WEBVTT - Talking Vision 760 Week Beginning 23rd of December 2024

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host, Sam Colley.

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<v S2>Hello, everyone. It's great to be here with you. And

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<v S2>for the next half hour, we talk matters of blindness

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<v S2>and low vision.

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<v S3>Ho ho ho. Merry Christmas. Thank you for helping light

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<v S3>up the lives of children who are blind or have

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<v S3>low vision this Christmas. Merry Christmas.

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<v S2>Welcome to this special Christmas episode of Talking Vision. You

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<v S2>heard right. That was Santa there with a special message

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<v S2>for Vision Australia Radio and Vision Australia more broadly for

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<v S2>their work in 2024. And we wish everybody out there

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<v S2>a merry Christmas as well from the team at Talking Vision. Envision. Today,

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<v S2>we feature a couple of my favorite interviews over 2024,

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<v S2>starting with Catholic O&amp;M, who was the recipient of an

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<v S2>Order of Australia for her work in the community radio

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<v S2>sector over the past four decades. Let's hear from Kath now.

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<v S2>Kath Lietch is a name familiar to many in the

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<v S2>community radio sector, having been involved in community radio for

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<v S2>over four decades now at stations in Perth and Melbourne,

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<v S2>as well as nationally with the Community Broadcasting Association of Australia,

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<v S2>and is the recent recipient of an OAM for her

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<v S2>services to community radio. In the spirit of World Radio Day,

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<v S2>it's my great pleasure to welcome Kath now. Kath, welcome

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<v S2>to Talking Vision. Thank you very much for your time.

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<v S4>Hi Sam. Nice to talk with you.

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<v S2>Now, Kath, as I understand you've been involved with community

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<v S2>radio for well over three decades now. So what sort

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<v S2>of kicked it all off for you? Where did you

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<v S2>get started?

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<v S4>I started with a station called six Uvws, now known

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<v S4>as RTR in Perth in the late 70s. So quite

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<v S4>some time back now. And I had a range of

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<v S4>friends and acquaintances that were involved in the radio station,

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<v S4>and I came to it through that network. And uh,

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<v S4>six Uvws was an educational station associated with the University

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<v S4>of Western Australia, and at a sort of later stage, also, Murdoch,

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<v S4>it's been through a number of changes, and it's a

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<v S4>completely independent community based station now as RTR FM.

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<v S2>And how did you sort of get bitten by the

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<v S2>radio bug? What was the sort of thing that really

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<v S2>sparked that off for you at a young age?

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<v S4>I think it was largely out of a music interest

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<v S4>at that time. RTI was a mixture of fine music

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<v S4>because the university had a fine music department and talks,

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<v S4>and what sounds rather quaint now was that a group

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<v S4>of young people were interested in non-classical music of all

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<v S4>kinds of genres, but contemporary music. And I think that

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<v S4>was the starting point of my interest. It was an

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<v S4>era when music was not so available to people in

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<v S4>the way it is now online, and that was the

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<v S4>sort of start of my engagement as a volunteer and

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<v S4>being involved in a couple of different programs. As time

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<v S4>went by, I became more and more interested in the

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<v S4>kind of talks and conversation sides of radio, but certainly

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<v S4>in those early years it was music that took me

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<v S4>into it.

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<v S2>And Kathe, well, fast forward now a little while, to

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<v S2>a couple of the management positions that you've been involved

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<v S2>with over the time with, you know, being the general manager,

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<v S2>for example, of triple R for the best part of

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<v S2>15 years. So you would have seen so many, you know,

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<v S2>changes over that time. So what was the biggest sort

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<v S2>of or 1 or 2 of the biggest sort of

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<v S2>changes that you observed in your time?

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<v S4>I guess the really big change was computerization and digitization

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<v S4>and the kind of introduction of the online world. And, um,

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<v S4>you know, that has created very sort of significant changes

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<v S4>in the production of radio, not necessarily the nature of

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<v S4>radio itself, but certainly in the production and operations of

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<v S4>radio stations. And of course, as various forms of online

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<v S4>communications have developed. The advent of social media and the

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<v S4>multiplication of a range of online communication. Points. So I think,

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<v S4>you know, the technology changes have been the very significant changes.

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<v S4>That I've observed over the time I've been involved, though interestingly,

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<v S4>I think. Technology changes the processes and approach to some

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<v S4>information but doesn't necessarily. Sort of change the heart of

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<v S4>what you do.

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<v S2>No, that's absolutely true. And Kath, you. Moved from triple

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<v S2>R to more of a broader sector wide involvement with

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<v S2>community Radio. If your roles at the Community Broadcasting Association

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<v S2>of Australia. And also that sort of gave you the

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<v S2>opportunity to, you know, have some more involvement with the network.

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<v S2>One of which, the stations is, of course, Vision Australia Radio,

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<v S2>where we're speaking today. So tell us a bit about

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<v S2>your involvement with RP there.

