WEBVTT - Talking Vision 780 Week Beginning 12th of May 2025

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host Sam Colley.

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<v S2>Hello, everyone. It's great to be here with you. And

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<v S2>for the next half hour we talk matters of blindness

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<v S2>and low vision.

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<v S3>We really need to see service providers or other disability

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<v S3>workers calling out risky conduct. And the ultimate purpose, again,

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<v S3>is to make sure that people with disabilities are safe

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<v S3>when receiving disability services.

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<v S2>Welcome to the program. This week we have a chat

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<v S2>with Victorian Disability Worker Commissioner Dan Stubbs about a new campaign.

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<v S2>The VDC is running to ensure the safety of people

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<v S2>with disabilities when receiving support services and working with support workers.

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<v S2>That conversation's coming up very shortly, so make sure to

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<v S2>stick around. Then after you hear from Dan, I'll catch

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<v S2>up with producer, writer and actor of the new movie

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<v S2>My Eyes coming out on the 28th of May. Suzanne Chambers.

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<v S2>Then after that, we wrap up with some FYI news

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<v S2>from the editor of FYI, Liz Dalakouras. I hope you

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<v S2>enjoy this week's episode of Talking Vision. I started my

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<v S2>conversation with Dan by asking him about the Victorian Disability

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<v S2>Worker Commission and his role as commissioner.

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<v S3>Sure, Sam. So the Victorian Disability Worker Commission is the

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<v S3>only regulator like it in Australia. We regulate all disability

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<v S3>workers in Victoria and really that any support worker or

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<v S3>practitioner working with people with disabilities to support them in

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<v S3>relation to barriers created by their disability. It's a pretty

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<v S3>broad definition, and the overall objective is to promote and

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<v S3>provide for a safer, stronger disability sector in Victoria. And

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<v S3>we do that by a range of functions, including promoting

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<v S3>a code of conduct, accepting complaints from anybody and receiving

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<v S3>mandatory notifications from key people.

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<v S2>And Dan, I understand you're conducting a new campaign to

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<v S2>encourage disability providers and workers to notify the VW of

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<v S2>conduct by disability workers that may put the people they

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<v S2>support at risk. So could you explain a little bit

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<v S2>more about this?

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<v S3>Sure. So this is all about us making sure that

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<v S3>disability workers so people anyone working in the disability sector

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<v S3>and disability service providers. though employers of disability workers who

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<v S3>provide disability services know that they have an obligation to

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<v S3>notify us of certain types of conduct, and that's conduct

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<v S3>that puts people with disability at risk of harm. And

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<v S3>so the key aspect of that for people to remember

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<v S3>is if they have a reasonable belief of anyone with

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<v S3>a disability being put at risk of harm by their

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<v S3>disability worker, then we need to be told about that

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<v S3>by either the service provider or another disability worker who

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<v S3>becomes aware of that.

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<v S2>And following on from that. Dan, why do you believe

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<v S2>it's important that disability workers and their employers notify the VDC?

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<v S3>There's a few reasons. And the primary reason is because

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<v S3>often people with disabilities are in a vulnerable situation when

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<v S3>they are relying on disability workers to provide assistance to

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<v S3>them in the wide range of ways that we get

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<v S3>support from disability workers and practitioners. The other reason that

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<v S3>I think is really important is that often people with

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<v S3>disabilities themselves. So when we're using disability services, it's a

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<v S3>big ask to require that the person with disability make

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<v S3>the complaint to us. You know, I think it's the

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<v S3>hardest thing we can ever ask anyone with a disability

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<v S3>or their family to do. And that make a complaint

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<v S3>about their support worker. We really need to see service

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<v S3>providers or other disability workers calling out risky conduct. And

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<v S3>the ultimate purpose, again, is to make sure that people

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<v S3>with disabilities are safe when receiving disability services.

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<v S2>Does this apply to services to older people?

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<v S3>Dan Yeah, good question. Sam. It does because the Disability

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<v S3>Worker Commission covers people working in disability, regardless of the

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<v S3>age of the people disability. And there's many older people

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<v S3>in places like aged care settings, or even in their

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<v S3>own home where they're receiving my aged care type services.

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<v S3>They're usually receiving those kind of services because they have

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<v S3>a disability. It might be an age related disability, but

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<v S3>they are still receiving disabilities. So it doesn't matter what

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<v S3>age someone is. It's about the fact that they're receiving

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<v S3>a service in relation to their disability.

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<v S2>Could you give examples of some types of conduct that

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<v S2>absolutely must be notified to the Commission, the sort of

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<v S2>things they're looking to be aware of and stamp out?

