1
00:00:00,560 --> 00:00:04,160
Speaker 1: Great the flick with Ben Oh.

2
00:00:03,279 --> 00:00:07,200
Speaker 2: Well, good morning, good morning guys. How are you good?

3
00:00:07,240 --> 00:00:07,560
Speaker 1: Well?

4
00:00:07,880 --> 00:00:11,160
Speaker 2: Very well? For us today? Well, I'm calling you from

5
00:00:11,280 --> 00:00:13,360
Speaker 2: I'd like to say sunny Sydney, but it's actually rainy,

6
00:00:13,440 --> 00:00:15,240
Speaker 2: miserable Sydney.

7
00:00:14,840 --> 00:00:16,320
Speaker 1: Are the mad Max?

8
00:00:17,320 --> 00:00:21,400
Speaker 2: Yes? Carry on right, yes, yes, the Furiosa premiere is

9
00:00:21,440 --> 00:00:24,799
Speaker 2: happening tonight, so I'm here to cover that. See everybody

10
00:00:24,880 --> 00:00:29,040
Speaker 2: walk the red carpet and h and have a chat

11
00:00:29,080 --> 00:00:33,159
Speaker 2: to to Chris Hemsworth himself, how awesome for you? Yeah, yeah,

12
00:00:33,960 --> 00:00:35,800
Speaker 2: pretty tough. I'll bring you I'll bring you back all

13
00:00:35,800 --> 00:00:37,080
Speaker 2: the details. I don't worry about that.

14
00:00:37,440 --> 00:00:42,599
Speaker 1: Bring me back a clipping of his hair.

15
00:00:42,360 --> 00:00:46,600
Speaker 2: Creepy, you get a chat? Yeah?

16
00:00:49,360 --> 00:00:50,919
Speaker 1: So what do you got? What have you got for us?

17
00:00:50,920 --> 00:00:53,560
Speaker 1: Because I watched the trailer, I thought this looked amazing.

18
00:00:54,520 --> 00:00:57,440
Speaker 2: It is. It's the exact opposite end of the filmmaking

19
00:00:57,480 --> 00:01:01,080
Speaker 2: spectrum to Furiosa, which is a huge, big blockbuster and

20
00:01:01,120 --> 00:01:05,720
Speaker 2: explosions and action. This is a Japanese film. This is

21
00:01:05,760 --> 00:01:10,840
Speaker 2: really based around a parent teacher interview, which is something

22
00:01:10,880 --> 00:01:14,120
Speaker 2: anybody who's got kids will relate to. How stressful these

23
00:01:14,120 --> 00:01:17,160
Speaker 2: things can be. And you know, you probably go in

24
00:01:17,200 --> 00:01:21,080
Speaker 2: there thinking that maybe your kid isn't that bad, maybe

25
00:01:21,120 --> 00:01:24,680
Speaker 2: the teacher or the school has taken something out of context,

26
00:01:24,800 --> 00:01:26,600
Speaker 2: or you know, maybe they're having a go at him,

27
00:01:26,720 --> 00:01:31,039
Speaker 2: or is just misunderstood, and so this is essentially what's happened.

28
00:01:31,040 --> 00:01:35,520
Speaker 2: This single mom named Siori is dealing with her sort

29
00:01:35,520 --> 00:01:37,840
Speaker 2: of pre teen boy. He's about twelve years old. He's

30
00:01:37,880 --> 00:01:40,760
Speaker 2: having some problems at school. Comes home one day and

31
00:01:40,800 --> 00:01:43,720
Speaker 2: there's a mark on his face and he says his

32
00:01:43,800 --> 00:01:47,280
Speaker 2: teacher has hit him, which is obviously a very serious allegation.