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<v S4>Well, in the 90s, while my working role was general

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<v S4>manager at triple R in Melbourne, my voluntary role and

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<v S4>as you'd be aware, Sam, there's a very high number

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<v S4>of volunteers in the sector, about 20,000 nationally. I joined

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<v S4>the CBA board and became CBA president in the mid

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<v S4>90s and continued an association with sector wide issues really

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<v S4>since that point of time, and that brought me into

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<v S4>a lot closer association with the sector much more broadly.

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<v S4>And as you would know, it's an extremely diverse sector.

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<v S4>So indigenous broadcasting, religious broadcasting, educational broadcasting, the radio reading

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<v S4>sector with stations for print disabilities and youth stations and

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<v S4>a very broad range of small regional stations, many of

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<v S4>which are operated on a voluntary basis. And so from

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<v S4>that period in the 90s, I had a much stronger

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<v S4>association with a broad range of radio services. And certainly

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<v S4>the RPA sector that Vision Australia is a part of

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<v S4>and which has, you know, a very broad audience in

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<v S4>the community, both with people who would identify as print disability,

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<v S4>but also with people who enjoy the kind of radio

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<v S4>reading services that are produced. Community radio services, I think,

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<v S4>provide a range of really essential services within the community

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<v S4>that engage and speak to communities of interest that are

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<v S4>such a valuable part of the diversity in Australian communities.

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<v S2>Definitely. No, that's absolutely 100% correct. And the way that

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<v S2>these community radio stations do bring their communities of interest

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<v S2>together is absolutely second to none. And I will come

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<v S2>back to that later on, because there is so much

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<v S2>to say about the power of radio as we celebrate

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<v S2>World Radio Day this week. But before I get to that,

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<v S2>I wanted to firstly congratulate you, Kath, on being the

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<v S2>recipient of an Order of Australia medal for your services

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<v S2>to the To the community radio sector. How does that

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<v S2>sit with you to, you know, be recognised in such

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<v S2>a way for all the crucial work you have been doing?

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<v S4>Yes, it's certainly an honour to be recognised in that

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<v S4>way and I think for everyone it's always a good

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<v S4>feeling to have work acknowledged. And I think particularly in

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<v S4>a sector that there are so many deserving people, so

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<v S4>many people that have put very large parts of their

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<v S4>life into being involved with a community radio station and

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<v S4>broadcasting and being part of that community. And so I

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<v S4>feel like it's a privilege to be recognised for my

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<v S4>work in the sector when there are so many wonderful

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<v S4>volunteers and deserving people. And I think that's, you know,

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<v S4>the way in which people connect through community radio US

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<v S4>stations is quite a special feature. It crosses over all

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<v S4>sorts of ages and lifestyles in a way that often

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<v S4>other community enterprises don't necessarily do, and I think it

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<v S4>activates a sense of community and citizenship that's increasingly important

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<v S4>in quite a fractured and complex modern world. And it's

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<v S4>something that's important to everyone, regardless of what particular focus.

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<v S4>And I think the way in which radio, as a

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<v S4>sort of intimate medium, connects with people. And I think

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<v S4>that was really clear, perhaps particularly in Melbourne during the

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<v S4>sort of Covid period with such sort of lengthy lockdowns.

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<v S4>And I had a lot of contact with the community

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<v S4>stations in Melbourne over that time. And I know that

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<v S4>there was a lot of feedback from people being able

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<v S4>to tune in and kind of connect in this way

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<v S4>as part of what's keeping me sane in lockdown. And

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<v S4>I think there's an element of that in the nature

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<v S4>of radio services and broadcaster as a kind of very

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<v S4>accessible medium.

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<v S2>That's certainly true. And with these days, like World Radio Day,

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<v S2>that encapsulates all of those thoughts that you did express

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<v S2>just there. And it is so, so true that, you know,

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<v S2>community radio does offer something that in some ways, no

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<v S2>other sort of medium really can get close to. And

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<v S2>it is such a unique, such a, a long standing, but,

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<v S2>you know, successful and wide ranging medium for sure. So

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<v S2>what do those sort of days mean for you as

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<v S2>somebody who has been involved in the sector for so

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<v S2>long and seen just the positive impact that radio can

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<v S2>have on people around the country?

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<v S4>Yeah. So I guess those days sort of act as

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<v S4>a reminder of the kind of uniqueness of radio in

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<v S4>a sense. And, you know, I think it's an environment

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<v S4>where there is so much information available to people, so

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<v S4>many assumptions that we are all online all of the time.

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<v S4>But there's perhaps not enough discussion of sort of breaking

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<v S4>that down to sort of how you access information that's

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<v S4>meaningful or important to individuals and particular areas of our community.

