1 00:00:00,680 --> 00:00:02,720 Speaker 1: Pete Murray's new song Wouldn't It Be Good? As out 2 00:00:02,800 --> 00:00:05,960 Speaker 1: now and you can catch him in Dunsborough on January tenth, 3 00:00:06,080 --> 00:00:09,639 Speaker 1: the Ravenswood Hotel January eleven and Hotel Rotteness January twelve. 4 00:00:09,680 --> 00:00:12,879 Speaker 1: Tickets for all the shows are through oz Ticks and 5 00:00:12,920 --> 00:00:14,080 Speaker 1: Pete is with us now. 6 00:00:14,160 --> 00:00:16,760 Speaker 2: Good morning morning, how are you good? 7 00:00:17,120 --> 00:00:20,160 Speaker 1: We just played the new song, Wouldn't It Be Good? 8 00:00:20,239 --> 00:00:23,080 Speaker 1: It has Australian summer written all over it. 9 00:00:23,079 --> 00:00:25,560 Speaker 2: It definitely has a summary vive to it, doesn't it does? 10 00:00:25,720 --> 00:00:27,720 Speaker 3: What story behind it? 11 00:00:27,760 --> 00:00:31,320 Speaker 2: Well, it's a nice summery vibe with a nice message 12 00:00:31,600 --> 00:00:34,400 Speaker 2: really just about peace and you know, being happy, like 13 00:00:34,880 --> 00:00:37,559 Speaker 2: what are we doing with the world? Some people when 14 00:00:37,600 --> 00:00:40,640 Speaker 2: I first heard it, it might have been very John 15 00:00:40,720 --> 00:00:45,040 Speaker 2: Lennon imagine. I guess John saying a lot about peace 16 00:00:45,080 --> 00:00:48,199 Speaker 2: and making people think about that, make the world think 17 00:00:48,200 --> 00:00:50,320 Speaker 2: about that. So you know this, I guess when I 18 00:00:50,320 --> 00:00:52,040 Speaker 2: wrote this song, it was sort of came out that 19 00:00:52,080 --> 00:00:54,720 Speaker 2: way and went down that path of the same sort 20 00:00:54,720 --> 00:00:57,440 Speaker 2: of vibe. You know, you're kind of looking at what 21 00:00:57,480 --> 00:00:59,480 Speaker 2: would be like if we were doing this, and what 22 00:00:59,520 --> 00:01:01,000 Speaker 2: are we doing where we're taking this? 23 00:01:01,760 --> 00:01:03,480 Speaker 1: We could do with that reminder at the moment. 24 00:01:03,520 --> 00:01:05,360 Speaker 3: Definitely, it wouldn't it be a good, good message. 25 00:01:05,400 --> 00:01:07,760 Speaker 4: But un least when I watched the video together yesterday 26 00:01:07,959 --> 00:01:09,880 Speaker 4: and that studio where you and the boys are is 27 00:01:10,640 --> 00:01:13,200 Speaker 4: the giant rug the walls and all that looks like 28 00:01:13,200 --> 00:01:16,000 Speaker 4: one of the one of the most just my soundproof 29 00:01:16,080 --> 00:01:18,240 Speaker 4: ums I've seen ever. But they suited the vibe of 30 00:01:18,240 --> 00:01:19,320 Speaker 4: the songs pretty simple. 31 00:01:19,440 --> 00:01:22,240 Speaker 2: Yeah, that's right, just keeping things simple. But you know 32 00:01:22,280 --> 00:01:25,920 Speaker 2: it looks good. That's Melbourne shoot that for me. And 33 00:01:26,200 --> 00:01:27,759 Speaker 2: you know, luckily they didn't have to do too much 34 00:01:27,760 --> 00:01:32,680 Speaker 2: air brushing, well, brush out and sort me out, So 35 00:01:33,480 --> 00:01:35,280 Speaker 2: it's all in the lighting guy. 36 00:01:35,280 --> 00:01:37,240 Speaker 3: Filters, filters required for Pete. 37 00:01:38,400 --> 00:01:38,880 Speaker 2: Exactly. 