WEBVTT - Talking Vision 762 Week Beginning 6th of January 2025

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host, Sam Colley.

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<v S2>Hello, everyone. It's great to be here with you. And

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<v S2>for the next half hour, we talk matters of blindness

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<v S2>and low vision.

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<v S3>Music can have such a profound impact on people. And

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<v S3>you don't have to be a musician by any means

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<v S3>for that to be true. But to use music in

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<v S3>a therapeutic context is such a privilege for me. I

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<v S3>think what makes music therapy so crucial is that it

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<v S3>can be an incredible way to connect with someone, and

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<v S3>to give them a voice, when sometimes other therapies may

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<v S3>not have been the answer. Music therapy can be such

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<v S3>a motivating way of achieving these functional outcomes.

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<v S2>Welcome to the program. This week we feature a very

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<v S2>important conversation, and you might have heard about this in

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<v S2>the news recently. We're talking about music therapy with music

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<v S2>therapist Emily Shanahan, somebody I've had a great deal of

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<v S2>respect for over the past two decades with her work

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<v S2>in music therapy. And that conversation is coming up very shortly.

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<v S2>So make sure to stick around. And then after we

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<v S2>hear from Emily, Maureen from the library is back to

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<v S2>preview some new events coming up in the Vision Australia

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<v S2>library for members in 2025. And on that book theme,

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<v S2>we finish up with a reader recommended from Francis Caitlin.

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<v S2>I hope you'll enjoy this week's episode of Talking Vision.

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<v S2>Following the news in recent weeks that music and art

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<v S2>therapies were currently under review by the NDIS. Questions have

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<v S2>been posed around the evidence that music and art therapies

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<v S2>provide such a vital service, which has been responded to

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<v S2>in overwhelming fashion by not only therapists but so many

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<v S2>participants out there over the years, myself included, who have

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<v S2>benefited so much from music therapy. And in that vein,

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<v S2>it's my absolute pleasure to welcome somebody I've known for

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<v S2>quite a long time. Music therapist Emily Shanahan to Talking vision. Emily. Hello.

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<v S2>Welcome to Talking Vision. Thanks so much for your time.

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<v S3>Oh, it's great to be here, Sam. Thank you so

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<v S3>much for the invitation.

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<v S2>It's great to connect up with you. Let's just get

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<v S2>a bit of an overview of yourself and your work

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<v S2>in the music therapy space.

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<v S3>Well, I have been a music therapist for a very

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<v S3>long time now. I think where we first crossed paths

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<v S3>was about 24 years ago. The vibe in Burwood.

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<v S2>That's right. Yep.

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<v S3>And, um. Yeah, it sounds crazy that it's that long ago.

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<v S2>It does. Really?

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<v S3>I'm still. Yeah, I'm still working in the field, and

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<v S3>I've spent a fair bit of time in specialist schools

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<v S3>and pediatric hospitals and in early intervention. I've been doing

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<v S3>on occasions a bit of teaching at Melbourne Uni in

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<v S3>the subjects of clinical improvisation and simulated practicum. And I'm

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<v S3>currently working in early intervention in a community healthcare setting.

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<v S2>Oh, fantastic. And, um, let's just go into a bit

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<v S2>about what we are here to chat about today. Now,

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<v S2>people have no doubt probably followed the news recently, in

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<v S2>the past few weeks with a lot of I guess

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<v S2>uncertainty is the word we'd use around the future of

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<v S2>music and art therapies going into 2025. So I'd just

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<v S2>like to get some thoughts from yourself, and I suppose

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<v S2>the sector and other colleagues of yours and how you've

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<v S2>reacted to this recent news regarding the funding changes.

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<v S3>Yeah, I think I mean, you really hit the nail

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<v S3>on the head with the word uncertainty because it was

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<v S3>a complete shock when we found out about this, that

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<v S3>the funding was going to be cut. And as a result,

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<v S3>it's been a really challenging couple of weeks for music therapists,

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<v S3>but also for our participants who are now feeling a

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<v S3>little bit on edge, like there will be 8000 participants

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<v S3>who will be impacted by funding cuts if this goes ahead.

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<v S3>And so, I mean, that is an enormous number of

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<v S3>people who are going to be really, seriously impacted. The

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<v S3>Music Therapy Association has been incredible. Like their response is amazing.

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<v S3>As registered music therapist, we're pretty used to having to

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<v S3>fight for our cause, but this has really been extreme

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<v S3>as a positive. I guess the support that we've felt

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<v S3>from each other and the community has been incredible. And

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<v S3>our petition to keep music therapy as an NDIS funded

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<v S3>therapeutic support is it's now reached 58,000 signatures.