33
00:01:47,480 --> 00:01:50,800
Speaker 2: So she makes an appointment to see this teacher, to

34
00:01:50,880 --> 00:01:54,120
Speaker 2: go to the school meet with the headmaster, and it

35
00:01:54,200 --> 00:01:59,560
Speaker 2: quickly becomes this kind of Tuska esque bureaucratic nightmare where

36
00:01:59,560 --> 00:02:02,919
Speaker 2: she's sitting in a room full of these educators trying

37
00:02:02,960 --> 00:02:06,200
Speaker 2: to get them to understand how upset she is, and

38
00:02:06,240 --> 00:02:08,520
Speaker 2: in a kind of classic Japanese fashion, they're sort of

39
00:02:08,560 --> 00:02:11,600
Speaker 2: barrowing their heads talking about how they're very apologetic but

40
00:02:11,960 --> 00:02:16,000
Speaker 2: in no way seem to sympathize or really take the

41
00:02:16,120 --> 00:02:20,119
Speaker 2: situation as seriously as she does. Even the teacher accused

42
00:02:20,160 --> 00:02:24,959
Speaker 2: of this incident is kind of, you know, very nonchalant

43
00:02:24,960 --> 00:02:27,040
Speaker 2: and it's super weird, and you're sort of watching it

44
00:02:27,040 --> 00:02:28,799
Speaker 2: trying to figure out what the heck is going on,

45
00:02:29,880 --> 00:02:32,480
Speaker 2: And then the teacher makes the allegation that it's actually

46
00:02:32,480 --> 00:02:35,080
Speaker 2: the son who is the bully and he's bullying this

47
00:02:35,200 --> 00:02:39,360
Speaker 2: other kid, and all of a sudden, the perspective shifts

48
00:02:39,639 --> 00:02:42,480
Speaker 2: and you get the same story again, except this time

49
00:02:42,520 --> 00:02:45,640
Speaker 2: told from the perspective of the teacher, and he has

50
00:02:45,680 --> 00:02:48,400
Speaker 2: a totally different view on what's going on. It does

51
00:02:48,480 --> 00:02:51,200
Speaker 2: look like this boy is a bully and he's bullying

52
00:02:51,200 --> 00:02:54,079
Speaker 2: this smaller kid, and maybe the mum is just completely

53
00:02:54,080 --> 00:02:56,920
Speaker 2: flying off the handle and is blinded by her maternal love.

54
00:02:58,400 --> 00:03:00,000
Speaker 2: Just when you think you've got it all figured out,

55
00:03:00,480 --> 00:03:03,680
Speaker 2: the film shifts again from a third perspective, this time

56
00:03:03,720 --> 00:03:07,040
Speaker 2: from the boy himself, and you get a completely different

57
00:03:08,280 --> 00:03:10,880
Speaker 2: take on what's transpired. And I won't give you any

58
00:03:10,919 --> 00:03:13,840
Speaker 2: details about that one, because that is kind of the

59
00:03:13,880 --> 00:03:16,080
Speaker 2: real crux of the film that when you watch this

60
00:03:16,240 --> 00:03:18,640
Speaker 2: third act, you just go, oh wow, the penny has

61
00:03:18,680 --> 00:03:22,640
Speaker 2: dropped and you really appreciate how powerful this film is.

62
00:03:23,240 --> 00:03:26,040
Speaker 2: And it comes from it comes from this director, Hirokazu

63
00:03:26,280 --> 00:03:30,320
Speaker 2: Korra Aida, famous Japanese director who won the Palm d'Or

64
00:03:30,600 --> 00:03:35,880
Speaker 2: at Khan for his film Shoplifters. He's won the Jury

65
00:03:35,920 --> 00:03:40,040
Speaker 2: Prize at Khan for another film this prize. Monster also

66
00:03:40,120 --> 00:03:42,080
Speaker 2: won one of the top prizes at Cahn. So he's

67
00:03:42,440 --> 00:03:48,360
Speaker 2: an incredibly acclaimed filmmaker in the art house scene. And

68
00:03:48,480 --> 00:03:51,160
Speaker 2: you know, if you went and watched Parasite, a Korean film,

69
00:03:51,200 --> 00:03:53,200
Speaker 2: maybe he'd never watched a foreign language film before, and

70
00:03:53,240 --> 00:03:55,160
Speaker 2: you watch Parasite and you're like, oh, wow, I've got

71
00:03:55,160 --> 00:03:56,200
Speaker 2: to watch more movies like this.

72
00:03:56,360 --> 00:03:56,560
Speaker 1: Yeah.

73
00:03:57,520 --> 00:03:58,760
Speaker 2: Is that Monster is a movie like that?