38 00:01:39,160 --> 00:01:42,280 Speaker 1: Why is it that every studio in the history of 39 00:01:42,360 --> 00:01:45,039 Speaker 1: good studios has a beautiful persian. 40 00:01:44,760 --> 00:01:46,800 Speaker 3: Rug here on the ground. 41 00:01:46,920 --> 00:01:48,960 Speaker 1: It might be a real one, might be foe, but 42 00:01:49,000 --> 00:01:51,400 Speaker 1: there's always a beautiful persian rug on the ground. 43 00:01:51,400 --> 00:01:53,400 Speaker 3: So soundproofing, Pete, I think. 44 00:01:53,240 --> 00:01:54,600 Speaker 2: It's a legal thing you have to do. 45 00:01:55,040 --> 00:02:00,280 Speaker 3: Yeah, you're right, Well, I love it. Yeah, and while 46 00:02:00,320 --> 00:02:02,120 Speaker 3: you're writing lyrics you can sit on a cross. 47 00:02:02,000 --> 00:02:06,400 Speaker 2: Legged yes exactly. It's a nice vibe and have those 48 00:02:06,480 --> 00:02:10,000 Speaker 2: drugs there. That's the vibe, and I mean you have 49 00:02:10,120 --> 00:02:12,600 Speaker 2: to have a nice, nice room to recording or to 50 00:02:12,919 --> 00:02:17,120 Speaker 2: playing and rather than a bland you know, white walls whatever. 51 00:02:17,160 --> 00:02:19,880 Speaker 2: So definitely, but yeah, it's a great spot there. 52 00:02:20,000 --> 00:02:22,680 Speaker 1: What is it about the story about your nephew Dylan 53 00:02:22,880 --> 00:02:24,040 Speaker 1: helping you finish the song? 54 00:02:24,280 --> 00:02:28,440 Speaker 2: Oh? Yeah, Dylan in his own right. He goes under 55 00:02:28,440 --> 00:02:32,480 Speaker 2: the name of Katnak. Yes, okay, he's producers. So it's 56 00:02:32,520 --> 00:02:34,000 Speaker 2: got him in to help me put this song together. 57 00:02:34,560 --> 00:02:36,280 Speaker 2: He comes in and is giving you a hand on 58 00:02:36,320 --> 00:02:38,280 Speaker 2: a few more things. He's really talented. So put this 59 00:02:38,320 --> 00:02:41,280 Speaker 2: song together. And after the first I recorded this one 60 00:02:41,560 --> 00:02:43,680 Speaker 2: just as an acoustic track first, and then we added 61 00:02:43,720 --> 00:02:45,520 Speaker 2: these other inspiratation there. So I've got the wan to 62 00:02:45,520 --> 00:02:48,240 Speaker 2: come in and play some stuff and this is guitar parts, 63 00:02:48,240 --> 00:02:50,959 Speaker 2: and got it to the next stage of band format, 64 00:02:51,000 --> 00:02:54,080 Speaker 2: you know. Then I took that and I was working 65 00:02:54,080 --> 00:02:55,959 Speaker 2: with a guy called Luke Palmer who was engineering and 66 00:02:56,000 --> 00:02:58,280 Speaker 2: stuff for me, and took that song to Luke and 67 00:02:58,280 --> 00:03:00,160 Speaker 2: I thought I had a lot of potension, so it's work, 68 00:03:00,160 --> 00:03:02,680 Speaker 2: and he's looking that one's really working. I played some 69 00:03:02,680 --> 00:03:04,639 Speaker 2: other people and they weren't really sort of keen on it. Either, 70 00:03:04,680 --> 00:03:06,520 Speaker 2: so I was kind of thinking, okay, maybe the song 71 00:03:06,560 --> 00:03:08,160 Speaker 2: is not good