WEBVTT - Talking Vision 745 Week Beginning 9th of September 2024

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<v S1>From Vision Australia. This is talking vision. And now here's

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<v S1>your host Sam Colley.

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<v S2>Hello, everyone. It's great to be here with you. And

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<v S2>for the next half hour we talk matters of blindness

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<v S2>and low vision.

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<v S3>We always accompany the presentation with a PowerPoint. It helps

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<v S3>us to describe in the moment because I think one

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<v S3>of the things that people enjoy most about art by

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<v S3>description online is the fact that it's live, but also

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<v S3>sometimes people with low vision, when the image is there

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<v S3>and you're describing it, sometimes people say, you know, I

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<v S3>really couldn't see what those brush strokes were. But now

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<v S3>that you've said it's a little girl, now I can

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<v S3>see it. So I think that that's an interesting element

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<v S3>to the program.

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<v S2>Welcome to the program. Coming up on the 13th of September,

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<v S2>it's time for the monthly Art by description program run

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<v S2>by the National Gallery of Australia in Canberra, both in

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<v S2>person at the gallery but also online. You heard from

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<v S2>Adrian Boag there from the National Gallery of Australia's Access team.

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<v S2>That conversation's coming up later in the show for us

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<v S2>to find out a little bit more about the program.

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<v S2>But first I chat with Ross Joyce, the CEO of

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<v S2>the Australian Federation of Disability Organisations, or Afto, following the

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<v S2>big news about the pending retirement of Bill shorten, the

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<v S2>Minister for the NDIS. I hope you enjoy this week's

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<v S2>episode of Talking Vision. I started off my interview with

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<v S2>Ross by asking him about his and Af2's reaction to

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<v S2>the pending retirement of Bill shorten.

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<v S4>Well, look, clearly we're a bit surprised we're in the

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<v S4>middle of significant and we'll talk about it a bit later.

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<v S4>As you said, Sam, significant reforms happening with the National

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<v S4>Disability Insurance Scheme. And firstly, though we'd like to af2

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<v S4>and our membership would like to thank Bill for his passion,

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<v S4>commitment and all the work that he has done. I mean,

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<v S4>Bill was there championing the NDIS before it became a

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<v S4>reality and certainly getting him in as the minister. I

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<v S4>think we're very fortunate to have somebody so passionate about

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<v S4>the scheme and um, he's not quite gone yet. We

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<v S4>still have until February, with Bill still obviously able to

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<v S4>do some more work, and we're looking forward to continuing

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<v S4>working with him in that capacity. Obviously for us, it's about, well,

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<v S4>who takes over in that role and there's a lot

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<v S4>of work to be done. It's not going to be

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<v S4>completed by February. It's going to continue on for some time.

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<v S4>So we're I suppose we're wanting to make sure that

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<v S4>the government actually puts a minister in somebody who will

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<v S4>be in cabinet. We see that as a as a

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<v S4>major step that we had going forward when Bill was

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<v S4>appointed to that role. We want to make sure that

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<v S4>that ministerial role continues. We don't want to see it

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<v S4>going back to an assistant minister level or something like that,

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<v S4>which it was previously.

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<v S2>We'll get back to that later, because that's an extremely

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<v S2>important topic, especially given the backdrop against the recent finalisation

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<v S2>of the government's response to the Disability Royal Commission and

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<v S2>all the discussions there and all that sort of thing.

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<v S2>But before we get to that, Ross, I'd love to

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<v S2>just focus on the changes to the NDIS in particular,

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<v S2>in case people aren't aware, there have been quite a

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<v S2>few reforms of late. So what are the major things

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<v S2>that you think and after thinks perhaps are the most

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<v S2>important things for people to know about in regards to

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<v S2>those reforms, and perhaps how they will affect people's daily lives?

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<v S4>Mm. Well, right at the moment, the major one that

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<v S4>is coming through hasn't come into operation yet but should

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<v S4>be in. I don't have a date. We're still waiting

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<v S4>to hear when that is, but probably by the end

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<v S4>of this month or early into October. And that is

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<v S4>in terms of what supports people can utilise as part

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<v S4>of their plan. I think there was a fair bit

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<v S4>of media coverage of that. We certainly put out a

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<v S4>position on that as well, in looking at lists of

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<v S4>what's in and what's out in terms of supports for

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<v S4>people that are participants within the scheme. We think there

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<v S4>needs to be a lot more work done on that.

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<v S4>We believe that there should be a principles based approach

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<v S4>rather than just a list of in and out. The

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<v S4>government says it has other legal advice that requires it

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<v S4>to do that, and that's why the legislation is that way.