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<v S4>And so I think it's a celebration, I suppose, in

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<v S4>a sense of the nature of radio. And I think

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<v S4>it's an incredibly resilient medium. You know, something like 60%

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<v S4>of all audio listening in Australia is still listening to

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<v S4>live radio broadcast services. And I'm someone who very strongly

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<v S4>sort of supports the nature of free to air broadcasting. That,

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<v S4>of course, doesn't mean that there hasn't been a lot

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<v S4>of change in technology, and people access things in different ways,

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<v S4>and radio services need to be wherever their audience is

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<v S4>and however their audience chooses to access. But I think

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<v S4>it's a different medium to the notion of sort of

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<v S4>individual online content where you or I or anyone else

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<v S4>that can be online and sort of talk about or

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<v S4>espouse whatever our ideas or thoughts are, there's a different

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<v S4>kind of collective responsibility in broadcasting where you're broadcasting to

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<v S4>potentially an entire community. You have a set of responsibilities

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<v S4>around that. And I think these are important distinctions in

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<v S4>the nature of information and reliable information. That's an important

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<v S4>part of our social cohesion and a kind of civic

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<v S4>society that the vast majority of people wish to be

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<v S4>a part of.

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<v S2>Kath. We could speak for hours. There's so much there,

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<v S2>so much to unpack. Absolutely. But unfortunately, I think we'll

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<v S2>have to wrap up for now. I've been speaking today

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<v S2>with Catholic, celebrating World Radio Day with me today, and

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<v S2>speaking about just how powerful a medium radio really can

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<v S2>be for people around Australia and the world, in fact.

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<v S2>So thank you very much for your time today. It

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<v S2>was a pleasure to catch up with you.

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<v S4>Thanks, Sam. Lovely to talk with you.

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<v S2>I'm Sam Cully and you're listening to this special Christmas

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<v S2>episode of Talking Vision. I hope you enjoyed that conversation

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<v S2>with Kath Letcher. And they're coming up now. It's my

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<v S2>great pleasure to welcome back a favorite of ours on

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<v S2>Talking Vision, Karen Negroni. He was the host of the

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<v S2>Blind Australian of the year awards a couple of months ago,

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<v S2>and I caught up with him just before he flew

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<v S2>off to Brisbane to host the awards. Let's hear from Karen.

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<v S2>The Blind Australian of the year Awards acknowledged the contribution

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<v S2>that people with blindness and low vision make to Australian society.

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<v S2>These awards bring acknowledgment and prizes for the recipients, taking

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<v S2>place on the 26th of October in Brisbane this year,

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<v S2>and to have a chat with us about the awards.

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<v S2>It's my great pleasure to welcome back a favourite of ours,

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<v S2>Karen Negroni, who will be the emcee for the night. Karen,

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<v S2>welcome back to Talking Vision. Thanks so much for your time.

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<v S5>This is home, so I will come back any time

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<v S5>you ask me to come back. And once again, thank

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<v S5>you so much for having me.

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<v S2>No worries at all. But, um. Of course, today, Karen,

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<v S2>we're here to chat about the upcoming Blind Australian of

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<v S2>the year awards. So yes, we are. We are. Yeah.

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<v S2>Very exciting. Could you give us a bit of an

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<v S2>overview of the awards for our listeners out there?

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<v S6>Absolutely.

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<v S5>It's basically a night where we celebrate high achieving Australians

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<v S5>that live with blindness. And as a blind person myself,

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<v S5>it's just an incredible feeling to be in a room

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<v S5>around such incredible talent. And, you know, you sort of

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<v S5>feel so empowered because growing up as a blind person,

0:16:27.030 --> 0:16:29.150
<v S5>I never knew that things like this existed. You know,

0:16:29.190 --> 0:16:31.190
<v S5>we didn't know a lot of blind people. And now

0:16:31.190 --> 0:16:34.790
<v S5>to be in a room where we're celebrating blind excellence

0:16:34.790 --> 0:16:37.350
<v S5>from all across the country is just it's like a

0:16:37.350 --> 0:16:39.950
<v S5>pinch me moment. Sometimes you sort of look around like, wow,

0:16:39.990 --> 0:16:41.990
<v S5>this person has done this. You look to the right, wow,

0:16:41.990 --> 0:16:43.270
<v S5>this person has done that.

0:16:43.470 --> 0:16:46.269
<v S2>And, um, tell us a bit about your involvement in

0:16:46.270 --> 0:16:49.160
<v S2>the event. You're quite central to Central to the proceedings.

0:16:49.160 --> 0:16:50.600
<v S2>You've got a lot on your plate there.

0:16:50.960 --> 0:16:54.440
<v S5>I'm going to be the emcee, so I will do

0:16:54.479 --> 0:16:58.040
<v S5>my best to do these guys justice, because it's going

0:16:58.040 --> 0:17:00.200
<v S5>to be an incredible event and I just hope that

0:17:00.200 --> 0:17:03.200
<v S5>I can live up to it. But that's the plan is,

0:17:03.200 --> 0:17:05.040
<v S5>I think what I'm going to love the most about

0:17:05.040 --> 0:17:07.480
<v S5>this is that I can make blind jokes, and the

0:17:07.480 --> 0:17:10.080
<v S5>blind people will get it and we'll all laugh together.