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<v S2>Oh my God, that's incredible. No, that's, um, that's really

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<v S2>pleasing to hear that it's gotten such a really amazing

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<v S2>response like that. But it really does speak to the

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<v S2>importance of music therapy. And this ties into something you

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<v S2>and I are both acutely aware of. And that's why

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<v S2>music therapy is so crucial to so many people in

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<v S2>the community. Now let's go into that because there's so

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<v S2>much we can unpack here. There's so many different aspects,

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<v S2>and I know the impact that it's had for me,

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<v S2>but I'd just love to get your thoughts and go

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<v S2>to the heart of why it's so important, and why

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<v S2>it really means so much to be involved in that sector.

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<v S3>Yeah. Great question, I think. I mean, music can have

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<v S3>such a profound impact on people. And you don't have

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<v S3>to be a musician by any means for that to

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<v S3>be true. But to use music in the therapeutic context

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<v S3>is such a privilege for me. I think what makes

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<v S3>music therapy so crucial is that it can be an

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<v S3>incredible way to connect with someone, and to give them

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<v S3>a voice, when sometimes other therapies may not have been

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<v S3>the answer. And I think we're hearing a lot of

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<v S3>stories about this at the moment in the news. So

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<v S3>many participants saying I couldn't access other things. I couldn't

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<v S3>you know, I think music therapy can be such a

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<v S3>motivating way of achieving these functional outcomes. And look, that's

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<v S3>the language that's really important to funding supports like the Ndia.

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<v S3>Is that functional outcomes, those things like improved participation and

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<v S3>independence in daily practical activities. So this is what's being funded.

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<v S3>And as a therapist that we're really trying to prove

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<v S3>that what we're doing is impacting the daily lives of

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<v S3>our participants.

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<v S2>And I must say, I'd vouch for that 100%. You know,

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<v S2>this is something I've gotten involved in since a very

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<v S2>young age. And I think without music therapy, there's a

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<v S2>bunch of doors that wouldn't have been opened. Although, you know,

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<v S2>I have always been quite musically inclined. I've had perfect

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<v S2>pitch and all that sort of thing. But responding to that,

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<v S2>when you're 3 or 4 and then people sort of think, oh, okay, there's,

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<v S2>you know, something there. So it moves on to the

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<v S2>next kind of thing. And having that involvement with other

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<v S2>people as well, that social element and, you know, making

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<v S2>music together. And and that's just been so fun as well.

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<v S2>And that was just, you know, have memories that last

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<v S2>a lifetime. And then one of those people is now

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<v S2>a world touring. You know, singer in a rock band

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<v S2>and you just think, oh my God. Well, that just

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<v S2>wouldn't have been possible without music therapy. And there's so

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<v S2>much to unpack and so many great stories to share

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<v S2>and all that sort of thing as well.

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<v S3>Would it be okay for me to say, Sam? Yeah.

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<v S3>So I think when you met me in 2001 and

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<v S3>we there was a choir and a few performances that

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<v S3>happened and a lot of laughing and learning. I think

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<v S3>from that group there are quite a number who are

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<v S3>working professionally in music.

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<v S2>Yes.

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<v S3>And I mean, that's just incredible that talking of functional

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<v S3>goals that, you know, people have it now is their vocation. Yeah,

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<v S3>I learnt a lot in that setting and look perfect pitch.

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<v S3>How amazing. Not a skill that I have, but so

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<v S3>many people at rehab had these incredible skills that that

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<v S3>it was just beautiful using music to embrace that together.

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<v S2>That's exactly it. And, you know, one of those was

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<v S2>the late, great Dorothy Hamilton, who sadly left us a

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<v S2>few months back now. She had such a profound impact

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<v S2>on Braille music and getting kids who are totally blind

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<v S2>and getting them into music and teaching them that music

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<v S2>is accessible in that way. And, um, absolutely. We had

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<v S2>a conversation with one of the transcribers of Braille music,

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<v S2>Geordie Howell, who works at Vision Australia, and she's quite

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<v S2>a central figure or has been in the braille music

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<v S2>camps over the past almost two decades now, both as

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<v S2>a student and going back and helping out as a teacher.

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<v S2>So there's so many different connections and ways that Braille

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<v S2>music can interface with other parts of, you know, the

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<v S2>music therapy space. And so that's that's also quite interesting.

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<v S2>What sort of things would you have to say in

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<v S2>terms of music therapy in particular with relation to blindness

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<v S2>and low vision. I know we've spoken a bit about

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<v S2>the interactions with people through our vibe, but what sort

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<v S2>of things have really stood out for you over the

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<v S2>decades in terms of how those two kind of interact?