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<v S3>There are four general categories that we require people to

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<v S3>notify us of risky conduct. There's the situation where a

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<v S3>worker is intoxicated by drugs or alcohol when working as

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<v S3>a disability worker. The second one is when a disability

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<v S3>worker has engaged in sexual misconduct while working. There's the

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<v S3>situation where a disability worker has an impairment that puts

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<v S3>a person with disability at risk of harm when they're practicing. Now,

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<v S3>I just want to clarify. That doesn't mean that someone

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<v S3>with a disability can't be a worker. It's very much

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<v S3>about if that impairment puts someone at risk of harm.

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<v S3>And the final one and the one where we deal

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<v S3>with a lot. It's where a disability worker has departed

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<v S3>from acceptable professional standards in the delivery of their disability service.

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<v S3>And that's a fairly broad definition. But really, I really

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<v S3>want people to concentrate on a disability worker putting someone

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<v S3>with disability at risk of harm. That's the key criteria

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<v S3>that overlays all of those areas of conduct.

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<v S2>When should a disability service provider or a worker make

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<v S2>a notification?

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<v S3>The key driver for that is when another worker or

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<v S3>the service provider has a reasonable belief that a disability

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<v S3>worker has put a person with disability at risk of harm.

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<v S2>Dan, I noticed you mentioned reasonable belief in there. Could

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<v S2>you expand on that a bit?

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<v S3>Reasonable belief is if someone has some sort of direct

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<v S3>knowledge of the risky conduct that a worker is engaged in.

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<v S3>So it's not going to be when someone maybe has

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<v S3>a suspicion, but they don't also need to have seen

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<v S3>the conduct. They can reasonably believe it because they had

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<v S3>it reported directly to them by someone who witnessed it.

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<v S3>So it's more than just a suspicion, but it doesn't

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<v S3>mean you have to have direct evidence of that conduct.

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<v S2>Do disability service providers and workers still have to notify

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<v S2>the VDS if they have reported it to the NDIS

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<v S2>Quality and Safeguards Commission?

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<v S3>Yeah. One of the things about Victoria is that we

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<v S3>have this scheme that regulates all disability workers across all

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<v S3>types of funding and yes, some disability workers are funded

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<v S3>by the NDIS, some are funded in the aged care

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<v S3>setting and some are funded in other places like education

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<v S3>and health, we do require all types of conduct that

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<v S3>put people with disabilities at risk of harm to be

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<v S3>notified to us, particularly by service providers. It's really important

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<v S3>that they let us know. Sometimes service providers will finish

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<v S3>someone up or let them go if they are unhappy

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<v S3>with their conduct. We want to be able to make

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<v S3>sure that worker doesn't just go and act in the

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<v S3>same way, with the same risky conduct at another service provider.

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<v S3>And when we do receive these notifications, we are obliged

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<v S3>to let the NDIS Quality and Safeguards Commission know about something.

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<v S3>So anyone notifying us can feel confident that once they've

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<v S3>told us if it is a matter, if it is

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<v S3>an area of service that is funded by the NDIS,

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<v S3>then they can be confident that the NDIS Commission will

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<v S3>be notified by Arth two.

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<v S2>What is your message to our listeners regarding mandatory notifications?

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<v S3>I think the key thing is I know listeners will

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<v S3>be users of disability services in different way, and I

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<v S3>think people need to feel confident that if they use

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<v S3>the services of any disability support worker, they are being

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<v S3>held to a standard in Victoria where they have to

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<v S3>be notified about if they are putting someone at risk

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<v S3>of harm. And I think it's also important that if

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<v S3>you experience the sort of conduct by a disability support

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<v S3>worker that you feel has put you at risk of harm,

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<v S3>you can let the service provider know and they will

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<v S3>have to tell us. And I think that's really important.

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<v S3>You don't need to necessarily do much more than that.

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<v S2>What's your message to disability service providers regarding their workers

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<v S2>and mandatory notifications?

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<v S3>It's really important that service providers recognise that it's a

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<v S3>lawful obligation, that they notify us of unsafe conduct by

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<v S3>any disability support worker, and they should also make sure

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<v S3>that the workers who they employ are qualified and capable

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<v S3>and operate to a certain standard and know their obligations

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<v S3>to report certain types of conduct. Know how to report

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<v S3>that conduct to us. And probably most importantly, feel supported

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<v S3>by their employer to notify them and us of concerns

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<v S3>they have.

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<v S2>Only. Dan, how can anyone find more information about mandatory

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<v S2>notifications or the VD c more broadly?

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<v S3>First of all, I just want to let everyone know

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<v S3>that in a few weeks time, we're holding a webinar

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<v S3>for anyone interested. That's later in May. We're holding that webinar,

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<v S3>and people can log into that or see a recorded

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<v S3>version on our website, and that will set out all

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<v S3>the information anyone needs to know about making a notification.

