WEBVTT - Talking Vision 705 Week Beginning 4th of December 2023

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host, Sam Collins.

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<v S2>Hello everyone. It's great to be here with you. And

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<v S2>for the next half hour we talk matters of blindness

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<v S2>and low vision.

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<v S3>Running is possible for everyone, but even a lot of races,

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<v S3>if you don't actually run, you can walk. A lot

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<v S3>of races like the New York Marathon has really lenient

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<v S3>cutoff time. So there are people who walked the whole

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<v S3>New York Marathon. So, you know, the running community is

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<v S3>just a great community. There's not a lot of judgment.

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<v S3>We're there for each other, to support each other, regardless

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<v S3>of how fast or slow we do things.

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<v S2>Welcome to the program. This week we hear from Claudia Stevenson,

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<v S2>a marathon runner who, along with her guide, recently took

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<v S2>part in and completed the New York Marathon. You'll hear

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<v S2>from her with a voice that's familiar to some people,

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<v S2>I'm sure Matt Leigh as he caught up with Claudia

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<v S2>to chat all about it. Then later on, you'll hear

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<v S2>from Conrad Browne. He caught up with artistic director of

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<v S2>the other film festival, Fiona Twohey. The festival overlapped as

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<v S2>well with the celebration of International Day for people with

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<v S2>disabilities on the 3rd of December. I hope you'll enjoy

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<v S2>this week's episode of Talking Vision. And now here's Matt

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<v S2>Ley with Claudia Stephenson.

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<v S4>We're joined by Claudia Stephenson, an active member of Achilles

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<v S4>Melbourne who recently took on the New York Marathon and

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<v S4>completed it. And today we have Claudia on the line.

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<v S4>Thanks for joining us, Claudia.

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<v S3>No problem. I'm glad to be here, Matt.

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<v S4>What are the current emotions for you after? What was

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<v S4>an amazing experience?

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<v S3>I just feel so proud. I've put in a lot

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<v S3>of hard work over the last 12 months, and to

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<v S3>have completed the marathon and done a lot better than

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<v S3>what I expected, I just yes, so proud of myself.

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<v S3>It's been a huge year while I've been training, I suppose,

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<v S3>and something that I hadn't ever really thought I could

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<v S3>do before.

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<v S4>Anything like these big challenges in life. I take a

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<v S4>lot of planning, and you don't just wake up one

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<v S4>day and say, we're going to run a marathon. It

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<v S4>takes a lot of planning, takes a lot of research.

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<v S4>When did the first idea come that you wanted to

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<v S4>complete the New York Marathon?

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<v S3>As first, I've been thinking about completing a marathon. I'm

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<v S3>the last couple of years. I am fairly recent to running,

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<v S3>so I joined Achilles Melbourne about six years ago, and

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<v S3>before then I really wasn't a runner. I had pretty

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<v S3>negative experiences of running at high school and then, you know,

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<v S3>sort of put it behind me. I've been very active

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<v S3>in my life. You know, I've done some really long

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<v S3>walks and I've done other physical activities, but I've never

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<v S3>really been a runner and didn't really think I was.

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<v S3>I could be a runner. Yeah, I sort of a

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<v S3>few things happened around the time that I joined Achilles.

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<v S3>Like I had a friend who suggested I could do

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<v S3>one of those catch to five K programs. I started

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<v S3>taking part in parkrun activities and I joined Achilles, and

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<v S3>all of those things just sort of started me on

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<v S3>that running journey. It's been over time that I've, you know,

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<v S3>I've sort of been working towards becoming a runner from,

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<v S3>from definitely being a walker. I think only this year

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<v S3>I've really actually started to think of myself as a,

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<v S3>as a real runner, even though, you know, I've completed

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<v S3>some half marathons and done, you know, races before. And

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<v S3>this year it's my mindsets really changed. And I've really

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<v S3>had to realise that actually I am a runner and

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<v S3>particularly after finishing a marathon, I've got no excuses anymore.

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<v S3>I definitely have to call myself a runner and.

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<v S4>Having that self-belief too is very important.

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<v S3>Yeah it is. I think it's just one of those

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<v S3>little shifts, you know, the way that our language influences,

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<v S3>you know, our thoughts. Changing that, that language and starting

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<v S3>to call myself a runner has been has been really

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<v S3>important for me.

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<v S4>So what sort of training did you do over periods

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<v S4>of time to build up to this big event? To say,

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<v S4>I'm ready to run the New York Marathon and then

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<v S4>take that next forward step in and getting this support

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<v S4>to do so.

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<v S3>Yeah. So I really got serious last November when the

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<v S3>the last year's marathon was running. That was when I

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<v S3>really clicked and I went, yeah, I really want to

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<v S3>do this. I've been, you know, toughing it up for

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<v S3>a couple of years. In 2022, I ran the Gold

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<v S3>Coast Half Marathon, and I got really serious about doing that.

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<v S3>And I got a coach and she wrote me up

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<v S3>a really fantastic training program, and I followed that. So

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<v S3>it really broke it down into these really manageable goals

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<v S3>that included walking, which was really important to me, so

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<v S3>that I always tried to do better than what my

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<v S3>training program says. So if it said, you know, you're

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<v S3>allowed to walk for a kilometre, I'd kind of go, okay, well,

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<v S3>I'll try and, you know, limit my walking to 500m

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<v S3>or I'll try and do it without walking at all.

