WEBVTT - Talking Tech 22nd April 2025

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<v S1>Hello everyone. Welcome to Talking Tech. This edition, available from

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<v S1>April the 22nd, 2025. I'm Stephen Jolly, great to have

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<v S1>you with us listening maybe through Vision Australia Radio, associated

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<v S1>stations of the Radio Reading Network or the Community Radio Network.

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<v S1>There is also the podcast. To catch that, all you

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<v S1>need to do is search for the two words talking

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<v S1>tech and Dan. It can all come usually on a

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<v S1>Tuesday afternoon just after it's been produced. Another option is

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<v S1>to ask your Siri device or smart speaker to play.

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<v S1>Vision Australia radio talking tech podcast. Vision Australia radio talking

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<v S1>tech podcast with me. Vision Australia's national access technology manager.

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<v S1>Damo McMorrow. Hey, Damo.

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<v S2>G'day, Stephen. How are you?

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<v S1>I'm good. You must be pretty excited. You've got a

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<v S1>new toy.

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<v S2>I do indeed, yes.

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<v S1>Tell us about.

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<v S2>It. So my wife has often joked that I should

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<v S2>have been a drummer rather than a guitarist because I'm forever,

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<v S2>you know, tapping rhythms on things like my desk. You know,

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<v S2>when I'm thinking or trying to work something out or whatever. And, uh,

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<v S2>the other week I was looking around on the web

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<v S2>and I came across a device called a Yamaha FG

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<v S2>30 finger drum pad. As soon as I said to

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<v S2>mentioned it to Marian, she said, well, you've got to

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<v S2>have one of those. So I now have one. And uh,

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<v S2>the idea of it is it's essentially a drum machine,

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<v S2>but it has a bunch of touch sensitive pads that

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<v S2>represent each of the different types of drums in a

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<v S2>conventional drum kit, and you operate those by tapping them

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<v S2>with your fingers. So the device is the same sort

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<v S2>of footprint as a small iPad, you know, iPad mini,

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<v S2>something like that. But obviously it's quite a bit thicker.

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<v S2>It's about two centimetres thick on the the sides and

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<v S2>the back of the device. There isn't much on the back.

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<v S2>You've got a headphone out and an input jack. You've

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<v S2>got a USB micro for charging. All of the other

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<v S2>controls are on the top of the device, and I'll

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<v S2>sort of talk through what they look like in a moment.

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<v S2>But the thing that really grabbed me about this thing

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<v S2>and as I said, I'm not a drummer. I, you know,

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<v S2>I'm a guitarist, really. But, uh, you know, I'm one

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<v S2>of those people that, uh, you know, the old saying,

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<v S2>when I was a kid, I wanted to play the

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<v S2>guitar really badly, and now I can play the guitar

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<v S2>really badly. Um, so I'm certainly not an accomplished musician

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<v S2>by any means, so I'm still learning. But the thing

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<v S2>that really grabbed me about this was the fact that

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<v S2>it has no screen. So out of the box, everything

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<v S2>on the device speaks. So if I was to navigate,

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<v S2>for example, it has there's a number of different types

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<v S2>of drum kits that you can select. And as I

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<v S2>cycle through those.

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<v S3>Four house rows five R&amp;B six dubstep son.

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<v S2>So these are all different types of drum kits, and

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<v S2>they all obviously have different sounds and that kind of thing.

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<v S1>No screen. So it's designed to be listened to?

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<v S2>Absolutely, yes. And all of the menus and settings and

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<v S2>everything are all spoken out by that same voice. So

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<v S2>it's not even a situation where you have to enable

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<v S2>the voice guidance. It's just there because there's no other

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<v S2>way to really drive it.

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<v S1>Did you have much of a challenge to set it up?

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<v S2>No. The power button was kind of obvious because it's

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<v S2>in the top left hand corner and it's slightly recessed.

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<v S2>So I sort of thought, hmm, that's obviously the power button.