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<v S3>People can go to our website, which is simply. We're

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<v S3>pretty easy to find on the internet by just googling us,

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<v S3>the Disability Worker Commission in Victoria, and if there's any

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<v S3>workers out there or service providers and they believe there

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<v S3>has been the sort of conduct they need to notify

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<v S3>us of, but you're not sure. Let us know and

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<v S3>we'll talk you through that. Our intake staff are people

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<v S3>who are very experienced in the disability sector, and we

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<v S3>can talk people through what that is. And if people

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<v S3>with disabilities want to let us know about poor quality

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<v S3>services or the type of services that they think is

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<v S3>putting them at risk of harm, they can also call

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<v S3>us directly and we can deal with that directly with

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<v S3>them as well. So please don't hesitate to give us

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<v S3>a call and talk us through any matter that you're

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<v S3>concerned about with your disability worker.

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<v S2>I've been speaking today with Victoria Disability Worker Commissioner Dan

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<v S2>Stubbs about the latest campaign. The commission is currently running

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<v S2>to inform people about mandatory notifications and give greater awareness

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<v S2>for the rights of people with disabilities. On Sam Culley

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<v S2>and Joel listening to Talking Vision on Vision Australia Radio,

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<v S2>associated stations of Reading Radio and the Community Radio Network.

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<v S2>I hope you enjoyed that conversation there with Dan Stubbs.

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<v S2>If you missed any part of that conversation with Dan

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<v S2>or you'd love to hear it again. Talking vision is

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<v S2>available on the Vision Australia Radio website. Simply head to

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<v S2>RVA radio. That's RVA radio all one word dot. Or

0:12:32.760 --> 0:12:36.120
<v S2>you can also find the program on the podcast app

0:12:36.120 --> 0:12:40.200
<v S2>of your choice or through the Vision Australia library. And

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<v S2>now please enjoy my chat with writer, producer and actor

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<v S2>Suzanne Chambers. I started off by asking Suzanne about her

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<v S2>new movie, My Eyes.

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<v S4>Yes, well, it is a feature film inspired by true events, actually,

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<v S4>of my life. When I volunteered at the Paralympic Games

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<v S4>and fell in love with a judo athlete, actually, by

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<v S4>the way. Um, but it's a beautiful film, actually, about love, resilience.

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<v S4>The lengths we go for family also raises awareness about

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<v S4>preventative eye health as well, which is true to my

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<v S4>heart being an optometrist by trade, and it stars an

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<v S4>amazing cast as well. We've got Adam Garcia, who some

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<v S4>of you may remember from Coyote Ugly Bootmen back in

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<v S4>the day. Eduardo Sanchez, who is a Mexican judo Paralympic champion.

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<v S4>He won gold twice and CU Chin from the Joy

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<v S4>Luck Club. If you're big fans of that movie. So

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<v S4>it's something that we've worked incredibly hard to create. And yeah,

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<v S4>glad it's out. Coming out.

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<v S2>Yeah. Now, um, tell us a little bit about your

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<v S2>involvement with my eyes. Suzanne. Um, I understand you're the

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<v S2>producer of the movie.

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<v S4>Actually, I'm on both sides of the camera. Actor, writer

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<v S4>and producer. Oh, okay. So, yes, but in terms of

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<v S4>the story, yeah, it is obviously something very close to

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<v S4>my heart. It's almost like a love letter. Back to

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<v S4>the IC industry, really, from my perspective, something that I

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<v S4>wrote back in Covid, you know, five years ago, based

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<v S4>on obviously, my experiences with volunteering when working with the

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<v S4>judo athletes who are vision impaired. And it was such

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<v S4>a profound experience. Obviously, I wanted to really tell the story,

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<v S4>and it was one of the things that I also

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<v S4>produced it, which basically means the buck stops with me

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<v S4>when making everything happen. And it was a hard decision

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<v S4>also to decide whether or not to play my character

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<v S4>in the film. Originally, I wasn't going to do that.

0:14:32.120 --> 0:14:34.360
<v S4>I went, oh no, let's get someone famous, you know,

0:14:34.359 --> 0:14:37.120
<v S4>like a Aquafina or Gemma Chan or someone. But one

0:14:37.120 --> 0:14:40.239
<v S4>of my mentors said to me that, you know, he said, Suze, it's,

0:14:40.280 --> 0:14:41.880
<v S4>you know, this is your story and you've got to

0:14:41.880 --> 0:14:44.640
<v S4>think really hard about it. If you ended up seeing

0:14:44.640 --> 0:14:47.120
<v S4>someone else play you in this, are you going to

0:14:47.120 --> 0:14:49.080
<v S4>regret it? You know, because it's one of a lifetime

0:14:49.080 --> 0:14:51.720
<v S4>kind of shots. And so something that I thought about

0:14:51.720 --> 0:14:54.479
<v S4>and went, okay, no, okay. All right. I will regret it.