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<v S3>Thinking about it in terms of the language that we're

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<v S3>needing to use with the NDIS and those functional outcomes.

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<v S3>I've been doing some work with a young student who

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<v S3>is blind, and it's about those daily supports around, you know,

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<v S3>how you might have a shower or how you might

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<v S3>go into a public space and things that you need

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<v S3>to think about. So we might do chanting or breathwork

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<v S3>and relaxation activities around that, or we might create songs

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<v S3>together to the point where they can be used independently

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<v S3>to help with those goals. And I think in terms

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<v S3>of accessibility, I think music is just something for so

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<v S3>many people that I've worked with has just been particularly

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<v S3>Accessible because there are just so many skills in that area.

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<v S2>Finally, Emily, I think we'll get back to particularly what

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<v S2>you and others in the music therapy space are hoping for,

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<v S2>anticipating in terms of next steps that you'd like to

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<v S2>see from the government and from the Ndia going forward

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<v S2>in the next weeks and months to come.

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<v S3>I guess ultimately what we're hoping for would be for

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<v S3>this decision to be reversed. Yes. And for the government

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<v S3>to keep music therapy as an NDIS funded therapeutic support.

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<v S3>Our association did meet with Minister Bill shorten recently, and

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<v S3>he did acknowledge the importance of music therapy as an

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<v S3>evidence based support. And now there's going to be an

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<v S3>independent review that will maintain and ensure the quality of

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<v S3>the therapeutic services. So Doctor Stephen Duckett has been appointed

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<v S3>to review the evidence, and the Amta has requested that

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<v S3>he provide some copies of evidence that founded why this

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<v S3>decision happened originally. But yeah, we also hope, I guess,

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<v S3>that he meet with participants and their families to hear

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<v S3>firsthand about the work that we're doing and the impact

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<v S3>that that can have. And I finally, I'd say probably

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<v S3>as an allied health profession, that we're fighting to have

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<v S3>the same standards and review processes as colleagues, for example,

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<v S3>those in speech pathology or occupational therapy. So, yeah, we're

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<v S3>hoping it will be a very comprehensive review and that

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<v S3>will be consulted through the decision making process. And I

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<v S3>think we need some time really before any changes happen

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<v S3>in the pricing guidelines. Yeah.

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<v S2>And Emily, if people would love to find out a

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<v S2>bit more about music therapy, what's the best place to

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<v S2>head to?

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<v S3>I would say the best place to head to is

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<v S3>our website, which is awesome. Org. I'll spell it out

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<v S3>just in case that will help a u s t

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<v S3>m t a o o u. And there are a

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<v S3>few drop down columns, but the one about music therapy

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<v S3>then drops down to music therapy and the NDIS, if

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<v S3>that is what they're specifically looking for. And in there

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<v S3>there is a disability evidence summary which is really informative

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<v S3>and written by many, many clever music therapists and definitely

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<v S3>worth a read. There are also lots of videos about

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<v S3>music therapy which tell stories of music therapy in different

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<v S3>working in early intervention or working in aged care, and

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<v S3>they're really amazing resources to have a listen to if

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<v S3>people are interested.

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<v S2>Perfect. Well, I've been speaking today with Emily Shanahan about

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<v S2>the changes in music therapy and the future of both

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<v S2>music and art therapies in 2025, so we both follow

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<v S2>that with great interest. Emily, thank you so much for

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<v S2>your time today. It was great to catch up with

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<v S2>you again and chat all about music therapy.

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<v S3>My pleasure Sam, and thank you so much for your support.

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<v S2>On Sam Culley and you're listening to Talking Vision on

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<v S2>a Vision Australia Radio, associated Stations of Reading Radio and

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<v S2>the Community Radio Network. I hope you enjoyed that conversation

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<v S2>as much as I did with Emily Shanahan. If you

0:14:20.760 --> 0:14:24.600
<v S2>missed any part of that conversation with Emily or you'd

0:14:24.600 --> 0:14:28.400
<v S2>love to hear it again. Talking vision is available on

0:14:28.400 --> 0:14:35.200
<v S2>the Vision Australia Radio website. VA radio.org. That's VA radio

0:14:35.359 --> 0:14:39.880
<v S2>all one word.org where you can find talking, vision and

0:14:40.040 --> 0:14:43.880
<v S2>so many other programs on the Vision Australia radio network.

