1 00:00:23,840 --> 00:00:27,520 Speaker 1: Put a little something in a lemonade and take it 2 00:00:27,600 --> 00:00:30,080 Speaker 1: with us where half of work? 3 00:00:30,400 --> 00:00:30,600 Speaker 2: You know? 4 00:00:32,640 --> 00:00:51,560 Speaker 3: Okay, keep going a bit, keep going. 5 00:00:46,840 --> 00:00:56,160 Speaker 1: Making pass, put a little something here, take a bit 6 00:00:56,280 --> 00:00:58,160 Speaker 1: of where half away? 7 00:01:11,840 --> 00:01:12,080 Speaker 2: Nice? 8 00:01:13,319 --> 00:01:19,240 Speaker 4: Break it down, wreak it down. Oh I can't break 9 00:01:19,240 --> 00:01:20,080 Speaker 4: it down with the flow. 10 00:01:20,600 --> 00:01:20,839 Speaker 2: Sorry. 11 00:01:20,840 --> 00:01:23,399 Speaker 5: I thought that would be more impactful with the with 12 00:01:23,440 --> 00:01:26,160 Speaker 5: the float. All right, itinery number one? 13 00:01:27,800 --> 00:01:28,200 Speaker 2: Number one? 14 00:01:29,360 --> 00:01:30,000 Speaker 4: Cut and quick? 15 00:01:30,640 --> 00:01:33,039 Speaker 6: Did you get the photo album off my desk? Bugger, 16 00:01:33,200 --> 00:01:33,800 Speaker 6: I'll go get it. 17 00:01:34,120 --> 00:01:38,200 Speaker 5: Well, okay, you'll miss the cutan quick itinery. 18 00:01:39,520 --> 00:01:43,440 Speaker 4: Oh that's all right. I'm gonna tell you Will. I 19 00:01:43,440 --> 00:01:47,560 Speaker 4: feel bad for tom? Oh wait for what's the rush? 20 00:01:47,840 --> 00:01:51,320 Speaker 4: What's the rush? Will? Quick bit of information for everyone? 21 00:01:51,440 --> 00:01:52,880 Speaker 4: What were the origins of the float? 22 00:01:55,880 --> 00:01:57,080 Speaker 7: That's not a float to a recorder? 23 00:01:58,200 --> 00:01:59,760 Speaker 4: What were the origins of the recorder? 24 00:02:01,440 --> 00:02:03,280 Speaker 7: I was developed by a five year old to be 25 00:02:03,320 --> 00:02:05,320 Speaker 7: a pain in the ass for everyone? Nice? 26 00:02:05,920 --> 00:02:09,160 Speaker 4: Nice, Okay, I turn your number one something quick and cute. 27 00:02:09,200 --> 00:02:09,640 Speaker 7: I just did that. 28 00:02:09,880 --> 00:02:12,280 Speaker 4: Oh sorry, that was quick and cute. It seems a 29 00:02:12,320 --> 00:02:14,760 Speaker 4: bit down, but okay, this is a quick fun one 30 00:02:14,800 --> 00:02:15,000 Speaker 4: for you. 31 00:02:15,800 --> 00:02:18,400 Speaker 5: So I was walking with the rem dog this morning, 32 00:02:19,320 --> 00:02:23,160 Speaker 5: and we always need to pass at a lollipop lady. 33 00:02:23,200 --> 00:02:25,520 Speaker 4: Bit, I needn't have to keep playing the eyes. It's 34 00:02:25,600 --> 00:02:26,080 Speaker 4: quite nice. 35 00:02:26,200 --> 00:02:27,440 Speaker 5: So we were crossing the road and there was a 36 00:02:27,440 --> 00:02:30,960 Speaker 5: lollipop lady there, and the lollipop lady was like, morning, 37 00:02:31,040 --> 00:02:31,519 Speaker 5: how are you going? 38 00:02:31,520 --> 00:02:32,680 Speaker 4: And she seemed really up and about. 39 00:02:32,720 --> 00:02:34,840 Speaker 5: I think most lollipop people are up and about, so 40 00:02:34,840 --> 00:02:37,000 Speaker 5: I didn't think anything of it. And then she said 41 00:02:37,120 --> 00:02:40,640 Speaker 5: are you woody And I was like, yeah, yeah I am. 42 00:02:40,680 --> 00:02:42,280 Speaker 5: And this is this is my little girl, Remy, and 43 00:02:42,520 --> 00:02:46,239 Speaker 5: she goes, yeah, yeah, yeah, me and my daughter used 44 00:02:46,240 --> 00:02:51,200 Speaker 5: to listen to you when you first started. I was like, oh, 45 00:02:52,440 --> 00:02:55,680 Speaker 5: thank you, and then kept walking and then I was like, 46 00:02:56,160 --> 00:02:58,440 Speaker 5: that was the weirdest thing to say. It was like 47 00:02:59,040 --> 00:03:01,360 Speaker 5: you used to live listened to us when we first start. 