enough. Well, you know, I started losing 72 00:03:08,280 --> 00:03:11,640 Speaker 2: confidence with it, but I still liked some elements of 73 00:03:11,680 --> 00:03:14,799 Speaker 2: what I did with Dylan and where we suttacked, and 74 00:03:14,880 --> 00:03:17,120 Speaker 2: I knew there was potential. So towards the end of 75 00:03:17,120 --> 00:03:19,040 Speaker 2: the recording the album, was working with the Luke down, 76 00:03:19,040 --> 00:03:20,600 Speaker 2: I said, look, let's just let's want to finish the 77 00:03:20,600 --> 00:03:22,440 Speaker 2: song off. It probably didn't make this album, but I'll 78 00:03:22,440 --> 00:03:24,200 Speaker 2: put him the next album. And because at that stage 79 00:03:24,200 --> 00:03:26,080 Speaker 2: I didn't it wasn't quite confident enough with it that 80 00:03:26,080 --> 00:03:27,720 Speaker 2: it would be on this album. And then we were 81 00:03:27,960 --> 00:03:30,360 Speaker 2: put bass on ice and keys, and suddenly this has 82 00:03:30,360 --> 00:03:33,080 Speaker 2: got a lot of great funky groove feel to it, 83 00:03:33,360 --> 00:03:38,120 Speaker 2: and the rhythm acoustics sounded so great. It was really 84 00:03:38,720 --> 00:03:41,240 Speaker 2: great rhythm and just the lyrics just seem to work. 85 00:03:41,520 --> 00:03:42,920 Speaker 2: And I said it to Luke, you know, look, I'll 86 00:03:42,920 --> 00:03:45,840 Speaker 2: probably just finish put on the next album. He's like, no, man, no, 87 00:03:45,920 --> 00:03:47,800 Speaker 2: this is a really great straight one of the ones 88 00:03:47,920 --> 00:03:52,160 Speaker 2: my face. Well, then you know, then you give it 89 00:03:52,200 --> 00:03:55,160 Speaker 2: to management and my team and friends, and I was like, 90 00:03:55,160 --> 00:03:57,320 Speaker 2: that's acually, that's probably the first single. So from a 91 00:03:57,320 --> 00:03:59,960 Speaker 2: song that I started to think wasn't good enough, wasn't 92 00:04:00,080 --> 00:04:01,200 Speaker 2: to make this album. It's going to go on the 93 00:04:01,200 --> 00:04:02,560 Speaker 2: next album is now the first thing. 94 00:04:02,560 --> 00:04:03,760 Speaker 3: Out Trust your Guts. 95 00:04:03,800 --> 00:04:06,400 Speaker 4: I got to love that. Yes, what do you do 96 00:04:06,440 --> 00:04:08,000 Speaker 4: with writing? Do you block out a couple of weeks, 97 00:04:08,000 --> 00:04:09,360 Speaker 4: say I'm going to write songs? Are you just wait 98 00:04:09,440 --> 00:04:11,480 Speaker 4: until they start flowing out of you more naturally? 99 00:04:11,840 --> 00:04:13,880 Speaker 2: You know what. I've got four kids these days, so 100 00:04:13,960 --> 00:04:17,000 Speaker 2: I tried it. Honestly, I think I've got the knack 101 00:04:17,000 --> 00:04:18,800 Speaker 2: of it now. I jump in very quickly and put 102 00:04:18,839 --> 00:04:21,159 Speaker 2: things down. If I've got to do something, I'd spend 103 00:04:21,160 --> 00:04:23,760 Speaker 2: the day trying to put something together. There wasn't time 104 00:04:23,839 --> 00:04:26,320 Speaker 2: years ago where I would spend a whole week in 105 00:04:26,440 --> 00:04:28,560 Speaker 2: weeks and weeks just writing songs. But