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<v S3>But having that little, you know, out was still really

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<v S3>important to me. And so did the Gold Coast Half

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<v S3>Marathon and did it really successfully. And that really gave

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<v S3>me confidence that, yeah, perhaps I really could get serious

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<v S3>about doing a full marathon. And I've seen in the

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<v S3>past that Achilles international had really good connections with the

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<v S3>New York Marathon, and there'd been some opportunities for people

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<v S3>to go over in the past and participate. So I thought,

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<v S3>oh yeah, okay, right, I'm going to make it happen.

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<v S3>2023 is going to be hopefully the year. So I

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<v S3>approached that same coach that would give me that training

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<v S3>program and I said, okay, I want to make this happen.

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<v S3>And I said, you know, I've heard people say, oh,

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<v S3>you only need 16 weeks, you know, to train for

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<v S3>the marathon. And I was like, yeah, no, I need,

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<v S3>I need a year because I didn't consider myself to

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<v S3>be that runner. And running wasn't a part of my life.

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<v S3>And at that stage I had gone back to sort

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<v S3>of not running. After doing the Gold Coast Marathon, I

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<v S3>sort of a half marathon. I'd sort of stopped and

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<v S3>I decided I really needed to, to actually get running

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<v S3>regularly and get running again. So. I had to really

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<v S3>build myself up from from barely being able to run,

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<v S3>you know, five KS to, to get him to back

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<v S3>to those longer distances of being able to do a

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<v S3>half and then work up to the full. So I

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<v S3>got got myself a really good training program, and I

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<v S3>also started the process to actually entering the New York Marathon.

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<v S3>So we had to enter the ballot and have our

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<v S3>names basically drawn out of the hat. So I think

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<v S3>I put my name down in the ballot in February,

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<v S3>and the ballot was drawn in March, and I was

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<v S3>successful to actually get a place. So then that was

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<v S3>where it got actually serious, and I was like, well, okay,

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<v S3>we've really got to make this happen now. So yeah,

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<v S3>just just working over the last 12 months really to,

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<v S3>you know, with strength. So I do a strength class,

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<v S3>runs a strength class on a Wednesday night and then

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<v S3>also doing workouts in the gym. So, you know, a

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<v S3>shorter workout on a, on a my my workday in

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<v S3>around my workday. So on Monday I would go to

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<v S3>the gym and do a shorter workout. Then on a

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<v S3>Friday I'd do a sort of either a speed or

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<v S3>a hill session, Saturday doing parkrun and then Sunday with

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<v S3>my long run day. And that gradually built up over

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<v S3>time from, you know, sort of A5K to the ten

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<v S3>to the 15 to the 20 to the 23, 24,

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<v S3>you know, and all the way up to about 32

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<v S3>K's was the longest we ever did in training before

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<v S3>actually doing the marathon.

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<v S4>When you knew that you had successfully applied and got

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<v S4>permission to run, did you actually go over there for

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<v S4>at all prior to the marathon to be, you know,

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<v S4>to maybe complete the course before you competed in the

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<v S4>actual marathon itself or or did you, I suppose, talk

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<v S4>to others that might may have experienced the marathon to

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<v S4>get some hints, some tips, just a little bit of

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<v S4>the pitfalls, some of the things to be aware of

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<v S4>and just get so your own bearings of some things

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<v S4>that you needed just to gain that, that confidence in yourself.

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<v S3>Oh golly, I wish I would just have the money

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<v S3>to just loved the States every couple of weeks. You know,

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<v S3>that'd be great. No, there was no chance of me

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<v S3>going over to the States. Before the marathon. We'd had

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<v S3>another one of our members complete the marathon last year,

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<v S3>so we chatted to them about their experiences, both them

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<v S3>and their guide about their experiences. I have a treadmill

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<v S3>that's like a super duper treadmill. It's got like video workouts,

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<v S3>and it actually had parts of the New York Marathon

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<v S3>on it. So I did sort of 30 K's of

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<v S3>the New York Marathon on my treadmill, and that was

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<v S3>pretty amazing, because you got a bit of a taste

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<v S3>for what the crowds were going to be like, because,

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<v S3>you know, you could hear the crowds and the trainer

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<v S3>talk to you about the, yeah, the different locations that

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<v S3>you were passing. So that was pretty cool. And then,

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<v S3>you know, just talking to some other people who had

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<v S3>completed it. So I tried to do a bit of research.

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<v S3>Looking back in hindsight, actually, nothing prepares you for what

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<v S3>it's actually like out on course. It's completely unlike anything.

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<v S3>I think anyone could have prepared that the crowds are

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<v S3>so loud. Yeah, and the vibe in New York is

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<v S3>just so intense. You know, everyone's talking about the marathon

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<v S3>wherever you go. Like, it's just amazing. It really. It's like,

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<v S3>you know, we talk about Melbourne, you know, the Melbourne Cup,

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<v S3>the race, it stops the nation. Well, you know, the

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<v S3>New York Marathon is the race that really stops New York.

