WEBVTT - Condom Horror Story 🍆 👌 💦

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<v Speaker 1>Flex and Frooms, Flex and Frooms. This is the Flex

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<v Speaker 1>and Frooms catch Up podcast. We're back and in yesterday's podcast.

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<v Speaker 1>Just a quick throw to yesterday, just because I don't

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<v Speaker 1>want to stop talking about these things. And yet it's

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<v Speaker 1>five twelve and We've got to get the fuck out

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<v Speaker 1>of here. I'm going to see my friends. You just

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<v Speaker 1>got in from New York.

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<v Speaker 2>Oh, no, I was.

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<v Speaker 1>We traiveled around South America. Everyone's saying we're siblings.

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<v Speaker 2>You went to South America.

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<v Speaker 1>Yeah, twenty seventeen. Yeah, twenty seventeen. What's affectually known as

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<v Speaker 1>the Gringo Trail.

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<v Speaker 2>Not the Gringo Trail.

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<v Speaker 1>I did it. I was King Gringo on that trail.

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<v Speaker 1>You did.

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<v Speaker 2>You've lived, babe, go back to that.

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<v Speaker 1>It had shaved heads. I was in my friend Los

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<v Speaker 1>and Bridget. We were going to go on to mar

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<v Speaker 1>last moment in the pool. Yes, you really bad guys.

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<v Speaker 1>It was lit no romantic interests, okay. I was in

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<v Speaker 1>my solibate phase. I believe she is here from you.

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<v Speaker 1>Her name is Loss.

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<v Speaker 2>We clocked it the first time. I'm the second brand.

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<v Speaker 1>Also, our last names are the same, but one letter

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<v Speaker 1>is different from as no price. Oh, price and something else. Anyway,

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<v Speaker 1>I'll show you a photo of her, and you tell

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<v Speaker 1>me if you think we look similar, really quick, really quick.

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<v Speaker 1>I just want to know, because she's really pretty. Now

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<v Speaker 1>that i've brown hair loss.

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<v Speaker 2>I just see Charlotte. To be honest, I don't even

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<v Speaker 2>know shot like that.

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<v Speaker 1>Really this is her. Tell me if you see a resemblance,

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<v Speaker 1>not even a little bit. Must be just a general

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<v Speaker 1>attitude of good vibes.

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<v Speaker 2>It's like a general Caucasian thing, like I'm sure you

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<v Speaker 2>want to see brooking in some capacity. Maybe you could

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<v Speaker 2>look similar, but not enough that I would even clock siblings,

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<v Speaker 2>distant cousins.

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<v Speaker 1>Did you see all my story that I was at

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<v Speaker 1>one six one with my sister and Louis Hanson and

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<v Speaker 1>James those guys, And I said, are we all siblings

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<v Speaker 1>are dating? Because you're like dark hair?

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<v Speaker 2>That that's more like it? Yeah? Correct, All right, potty time?

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<v Speaker 2>What katas flex and fromes flex and froms I wish

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<v Speaker 2>you could hear what we talk about when the mics

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<v Speaker 2>are off, because it's feral behavior. Contrary to popular belief,

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<v Speaker 2>we do self stifle on the mic. You might not

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<v Speaker 2>think so. You might think these girls have no what's

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<v Speaker 2>the word. I'm looking for decorum? M Maybe anyway, am

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<v Speaker 2>I the asshole for walking home because my brother in

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<v Speaker 2>law wouldn't let me eat in his car? Likes this

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<v Speaker 2>is gonna be good. My brother in law was driving

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<v Speaker 2>us home and my hands were starting to shake because

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<v Speaker 2>I hadn't eaten. So I was going to eat one

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<v Speaker 2>of the pastries I bought, but he said I couldn't

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<v Speaker 2>eat in his car. He was acting like his precious

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<v Speaker 2>car would combust if it got crumbs in it, so

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<v Speaker 2>I asked him to pull over because I needed to

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<v Speaker 2>eat something. I decided to walk home while I ate

