1 00:00:00,520 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,200 --> 00:00:07,600 Speaker 2: This is a pinch yourself moment for me. I think 3 00:00:07,640 --> 00:00:09,600 Speaker 2: we all know the Brady bunch. We've all grown up 4 00:00:09,640 --> 00:00:12,600 Speaker 2: with a Brady bunch. Florence Henderson did a story with 5 00:00:12,640 --> 00:00:13,280 Speaker 2: me last year. 6 00:00:13,400 --> 00:00:14,960 Speaker 3: You became budd two years ago. 7 00:00:14,760 --> 00:00:17,720 Speaker 2: She took me out to dinner, she invited me to La. 8 00:00:17,840 --> 00:00:20,479 Speaker 2: She was the loveliest woman. But my favorite Brady, I 9 00:00:20,520 --> 00:00:24,119 Speaker 2: have to say, was Peter aka Christopher Knight and he 10 00:00:24,200 --> 00:00:24,599 Speaker 2: joins us. 11 00:00:24,640 --> 00:00:28,080 Speaker 1: Now, Hello, I have a theory about the favorite Brady 12 00:00:28,120 --> 00:00:32,000 Speaker 1: thing because I hear that a lot. I've noticed that 13 00:00:32,080 --> 00:00:34,879 Speaker 1: there's no other Brady in the room when I am 14 00:00:34,920 --> 00:00:38,440 Speaker 1: told that I am their favorite. True, So I'm certain 15 00:00:38,440 --> 00:00:41,800 Speaker 1: that it's also happening in rooms I'm not in. When 16 00:00:41,920 --> 00:00:45,479 Speaker 1: it's like Barry. Yeah, I think everybody's favorite Amanda. 17 00:00:45,520 --> 00:00:47,880 Speaker 3: Amanda gushed all over Barry when he came there. 18 00:00:48,159 --> 00:00:50,000 Speaker 1: I said, she probably said he was her favorite. 19 00:00:50,200 --> 00:00:52,040 Speaker 2: There was something about Peter, and I think that there 20 00:00:52,080 --> 00:00:54,920 Speaker 2: were like there were girls who were always like Marsha 21 00:00:54,960 --> 00:00:56,680 Speaker 2: who were going to go out with Davy Jones. Let's 22 00:00:56,680 --> 00:00:59,320 Speaker 2: face it. But because we all set our level somewhere, 23 00:00:59,480 --> 00:01:03,760 Speaker 2: and I think Greg was a bit too too much 24 00:01:03,800 --> 00:01:06,400 Speaker 2: for me, whereas you, I think were just perfect. I 25 00:01:06,400 --> 00:01:09,640 Speaker 2: think you were in the drop zone of perfect achievability. 26 00:01:10,040 --> 00:01:12,520 Speaker 2: So I think that's what it might be. Yes, that's 27 00:01:12,520 --> 00:01:13,479 Speaker 2: a complimentse. 28 00:01:14,040 --> 00:01:16,400 Speaker 1: You didn't have to reach as high to be a 29 00:01:16,400 --> 00:01:20,000 Speaker 1: fan of Peters. Actually, Peter was referred to as the 30 00:01:20,000 --> 00:01:22,160 Speaker 1: bent Brady. He was the Brady that needed to learn 31 00:01:22,240 --> 00:01:26,320 Speaker 1: the lesson the most and always had to learn that 32 00:01:26,400 --> 00:01:28,800 Speaker 1: lesson maybe twice. He's the only one that you know, 33 00:01:28,880 --> 00:01:31,640 Speaker 1: got in a fight on the bread bunch and also 34 00:01:31,640 --> 00:01:33,200 Speaker 1: the only one that got fired from a job, and 35 00:01:33,240 --> 00:01:35,120 Speaker 1: he got fired from two. 36 00:01:35,360 --> 00:01:37,080 Speaker 2: Did he have worked in. 37 00:01:37,080 --> 00:01:38,959 Speaker 1: The bike shop yep? Got fired by his own sister 38 00:01:39,000 --> 00:01:41,319 Speaker 1: in the in the ice cream store of. 39 00:01:41,400 --> 00:01:44,520 Speaker 3: Course yep, and famously lost his voice. 40 00:01:44,280 --> 00:01:46,920 Speaker 2: For the choir, stuffed it up for the family because 41 00:01:46,920 --> 00:01:48,120 Speaker 2: he hit puberty. 42 00:01:48,280 --> 00:01:51,320 Speaker 1: Right which I wouldn't have hit for another ten years. 