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<v S4>That's backed up from what the Ndia, the agencies telling

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<v S4>us as well. However, we still think there's room for

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<v S4>a principles based approach on what's in and out, rather

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<v S4>than just a straight listing of items that are in

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<v S4>and out. We think that that still will then allow

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<v S4>for choice and control, and it will also take into

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<v S4>account what a person with disability or disabilities requires, which,

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<v S4>as we know, every individual with disability is different to

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<v S4>another one, and we need to make sure that those

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<v S4>supports are provided and continue to be provided. But I

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<v S4>need to give assurance to your listeners at the moment.

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<v S4>There's no change at this stage to any of that

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<v S4>that will come into effect later, and it will mainly

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<v S4>come into effect, particularly for any of the changes for

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<v S4>those that are having a plan review as that comes up,

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<v S4>then there will be changes made, but until then there

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<v S4>won't be. Now that said, those lists of supports of

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<v S4>what's in and what's out will come into effect by

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<v S4>next month, and it will be important for everyone to

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<v S4>be aware of what they can still continue to maintain

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<v S4>under their plan and what may not be able to

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<v S4>be obtained. And if there's a need to try and

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<v S4>get an exemption on that, well, that's what would then

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<v S4>need to take place.

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<v S2>Let's have a little bit of a broader chat now

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<v S2>about things like the importance of continued support for people

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<v S2>with a disability, with that minister being in cabinet, for example,

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<v S2>with the Disability Royal Commission's recommendation to implement a minister

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<v S2>for disability, not just a minister for the NDIS in particular,

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<v S2>but a little bit more of a broad ranging role.

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<v S2>But against that sort of backdrop, what are your beliefs

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<v S2>and those beliefs about what the best situation is going forward?

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<v S4>Well, thanks, Sam. And you mentioned about the royal Commission,

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<v S4>I think its recommendation 5.6, actually indicated that we should

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<v S4>have a minister for disability Inclusion and Equity and also

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<v S4>a department for that. We're strong supporters after, and our

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<v S4>members are strong supporters of that recommendation, and we put

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<v S4>that forward in our response to the Disability Royal Commission recommendations.

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<v S4>We started that back in December. We came out with

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<v S4>a complete response to the 222 recommendations. And then we

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<v S4>further outlined in February this year what we thought were

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<v S4>important recommendations that needed to be picked up over the

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<v S4>course of this year and into early next year. And

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<v S4>one of those was exactly that recommendation for a minister

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<v S4>to be appointed in that role. Unfortunately, with the government

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<v S4>in its response, which, you know, I think it was

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<v S4>pretty well documented and we certainly said the same thing

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<v S4>was fairly lacklustre. We don't believe that the recommendations that

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<v S4>should have been picked up were even looked at. Most

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<v S4>of the things were batted down the road for consideration later.

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<v S4>There are only a small number 13 recommendations that were

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<v S4>adopted at all, and even in that case, we still

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<v S4>didn't get any timeline on when they will come into

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<v S4>effect or force or what they were going to do

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<v S4>with those. So we think there's a lot of work

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<v S4>that we all need to do as a community to

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<v S4>keep moving those recommendations forward. We would like to see

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<v S4>the one with the new minister roll in there. The

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<v S4>government's actual response to that was that it noted that recommendation. Sam,

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<v S4>in noting a recommendation by government from a royal commission,

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<v S4>that means nothing will happen. No.

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<v S2>That's right.

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<v S4>So yeah, we're very disappointed with that. We think now, though,

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<v S4>there's an opportunity, there's a watershed moment with Bill announcing

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<v S4>his retirement from politics that that then opens that up

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<v S4>for the government to do a review of that. And

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<v S4>we'd encourage the Prime Minister to show leadership in that respect,

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<v S4>and for the Prime Minister and the caucus and cabinet

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<v S4>to look at truly making a keen difference to people

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<v S4>with disability. By relooking at that recommendation, which was adopted

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<v S4>from all of the commissioners on the Royal Commission, it

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<v S4>wasn't a subgroup. It was a recommendation from the full commission.

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<v S4>We think that should be enacted.

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<v S2>On that topic, Ros, we have had response from people

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<v S2>with Disability Australia at the time following the result, where

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<v S2>only 13 of the recommendations were fully committed to. And

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<v S2>it's pretty widely agreed that it is, as you've said,

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<v S2>quite disappointing and all that sort of thing. But there is,

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<v S2>as you've also said, a lot of opportunity for things

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<v S2>to improve and for people with disabilities to have their

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<v S2>voices heard on a much grander scale, and putting that

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<v S2>into practice in quite a few more official channels, such

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<v S2>as that Minister for disability and a department that is

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<v S2>devoted to improving the lives of people with disabilities. So

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<v S2>first and foremost, what are your most immediate hopes for

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<v S2>improvement in that sector going forward with this uncertainty? But also,

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<v S2>as you've said, opportunity for great change and great improvement

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<v S2>for the lives of people with disabilities.