0:14:44.400 --> 0:14:47.920
<v S2>You can also find Talking Vision on the podcast app

0:14:47.920 --> 0:14:52.640
<v S2>of your choice or through the Vision Australia library. And

0:14:52.680 --> 0:14:56.360
<v S2>speaking of the library, well, it's a happy New Year

0:14:56.359 --> 0:15:01.080
<v S2>and happy new library with a bunch of really exciting

0:15:01.120 --> 0:15:05.760
<v S2>events coming up in the Vision Australia Library for members

0:15:05.760 --> 0:15:09.840
<v S2>in 2025, and to have a chat with us all

0:15:09.840 --> 0:15:14.280
<v S2>about these. It's my great pleasure to welcome back Maureen

0:15:14.280 --> 0:15:18.600
<v S2>from the library. Maureen, welcome back to Talking Vision. Great

0:15:18.600 --> 0:15:19.320
<v S2>to have you.

0:15:19.479 --> 0:15:21.600
<v S4>I love being on Talking Vision. I get to live

0:15:21.600 --> 0:15:24.360
<v S4>my dream of being a radio personality.

0:15:24.880 --> 0:15:28.879
<v S2>And we certainly love to have you. And because it's

0:15:28.880 --> 0:15:31.879
<v S2>the New year, happy New Year as well. There's a

0:15:31.880 --> 0:15:36.640
<v S2>lot of exciting things coming up for people out there

0:15:36.680 --> 0:15:40.989
<v S2>in the world of the library in 2025. So let's

0:15:40.990 --> 0:15:42.630
<v S2>get a bit of an overview.

0:15:42.830 --> 0:15:46.230
<v S4>Well, we have a massive year planned for 2025. We

0:15:46.350 --> 0:15:51.670
<v S4>have 16 programs we'll be running, which involves over 61

0:15:51.670 --> 0:15:55.990
<v S4>individual sessions over the coming 12 months. So it's going

0:15:55.990 --> 0:15:59.150
<v S4>to be heaps of fun. There's some new programs that

0:15:59.150 --> 0:16:03.230
<v S4>are there to excite everyone. We've resurrected some favourites from

0:16:03.229 --> 0:16:06.390
<v S4>previous years that had had a bit of a rest,

0:16:06.390 --> 0:16:08.710
<v S4>and then we have our staples from this year that

0:16:08.710 --> 0:16:12.670
<v S4>everybody loves, so hopefully there'll be something for everyone.

0:16:12.790 --> 0:16:16.470
<v S2>What are some new programs that people can look forward to?

0:16:16.510 --> 0:16:20.269
<v S4>Ah, well, under the realm of a reading program. So

0:16:20.270 --> 0:16:23.070
<v S4>we sort of do reading and writing ones. We have

0:16:23.070 --> 0:16:27.470
<v S4>our new book, chap with the Vision Australia Library. So

0:16:27.470 --> 0:16:30.550
<v S4>in that program we will have a Vision Australia librarian

0:16:30.550 --> 0:16:33.150
<v S4>that will be present with me. And they'll give a

0:16:33.150 --> 0:16:38.820
<v S4>review of two newly released mainstream best selling books, so

0:16:39.380 --> 0:16:43.940
<v S4>they'll have a discussion of what's really good about the book. What?

0:16:44.540 --> 0:16:47.620
<v S4>Tell us a bit about the author and really give

0:16:47.820 --> 0:16:50.380
<v S4>a sort of warts and all appraisal of the book.

0:16:50.979 --> 0:16:53.900
<v S4>And then once they've gone through their two books, we're

0:16:53.900 --> 0:16:56.820
<v S4>going to go around the group and all the participants

0:16:56.820 --> 0:17:00.060
<v S4>that are present, those that want to will tell us

0:17:00.060 --> 0:17:02.900
<v S4>what they've been reading and they'll give a review of

0:17:02.900 --> 0:17:07.100
<v S4>their recent reads, so they'll get to channel their inner

0:17:07.100 --> 0:17:10.419
<v S4>Margaret Pomeranz or whoever they want to be. And they

0:17:10.419 --> 0:17:14.380
<v S4>can be highly critical, or they can be glowing with

0:17:14.379 --> 0:17:18.020
<v S4>their praise. And the idea is that in the span

0:17:18.100 --> 0:17:20.380
<v S4>of that hour, and we're going to do it quarterly,

0:17:20.859 --> 0:17:24.379
<v S4>that we will have the opportunity to fill your bookshelf

0:17:24.460 --> 0:17:27.220
<v S4>with a whole lot of new books, and that you've

0:17:27.220 --> 0:17:30.180
<v S4>got an idea of, you know what's good about them,

0:17:30.180 --> 0:17:32.300
<v S4>which ones you want to read, and just a little

0:17:32.300 --> 0:17:34.220
<v S4>bit of a taste to get you excited.