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<v Speaker 2>my pastry because I was annoyed at him. He kept

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<v Speaker 2>asking me to get back in the car and claim

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<v Speaker 2>my husbandold bust his balls if he let me walk home,

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<v Speaker 2>But I told him I didn't care, and I walked

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<v Speaker 2>the entire way. So now my husband is mad at

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<v Speaker 2>his brother. My brother in law is mad at me

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<v Speaker 2>because I refuse to get back in the car. He

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<v Speaker 2>thinks the blame is on me. They had a huge

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<v Speaker 2>argument when my husband first found out, and my husband

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<v Speaker 2>also probably told me I should have just let his

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<v Speaker 2>brother drive me home instead of being stubborn and walking.

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<v Speaker 2>Every time we argue about it. My brother in law

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<v Speaker 2>asked me if I'm going to start sulking again, which

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<v Speaker 2>is really getting on my nerves. So am I the asshole?

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<v Speaker 2>I just shaking because she was hungry. That sounds like

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<v Speaker 2>someone who was raised who's like a little sister. That's

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<v Speaker 2>a little sister behavior her related.

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<v Speaker 1>Help me.

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<v Speaker 2>I'm gonna pass out, I will say, and maybe eating

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<v Speaker 2>a pastry that has not a sassinance. Sheouldn't think she

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<v Speaker 2>was the asshole? What do you reckon?

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<v Speaker 1>I will say. I love a staged walkout a car obsess.

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<v Speaker 1>When you're walking, Oh, you feel this anger coursing through

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<v Speaker 1>your body, and it always works the best when it's

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<v Speaker 1>someone you know really loves you.

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<v Speaker 2>It's running away from home as a six year.

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<v Speaker 1>Old running with him. You got your little you got

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<v Speaker 1>a stick on your shoulder with your sleeping bag on

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<v Speaker 1>the back. That's the kind of vibe that we're getting.

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<v Speaker 1>I will say. I grew up in a household where

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<v Speaker 1>car manners were of the utmost important.

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<v Speaker 2>Because a little bit of context here.

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<v Speaker 1>Car car dealer father, Like, for example, if I slam

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<v Speaker 1>the door, it's like the worst thing you can do.

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<v Speaker 1>Sam yeah. Yeah, it was like slam the door and

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<v Speaker 1>like it's it's game over. Sis. Also, eating in the car,

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<v Speaker 1>I think like you'd sneak a cheeky McDonald's chip, but

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<v Speaker 1>it was to be had at home, so I will

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<v Speaker 1>say I also like understand what it's like to be

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<v Speaker 1>car proud, and I think some people have no manners.

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<v Speaker 1>Like the other day I had friends in my car

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<v Speaker 1>and I brought them chocolate eggs. What do I find

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<v Speaker 1>for the next week? Little, Yeah, have a bit of decorum.

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<v Speaker 2>And as a d D a designated driver, I love

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<v Speaker 2>d ding Right, There's some part in me that really

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<v Speaker 2>loves being of service to people when it's not necessarily needed,

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<v Speaker 2>but it's appreciated. And like, the one thing I hate

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<v Speaker 2>is that, like I've got a nice car, right, I

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<v Speaker 2>can treat it poorly because it's my car. You can't

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<v Speaker 2>treat it poorly, especially because it's not your car. And

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<v Speaker 2>a similar experience you pick up the girlishrom the night

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<v Speaker 2>out they get a little macas around, have a little

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<v Speaker 2>chippy two three, But why do I look at my

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<v Speaker 2>back sat on the leather and I'm seeing stray chips,

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<v Speaker 2>little oil stains when they try to pick the chips up,

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<v Speaker 2>but they kind of miss salt. It's frustrating in this

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<v Speaker 2>instance here, though, I'm imagining, like if you were so

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<v Speaker 2>far from your destination that you like what I'm imagining,

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<v Speaker 2>that you were close enough that it didn't matter that

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<v Speaker 2>you couldn't eat in that moment. Right if you were

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<v Speaker 2>so far away, I'm imagining that the brother in law

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<v Speaker 2>would have just stopped and be like, yeah, you're right,

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<v Speaker 2>just eat something. But this is why we need to

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<v Speaker 2>bring back manipulation, because sometimes you need to go about

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<v Speaker 2>getting what you want in a way that suits both parties.

