1 00:00:00,080 --> 00:00:02,720 Speaker 1: It is that time of year Fringe and you can 2 00:00:02,720 --> 00:00:06,080 Speaker 1: catch Pete rose Thorn too Keen at the Freemantle Comedy 3 00:00:06,080 --> 00:00:08,640 Speaker 1: Factory and the Record Butt during Fringe from this Friday 4 00:00:08,720 --> 00:00:12,600 Speaker 1: until February fifteen. Information and tickets are all at fringe 5 00:00:12,640 --> 00:00:16,079 Speaker 1: dot com dot a you very comprehensive site. I was 6 00:00:16,120 --> 00:00:17,119 Speaker 1: on it just the other. 7 00:00:17,000 --> 00:00:20,200 Speaker 2: Day, good morningside the Fringe. 8 00:00:19,960 --> 00:00:27,480 Speaker 1: Dot com where people are going to get your tickets story, 9 00:00:28,000 --> 00:00:29,920 Speaker 1: I just said them there which is the ticket, which 10 00:00:29,960 --> 00:00:31,800 Speaker 1: is just as well, given that you went to all 11 00:00:31,800 --> 00:00:33,639 Speaker 1: the trouble of coming in this morning or was that 12 00:00:33,800 --> 00:00:35,760 Speaker 1: literally just to go and raid the prize cabinet? 13 00:00:38,040 --> 00:00:40,440 Speaker 2: Did you get anything nice? Well, I've got some key 14 00:00:40,520 --> 00:00:42,320 Speaker 2: rings and I got a few stubby holders. So there's 15 00:00:42,320 --> 00:00:45,880 Speaker 2: all the prize and quiz. We're not coming up again 16 00:00:46,120 --> 00:00:48,519 Speaker 2: in because Keen two is exactly the same as Keene one, 17 00:00:48,960 --> 00:00:51,880 Speaker 2: except there's some different questions, right, and some slightly different 18 00:00:51,880 --> 00:00:54,400 Speaker 2: material here and some new prizes, and I'm doing I'm 19 00:00:54,400 --> 00:00:57,400 Speaker 2: doing some opening with some strong dance moves. Probably not 20 00:00:57,480 --> 00:01:00,000 Speaker 2: for the first week the Comedy Factory of the please 21 00:01:00,160 --> 00:01:01,960 Speaker 2: go to the Freemount of one, which is because there's 22 00:01:02,000 --> 00:01:07,600 Speaker 2: no room that as well there's no there's no wings. 23 00:01:07,640 --> 00:01:10,760 Speaker 2: I've got no theater style wings. I need to make 24 00:01:10,800 --> 00:01:12,959 Speaker 2: an appearance. So what I'm going to work on. What 25 00:01:13,000 --> 00:01:15,520 Speaker 2: I'm working on is that in Let the Blood Run Free, 26 00:01:15,520 --> 00:01:16,720 Speaker 2: which is an old television show. 27 00:01:16,840 --> 00:01:19,240 Speaker 1: I remember it well. I loved it, loved it. 28 00:01:19,280 --> 00:01:24,520 Speaker 2: Live show and the only and we invented the nude suit, 29 00:01:24,560 --> 00:01:26,800 Speaker 2: or invented it, but it was my idea of the 30 00:01:26,920 --> 00:01:30,160 Speaker 2: nude suit, but Linda Gibson wore it as a sensual 31 00:01:30,280 --> 00:01:32,720 Speaker 2: dance piece, which she was it. It's basically, it's a 32 00:01:33,160 --> 00:01:36,160 Speaker 2: skin tight suit you wear and you've we've drawn on 33 00:01:36,240 --> 00:01:40,960 Speaker 2: bosoms or a penis and a hairy chest and you dance. 