1 00:00:00,120 --> 00:00:03,160 Speaker 1: It's been on money on your Friday. Hey, brought to 2 00:00:03,200 --> 00:00:05,240 Speaker 1: you by Nissan this afternoon. 3 00:00:05,320 --> 00:00:05,600 Speaker 2: Woods. 4 00:00:05,600 --> 00:00:08,879 Speaker 3: You ents on Mulin Rouge last night, Yes, all on 5 00:00:09,080 --> 00:00:10,240 Speaker 3: Rouge the musical. 6 00:00:13,600 --> 00:00:17,520 Speaker 2: I'm going to start off by saying it was absolutely extraordinary. 7 00:00:19,440 --> 00:00:21,760 Speaker 1: It's amazing. It is an amazing show. I've seen it myself. 8 00:00:21,760 --> 00:00:22,840 Speaker 1: It's absolutely brilliant. 9 00:00:22,880 --> 00:00:26,079 Speaker 2: Full disclosure, I'm not a huge fan of musical music. 10 00:00:26,600 --> 00:00:28,800 Speaker 3: Yep, and I was to go yep. 11 00:00:28,640 --> 00:00:32,159 Speaker 2: So I wasn't sure. I absolutely bloody loved it. 12 00:00:32,240 --> 00:00:35,320 Speaker 1: But you nearly you nearly would have been told to 13 00:00:35,400 --> 00:00:37,280 Speaker 1: piss off at the entry given what you were wearing. 14 00:00:37,320 --> 00:00:38,479 Speaker 3: But I'm glad that you changed that. 15 00:00:39,040 --> 00:00:40,839 Speaker 1: I can't go to the theater looking like you're working 16 00:00:40,880 --> 00:00:42,560 Speaker 1: on a construction site, mate, Yeah, I just can't. 17 00:00:42,600 --> 00:00:44,320 Speaker 2: Yeah, okay, but my partner brought me a nice shirt 18 00:00:44,320 --> 00:00:46,200 Speaker 2: and a jacket, and I was looking good. But here's 19 00:00:46,240 --> 00:00:48,960 Speaker 2: the thing. For the first twenty minutes of the show, 20 00:00:49,960 --> 00:00:51,599 Speaker 2: I was very, very lucky. I had seats that were 21 00:00:51,640 --> 00:00:54,560 Speaker 2: quite close to the front, and I realized that one 22 00:00:54,600 --> 00:00:58,320 Speaker 2: of the main characters are Harold Zidler, who was the 23 00:00:58,360 --> 00:01:00,840 Speaker 2: owner in MC of the Moulin Rouge, played by the 24 00:01:00,880 --> 00:01:04,920 Speaker 2: extraordinary Simon Burke. He truly was an amazing performance. But 25 00:01:05,560 --> 00:01:08,080 Speaker 2: I noticed that for the first twenty minutes of the 26 00:01:08,120 --> 00:01:13,039 Speaker 2: performance his fly was open. And I'm not talking a 27 00:01:13,080 --> 00:01:15,440 Speaker 2: half fly will, I'm talking fool for. 28 00:01:18,120 --> 00:01:20,960 Speaker 1: Simon who plays erld ziddler. 29 00:01:21,440 --> 00:01:23,160 Speaker 3: Mate. 30 00:01:24,200 --> 00:01:26,560 Speaker 4: Look, I've had some introductions in my tires, boys, but 31 00:01:26,640 --> 00:01:32,920 Speaker 4: that's probably that beats the cake. Thanks a lot, Woodie. 32 00:01:33,040 --> 00:01:35,800 Speaker 1: You're so well to say like musicals, and he's just 33 00:01:35,840 --> 00:01:39,760 Speaker 1: gone straight into nitpicking about wardrobe. 34 00:01:40,400 --> 00:01:43,000 Speaker 3: Actually, I honestly I loved you last night, Simon. 