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<v S4>Look, we're pretty positive that we can get a minister

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<v S4>through someone who is going to be equally as passionate

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<v S4>as Bill in terms of pushing forward for changes and

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<v S4>improvements for the lives of people with disability and and

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<v S4>the supports for those that require them. We think, as

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<v S4>I said, that it is an opportunity right now with

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<v S4>the change with Bill retiring, that the government can now

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<v S4>have another relook at everything. And I won't get into

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<v S4>the politics of all of that. But we think that

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<v S4>the Prime Minister does need to show that leadership. We

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<v S4>think it's a good chance for the Prime Minister to

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<v S4>step up, take that on and lead with the caucus

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<v S4>cabinet to make sure that we get the right person

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<v S4>in there. I think the role that we spoke about

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<v S4>would be great if the government would have a relook

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<v S4>at that, and we'd certainly encourage them to do that

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<v S4>and look at that recommendation from the Disability Royal Commission

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<v S4>in its totality. And the fact is that, you know,

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<v S4>18 or so per cent of people within Australia are

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<v S4>people with disability. That's a fair size of the population

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<v S4>that deserves to have the respect, that deserves to have

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<v S4>an appropriate recognition in terms of ministerial responsibility at a

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<v S4>wider scope than where we have it at the moment,

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<v S4>where it's mainly just focused predominantly on the NDIS, which

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<v S4>is important, but it's only one element of the supports

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<v S4>and the requirements of people with disability need, as we

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<v S4>know and your listeners know, not everybody with disability is

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<v S4>a participant in the NDIS. So what are the wider

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<v S4>things for inclusion and encouraging diversity within our culture and

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<v S4>our society? We need that to be led by the

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<v S4>federal government. The other key ones that we mentioned are

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<v S4>coming out of all the changes that are happening with

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<v S4>the NDIS. And a key one for everybody with disability

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<v S4>is really looking at getting embedded those foundational supports that

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<v S4>are required across all states and territories. That's a key

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<v S4>one that's going to take some time to deliver on.

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<v S4>It now looks like the states and territories are on

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<v S4>board with doing that. That's great. Our role is, of course,

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<v S4>to make sure that we get appropriate supports, provided that

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<v S4>it is a real change that happens because as we saw,

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<v S4>there was a lot of when the NDIS came in,

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<v S4>there was a lot of desertion of providing supports and

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<v S4>services right across all the states and territories. So we

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<v S4>want to make sure that what we get in now

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<v S4>under foundational supports, do deliver on the promises that have

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<v S4>been made.

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<v S2>Against that background of uncertainty. People might be interested in

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<v S2>finding out a little bit more about what Afto does

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<v S2>and the member organizations. So for people to find out

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<v S2>a little bit more about Afto and the organizations that

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<v S2>sit under the Afto umbrella, what's the best way for

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<v S2>people to maybe head along to your website and find

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<v S2>out a little bit more and get a bit more

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<v S2>information about where they can go and who they can

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<v S2>write letters to in terms of government, or get active

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<v S2>that way, perhaps.

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<v S4>Yes, Sam, certainly the best place is to have a

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<v S4>look at our website in that you can also find

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<v S4>out about our policy statements, our submissions. Uh, we do

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<v S4>a lot of work in the space. Some of it

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<v S4>is unknown, probably to a lot of your listeners, because

0:13:29.568 --> 0:13:32.598
<v S4>we're not working at that individual level. So it's really,

0:13:32.598 --> 0:13:35.598
<v S4>I think, interesting for people to get a handle on. Well,

0:13:35.778 --> 0:13:39.978
<v S4>what are the wider advocacy organizations do at a national level?

0:13:39.978 --> 0:13:42.738
<v S4>And we have quite a number of our members are

0:13:42.738 --> 0:13:48.608
<v S4>also national peaks in their own right, representing disability specific communities.

0:13:48.608 --> 0:13:50.948
<v S4>So it's probably a good idea for your listeners to

0:13:50.978 --> 0:13:56.198
<v S4>jump along to our website, which is WW dot o

0:13:56.198 --> 0:14:01.358
<v S4>f d o.org dot o u, and find out a

0:14:01.358 --> 0:14:03.728
<v S4>bit more about what we've been doing and continue to

0:14:03.728 --> 0:14:07.238
<v S4>do on behalf of people with disability right across the country.