48 00:03:01,440 --> 00:03:02,359 Speaker 5: Like what happened? 49 00:03:02,560 --> 00:03:04,200 Speaker 6: At some point? You got ship? Apparently? 50 00:03:04,600 --> 00:03:04,919 Speaker 7: Yeah? 51 00:03:05,040 --> 00:03:06,919 Speaker 5: Right, So I think I'm gonna have to go back 52 00:03:06,919 --> 00:03:10,200 Speaker 5: to this lollipop lady and say hey, quick one, because 53 00:03:10,520 --> 00:03:13,200 Speaker 5: I see her multiple times every week. 54 00:03:13,720 --> 00:03:14,880 Speaker 4: At what point did we lose you? 55 00:03:16,200 --> 00:03:16,359 Speaker 1: Yeah? 56 00:03:16,440 --> 00:03:21,639 Speaker 7: I think that's a fair question. No, no, yeah, feedback, yeah, 57 00:03:21,919 --> 00:03:25,359 Speaker 7: all the great minds crave feedback absolutely. What point did 58 00:03:25,360 --> 00:03:27,160 Speaker 7: you stop? At what point did you start? 59 00:03:27,200 --> 00:03:29,760 Speaker 8: Listening over and if you had to suspect, if you 60 00:03:29,800 --> 00:03:31,800 Speaker 8: had to suspect when we lost her, what would you 61 00:03:31,800 --> 00:03:35,280 Speaker 8: think over our seven years in this slot or six 62 00:03:35,320 --> 00:03:36,760 Speaker 8: and a half years, six and the thirty is in 63 00:03:36,800 --> 00:03:37,280 Speaker 8: this slot? 64 00:03:37,600 --> 00:03:39,200 Speaker 4: When do you reckon? We like she said, me and 65 00:03:39,240 --> 00:03:41,120 Speaker 4: my daughter used to listen to you when you first started. 66 00:03:43,280 --> 00:03:50,440 Speaker 7: I reckon maybe the moment that you met Delta Gudrum. 67 00:03:51,840 --> 00:03:55,280 Speaker 5: Oh that was yeah, yeah, I probably just showed my 68 00:03:55,320 --> 00:03:56,560 Speaker 5: cards there and been a bit of a well. 69 00:03:56,480 --> 00:03:58,120 Speaker 7: Play that on air a few times as well. So 70 00:03:58,120 --> 00:04:00,040 Speaker 7: it's just where you saw her, and then. 71 00:04:00,760 --> 00:04:12,560 Speaker 4: That tells the good it is it. Also, it could 72 00:04:12,560 --> 00:04:15,040 Speaker 4: have been the time that you said hello to Tina Arena. 73 00:04:16,160 --> 00:04:16,520 Speaker 7: I don't know. 74 00:04:16,880 --> 00:04:20,480 Speaker 4: I'm hoping that we've got. 75 00:04:20,200 --> 00:04:22,400 Speaker 7: It exists nowhere. 76 00:04:22,520 --> 00:04:28,840 Speaker 4: Definitely not padding, but maybe we've got So. 77 00:04:29,000 --> 00:04:29,840 Speaker 6: Why is that gone? 78 00:04:29,920 --> 00:04:30,200 Speaker 4: Bug? 79 00:04:31,360 --> 00:04:32,120 Speaker 7: Should we talk about? 80 00:04:32,839 --> 00:04:33,200 Speaker 4: That's not. 81 00:04:37,960 --> 00:04:44,440 Speaker 7: Let's talk about a haunted itinerary number two? 82 00:04:44,640 --> 00:04:49,360 Speaker 5: Okay, so just forty year old this because you're really 83 00:04:49,360 --> 00:04:51,680 Speaker 5: holding the the itinery interruption. 84 00:04:51,920 --> 00:04:55,400 Speaker 4: I liked it during the story, thanks man. I'm wasn't 85 00:04:55,400 --> 00:04:56,080 Speaker 4: sure about that though. 86 00:04:57,040 --> 00:04:58,880 Speaker 7: It meant to be weird, like it's a bit no, 87 00:04:59,000 --> 00:05:03,400 Speaker 7: but it's quite loud, and you know, I can't concentrate 88 00:05:03,400 --> 00:05:05,520 Speaker 7: when there's Noise's that's a meeting. 89 00:05:05,560 --> 00:05:10,040 Speaker 5: It's totally at a meeting. Nicer forty year old mystery. 90 00:05:10,160 --> 00:05:11,320 Speaker 5: It's this photo album. 