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<v Speaker 2>So you're shaking, you're ruining the vibe number one, you're

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<v Speaker 2>shaking number two, the ultimatums like I need to eat now,

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<v Speaker 2>we need to pull over, babes, we're on the road.

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<v Speaker 2>I don't know about you, but I didn't sympathize with

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<v Speaker 2>ordering an uber from the wrong from like an unauthorized

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<v Speaker 2>spot until I started driving, because it's like, oh, you

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<v Speaker 2>really just can't stop anywhere. You really just can't pull over,

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<v Speaker 2>And I'm gonna put the hazards on for a girl

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<v Speaker 2>who wants to eat pastry, I can't. I'm so sorry,

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<v Speaker 2>you're gonna have to stuff. We're only hum So you

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<v Speaker 2>are the asshole because you have caused a roof between

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<v Speaker 2>the family. And a big thing about adulthood is self regulating.

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<v Speaker 2>We're hungry all the time. I'm hungry now, you know

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<v Speaker 2>I'm also sleepy. Can I sleep right now? No? No,

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<v Speaker 2>no no, And I'm not blaming anyone else in the

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<v Speaker 2>studio for it. We're just getting on with them.

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<v Speaker 1>Flex and frooms flecks. You look me in the eye.

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<v Speaker 1>Put your phone down, see scrolling through your story.

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<v Speaker 2>People don't like direct eye contact. I was just being mindful.

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<v Speaker 1>You were giving me a lot this morning.

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<v Speaker 2>Direct eye contact. Yeah, yeah, because I've been working on

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<v Speaker 2>my active listening. Sometimes when I actively listen, you think

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<v Speaker 2>I'm annoyed at you. So I'm trying out different faces

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<v Speaker 2>and expressions for size.

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<v Speaker 1>A bit of a smile in the eyes. It's quite

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<v Speaker 1>off putting, actually, But keep with the eye contact.

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<v Speaker 2>You don't want this now.

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<v Speaker 1>I want you to imagine this, and if you're listening,

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<v Speaker 1>I would like you to do the same deep breath

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<v Speaker 1>in as I say, and out through the nose. Did

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<v Speaker 1>a bullet come on, Brookie.

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<v Speaker 2>You went in through the mouth, out through the mouth,

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<v Speaker 2>through the nose out through.

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<v Speaker 1>The mouth into the microphone. All right, close your eyes now,

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<v Speaker 1>if you're driving, do not close your eyes. You know

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<v Speaker 1>you've just broken up with your boyfriend, but you are

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<v Speaker 1>still on good terms. He still has the keys to

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<v Speaker 1>the apartment. It's a nightmare. He still has the keys

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<v Speaker 1>to the apartment you shared and messages you if he

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<v Speaker 1>can come over and grab some stuff while you're out.

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<v Speaker 1>You think nothing of it and say yeah, sure. Minutes later,

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<v Speaker 1>you remember you had a guy over the night before

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<v Speaker 1>and left dong nom you know what? That rappers on

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<v Speaker 1>the bench right next to where you needed to get

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<v Speaker 1>his stuff.

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<v Speaker 2>I love that we're practicing safety.

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<v Speaker 1>Though, Yeah, do you need to give him a heads

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<v Speaker 1>up and potentially make it worse or say nothing? Let

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<v Speaker 1>him see it and wait to see if he brings

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<v Speaker 1>it up with you. Just let that sink in.

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<v Speaker 2>That is literally so scary to me, you know, it's

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<v Speaker 2>so crazy. I used to be the kind of person

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<v Speaker 2>who'd be like, you can definitely be friends with your ex.