0:14:54.520 --> 0:14:57.479
<v S4>And so I decided obviously to play also my character

0:14:57.479 --> 0:15:00.230
<v S4>in the film. So yes, a few hats. Still, though,

0:15:00.270 --> 0:15:01.150
<v S4>in the making of it.

0:15:01.190 --> 0:15:05.710
<v S2>Certainly. And Suzanne, as you've mentioned there, this has been

0:15:05.710 --> 0:15:09.190
<v S2>quite a few years in the making. Um, and of course,

0:15:09.229 --> 0:15:12.109
<v S2>Covid does sort of throw a spanner in the works

0:15:12.109 --> 0:15:17.030
<v S2>in terms of preparation and availability of people and resources

0:15:17.030 --> 0:15:19.629
<v S2>and all that sort of thing. Did that slow things

0:15:19.630 --> 0:15:22.310
<v S2>down for you, or did it all sort of really

0:15:22.350 --> 0:15:25.790
<v S2>take off after anyway? So it wasn't in the pipeline

0:15:25.790 --> 0:15:26.869
<v S2>just yet?

0:15:26.910 --> 0:15:29.229
<v S4>Yeah. Well, I guess a blessing in disguise with the

0:15:29.229 --> 0:15:32.190
<v S4>Covid was that it gave me time to develop the

0:15:32.190 --> 0:15:35.710
<v S4>script to write. I mean, I was working quite heavily

0:15:35.710 --> 0:15:38.350
<v S4>as an optometrist at that time as well, because even

0:15:38.350 --> 0:15:40.950
<v S4>though the entertainment industry might have ceased, that's when all

0:15:40.950 --> 0:15:43.590
<v S4>our healthcare services, you know, hemorrhaged really in terms of

0:15:43.590 --> 0:15:46.470
<v S4>the need. But in terms of the impacts, it was

0:15:46.470 --> 0:15:49.590
<v S4>hard to decide whether or not to shoot overseas or

0:15:49.590 --> 0:15:52.630
<v S4>within Australia, because once we decided that we were going

0:15:52.630 --> 0:15:55.509
<v S4>to have Eduardo play the role of, well, pretty much

0:15:55.510 --> 0:15:58.770
<v S4>play himself, being the character and having tunnel vision. You know,

0:15:58.810 --> 0:16:01.450
<v S4>it was hard going. Can we shoot in Mexico? Actually,

0:16:01.450 --> 0:16:04.450
<v S4>the resounding answer was no. But. So fortunately, by the

0:16:04.450 --> 0:16:07.490
<v S4>time we got to production and Borders open, that's when

0:16:07.490 --> 0:16:09.170
<v S4>we went, okay, let's see what we can do and

0:16:09.170 --> 0:16:10.570
<v S4>actually shoot over there as well.

0:16:10.770 --> 0:16:16.129
<v S2>Was this the first movie that you'd put together yourself?

0:16:16.170 --> 0:16:20.450
<v S2>Had you been involved with production or acting or any

0:16:20.450 --> 0:16:24.090
<v S2>of that sort of thing prior to my eyes? Or

0:16:24.130 --> 0:16:27.290
<v S2>was this the first kind of foray into that for you?

0:16:27.330 --> 0:16:30.970
<v S4>I've actually been in the industry now for 11 years professionally.

0:16:31.130 --> 0:16:33.770
<v S4>I know, I know, My Eyes is actually my third

0:16:33.770 --> 0:16:37.729
<v S4>major feature film. My first one, unsound, was actually back

0:16:37.729 --> 0:16:40.970
<v S4>in Covid days, actually, and that was actually about a

0:16:40.970 --> 0:16:44.690
<v S4>deaf trans man, actually. And another love story in a

0:16:44.690 --> 0:16:46.850
<v S4>sense with that. But it was my biggest one so

0:16:46.850 --> 0:16:49.369
<v S4>far in a sense of in terms of the budget,

0:16:49.650 --> 0:16:52.649
<v S4>it was like a $4 million feature film. My eyes and,

0:16:52.690 --> 0:16:55.050
<v S4>you know, yes, I've been obviously, you know, acting and

0:16:55.050 --> 0:16:58.150
<v S4>writing and producing all through the last decade and in

0:16:58.150 --> 0:17:00.789
<v S4>my day job I also work as a production accountant.

0:17:01.390 --> 0:17:03.950
<v S4>I believe my brain, I know, and then I work

0:17:03.950 --> 0:17:06.550
<v S4>on other major productions as well in relation to that.

0:17:06.550 --> 0:17:09.629
<v S4>But yes, it's a big undertaking making these projects. They

0:17:09.629 --> 0:17:11.470
<v S4>take many, many years to get up.