0:17:34.540 --> 0:17:37.969
<v S2>Yeah, no, that sounds a lot of fun. Very well received,

0:17:37.970 --> 0:17:42.169
<v S2>but let's keep on that theme of the favorites out there.

0:17:42.169 --> 0:17:47.050
<v S2>The programs that people absolutely loved to get involved with

0:17:47.050 --> 0:17:51.490
<v S2>that are making a return in 2025. So let's have

0:17:51.490 --> 0:17:54.130
<v S2>a chat about a couple of those. What are some

0:17:54.129 --> 0:17:57.729
<v S2>really popular favorites that are making a return for people

0:17:57.730 --> 0:17:58.489
<v S2>to look forward to?

0:17:58.649 --> 0:18:02.330
<v S4>One of our favorites that's really popular is our In

0:18:02.330 --> 0:18:06.330
<v S4>conversations with our authors. So we'll have six authors coming

0:18:06.330 --> 0:18:10.850
<v S4>in this year and the same format as previous years,

0:18:10.889 --> 0:18:14.330
<v S4>will introduce the author, give a little bit of an overview,

0:18:14.330 --> 0:18:18.450
<v S4>and then have about 45 minutes or so interrogating them,

0:18:18.690 --> 0:18:22.169
<v S4>usually finding out about a new release book. And then

0:18:22.169 --> 0:18:26.649
<v S4>people have the opportunity to submit questions either online during

0:18:26.649 --> 0:18:31.010
<v S4>the session, or they can actually submit questions during the

0:18:31.010 --> 0:18:35.519
<v S4>registration process. And then we'll have a variety of interviewers

0:18:35.520 --> 0:18:38.480
<v S4>that will be there for us. So we'll have myself

0:18:38.480 --> 0:18:42.520
<v S4>interviewing Emily Maguire on Valentine's Day. So that's an easy

0:18:42.560 --> 0:18:45.880
<v S4>date for everyone to remember. And Emily's got a new

0:18:45.879 --> 0:18:48.920
<v S4>book that's just been released called rapture, and she's an

0:18:48.919 --> 0:18:51.520
<v S4>award winning author, so that's going to be a load

0:18:51.520 --> 0:18:55.279
<v S4>of fun. Uh, we will have two authors coming in

0:18:55.280 --> 0:18:58.520
<v S4>with the Melbourne Writers Festival in May, and that will

0:18:58.520 --> 0:19:01.680
<v S4>be a hybrid event. So we will have everyone able

0:19:01.680 --> 0:19:04.439
<v S4>to watch online, but they also have the opportunity to

0:19:04.440 --> 0:19:08.320
<v S4>come into Qiyong and see them in person. And then

0:19:08.320 --> 0:19:12.119
<v S4>we will have three more authors later in the year,

0:19:12.119 --> 0:19:15.679
<v S4>and they will be interviewed by Sarah Bloedorn, who's a

0:19:15.680 --> 0:19:20.560
<v S4>library manager, Leanne Sajjadi. And we're also having Dave Tredinnick

0:19:20.600 --> 0:19:22.800
<v S4>do one of ours as well. Oh, fantastic. So just

0:19:22.800 --> 0:19:25.399
<v S4>roll out a whole lot of different interviewing styles, because

0:19:25.399 --> 0:19:27.600
<v S4>otherwise people get bored of the sound of my voice.

0:19:28.119 --> 0:19:31.080
<v S2>No, no, no one can get bored of that. Don't worry.

0:19:31.320 --> 0:19:35.350
<v S2>But yeah, it's very exciting to have Leanne and Sarah involved,

0:19:35.350 --> 0:19:38.350
<v S2>and especially Dave. He's a lot of fun. So I

0:19:38.350 --> 0:19:42.149
<v S2>think a lot of people will love to hear from

0:19:42.350 --> 0:19:43.869
<v S2>Dave what Dave did.

0:19:43.869 --> 0:19:47.709
<v S4>One of our conversations earlier this year with les and

0:19:47.710 --> 0:19:51.950
<v S4>his son Ben and daughter Emily. And that was very,

0:19:51.950 --> 0:19:54.390
<v S4>very well received. It was very cheeky.

0:19:54.710 --> 0:19:58.030
<v S2>Oh, yeah, I love that. No, he's, um he's he

0:19:58.030 --> 0:20:01.230
<v S2>can be quite cheeky. It's, um. Quite. It's always fun.