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<v Speaker 2>But that was in my narcissist era, where I couldn't

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<v Speaker 2>stand that somebody who loved me would now hate me,

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<v Speaker 2>so in like a manipulative thing, I would maintain this

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<v Speaker 2>air of like mutual joviality. We're like friends and we're

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<v Speaker 2>friendly and you still love me. We're is terrifying because realistically,

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<v Speaker 2>what gets you to a breakup is someone's bad behavior,

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<v Speaker 2>a lack of reciprocity, or in some way shape of

0:08:49.920 --> 0:08:55.880
<v Speaker 2>form eroded trust, eroded care. These things are not fundamental

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<v Speaker 2>or like. These things are not like, they're not the

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<v Speaker 2>formula for a good relationship. I also think that, like

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<v Speaker 2>maintaining a good relationship with your ex is very confusing

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<v Speaker 2>because we humans don't have the capacity to like hold

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<v Speaker 2>to incompatible things and understand them both. Like in your head,

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<v Speaker 2>you're compartmentalizing in a way that's not healthy for you

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<v Speaker 2>and often beneficial for the other person. So all those

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<v Speaker 2>times where I was like, I'm just gonna be friendly,

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<v Speaker 2>I'm gonna be friendly, and know what I was doing

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<v Speaker 2>hurting them, I was hurting myself number one, because I

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<v Speaker 2>was denying that I wasn't actually in a good place

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<v Speaker 2>to like be nice to you, Like I don't feel

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<v Speaker 2>good about this, so expressing my emotions number one. Number two,

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<v Speaker 2>I was like prioritizing the way it looked as opposed

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<v Speaker 2>to the reality of what it was, and I was

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<v Speaker 2>forcing myself to choose and decide how everything had to

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<v Speaker 2>felt in the now, as opposed to letting things just

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<v Speaker 2>be awkward for a bit, like letting things just be

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<v Speaker 2>like awkward whatever, like existing that no man Let know

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<v Speaker 2>what's it called no man's land territory, Like it's not nothing,

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<v Speaker 2>but it wasn't what it was. Since we figure out

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<v Speaker 2>what it is, things just need to be awkward. I

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<v Speaker 2>will say, though, seeing the the miscellaneous rappers from the

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<v Speaker 2>night before is punishment for being too comfortable in the dynamic?

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<v Speaker 2>Why are you do it in a batch? You get

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<v Speaker 2>two batches in and out facts, one for the things

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<v Speaker 2>you can put into your car, the other for the removalist.

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<v Speaker 1>If like, oh, it's so awful, isn't it? I just

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<v Speaker 1>heard everything about it? You know what I want to say?

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<v Speaker 2>No, no, no, no, no no no, Let's just stop

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<v Speaker 2>breaking up. Let's just continue to date everyone we've ever

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<v Speaker 2>dated before, or knock them off credit cred a Web. Yeah,

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<v Speaker 2>you know, it's like will always be because you know,

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<v Speaker 2>like the thing I don't like about an X the

0:10:49.920 --> 0:10:53.240
<v Speaker 2>word makes you feel like you're not connected, but the

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<v Speaker 2>reality is you are connected forever.

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<v Speaker 1>Are you.

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<v Speaker 2>You're my ex, I'm your ex. Whether or not we

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<v Speaker 2>ever have content, whether or not we ever have contact

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<v Speaker 2>in future, what I experience with you affects my life forever.

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<v Speaker 2>What you experience with me affects my life forever, vice

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<v Speaker 2>versa right. So for that reason, I don't need some

0:11:14.800 --> 0:11:18.760
<v Speaker 2>kind of like not contact but acknowledgment of that. I

0:11:18.760 --> 0:11:21.000
<v Speaker 2>don't like how you go from being like someone's every

0:11:21.080 --> 0:11:26.400
<v Speaker 2>day to like nothing. Babes, I'm in your law. When

0:11:26.400 --> 0:11:29.319
<v Speaker 2>someone opens the book of your life, Babes, I'm chapters

0:11:29.440 --> 0:11:33.200
<v Speaker 2>one through four. You can't even get to five through

0:11:33.240 --> 0:11:35.040
<v Speaker 2>thirty without going through me first.