43 00:01:51,320 --> 00:01:54,200 Speaker 1: So that's no idea one's voice changed. 44 00:01:54,280 --> 00:01:57,920 Speaker 2: So yeah, what was it like? I mean, we all 45 00:01:57,960 --> 00:01:59,800 Speaker 2: imagine that you lived in that house and all of 46 00:01:59,800 --> 00:02:02,920 Speaker 2: those things, but was it a school sit in there 47 00:02:03,000 --> 00:02:05,000 Speaker 2: during the day you'd all sit down and do your homework. 48 00:02:05,040 --> 00:02:06,559 Speaker 2: Were you all mates? How did it work? 49 00:02:06,720 --> 00:02:08,760 Speaker 1: Well, yeah, and we became mates. I like to say 50 00:02:08,760 --> 00:02:12,080 Speaker 1: we're Foxhole buddies of sorts. I mean, obviously, you know, 51 00:02:12,200 --> 00:02:15,200 Speaker 1: no death on the horizon. But the fact is is 52 00:02:15,240 --> 00:02:18,840 Speaker 1: we all experience this thing together, so as we have, 53 00:02:19,120 --> 00:02:21,160 Speaker 1: you know, over the years. It's now in fifty years, 54 00:02:21,200 --> 00:02:24,400 Speaker 1: we have millions and millions of fans. There's only nine 55 00:02:24,440 --> 00:02:27,280 Speaker 1: of us staring in the other direction when people ask 56 00:02:27,400 --> 00:02:30,839 Speaker 1: us what our favorite episodes were, it's not the episode 57 00:02:32,240 --> 00:02:35,360 Speaker 1: that we recount from watching it. It's the experience of 58 00:02:35,440 --> 00:02:39,120 Speaker 1: doing right. And this comes into play with this house. 59 00:02:39,639 --> 00:02:42,960 Speaker 1: I think by doing a very brady renovation, we all 60 00:02:43,000 --> 00:02:48,040 Speaker 1: became aware of how our audience lost track of that 61 00:02:48,160 --> 00:02:51,040 Speaker 1: house and not being a place that we all worked. 62 00:02:51,440 --> 00:02:55,600 Speaker 1: It's supposedly the second most photographed house in America after 63 00:02:55,600 --> 00:03:00,200 Speaker 1: the White House, and possibly that that's true, but everybody 64 00:03:00,280 --> 00:03:02,640 Speaker 1: driving by over the years has assumed that to be 65 00:03:02,680 --> 00:03:07,280 Speaker 1: the place where we worked. Frankly, uniquely, every one of 66 00:03:07,360 --> 00:03:10,200 Speaker 1: us on the show had no interest in even asking 67 00:03:10,240 --> 00:03:12,600 Speaker 1: the question of where that house was. We didn't work there. 68 00:03:12,840 --> 00:03:15,840 Speaker 1: It just showed up on the first episode as where 69 00:03:15,880 --> 00:03:18,160 Speaker 1: you came back from the commercial that you had this 70 00:03:18,320 --> 00:03:20,160 Speaker 1: establishing shot of this house, and it was like, oh, 71 00:03:20,280 --> 00:03:23,360 Speaker 1: there's a house. And though America was curious as to 72 00:03:23,400 --> 00:03:26,560 Speaker 1: where that house was, none of us six we're curious 73 00:03:26,600 --> 00:03:28,280 Speaker 1: about it until I know. For me it was like 74 00:03:28,360 --> 00:03:32,480 Speaker 1: ninety eight. And apparently with Mike, same time frame, he 75 00:03:32,520 --> 00:03:35,480 Speaker 1: was aware of where it was. Barry the same way, 76 00:03:36,800 --> 00:03:39,080 Speaker 1: and but America thought we had worked there at this point. 77 00:03:39,080 --> 00:03:42,680 Speaker 1: And so this house that became for sale just coincidentally 78 00:03:42,800 --> 00:03:47,080 Speaker 1: last year and then became a very public because it 79 00:03:47,120 --> 00:03:48,640 Speaker 1: was picked up by the Wire Service. It was for 80 00:03:48,680 --> 00:03:50,440 Speaker 1: sale and every one of us and I didn't know 81 00:03:50,480 --> 00:03:52,560 Speaker 1: this until we did the show that what was occurring 82 00:03:52,600 --> 00:03:55,120 Speaker 1: to me was also happening with Barry and Maureen. Our 83 00:03:55,160 --> 00:03:56,800 Speaker 1: own friends were telling that she should buy the house. 