34 00:01:42,160 --> 00:01:44,160 Speaker 2: I'm just going to say sometimes both, oh yeah, you 35 00:01:44,160 --> 00:01:45,399 Speaker 2: can do How do you do what you want? Because 36 00:01:47,160 --> 00:01:50,560 Speaker 2: you know there are no rules. I'm happy to be over, 37 00:01:50,680 --> 00:01:53,680 Speaker 2: happy to be everything. And I So I'm going to 38 00:01:53,800 --> 00:01:55,600 Speaker 2: do a dance piece of start, because I sort of 39 00:01:55,600 --> 00:01:58,840 Speaker 2: finished dancing last time I did the show. Say you're 40 00:01:58,840 --> 00:02:01,760 Speaker 2: never too old to to keep dancing. So I'm going 41 00:02:01,800 --> 00:02:04,440 Speaker 2: to open with a bit of interpretive dance preceded by 42 00:02:04,480 --> 00:02:07,360 Speaker 2: an apology from one of my children, which will come 43 00:02:07,400 --> 00:02:11,359 Speaker 2: out as a visual as a vocal piece before I start, 44 00:02:11,760 --> 00:02:13,239 Speaker 2: and then I'm stuck in the nude suit for the 45 00:02:13,280 --> 00:02:15,440 Speaker 2: rest of the show, which is unfortunate. So I'm thinking 46 00:02:15,440 --> 00:02:19,280 Speaker 2: about Donni and kimono or something like that. Looking just 47 00:02:19,320 --> 00:02:24,639 Speaker 2: a nice trench coat or overcat that sounds dirty? Does 48 00:02:24,680 --> 00:02:30,359 Speaker 2: your suit? The nude suit and the boa A god, 49 00:02:30,360 --> 00:02:32,959 Speaker 2: they'll cues there will be accused to see this sort 50 00:02:32,960 --> 00:02:40,480 Speaker 2: of stuff. It's amazing. Again, Russell too far? Why does 51 00:02:40,520 --> 00:02:41,400 Speaker 2: he do that to us? 52 00:02:41,560 --> 00:02:44,400 Speaker 1: Do you remember those cut out magazine dolls we'd have 53 00:02:44,400 --> 00:02:46,080 Speaker 1: his kids where you'd cut out the outfit as well 54 00:02:46,120 --> 00:02:46,960 Speaker 1: and folded it over. 55 00:02:47,240 --> 00:02:53,839 Speaker 2: Yes, no, you were poor as well, Dolly cut out. 56 00:02:55,919 --> 00:02:58,160 Speaker 1: People must go mad for the Kath and Kim quiz. 57 00:02:58,600 --> 00:03:02,679 Speaker 2: They're not bad or depends. Well, yeah, there's definitely people 58 00:03:02,680 --> 00:03:04,519 Speaker 2: who can definitely come and see, not so much for 59 00:03:04,560 --> 00:03:06,560 Speaker 2: the quiz, just to have a look at me is 60 00:03:06,600 --> 00:03:09,560 Speaker 2: what I look like now? Because it's fit like, you know, 61 00:03:09,919 --> 00:03:13,200 Speaker 2: going back to Gilligan's Island for a long time. Loan 62 00:03:13,400 --> 00:03:16,200 Speaker 2: my god. 63 00:03:17,840 --> 00:03:21,040 Speaker 1: Because there is a cathin Kim sub reddit on Reddit, 64 00:03:21,120 --> 00:03:24,120 Speaker 1: and the other day someone was posting asking for people's 65 00:03:24,160 --> 00:03:27,519 Speaker 1: favorite quotes by Bretty and some of the ones where 66 00:03:27,520 --> 00:03:29,240 Speaker 1: I've got three miles to feed, well four. If you 67 00:03:29,240 --> 00:03:34,800 Speaker 1: can't kill say that, Yes you're a hornbag, I'm a fool. 68 00:03:34,840 --> 00:03:36,720 Speaker 1: If you come back, I'll put in a hootd spar 69 00:03:39,080 --> 00:03:42,400 Speaker 1: to live by. And you know, I usually hate musicals, 70 00:03:42,400 --> 00:03:43,520 Speaker 1: but tonight it was no exception. 71 00:03:50,600 --> 00:03:52,680 Speaker 2: It doesn't endure. It does that has a great endurance. 