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Speaker 1: Every now and then you get very very very very.

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Speaker 2: Excited about a story, and this is one of those

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Speaker 2: examples with him. So this chess prodigy called Hans Niemann

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Speaker 2: was accused effectively, this is last year.

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Speaker 1: He was accused of cheating in a chess tournament.

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Speaker 2: And how he cheated was apparently he put now i'll

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Speaker 2: say this in a family friendly way, he put beads,

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Speaker 2: vibrating beads.

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Speaker 1: Up his bottom. I was going to say his bottom.

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Speaker 2: And effectively, he had his coach, he had the kids

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Speaker 2: had He had his coach outside I think in a

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Speaker 2: van or something, who was controlling the vibrations of the beads.

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Speaker 3: Well, it wasn't like a nineteen seventies spicting whom I

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Speaker 3: have been watching the game. You know, you know the

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Speaker 3: little controller, Ye, not that I controller for these things.

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Speaker 3: It's just a little pocket job. It's just like it's

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Speaker 3: smaller than your fine It's a little thing you can

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Speaker 3: just have in your pocket and you just yet.

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Speaker 2: But he was looking up online what moves to do,

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Speaker 2: so he had access to a computer.

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Speaker 1: He's coach, so he's, oh, let's just go with van. Anyway,

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Speaker 1: I think it's nice to hear it for the story.

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Speaker 2: So he's in a van and so he's sending vibrations

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Speaker 2: for the beads to let him know which move to make. Anyway,

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Speaker 2: today he was interviewed by Piers Morgan about this incident.

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Speaker 4: The allegation was that your coach had basically instructed you

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Speaker 4: to insert anal beads inside yourself, which he would then

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Speaker 4: send remote signals to. First of all, when that story

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Speaker 4: broke those allegations, what was your reaction.

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Speaker 3: Well, obviously it's very disheartening.

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Speaker 4: Okay, but just to be clear, you didn't cheat.

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Speaker 1: Of course not so he still denying it obviously. Man,

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Speaker 1: it's pretty embarrassing.

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Speaker 2: But my big question out of this whole thing is, surely,

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Speaker 2: if you've got some beads in your bottom.

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Speaker 1: Yeah, the person you're playing beaded in you. You're beat it.

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Speaker 1: It's nice, but embedded.

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Speaker 2: But yeah, surely if you're embedded, yeah, yeah, the person

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Speaker 2: you're playing and all the audience knows every single time

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Speaker 2: they send the vibration through it, Like, how do you

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Speaker 2: how do you stay composed and not react to the

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Speaker 2: fact that a vibration is being sent to your bottom?

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Speaker 3: Well? I don't. I don't think that he would have been, like,

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Speaker 3: you know, giving him the Royal rumble. I think it

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Speaker 3: just would have been a bit of a bit of

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Speaker 3: a tickle, wouldn't it. I'm more impressed with what code

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Speaker 3: were they using, Like how do you communicate rook to

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Speaker 3: E five?

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Speaker 5: More?

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Speaker 6: Code?

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Speaker 1: Morse?

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Speaker 3: Code takes a long time, though, he's going to be

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Speaker 3: sitting there going that's my point. That's my point, Like

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Speaker 3: you're seeing delay, immense delay.

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Speaker 2: You're reacting to this episode. Look, well, as you know,

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Speaker 2: I'm a scientist.

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Speaker 3: So good for you. I mean, I've obviously never sort

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Speaker 3: of dallied in there in those areas, but it's that, well,

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Speaker 3: is there any sort of Let's.

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Speaker 1: Not talk about the benefits of beads.

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Speaker 2: Let's focus more on the story right up next, I

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Speaker 2: want to prove as a.

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Speaker 3: SCIENTI no, right, Like it'll be a fine thing to do.

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Speaker 1: I think if you're into it, you can go for it.