I don't know 106 00:04:29,800 --> 00:04:32,120 Speaker 2: really good. I don't know. So it's kind of like 107 00:04:32,279 --> 00:04:35,599 Speaker 2: kids grabbing you from all angles and Dad just drive 108 00:04:35,600 --> 00:04:38,599 Speaker 2: over here, and dad, you know, first, all right, let 109 00:04:38,680 --> 00:04:40,159 Speaker 2: me just let me just try to hit song quickly, 110 00:04:40,160 --> 00:04:43,560 Speaker 2: guys and yeah, and then that will play for the 111 00:04:43,600 --> 00:04:46,359 Speaker 2: next months, and then you know, I'll need to do 112 00:04:46,400 --> 00:04:47,320 Speaker 2: it again next year. 113 00:04:49,040 --> 00:04:52,320 Speaker 4: School for youse don't stop minutes in the shower a 114 00:04:52,320 --> 00:04:52,919 Speaker 4: couple of minutes. 115 00:04:54,720 --> 00:04:57,600 Speaker 2: That's it. That's the lyrics and the toilet melody is 116 00:04:57,640 --> 00:05:00,480 Speaker 2: in the shower. You guys have you're a cross. 117 00:05:00,320 --> 00:05:03,799 Speaker 3: It, you know, let me today. 118 00:05:03,160 --> 00:05:06,080 Speaker 2: I love this freshish show. It's so. 119 00:05:08,839 --> 00:05:12,520 Speaker 1: The shows are at Dunsbra, Ravenswood and Rottnes. So it 120 00:05:12,560 --> 00:05:15,320 Speaker 1: doesn't get any hello summer than thatsh I know. 121 00:05:15,760 --> 00:05:19,400 Speaker 2: Well, this whole run is basically East Coast and West Coast. 122 00:05:19,520 --> 00:05:21,360 Speaker 3: Yeah yeah, and my. 123 00:05:21,360 --> 00:05:24,880 Speaker 2: Apologies for everyone in between, but I will get there else. 124 00:05:24,920 --> 00:05:26,760 Speaker 2: But it's just that it's a coast to run because 125 00:05:26,800 --> 00:05:29,240 Speaker 2: it is. It's this summer tour and it's the surfy vibe. 126 00:05:29,279 --> 00:05:32,440 Speaker 2: This song is the surfy vibe. And let's just do 127 00:05:32,560 --> 00:05:35,719 Speaker 2: the East Coast and the West Coast over the Christy 128 00:05:35,760 --> 00:05:37,800 Speaker 2: holidays and that's all we can really squeeze into for 129 00:05:37,800 --> 00:05:39,279 Speaker 2: the Christy Holidays. I thought I was going to miss 130 00:05:39,360 --> 00:05:41,760 Speaker 2: the holidays, so it'll be great fun. And you know, 131 00:05:41,880 --> 00:05:45,000 Speaker 2: really Rodo is going to be great. Ravenswood, I played 132 00:05:45,000 --> 00:05:47,440 Speaker 2: there years to get on a play. Yeah, I played 133 00:05:47,440 --> 00:05:49,799 Speaker 2: the indoors last time and I looked at the outdoor 134 00:05:49,800 --> 00:05:51,520 Speaker 2: area and I went, when I come back, I'm playing 135 00:05:51,520 --> 00:05:54,320 Speaker 2: this out area because this is so cool and it 136 00:05:54,360 --> 00:05:57,279 Speaker 2: is yeah, yeah, so I'm really excited about playing that. 137 00:05:57,360 --> 00:05:59,440 Speaker 2: And of course Dunsbro is just such a nice place 138 00:05:59,480 --> 00:06:02,120 Speaker 2: down there and it's good. 139 00:06:02,000 --> 00:06:03,240 Speaker 3: Fun part of the world. 