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<v S2>And then I just tapped on the various pads and

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<v S2>things and, um, experimented with the buttons until I, uh,

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<v S2>figured it out.

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<v S1>So tell me about these pads and buttons. How physical

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<v S1>are they?

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<v S2>The pads, they're raised sort of rubber surface, if you like.

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<v S2>And so across the bottom of the device, you've got, uh,

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<v S2>one long rectangular pad, um, which you operate with your thumb.

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<v S2>It kind of feels a bit like a, like a

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<v S2>spacebar on a keyboard is sort of what it reminds

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<v S2>me of, I get it. And you can operate that

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<v S2>normally with your kick drum with either either of your thumbs.

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<v S2>So if I tap that. And the harder I tap it,

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<v S2>the louder the the drum sound. So if I'm, if

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<v S2>I'm tapping it softly if I. So the pad is,

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<v S2>is touch sensitive, then we've got above that. We've got, um,

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<v S2>a row of smaller pads that represent, um, our Tom

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<v S2>type drums. And then so there you've got, um, seven, uh,

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<v S2>pads in that row, and then we've got another row

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<v S2>above that. We've got two smaller squares which are our symbols.

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<v S2>And then we have our snare drum above that. And

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<v S2>that's a long pad like the, like the kick drum.

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<v S2>And then, um, we've got another row of five, um,

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<v S2>pads that are other different, uh, symbols and things. So.

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<v S2>Then above that we've got, um, the power button on

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<v S2>the left, which is slightly recessed, and we've got, uh,

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<v S2>a couple of rows of small oval buttons which are

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<v S2>for navigating your menu, um, adjusting the volume, um, selecting

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<v S2>the type of drum kit you want, um, setting up

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<v S2>your metronome so you can have, like, um, what they

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<v S2>call a click track. And then on the top right is, um,

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<v S2>a square with, um, little holes, which is the built

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<v S2>in speaker. So you can have it coming out of

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<v S2>the built in speaker if you just want to sit

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<v S2>there and drum with it on your lap, or you

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<v S2>can plug it into your mixer, which is what I've

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<v S2>done today, so that you can hear what's happening.

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<v S1>So what, you use it in conjunction with someone using

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<v S1>a keyboard.

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<v S2>Say you could absolutely. Um, you could also do things

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<v S2>like record some drum sequences and save them to a

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<v S2>USB stick, or record them to the device and then

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<v S2>play them back so that you could play keyboard or

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<v S2>guitar or something like that over the top of them. Um,

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<v S2>you can use it as a Midi controller. So if

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<v S2>you're if you're a musician and you want, uh, let's say,

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<v S2>for example, you do live gigs where you sing and

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<v S2>play guitar or sing and play keyboard. You might use

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<v S2>this to record a bunch of, um, you know, drum

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<v S2>tracks to play along with, to sort of fill out

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<v S2>your performance, that sort of thing. Um, you might also

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<v S2>use it if you're a music producer and you want

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<v S2>to sort of show, you know, you've come up with

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<v S2>a song idea or something like that, and you want

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<v S2>to show your band or your drummer, you know what

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<v S2>you're thinking in terms of rhythms or that sort of thing.

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<v S2>You might use it in that scenario as well. Uh,

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<v S2>you might use it as a metronome if you were,

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<v S2>you know, playing drums, you know, playing on a proper

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<v S2>drum kit. Um, there's a, a load of different ways

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<v S2>you could use it, or you could just be a,

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<v S2>you know, a hobbyist and a tinkerer like me who, uh,

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<v S2>has always wanted to play the drums but doesn't have

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<v S2>room for a drum kit and doesn't have neighbors that

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<v S2>would necessarily appreciate it if I did. So, um, yeah,

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<v S2>there's lots of different ways that you could use something

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<v S2>like this.

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<v S1>How did you find it? Damia?