0:11:35.320 --> 0:11:38.360
<v Speaker 1>White out is needed. We need one of those pens

0:11:38.400 --> 0:11:41.000
<v Speaker 1>that you can delete with a little rubber. But we

0:11:41.040 --> 0:11:43.280
<v Speaker 1>can't do that because that's life. This is flex and

0:11:43.360 --> 0:11:45.439
<v Speaker 1>frooms on, Kita, What is.

0:11:45.400 --> 0:11:49.240
<v Speaker 2>The appropriate response to being told something you already know?

0:11:49.520 --> 0:11:51.760
<v Speaker 2>Let's say I'm mey yapping on, I'm telling you something

0:11:52.000 --> 0:11:54.679
<v Speaker 2>that you know. What do you say, I'm doing this?

0:11:57.160 --> 0:11:58.000
<v Speaker 2>Oh you're just nod.

0:11:58.240 --> 0:12:00.240
<v Speaker 1>Yeah, you just copy it one hundred percent.

0:12:00.320 --> 0:12:02.840
<v Speaker 2>So you would in no way say, oh I already

0:12:02.880 --> 0:12:07.880
<v Speaker 2>know this. No, that's crazy. According to The New York

0:12:07.920 --> 0:12:11.760
<v Speaker 2>mag though, the appropriate response is to say, you're right.

0:12:14.040 --> 0:12:15.400
<v Speaker 1>Okay, how does that work?

0:12:16.120 --> 0:12:18.360
<v Speaker 2>So let's say I'm telling you that, like, you know,

0:12:19.640 --> 0:12:21.000
<v Speaker 2>what's a fact? Give me a fact.

0:12:21.880 --> 0:12:24.280
<v Speaker 1>White dogs have crusty shit in their eyes.

0:12:24.320 --> 0:12:28.600
<v Speaker 2>I know, not right, it's not right. Give me another one.

0:12:29.760 --> 0:12:33.000
<v Speaker 1>Little white kervoodles that you bought ten years ago have

0:12:33.080 --> 0:12:34.160
<v Speaker 1>crusty shit in their eyes.

0:12:34.760 --> 0:12:36.199
<v Speaker 2>Right, how's it feel?

0:12:37.640 --> 0:12:39.960
<v Speaker 1>How's it feeling? I guess it was a little bit better,

0:12:40.120 --> 0:12:41.439
<v Speaker 1>But it doesn't really make sense.

0:12:41.960 --> 0:12:46.360
<v Speaker 2>This is my thing. So the first time since unpacking

0:12:46.440 --> 0:12:48.720
<v Speaker 2>this series, we've had one thing that we kind of

0:12:48.720 --> 0:12:51.840
<v Speaker 2>disagree on. If somebody is telling me something I already know,

0:12:52.320 --> 0:12:55.040
<v Speaker 2>why should my response be to validate their ego not

0:12:55.120 --> 0:12:58.760
<v Speaker 2>the fact, Like if I just already know, I know right,

0:12:58.840 --> 0:13:02.320
<v Speaker 2>especially they're trying to edge, Like do you know that

0:13:02.440 --> 0:13:04.040
<v Speaker 2>in Australia we drive on the left hand?

0:13:04.040 --> 0:13:04.120
<v Speaker 1>SI?

0:13:04.240 --> 0:13:06.720
<v Speaker 2>Yeah, I know. And I'm like, you're right, but.

0:13:06.640 --> 0:13:08.880
<v Speaker 1>Do you know I've seen you drive. You don't make me.