84 00:03:57,000 --> 00:03:59,360 Speaker 1: You should buy the house, and it was like why 85 00:03:59,480 --> 00:04:02,120 Speaker 1: you know, because you know it's all the history there, 86 00:04:02,160 --> 00:04:05,520 Speaker 1: and it's like, I never I never been in the house. 87 00:04:05,760 --> 00:04:06,720 Speaker 1: I didn't work. 88 00:04:06,600 --> 00:04:07,000 Speaker 2: At the house. 89 00:04:07,000 --> 00:04:09,720 Speaker 1: I have no attachment to the house. America had the attachment. 90 00:04:09,400 --> 00:04:11,240 Speaker 3: He did, and you know, you never actually went into 91 00:04:11,280 --> 00:04:13,200 Speaker 3: the never went in, so there wasn't a time and 92 00:04:13,280 --> 00:04:15,200 Speaker 3: the two of like, hey, why don't you come and 93 00:04:15,200 --> 00:04:16,839 Speaker 3: have a look at inside? They ask to see what 94 00:04:16,880 --> 00:04:17,480 Speaker 3: it's like. 95 00:04:17,520 --> 00:04:20,120 Speaker 1: Right, So, but we knew, we knew instinctively that it 96 00:04:20,160 --> 00:04:21,920 Speaker 1: wasn't going to be the set we worked on it, right, 97 00:04:21,960 --> 00:04:25,479 Speaker 1: So the surprise of what it was, it wasn't as 98 00:04:25,560 --> 00:04:26,720 Speaker 1: much a surprise. 99 00:04:26,440 --> 00:04:26,880 Speaker 3: As it was. 100 00:04:26,920 --> 00:04:29,080 Speaker 1: Okay, so this is what this is, How it's not 101 00:04:29,600 --> 00:04:32,680 Speaker 1: what we worked in. The big surprise is how we 102 00:04:32,720 --> 00:04:35,480 Speaker 1: accomplished turning it into the very set we worked on, 103 00:04:36,120 --> 00:04:41,200 Speaker 1: to the degree that you lose track of it not 104 00:04:41,400 --> 00:04:43,479 Speaker 1: being the set we worked on. 105 00:04:43,720 --> 00:04:46,800 Speaker 2: So you recreate the interior of the house in the 106 00:04:46,839 --> 00:04:47,919 Speaker 2: exterior of the house. 107 00:04:48,200 --> 00:04:51,919 Speaker 1: We recreate with that exterior the very house that everyone 108 00:04:52,000 --> 00:04:54,679 Speaker 1: assumed was the Brady house we worked and we've actually 109 00:04:54,760 --> 00:04:57,680 Speaker 1: taken fantasy and made it reality. 110 00:04:57,839 --> 00:04:58,599 Speaker 2: I love it. 111 00:04:58,720 --> 00:05:01,440 Speaker 3: Yeah, how was this with the bones of the hasse? 112 00:05:02,000 --> 00:05:03,960 Speaker 1: The bones didn't know there was no bo I mean literally, 113 00:05:04,000 --> 00:05:06,600 Speaker 1: if you if you just you couldn't change the elevation, 114 00:05:06,800 --> 00:05:10,040 Speaker 1: right because you would destroy the look of the houses 115 00:05:10,080 --> 00:05:12,320 Speaker 1: everyone assumed it to be or looks at it from 116 00:05:12,360 --> 00:05:14,760 Speaker 1: the street. So how do you build and it's only 117 00:05:14,800 --> 00:05:17,159 Speaker 1: a one story, split level home in reality? How do 118 00:05:17,200 --> 00:05:19,919 Speaker 1: you build now a two story home which has that staircase? 119 00:05:19,960 --> 00:05:22,520 Speaker 1: You can't avoid that that's like, that's like the center 120 00:05:22,640 --> 00:05:25,400 Speaker 1: part of it. If you can't get that, you can't 121 00:05:25,400 --> 00:05:29,239 Speaker 1: do this successfully. And that was sort of the puzzle struggle. 