0:17:11.510 --> 0:17:14.109
<v S2>Um, you know, juggling all of that with the day

0:17:14.109 --> 0:17:18.190
<v S2>job and being the accountant and being involved with optometry

0:17:18.190 --> 0:17:24.590
<v S2>and being involved with writing, producing, acting, everything. So that's just, um, incredible.

0:17:24.590 --> 0:17:27.310
<v S2>But let's have a bit of a chat about the

0:17:27.310 --> 0:17:31.430
<v S2>finer details of my eyes and when people can go

0:17:31.430 --> 0:17:36.030
<v S2>and check it out. So it releases on the 28th

0:17:36.030 --> 0:17:40.429
<v S2>of May. Where can people go and watch if they'd

0:17:40.430 --> 0:17:41.470
<v S2>like to head along?

0:17:41.669 --> 0:17:46.430
<v S4>Yeah, yeah, it's incredibly exciting. We are releasing across select

0:17:46.430 --> 0:17:51.350
<v S4>cinemas around Australia, New Zealand and the United States, and

0:17:51.350 --> 0:17:54.590
<v S4>because every portion of every ticket that we sell, for

0:17:54.590 --> 0:17:58.090
<v S4>my eyes, it's actually being distributed evenly amongst a group

0:17:58.090 --> 0:18:01.369
<v S4>of not for profit organizations dedicated to eye care and

0:18:01.369 --> 0:18:04.169
<v S4>blind sports. And so because of that, tickets can only

0:18:04.169 --> 0:18:09.330
<v S4>be found on the Fan Force website, which is fan force.

0:18:12.169 --> 0:18:15.930
<v S4>And basically that's where you'll see all the location times.

0:18:15.930 --> 0:18:19.889
<v S4>We've got a few obviously in Melbourne, Sydney and across

0:18:19.889 --> 0:18:22.850
<v S4>every single state and territory in Australia. And as I mentioned,

0:18:22.889 --> 0:18:25.649
<v S4>New Zealand and with some of these screenings, we're obviously

0:18:25.649 --> 0:18:28.169
<v S4>having a Q&amp;A as well. So you'll get to actually

0:18:28.169 --> 0:18:32.050
<v S4>meet myself. You'll get to also meet Eduardo Sanchez, who

0:18:32.050 --> 0:18:35.290
<v S4>is the real life judo Paralympic champion coming through as well,

0:18:35.290 --> 0:18:38.050
<v S4>and also some of the other cast and crew in

0:18:38.050 --> 0:18:40.409
<v S4>various different screenings. So it's going to be a lot

0:18:40.409 --> 0:18:44.409
<v S4>of fun. We had our world premiere at the 39th

0:18:44.409 --> 0:18:48.609
<v S4>Mar de Plata International Film Festival in Argentina last year. Actually,

0:18:48.649 --> 0:18:50.890
<v S4>it's one of the most prestigious and only class A

0:18:50.930 --> 0:18:54.369
<v S4>film festivals in Latin America, and it was incredible. The

0:18:54.369 --> 0:18:58.110
<v S4>film also got picked to represent Australia at the 69th

0:18:58.109 --> 0:19:00.869
<v S4>Asia Pacific Film Festival, Macao, which I was also very

0:19:00.869 --> 0:19:03.470
<v S4>lucky to be invited to go across, and we only

0:19:03.470 --> 0:19:06.550
<v S4>just had a full house recently, last week actually at

0:19:06.550 --> 0:19:09.630
<v S4>the Gold Coast Film Festival as part of that. And yes,

0:19:09.629 --> 0:19:11.629
<v S4>and you know, we really enjoyed the Q&amp;A. We had

0:19:11.669 --> 0:19:14.550
<v S4>great response. And yeah, it was a great start to this.

0:19:14.550 --> 0:19:17.429
<v S4>And we're really hoping that we can raise awareness about

0:19:17.470 --> 0:19:22.070
<v S4>preventative health, about inclusion, and to really put our industry

0:19:22.070 --> 0:19:24.310
<v S4>and vision on the map. You know, I think it's

0:19:24.310 --> 0:19:27.070
<v S4>something that's quite unique and it's never really seen much

0:19:27.109 --> 0:19:28.350
<v S4>on the big screen.

0:19:28.389 --> 0:19:31.590
<v S2>As you've said, you've released a couple of movies before,

0:19:31.590 --> 0:19:35.670
<v S2>but this is the one that's really focusing in on vision,

0:19:35.710 --> 0:19:39.070
<v S2>on eye health, on what people who are blind or

0:19:39.070 --> 0:19:42.150
<v S2>have low vision are capable of. And so was that

0:19:42.149 --> 0:19:45.830
<v S2>something you'd always really wanted to get stuck into and

0:19:45.830 --> 0:19:49.109
<v S2>tell that story and show the world what people from

0:19:49.109 --> 0:19:51.510
<v S2>the blind and low vision community can do?