0:17:10.119 --> 0:17:11.880
<v S5>So I'm really looking forward to that. I've got all

0:17:11.879 --> 0:17:15.760
<v S5>my dad jokes lined up that are blind related, so

0:17:15.879 --> 0:17:16.999
<v S5>I will be on a roll.

0:17:17.720 --> 0:17:21.360
<v S2>Well sounds fantastic. And could you give us some of

0:17:21.359 --> 0:17:24.880
<v S2>those details for people out there where and when the

0:17:24.879 --> 0:17:26.200
<v S2>awards will be happening?

0:17:26.919 --> 0:17:29.040
<v S5>Absolutely. So the awards are going to be held in

0:17:29.040 --> 0:17:34.240
<v S5>Brisbane on Saturday the 26th of October at the Moura Hotel.

0:17:34.440 --> 0:17:36.560
<v S5>So that's not too far from here. I mean, not

0:17:36.560 --> 0:17:38.759
<v S5>too long now. It's like less than two weeks, if

0:17:38.760 --> 0:17:41.920
<v S5>I'm not mistaken. There will be a red carpet meet

0:17:41.919 --> 0:17:45.520
<v S5>and greet with two time Big Brother winner Reggie Sorensen.

0:17:45.520 --> 0:17:48.689
<v S5>And of course, we've got the incredible Rachael Leahcar, who's

0:17:48.730 --> 0:17:51.250
<v S5>a good friend of mine and probably one of the

0:17:51.530 --> 0:17:55.090
<v S5>best singers out there who will be performing live. So

0:17:55.090 --> 0:17:57.810
<v S5>we've got this little red carpet thing happening before the

0:17:57.810 --> 0:18:01.290
<v S5>awards at about 6:00. And then seven is when the

0:18:01.290 --> 0:18:05.130
<v S5>formal proceedings start and there'll be dinner, drinks, dancing and

0:18:05.129 --> 0:18:06.170
<v S5>a lot of networking.

0:18:06.690 --> 0:18:10.250
<v S2>Oh, wonderful. And how are you feeling about the flight

0:18:10.290 --> 0:18:13.210
<v S2>up to Brisbane? Is that something you're looking forward to?

0:18:13.250 --> 0:18:15.530
<v S2>What sort of a flyer are you?

0:18:15.570 --> 0:18:18.129
<v S5>What sort of a flyer am I? Yeah. Well, I

0:18:18.169 --> 0:18:19.930
<v S5>you know, this is a funny thing because a lot

0:18:19.930 --> 0:18:23.570
<v S5>of blind people have complained to me about Qantas, whereas

0:18:23.570 --> 0:18:26.889
<v S5>I actually find Qantas the best airline. As a blind person,

0:18:26.889 --> 0:18:29.330
<v S5>I just feel like their staff are really, really nice.

0:18:29.330 --> 0:18:32.050
<v S5>They're so well trained. And, you know, if there's something

0:18:32.050 --> 0:18:35.129
<v S5>that happens where they've messed up, they will go above

0:18:35.129 --> 0:18:38.970
<v S5>and beyond to fix it. So traveling is not I mean,

0:18:39.010 --> 0:18:41.330
<v S5>in my role as a speaker, I do travel a lot,

0:18:41.369 --> 0:18:43.530
<v S5>like just just this year I've sort of been all

0:18:43.530 --> 0:18:46.090
<v S5>over the country. Last week I was in Canberra, the

0:18:46.090 --> 0:18:48.100
<v S5>week before I was in Darwin. Before that I was

0:18:48.100 --> 0:18:51.580
<v S5>in Sydney. So I'm traveling a lot by myself, and

0:18:51.580 --> 0:18:53.940
<v S5>I love Qantas because I feel like they take really

0:18:53.940 --> 0:18:55.580
<v S5>good care of me. And no, they did not pay

0:18:55.580 --> 0:18:56.379
<v S5>me to say this.

0:18:56.700 --> 0:19:00.139
<v S2>All right. That's very important for people out there. This

0:19:00.139 --> 0:19:02.899
<v S2>isn't a paid message, so please don't yell at us.

0:19:02.940 --> 0:19:04.580
<v S5>Not at all. Not at all. I'd love for it

0:19:04.580 --> 0:19:06.300
<v S5>to be a paid message, but no, it's not.

0:19:06.419 --> 0:19:09.859
<v S2>No, unfortunately. But that's that's great to hear because I

0:19:09.899 --> 0:19:14.020
<v S2>have had discussions with people about, you know, they've been

0:19:14.020 --> 0:19:17.140
<v S2>booking a flight and they get to the end and

0:19:17.139 --> 0:19:20.459
<v S2>they say, oh, look, I need various bits and pieces.