35 00:01:43,040 --> 00:01:45,800 Speaker 2: I thought you were absolutely extraordinary, and that's that's as 36 00:01:45,880 --> 00:01:48,720 Speaker 2: well as the ensemble cast was just extraordinary. But if 37 00:01:48,720 --> 00:01:50,640 Speaker 2: we can just focus on the fact that you did 38 00:01:50,640 --> 00:01:52,400 Speaker 2: spend a lot for the first twenty minutes with your 39 00:01:52,440 --> 00:01:55,320 Speaker 2: fly open. At what point did you realize that? 40 00:01:55,360 --> 00:01:55,640 Speaker 3: Mate? 41 00:01:56,520 --> 00:02:00,000 Speaker 4: Okay, right, So I have this amazing all of us. 42 00:02:00,080 --> 00:02:02,200 Speaker 4: They had these great dresses, and who work backstage. We 43 00:02:02,240 --> 00:02:05,240 Speaker 4: have so many people that work backstage. My wonderful dress 44 00:02:05,240 --> 00:02:05,400 Speaker 4: all the. 45 00:02:05,440 --> 00:02:08,480 Speaker 5: Rain looks after me and got me ready about to 46 00:02:08,520 --> 00:02:09,200 Speaker 5: go on stage. 47 00:02:09,400 --> 00:02:11,840 Speaker 4: Nature called I ripped back down to my dressing room 48 00:02:11,960 --> 00:02:14,560 Speaker 4: and then went straight back on stage. And so she 49 00:02:14,680 --> 00:02:17,280 Speaker 4: obviously did not us. You always checked like a lot 50 00:02:17,280 --> 00:02:22,359 Speaker 4: of time, sort of incontinent person. But I was out 51 00:02:22,400 --> 00:02:25,359 Speaker 4: there and I was and I have to take issue 52 00:02:25,360 --> 00:02:26,760 Speaker 4: with you audio I reckon. It was about the first 53 00:02:26,760 --> 00:02:29,000 Speaker 4: seven or eight when its because I come off for 54 00:02:29,120 --> 00:02:33,160 Speaker 4: like a quick sip of water and Lauren says, she's 55 00:02:33,320 --> 00:02:36,080 Speaker 4: very shy, and she said, sammon. 56 00:02:35,600 --> 00:02:37,359 Speaker 5: Good fly fly, I don't. 57 00:02:39,880 --> 00:02:43,480 Speaker 4: Oh my god. I had to go straight back on 58 00:02:43,720 --> 00:02:47,160 Speaker 4: zip zip them up, and off we went. And then 59 00:02:47,160 --> 00:02:49,200 Speaker 4: I've got I'm on stage for like the next twenty minutes, 60 00:02:49,240 --> 00:02:51,119 Speaker 4: and so you can't, as you can imagine, you can't 61 00:02:51,160 --> 00:02:53,079 Speaker 4: process those things until you get off. 62 00:02:53,160 --> 00:02:54,280 Speaker 5: And when I get off. 63 00:02:54,320 --> 00:02:56,080 Speaker 4: When I got off stage my first break, I just 64 00:02:56,120 --> 00:02:59,240 Speaker 4: wanted to die. I just one. But at the same time, 65 00:02:59,320 --> 00:03:00,160 Speaker 4: it's the Moorland r. 66 00:03:01,600 --> 00:03:04,160 Speaker 1: Is it in character a little bit of renowned for 67 00:03:04,400 --> 00:03:05,760 Speaker 1: obviously all of that. 68 00:03:06,760 --> 00:03:08,800 Speaker 4: Like as I do. As I was there the fly 69 00:03:09,000 --> 00:03:12,560 Speaker 4: at my flight, I'm saying things like, no matter your sin, 70 00:03:12,720 --> 00:03:16,799 Speaker 4: your well here. 71 00:03:17,320 --> 00:03:19,360 Speaker 2: This was the chattered intermission amongst a lot of the 72 00:03:19,360 --> 00:03:20,320 Speaker 2: people who I was there with. 73 00:03:20,360 --> 00:03:22,400 Speaker 3: Simon was do you think he meant to have his 74 00:03:22,480 --> 00:03:23,240 Speaker 3: fly down. 75 00:03:23,160 --> 00:03:29,079 Speaker 4: For the first totally totally deliberate tactical, fly drap and 76 00:03:29,160 --> 00:03:30,760 Speaker 4: producing U. 77 00:03:31,440 --> 00:03:33,520 Speaker 5: I mean, you know, as you said, the shows really grow. 78 00:03:33,600 --> 00:03:36,680 Speaker 5: The incredible ensemble, maybe the most beautiful bodies you've ever 79 00:03:36,720 --> 00:03:39,360 Speaker 5: seen in your life, and the they're aroun in can 80 00:03:39,480 --> 00:03:43,040 Speaker 5: can dresses and fish nets and corsets. My question is, 81 00:03:43,080 --> 00:03:45,160 Speaker 5: what what were you doing looking at my. 82 00:03:49,640 --> 00:03:50,080 Speaker 3: Simon? 