122 00:05:29,279 --> 00:05:31,400 Speaker 1: And I'm and you know, the show is already run. 123 00:05:31,440 --> 00:05:34,680 Speaker 1: It's premiered here and run through. There's there's six episodes, 124 00:05:35,400 --> 00:05:41,360 Speaker 1: but it's on it's on a very aggressive uh rerun 125 00:05:41,760 --> 00:05:44,480 Speaker 1: right now. Uh, there's one episode yet to be played. 126 00:05:44,520 --> 00:05:47,320 Speaker 1: It's our it's our holiday episode beyond the twenty third uh. 127 00:05:47,520 --> 00:05:48,880 Speaker 1: But you can watch it, and you watch this thing 128 00:05:48,960 --> 00:05:51,960 Speaker 1: unfold and you'll see me being very much a skeptic saying, 129 00:05:52,000 --> 00:05:53,520 Speaker 1: I don't think this could be done, because how do 130 00:05:53,560 --> 00:05:55,720 Speaker 1: you how do unless you miniaturize it, how do you 131 00:05:55,720 --> 00:05:57,200 Speaker 1: get a second story one? 132 00:05:57,279 --> 00:05:59,080 Speaker 3: And the semi stuff? And there was like doctor Who's 133 00:05:59,080 --> 00:06:01,680 Speaker 3: todd as You've got you know, Marx Dan and then 134 00:06:02,040 --> 00:06:07,240 Speaker 3: well Marx Pad and that box did and Gregg's Attic Bachelor. 135 00:06:08,720 --> 00:06:11,680 Speaker 2: Shared bathroom at the top of the stage. 136 00:06:11,279 --> 00:06:12,960 Speaker 1: And every one of them is an iconic room. And 137 00:06:12,960 --> 00:06:14,120 Speaker 1: every time you go into a room, it's like, oh, 138 00:06:14,200 --> 00:06:16,640 Speaker 1: this is my favorite. It's like, no, this is my favorite. 139 00:06:16,760 --> 00:06:19,080 Speaker 1: And we all they divided us up to have us 140 00:06:19,160 --> 00:06:22,920 Speaker 1: work as teams with with h g t V well 141 00:06:22,920 --> 00:06:27,440 Speaker 1: known hg TV hosts that are themselves builders and well 142 00:06:27,480 --> 00:06:30,760 Speaker 1: known on that network. HGTV in the United States is 143 00:06:30,760 --> 00:06:33,360 Speaker 1: a sister network to tail C and and a very 144 00:06:33,360 --> 00:06:37,520 Speaker 1: great renovation here in Australia runs on TAILC. So these 145 00:06:37,520 --> 00:06:42,240 Speaker 1: are some of the most recognizable individuals now celebrities in 146 00:06:42,279 --> 00:06:46,480 Speaker 1: the United States, like the Jonathan and Drew, the Property brothers. 147 00:06:46,640 --> 00:06:50,919 Speaker 1: Oh they they they they're the face of countless products. 148 00:06:51,080 --> 00:06:51,360 Speaker 3: And so. 149 00:06:53,080 --> 00:06:56,159 Speaker 1: They're on the team and and and they break them 150 00:06:56,240 --> 00:07:00,760 Speaker 1: up and us in teams to work on individual rooms. 151 00:07:00,800 --> 00:07:03,679 Speaker 1: Even myself work on the family room and the kitchen. 152 00:07:03,800 --> 00:07:05,880 Speaker 1: So I'm responsible for that orange and green again. 153 00:07:07,760 --> 00:07:09,360 Speaker 3: And did you get a basketball to saef? It bunts 154 00:07:09,400 --> 00:07:10,600 Speaker 3: down the stairs and knocked over the. 155 00:07:10,640 --> 00:07:14,880 Speaker 1: Vas there's they've recreated the vase. This didn't give me 156 00:07:14,920 --> 00:07:17,160 Speaker 1: a basketball. Let's see if I could put it into pieces. 157 00:07:17,160 --> 00:07:20,120 Speaker 1: But yeah, you know, the whole thing is the stairway 158 00:07:20,240 --> 00:07:23,960 Speaker 1: is just it's exactly like I remember it. And then 159 00:07:24,000 --> 00:07:26,280 Speaker 1: the next thrill is watching this thing, which is not 160 00:07:26,360 --> 00:07:28,960 Speaker 1: much of a thrill because now I'm watching me in 161 00:07:29,040 --> 00:07:32,560 Speaker 1: the house. Only this the house has an aged But yeah, 162 00:07:32,600 --> 00:07:35,840 Speaker 1: I'm fifty years older, and the house is looking smaller around. 