54.329 --> 0:23:57.749
<v S5>contact with the outside world was a two way radio.

0:23:57.959 --> 0:24:02.519
<v S5>In this vast, empty landscape, she battled drought, flood fire

0:24:02.519 --> 0:24:06.029
<v S5>and cyclones for 18 years. She and Rick struggled to

0:24:06.029 --> 0:24:10.469
<v S5>stay on in the Gulf, eventually triumphantly turning McAllister into

0:24:10.469 --> 0:24:15.839
<v S5>a thriving oasis. This extraordinary story of one indomitable Australian

0:24:15.839 --> 0:24:19.259
<v S5>woman is told in her own words with skill and humour.

0:24:19.619 --> 0:24:22.769
<v S5>A story of the Bush people and their generosity filled

0:24:22.769 --> 0:24:26.339
<v S5>with wonderful characters. Most of all, the story of one

0:24:26.339 --> 0:24:29.159
<v S5>woman's love for her man and the adventure it took

0:24:29.159 --> 0:24:32.939
<v S5>her on. McAllister The story of Jenny Olds amazing life

0:24:32.939 --> 0:24:36.599
<v S5>in the outback will captivate and enthrall. Let's hear a

0:24:36.599 --> 0:24:41.009
<v S5>sample of Back of Beyond by Jenny Old. It's narrated

0:24:41.009 --> 0:24:45.059
<v S5>by Sally Turnbull. As a child, some of my favourite

0:24:45.059 --> 0:24:45.629
<v S5>books with the.

0:24:45.629 --> 0:24:49.379
<v S6>Silver Brumby, Silver Brumby's Daughter and The Golden Stallion, which

0:24:49.379 --> 0:24:52.829
<v S6>I read and reread. I had such romantic ideas about

0:24:52.829 --> 0:24:56.579
<v S6>wild horses at McAlester. I loved to watch them gallop

0:24:56.579 --> 0:24:59.429
<v S6>across the plains when we were driving around our boundaries,

0:24:59.429 --> 0:25:04.229
<v S6>free and sure footed mainstreaming mussels gleaming the Mayor's Guide

0:25:04.229 --> 0:25:06.569
<v S6>at the Falls while the stallion was ever watchful over

0:25:06.569 --> 0:25:10.519
<v S6>his brood. This was indulgent thinking on my part. The

0:25:10.519 --> 0:25:13.329
<v S6>Brumbies had become a pest and were increasing in numbers.

0:25:13.339 --> 0:25:15.589
<v S6>They had caused a serious problem at the end of

0:25:15.589 --> 0:25:19.519
<v S6>1971 by plunging into the waterholes and stirring up the mud,

0:25:19.519 --> 0:25:22.279
<v S6>making it impossible for the cattle to drink the water.

0:25:22.339 --> 0:25:25.069
<v S6>I was distressed that these beautiful creatures might have to

0:25:25.069 --> 0:25:29.569
<v S6>be culled. Fate stepped in when A few months into 1972,

0:25:29.599 --> 0:25:33.079
<v S6>we had a visit from two brothers, Des and Morgan Walden,

0:25:33.079 --> 0:25:37.199
<v S6>who asked for permission to trap brumbies on McAlister. Just

0:25:37.199 --> 0:25:38.729
<v S6>do what you have to do and don't tell me

0:25:38.729 --> 0:25:40.919
<v S6>anything about it or discuss it in front of me,

0:25:40.919 --> 0:25:44.789
<v S6>I instructed sadly. This was a rare princess moment for me.

0:25:44.999 --> 0:25:47.309
<v S6>I did learn that the brumbies would be trapped then

0:25:47.309 --> 0:25:50.819
<v S6>yardage and trucked for sale in Cloncurry days and Morgan

0:25:50.819 --> 0:25:54.689
<v S6>camped out by the waterholes, having first constructed Hessian enclosures

0:25:54.689 --> 0:25:57.389
<v S6>into which they would guide the horses. For days the

0:25:57.389 --> 0:26:00.809
<v S6>canny animals refused to come near but finally their need

0:26:00.809 --> 0:26:03.539
<v S6>to drink drove them to overcome their fear and cautiously

0:26:03.539 --> 0:26:07.289
<v S6>approach theirs. And Morgan quickly closed the gates behind them.

0:26:07.709 --> 0:26:11.069
<v S5>And that was back of Beyond by Jenny Old. That

0:26:11.069 --> 0:26:13.859
<v S5>comes from one of the most popular genres in the library.

0:26:13.859 --> 0:26:19.109
<v S5>Australiana and biographies and memoirs are the two categories. If

0:26:19.109 --> 0:26:21.059
<v S5>you would like to join the library and enjoy some

0:26:21.059 --> 0:26:27.299
<v S5>of those fantastic books, you can call them on 1300 654 656.

0:26:27.569 --> 0:26:32.369
<v S5>That's one 306 54656. Or you can email us at

0:26:32.369 --> 0:26:38.279
<v S5>library at Vision Australia Talk. That's library and Vision Australia. Org.

0:26:38.519 --> 0:26:41.849
<v S2>And that's all we have time for today. You've been

0:26:41.849 --> 0:26:46.199
<v S2>listening to Talking Vision. Talking Vision is a production of

0:26:46.199 --> 0:26:50.189
<v S2>Vision Australia Radio. Thanks to all involved with putting the

0:26:50.189 --> 0:26:54.029
<v S2>show together And remember we love your feedback and comments,

0:26:54.029 --> 0:26:57.629
<v S2>so please do get in touch on Talking vision at

0:26:57.629 --> 0:27:04.459
<v S2>Vision australia.org. That's talking vision all one word at Vision australia.org.

0:27:04.469 --> 0:27:08.459
<v S2>But until next week it's Sam Colley saying bye for now.

0:27:11.959 --> 0:27:15.949
<v S1>You can contact Vision Australia by phoning us anytime during

0:27:15.949 --> 0:27:23.899
<v S1>business hours on one 308 4746. That's one 380 474

0:27:23.899 --> 0:27:30.109
<v S1>W6 or by visiting Vision australia.org that's Vision australia.org.