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<v S3>Like everyone's just so on board. It's yeah, it's just amazing.

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<v S4>What were some of the challenges doing doing the marathon career?

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<v S4>I mean what were the biggest things for you? Obviously

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<v S4>you need resilience to be able to complete it. There's

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<v S4>times that you're you're doing you're doing it in blocks

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<v S4>of kilometers, as you alluded to before, and you've trained it.

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<v S4>So there's different thoughts going through your mind through the

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<v S4>whole journey. But there must be so many other challenges

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<v S4>within it as well.

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<v S3>Yeah, I learned a lot about myself during the marathon,

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<v S3>so I run with a guide next to me, and

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<v S3>then I also have a bulldozer out the front, and

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<v S3>my bulldozer was doing the best job of getting those

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<v S3>crowds revved up. And, you know, he was really getting

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<v S3>them going and like, really getting them to cheer and whatever.

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<v S3>And all I was thinking was like, oh, no, please

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<v S3>just stop. It's just too much like there's just too

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<v S3>much noise. So I learned about myself. But actually, I

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<v S3>don't find all of that extra noise really all that invigorating.

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<v S3>Whereas actually, my God, my other guy, she was absolutely

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<v S3>feeding off it and just drawing so much energy from that.

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<v S3>And I was almost like the opposite way of like,

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<v S3>I just died. This is not recharging my batteries at all,

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<v S3>which is like draining my batteries really quickly. So, you know,

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<v S3>that was a really good learning for me to take away. And,

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<v S3>you know, next time I'd definitely be thinking about what

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<v S3>I could be doing for myself to help mitigate some

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<v S3>of that excess noise. Like, I love the people actually

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<v S3>being there. It was gorgeous. There was like young kids

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<v S3>giving you high fives along the side. And I loved

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<v S3>all of that. And I think also for me. Having

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<v S3>never done a marathon. And as I said before, you know,

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<v S3>in our training we go up to about 32km. It

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<v S3>was like ten kilometers that I'd never run before. It

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<v S3>was like venturing into the unknown. And and I was

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<v S3>thinking about that in my head. I was like, oh golly,

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<v S3>we're coming up to 32 K's. Oh, this is where

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<v S3>I don't know. I don't know the rest of this,

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<v S3>you know, like, and I was, I was getting into

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<v S3>my own head. So, you know, for the next marathon

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<v S3>that I run because yes, I am thinking about doing

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<v S3>another one. Yeah. You know, I will be able to

0:12:12.138 --> 0:12:14.778
<v S3>change my mindset in that last ten k's because that

0:12:14.778 --> 0:12:17.648
<v S3>is when it starts to get physically challenging. But, you know,

0:12:17.688 --> 0:12:21.678
<v S3>hopefully take away some of that mental challenge by going, actually,

0:12:21.678 --> 0:12:24.918
<v S3>we have done this before. I have been here, you know,

0:12:25.398 --> 0:12:27.798
<v S3>we can do this. And knowing a little bit more

0:12:27.798 --> 0:12:29.168
<v S3>about what it feels like, oh.

0:12:29.178 --> 0:12:32.448
<v S4>Is this going to ask on Knox Robinson, the, the

0:12:32.448 --> 0:12:34.428
<v S4>influence that he'd had on you?

0:12:34.728 --> 0:12:37.638
<v S3>Yeah. So as I mentioned, I have this really amazing

0:12:37.638 --> 0:12:41.898
<v S3>treadmill that's got these amazing trainers and knocks. Robinson was

0:12:41.898 --> 0:12:45.068
<v S3>the guy that actually did the New York training, you know,

0:12:45.168 --> 0:12:48.408
<v S3>the marathons on the on the on the treadmill. And

0:12:48.408 --> 0:12:51.168
<v S3>I was meant to have another guide from Melbourne come

0:12:51.168 --> 0:12:54.108
<v S3>over to the States with me. But unfortunately she had

0:12:54.108 --> 0:12:57.198
<v S3>to pull out for some medical reasons. So I just

0:12:57.198 --> 0:13:00.348
<v S3>like out of the blue contacted Knox and he agreed

0:13:00.348 --> 0:13:02.898
<v S3>to run the marathon with me. Just having him there

0:13:02.898 --> 0:13:07.758
<v S3>was just like amazing because I'd literally done the course

0:13:07.758 --> 0:13:10.908
<v S3>with him on the treadmill, but I hadn't completed it.

0:13:10.908 --> 0:13:15.438
<v S3>And so yeah, that last little section was like quite amazing, actually,

0:13:15.438 --> 0:13:18.528
<v S3>crossing the finishing line with him. And yeah, his his

0:13:18.528 --> 0:13:23.208
<v S3>energy was just fantastic. And just his confidence that like, absolutely,

0:13:23.208 --> 0:13:25.158
<v S3>he knew that I was going to just complete it

0:13:25.158 --> 0:13:28.008
<v S3>and do it really well. So you know, it was

0:13:28.098 --> 0:13:30.198
<v S3>and he'd never met me, you know, like I was

0:13:30.198 --> 0:13:33.978
<v S3>getting that from my from my coach Karen, but you know,

0:13:33.978 --> 0:13:36.898
<v S3>like to have someone who'd never met me and, you know,

0:13:36.948 --> 0:13:40.728
<v S3>absolutely following that up, backing that up in the actual

0:13:40.728 --> 0:13:42.858
<v S3>run was was incredible career.