163 00:07:35,920 --> 00:07:41,680 Speaker 3: Where's my renovation? Like you and you want this to 164 00:07:41,720 --> 00:07:44,200 Speaker 3: be authentic? Amana and I have gone a next level 165 00:07:44,200 --> 00:07:46,040 Speaker 3: and we want to make something authentic for you. 166 00:07:46,160 --> 00:07:48,200 Speaker 2: I have a segment on the show called Seventies Dinner 167 00:07:48,200 --> 00:07:51,160 Speaker 2: Party where every week I cook something for Jonesy from 168 00:07:51,160 --> 00:07:54,600 Speaker 2: a seventies Dinner Party cookbook and it's always hideous, but 169 00:07:54,640 --> 00:07:58,440 Speaker 2: it's done with true authenticity. And the most iconic recipe, 170 00:07:58,520 --> 00:08:02,800 Speaker 2: obviously for you, is Alice's meat loaf. Come on in, 171 00:08:02,840 --> 00:08:06,440 Speaker 2: We've made the meat a recipe online that apparently is 172 00:08:06,480 --> 00:08:07,360 Speaker 2: Alice's meat. 173 00:08:07,200 --> 00:08:08,680 Speaker 3: Live And what's in Alice's meat life? 174 00:08:09,400 --> 00:08:11,280 Speaker 1: Where did you get this meat loa? 175 00:08:12,520 --> 00:08:13,320 Speaker 3: We've been baking. 176 00:08:15,160 --> 00:08:19,480 Speaker 1: This is from Envy's book, I apparently, so I wonder if. 177 00:08:20,240 --> 00:08:21,560 Speaker 2: If any humans have tasted it. 178 00:08:21,600 --> 00:08:22,800 Speaker 1: I don't believe and be cooked. 179 00:08:22,920 --> 00:08:25,840 Speaker 3: You're not gonna, You're not gonna. 180 00:08:26,040 --> 00:08:28,320 Speaker 1: It looks good, Yeah, but she had a lot of that. 181 00:08:28,480 --> 00:08:31,240 Speaker 3: It's not it's not pork chops and apple sauce. 182 00:08:31,720 --> 00:08:34,559 Speaker 2: Well, did you actually ever eat meatloaf on set? Or 183 00:08:34,600 --> 00:08:35,840 Speaker 2: did you What were you actually eating? 184 00:08:36,640 --> 00:08:39,160 Speaker 1: I don't think we ever had meat love, we had turkey, 185 00:08:39,640 --> 00:08:41,679 Speaker 1: We had ham, pork chops and apples, and we had 186 00:08:41,720 --> 00:08:45,080 Speaker 1: roast beef por chops, had some pork chops and apples. 187 00:08:44,760 --> 00:08:47,000 Speaker 3: On Because you've heard that a billion times, I am. 188 00:08:47,200 --> 00:08:49,600 Speaker 3: This is where christ tells us that he's a vegetarian. 189 00:08:50,679 --> 00:08:53,800 Speaker 1: I might be after this. No, but you know we 190 00:08:53,520 --> 00:08:55,520 Speaker 1: know where's the vegie might to help get it down. 191 00:08:56,480 --> 00:08:58,800 Speaker 3: I wouldn't do that to you, We wouldn't. That's a 192 00:08:58,800 --> 00:08:59,960 Speaker 3: big chunk. What are you trying to kill? 193 00:09:00,360 --> 00:09:01,240 Speaker 1: I'm not eating at all. 194 00:09:01,640 --> 00:09:03,640 Speaker 3: That's this. 195 00:09:03,640 --> 00:09:05,920 Speaker 1: This recipe doesn't believe in vegetables, does it. 196 00:09:06,080 --> 00:09:07,319 Speaker 3: It's not. 197 00:09:07,559 --> 00:09:09,120 Speaker 1: I don't think there was a vegetable in the room. 198 00:09:09,200 --> 00:09:10,000 Speaker 1: Now I cooked. 199 00:09:10,440 --> 00:09:13,360 Speaker 3: Okay, well I'm gonna I will go. So you I 200 00:09:13,400 --> 00:09:14,800 Speaker 3: need a lion, Christopher? 201 00:09:14,840 --> 00:09:17,760 Speaker 1: Oh thank you, thank you? Yeah? 202 00:09:18,120 --> 00:09:18,679 Speaker 2: Is it nice? 203 00:09:19,120 --> 00:09:19,400 Speaker 1: Wow? 204 00:09:22,440 --> 00:09:23,920 Speaker 3: Man, tell me that. 205 00:09:23,800 --> 00:09:24,800 Speaker 1: There is an onion in there. 