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<v S2>Uh, just sort of randomly. I was, uh, chatting to

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<v S2>a friend of mine over in the US, and, uh,

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<v S2>she happened to mention it, and then she sort of

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<v S2>pointed me towards a, uh, another podcast where the male, uh,

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<v S2>host of the podcast had gotten one for his birthday,

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<v S2>and I sort of thought, oh, this sounds cool. So

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<v S2>I then started looking to see whether they were available

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<v S2>here in Australia and looked at all the different features.

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<v S2>And um, so there's an FG 30. So if you

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<v S2>think FG for finger, DP for drum pad, uh, there's

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<v S2>a 30 and a 50. The 50 does have a

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<v S2>screen though, so I would and I don't think it

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<v S2>has the voice guidance. So the 30 is the one

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<v S2>that is more accessible to us.

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<v S1>What sort of money are you talking about?

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<v S2>I got this one for, I think, $349 from, um,

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<v S2>store DJ slash, Manny's music. Um. Turramurra music. Better music.

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<v S2>Any of your online music stores? Um, would either have

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<v S2>them or be able to get them.

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<v S1>So let's go back to your demo and show us

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<v S1>a little bit more of what it can do.

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<v S2>Okay. So when I sort of demonstrated the different sounds

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<v S2>before you heard that there's a number of different kits for,

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<v S2>for different types of things, and that sort of changes

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<v S2>the sounds that you get out of it. So if

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<v S2>I was to scroll through, for example.

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<v S3>For five R&amp;B, six dubstep son.

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<v S2>So if I do that, some of the cymbal sounds

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<v S2>are a little bit different. And so instead of the

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<v S2>rim shot that we had before on that pad, we've

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<v S2>got that sort of synthetic sound that you tend to

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<v S2>get in a lot of electronic music. There's even a,

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<v S2>beatbox kit. Seven Big Beat which I will.

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<v S3>Ten Modern Jazz 25 hip hop 26 Beatbox Pine.

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<v S2>So if we select Beatbox Pine, which is the, um,

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<v S2>beatbox kit, that's. And for people who don't know what

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<v S2>beatboxing is, that's where you where someone kind of makes

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<v S2>vocal sounds to represent drumming. So, you know, we still

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<v S2>have our kick drum. We've got. Things like that. So

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<v S2>all the sorts of vocal sounds that people make when

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<v S2>they're impersonating a drum kit, which is what beatboxing is

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<v S2>quite remarkable. It really is. And the samples are really

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<v S2>high quality, too. Um, you know, it's very clear that

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<v S2>the audio quality is really good.

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<v S1>Terrific. So it's a Yamaha FG 30. Have I got

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<v S1>that right?

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<v S2>That's right. Yamaha FG for finger DP for drum pad 30.

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<v S2>I would just do a google for something like by

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<v S2>Yamaha FG 30 in Australia, and all of the online

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<v S2>music stores will come up. Alternatively, you could have a

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<v S2>look on Amazon. They do have them up actually a

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<v S2>little bit cheaper than what I paid, but it was

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<v S2>going to take a week and a half to get

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<v S2>there and I was impatient. I wanted something to play

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<v S2>with over my Easter holiday, so um, but you can

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<v S2>definitely probably pick them up on Amazon or eBay as well,

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<v S2>if that's what you want to do.

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<v S1>Good on you Damo. Your Yamaha FDP 30 device a

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<v S1>drum kit while we've got time. A couple of other

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<v S1>matters to ask you about. One, you've got a bit

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<v S1>of news about the we Walk, which is the smart

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<v S1>cane we talked about over the last few months.

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<v S2>Yes, it is a brilliant device. Let me say that

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<v S2>I was very pleased with mine and I took it

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<v S2>to see son. And I'm hoping that for next week's show,

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<v S2>I'll actually be able to give you a little bit

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<v S2>of a demonstration of it. But there is an issue.

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<v S2>A known issue with it at the moment with battery drains.