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Speaker 2: Will Anyway, what I'd love to do up next, if

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Speaker 2: it's okay with you, is I just want to test

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Speaker 2: what it would be like. I'm not going to put

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Speaker 2: vibrating beads at my bottom, but I have attached a

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Speaker 2: tens machine, which is an electrical zappa. I sue my

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Speaker 2: butt cheeks. Yes, And I want to see if after

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Speaker 2: this next song, I can just continue having a conversation

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Speaker 2: and not react to the fact that my bottom is

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Speaker 2: being sent vibrations.

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Speaker 3: Can you say that sentence for me again? Because I

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Speaker 3: just think it's just we've skipped over it.

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Speaker 2: Up next, Yeah, I'm going to try and hold a

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Speaker 2: conversation while you are sending electric pulses to my bum

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Speaker 2: to see if I can.

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Speaker 1: Conceal, conceal, you see what I mean? So Will's just

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Speaker 1: ah ah, Will's just do it. Will's just done it.

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Speaker 2: But I'll try and get on top of this because

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Speaker 2: I'm for you.

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Speaker 1: Will probably just answer the.

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Speaker 3: Question further nine six five up. We're gonna do it

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Speaker 3: up next. How did he do it? I need someone,

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Speaker 3: I need someone, someone to call a lot of people,

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Speaker 3: you know, after we do something like this, go oh,

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Speaker 3: you know, why is it?

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Speaker 5: Will?

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Speaker 1: Up there? Yeah? Why is that?

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Speaker 3: It's your idea? Never this one time, I'm going to

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Speaker 3: throw outside the poop pants to corroborate this, because this

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Speaker 3: is outrage. He suggested, strapping the electrodes to his ass

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Speaker 3: and getting shocked on air. Didn't he poop pants?

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Speaker 1: This is in your email this morning.

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Speaker 2: Yeah today, yes, but previously the one off one off.

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Speaker 2: This is not only because I'm love it. You love

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Speaker 2: it you he say that on radio. Now there is

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Speaker 2: a reason why I'm doing it, because there's this chess

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Speaker 2: prodigys Nemen. So last year he was accused of cheating

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Speaker 2: in chess because effectively he.

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Speaker 1: Now, well you've got us. I'm trying to explain the story.

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Speaker 2: He's just apt my bottom there Australia. Now what is

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Speaker 2: what's happened. What's happened is he's been a accused of

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Speaker 2: he's been accused of cheating a well, put it down,

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Speaker 2: stop it doesn't think get through the story.

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Speaker 1: He's been accused of cheating.

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Speaker 2: They say that he put beads up his bottom, and

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Speaker 2: his coach had a remote control and was sending him

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Speaker 2: signals by vibrating the beads before he made moves, et cetera.

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Speaker 1: That's the claim, et cetera. He's denied that. Anyway.

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Speaker 2: My big question was, how the hell did this guy

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Speaker 2: sit there playing chess and keep and act like he

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Speaker 2: wasn't getting his beads vibrated off his bum, Like surely

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Speaker 2: everyone would know you're getting vibrated because you'd react, so

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Speaker 2: to prove that, and unfortunately I.

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Speaker 1: Think we've already proved it because she keep sapping me

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Speaker 1: and I can't concentrate.

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Speaker 2: I want to see if I can have a conversation

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Speaker 2: with Mona, who's called the show on thirteen one oh

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Speaker 2: sixty five.

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Speaker 1: Hello Mona, by guys outstanding.

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Speaker 2: Thank you so much just getting involved in this, Mona.

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Speaker 3: Just to make this a bit relatable run just so

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Speaker 3: they can, you know, conceptualize what's going on here. What

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Speaker 3: you have strapped and you've self you've self administered the electrodes.

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Speaker 3: Here is a tens machine, yes, which is an electro

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Speaker 3: zapping machine that women use during pregnancy. But rather than

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Speaker 3: strapping it to your lower back, yeah, and you just

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Speaker 3: got me to check this so I know you've got

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Speaker 3: one electrode on each ass cheek.

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Speaker 1: Yeah.

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Speaker 3: Now you have a choice here. You could have put

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Speaker 3: it anywhere on the cheeks. No one would have cared.