0:20:01.230 --> 0:20:04.109
<v S2>It's always a bit unpredictable. He's a bit off the

0:20:04.109 --> 0:20:07.790
<v S2>wall sometimes. So. Yeah, a lot of lot of things

0:20:07.790 --> 0:20:11.950
<v S2>to look forward to there. And Maureen, there's something else

0:20:11.950 --> 0:20:17.670
<v S2>exciting that's pretty new. You're gonna have a few conversations

0:20:17.830 --> 0:20:22.189
<v S2>with the narrators, the people behind the scenes who make

0:20:22.190 --> 0:20:23.070
<v S2>it all happen.

0:20:23.270 --> 0:20:25.269
<v S4>We are one of the things we do at the

0:20:25.270 --> 0:20:28.669
<v S4>end of all of our programs and events is a

0:20:28.669 --> 0:20:31.550
<v S4>post-event evaluation. So we ask people, what did you like

0:20:31.590 --> 0:20:34.389
<v S4>about it? What did you enjoy? What you'd like to

0:20:34.389 --> 0:20:36.790
<v S4>see more of? And we asked them for any ideas,

0:20:37.270 --> 0:20:39.710
<v S4>so I can't even take credit for this one. This

0:20:39.710 --> 0:20:42.430
<v S4>one came from the feedback from a number of our

0:20:42.430 --> 0:20:46.229
<v S4>members saying that they'd love to have the opportunity to

0:20:46.830 --> 0:20:50.389
<v S4>speak with the narrators and to chat with the narrators,

0:20:50.430 --> 0:20:53.950
<v S4>and to get to know these people, because a lot

0:20:53.950 --> 0:20:57.430
<v S4>of our members have been listening to books that have

0:20:57.430 --> 0:21:01.109
<v S4>been narrated by the same people for the last 20, 30,

0:21:01.149 --> 0:21:03.869
<v S4>40 years. And it's like a friend that they invite

0:21:03.869 --> 0:21:07.790
<v S4>into their home. So they're very attached to them. So

0:21:07.909 --> 0:21:10.990
<v S4>we are going to have Meet your Vision Australia Library narrators.

0:21:10.990 --> 0:21:15.350
<v S4>We're going to start with 2 in 2025. So we're

0:21:15.350 --> 0:21:16.870
<v S4>going to put a toe into the water and see

0:21:16.869 --> 0:21:20.629
<v S4>how they're received. And they'll have a three part structure.

0:21:20.750 --> 0:21:24.230
<v S4>So first I'll do an introduction to the narrator with

0:21:24.230 --> 0:21:27.790
<v S4>a little brief overview of their history with Vision Australia.

0:21:28.510 --> 0:21:30.859
<v S4>And then what they're going to do is a reading

0:21:30.859 --> 0:21:35.020
<v S4>from their favorite book that they've narrated for the library. So.

0:21:35.060 --> 0:21:37.340
<v S4>Or even one that they really would have liked to

0:21:37.340 --> 0:21:40.969
<v S4>have narrated. So they'll actually read for 20 or 30

0:21:40.970 --> 0:21:45.619
<v S4>minutes live from one of their favorite books, maybe one

0:21:45.619 --> 0:21:48.379
<v S4>solid section, or it might be a couple of excerpts.

0:21:48.980 --> 0:21:52.259
<v S4>And then afterwards we'll have an interview with the narrator,

0:21:52.300 --> 0:21:55.699
<v S4>including questions that our members have put in during the

0:21:55.700 --> 0:21:59.740
<v S4>registration process or that they popped into the zoom chat.

0:21:59.820 --> 0:22:03.300
<v S4>So it's a lovely opportunity to get to know them

0:22:03.300 --> 0:22:07.140
<v S4>as a person, but also to listen to them reading

0:22:07.139 --> 0:22:11.300
<v S4>something that they really enjoy as distinct from something that

0:22:11.460 --> 0:22:14.540
<v S4>you know, has been imposed upon them now.

0:22:14.820 --> 0:22:18.260
<v S2>Um, speaking of things that people can look forward to,

0:22:18.300 --> 0:22:21.540
<v S2>if people are listening to this and thinking, oh wow,

0:22:21.540 --> 0:22:25.180
<v S2>that all sounds fantastic, I'd love to get involved. Where

0:22:25.180 --> 0:22:28.500
<v S2>do I go to find out more? Let's give people

0:22:28.649 --> 0:22:32.970
<v S2>some details that they can get in touch with the library.