0:13:42.858 --> 0:13:45.738
<v S4>As we wrap up a final message for people who

0:13:45.738 --> 0:13:48.108
<v S4>in the future would like to follow your lead and

0:13:48.108 --> 0:13:51.378
<v S4>run a marathon in particular, something special similar to the

0:13:51.378 --> 0:13:52.728
<v S4>New York Marathon.

0:13:53.538 --> 0:13:58.068
<v S3>I think my message is that running, you know, is

0:13:58.068 --> 0:14:01.488
<v S3>possible for everyone, but even a lot of races, if

0:14:01.488 --> 0:14:03.888
<v S3>you don't actually run, you can walk. A lot of

0:14:03.888 --> 0:14:07.308
<v S3>races like the New York Marathon has really lenient cutoff time.

0:14:07.308 --> 0:14:09.318
<v S3>So there are people who walked through the whole New

0:14:09.318 --> 0:14:12.858
<v S3>York Marathon. So, you know, the running community is just

0:14:12.858 --> 0:14:16.908
<v S3>a great community. There's not a lot of judgment. We're

0:14:16.908 --> 0:14:20.628
<v S3>there for each other, to support each other, regardless of

0:14:20.628 --> 0:14:23.158
<v S3>how fast or slow we do things. You know, we're

0:14:23.178 --> 0:14:25.188
<v S3>doing better than the people who get who don't get

0:14:25.188 --> 0:14:28.908
<v S3>off the couch. So come along, get involved. Come for

0:14:28.908 --> 0:14:31.278
<v S3>a walk. Come for a jog, come for a run.

0:14:31.548 --> 0:14:36.438
<v S4>You can go to Achilles australia.org dot forward slash Melbourne

0:14:36.438 --> 0:14:39.918
<v S4>for further details. Cordia Stevenson thanks for joining us on

0:14:39.918 --> 0:14:41.058
<v S4>Vision Australia Radio.

0:14:41.298 --> 0:14:43.398
<v S3>No problems at all. Thanks so much for your time, Matt.

0:14:50.618 --> 0:14:54.038
<v S2>I'm Sam Culley and you're listening to Talking Vision on

0:14:54.038 --> 0:14:59.438
<v S2>Vision Australia Radio, associated stations of FX and the Community

0:14:59.438 --> 0:15:03.608
<v S2>Radio Network. I hope you enjoyed that interview with Matt

0:15:03.608 --> 0:15:07.688
<v S2>Lee and Claudia Stephenson there. If you missed any part

0:15:07.688 --> 0:15:11.348
<v S2>of that conversation with Matt and Claudia, or you'd love

0:15:11.348 --> 0:15:15.548
<v S2>to have a listen again. Talking vision is available on

0:15:15.548 --> 0:15:21.458
<v S2>the Vision Australia Radio website at npr.org. You can also

0:15:21.458 --> 0:15:25.928
<v S2>find Talking Vision through your favorite podcast platform or through

0:15:25.928 --> 0:15:30.938
<v S2>the Vision Australia library. And now here's Conrad Brown with

0:15:30.938 --> 0:15:34.028
<v S2>Fiona Toohey from the other film festival.

0:15:34.118 --> 0:15:39.758
<v S5>The other film festival and Arts Access Victoria are presenting resistance,

0:15:39.758 --> 0:15:44.168
<v S5>an online accessible film program available for streaming on demand

0:15:44.168 --> 0:15:49.508
<v S5>now via Acm's Cinema three website. Resistance is a program

0:15:49.508 --> 0:15:54.638
<v S5>of international and Australian films screening until Thursday, December 7th.

0:15:54.668 --> 0:15:58.358
<v S5>All of the resistance films are made by deaf and

0:15:58.358 --> 0:16:03.608
<v S5>disabled people, either as key creators, collaborators and or performers,

0:16:03.608 --> 0:16:06.848
<v S5>and also, very importantly, all of the films are free

0:16:06.848 --> 0:16:11.468
<v S5>to watch. Audio described and captioned. The other film festival

0:16:11.468 --> 0:16:15.818
<v S5>is proudly disability led, with a festival team including artistic

0:16:15.818 --> 0:16:20.248
<v S5>director Fiona Toomey, who is joining us on the program today. Fiona,

0:16:20.258 --> 0:16:21.708
<v S5>wonderful to have you here.

0:16:21.768 --> 0:16:24.218
<v S3>Oh, thank you so much. You know, honored to be

0:16:24.218 --> 0:16:24.908
<v S3>here as well.

0:16:24.938 --> 0:16:30.098
<v S5>Fiona, we love featuring a festival on Virgin Australia Radio

0:16:30.098 --> 0:16:32.468
<v S5>that ticks the boxes. And I mean that in the

0:16:32.468 --> 0:16:35.798
<v S5>most positive way. So great to see that. It is

0:16:35.798 --> 0:16:41.018
<v S5>obviously disability focused but also audio described as well, which

0:16:41.018 --> 0:16:44.198
<v S5>is something that's very important to our community of interest

0:16:44.198 --> 0:16:47.558
<v S5>and our listeners. But before we go into the program

0:16:47.558 --> 0:16:49.838
<v S5>and looking at it kind of more in depth, tell

0:16:49.838 --> 0:16:52.958
<v S5>us a little bit about your role in the festival

0:16:52.958 --> 0:16:55.178
<v S5>and the festival itself. Okay.