0:14:07.268 --> 0:14:12.248
<v S2>That was Ross Joyce, the CEO of the Australian Federation

0:14:12.248 --> 0:14:23.438
<v S2>of Disability Organisations. On the Sam Colley and you're listening

0:14:23.468 --> 0:14:29.108
<v S2>to Talking Vision on Vision Australia Radio, associated stations of

0:14:29.108 --> 0:14:34.178
<v S2>Reading Radio and the Community Radio Network. I hope you

0:14:34.178 --> 0:14:40.118
<v S2>enjoyed that conversation there with Ross Joyce from after both

0:14:40.118 --> 0:14:43.868
<v S2>these interviews. Today will be They are viable as interview

0:14:43.898 --> 0:14:49.208
<v S2>highlights with extended content in both, so make sure to

0:14:49.238 --> 0:14:53.798
<v S2>check out the interview highlights feed in your favorite podcast

0:14:53.798 --> 0:14:58.688
<v S2>platform or through the Vision Australia library over the coming days.

0:14:58.688 --> 0:15:03.008
<v S2>And now, coming up next, I speak with Adrian Borg

0:15:03.008 --> 0:15:08.018
<v S2>from the National Gallery of Australia. I started by asking

0:15:08.048 --> 0:15:11.228
<v S2>Adrian to tell us a little bit more about the

0:15:11.228 --> 0:15:14.018
<v S2>monthly Art by description program.

0:15:14.048 --> 0:15:16.568
<v S3>I certainly can, and yeah, I would like to give

0:15:16.568 --> 0:15:19.628
<v S3>a shout out to, um, a lot of the people

0:15:19.628 --> 0:15:23.528
<v S3>who participate or come along to Art by description each month, uh,

0:15:23.528 --> 0:15:28.328
<v S3>who live in rural Victoria. We have some really wonderful participants,

0:15:28.328 --> 0:15:32.198
<v S3>but the Art by description is a program that is

0:15:32.198 --> 0:15:36.188
<v S3>delivered by the National Gallery of Australia each month. Uh,

0:15:36.188 --> 0:15:40.118
<v S3>it's on a Friday afternoon, and we run this program

0:15:40.118 --> 0:15:43.378
<v S3>at 2 p.m. in the afternoon, and that's mostly so

0:15:43.378 --> 0:15:48.298
<v S3>that we can draw in every state and territory across Australia.

0:15:48.298 --> 0:15:51.298
<v S3>So that's why it's at kind of quite odd time.

0:15:51.298 --> 0:15:53.578
<v S3>And yeah, I suppose that's all I'm going to say.

0:15:53.578 --> 0:15:56.458
<v S3>It's like an hour long program each month. And it

0:15:56.458 --> 0:15:59.668
<v S3>has this really strong focus on the visual arts and

0:15:59.668 --> 0:16:03.088
<v S3>the collection of the National Gallery of Australia in Canberra.

0:16:03.118 --> 0:16:07.678
<v S2>Okay. And how long has art by description been running for?

0:16:07.708 --> 0:16:11.698
<v S2>Is there perhaps a particular story of how it came about?

0:16:11.698 --> 0:16:15.448
<v S3>There is a long story, I think, since like the 1970s,

0:16:15.448 --> 0:16:18.868
<v S3>but the program as it is now is more recent.

0:16:18.868 --> 0:16:23.818
<v S3>And it wasn't until maybe 2019 that we began delivering

0:16:23.818 --> 0:16:27.058
<v S3>an on site program each month as part of a

0:16:27.088 --> 0:16:30.058
<v S3>sort of an access to Art weekend, so that we

0:16:30.058 --> 0:16:35.398
<v S3>could make the exhibitions and collection available to anybody. And

0:16:35.398 --> 0:16:39.298
<v S3>then during Covid, it was just like, very interesting as

0:16:39.298 --> 0:16:43.378
<v S3>I began to discuss with access audiences during Covid what

0:16:43.378 --> 0:16:45.478
<v S3>we could possibly do and how we could meet up

0:16:45.478 --> 0:16:49.108
<v S3>with zoom. And you probably remember, Sam, how we had

0:16:49.138 --> 0:16:51.448
<v S3>not we didn't have a lot of confidence with zoom

0:16:51.448 --> 0:16:53.758
<v S3>when we first went into the first lockdown.

0:16:53.788 --> 0:16:56.908
<v S2>Very commonly shared experience that one.