0:19:20.500 --> 0:19:22.899
<v S2>They tick the box to say, yes, I am blind

0:19:22.899 --> 0:19:25.820
<v S2>or I have low vision. So, you know, can we

0:19:25.859 --> 0:19:29.259
<v S2>sort something out? And then there's like a little box

0:19:29.260 --> 0:19:32.740
<v S2>that pops up and says, we cannot accommodate this, and

0:19:32.740 --> 0:19:35.500
<v S2>this flight may not be able to suit your needs

0:19:35.820 --> 0:19:38.460
<v S2>and blah, blah, blah. And then it kicks them off

0:19:38.460 --> 0:19:41.580
<v S2>the page or something, and then they aren't sure if

0:19:41.580 --> 0:19:44.580
<v S2>they've actually like, the flight's gone through or not.

0:19:44.869 --> 0:19:48.189
<v S5>Yeah, I'm not gonna lie. Traveling alone as a blind

0:19:48.190 --> 0:19:51.830
<v S5>person can be quite exhausting. Because, yes, I'm using my

0:19:51.830 --> 0:19:54.350
<v S5>cane to be as independent as I can be. And

0:19:54.350 --> 0:19:55.869
<v S5>I don't know why I do this, but even if

0:19:55.869 --> 0:19:57.710
<v S5>someone offers me help, I'm like, no, no, no, I'm

0:19:57.710 --> 0:19:59.629
<v S5>okay with my cane. I like to be as independent.

0:19:59.629 --> 0:20:01.869
<v S5>But what that does is by the end of the trip,

0:20:01.869 --> 0:20:05.189
<v S5>I'm so exhausted because my eyes have overstrained to the

0:20:05.190 --> 0:20:07.429
<v S5>point where I just want to sleep for days now.

0:20:07.830 --> 0:20:10.550
<v S5>But Brisbane will be different because I'm flying there with

0:20:10.550 --> 0:20:11.790
<v S5>my husband, David.

0:20:12.030 --> 0:20:12.590
<v S2>Oh, lovely.

0:20:12.950 --> 0:20:16.190
<v S5>Yeah, yeah, so super excited. Yeah. His family actually lives

0:20:16.190 --> 0:20:17.830
<v S5>in Brisbane, so it's going to be a good chance

0:20:17.830 --> 0:20:18.830
<v S5>to catch up with them as well.

0:20:18.869 --> 0:20:21.390
<v S2>Oh, that'll be wonderful. And you know, people out there

0:20:21.389 --> 0:20:23.590
<v S2>might be thinking hang on. I thought we were talking

0:20:23.590 --> 0:20:26.029
<v S2>about the Blind Australian of the year awards. What the

0:20:26.030 --> 0:20:28.190
<v S2>hell are they going on about? They're talking about, you know,

0:20:28.230 --> 0:20:31.230
<v S2>planes and travelling. But there's a very good reason, Karen,

0:20:31.230 --> 0:20:33.710
<v S2>that we are talking about this sort of thing. And

0:20:33.710 --> 0:20:37.670
<v S2>it's just a nice dovetail into your advocacy work. So,

0:20:37.710 --> 0:20:39.469
<v S2>I mean, tell us a bit about that. Give us

0:20:39.470 --> 0:20:41.790
<v S2>a bit of a highlight package. There's been quite a

0:20:41.790 --> 0:20:43.750
<v S2>few things happening in that space.

0:20:44.649 --> 0:20:48.129
<v S5>Look, there's been so much happening. I feel so blessed sometimes.

0:20:48.609 --> 0:20:50.609
<v S5>There have been times I've actually pinched myself, you know,

0:20:50.649 --> 0:20:52.810
<v S5>because people find it funny. Because they say, oh, you're

0:20:52.810 --> 0:20:55.050
<v S5>so happy for a blind guy. And I actually say,

0:20:55.090 --> 0:20:57.450
<v S5>you know, other than being blind, I have no complaints

0:20:57.450 --> 0:20:59.810
<v S5>because life has been really kind to me when it

0:20:59.810 --> 0:21:03.370
<v S5>comes to work. You know, I've traveled all around Australia

0:21:03.369 --> 0:21:06.649
<v S5>to talk as a keynote speaker about my lived experience,

0:21:06.690 --> 0:21:09.530
<v S5>and my style of raising awareness is quite different. I

0:21:09.530 --> 0:21:12.450
<v S5>use a lot of humor because I feel like disability

0:21:12.450 --> 0:21:15.530
<v S5>can be a heavy subject sometimes for people, so I

0:21:15.530 --> 0:21:18.210
<v S5>feel like if I talk about it and, you know,

0:21:18.250 --> 0:21:21.570
<v S5>add some humor to it, it lightens the mood. And

0:21:21.570 --> 0:21:25.170
<v S5>the best thing about speaking at events are honestly the