0:16:55.178 --> 0:16:57.668
<v S6>Well, next to you, the other film festival, or as

0:16:57.668 --> 0:17:01.088
<v S6>we call in its nickname is TOF. Yes, it's its

0:17:01.088 --> 0:17:04.778
<v S6>20th anniversary. I've been working on it as artistic director

0:17:04.778 --> 0:17:07.598
<v S6>for the last few years, but I was, as I'm

0:17:07.598 --> 0:17:09.668
<v S6>a filmmaker as well. I was around a little bit

0:17:09.668 --> 0:17:12.368
<v S6>when it started in the early 2000. You know, there

0:17:12.368 --> 0:17:14.288
<v S6>was many reasons for it to stop. But one of

0:17:14.288 --> 0:17:17.018
<v S6>the big reasons at the time and, you know, things

0:17:17.018 --> 0:17:18.608
<v S6>have improved, but they've still got a long way to

0:17:18.608 --> 0:17:23.468
<v S6>go that access. So particularly audio description captioning wasn't happening

0:17:23.468 --> 0:17:27.748
<v S6>at the kind of mainstream film festivals. And even with cinema,

0:17:27.758 --> 0:17:31.358
<v S6>there was still that fight going on. So in terms

0:17:31.358 --> 0:17:35.048
<v S6>of access, that's something that it isn't tokenistic. It's something

0:17:35.048 --> 0:17:37.178
<v S6>that we do a lot of advocacy on. But for

0:17:37.178 --> 0:17:40.838
<v S6>our offer, there's certain, you know, minimum they're not even minimum.

0:17:40.838 --> 0:17:43.628
<v S6>Like we wouldn't do something if it wasn't going to

0:17:43.628 --> 0:17:47.318
<v S6>be audio described for example. So sort of that's some

0:17:47.318 --> 0:17:51.848
<v S6>of the history. And what's quite exciting now. And I

0:17:51.848 --> 0:17:54.728
<v S6>like am artistic director. You know, I do work part

0:17:54.728 --> 0:17:58.298
<v S6>time doing this work for the festival at Arts Access Victoria.

0:17:58.298 --> 0:18:01.658
<v S6>But I'm also a filmmaker and identify with disability, and

0:18:01.658 --> 0:18:04.448
<v S6>I've also ended up being there's a few of us,

0:18:04.478 --> 0:18:07.808
<v S6>but doing a lot of advocacy in that mainstream space. And,

0:18:07.808 --> 0:18:10.238
<v S6>you know, there's a lot of change coming and a

0:18:10.238 --> 0:18:14.048
<v S6>lot of disability is actually finally, you know, a big

0:18:14.048 --> 0:18:17.318
<v S6>part of the diversity conversations that are happening mainstream, but

0:18:17.468 --> 0:18:19.838
<v S6>still a lot along a long way to go and

0:18:19.838 --> 0:18:21.698
<v S6>a lot to kind of for the mainstream to catch

0:18:21.698 --> 0:18:24.848
<v S6>up with. So that's both in terms of access. And

0:18:24.848 --> 0:18:27.758
<v S6>you would know a lot more around how much work

0:18:27.758 --> 0:18:30.908
<v S6>screen work out there is and is not audio described,

0:18:31.118 --> 0:18:34.388
<v S6>but also and what's really important to us and how

0:18:34.388 --> 0:18:36.638
<v S6>we ended up choosing the films too, is that we

0:18:36.638 --> 0:18:39.908
<v S6>are really interested in who's authoring the film, who's actually

0:18:39.908 --> 0:18:42.278
<v S6>making the film. So in the screenings we talk about

0:18:42.278 --> 0:18:46.628
<v S6>Above the Line, so that's writers, directors and producers, and

0:18:46.628 --> 0:18:49.178
<v S6>we really want that work to be made in the

0:18:49.178 --> 0:18:51.968
<v S6>language we use by deaf and disabled people. You know,

0:18:51.998 --> 0:18:56.678
<v S6>that there's authentic casting, that there's, you know, social model thinking.

0:18:56.678 --> 0:19:00.758
<v S6>So it's really found this exciting portrayal that channel four has.

0:19:00.758 --> 0:19:03.818
<v S6>And they actually use that term social model thinking. But

0:19:03.818 --> 0:19:06.668
<v S6>it's just really trying to get away from all the

0:19:06.668 --> 0:19:10.918
<v S6>stereotypes we've all seen. We want also opportunities for for

0:19:10.928 --> 0:19:14.468
<v S6>actors and performers and all creatives to actually be getting

0:19:14.468 --> 0:19:18.098
<v S6>roles in not only short films but in mainstream as well.