0:19:51.790 --> 0:19:54.629
<v S4>Yeah, absolutely. It is one of my passions of mine.

0:19:54.629 --> 0:19:58.010
<v S4>I come from a public health background with optometry. Spent

0:19:58.010 --> 0:19:59.970
<v S4>a lot of time in third world countries, and I

0:19:59.970 --> 0:20:03.369
<v S4>really wanted through this story to show that people with

0:20:03.369 --> 0:20:06.570
<v S4>vision impairments, with any form of disability, it's not a

0:20:06.609 --> 0:20:09.810
<v S4>negative thing, in a sense of that typical trope. You know,

0:20:09.850 --> 0:20:12.530
<v S4>the stereotype that we tend to see or fall into

0:20:12.570 --> 0:20:16.410
<v S4>in the story. It is uplifting. It's seeing people with

0:20:16.409 --> 0:20:19.330
<v S4>vision impairment just be normal people, you know, like they

0:20:19.330 --> 0:20:21.490
<v S4>can fall in love. They can have, you know, children,

0:20:21.490 --> 0:20:24.409
<v S4>they have emotions. They're grappling drama, right? And they can

0:20:24.409 --> 0:20:27.850
<v S4>be super hot, you know, like just like, you know, Eduardo,

0:20:27.889 --> 0:20:30.889
<v S4>he's amazing, amazing person. And you know, with just like

0:20:30.889 --> 0:20:34.609
<v S4>everyday people, you know, and that's where the authenticity comes from. And,

0:20:34.609 --> 0:20:37.450
<v S4>and I think it's something that it's important to just reinforce,

0:20:37.450 --> 0:20:40.129
<v S4>but in a very entertaining way. It's something that I

0:20:40.129 --> 0:20:43.290
<v S4>do focus on in my work. I call it Impact Entertainment.

0:20:43.330 --> 0:20:45.050
<v S4>You know, we want to make a positive impact but

0:20:45.050 --> 0:20:46.050
<v S4>also entertain.

0:20:46.169 --> 0:20:50.050
<v S2>Mhm. For sure. Now let's get the details about a

0:20:50.050 --> 0:20:53.630
<v S2>movie launch event, which is coming up on the 2nd

0:20:53.629 --> 0:20:57.629
<v S2>of June for Sydneysiders out there to head along to.

0:20:58.109 --> 0:21:01.230
<v S2>It's at the Burwood Cinema. So tell us a bit

0:21:01.230 --> 0:21:02.109
<v S2>about that one.

0:21:02.149 --> 0:21:05.470
<v S4>Yeah, yeah. So very excited that we're going to have

0:21:05.470 --> 0:21:09.710
<v S4>someone from Vision Australia hosting that event. Actually we're going

0:21:09.710 --> 0:21:14.070
<v S4>to be having myself, one of our consultant directors, Eduardo,

0:21:14.230 --> 0:21:17.869
<v S4>there for the Q&amp;A, which means that audiences can ask

0:21:17.869 --> 0:21:20.710
<v S4>us anything. It is free rein.

0:21:20.750 --> 0:21:21.109
<v S2>Wow.

0:21:21.149 --> 0:21:23.989
<v S4>Okay. And yeah, and you obviously get to see the

0:21:23.990 --> 0:21:26.630
<v S4>movie and be amongst the crowd. And yeah, we just

0:21:26.629 --> 0:21:29.669
<v S4>want to amplify these voices and it's going to be exciting.

0:21:29.669 --> 0:21:31.870
<v S4>It's going to be the same with every single Q&amp;A

0:21:31.909 --> 0:21:34.430
<v S4>that's going to be across the country, really. And we're really,

0:21:34.430 --> 0:21:35.510
<v S4>really looking forward to it.

0:21:35.510 --> 0:21:39.630
<v S2>Looking forward to hearing what sort of questions come your way.

0:21:39.669 --> 0:21:42.230
<v S2>I'll have to keep tabs on that one. That could

0:21:42.230 --> 0:21:45.950
<v S2>be quite interesting. But yeah. Suzanne, thank you so much.

0:21:46.070 --> 0:21:48.909
<v S2>It's been a pleasure to catch up with you today

0:21:48.909 --> 0:21:53.310
<v S2>and chat about my eyes. So that's my eyes coming

0:21:53.310 --> 0:21:58.210
<v S2>out on the 28th of May across Australia, New Zealand

0:21:58.210 --> 0:22:02.010
<v S2>and the USA. And if you're in Sydney, you can

0:22:02.010 --> 0:22:05.850
<v S2>head along to a session that Vision Australia is involved

0:22:05.850 --> 0:22:10.250
<v S2>with on the 2nd of June. Suzanne, thank you so much.