0:21:25.169 --> 0:21:28.009
<v S5>candid conversations that happen after, which is when I've spoken

0:21:28.010 --> 0:21:29.650
<v S5>and people come up to me one by one and,

0:21:29.649 --> 0:21:32.090
<v S5>you know, say, you know, I know someone who's living

0:21:32.090 --> 0:21:34.210
<v S5>with this condition and thank you for sharing that. Or

0:21:34.210 --> 0:21:36.409
<v S5>I didn't know this, and you just told me about

0:21:36.409 --> 0:21:38.890
<v S5>this today and this is fantastic. So that is one

0:21:38.889 --> 0:21:41.369
<v S5>thing that I love doing. I guess other than that

0:21:41.369 --> 0:21:44.340
<v S5>I've been doing my usual thing that's, you know, that

0:21:44.340 --> 0:21:47.179
<v S5>led to everything which is creating content on social media.

0:21:47.180 --> 0:21:49.259
<v S5>And there was this list that came out recently, and

0:21:49.260 --> 0:21:51.820
<v S5>I didn't even know a thing like this existed. And

0:21:51.820 --> 0:21:54.220
<v S5>normally if someone called me an influencer, I would honestly

0:21:54.260 --> 0:21:56.940
<v S5>throw up because I hate that word. And I there's

0:21:56.940 --> 0:21:59.739
<v S5>a lot of negative connotation where influencers are concerned, but

0:21:59.740 --> 0:22:02.260
<v S5>there was a list that was released with the top

0:22:02.260 --> 0:22:05.660
<v S5>40 blind influencers around the world, and I'm number 29.

0:22:05.659 --> 0:22:08.100
<v S5>And I was like, whoa! And I think I'm the

0:22:08.100 --> 0:22:10.540
<v S5>only one from Australia on there. So that was quite

0:22:10.580 --> 0:22:14.420
<v S5>a quite in my head, quite an achievement because here

0:22:14.419 --> 0:22:17.740
<v S5>I'm thinking, you know, no one's really, you know, because

0:22:17.740 --> 0:22:19.940
<v S5>when you're putting when you're putting content out there on

0:22:19.940 --> 0:22:22.260
<v S5>a daily basis, you sometimes start to think, oh, people

0:22:22.260 --> 0:22:24.180
<v S5>are going to get bored, or, you know, how many

0:22:24.180 --> 0:22:26.180
<v S5>times can you say the same thing about blindness being

0:22:26.180 --> 0:22:28.020
<v S5>a spectrum? But then when lists like that come out,

0:22:28.020 --> 0:22:30.020
<v S5>it makes you feel like, okay, so there are people

0:22:30.020 --> 0:22:31.179
<v S5>that are listening out there.

0:22:31.340 --> 0:22:36.380
<v S2>That's a huge achievement. I definitely would agree with that wholeheartedly. But, um,

0:22:36.379 --> 0:22:39.859
<v S2>you mentioned in there the content creation and people might

0:22:39.859 --> 0:22:42.950
<v S2>be really interested to hear here about the fact that

0:22:42.950 --> 0:22:45.869
<v S2>you're a graphic designer and you're doing that with your

0:22:45.869 --> 0:22:49.710
<v S2>lived experience of blindness, and people might just their head

0:22:49.750 --> 0:22:52.070
<v S2>might be spinning and thinking, wait, how the hell does

0:22:52.070 --> 0:22:53.429
<v S2>that work? So yeah.

0:22:53.710 --> 0:22:56.190
<v S5>It's definitely a head scratcher. I get a lot of

0:22:56.190 --> 0:22:59.790
<v S5>strange looks when I tell people I'm a graphic designer. So, Sam,

0:22:59.790 --> 0:23:03.510
<v S5>I was born with Usher Syndrome, which is a degenerative condition,

0:23:03.510 --> 0:23:06.030
<v S5>as you would know. So I was born with normal sight.

0:23:06.030 --> 0:23:10.190
<v S5>And whilst my sight was still normal, I studied filmmaking,

0:23:10.190 --> 0:23:14.030
<v S5>graphic design, marketing, public relations and all of that. So

0:23:14.070 --> 0:23:17.590
<v S5>whilst I could see I did all of that professionally,

0:23:17.590 --> 0:23:20.310
<v S5>but then a stage came where my sight had deteriorated

0:23:20.310 --> 0:23:23.469
<v S5>so rapidly that I could no longer do that professionally.

0:23:23.470 --> 0:23:25.590
<v S5>So I said, you know, I just sort of basically

0:23:25.590 --> 0:23:28.949
<v S5>said to myself, instead of wasting those skills, why not

0:23:28.950 --> 0:23:31.869
<v S5>use it now to create content, to let people know

0:23:31.869 --> 0:23:34.630
<v S5>what it is that blind people see? So that's how

0:23:34.629 --> 0:23:37.270
<v S5>it started. And that is when my heart's full of

0:23:37.270 --> 0:23:38.990
<v S5>pride and joy. You know, when I look at my

0:23:38.990 --> 0:23:42.560
<v S5>content out there and people can't believe it's not. This

0:23:42.560 --> 0:23:45.399
<v S5>is pretty good for a blind guy. It's. Whoa! I

0:23:45.440 --> 0:23:47.040
<v S5>can't believe a blind guy made this.