0:16:56.908 --> 0:17:00.628
<v S3>Yes, totally. And so when the people who I'd been

0:17:00.628 --> 0:17:04.288
<v S3>working with here at the gallery, when they said to me, like, Adrian,

0:17:04.288 --> 0:17:06.898
<v S3>what are you going to do for us during lockdown,

0:17:06.898 --> 0:17:09.028
<v S3>I kind of looked at them and I was just like,

0:17:09.028 --> 0:17:12.178
<v S3>I have no idea what am I going to do

0:17:12.178 --> 0:17:14.578
<v S3>for you? And so really they said, well, this is

0:17:14.578 --> 0:17:17.428
<v S3>what you're going to do. Okay. You know, we're going

0:17:17.458 --> 0:17:20.128
<v S3>to meet online and you're going to describe the works

0:17:20.128 --> 0:17:22.828
<v S3>of art. And we, I suppose, began to I really

0:17:22.828 --> 0:17:25.618
<v S3>worked with the same group of people almost every week,

0:17:25.618 --> 0:17:29.638
<v S3>really regularly during lockdown. We only had two lockdowns here

0:17:29.638 --> 0:17:33.028
<v S3>in the Act, and after the second lockdown was finished

0:17:33.028 --> 0:17:36.778
<v S3>in 2022, I really thought this is not a program

0:17:36.778 --> 0:17:39.498
<v S3>I'm prepared to give up. And so we thought, well,

0:17:39.498 --> 0:17:43.068
<v S3>let's have a national Art by description program each month

0:17:43.068 --> 0:17:46.908
<v S3>and let's just make our skills had just like really developed.

0:17:46.908 --> 0:17:50.118
<v S3>And we felt a lot of confidence both online and

0:17:50.118 --> 0:17:54.108
<v S3>also with audio description. And we felt that our audience

0:17:54.108 --> 0:17:57.318
<v S3>had given us kind of so much advice and provided

0:17:57.318 --> 0:18:00.708
<v S3>so much time for us to learn that it was

0:18:00.708 --> 0:18:04.038
<v S3>just something that we really needed to continue and also

0:18:04.038 --> 0:18:09.078
<v S3>repay and really art by description online. We still are

0:18:09.078 --> 0:18:14.148
<v S3>consulting and learning from the people who participate all the time.

0:18:14.148 --> 0:18:17.268
<v S3>It's been a really joyful experience for us.

0:18:17.268 --> 0:18:22.188
<v S2>You've mentioned that you've been running the program for five

0:18:22.188 --> 0:18:26.268
<v S2>years now. It's a five year birthday that's quite auspicious.

0:18:26.298 --> 0:18:29.898
<v S2>That's also a marker of how successful it's been, and

0:18:29.898 --> 0:18:34.548
<v S2>the feedback that you've gotten from the participants about how

0:18:34.548 --> 0:18:37.578
<v S2>much they enjoy it and how much they enjoy the

0:18:37.578 --> 0:18:41.868
<v S2>format of the hour long exhibitions that you do run.

0:18:41.898 --> 0:18:45.918
<v S2>Is that still in a sort of a hybrid format,

0:18:45.918 --> 0:18:50.208
<v S2>or is it more geared towards people coming in in

0:18:50.208 --> 0:18:54.318
<v S2>person and accessing the art that way, or is it

0:18:54.318 --> 0:18:57.978
<v S2>much more online these days? What sort of been the

0:18:57.978 --> 0:18:59.478
<v S2>split between the two?

0:18:59.508 --> 0:19:03.798
<v S3>Well, actually the split is pretty 50 over 50, I suppose.

0:19:03.828 --> 0:19:06.528
<v S3>On site we can allow people to touch things. We

0:19:06.528 --> 0:19:09.948
<v S3>can do touch tours, we can make other programs at

0:19:09.948 --> 0:19:14.268
<v S3>the gallery accessible through audio description. But online, the way

0:19:14.268 --> 0:19:17.718
<v S3>that we, I suppose, try and prevent listener fatigue online

0:19:17.718 --> 0:19:21.108
<v S3>is we always include a couple of different modes. So

0:19:21.108 --> 0:19:23.328
<v S3>we have multiple voices, a bit like you and I

0:19:23.358 --> 0:19:26.868
<v S3>chatting now, but we also include a piece of music.

0:19:26.868 --> 0:19:31.368
<v S3>We have really kind of regular breaks throughout the, you know,

0:19:31.398 --> 0:19:35.678
<v S3>45 minutes to an hour. And we also include poetry.