140 00:06:03,800 --> 00:06:06,200 Speaker 4: But I saw you once play at the Regal Theater 141 00:06:06,279 --> 00:06:08,360 Speaker 4: here at Perth and we came a couple of radio 142 00:06:08,360 --> 00:06:10,080 Speaker 4: mates and I came backstage after the gig and you 143 00:06:10,120 --> 00:06:12,599 Speaker 4: were sick as a dog, barely had a voice left. 144 00:06:12,600 --> 00:06:14,160 Speaker 4: And I don't know how you can sing when you crook, 145 00:06:14,600 --> 00:06:16,800 Speaker 4: but you're very very top. We ad mind you even 146 00:06:16,800 --> 00:06:18,640 Speaker 4: more after that. It was quite incredible. 147 00:06:19,680 --> 00:06:20,080 Speaker 3: Must go on? 148 00:06:21,040 --> 00:06:23,479 Speaker 2: Yeah, some days on the road, you know, you don't 149 00:06:23,480 --> 00:06:25,760 Speaker 2: get the luxury of having time off if you do 150 00:06:26,080 --> 00:06:28,680 Speaker 2: start getting a bit of a bug where you lose 151 00:06:28,720 --> 00:06:30,840 Speaker 2: your voice. Yeah, very hard to try to go. You know, 152 00:06:30,880 --> 00:06:32,680 Speaker 2: I'm just going to take take a week off and 153 00:06:32,920 --> 00:06:35,040 Speaker 2: do that, because you can't know you've got shows come out. 154 00:06:35,800 --> 00:06:37,080 Speaker 2: You've got to manage it. 155 00:06:37,200 --> 00:06:37,840 Speaker 1: Must go on? 156 00:06:37,960 --> 00:06:40,320 Speaker 3: Yeah, exactly what do you do? 157 00:06:40,440 --> 00:06:43,320 Speaker 4: Yeah, you didn't seem like you're holding back there, but 158 00:06:43,320 --> 00:06:44,440 Speaker 4: you must be breathing. 159 00:06:45,600 --> 00:06:48,279 Speaker 2: It gets through lots of lots of scotch. 160 00:06:50,320 --> 00:06:51,800 Speaker 3: That's what my dad used to swear. 161 00:06:51,839 --> 00:06:54,600 Speaker 1: By I'm a lemon drink and you've got no big 162 00:06:54,680 --> 00:06:58,480 Speaker 1: dram bewie and then rug up and sleep it off, yes, 163 00:07:00,279 --> 00:07:00,680 Speaker 1: and just. 164 00:07:00,760 --> 00:07:03,040 Speaker 2: Straight whatever you have, you know, even I get to 165 00:07:03,400 --> 00:07:04,039 Speaker 2: like a nice. 166 00:07:03,920 --> 00:07:07,479 Speaker 3: Run kill it that way the. 167 00:07:07,520 --> 00:07:10,840 Speaker 2: Trick years ago, I played the show at where was 168 00:07:10,840 --> 00:07:14,520 Speaker 2: the Central Coast. There's five thousand people in the heyday 169 00:07:14,560 --> 00:07:17,360 Speaker 2: when this is going crazy. Five thousand people came and 170 00:07:17,400 --> 00:07:19,400 Speaker 2: I completely lost my voice and I was going up, 171 00:07:19,680 --> 00:07:21,600 Speaker 2: you know, on stage, really nervous, thinking I don't know 172 00:07:21,600 --> 00:07:23,000 Speaker 2: how I'm going to get through this, and I just 173 00:07:23,000 --> 00:07:24,680 Speaker 2: just got to hope that the voice will warm up 174 00:07:24,680 --> 00:07:27,280 Speaker 2: and I'll be able to do this. So I came 175 00:07:27,280 --> 00:07:29,360 Speaker 2: out and I started with a song called Freedom of 176 00:07:29,480 --> 00:07:33,280 Speaker 2: Back off the early album Feeler. Me on guitar and 177 00:07:33,320 --> 00:07:34,880 Speaker 2: I had a bass play, just sort of feeling into 178 00:07:35,000 --> 00:07:37,760 