0:22:33.169 --> 0:22:36.369
<v S4>Well, the best place they can go really is the

0:22:36.369 --> 0:22:43.570
<v S4>Vision Australia Library website, which is Vision Australia Library. And

0:22:43.570 --> 0:22:45.889
<v S4>if you just scan down that first page to the

0:22:45.930 --> 0:22:49.410
<v S4>What's On section, you'll see all the upcoming events that

0:22:49.409 --> 0:22:52.410
<v S4>we have. So we usually have about six up there

0:22:52.409 --> 0:22:54.529
<v S4>at a time. So you'll see the next six that

0:22:54.530 --> 0:22:57.889
<v S4>are upcoming which will be reading and writing events. But

0:22:57.889 --> 0:23:01.250
<v S4>in addition to that, we also list all of our

0:23:01.250 --> 0:23:04.850
<v S4>events in our bi monthly newsletter. So I really encourage

0:23:04.850 --> 0:23:08.810
<v S4>everyone to make sure that they are receiving the newsletter,

0:23:08.810 --> 0:23:12.129
<v S4>and all library members will receive it unless they've opted

0:23:12.129 --> 0:23:15.570
<v S4>out of having email communication, which they can change if

0:23:15.570 --> 0:23:19.330
<v S4>they want to. And that lists all the upcoming events

0:23:19.330 --> 0:23:22.369
<v S4>that we have. And then the other place they can

0:23:22.369 --> 0:23:24.969
<v S4>always come on is to listen to your show, to

0:23:25.010 --> 0:23:28.479
<v S4>listen to Francis Collins show, to listen to Peter Greco's show.

0:23:28.879 --> 0:23:31.840
<v S4>And I'm always on there talking about what's new and

0:23:31.840 --> 0:23:33.479
<v S4>what's coming up for us as well.

0:23:34.200 --> 0:23:38.879
<v S2>Oh, perfect. All right. Well, I've been speaking today with

0:23:39.040 --> 0:23:43.000
<v S2>Maureen from the library, chatting to us all about the

0:23:43.000 --> 0:23:51.040
<v S2>exciting events coming up for Vision Australia library members in 2025. Maureen,

0:23:51.040 --> 0:23:55.399
<v S2>great to have you as always. Happy 2025 and look

0:23:55.399 --> 0:23:57.720
<v S2>forward to hearing how all the events go.

0:23:57.760 --> 0:23:59.800
<v S4>I hope you have a wonderful year and I get

0:23:59.800 --> 0:24:01.879
<v S4>to come and chat all throughout the year and tell

0:24:01.879 --> 0:24:03.240
<v S4>everyone about our new events.

0:24:03.440 --> 0:24:05.680
<v S2>Absolutely looking forward to it.

0:24:05.760 --> 0:24:10.279
<v S4>Thanks, Sam.

0:24:13.520 --> 0:24:17.359
<v S2>And now here's Frances Keelan with a reader recommended.

0:24:17.520 --> 0:24:21.119
<v S5>Thank you Sam. It has been 60 years since Mary

0:24:21.159 --> 0:24:24.199
<v S5>Poppins first hit our cinemas. So I thought it'd be

0:24:24.200 --> 0:24:27.510
<v S5>good to have a sample of Julie Andrews book home.

0:24:27.629 --> 0:24:31.030
<v S5>Her memoir. Over the years, Julie Andrews has been much

0:24:31.030 --> 0:24:33.510
<v S5>interviewed in the press and on television, but she has

0:24:33.510 --> 0:24:37.109
<v S5>never before revealed the true story of her childhood and upbringing.

0:24:37.590 --> 0:24:41.030
<v S5>In home, she vividly recreates the years before the movies,

0:24:41.350 --> 0:24:44.269
<v S5>and idyllic early childhood in Surrey was cut short when

0:24:44.270 --> 0:24:48.270
<v S5>her parents divorced and her mother remarried. The family moved

0:24:48.270 --> 0:24:50.909
<v S5>to London and there are vivid scenes of life during

0:24:50.909 --> 0:24:54.830
<v S5>the Blitz. Her mother went into musical theatre with her stepfather,

0:24:54.909 --> 0:24:57.709
<v S5>who encouraged Julie to have singing lessons, which led to

0:24:57.710 --> 0:25:01.310
<v S5>the discovery that her voice had phenomenal range and strength

0:25:01.430 --> 0:25:04.310
<v S5>for someone her age. Before long, she was appearing on

0:25:04.310 --> 0:25:07.270
<v S5>stage with her parents. She soon realised how much she

0:25:07.270 --> 0:25:10.830
<v S5>enjoyed looking out into the black auditorium with the spotlights

0:25:10.830 --> 0:25:13.270
<v S5>on her. By the time she was a teenager, she

0:25:13.270 --> 0:25:16.950
<v S5>was supporting her whole family with her singing. A London