0:22:10.290 --> 0:22:13.330
<v S2>It's been so good and I'm really excited to hear

0:22:13.330 --> 0:22:14.490
<v S2>how the movie goes.

0:22:14.730 --> 0:22:17.490
<v S4>Yeah. Thank you so much, Sam. Thanks, everyone.

0:22:20.570 --> 0:22:25.490
<v S2>And now here's Liz Dalakouras, editor of For Your Information,

0:22:25.490 --> 0:22:29.570
<v S2>otherwise known as FYI. We kicked off our chat this

0:22:29.570 --> 0:22:32.290
<v S2>week by chatting about a few articles.

0:22:32.450 --> 0:22:36.250
<v S5>Yeah, absolutely. So one that's proven quite popular this week

0:22:36.250 --> 0:22:40.929
<v S5>just speaks about the cost of NDIS misinformation. So Steph Travers,

0:22:40.930 --> 0:22:43.850
<v S5>who's the board director at the people with Disabilities Australia,

0:22:43.850 --> 0:22:47.690
<v S5>who also receives the NDIS herself. She recently spoke out

0:22:47.690 --> 0:22:50.690
<v S5>about the public discourse that's left her and many others

0:22:50.690 --> 0:22:54.010
<v S5>in the community feeling like a political football. It's just

0:22:54.010 --> 0:22:57.790
<v S5>a really interesting opinion piece article that really highlights the

0:22:57.790 --> 0:23:00.109
<v S5>importance of getting the information right when it comes to

0:23:00.109 --> 0:23:00.910
<v S5>the NDIS.

0:23:01.230 --> 0:23:04.110
<v S2>And there's a couple of other articles that people can

0:23:04.109 --> 0:23:05.510
<v S2>look forward to as well is.

0:23:05.550 --> 0:23:09.230
<v S5>Absolutely there is. So we at Vision Australia have created

0:23:09.230 --> 0:23:12.590
<v S5>a new one that focuses on advocating for yourself, as

0:23:12.590 --> 0:23:15.350
<v S5>in someone who is in the aged care system. So

0:23:15.350 --> 0:23:19.390
<v S5>no matter your age, your location or your circumstances, remember

0:23:19.389 --> 0:23:21.590
<v S5>that you always have the right to advocate for yourself

0:23:21.590 --> 0:23:24.390
<v S5>and take control of your life. That article can be

0:23:24.389 --> 0:23:26.310
<v S5>found in the news section of our website.

0:23:26.350 --> 0:23:29.830
<v S2>Third, and finally, there's a third article of Vision Australia's

0:23:29.869 --> 0:23:30.910
<v S2>been involved with.

0:23:30.950 --> 0:23:34.510
<v S5>Absolutely. It's a really interesting topic, Sam. It's about protecting

0:23:34.510 --> 0:23:38.909
<v S5>your information online. So going online we know can be

0:23:38.909 --> 0:23:41.230
<v S5>quite a scary thing, particularly when you're asked to put

0:23:41.230 --> 0:23:44.669
<v S5>in your bank details, your address, your phone number. Nobody's

0:23:44.710 --> 0:23:46.590
<v S5>keen to do it, but we know there are safe

0:23:46.590 --> 0:23:48.550
<v S5>and non-safe ways to do it. And this is the

0:23:48.550 --> 0:23:52.430
<v S5>sort of article that just helps you feel more confident

0:23:52.430 --> 0:23:55.570
<v S5>and comfortable being online and live.

0:23:55.609 --> 0:23:59.170
<v S2>There's different ways for people who are blind or have

0:23:59.169 --> 0:24:03.889
<v S2>low vision to enjoy their favorite sport, with some tactile feedback.

0:24:03.930 --> 0:24:08.170
<v S2>That's now becoming available, so that's quite exciting for people

0:24:08.169 --> 0:24:08.649
<v S2>out there.

0:24:08.690 --> 0:24:11.769
<v S5>It really is. It's not only exciting, it's really cool.

0:24:11.810 --> 0:24:14.810
<v S5>Imagine following a live sporting match with your hands. It's

0:24:14.810 --> 0:24:19.170
<v S5>an incredible innovation. This device has real time vibrations that

0:24:19.169 --> 0:24:21.609
<v S5>are mapped out to the action, and it just changes

0:24:21.609 --> 0:24:25.730
<v S5>the way you can watch tennis, basketball, baseball, AFL, whatever

0:24:25.730 --> 0:24:27.730
<v S5>sport it is you enjoy, you get to now feel

0:24:27.730 --> 0:24:28.369
<v S5>the game.

0:24:28.369 --> 0:24:32.290
<v S2>That's right. But on a slightly related topic, there's also

0:24:32.290 --> 0:24:35.930
<v S2>some life hacks for people to enjoy and check out

0:24:35.970 --> 0:24:39.369
<v S2>and see what works for them. In particular, I think, Liz,

0:24:39.369 --> 0:24:42.169
<v S2>you wanted to have a chat about rubber bands.