91 00:05:11,480 --> 00:05:12,320 Speaker 6: It's so cute. 92 00:05:12,320 --> 00:05:15,440 Speaker 4: I'm just looking at it now. It's not cute. Take 93 00:05:15,839 --> 00:05:17,960 Speaker 4: it's not cute. There's nothing cute about it. 94 00:05:19,440 --> 00:05:24,640 Speaker 6: At g at Grammar's House, Headwaters, Elsie Meyers Stainton, seventeen 95 00:05:24,760 --> 00:05:30,039 Speaker 6: thirty five, Alice Hollow Road, Ithaca, New York, fourteen eight fifty, USA, 96 00:05:30,560 --> 00:05:33,920 Speaker 6: August sixteenth to thirty one, nineteen eighty five. 97 00:05:34,480 --> 00:05:37,320 Speaker 7: Ian's Book, Ian's Book. 98 00:05:37,160 --> 00:05:39,400 Speaker 5: Interestingly, Interestingly, in all of that, it's all done in 99 00:05:39,440 --> 00:05:41,880 Speaker 5: computer writing. And then Ian's book is written in pen, 100 00:05:42,600 --> 00:05:43,520 Speaker 5: almost as if and. 101 00:05:43,520 --> 00:05:45,520 Speaker 6: Then he's drawn page numbers, almost as. 102 00:05:45,400 --> 00:05:50,160 Speaker 5: If someone's someone's disappeared and he's gone my book now 103 00:05:51,040 --> 00:05:52,560 Speaker 5: and he's written Ian's Book on it. 104 00:05:52,680 --> 00:05:54,600 Speaker 7: No, because we know that he's in. If you look 105 00:05:54,640 --> 00:05:56,640 Speaker 7: at the if you look at the index on the photos. 106 00:05:56,760 --> 00:05:59,200 Speaker 7: Have we put any photos on our socials yet? 107 00:05:59,560 --> 00:05:59,839 Speaker 4: Maybe? 108 00:06:00,240 --> 00:06:02,560 Speaker 7: Oh we should probably should probably put some photos up there, 109 00:06:02,839 --> 00:06:07,200 Speaker 7: just so people can see what the book looks like. Yeah, No, 110 00:06:07,240 --> 00:06:08,640 Speaker 7: but I mean that we should put some photos up 111 00:06:08,680 --> 00:06:12,880 Speaker 7: there of what the photos look like now we yeah, 112 00:06:12,880 --> 00:06:15,120 Speaker 7: you'll take Kate's going to take some later. Don't touch 113 00:06:15,160 --> 00:06:16,800 Speaker 7: the book though, because Wood he has and Tom hasn't. 114 00:06:16,800 --> 00:06:18,640 Speaker 7: They're both cursed. Damn it. 115 00:06:18,640 --> 00:06:19,040 Speaker 4: I hate them. 116 00:06:19,040 --> 00:06:23,120 Speaker 6: I'm cursed an aunt Shirley and an uncle Fred. We 117 00:06:23,200 --> 00:06:23,479 Speaker 6: know that. 118 00:06:23,640 --> 00:06:26,359 Speaker 7: Have you noticed any cursings since you've touched the book 119 00:06:27,480 --> 00:06:30,960 Speaker 7: like as any if you had any like unfortunate like 120 00:06:31,080 --> 00:06:34,479 Speaker 7: mishaps and stained like you? 121 00:06:34,640 --> 00:06:36,000 Speaker 4: Oh, remy spewed on me today. 122 00:06:36,240 --> 00:06:38,200 Speaker 7: Bang, there you go. Oh she's possessed. Well, there you go. 123 00:06:38,279 --> 00:06:41,720 Speaker 4: She's because I touched her. That would actually devastate she 124 00:06:41,800 --> 00:06:42,560 Speaker 4: can exists? 125 00:06:42,800 --> 00:06:46,760 Speaker 5: No, no, my god, imagine, Yeah, she's possessed. 126 00:06:46,839 --> 00:06:49,960 Speaker 4: I hate that. Wow, you've heard involved there. I'm a 127 00:06:50,080 --> 00:06:54,600 Speaker 4: terrible father. Yeah, she's spewed on me, just just she 128 00:06:55,320 --> 00:06:56,120 Speaker 4: she took anything else. 129 00:06:56,120 --> 00:06:57,720 Speaker 7: Also, your TV volume doesn't. 130 00:06:57,520 --> 00:06:59,240 Speaker 4: Work now that fixed itself? 131 00:06:59,800 --> 00:07:01,760 Speaker 7: Oh fixed itself? Did it? 132 00:07:02,040 --> 00:07:02,240 Speaker 5: Oh? 133 00:07:02,240 --> 00:07:05,560 Speaker 4: That is super weird. Weird, that is super weird. Pretty 134 00:07:05,680 --> 00:07:08,080 Speaker 4: change today, change today. 135 00:07:08,120 --> 00:07:11,400 Speaker 5: I thought I heard mim her car starting and leaving, 136 00:07:11,440 --> 00:07:13,800 Speaker 5: and I walked outside and our car hadn't moved at all. 137 00:07:14,840 --> 00:07:16,720 Speaker 4: So I mean, it's probably just the next. 138 00:07:16,600 --> 00:07:17,400 Speaker 2: To our garden. 139 00:07:19,440 --> 00:07:20,160 Speaker 4: Bit haunting. 