0:25:16.950 --> 0:25:20.150
<v S5>Palladium pantomime led to a leading role in The Boyfriend

0:25:20.149 --> 0:25:24.139
<v S5>on Broadway at 19 parts in My Fair Lady, opposite

0:25:24.139 --> 0:25:27.939
<v S5>Rex Harrison and Camelot with Richard Burton soon followed, and

0:25:27.940 --> 0:25:31.180
<v S5>there are wonderful anecdotes about the actors and actresses of

0:25:31.180 --> 0:25:33.660
<v S5>her day. But this is far more than a collection

0:25:33.659 --> 0:25:37.100
<v S5>of show stories. Home is an honest, touching and revealing

0:25:37.100 --> 0:25:40.659
<v S5>memoir of the early life of a true icon. Let's

0:25:40.659 --> 0:25:44.420
<v S5>hear a sample of Home by Julie Andrews, narrated by

0:25:44.419 --> 0:25:45.500
<v S5>Julie Andrews.

0:25:45.940 --> 0:25:49.820
<v S6>I am told that the first comprehensible word I uttered

0:25:49.820 --> 0:25:54.859
<v S6>as a child was home. My father was driving his

0:25:54.859 --> 0:25:58.580
<v S6>second hand. Austin seven. My mother was in the passenger

0:25:58.580 --> 0:26:01.740
<v S6>seat beside him, holding me on her lap as we

0:26:01.740 --> 0:26:05.460
<v S6>approached our modest house. Dad braked the car to turn

0:26:05.460 --> 0:26:08.580
<v S6>on to the pocket handkerchiefs, square of concrete by the gate,

0:26:08.740 --> 0:26:14.620
<v S6>and apparently I quietly, tentatively said the word home. My

0:26:14.619 --> 0:26:17.620
<v S6>mother told me there was a slight upward inflection in

0:26:17.619 --> 0:26:20.780
<v S6>my voice. Not a question so much as a trying

0:26:20.820 --> 0:26:24.340
<v S6>of the word on the tongue with perhaps the delicious

0:26:24.340 --> 0:26:29.620
<v S6>discovery of connection, the word to the place. My parents

0:26:29.659 --> 0:26:32.580
<v S6>wanted to be sure they had heard me correctly. So

0:26:32.580 --> 0:26:36.179
<v S6>dad drove around the lanes once again, and as we returned,

0:26:36.180 --> 0:26:39.940
<v S6>it seems I repeated the word. My mother must have

0:26:39.940 --> 0:26:42.540
<v S6>said it more than once upon arrival at our house,

0:26:42.780 --> 0:26:47.979
<v S6>perhaps with satisfaction or relief, or maybe to instill in

0:26:47.980 --> 0:26:51.740
<v S6>her young daughter a sense of comfort and safety. The

0:26:51.740 --> 0:26:57.419
<v S6>word has carried enormous resonance for me ever since. Home.

0:26:57.820 --> 0:27:01.300
<v S5>So that was home by Julie Andrews. If you would

0:27:01.300 --> 0:27:02.900
<v S5>like to borrow that book, or if you would like

0:27:02.899 --> 0:27:06.300
<v S5>to find out more about Vision Australia Library, just give

0:27:06.300 --> 0:27:14.540
<v S5>them a call on one 365 4656. That's one 365 4656.

0:27:14.740 --> 0:27:19.340
<v S5>Or you can email library at Vision Australia. That's library

0:27:19.340 --> 0:27:20.740
<v S5>at Vision Australia.

0:27:22.169 --> 0:27:25.129
<v S2>And that's all the time we have for today. You've

0:27:25.129 --> 0:27:29.290
<v S2>been listening to Talking Vision. Talking vision is a Vision

0:27:29.290 --> 0:27:33.490
<v S2>Australia radio production. Thanks to all involved with putting the

0:27:33.490 --> 0:27:37.649
<v S2>show together every week. And remember, we love hearing from you.

0:27:37.649 --> 0:27:41.170
<v S2>So please get in touch anytime on our email at

0:27:41.210 --> 0:27:46.290
<v S2>Talking Vision at Vision Australia. Org. That's talking vision all

0:27:46.290 --> 0:27:51.050
<v S2>one word at Vision australia.org. But until next week it's

0:27:51.050 --> 0:27:53.210
<v S2>Sam Corley saying bye for now.

0:27:56.970 --> 0:28:00.970
<v S1>You can contact Vision Australia by phoning us anytime during

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<v S1>business hours on one 384 7486. That's one 384 7486

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<v S1>or by visiting Vision Australia. That's Vision Australia. Org.