0:13:08.920 --> 0:13:11.400
<v Speaker 2>Sometimes you just get on the other side to make

0:13:11.440 --> 0:13:13.360
<v Speaker 2>sure you still got it, you know. But I'm like,

0:13:13.400 --> 0:13:15.719
<v Speaker 2>why would I say you're right? In some context that

0:13:15.840 --> 0:13:18.080
<v Speaker 2>is the most appropriate thing to say, but it makes

0:13:18.080 --> 0:13:21.480
<v Speaker 2>it sound like every conversation I'm having where me and

0:13:21.559 --> 0:13:24.360
<v Speaker 2>this other party are sharing information is like a game

0:13:24.400 --> 0:13:27.680
<v Speaker 2>of pandering. You're right, No, you're right, I'm right, you're right. No,

0:13:27.760 --> 0:13:31.880
<v Speaker 2>you're pretty No, thank you, because you should never answer

0:13:31.880 --> 0:13:33.640
<v Speaker 2>a compliment with a compliment. It's what the list said.

0:13:33.800 --> 0:13:35.600
<v Speaker 1>That's another one of the list. I will say, you

0:13:35.640 --> 0:13:37.280
<v Speaker 1>did it to me earlier this morning. I don't know

0:13:37.320 --> 0:13:39.920
<v Speaker 1>what I was talking about, but you said, yeah, I know.

0:13:40.559 --> 0:13:43.200
<v Speaker 1>And then you said I'm doing that thing again, and

0:13:43.240 --> 0:13:46.240
<v Speaker 1>I thought's the thing like already I had already told

0:13:46.280 --> 0:13:49.120
<v Speaker 1>the story. Yeah, you said, I don't know what I

0:13:49.160 --> 0:13:52.920
<v Speaker 1>was talking about. Yes, what was I talking about?

0:13:53.000 --> 0:13:54.000
<v Speaker 2>What was for me talking?

0:13:54.040 --> 0:13:55.880
<v Speaker 1>You don't even remember. This is why I have to

0:13:55.880 --> 0:13:58.200
<v Speaker 1>tell my stories at least two times to be heard

0:13:58.240 --> 0:13:58.800
<v Speaker 1>around here.

0:13:59.160 --> 0:14:01.480
<v Speaker 2>No, if I was selling a story, it would have

0:14:01.480 --> 0:14:04.200
<v Speaker 2>been like the third time. The way she was gearing up,

0:14:04.240 --> 0:14:05.960
<v Speaker 2>you could tell she was just about to do like

0:14:06.160 --> 0:14:10.480
<v Speaker 2>the full setup, the intro, the complication, the climax, and

0:14:10.480 --> 0:14:12.640
<v Speaker 2>then the end. I said, no, no, no, we have

0:14:12.760 --> 0:14:15.679
<v Speaker 2>had this one. Thank you. I was saving We were

0:14:15.720 --> 0:14:17.760
<v Speaker 2>at a table full of people. They didn't have the

0:14:17.840 --> 0:14:20.080
<v Speaker 2>heart to tell you, but I had the heart, because

0:14:20.120 --> 0:14:23.360
<v Speaker 2>we did learn that if someone's telling you a story

0:14:23.400 --> 0:14:26.560
<v Speaker 2>that you've already heard, you have two seconds to let

0:14:26.560 --> 0:14:28.680
<v Speaker 2>them know you've already heard it. Just too. If you

0:14:28.760 --> 0:14:32.840
<v Speaker 2>missed that two second window, I will say it's.

0:14:32.640 --> 0:14:36.960
<v Speaker 1>The same with someone having stuff in their teeth, seeing

0:14:36.960 --> 0:14:39.240
<v Speaker 1>a little bit of green spinach, a little bit of

0:14:39.280 --> 0:14:41.320
<v Speaker 1>a chunky bit of bread in a little upper corner

0:14:41.920 --> 0:14:43.240
<v Speaker 1>bybe I gotta tell you.

0:14:43.200 --> 0:14:45.160
<v Speaker 2>Two second window. Yeah, and if you don't in a

0:14:45.160 --> 0:14:45.960
<v Speaker 2>two seconds one.