Speaker 2: parts as well, and I think the first verse got 179 00:07:37,840 --> 00:07:40,520 Speaker 2: the course and had nothing, and I played a bit 180 00:07:40,560 --> 00:07:42,560 Speaker 2: more and I just said I can't do this, and 181 00:07:42,560 --> 00:07:45,440 Speaker 2: I stopped. And I had at the moment of going, 182 00:07:45,520 --> 00:07:47,240 Speaker 2: what am I going to do? There's five thousand people 183 00:07:47,320 --> 00:07:49,320 Speaker 2: and it's dead quiet, and we're looking at me, going 184 00:07:49,320 --> 00:07:52,840 Speaker 2: what's going on? And I thought the guys Honestly, I 185 00:07:52,880 --> 00:07:55,480 Speaker 2: feel horrible, but my voice is gone. The last few 186 00:07:55,560 --> 00:07:58,000 Speaker 2: nights I have been singing, it's been deteriorating and it's 187 00:07:58,080 --> 00:08:00,040 Speaker 2: just completely gone. So the only way I'm going to 188 00:08:00,040 --> 00:08:02,280 Speaker 2: get to this continent if you guys sing it for 189 00:08:02,480 --> 00:08:04,559 Speaker 2: me and with me, then I'll do the best I can't. 190 00:08:04,960 --> 00:08:08,160 Speaker 2: Everyone stood, five thousand people stood up and belted the 191 00:08:08,280 --> 00:08:09,040 Speaker 2: lyrics back to me. 192 00:08:10,080 --> 00:08:10,920 Speaker 1: I just got chilled. 193 00:08:10,920 --> 00:08:15,440 Speaker 2: Wow who the band and I was just look at 194 00:08:15,440 --> 00:08:20,200 Speaker 2: each other and wow, that's And we had four people 195 00:08:20,200 --> 00:08:22,040 Speaker 2: that complained to get their money back. 196 00:08:22,680 --> 00:08:24,240 Speaker 3: I was always one or four. 197 00:08:24,440 --> 00:08:29,800 Speaker 2: Yeah, and they weren't too bad. They look, we just wanted, 198 00:08:29,920 --> 00:08:33,080 Speaker 2: we wanted, we want against We'll give you a ticket again. 199 00:08:33,720 --> 00:08:38,000 Speaker 2: Of course I didn't tell the other the other you know. 200 00:08:40,400 --> 00:08:44,520 Speaker 2: So yeah, that's a lot of tickets to get back. 201 00:08:45,120 --> 00:08:47,199 Speaker 3: Yeah, that's a lot of costs. 202 00:08:46,920 --> 00:08:50,640 Speaker 2: Sound was Honestly, it was. It was one of the 203 00:08:50,679 --> 00:08:53,280 Speaker 2: most fun concerts. Everyone loved it, like because everyone felt 204 00:08:53,320 --> 00:08:55,199 Speaker 2: like they were part of the show. When I got 205 00:08:55,200 --> 00:08:57,240 Speaker 2: to the choruses, I just andything that's high. I just 206 00:08:57,280 --> 00:08:58,920 Speaker 2: I couldn't reach it, and they just sang it for me. 207 00:08:59,040 --> 00:09:01,360 Speaker 1: It was great that I'll still be telling that story 208 00:09:01,400 --> 00:09:01,920 Speaker 1: to this day. 209 00:09:02,120 --> 00:09:03,800 Speaker 3: Oh yeah, yeah, participation. 210 00:09:04,200 --> 00:09:07,480 Speaker 1: Yeah yeah. We have one more question before we lose 211 00:09:07,480 --> 00:09:09,680 Speaker 1: your Pete. We love to ask, do you remember the 212 00:09:09,720 --> 00:09:11,800 Speaker 1: first time you heard yourself on the radio. 213 00:09:12,440 --> 00:09:16,760 Speaker 2: Yes, I do. I remember. It's very weird, but I remember. 