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<v S2>So even if you leave the device sitting and you're

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<v S2>not using it, if it sits for 3 or 4 days,

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<v S2>you'll probably come back and find that it has a

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<v S2>flat battery. Now we walk, are aware of it and

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<v S2>they are trying to address it. But just a note

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<v S2>to anyone who has one of these that you may

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<v S2>want to. Until this issue is addressed in firmware, you

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<v S2>may want to put it on charge every night just

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<v S2>so that you're not let down by, you know, taking

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<v S2>it out and finding that it's gone flat.

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<v S1>And the other one I wanted to ask you about

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<v S1>is the meta glasses that have been around now for, well,

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<v S1>probably just on 12 months. Updates continue to flow.

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<v S2>They do indeed. Yes. I got mine in May last year,

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<v S2>mid May. And at that stage we were up to,

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<v S2>I think version 5 or 6 of the software. Uh,

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<v S2>they have now just released version 14.1 and there's some

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<v S2>nice features in it if you use, uh, things like Spotify.

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<v S2>So with your music services, you can now tell it

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<v S2>to shuffle a playlist. You know, if you have a

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<v S2>workout playlist or something like that, you can play it

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<v S2>on shuffle. Um, you can get more information about the weather,

0:12:31.270 --> 0:12:35.070
<v S2>so you can get things like air quality and, uh,

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<v S2>UV index and some of those things, rather than just

0:12:38.390 --> 0:12:43.910
<v S2>a generic sort of forecast. Um, unfortunately, we still don't

0:12:43.910 --> 0:12:47.589
<v S2>have the live AI feature. They did say that we

0:12:47.590 --> 0:12:50.790
<v S2>were supposed to get it in March, but, uh, it

0:12:50.790 --> 0:12:53.030
<v S2>hasn't materialized yet, which is a bit of a shame,

0:12:53.030 --> 0:12:57.310
<v S2>because that's one that I'm really looking forward to taking

0:12:57.309 --> 0:12:59.710
<v S2>for a spin. Um, every time I sort of see

0:12:59.710 --> 0:13:01.309
<v S2>a new update, I think, oh, I wonder if this

0:13:01.309 --> 0:13:05.350
<v S2>will be it, but, uh, no. Not yet. Unfortunately for

0:13:05.350 --> 0:13:10.150
<v S2>people who, uh, have these and have experienced the frustration

0:13:10.150 --> 0:13:15.590
<v S2>of it not reading documents, uh, in full. The trick

0:13:15.590 --> 0:13:19.770
<v S2>for that seems to be read this document verbatim, or

0:13:19.770 --> 0:13:23.530
<v S2>read this text verbatim, and that stops it from summarizing and, uh,

0:13:23.530 --> 0:13:27.530
<v S2>and makes it actually read what's there rather than trying to, uh,

0:13:27.570 --> 0:13:28.850
<v S2>summarize it for you.

0:13:29.210 --> 0:13:31.890
<v S1>I'll keep that one in mind. Read this text verbatim.

0:13:32.290 --> 0:13:37.329
<v S1>The meta smart glasses. Before we go, a reminder that

0:13:37.330 --> 0:13:39.890
<v S1>you can find details of what we've been talking about

0:13:39.890 --> 0:13:43.170
<v S1>in this and previous editions of the program by going

0:13:43.210 --> 0:13:51.170
<v S1>to VA radio. VA. To write to the program.

0:13:51.490 --> 0:14:00.770
<v S2>You can email me. At Vision Australia.

0:14:01.890 --> 0:14:07.089
<v S1>Damo McMorrow at Vision Australia. This has been talking tech

0:14:07.090 --> 0:14:10.689
<v S1>with me has been Vision Australia's national access technology manager

0:14:10.730 --> 0:14:14.089
<v S1>Damien McMorrow. I'm Stephen Jolly. Take care. We'll talk more

0:14:14.090 --> 0:14:15.330
<v S1>tech next week. See you.