0:23:47.440 --> 0:23:48.160
<v S2>Exactly.

0:23:48.520 --> 0:23:50.080
<v S5>And that's what gives me a high. And I love.

0:23:50.080 --> 0:23:54.159
<v S2>It. Yeah. No, it's definitely something to really be so

0:23:54.159 --> 0:23:56.440
<v S2>proud of. Thank you. But, you know, how do you

0:23:56.480 --> 0:24:01.680
<v S2>deal with all those comments, those backhanded compliments when people go, oh,

0:24:01.720 --> 0:24:05.239
<v S2>you know, that's pretty this and that for a blind guy.

0:24:05.320 --> 0:24:06.800
<v S2>Dot dot dot. Like hello.

0:24:07.000 --> 0:24:10.119
<v S5>Yeah, yeah. Look, if there's one thing I've learned, it's

0:24:10.119 --> 0:24:12.639
<v S5>to pick your battles. Yeah. If I'm having a good

0:24:12.639 --> 0:24:16.240
<v S5>day and I'm feeling really confident, I will not fight back,

0:24:16.240 --> 0:24:18.640
<v S5>but I will sort of clap back and be like, okay,

0:24:18.639 --> 0:24:21.000
<v S5>that's just ignorant, because, you know, this, this, this, this, this.

0:24:21.000 --> 0:24:24.840
<v S5>But there are days where I am quite tired. You know,

0:24:24.840 --> 0:24:27.479
<v S5>there are days where, of course, I'm a human being.

0:24:27.480 --> 0:24:29.960
<v S5>My deteriorating eyesight is going to get to me. That's

0:24:29.960 --> 0:24:31.520
<v S5>when I'm like, you know what? I'm just not going

0:24:31.560 --> 0:24:34.240
<v S5>to respond. Or what I do is I disable comments

0:24:34.240 --> 0:24:37.680
<v S5>because I don't have the energy that day to respond

0:24:37.680 --> 0:24:39.810
<v S5>to the comments. So you've got to pick your pick

0:24:39.810 --> 0:24:41.330
<v S5>your battles. It's on a on a day to day

0:24:41.330 --> 0:24:43.689
<v S5>basis for me, but by and large I try and

0:24:43.690 --> 0:24:44.649
<v S5>tackle them head on.

0:24:44.850 --> 0:24:47.770
<v S2>Yes. Oh it is, you know, definitely something a lot

0:24:47.770 --> 0:24:50.370
<v S2>of people out there I'm sure can relate to. It

0:24:50.369 --> 0:24:53.330
<v S2>is quite exhausting on a daily basis to be at

0:24:53.330 --> 0:24:56.050
<v S2>the front line, dealing with all of that sort of thing,

0:24:56.050 --> 0:24:59.450
<v S2>especially when you're such a public figure as you are.

0:24:59.889 --> 0:25:05.050
<v S2>Not everybody's, you know, top 40 Blonde influencer of the year. But,

0:25:05.090 --> 0:25:07.609
<v S2>you know, there's definitely a lot of things for people

0:25:07.609 --> 0:25:09.210
<v S2>to relate to there.

0:25:09.250 --> 0:25:11.689
<v S5>Also, another thing that I've learned is the way you

0:25:11.690 --> 0:25:15.250
<v S5>respond back makes a big difference. So if someone's angry

0:25:15.369 --> 0:25:18.930
<v S5>and you're angry in return, it doesn't solve anything. So

0:25:18.930 --> 0:25:22.170
<v S5>if someone said something really nasty about me, I will

0:25:22.169 --> 0:25:24.810
<v S5>respond with a lot of kindness and I'll be like,

0:25:24.850 --> 0:25:26.609
<v S5>you know, I'm so glad you brought this up because,

0:25:26.609 --> 0:25:28.609
<v S5>you know, so many people think that, but that's actually

0:25:28.609 --> 0:25:30.369
<v S5>not true. Then I go on and on and on,

0:25:30.369 --> 0:25:32.850
<v S5>and then, you know, they actually melt and they respond

0:25:32.850 --> 0:25:35.490
<v S5>in a positive manner. I'm not a perfect human being.

0:25:35.530 --> 0:25:37.129
<v S5>There have been times when I'm in a really bad

0:25:37.129 --> 0:25:39.220
<v S5>mood and someone said something really awful and awful, and

0:25:39.220 --> 0:25:42.139
<v S5>I've just gone right back at them and that's gone nowhere.