214 00:09:16,920 --> 00:09:19,040 Speaker 2: I'll tell you two stories. I was in my old 215 00:09:19,080 --> 00:09:21,880 Speaker 2: comedy Long and I just put a song on, especially 216 00:09:21,960 --> 00:09:23,679 Speaker 2: on Triple J. You know, I sort of center Triple J. 217 00:09:23,800 --> 00:09:26,160 Speaker 2: And I knew they had it, knew that they liked it, 218 00:09:26,240 --> 00:09:27,800 Speaker 2: and I was just in the comedy and I just 219 00:09:27,880 --> 00:09:29,920 Speaker 2: they played a song and place of Pete Murray, I'm 220 00:09:29,920 --> 00:09:32,719 Speaker 2: just joking, it pays of Pete Murray. And I tell 221 00:09:32,720 --> 00:09:34,760 Speaker 2: you I'm not lying. The next song came on with 222 00:09:34,760 --> 00:09:37,480 Speaker 2: my song, and I was suddenly I got really embarrassed, 223 00:09:37,520 --> 00:09:39,120 Speaker 2: and I turned it down because I thought, oh my god, 224 00:09:39,120 --> 00:09:41,160 Speaker 2: everyone's going to know that this is my It was 225 00:09:41,240 --> 00:09:43,360 Speaker 2: me on the right, and I'm thinking, you know, about 226 00:09:43,360 --> 00:09:45,640 Speaker 2: thirty seconds that I went, no one knows me, what 227 00:09:45,679 --> 00:09:48,520 Speaker 2: am I doing that? So I did that. And the 228 00:09:48,600 --> 00:09:50,839 Speaker 2: second time I remember it was my song being played. 229 00:09:50,840 --> 00:09:54,000 Speaker 2: To remember this is like obviously first time Triple J again, 230 00:09:54,080 --> 00:09:57,360 Speaker 2: and Robbie Buck was talking about this new singer song 231 00:09:57,400 --> 00:09:59,079 Speaker 2: where it was coming out and he was really raving 232 00:09:59,080 --> 00:10:00,599 Speaker 2: on about it, and I'm thinking he would go to 233 00:10:00,800 --> 00:10:03,080 Speaker 2: listen to album and there's some other competition for me. 234 00:10:03,200 --> 00:10:07,120 Speaker 2: That's not good at all, thinking this guy sounds amazing. 235 00:10:07,160 --> 00:10:09,240 Speaker 2: Robbie's just carrying on and who are you talking about? 236 00:10:10,240 --> 00:10:12,599 Speaker 2: It was this guy, He's there, We're a playtrack for 237 00:10:12,679 --> 00:10:14,040 Speaker 2: you right now off the album, and then he started 238 00:10:14,080 --> 00:10:18,720 Speaker 2: playing Feeler and I was like absolutely shocked. Wow, next 239 00:10:18,720 --> 00:10:21,600 Speaker 2: minute my phone just ran constantly right for the whole song. 240 00:10:22,240 --> 00:10:25,520 Speaker 2: You're on Triple J. Yeah, yeah, I need to hear 241 00:10:25,520 --> 00:10:25,840 Speaker 2: the song. 242 00:10:25,920 --> 00:10:31,240 Speaker 3: So yeah, thanks, that's cool, great story. Yeah. 243 00:10:31,280 --> 00:10:35,240 Speaker 1: Well, tickets for the shows in Dunsworth, Ravenswood and Hotel 244 00:10:35,320 --> 00:10:38,839 Speaker 1: Rottenest in January are all through OZ ticks. Pete Murray, 245 00:10:38,840 --> 00:10:41,520 Speaker 1: thanks for chatting to us this morning to get always 246 00:10:41,559 --> 00:10:42,040 Speaker 1: a pleasure. 247 00:10:42,520 --> 00:10:47,160 Speaker 2: Thanks, thank you, Thanks all the best