206 00:09:26,120 --> 00:09:28,880 Speaker 2: There's your rubbage for the day. Oh wow? 207 00:09:29,120 --> 00:09:34,240 Speaker 1: Well you know, well, isn't the first thing that comes 208 00:09:34,240 --> 00:09:35,880 Speaker 1: to mind when one is sitting down thinking what do 209 00:09:35,920 --> 00:09:40,480 Speaker 1: I need to And it's never as bad as you imagined, 210 00:09:40,760 --> 00:09:42,719 Speaker 1: like my meat loaf, you know, and it's like then 211 00:09:42,760 --> 00:09:44,200 Speaker 1: you taste it's like, you know, that's not bad. 212 00:09:45,200 --> 00:09:47,720 Speaker 2: You go through another hour, or another DIY or another 213 00:09:47,760 --> 00:09:48,720 Speaker 2: year without having it again. 214 00:09:49,080 --> 00:09:54,960 Speaker 1: You have to watch the holiday edition because on the 215 00:09:55,000 --> 00:09:58,520 Speaker 1: holiday edition it's about decorating house. The house is already done, 216 00:09:58,679 --> 00:10:01,080 Speaker 1: so it's uh, you know, decorating the home for the 217 00:10:01,080 --> 00:10:05,160 Speaker 1: holidays and cooking for the holidays in seventy styles. 218 00:10:05,200 --> 00:10:08,800 Speaker 2: I love it. And now that you're all back together, 219 00:10:08,920 --> 00:10:10,040 Speaker 2: are their future plans? 220 00:10:11,200 --> 00:10:14,120 Speaker 1: You know, it was such a tremendous success, But I 221 00:10:14,120 --> 00:10:16,200 Speaker 1: think it's a one time thing. You know, we're we're 222 00:10:16,240 --> 00:10:18,280 Speaker 1: sort of and I have been for the last thirty 223 00:10:18,320 --> 00:10:22,040 Speaker 1: years of Life Size Collectible and we all are and 224 00:10:22,080 --> 00:10:22,480 Speaker 1: we are. 225 00:10:22,480 --> 00:10:23,960 Speaker 2: Sort of in rarefied area. 226 00:10:24,800 --> 00:10:29,200 Speaker 1: We're sort of like a representative of a family of 227 00:10:29,240 --> 00:10:31,920 Speaker 1: American if you will. And it works here in Australia 228 00:10:31,960 --> 00:10:35,120 Speaker 1: as well. It's a it's a special place, it's a 229 00:10:35,160 --> 00:10:40,920 Speaker 1: special privilege and people need their dose on occasion, especially 230 00:10:40,920 --> 00:10:44,440 Speaker 1: when the outside world is threatening. We're sort of an 231 00:10:44,480 --> 00:10:50,440 Speaker 1: anecdote for disruption and you know, we're a comfortable place 232 00:10:50,880 --> 00:10:54,280 Speaker 1: to come home to and watching a family that gets 233 00:10:54,320 --> 00:10:56,360 Speaker 1: along and respects one another is something I think that 234 00:10:56,400 --> 00:10:59,880 Speaker 1: people have, you know, a desire to see today. 235 00:11:00,600 --> 00:11:03,320 Speaker 3: I think people would like to see Alice's Meatlafe recreated. 236 00:11:03,360 --> 00:11:06,080 Speaker 3: I think this is This is next level. And you 237 00:11:06,080 --> 00:11:08,240 Speaker 3: know I haven't had Meatlafe repeat on me since he 238 00:11:08,320 --> 00:11:10,040 Speaker 3: performed at the AFL Grand. 239 00:11:09,840 --> 00:11:13,280 Speaker 1: Final, which he looked. You like better? 240 00:11:13,520 --> 00:11:16,840 Speaker 3: Well, this one, this one's more paladim, This is I'm 241 00:11:16,840 --> 00:11:22,000 Speaker 3: going to join in. Christopher's great a very brady renovation 242 00:11:22,160 --> 00:11:24,840 Speaker 3: is now showing on TLC. The Holiday edition air is 243 00:11:24,840 --> 00:11:28,319 Speaker 3: December twenty three. Christopher Knight, thank you for having me. 244 00:11:28,360 --> 00:11:30,319 Speaker 1: Don't speak with your mouthful, I'm sorry. 245 00:11:30,640 --> 00:11:31,520 Speaker 3: What would Alice say? 246 00:11:31,679 --> 00:11:33,400 Speaker 2: Join the Amanda in the morning.