140 00:07:20,720 --> 00:07:23,800 Speaker 7: Now, well I'm at the haunting sound right, I've got No, you. 141 00:07:23,800 --> 00:07:26,720 Speaker 5: Don't, you don't We want to call an Ian Meyers. 142 00:07:26,760 --> 00:07:27,600 Speaker 5: I think that's a good idea. 143 00:07:27,920 --> 00:07:35,520 Speaker 6: It's an Ian state. You think it's Stainton, Well, it's 144 00:07:35,640 --> 00:07:39,920 Speaker 6: Elsie Meyers. Stainton is the grandma's name. So if anything, 145 00:07:39,960 --> 00:07:42,000 Speaker 6: it would be Ian Stainton, wouldn't it. 146 00:07:42,040 --> 00:07:43,520 Speaker 4: Okay, Ian Stainton. 147 00:07:43,720 --> 00:07:46,280 Speaker 7: We've tried to pottery. Let's call him, because I reckon, 148 00:07:46,320 --> 00:07:48,320 Speaker 7: we can also just end this right now. We call 149 00:07:48,400 --> 00:07:50,480 Speaker 7: him and we've got your book. 150 00:07:50,680 --> 00:07:55,440 Speaker 4: He's been making pot since nineteen seventy four whereabouts in Pa? 151 00:07:57,000 --> 00:07:57,160 Speaker 6: Well? 152 00:07:57,360 --> 00:08:01,240 Speaker 7: No, no, he lived in Melbourne. That's the book was 153 00:08:01,240 --> 00:08:02,040 Speaker 7: found in Melbourne. 154 00:08:02,280 --> 00:08:05,640 Speaker 5: Sorry, the Professor of Finance and Chief Scientist of the 155 00:08:05,680 --> 00:08:09,880 Speaker 5: Digital Finance CRC in the Greater Sydney Ian Stainton. 156 00:08:10,200 --> 00:08:13,080 Speaker 6: Maybe, I mean not found. I think there was a couple. 157 00:08:13,240 --> 00:08:15,480 Speaker 7: Is it Mayas Danton or is it Stanton Meyers? 158 00:08:15,720 --> 00:08:16,720 Speaker 6: Mayas Stanton? 159 00:08:17,040 --> 00:08:17,240 Speaker 7: Oh? 160 00:08:17,600 --> 00:08:18,800 Speaker 4: Sorry Mayers, I'm looking. 161 00:08:18,680 --> 00:08:20,920 Speaker 7: To Ian Meyers Stanton right? 162 00:08:21,120 --> 00:08:25,920 Speaker 6: Maybe? Yeah, there's an Elsie Meyers Stainton l fine art 163 00:08:25,960 --> 00:08:27,160 Speaker 6: of copy editing. 164 00:08:27,480 --> 00:08:29,640 Speaker 7: Great, Okay, let's get onto els. 165 00:08:30,120 --> 00:08:33,559 Speaker 4: Elsie Meyers Stanton. She wrote a book called The Fine 166 00:08:33,640 --> 00:08:34,679 Speaker 4: Art of Copy Editing. 167 00:08:35,160 --> 00:08:37,079 Speaker 7: That's her, All right, let's do it. 168 00:08:37,200 --> 00:08:39,760 Speaker 4: What how do we call it? Is there a number? 169 00:08:40,200 --> 00:08:40,640 Speaker 1: Elsie? 170 00:08:41,120 --> 00:08:43,280 Speaker 6: That's Elsie? Is that the grandma? 171 00:08:43,480 --> 00:08:44,160 Speaker 4: That's the grandma. 172 00:08:45,160 --> 00:08:48,480 Speaker 7: The Grandma's in New York. The Grandma's in New York, 173 00:08:48,600 --> 00:08:49,400 Speaker 7: isn't she? Well? 174 00:08:49,520 --> 00:08:53,199 Speaker 6: The publishers from Columbia University Press is Columbia. 175 00:08:53,520 --> 00:08:57,000 Speaker 7: How do you spell Myers M y E R S 176 00:08:57,840 --> 00:08:59,720 Speaker 7: and Stanton s T E y N. 177 00:08:59,760 --> 00:09:03,000 Speaker 6: T S like stayin s T A I N T 178 00:09:03,160 --> 00:09:03,439 Speaker 6: O N. 179 00:09:03,760 --> 00:09:04,040 Speaker 7: Okay. 180 00:09:04,160 --> 00:09:06,160 Speaker 6: If anybody can help us out, please get in touch. 181 00:09:06,240 --> 00:09:09,040 Speaker 7: Elsie Meyers Stayington. She's a writer. 182 00:09:10,400 --> 00:09:11,480 Speaker 2: For me. Yeah. 183 00:09:12,160 --> 00:09:14,880 Speaker 5: I think this guy this isn't Ian Myers, to be fair, 184 00:09:14,920 --> 00:09:17,520 Speaker 5: so I'm going off the Stainton thing. He's a professor 185 00:09:18,080 --> 00:09:19,920 Speaker 5: at the University of Queensland. 186 00:09:20,080 --> 00:09:22,079 Speaker 4: I think he looks a little bit like the little boy. 187 00:09:22,720 --> 00:09:24,800 Speaker 7: Yeah, I think you. I think he looks a bit 188 00:09:24,880 --> 00:09:25,720 Speaker 7: right little boy as well. 189 00:09:26,200 --> 00:09:26,839 Speaker 4: What have you found? 