74
00:03:58,960 --> 00:04:03,640
Speaker 1: Okay? And the last movie, the Wonderful Roachi Sakamoto scored

75
00:04:03,760 --> 00:04:06,520
Speaker 1: before he sadly passed away a few years ago.

76
00:04:07,320 --> 00:04:11,120
Speaker 2: Yeah. Absolutely, Like they may just made a film about Sakamoto,

77
00:04:12,160 --> 00:04:14,280
Speaker 2: such a legend, a documentary Christmas.

78
00:04:16,400 --> 00:04:16,640
Speaker 1: Yeah.

79
00:04:16,880 --> 00:04:19,120
Speaker 2: Yeah, Yeah, they played it. They played it per festival

80
00:04:19,160 --> 00:04:23,440
Speaker 2: this summer, because he is an icon icon of film

81
00:04:23,520 --> 00:04:26,599
Speaker 2: scores and composing them, and yet this was the last

82
00:04:26,640 --> 00:04:28,440
Speaker 2: film that he did. He died a couple of months

83
00:04:28,480 --> 00:04:32,160
Speaker 2: after finishing it. Yeah, and so it's very very special

84
00:04:32,200 --> 00:04:34,280
Speaker 2: to to kind of listen to the score of this

85
00:04:34,320 --> 00:04:37,520
Speaker 2: film as well. It'll keep you guessing. There's a great

86
00:04:37,520 --> 00:04:39,960
Speaker 2: twist at the end. My advice is don't read anything

87
00:04:39,960 --> 00:04:42,280
Speaker 2: about it, because if you go in kind of as

88
00:04:42,279 --> 00:04:45,200
Speaker 2: a clean skin and figure it all out as you go,

89
00:04:45,360 --> 00:04:47,480
Speaker 2: you'll get much more out of the payoff at the end.

90
00:04:47,600 --> 00:04:50,200
Speaker 1: Would I say there are three sides to the truth? Yours,

91
00:04:50,240 --> 00:04:53,120
Speaker 1: there's and all three sides to every story, you're theirs

92
00:04:53,160 --> 00:04:53,640
Speaker 1: and the truth?

93
00:04:53,760 --> 00:04:56,040
Speaker 2: Yeah, and bet it's not the only time you've mentioned

94
00:04:56,080 --> 00:04:58,080
Speaker 2: that in recent times, this filmmaking style where you see

95
00:04:58,080 --> 00:05:00,440
Speaker 2: the different perspectives of the sober is it like the

96
00:05:00,480 --> 00:05:03,160
Speaker 2: same story? Love it exactly, Just not to get all

97
00:05:03,200 --> 00:05:05,040
Speaker 2: film school on you, but they call it the Rasimon

98
00:05:05,080 --> 00:05:08,560
Speaker 2: effect because it's something that was pioneered by the legend

99
00:05:08,640 --> 00:05:13,080
Speaker 2: Akira in his film russiam On back in nineteen fifty

100
00:05:13,120 --> 00:05:15,320
Speaker 2: about a murder and as told from the perspective of

101
00:05:15,360 --> 00:05:18,920
Speaker 2: like for Samurais, and then everybody has done it since then,

102
00:05:18,920 --> 00:05:21,719
Speaker 2: from Tarantino to you know, it's become a very common

103
00:05:21,760 --> 00:05:22,280
Speaker 2: thing since then.

104
00:05:22,360 --> 00:05:27,040
Speaker 1: Do you totally get on your film school school? So

105
00:05:27,160 --> 00:05:28,320
Speaker 1: what what are we giving it?

106
00:05:29,480 --> 00:05:33,720
Speaker 2: I'm going to give this one four stars already high praise.

107
00:05:33,960 --> 00:05:36,000
Speaker 1: Yeah, yeah, I look forward to it. It looks really good.

108
00:05:36,080 --> 00:05:43,240
Speaker 1: That's great, Thank you, Ben Enjoy, mister Hemsworth, and I will.

109
00:05:42,240 --> 00:05:44,360
Speaker 2: Clip is clip Is Hairley. So I expect you to

110
00:05:44,400 --> 00:05:45,359
Speaker 2: bow me out of jail.

111
00:05:46,000 --> 00:05:47,880
Speaker 1: Okay yeah,