1 00:00:00,480 --> 00:00:02,440 Speaker 1: Let Me tell you a Story a. 2 00:00:02,759 --> 00:00:06,160 Speaker 2: Time Cley releases the story behind. 3 00:00:05,760 --> 00:00:09,640 Speaker 1: The song, the song behind the story behind the song. 4 00:00:09,880 --> 00:00:13,960 Speaker 1: Today is Money for Nothing by Dire Straits, the second 5 00:00:14,000 --> 00:00:16,919 Speaker 1: track on their fifth studio album, Brothers in Arms. It 6 00:00:17,000 --> 00:00:20,440 Speaker 1: was released as the album's second single in June nineteen 7 00:00:20,600 --> 00:00:23,680 Speaker 1: eighty five. Now the lyrics are written from the point 8 00:00:23,680 --> 00:00:26,640 Speaker 1: of view of two working classmen watching music videos and 9 00:00:26,680 --> 00:00:32,479 Speaker 1: commenting on what they see. Yeah, I think Mark Knopfler 10 00:00:32,520 --> 00:00:34,880 Speaker 1: can probably tell the story better as he did when 11 00:00:34,880 --> 00:00:36,839 Speaker 1: he appeared on Parkinson in two thousand. 12 00:00:37,520 --> 00:00:41,320 Speaker 2: Well, I was in New York and I was in 13 00:00:41,360 --> 00:00:46,000 Speaker 2: a kitchen appliance store and it had a window, a 14 00:00:46,080 --> 00:00:48,800 Speaker 2: kitchen window displaying the window, and then there'd be a 15 00:00:48,880 --> 00:00:52,360 Speaker 2: row of microwaves or cookers and things like that. And 16 00:00:52,400 --> 00:00:53,640 Speaker 2: then at the back of the store it was a 17 00:00:53,640 --> 00:00:57,400 Speaker 2: big wall of televisions or all tuned MTV. There was 18 00:00:57,400 --> 00:01:00,720 Speaker 2: some bonehead who worked for the store, a great, big, 19 00:01:00,760 --> 00:01:03,240 Speaker 2: macho guy with a you know, with a check shirt 20 00:01:03,320 --> 00:01:05,520 Speaker 2: on and a cap and a pair of workboots, and 21 00:01:05,520 --> 00:01:07,920 Speaker 2: he'd been delivering stuff at the back and he so 22 00:01:07,959 --> 00:01:10,679 Speaker 2: he was watching MTV and he was saying all these 23 00:01:10,720 --> 00:01:13,160 Speaker 2: great lines about you know that ain't working. You know, 24 00:01:13,280 --> 00:01:14,760 Speaker 2: that's the way you do it, and stuff like that. 25 00:01:15,760 --> 00:01:18,560 Speaker 2: What's that? What's that Hawaiian noises? He was saying, And 26 00:01:19,440 --> 00:01:22,560 Speaker 2: so I just thought it was so classic that I 27 00:01:22,600 --> 00:01:25,760 Speaker 2: went and asked for a pen and paper and started 28 00:01:25,800 --> 00:01:27,080 Speaker 2: writing the lines down. 29 00:01:26,959 --> 00:01:30,480 Speaker 3: You know, started taking notes free him. How good is that? 30 00:01:30,840 --> 00:01:34,240 Speaker 1: It was Distrait's most commercially successful single, peaking at number 31 00:01:34,240 --> 00:01:36,640 Speaker 1: one for three weeks on both the US and UK charts, 32 00:01:36,680 --> 00:01:39,720 Speaker 1: picked at number four here. The songwriting credits a share 33 00:01:39,720 --> 00:01:43,360 Speaker 1: between Mark Knopfler and Sting. According to Knopfler, he used 34 00:01:43,360 --> 00:01:45,600 Speaker 1: the network slogan I Want my MTV after seeing an 35 00:01:45,680 --> 00:01:48,480 Speaker 1: MTV ad featuring the Police and setting it to the 36 00:01:48,520 --> 00:01:51,320 Speaker 1: tune of Don't Stand So Close to Me, which is 37 00:01:51,320 --> 00:01:54,720 Speaker 1: written by Sting, hence the co writing credit. But keyboard 38 00:01:54,720 --> 00:01:57,240 Speaker 1: player Alan Clark claims the I Want My MTV intro 39 00:01:57,400 --> 00:02:01,920 Speaker 1: was his idea, not Noflins. He says the song originally 40 00:02:01,920 --> 00:02:04,880 Speaker 1: began with the guitar riff, and then he developed the 41 00:02:04,880 --> 00:02:07,160 Speaker 1: intro on keyboards and saying I Want my MTV on 42 00:02:07,200 --> 00:02:09,400 Speaker 1: top during a break and rehearsals for the album. 43 00:02:09,680 --> 00:02:11,360 Speaker 3: That's the kind of thing that will break a band. 44 00:02:11,200 --> 00:02:14,760 Speaker 1: Up absolutely either way, How awesome was it when Sting 45 00:02:15,400 --> 00:02:19,840 Speaker 1: joined dire Straits at Live Aid to perform the track, 46 00:02:19,960 --> 00:02:23,000 Speaker 1: which would have been pretty much brand new at that time. 47 00:02:38,720 --> 00:02:40,840 Speaker 1: Either way, he's just glad he got the co running. 48 00:02:41,200 --> 00:02:41,960 Speaker 1: That's all he had to. 49 00:02:41,880 --> 00:02:43,239 Speaker 3: Do, and it was a perfect voice for it. I 50 00:02:43,280 --> 00:02:45,560 Speaker 3: remember seeing that movie Under the Volcano, which is about 51 00:02:45,560 --> 00:02:48,720 Speaker 3: their studios in Monserrat, and as they're recording the song 52 00:02:48,720 --> 00:02:50,480 Speaker 3: and they go, jeesus, I wish Sting was here to 53 00:02:50,520 --> 00:02:52,960 Speaker 3: do this bit. And someone goes, he's here. He's going 54 00:02:53,040 --> 00:02:54,840 Speaker 3: to record later at this studio with the police, but 55 00:02:54,840 --> 00:02:57,320 Speaker 3: he's on holidays. So they called him up getting in 56 00:02:57,440 --> 00:02:59,079 Speaker 3: and his wife Trudy said that's going to be a 57 00:02:59,120 --> 00:03:02,639 Speaker 3: huge hit. The Sting went, uh, I don't know, maybe 58 00:03:02,639 --> 00:03:05,320 Speaker 3: it's it's okay. How wrong he was. 59 00:03:05,680 --> 00:03:08,000 Speaker 1: It was a huge hitch. It is a huge hitch. 60 00:03:08,080 --> 00:03:09,480 Speaker 3: Yeah, And what a way to wrap up the story 61 00:03:09,480 --> 00:03:10,119 Speaker 3: behind the song.