190 00:09:26,920 --> 00:09:31,120 Speaker 6: Okay, I've found an article from the Cornell Chronicle. 191 00:09:31,400 --> 00:09:31,880 Speaker 4: Okay, okay. 192 00:09:32,280 --> 00:09:35,720 Speaker 6: Former CU Press managing editor Elsie Meyers Stateton dies at 193 00:09:35,800 --> 00:09:38,160 Speaker 6: ninety six this was in two thousand and seven. 194 00:09:38,520 --> 00:09:39,600 Speaker 4: Oh my god. Interesting? 195 00:09:39,679 --> 00:09:41,800 Speaker 6: Yeah, okay, do we think it's that who spent most 196 00:09:41,840 --> 00:09:43,080 Speaker 6: of our adulthood in Ithaca? 197 00:09:43,720 --> 00:09:45,240 Speaker 7: Oh wow, that's her. 198 00:09:46,160 --> 00:09:50,040 Speaker 6: Six. She extensively revives the second edition of our highly 199 00:09:50,040 --> 00:09:51,760 Speaker 6: praise book The Fine Art of copy Editing. 200 00:09:51,960 --> 00:09:52,920 Speaker 4: Oh how? 201 00:09:56,920 --> 00:09:59,560 Speaker 6: She is survived by a son and daughter and extended family. 202 00:10:00,320 --> 00:10:01,079 Speaker 4: Have g information there. 203 00:10:01,400 --> 00:10:05,080 Speaker 6: There's a media relations office at Cornell University. 204 00:10:05,200 --> 00:10:05,720 Speaker 4: Let's call them. 205 00:10:05,800 --> 00:10:08,959 Speaker 5: Let's call that one hundred percent they know Elsie Meyers Stainton. 206 00:10:09,040 --> 00:10:10,760 Speaker 5: We're going to call them and just be like, hey, 207 00:10:11,480 --> 00:10:13,360 Speaker 5: we just wanted to get one of these books signed. 208 00:10:13,840 --> 00:10:15,320 Speaker 4: So anyway, get us in touch with. 209 00:10:17,360 --> 00:10:19,240 Speaker 7: Looking for Ian Meyers Stainton. 210 00:10:20,880 --> 00:10:24,000 Speaker 6: We're looking for a relation of Elsie Meyers Stanton. 211 00:10:24,120 --> 00:10:26,719 Speaker 5: Yes, because if Ian finds out that we're looking for him, 212 00:10:26,720 --> 00:10:29,080 Speaker 5: he will go underground and we will never see him again. 213 00:10:30,960 --> 00:10:32,760 Speaker 7: There's an Ian Stainton on LinkedIn. 214 00:10:34,120 --> 00:10:36,240 Speaker 4: Yeah, I clicked on that and it's not found. He 215 00:10:36,280 --> 00:10:39,199 Speaker 4: may have already gone underground. He's heard the podcast, right, So. 216 00:10:39,120 --> 00:10:41,760 Speaker 6: We're calling the media relations office at Cornell University. 217 00:10:41,840 --> 00:10:44,880 Speaker 4: Awesome, Cornell, where's that Cornall? Cornell? 218 00:10:45,040 --> 00:10:45,240 Speaker 7: Now? 219 00:10:45,679 --> 00:10:46,600 Speaker 4: Where's that Cornell? 220 00:10:46,760 --> 00:10:49,240 Speaker 6: How do I dial out to Ithaca, New York. 221 00:10:49,320 --> 00:10:51,480 Speaker 4: Oh, that's in New York. How do I think it's. 222 00:10:51,320 --> 00:10:52,040 Speaker 6: Double O double one? 223 00:10:52,200 --> 00:10:54,560 Speaker 7: Yea double o double one, double one. And then you 224 00:10:54,600 --> 00:11:00,280 Speaker 7: need the country code, need the Tommy if you if 225 00:11:00,280 --> 00:11:01,400 Speaker 7: you managed to get on them. 226 00:11:01,480 --> 00:11:04,079 Speaker 4: Unbelievewould write a book that's been well received. 227 00:11:04,080 --> 00:11:05,880 Speaker 7: This Cornell University, easy and Ithaca. 228 00:11:06,360 --> 00:11:09,600 Speaker 4: So it's definitely a she's this unbelievable writer. 229 00:11:10,080 --> 00:11:11,000 Speaker 6: All right, let's try it. 230 00:11:11,600 --> 00:11:12,559 Speaker 4: This is Cornwall. 231 00:11:12,800 --> 00:11:16,200 Speaker 2: Thank you for calling Cornell University's media relations office. We 232 00:11:16,240 --> 00:11:18,800 Speaker 2: can get to this call right now. But if you 233 00:11:18,880 --> 00:11:23,120 Speaker 2: send your media requests to our email media relations at Cornell, 234 00:11:23,559 --> 00:11:26,760 Speaker 2: you we will respond as soon as we can. Again 235 00:11:26,760 --> 00:11:29,280 Speaker 2: an email media relations. 