0:25:42.300 --> 0:25:43.940
<v S5>And so this is one thing that I've learned, and

0:25:43.940 --> 0:25:45.940
<v S5>this is why I sort of said to myself, okay,

0:25:46.180 --> 0:25:49.100
<v S5>if you can't respond in a nice manner, no matter

0:25:49.100 --> 0:25:51.740
<v S5>how awful the other person is, disable the comments or

0:25:51.740 --> 0:25:53.220
<v S5>don't do it today. Do it tomorrow.

0:25:53.419 --> 0:25:57.659
<v S2>Yeah. No, that's very important messages there. But yeah, we're

0:25:57.659 --> 0:26:01.539
<v S2>very excited to hear how the Blind Australian of the

0:26:01.540 --> 0:26:04.300
<v S2>year awards go. And a lot of people can look

0:26:04.300 --> 0:26:08.500
<v S2>forward to seeing you up on the stage as the emcee.

0:26:08.540 --> 0:26:12.380
<v S2>So that of course. Yeah. That's, um, that's coming up.

0:26:12.379 --> 0:26:14.300
<v S5>I just need to say that tickets are selling out

0:26:14.340 --> 0:26:16.900
<v S5>quite quick. I think that's what the CEO Terry, said

0:26:16.940 --> 0:26:19.820
<v S5>to me. So if you are looking at booking because

0:26:19.820 --> 0:26:22.459
<v S5>they've got corporate tables as well, and tables are limited

0:26:22.460 --> 0:26:25.260
<v S5>because there's limited seating. So if you're looking for I

0:26:25.260 --> 0:26:29.060
<v S5>think the tables go for 990 for a table of ten,

0:26:29.060 --> 0:26:32.580
<v S5>and the tickets start at $75. For people that are

0:26:32.580 --> 0:26:35.260
<v S5>companions or hold a concession card. And if you're looking

0:26:35.260 --> 0:26:39.480
<v S5>for tickets, please go to Blind Australian of the year. Com.au.

0:26:39.840 --> 0:26:44.760
<v S2>Perfect. That's blind. Australian of the year. Com.au. If you're

0:26:44.760 --> 0:26:47.800
<v S2>looking for tickets or you'd just like to find out

0:26:47.840 --> 0:26:51.200
<v S2>a little bit more about the Blind Australian of the

0:26:51.200 --> 0:26:57.040
<v S2>Year Awards, I've been speaking today with Karen Nagrani, emcee

0:26:57.080 --> 0:27:00.959
<v S2>for the Blind Australian of the Year awards, coming up

0:27:00.960 --> 0:27:05.840
<v S2>in Brisbane on the 26th of October. Karen, thank you

0:27:05.840 --> 0:27:08.600
<v S2>so much for your time today. Always great to chat

0:27:08.600 --> 0:27:11.960
<v S2>with you and all the best on the 26th.

0:27:12.440 --> 0:27:12.920
<v S7>Thank you.

0:27:12.960 --> 0:27:16.280
<v S5>Sam. And once again, thank you for pronouncing my name right.

0:27:16.320 --> 0:27:17.200
<v S7>No problem at all.

0:27:17.240 --> 0:27:19.679
<v S5>Appreciate it. It's quite rare. So when you did it

0:27:19.680 --> 0:27:21.720
<v S5>I was like, oh, good on you, Sam.

0:27:22.240 --> 0:27:25.200
<v S2>Oh, it's very important. You know, get people's name, right,

0:27:25.200 --> 0:27:25.639
<v S2>I think.

0:27:25.680 --> 0:27:27.359
<v S7>Yeah. Yeah, sure. Thank you.

0:27:27.359 --> 0:27:28.560
<v S5>So much. Thanks for having me.

0:27:35.960 --> 0:27:38.449
<v S2>And that's all the time we have for this week

0:27:38.450 --> 0:27:43.170
<v S2>on this special Christmas episode of Talking Vision. Thank you,

0:27:43.169 --> 0:27:47.169
<v S2>as always, to everybody involved in putting the show together.

0:27:47.250 --> 0:27:51.010
<v S2>And remember, we love hearing from you. So please feel

0:27:51.010 --> 0:27:55.250
<v S2>free to get in touch anytime on Talking Vision at

0:27:55.250 --> 0:28:02.730
<v S2>Vision Australia. Org. That's talking Vision Australia. But until next

0:28:02.730 --> 0:28:06.970
<v S2>year it's Sam Colley here. Wishing you all a very

0:28:06.970 --> 0:28:12.570
<v S2>Merry Christmas and a Happy New Year.

0:28:13.810 --> 0:28:17.810
<v S1>You can contact Vision Australia by phoning us anytime during

0:28:17.810 --> 0:28:26.770
<v S1>business hours on one 384 746. That's one 384 7486

0:28:26.770 --> 0:28:34.850
<v S1>or by visiting Vision Australia. That's Vision australia.org.