0:19:35.888 --> 0:19:41.288
<v S2>Wow. Okay. That's amazing. I'm really keen to hear about

0:19:41.288 --> 0:19:44.288
<v S2>all the ways in which the art is made accessible

0:19:44.288 --> 0:19:47.378
<v S2>for people who are blind or have low vision. That

0:19:47.378 --> 0:19:52.178
<v S2>addition of audio description is no doubt a fantastic aspect

0:19:52.178 --> 0:19:56.108
<v S2>of that. But how do people interact with the art

0:19:56.108 --> 0:20:00.188
<v S2>pieces when they don't have that visual component? You know,

0:20:00.218 --> 0:20:02.918
<v S2>a lot of people out there may be thinking, how

0:20:02.918 --> 0:20:06.518
<v S2>do you interact with a work of art, with a landscape,

0:20:06.518 --> 0:20:10.358
<v S2>with a portrait or things like that? With all of

0:20:10.358 --> 0:20:16.268
<v S2>these accessible features? And obviously over the past five years,

0:20:16.298 --> 0:20:20.978
<v S2>a lot of people have really embraced this program that

0:20:20.978 --> 0:20:23.408
<v S2>you are running art by description.

0:20:23.438 --> 0:20:26.348
<v S3>You're forcing me to be really positive and that I

0:20:26.348 --> 0:20:29.168
<v S3>really thank you for that, Sam. That's no problem. We

0:20:29.168 --> 0:20:33.818
<v S3>try wherever possible to provide this kind of, like, in-person

0:20:33.818 --> 0:20:36.878
<v S3>support for people. And I suppose that's what I'm we're

0:20:36.908 --> 0:20:39.338
<v S3>kind of like a human intervention in a way. We're

0:20:39.338 --> 0:20:41.288
<v S3>like an accessible intervention.

0:20:41.618 --> 0:20:45.338
<v S2>Well, that's it. And helping people pass those barriers past

0:20:45.338 --> 0:20:48.908
<v S2>those obstacles. We don't like to focus on the barriers

0:20:48.908 --> 0:20:51.908
<v S2>and the obstacles. We like to focus on what can

0:20:51.908 --> 0:20:55.478
<v S2>be done and what people can experience, and the ways

0:20:55.478 --> 0:21:00.338
<v S2>that these art pieces are made more accessible. And other

0:21:00.338 --> 0:21:04.268
<v S2>people can be their eyes and talk them through the

0:21:04.268 --> 0:21:08.648
<v S2>pieces and all that sort of thing. So you've mentioned

0:21:08.678 --> 0:21:13.508
<v S2>the touch tours and tactile elements of the exhibition, so

0:21:13.508 --> 0:21:17.648
<v S2>that's also wonderful. But is there a particular way, Adrienne,

0:21:17.648 --> 0:21:21.218
<v S2>that you describe the pieces you give, the layout of

0:21:21.218 --> 0:21:25.358
<v S2>the work in particular? What's the sort of situation there?

0:21:25.358 --> 0:21:27.848
<v S3>I think that when we describe a work of art,

0:21:27.848 --> 0:21:30.428
<v S3>the thing that we really stick to is a kind

0:21:30.428 --> 0:21:31.448
<v S3>of a structure.

0:21:31.448 --> 0:21:32.128
<v S2>Yes.

0:21:32.488 --> 0:21:32.848
<v S3>And that's.

0:21:32.848 --> 0:21:33.328
<v S2>Important.

0:21:33.658 --> 0:21:37.498
<v S3>A work of art from the broadest overview of the work,

0:21:37.498 --> 0:21:41.608
<v S3>including the size. Yeah. And then we narrow down to

0:21:41.638 --> 0:21:44.278
<v S3>the kind of the smaller details.

0:21:44.278 --> 0:21:48.868
<v S2>And, Adrienne, for visitors to the National Gallery of Australia

0:21:48.868 --> 0:21:52.558
<v S2>who are blind or have low vision, either attending art

0:21:52.558 --> 0:21:57.148
<v S2>by description or the range of other exhibitions, what are

0:21:57.148 --> 0:21:59.908
<v S2>some of the ways in which you've been able to

0:21:59.938 --> 0:22:02.818
<v S2>make the gallery itself accessible?

0:22:02.848 --> 0:22:06.268
<v S3>Sam, what I really want to say for people who

0:22:06.268 --> 0:22:09.628
<v S3>can visit the National Gallery and maybe participate in art

0:22:09.628 --> 0:22:12.868
<v S3>by description, on site here, or come to an exhibition,

0:22:12.868 --> 0:22:15.838
<v S3>is that we always make sure that the labels are

0:22:15.838 --> 0:22:20.398
<v S3>available in a large text booklet, and that's usually just

0:22:20.398 --> 0:22:22.798
<v S3>in a like a little box on the wall as

0:22:22.798 --> 0:22:25.168
<v S3>you enter into the exhibition. We have a number of

0:22:25.168 --> 0:22:28.048
<v S3>copies available, and so people can pick those up and

0:22:28.048 --> 0:22:30.388
<v S3>take them around the exhibition with them so that they

0:22:30.388 --> 0:22:32.668
<v S3>I don't have to feel self-conscious when they are looking

0:22:32.668 --> 0:22:35.128
<v S3>at the label that, you know, they're getting too close,

0:22:35.128 --> 0:22:37.348
<v S3>and then the security guard is going to say something

0:22:37.378 --> 0:22:39.958
<v S3>to them, or they're in the way of other visitors.