0:24:42.290 --> 0:24:46.290
<v S5>Absolutely. So as a part of FYI, moving forward, we're

0:24:46.290 --> 0:24:48.770
<v S5>going to have a little section that's going to highlight

0:24:48.810 --> 0:24:50.609
<v S5>our life hacks, and there'll be a new one in

0:24:50.649 --> 0:24:54.350
<v S5>there every week to kick off this series. We used

0:24:54.350 --> 0:24:57.070
<v S5>one of the new videos in our series. Who knew

0:24:57.109 --> 0:24:59.390
<v S5>that rubber bands could be your new best friend? So

0:24:59.430 --> 0:25:03.030
<v S5>this video will highlight that. Simply put a rubber band

0:25:03.030 --> 0:25:05.670
<v S5>on your sauce bottle and not on your mustard bottle

0:25:05.669 --> 0:25:08.429
<v S5>so you know which one is which. It's an amazing video.

0:25:08.430 --> 0:25:11.430
<v S5>Visit our website, jump on the Lifehack section and you

0:25:11.430 --> 0:25:14.550
<v S5>will lose yourself scrolling down and seeing all these cool

0:25:14.550 --> 0:25:15.749
<v S5>little tips and tricks.

0:25:15.750 --> 0:25:21.470
<v S2>And Liz, I understand the calendar artwork competitions back open

0:25:21.470 --> 0:25:24.390
<v S2>again for people to take part. Tell us a bit

0:25:24.389 --> 0:25:25.350
<v S2>about that one.

0:25:25.389 --> 0:25:28.790
<v S5>Yeah, it sure is. It's such a great competition, Sam.

0:25:28.950 --> 0:25:31.669
<v S5>You simply submit your artwork and then you have a

0:25:31.669 --> 0:25:35.989
<v S5>chance to be featured in our large print calendar or diary. Plus,

0:25:36.030 --> 0:25:39.070
<v S5>you can win a $200 gift card. Wow. So it's

0:25:39.070 --> 0:25:41.790
<v S5>time to ready, set, create, because then you get to

0:25:41.790 --> 0:25:44.510
<v S5>have your artwork displayed in people's homes.

0:25:44.510 --> 0:25:48.710
<v S2>Fantastic. Now it's always a great competition and it's always

0:25:48.710 --> 0:25:52.550
<v S2>lovely to check out the winning entries. There's a lot

0:25:52.550 --> 0:25:56.570
<v S2>of amazing talent out there, so look forward to checking

0:25:56.570 --> 0:26:01.810
<v S2>out this year's edition. And speaking of editions, the way

0:26:01.810 --> 0:26:05.290
<v S2>that you can sign up to the FYI mailing list

0:26:05.330 --> 0:26:10.649
<v S2>hasn't changed. Go on to the Vision Australia website and

0:26:10.690 --> 0:26:15.170
<v S2>head to FYI and you can get your email on

0:26:15.169 --> 0:26:17.770
<v S2>the FYI mailing list. Isn't that right, Liz?

0:26:17.810 --> 0:26:21.810
<v S5>That's exactly right. Super easy. Delivered to your inbox every

0:26:21.810 --> 0:26:22.889
<v S5>second Thursday.

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<v S2>Perfect. There you go. I've been speaking today with Liz Dalakouras,

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<v S2>editor of Foyer Information, otherwise known as FYI, having a

0:26:33.090 --> 0:26:36.890
<v S2>chat with me today about the latest edition of Vision

0:26:36.889 --> 0:26:41.209
<v S2>Australia's fortnightly newsletter. Liz, thank you so much as always

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<v S2>for your time today. Great to catch up with you

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<v S2>and have a chat about FYI.

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<v S5>Absolutely. Thank you for having me Sam. It's always so

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<v S5>much fun.

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<v S2>And that's all the time we have for today. You've

0:26:57.990 --> 0:27:02.149
<v S2>been listening to Talking Vision. Talking vision is a Vision

0:27:02.190 --> 0:27:06.310
<v S2>Australia radio production. Thanks to all involved with putting the

0:27:06.310 --> 0:27:10.510
<v S2>show together every week. And remember, we love hearing from you.

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<v S2>So please get in touch anytime on our email at

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<v S2>Talking at Vision Australia. That's talking vision all. One word

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<v S2>at Vision Australia. But until next week it's Sam Culley

0:27:24.629 --> 0:27:26.109
<v S2>saying bye for now.

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<v S1>You can contact Vision Australia by phoning us anytime during

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<v S1>business hours on one 384 746. That's one 384 74

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<v S1>six or by visiting Vision Australia. That's Vision Australia.