236 00:11:29,400 --> 00:11:30,559 Speaker 6: Okay, so like an email. 237 00:11:30,800 --> 00:11:35,360 Speaker 7: Yeah, okay, let's do that together. I think in the meantime, 238 00:11:35,400 --> 00:11:36,920 Speaker 7: I think we need to call an Ian Myers. I 239 00:11:36,920 --> 00:11:37,920 Speaker 7: think we just need to throw he. 240 00:11:37,960 --> 00:11:39,240 Speaker 6: Married Walter Stainton. 241 00:11:39,760 --> 00:11:44,160 Speaker 7: Oh well, let's look, because he's in America. We need 242 00:11:44,160 --> 00:11:45,680 Speaker 7: someone in Australia. 243 00:11:45,800 --> 00:11:46,679 Speaker 4: Let's call professor Ian. 244 00:11:47,040 --> 00:11:51,640 Speaker 7: I think we call professor and my associate, Professor Myers. 245 00:11:52,920 --> 00:11:57,080 Speaker 7: I've got him on Dent Events, which is obviously a 246 00:11:57,080 --> 00:12:02,080 Speaker 7: hot place to be worldwide Dental Educational Calendar Professor Associate 247 00:12:02,080 --> 00:12:03,000 Speaker 7: Professor Ian. 248 00:12:02,840 --> 00:12:05,920 Speaker 4: Meyer's contact contact Ian Dentistry. 249 00:12:06,040 --> 00:12:08,680 Speaker 7: Does he look like Does he look like the boy 250 00:12:08,720 --> 00:12:09,240 Speaker 7: in the photo? 251 00:12:09,280 --> 00:12:09,559 Speaker 1: Though? 252 00:12:10,160 --> 00:12:13,320 Speaker 4: Not really, but you know, I don't look like me 253 00:12:13,360 --> 00:12:14,840 Speaker 4: as a little boy his age. 254 00:12:14,880 --> 00:12:16,640 Speaker 7: That's a good point, Aged. 255 00:12:16,840 --> 00:12:18,439 Speaker 6: It's a fascinating story. 256 00:12:19,040 --> 00:12:20,840 Speaker 4: I don't know if I'm going to find we've got it. 257 00:12:21,240 --> 00:12:23,280 Speaker 6: Look, we need to do some behind the scenes stuff. 258 00:12:23,280 --> 00:12:28,320 Speaker 5: I think we need to write an exactly and not 259 00:12:28,440 --> 00:12:30,800 Speaker 5: we want you for the whole ride, obviously, guys, but 260 00:12:30,880 --> 00:12:32,160 Speaker 5: like I think, what time is there? 261 00:12:32,480 --> 00:12:34,360 Speaker 4: We need to lock in a time that we can 262 00:12:34,440 --> 00:12:38,720 Speaker 4: talk to them. Terrible, it sounds like someone's dead. We 263 00:12:38,840 --> 00:12:39,600 Speaker 4: last here a doctor. 264 00:12:40,800 --> 00:12:42,680 Speaker 7: I'm sorry we lost three hamster. 265 00:12:42,880 --> 00:12:43,040 Speaker 2: Oh. 266 00:12:43,080 --> 00:12:44,440 Speaker 7: I thought you meant like it was like the organ 267 00:12:44,440 --> 00:12:45,000 Speaker 7: in the funeral. 268 00:12:45,040 --> 00:12:47,080 Speaker 5: Oh no, I was thinking like a like a heart 269 00:12:47,080 --> 00:12:47,840 Speaker 5: monitor machine. 270 00:12:52,800 --> 00:12:55,960 Speaker 7: That's shocking, you know, like when someone dies the organ. 271 00:12:56,040 --> 00:12:56,640 Speaker 4: Oh yeah. 272 00:12:56,880 --> 00:12:59,200 Speaker 6: The reason why they're not answering is it's two o'clock 273 00:12:59,200 --> 00:12:59,760 Speaker 6: in the morning. 274 00:13:01,040 --> 00:13:02,319 Speaker 7: That was the funeral music for. 275 00:13:05,840 --> 00:13:09,840 Speaker 6: Born Elsie Erneston Phillips in East Orange, New Jersey. She 276 00:13:09,920 --> 00:13:14,160 Speaker 6: graduated from Wilson College in Chambersburg, Pennsylvania, and came to 277 00:13:14,240 --> 00:13:16,319 Speaker 6: Ithaca for postgraduate studies. 278 00:13:17,240 --> 00:13:17,560 Speaker 1: Nice. 279 00:13:17,840 --> 00:13:20,000 Speaker 6: She's believed to have been the first woman to receive 280 00:13:20,000 --> 00:13:23,680 Speaker 6: a master's degree in philosophy from Cornell. That's pretty cool. 281 00:13:23,840 --> 00:13:25,880 Speaker 4: That's lovely. First first ever. 282 00:13:25,840 --> 00:13:28,040 Speaker 6: First woman to receive a master's agreen philosophy. 