0:14:46.000 --> 0:14:48.040
<v Speaker 1>Every time I go out to go get a coffee

0:14:48.040 --> 0:14:49.720
<v Speaker 1>without my phone, which is something that I like to

0:14:49.720 --> 0:14:51.400
<v Speaker 1>do in the morning, why don't we get home, have

0:14:51.400 --> 0:14:54.480
<v Speaker 1>a little crusty bits of money, a little bit of chocolate.

0:14:54.560 --> 0:14:55.960
<v Speaker 2>Well, you gotta check on your phone.

0:14:56.280 --> 0:14:57.240
<v Speaker 1>I don't have my phone on.

0:14:57.240 --> 0:14:59.440
<v Speaker 2>Me, but if you did with you checked, yeah, I

0:14:59.480 --> 0:14:59.920
<v Speaker 2>don't know.

0:15:00.520 --> 0:15:02.640
<v Speaker 1>Up here, so a little bit of my nose from

0:15:02.640 --> 0:15:06.320
<v Speaker 1>the cappuccino dust babes. It's a four to one month

0:15:06.440 --> 0:15:11.160
<v Speaker 1>emergency whatever you're six flex and frooms.

0:15:11.200 --> 0:15:15.360
<v Speaker 2>That'd a best in breaking news. This is hot off

0:15:15.360 --> 0:15:17.000
<v Speaker 2>the press, and by that I mean it's a couple

0:15:17.040 --> 0:15:21.920
<v Speaker 2>of weeks old. Our favorite litoral blood sucking couple MGK

0:15:22.160 --> 0:15:25.840
<v Speaker 2>and Megan Fox have broken up because he allegedly cheated.

0:15:25.880 --> 0:15:27.440
<v Speaker 2>That is not the news I want to talk about.

0:15:27.720 --> 0:15:31.080
<v Speaker 2>What I am more interested in is this phenomenon that

0:15:31.320 --> 0:15:38.560
<v Speaker 2>happens when a objectively great, jous woman celebrity gets humbled

0:15:38.760 --> 0:15:42.640
<v Speaker 2>by experiencing what one would assume is a very regular thing,

0:15:42.720 --> 0:15:46.680
<v Speaker 2>and that is getting cheated on. Suddenly the general public

0:15:47.080 --> 0:15:49.120
<v Speaker 2>like knocks them down on their pedestal a little bit.

0:15:49.160 --> 0:15:52.960
<v Speaker 2>They're like, oh damn, I thought you were special, unique, different,

0:15:53.360 --> 0:15:57.360
<v Speaker 2>subject to other worldly occurrences, and yet you are but

0:15:57.480 --> 0:16:01.160
<v Speaker 2>a common person like me who gets cheat on. Hmm.

0:16:01.760 --> 0:16:05.680
<v Speaker 2>Sad that I find is the most insidious thing to observe,

0:16:05.760 --> 0:16:09.920
<v Speaker 2>because it's droves of people, hordes of people. Then the

0:16:10.000 --> 0:16:13.280
<v Speaker 2>speculation happens, what is so wrong with you that you,

0:16:13.400 --> 0:16:18.400
<v Speaker 2>this other worldly, beautiful specimen is getting cheated on? M

0:16:19.080 --> 0:16:21.040
<v Speaker 2>Are you hard to be around? Is it because you're

0:16:21.080 --> 0:16:23.000
<v Speaker 2>weird thumbs? Because apparently she got weird thumbs. I don't know.

0:16:23.040 --> 0:16:25.600
<v Speaker 1>Yeah, she got the what's it called way it to

0:16:26.120 --> 0:16:28.360
<v Speaker 1>hammer hammer thumbs or something.

0:16:28.400 --> 0:16:30.120
<v Speaker 2>I haven't seen it. I saw it in the comments.