83 00:03:53,400 --> 00:03:57,000 Speaker 4: You're just guys. 84 00:03:57,160 --> 00:03:59,160 Speaker 3: It's your presence, Simon, it's your presence. 85 00:03:59,160 --> 00:04:02,000 Speaker 2: It's absolutely magnetic, mate, It's absolutely magnetic. 86 00:04:02,520 --> 00:04:04,480 Speaker 1: All right, Simon, I love you to talk to you. 87 00:04:04,520 --> 00:04:05,920 Speaker 1: Make good like for the rest of the show. Is 88 00:04:05,920 --> 00:04:07,839 Speaker 1: it terrific show? If anybody wants to go on seat 89 00:04:07,880 --> 00:04:09,720 Speaker 1: you can go get tickets at them all on Rouge 90 00:04:09,800 --> 00:04:12,120 Speaker 1: musical dot com, Forward slash astraa Sion. Pleasure to have 91 00:04:12,160 --> 00:04:14,560 Speaker 1: you on the show. Make and congratulations, good luck for 92 00:04:14,600 --> 00:04:15,440 Speaker 1: the rest of the season. 93 00:04:15,800 --> 00:04:17,440 Speaker 2: No worries it all, Simon. Good luck with the rest 94 00:04:17,440 --> 00:04:18,760 Speaker 2: of the run. Okay, I do want to ask you 95 00:04:18,839 --> 00:04:22,000 Speaker 2: guys a question now. So obviously because someone was on stage, 96 00:04:22,040 --> 00:04:25,040 Speaker 2: it was very natural for Lorrain, the costume person, to say. 97 00:04:25,360 --> 00:04:27,440 Speaker 3: You fly, well, it has to you have to do. 98 00:04:27,720 --> 00:04:28,560 Speaker 1: That's that's a job. 99 00:04:28,640 --> 00:04:30,479 Speaker 2: Yeah, yeah, I want to ask on thirteen one oh 100 00:04:30,520 --> 00:04:34,600 Speaker 2: sixty five outside of performance, So, just in normal life, 101 00:04:35,240 --> 00:04:39,880 Speaker 2: if you notice someone's flyings down, do you say something? 102 00:04:40,720 --> 00:04:40,880 Speaker 4: Oh? 103 00:04:41,000 --> 00:04:42,800 Speaker 1: She depends on the relationship, doesn't it? 104 00:04:42,839 --> 00:04:45,640 Speaker 2: Because because Simon made the joke before of like, why 105 00:04:45,680 --> 00:04:46,920 Speaker 2: were you looking at my crutch? 106 00:04:47,000 --> 00:04:47,159 Speaker 4: Is it? 107 00:04:47,200 --> 00:04:50,080 Speaker 1: That's that's as soon as yeah, it's a catch twenty two, 108 00:04:50,120 --> 00:04:51,640 Speaker 1: isn't it because you're trying to help mo out? It's 109 00:04:51,680 --> 00:04:53,240 Speaker 1: only saying you've got something in your teeth because you 110 00:04:53,279 --> 00:04:56,400 Speaker 1: look at somebody's mouth. Yes, yeah, yeah, because then you 111 00:04:56,520 --> 00:04:58,240 Speaker 1: you know, you're admitting you're looking at the jackie string, 112 00:04:58,279 --> 00:04:59,160 Speaker 1: you're looking at the page. 113 00:05:00,080 --> 00:05:02,440 Speaker 2: Want to hear what you guys do in that situation? 114 00:05:02,480 --> 00:05:05,240 Speaker 2: Thirty one oh six five outside of performance? Do you 115 00:05:05,279 --> 00:05:07,279 Speaker 2: tell someone if you've noticed their flyers open? 116 00:05:07,400 --> 00:05:08,000 Speaker 3: Yeah? 117 00:05:08,160 --> 00:05:10,520 Speaker 1: Or who have you been so bold as to tell 118 00:05:10,560 --> 00:05:13,920 Speaker 1: that their flyers open like that? Thirty one o six five. 119 00:05:14,360 --> 00:05:16,200 Speaker 1: It's well, and what here on a Friday you're listening 120 00:05:16,200 --> 00:05:16,719 Speaker 1: a kiss