0:19:18.098 --> 0:19:21.398
<v S6>So we feel like, you know, our film festival and

0:19:21.398 --> 0:19:24.398
<v S6>it's so great that it can be national. Yes, streaming

0:19:24.398 --> 0:19:28.958
<v S6>platform hopefully is helping. That's part of our modus operandi,

0:19:28.958 --> 0:19:31.538
<v S6>which is big language. That's part of what we're you

0:19:31.538 --> 0:19:33.428
<v S6>know what I mean? We're not just choosing these films

0:19:33.428 --> 0:19:36.728
<v S6>out of nowhere. There's there's sort of a framework we're

0:19:36.728 --> 0:19:40.748
<v S6>trying to or a very strong advocacy, but also hopefully

0:19:40.748 --> 0:19:42.638
<v S6>really entertaining and insightful.

0:19:42.908 --> 0:19:46.238
<v S5>I think all film festivals, you know, walk that fine line.

0:19:46.238 --> 0:19:49.248
<v S5>But with Toff, I think one of the. Things that

0:19:49.248 --> 0:19:50.748
<v S5>came out for me when I was looking at the

0:19:50.748 --> 0:19:54.108
<v S5>program and reading more about it was, there's always a

0:19:54.108 --> 0:19:58.758
<v S5>lot of talk about representation and the importance of representation,

0:19:58.758 --> 0:20:00.768
<v S5>but for a lot of people that can just be

0:20:00.768 --> 0:20:04.308
<v S5>having someone in the cast who has a disability or

0:20:04.308 --> 0:20:07.728
<v S5>is othered in some way, as you've highlighted, the really

0:20:07.728 --> 0:20:11.868
<v S5>important part here is that representation is key on screen

0:20:11.868 --> 0:20:15.498
<v S5>and behind the scenes, and in every single aspect of

0:20:15.498 --> 0:20:19.338
<v S5>of what is being presented, which is such an important thing.

0:20:19.338 --> 0:20:22.338
<v S5>And it seems obvious, but I think, as you said,

0:20:22.338 --> 0:20:24.768
<v S5>we've come a long way, but we still have a

0:20:24.768 --> 0:20:27.768
<v S5>long way to come in terms of representation. But when

0:20:27.768 --> 0:20:31.968
<v S5>you're putting the program together, you know it's featuring international

0:20:31.968 --> 0:20:36.468
<v S5>and Australian films. Is there a lot of content out

0:20:36.468 --> 0:20:39.228
<v S5>there for you to choose from, or are you really

0:20:39.228 --> 0:20:42.108
<v S5>kind of getting in there and hunting all of this,

0:20:42.198 --> 0:20:43.688
<v S5>these great films out?

0:20:43.698 --> 0:20:47.388
<v S6>We are definitely hunting things out. I mean, think, look,

0:20:47.388 --> 0:20:49.818
<v S6>it's not to say it's certainly more work coming through,

0:20:49.818 --> 0:20:52.518
<v S6>but because our focus is really like, we want to

0:20:52.518 --> 0:20:55.068
<v S6>know who's making the work and not trying to be

0:20:55.068 --> 0:20:58.248
<v S6>like a censor, but we're really making space for something

0:20:58.248 --> 0:21:03.378
<v S6>that has been unrepresented. And where us as a disability community,

0:21:03.378 --> 0:21:06.708
<v S6>have not had the power and agency in that storytelling.

0:21:06.708 --> 0:21:09.318
<v S6>And so that's really important to us. And I suppose

0:21:09.318 --> 0:21:12.918
<v S6>that's also not true. We've got a real curatorial focus.

0:21:12.918 --> 0:21:15.018
<v S6>And so this year we've got the theme of resistance.

0:21:15.018 --> 0:21:17.238
<v S6>Last year we had a theme of flaunt is I

0:21:17.238 --> 0:21:19.398
<v S6>suppose we're going for that less is more approach as well,

0:21:19.398 --> 0:21:22.518
<v S6>and we're wanting, but it is a struggle to find.

0:21:22.518 --> 0:21:25.878
<v S6>And that's why I feel with the other film festival,

0:21:25.878 --> 0:21:27.648
<v S6>you know, we do get funding from Screen Australia, but

0:21:27.648 --> 0:21:30.708
<v S6>we have three streams. So the screening industry and what

0:21:30.708 --> 0:21:33.738
<v S6>I'm called community is because for me and am, as

0:21:33.738 --> 0:21:35.448
<v S6>I said, a filmmaker, it's like I don't want to

0:21:35.448 --> 0:21:38.388
<v S6>just be showing work from overseas or I don't want

0:21:38.388 --> 0:21:39.888
<v S6>to do I want to be able to show we're

0:21:39.888 --> 0:21:41.148
<v S6>based in Victoria, I want to be able to show

0:21:41.148 --> 0:21:44.088
<v S6>a Victorian work, I want to be able. And in

0:21:44.088 --> 0:21:46.908
<v S6>New South Wales they have this great program called Screen Ability.

0:21:46.908 --> 0:21:50.118
<v S6>So we do have two screen ability short films and

0:21:50.118 --> 0:21:53.418
<v S6>that is a that's a programming fund for people with

0:21:53.418 --> 0:21:56.358
<v S6>disability to make their own work. But that's not in

0:21:56.358 --> 0:22:00.678
<v S6>every state. So look there's definitely more work coming. But

0:22:00.678 --> 0:22:05.388
<v S6>and it is challenging because ultimately disabilities are fabric. It's

0:22:05.388 --> 0:22:09.108
<v S6>part of society. So ultimately everyone should and we should

0:22:09.108 --> 0:22:12.558
<v S6>have disabled characters, I think, in all our mainstream shows.