0:22:40.078 --> 0:22:44.218
<v S3>We also have audio tours, and often that audio tool

0:22:44.248 --> 0:22:47.608
<v S3>can even be downloaded before you come to the gallery.

0:22:47.608 --> 0:22:51.028
<v S3>So you might actually kind of listen to it beforehand

0:22:51.028 --> 0:22:53.308
<v S3>to help you kind of orient yourself and get a

0:22:53.308 --> 0:22:56.188
<v S3>sense of the context for the show. And then if

0:22:56.188 --> 0:22:59.698
<v S3>you come in person, we always take our iPads along

0:22:59.698 --> 0:23:02.008
<v S3>on the tours as well. And so we sit in

0:23:02.008 --> 0:23:04.198
<v S3>front of the works of art so people are comfortable,

0:23:04.198 --> 0:23:06.808
<v S3>and then we can take a photograph with the iPad,

0:23:06.808 --> 0:23:09.808
<v S3>and then people can expand the image in their, you know,

0:23:09.838 --> 0:23:13.108
<v S3>while they're holding it. And sometimes that really helps to

0:23:13.138 --> 0:23:16.078
<v S3>see what might be as just a tiny detail in

0:23:16.078 --> 0:23:17.488
<v S3>a work of art as well.

0:23:17.518 --> 0:23:22.528
<v S2>And Adrian, it is probably worth mentioning again here that

0:23:22.528 --> 0:23:26.638
<v S2>it is a monthly program. So if people are hearing

0:23:26.638 --> 0:23:30.318
<v S2>this after the 13th and they're thinking, oh damn, I

0:23:30.318 --> 0:23:33.468
<v S2>missed out. I didn't get along to the program on

0:23:33.498 --> 0:23:38.598
<v S2>the 13th of September. There are many more opportunities coming

0:23:38.598 --> 0:23:43.158
<v S2>up for people to get involved and head along. So Adrian,

0:23:43.158 --> 0:23:47.178
<v S2>with that in mind, for all of those people who

0:23:47.178 --> 0:23:52.548
<v S2>are probably interested in providing their feedback and also finding

0:23:52.548 --> 0:23:55.878
<v S2>out a little bit more about art by description, are

0:23:55.878 --> 0:23:59.868
<v S2>you able to direct people to quite a few contact

0:23:59.868 --> 0:24:02.418
<v S2>details for them to do that?

0:24:02.448 --> 0:24:06.348
<v S3>Yes, of course Sam. So we have an access email,

0:24:06.348 --> 0:24:09.138
<v S3>and that is probably one of the easiest ways for

0:24:09.138 --> 0:24:13.608
<v S3>people to contact us. So we have a small access team.

0:24:13.608 --> 0:24:15.798
<v S3>There are three of us in the team who have

0:24:15.798 --> 0:24:18.798
<v S3>regular roles. And then there are we have a larger

0:24:18.798 --> 0:24:23.058
<v S3>group of artists, educators who can also audio describe. But

0:24:23.058 --> 0:24:25.158
<v S3>the best thing would for people to do would be

0:24:25.158 --> 0:24:29.028
<v S3>to email access. That's a double C e double S

0:24:29.058 --> 0:24:36.528
<v S3>access at N.g.a. That's National Gallery of Australia. NASA.gov for government.

0:24:36.948 --> 0:24:41.508
<v S3>A few people were also very welcome to call me directly.

0:24:41.508 --> 0:24:44.778
<v S3>And that would be like on O2 for Canberra. And

0:24:44.778 --> 0:24:48.738
<v S3>then 62406632.

0:24:48.768 --> 0:24:57.828
<v S2>Okay wonderful. And just repeating that email that's access at nagavara.

0:24:57.828 --> 0:25:04.938
<v S2>And the phone number 026240. 6632. Or if you'd like

0:25:04.938 --> 0:25:14.748
<v S2>to head along to their website that's Njegovo Noaa.gov dot edu.