283 00:13:28,440 --> 00:13:33,040 Speaker 5: Wow, just stumbled across extraordinary family. I don't think she 284 00:13:33,080 --> 00:13:35,520 Speaker 5: was a soldier, Mate twenty two gun slut. I don't 285 00:13:35,520 --> 00:13:37,960 Speaker 5: think she was a soldier. I'm not sure if everyone, 286 00:13:38,280 --> 00:13:46,040 Speaker 5: Oh God, it's good, good shooting soldier. Give me a 287 00:13:46,080 --> 00:13:50,320 Speaker 5: dark shot. I mean by dark shot, I meant deep shot, 288 00:13:50,440 --> 00:13:51,640 Speaker 5: but you understood me amazingly. 289 00:13:56,160 --> 00:14:00,680 Speaker 7: I haven't got that range. Would be good, very good. 290 00:14:00,720 --> 00:14:02,840 Speaker 7: What a lovely life. Okay, so we're going to be 291 00:14:02,840 --> 00:14:04,840 Speaker 7: back tomorrow having emailed. 292 00:14:06,200 --> 00:14:09,199 Speaker 4: Is that a crowd loving it that way? 293 00:14:10,160 --> 00:14:15,440 Speaker 5: Yeah? Nice, I'm playing FIFA like constant hum when you're 294 00:14:15,440 --> 00:14:21,080 Speaker 5: playing FIFA. 295 00:14:17,800 --> 00:14:20,800 Speaker 7: To keep everyone's interest here because I think. 296 00:14:20,920 --> 00:14:24,880 Speaker 4: He lost people. Well at one point. 297 00:14:24,200 --> 00:14:27,120 Speaker 7: When I'm playing the funeral organ for Elsie Meyers Stainton, 298 00:14:29,160 --> 00:14:34,680 Speaker 7: I think we need to tomorrow find out some sort 299 00:14:34,680 --> 00:14:37,119 Speaker 7: of progress on the Elsie myon Stanton front. 300 00:14:36,920 --> 00:14:38,480 Speaker 4: Should we? And I think we need to. 301 00:14:38,840 --> 00:14:40,160 Speaker 5: I think we need to make commitment to the people 302 00:14:40,160 --> 00:14:41,680 Speaker 5: who listen to us that if we don't make a 303 00:14:41,720 --> 00:14:43,960 Speaker 5: step forward, wall just acknowledge that and then talk about 304 00:14:43,960 --> 00:14:45,120 Speaker 5: some other great stuff. 305 00:14:45,240 --> 00:14:46,280 Speaker 4: Yes, and then revisit. 306 00:14:46,480 --> 00:14:47,200 Speaker 7: We can revisit. 307 00:14:47,240 --> 00:14:48,000 Speaker 4: What's up, Tom? 308 00:14:48,280 --> 00:14:50,240 Speaker 6: I found Ian's full name. 309 00:14:50,840 --> 00:14:52,400 Speaker 4: Oh what is it? 310 00:14:53,240 --> 00:14:57,280 Speaker 6: Ian lives in Austin, Texas at the time of Elsie 311 00:14:57,280 --> 00:14:58,440 Speaker 6: Meyers Stanton's death. 312 00:14:58,600 --> 00:15:03,440 Speaker 7: It is ian A. Oh my god, how did you 313 00:15:03,560 --> 00:15:04,240 Speaker 7: find name? 314 00:15:04,360 --> 00:15:08,040 Speaker 6: He found the obituary for Elsiemeyer's Stanton and she's survived 315 00:15:08,080 --> 00:15:12,520 Speaker 6: by five grandsons, Henry A, Jacob and Ian A, Sean 316 00:15:12,560 --> 00:15:16,200 Speaker 6: and Adam, Ian of Austin text. 317 00:15:17,920 --> 00:15:21,360 Speaker 5: Changing because I'm saying I said it means he didn't. 318 00:15:21,600 --> 00:15:22,720 Speaker 5: Because that's great. 319 00:15:22,720 --> 00:15:25,640 Speaker 4: I'm relieved because hey, the other brothers are there. 320 00:15:25,840 --> 00:15:29,320 Speaker 7: Why are we but Ian of Austin, Texas? 321 00:15:30,680 --> 00:15:32,000 Speaker 6: How did it? 322 00:15:31,480 --> 00:15:33,200 Speaker 7: And house? 