0:22:12.558 --> 0:22:15.078
<v S6>And and it's not wanting to be that kind of

0:22:15.078 --> 0:22:17.988
<v S6>the advocacy police, but at the moment we've just had

0:22:17.988 --> 0:22:20.688
<v S6>it's been going on for more than 100 years. We're

0:22:20.688 --> 0:22:23.058
<v S6>not many of us are actually being the ones with

0:22:23.058 --> 0:22:25.728
<v S6>our own agency in the storytelling. So that's why we

0:22:25.728 --> 0:22:28.548
<v S6>want to prioritize, you know, as we say, kind of

0:22:28.548 --> 0:22:30.408
<v S6>a cliche, but in a way, we would love it

0:22:30.408 --> 0:22:32.988
<v S6>in a future where as a festival, we didn't need

0:22:33.138 --> 0:22:36.498
<v S6>to exist because, you know, particularly for your audience, is

0:22:36.498 --> 0:22:40.278
<v S6>that everything has got audio description or it's meeting access.

0:22:40.278 --> 0:22:43.668
<v S6>But most importantly, deputies, abled people can, if they want

0:22:43.668 --> 0:22:49.278
<v S6>to have thriving careers as screenwriters or filmmakers or producers.

0:22:49.668 --> 0:22:50.268
<v S6>One of the.

0:22:50.268 --> 0:22:53.208
<v S5>Other things that I think is a really important part

0:22:53.208 --> 0:22:56.208
<v S5>to highlight about this festival is that when we talk

0:22:56.208 --> 0:22:59.538
<v S5>about access, one of the other really unique things of

0:22:59.538 --> 0:23:03.168
<v S5>this festival is that it is online and it is

0:23:03.168 --> 0:23:06.288
<v S5>on demand and it is free. Now, we got used

0:23:06.288 --> 0:23:10.518
<v S5>to in some ways because of lockdowns and during Covid times,

0:23:10.518 --> 0:23:14.538
<v S5>being able to tap into some film festivals through online

0:23:14.538 --> 0:23:17.388
<v S5>and on demand. And I think for a lot of people,

0:23:17.388 --> 0:23:19.788
<v S5>they may have seen it as a convenient thing, but

0:23:19.788 --> 0:23:24.048
<v S5>for others, it actually offered true accessibility to be able

0:23:24.048 --> 0:23:28.008
<v S5>to enjoy and engage with these film festivals and really

0:23:28.008 --> 0:23:30.708
<v S5>keen to find out from you, why is it so

0:23:30.708 --> 0:23:34.458
<v S5>important for you to have it available in this platform

0:23:34.458 --> 0:23:36.108
<v S5>and also for free?

0:23:36.258 --> 0:23:39.058
<v S6>What's hybrid access? You can't, you know, I know if

0:23:39.068 --> 0:23:41.478
<v S6>some people like I've been told we that for the

0:23:41.478 --> 0:23:44.448
<v S6>deaf blind community, being online for example, may not be

0:23:44.448 --> 0:23:48.258
<v S6>the best option. Sure. But you know, especially like for example,

0:23:48.258 --> 0:23:50.688
<v S6>I'm immunocompromised, so I'm still being really careful how I

0:23:50.688 --> 0:23:53.748
<v S6>go out in the world. But we've always had, you know,

0:23:53.748 --> 0:23:56.658
<v S6>there's always a different range of access, meaning, you know,

0:23:56.658 --> 0:24:00.458
<v S6>within the disability community, different times of day. So it's

0:24:00.468 --> 0:24:03.108
<v S6>different people. If you live regionally, you can't, you know,

0:24:03.108 --> 0:24:07.008
<v S6>different things about even travelling. So think having it. And

0:24:07.008 --> 0:24:09.228
<v S6>we've extended this year for two weeks for an over

0:24:09.228 --> 0:24:11.838
<v S6>a two week period. It gives you the flexibility, being

0:24:11.838 --> 0:24:14.088
<v S6>on demand to watch it in your own time, in

0:24:14.088 --> 0:24:17.718
<v S6>your own space, when you want to. And in terms

0:24:17.718 --> 0:24:21.018
<v S6>of it being free, that's also really important because we

0:24:21.018 --> 0:24:24.138
<v S6>don't want to prohibit particularly, you know, for the disability

0:24:24.138 --> 0:24:28.188
<v S6>community there's always exceptions but not the wealthiest communities. So

0:24:28.188 --> 0:24:30.618
<v S6>it's like that can be a barrier. We're just trying

0:24:30.618 --> 0:24:33.468
<v S6>to remove as many barriers as possible. So there's always

0:24:33.468 --> 0:24:35.748
<v S6>these arguments around oh but if you charge a nominal

0:24:35.748 --> 0:24:38.178
<v S6>amount then people might watch more. But we're just trying

0:24:38.178 --> 0:24:42.258
<v S6>to remove that. And we've got very clear access guidelines

0:24:42.258 --> 0:24:44.898
<v S6>on the ACMi cinema three website. So making it really

0:24:44.898 --> 0:24:49.248
<v S6>clear how you have to create an. Like maybe she

0:24:49.248 --> 0:24:52.188
<v S6>could count on the cinema three platform. But then once

0:24:52.188 --> 0:24:54.978
<v S6>you're in all our offerings during the two weeks of

0:24:54.978 --> 0:24:56.838
<v S6>the festival, the work is free.