0:25:14.838 --> 0:25:17.148
<v S3>Oh thank you Sam. And I was just wondering, do

0:25:17.148 --> 0:25:18.948
<v S3>you think I could trouble you just to say one

0:25:18.948 --> 0:25:19.638
<v S3>more thing?

0:25:19.638 --> 0:25:20.928
<v S2>No problem at all.

0:25:21.108 --> 0:25:23.388
<v S3>Oh, thank you. I suppose I wanted to say that

0:25:23.388 --> 0:25:26.498
<v S3>the program is always on the second Friday of the month.

0:25:26.498 --> 0:25:29.708
<v S3>So we have this really regular scheduling. So it will be,

0:25:29.708 --> 0:25:33.548
<v S3>as we said, the 13th of September. And then it

0:25:33.548 --> 0:25:37.268
<v S3>will be on the 11th of October. So that's already

0:25:37.298 --> 0:25:40.628
<v S3>kind of set. And those are already promoted on our website.

0:25:40.628 --> 0:25:42.908
<v S3>But the other thing I'd like to say is that

0:25:42.908 --> 0:25:47.828
<v S3>we always accompany the presentation with a PowerPoint. And for

0:25:47.828 --> 0:25:50.978
<v S3>people who are blind, it helps us to describe in

0:25:50.978 --> 0:25:52.778
<v S3>the moment, because I think one of the things that

0:25:52.778 --> 0:25:55.868
<v S3>people enjoy most about art by description online is the

0:25:55.868 --> 0:25:59.378
<v S3>fact that it's live, but also sometimes people with low vision,

0:25:59.378 --> 0:26:03.188
<v S3>when the image is there and you're describing it, sometimes

0:26:03.188 --> 0:26:05.228
<v S3>people say, you know, I really couldn't see what those

0:26:05.228 --> 0:26:08.318
<v S3>brush strokes were. But now that you've said it's a

0:26:08.318 --> 0:26:10.958
<v S3>little girl I know and now I can see it.

0:26:10.958 --> 0:26:14.258
<v S3>So I think that that's a kind of an interesting

0:26:14.258 --> 0:26:16.568
<v S3>element to the program. And the other thing that I

0:26:16.568 --> 0:26:19.418
<v S3>wanted to say is on the 13th, we're focusing on

0:26:19.418 --> 0:26:23.648
<v S3>an artist called Yoani Scarce. She's a First Nations artist

0:26:23.648 --> 0:26:29.048
<v S3>from South Australia and she makes glass sculptures, and she

0:26:29.078 --> 0:26:32.228
<v S3>was born in Woomera in South Australia. And her work

0:26:32.228 --> 0:26:35.258
<v S3>is totally concerned with her family history. And I suppose

0:26:35.258 --> 0:26:38.738
<v S3>the impact of all those experiments that occurred in the

0:26:38.738 --> 0:26:42.878
<v S3>desert on First Nations people. The artist herself will be

0:26:43.148 --> 0:26:46.238
<v S3>working with us to deliver this art by description. So

0:26:46.238 --> 0:26:48.788
<v S3>that's a fairly unique opportunity as well.

0:26:48.818 --> 0:26:51.668
<v S2>That's a super unique opportunity. I'm sure a lot of

0:26:51.668 --> 0:26:55.598
<v S2>people will be very interested to interact with that and

0:26:55.598 --> 0:26:59.888
<v S2>head along, so look forward to seeing how that goes.

0:26:59.918 --> 0:27:05.048
<v S2>I've been speaking today with Adrian Bogue from the National

0:27:05.048 --> 0:27:09.998
<v S2>Gallery of Australia, talking to me today about the Art

0:27:09.998 --> 0:27:15.578
<v S2>by description monthly series available both online and in person

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<v S2>at the National Gallery. And that's all the time we

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<v S2>have for today. You've been listening to Talking Vision. Talking

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<v S2>vision is a Vision Australia radio production. Thanks to all

0:27:34.108 --> 0:27:38.248
<v S2>involved with putting the show together every week. And remember,

0:27:38.248 --> 0:27:41.008
<v S2>we love hearing from you. So please get in touch

0:27:41.008 --> 0:27:46.588
<v S2>any time on our email at Talking Vision. At Vision australia.org.

0:27:46.588 --> 0:27:51.778
<v S2>That's talking vision all one word at Vision australia.org. But

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<v S2>until next week it's Sam Colley saying bye for now.

0:27:58.888 --> 0:28:03.058
<v S1>You can contact Vision Australia by phoning us anytime during

0:28:03.058 --> 0:28:12.958
<v S1>business hours on 1300 847 406. That's one (300) 847-4106 or by visiting

0:28:12.958 --> 0:28:17.458
<v S1>Vision australia.org. That's Vision australia.org.