323 00:15:34,400 --> 00:15:41,000 Speaker 4: Yeah, crowd, that's fascinating. And why did he change his 324 00:15:41,080 --> 00:15:42,320 Speaker 4: name to Why. 325 00:15:42,120 --> 00:15:44,120 Speaker 7: Did he change his name? Well it might not be 326 00:15:45,880 --> 00:15:50,360 Speaker 7: she his family and changed his name. Oh my god. 327 00:15:50,480 --> 00:15:52,800 Speaker 4: Finally, finally you're believing me. 328 00:15:53,120 --> 00:15:55,760 Speaker 6: Or Elsie Meyers Stanton had a daughter and the daughter 329 00:15:56,040 --> 00:15:58,320 Speaker 6: daughter married and the grandson is. 330 00:16:00,520 --> 00:16:02,080 Speaker 4: So it's like Grandmayan Law. 331 00:16:02,320 --> 00:16:07,400 Speaker 7: No, we will have an update tomorrow as if we're 332 00:16:07,400 --> 00:16:10,720 Speaker 7: not moving forward from here. If we're not moving forward from. 333 00:16:10,560 --> 00:16:13,920 Speaker 4: Here, m hmm, we talk about other stuff. 334 00:16:13,960 --> 00:16:15,360 Speaker 7: We'll talk about something else and then we'll come back 335 00:16:15,400 --> 00:16:16,520 Speaker 7: to it, because we're on. 336 00:16:16,480 --> 00:16:18,720 Speaker 5: This podcast to become just a pad while we find 337 00:16:18,840 --> 00:16:21,360 Speaker 5: more leads or wait for Tom to find something exciting 338 00:16:21,360 --> 00:16:23,680 Speaker 5: on a on a computer. Which has been good. Tom 339 00:16:23,680 --> 00:16:25,400 Speaker 5: has been best on ground today. There's no doubt about 340 00:16:25,400 --> 00:16:30,480 Speaker 5: it about us. How you keep finding these things? You're 341 00:16:30,600 --> 00:16:31,680 Speaker 5: very good at Internet search. 342 00:16:31,760 --> 00:16:34,040 Speaker 4: Is Tom in Australia? 343 00:16:34,600 --> 00:16:37,600 Speaker 7: Yes, he's got a number. He's got a number. He's 344 00:16:37,600 --> 00:16:41,920 Speaker 7: got his number. Let's call it university. Should we call tomorrow? Uh, 345 00:16:42,280 --> 00:16:44,800 Speaker 7: the work at the University of Texas. Okay, should we 346 00:16:44,840 --> 00:16:45,680 Speaker 7: call him identity. 347 00:16:48,000 --> 00:16:49,080 Speaker 6: It's happened, it's happened. 348 00:16:49,120 --> 00:16:49,720 Speaker 4: It's happened. 349 00:16:51,000 --> 00:16:55,480 Speaker 5: Where we will ask him retrospectively if that's okay, which 350 00:16:55,520 --> 00:16:57,120 Speaker 5: doesn't really work, but we'll be. 351 00:16:57,840 --> 00:17:02,200 Speaker 7: So doctor he heads the program. 352 00:17:02,200 --> 00:17:05,800 Speaker 5: Sorry, oh yeah, yeah, this guy, that's amazing, fascinating. So 353 00:17:06,560 --> 00:17:08,639 Speaker 5: his grandmother was the first person to get a philosophy 354 00:17:08,640 --> 00:17:12,000 Speaker 5: degree from Cornwall and now he does what. 355 00:17:11,960 --> 00:17:12,320 Speaker 4: Does he do? 356 00:17:12,440 --> 00:17:15,960 Speaker 7: Sorry? Looks with languages, brilliant. 357 00:17:16,200 --> 00:17:20,680 Speaker 5: All right, you need to scratch up on your speak 358 00:17:20,720 --> 00:17:23,400 Speaker 5: to us and that's this is awesome, all. 359 00:17:23,359 --> 00:17:25,360 Speaker 7: Right, so call him tomorrow. Well we should get Wow. 360 00:17:25,400 --> 00:17:28,679 Speaker 7: That really I never thought things we probably could have 361 00:17:28,720 --> 00:17:30,720 Speaker 7: done behind the scenes and behind the scenes though we 362 00:17:30,800 --> 00:17:32,840 Speaker 7: probably could have come in here and go on, guys, 363 00:17:33,440 --> 00:17:36,520 Speaker 7: yesterday we couldn't find this guy. We spent this entire 364 00:17:36,520 --> 00:17:38,520 Speaker 7: podcast google searching in and. 365 00:17:39,840 --> 00:17:41,160 Speaker 5: That was pretty great to be along for the ride 366 00:17:41,200 --> 00:17:42,879 Speaker 5: for I think, like, imagine if you were listening to 367 00:17:42,920 --> 00:17:44,800 Speaker 5: this being like I was part of the brainstorm. 368 00:17:44,840 --> 00:17:47,639 Speaker 4: Maybe people were listening also google searching. 369 00:17:49,040 --> 00:17:49,720 Speaker 7: Wish for thinking. 370 00:17:49,960 --> 00:17:50,719 Speaker 4: Anyway, we'll call him