0:24:56.868 --> 0:24:59.208
<v S5>No, I think it's so important. I think it's something

0:24:59.208 --> 0:25:02.088
<v S5>that I don't think a lot of festivals have taken

0:25:02.088 --> 0:25:05.688
<v S5>into account, is what accessibility actually can mean for a

0:25:05.688 --> 0:25:07.018
<v S5>lot of different people.

0:25:07.038 --> 0:25:09.588
<v S6>Yeah. And the audience numbers you can actually get. And

0:25:09.588 --> 0:25:13.638
<v S6>I know because we also do, you know, partner with

0:25:13.638 --> 0:25:16.578
<v S6>a number of the other bigger film festivals. And a

0:25:16.578 --> 0:25:18.498
<v S6>couple of times we've done things. They've been shocked by

0:25:18.498 --> 0:25:21.258
<v S6>the audience numbers. They've got when something's been online.

0:25:21.408 --> 0:25:23.628
<v S5>I'm so glad to hear that. It's such a great

0:25:23.628 --> 0:25:26.598
<v S5>lineup of a variety of films that you've got there

0:25:26.598 --> 0:25:30.138
<v S5>on offer. So as we mentioned, Fiona, the festival is

0:25:30.138 --> 0:25:34.368
<v S5>on until Thursday, December 7th. There's a fantastic range of

0:25:34.368 --> 0:25:38.928
<v S5>films available on offer. It's free, it's on demand, it's

0:25:38.928 --> 0:25:42.978
<v S5>online to have a check out what's happening in the

0:25:42.978 --> 0:25:46.968
<v S5>programme and with the festival itself, head to cinema three

0:25:46.968 --> 0:25:51.618
<v S5>dot ACMi dot net and then look for the other

0:25:51.618 --> 0:25:56.058
<v S5>film festival. Really exciting that this festival exists and it's

0:25:56.058 --> 0:25:59.358
<v S5>out there for everyone to enjoy. So Fiona, we are

0:25:59.358 --> 0:26:02.628
<v S5>really proud to support it here on Virgin Australia Radio

0:26:02.628 --> 0:26:04.548
<v S5>and wish you and the team all the best for

0:26:04.548 --> 0:26:05.478
<v S5>a great festival.

0:26:05.628 --> 0:26:06.678
<v S6>Thank you so much.

0:26:13.608 --> 0:26:17.148
<v S2>That was Conrad Brown with Fiona Tully from the other

0:26:17.148 --> 0:26:21.698
<v S2>film festival. If you're listening to this on Wednesday the

0:26:21.698 --> 0:26:25.008
<v S2>6th of December, there are still a couple of days

0:26:25.008 --> 0:26:28.188
<v S2>left to watch the movies on offer through the other

0:26:28.188 --> 0:26:33.618
<v S2>film festival. However, if you are listening past midnight on

0:26:33.618 --> 0:26:38.028
<v S2>the 7th of December, worry not as in the meantime,

0:26:38.028 --> 0:26:43.398
<v S2>there are plenty of audio described films, programs and exhibits

0:26:43.398 --> 0:26:47.268
<v S2>on display through the Australian Centre for the Moving Image,

0:26:47.268 --> 0:26:52.128
<v S2>as well as Vision Australia's catalogue of movies, TV shows

0:26:52.128 --> 0:26:56.328
<v S2>and theatre productions, plus much more. To find out more

0:26:56.328 --> 0:27:01.758
<v S2>about audio description, search for audio description services on the

0:27:01.758 --> 0:27:08.118
<v S2>Visual Studio website. Vision australia.org that's Vision Australia all one

0:27:08.118 --> 0:27:13.158
<v S2>word.org and that's all we have time for today. You've

0:27:13.158 --> 0:27:17.448
<v S2>been listening to Talking Vision. Talking vision is a production

0:27:17.448 --> 0:27:21.588
<v S2>of Vision Australia Radio. Thanks to all involved with putting

0:27:21.588 --> 0:27:25.548
<v S2>the show together and remember we love your feedback and comments.

0:27:25.548 --> 0:27:29.148
<v S2>So please do get in touch on Talking Vision at

0:27:29.148 --> 0:27:35.978
<v S2>Vision australia.org. That's talking vision all. One word at Vision australia.org.

0:27:35.988 --> 0:27:39.978
<v S2>But until next week it's Sam Cully saying bye for now.

0:27:43.588 --> 0:27:47.638
<v S1>You can contact Vision Australia by phoning us anytime during

0:27:47.638 --> 0:27:56.518
<v S1>business hours on one 308 4746. That's one 308 4746

0:27:56.518 --> 0:28:01.798
<v S1>or by visiting Vision australia.org. That's Vision australia.org.