0:16:30.120 --> 0:16:33.200
<v Speaker 2>So this ticktom Oh, you know, Melan, you know I

0:16:33.240 --> 0:16:35.920
<v Speaker 2>heard she doesn't eat carbs. Maybe she's a really angry

0:16:36.000 --> 0:16:38.440
<v Speaker 2>girl and like you know, like, oh, I did notice

0:16:38.440 --> 0:16:40.400
<v Speaker 2>that since he'd been dating her, like you know, she

0:16:40.640 --> 0:16:43.480
<v Speaker 2>feels really uptight. She's like draining the energy out of him.

0:16:43.520 --> 0:16:46.240
<v Speaker 2>And la la la l l lah. Right, that's not

0:16:46.280 --> 0:16:49.400
<v Speaker 2>worse enough. No, I start speculating about who he might

0:16:49.440 --> 0:16:51.800
<v Speaker 2>have cheated on her with. Who do they pick the

0:16:51.880 --> 0:16:55.800
<v Speaker 2>closest woman in proximity. His guitarists, it must be her, right,

0:16:56.080 --> 0:16:58.440
<v Speaker 2>because she's just around, because like they couldn't just be

0:16:58.520 --> 0:17:01.920
<v Speaker 2>friends and interacting, must be sleeping together.

0:17:02.080 --> 0:17:04.840
<v Speaker 1>Guys, let's go back to the TMZ days where there

0:17:04.880 --> 0:17:09.280
<v Speaker 1>was one central body that's speculated. Not all you Internet salutes.

0:17:09.359 --> 0:17:10.560
<v Speaker 1>This is too much.

0:17:10.840 --> 0:17:15.240
<v Speaker 2>Let's get one or a band of one hundred really

0:17:15.359 --> 0:17:19.520
<v Speaker 2>inappropriate people who keep pushing sleep. Get them on the job.

0:17:19.840 --> 0:17:22.120
<v Speaker 2>I want to see them come together with some facts,

0:17:22.160 --> 0:17:26.439
<v Speaker 2>not every single person like picking up little granules of

0:17:26.480 --> 0:17:28.359
<v Speaker 2>what they think is evidence that would not hold up

0:17:28.359 --> 0:17:30.720
<v Speaker 2>in the court of Lord. Your vibes, the things that

0:17:30.720 --> 0:17:33.480
<v Speaker 2>you've been intuitively feeling about them as a couple, it's

0:17:33.520 --> 0:17:34.240
<v Speaker 2>not holding up.

0:17:34.280 --> 0:17:37.480
<v Speaker 1>I honestly judge Judy on this case. I will say

0:17:37.600 --> 0:17:40.240
<v Speaker 1>on the tropic of cheating. Something that I heard, perhaps

0:17:40.240 --> 0:17:44.440
<v Speaker 1>from you can't remember, doesn't matter, was that cheating has

0:17:44.480 --> 0:17:46.720
<v Speaker 1>never got anything to do with the person. It's about

0:17:46.800 --> 0:17:49.239
<v Speaker 1>power es the pirell. Oh was it?

0:17:49.359 --> 0:17:52.440
<v Speaker 2>Yeah, just like a sixty five year old psychotherapist, but.

0:17:52.480 --> 0:17:59.040
<v Speaker 1>Like, damn well, rip that relationship. Really fun moment. It

0:17:59.040 --> 0:18:01.359
<v Speaker 1>was quite like a ninety throwback Billy Bob short and

0:18:01.560 --> 0:18:02.320
<v Speaker 1>esque energy.

0:18:02.480 --> 0:18:04.399
<v Speaker 2>You're going through a breakup and then you turn the

0:18:04.480 --> 0:18:06.040
<v Speaker 2>radio and so I'm like, well, that was like a

0:18:06.160 --> 0:18:11.000
<v Speaker 2>nineties throwback billy. You're insane.

0:18:12.400 --> 0:18:15.000
<v Speaker 1>You've been listening to The Flex and Frooms Daily podcast.

0:18:15.240 --> 0:18:18.840
<v Speaker 2>For more, Tune Indicator on DAB or stream it on iHeartRadio.