72 00:03:52,840 --> 00:03:55,040 Speaker 2: But I know I'm looking forward to doing it again. 73 00:03:55,080 --> 00:03:57,160 Speaker 2: I love doing it last year. I love doing this 74 00:03:57,560 --> 00:03:59,760 Speaker 2: good numbers. I think I sold that really in the end, 75 00:04:00,200 --> 00:04:02,280 Speaker 2: and I just had a really nice time. I found 76 00:04:02,280 --> 00:04:05,880 Speaker 2: it really up lifting, just a lot of chat. I 77 00:04:06,000 --> 00:04:09,000 Speaker 2: do a lot of lateral thinking, and I found it 78 00:04:09,040 --> 00:04:11,520 Speaker 2: really just freed me up again. 79 00:04:11,800 --> 00:04:13,720 Speaker 1: It's called too Keen. The show is there? 80 00:04:13,840 --> 00:04:14,040 Speaker 2: Is it? 81 00:04:14,360 --> 00:04:15,360 Speaker 1: Something very specific? 82 00:04:15,920 --> 00:04:19,160 Speaker 2: First one is called Keen, So I was too Keen. 83 00:04:20,360 --> 00:04:22,120 Speaker 2: It's going to be Keen too, and I. 84 00:04:22,200 --> 00:04:25,240 Speaker 1: Was Keen stylized T double O. 85 00:04:25,480 --> 00:04:30,200 Speaker 2: That's right, yeah, yeah, yeah, see what I didn't do it? 86 00:04:30,200 --> 00:04:36,040 Speaker 1: Actually whatever, And it leaves you open for Keen too. 87 00:04:37,200 --> 00:04:39,120 Speaker 2: To teen three. Next year. It's going to be how 88 00:04:39,160 --> 00:04:41,560 Speaker 2: you're going to top the nude suit? Oh well, who knows. 89 00:04:42,080 --> 00:04:44,920 Speaker 2: Let's get it. Let's get let's get the nude suit 90 00:04:45,000 --> 00:04:48,240 Speaker 2: made first, see how I got But I'm really looking 91 00:04:48,240 --> 00:04:49,800 Speaker 2: forward to I love doing it last year. I can't 92 00:04:49,800 --> 00:04:50,400 Speaker 2: wait to do it again. 93 00:04:50,720 --> 00:04:52,320 Speaker 1: You're doing it for a couple of weeks, so that's good. 94 00:04:52,360 --> 00:04:55,160 Speaker 2: That's good fun. Yeah, come to this. Freemantle's not got 95 00:04:55,160 --> 00:04:59,239 Speaker 2: in tickets booked. I think it's one was a couple, 96 00:04:59,440 --> 00:05:01,520 Speaker 2: but I wouldn't I get a few numbers. So this 97 00:05:02,000 --> 00:05:06,440 Speaker 2: is Friday, Saturday, Sunday. I think it's on people in 98 00:05:06,520 --> 00:05:08,920 Speaker 2: free mail. Don't they get a fright when things happen, 99 00:05:10,120 --> 00:05:15,120 Speaker 2: you know, selling GPS? What's that? Also had counsel approval? 100 00:05:17,200 --> 00:05:21,400 Speaker 2: All right? For your well for all the inform warning. 101 00:05:21,279 --> 00:05:23,640 Speaker 1: And the tickets, head to fringe dot com dot are 102 00:05:23,720 --> 00:05:27,719 Speaker 1: you heavily advised that the Free Metal Comedy Factory this 103 00:05:27,760 --> 00:05:28,640 Speaker 1: weekend will be. 104 00:05:29,600 --> 00:05:34,640 Speaker 2: Prizes, and there will be prizes courtesy of us price. 105 00:05:35,000 --> 00:05:38,159 Speaker 1: That's some very nice prizes. Pete, thank you for coming 106 00:05:38,160 --> 00:05:40,280 Speaker 1: in going yeah, pleasure. 107 00:05:41,880 --> 00:05:44,920 Speaker 2: Good luck with the shows. We are all too keen 108 00:05:45,040 --> 00:05:46,040 Speaker 2: to see them. Thank you.