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Speaker 3: You've gone pretty deep. Well no, because really deep inside

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Speaker 3: the Marianna's trench.

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Speaker 1: But I'm just because the chess guy had it up

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Speaker 1: the bottom.

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Speaker 2: So I'm trying to be as relatable and realistic to

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Speaker 2: that as possible.

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Speaker 3: So I might a lot bit strange.

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Speaker 1: The way this is gonna work, Mona.

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Speaker 2: Is I'm just going to have a conversation with you

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Speaker 2: and we're gonna we're gonna test to see if I

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Speaker 2: can just hold the conversation and you won't realize that

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Speaker 2: I'm being zapped on the cheeks.

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Speaker 1: So if you think I'm being zapped, let me know.

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Speaker 3: So does she say what? Does she got a safe

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Speaker 3: word or something that she can say, and then that'll

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Speaker 3: get you out of it.

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Speaker 1: Just just say you get zapped, Mona. If you think

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Speaker 1: I'm getting.

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Speaker 7: Zapped, Okay, sap, I'll say sap.

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Speaker 2: Yeah, perfect, perfect, okay. So Mona, what do you what

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Speaker 2: do you do for work?

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Speaker 8: I work in a hospital.

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Speaker 1: Ever know, yep? What's the what's the wildest thing you've

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Speaker 1: seen as a nurse?

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Speaker 9: What have I seen?

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Speaker 7: The needle in the eye?

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Speaker 1: That did you put the needle in the eye?

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Speaker 7: I definitely did not put that needle in someone.

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Speaker 2: So someone just came in with a needle.

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Speaker 1: He just got yeah, mepped a while ago. So I

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Speaker 1: held it. Actually pretty well, great job.

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Speaker 2: Brennan wants to have a crack good job. Brennan wants

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Speaker 2: to have a crack well done. Mona well done, Brennan.

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Speaker 1: You know the rules.

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Speaker 2: Mate, We're just going to have a conversation. You tell

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Speaker 2: me when you think I'm getting zapped.

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Speaker 1: Okay, let's get to it. So there, Jesus have told

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Speaker 1: me that you have had a bad day at work.

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Speaker 10: Oh mate, there was an absolute rubbish day and anything

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Speaker 10: that you could imagine that went wrong, it went wrong.

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Speaker 1: What's the worst thing that happened.

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Speaker 11: Probably packing all the tools up before the boss said

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Speaker 11: that it was time to go, and he made us

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Speaker 11: get everything back out and go around the edges of

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Speaker 11: all our jobs. And yeah, I think you're getting this

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Speaker 11: up day.

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Speaker 7: Yeah, mate, it's just.

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Speaker 3: Absolutely yeah, I think you're getting Do you not know

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Speaker 3: what your partner does for work? Like you're in a

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Speaker 3: situation where they had out the door at o'clock in

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Speaker 3: the morning, and you're like, I mean, like you probably

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Speaker 3: don't even want to admit to them that you don't

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Speaker 3: know what they do. But when people ask you, you

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Speaker 3: might have like a quick one like oh he consults,

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Speaker 3: But you don't actually know what the day in, day

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Speaker 3: out looks like, so you know their occupation? Might you might?

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Speaker 3: You might I'd be surprised if Okay, if you don't

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Speaker 3: know what their occupation is.

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Speaker 1: Yeah, we'll take that call.

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Speaker 3: But I'm just saying, are you just do you have

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Speaker 3: no idea what they do? Do your question? What they

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Speaker 3: do for you and me? Absolute classic? Our partners have

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Speaker 3: got no idea what we do.

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Speaker 1: I don't think.

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Speaker 2: Mim still to this day, is just like, I just

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Speaker 2: don't understand why you get to work at like, you know,

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Speaker 2: twelve thirty one o'clock because she's like, you can just

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Speaker 2: go at quarter to four.

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Speaker 1: Yeah, you're only working from four till six.

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Speaker 3: Yeah. I've actually got Mim on the show now, Mim,

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Speaker 3: welcome back. Great to have you on. What do What

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Speaker 3: do you think we do between twelve and four?

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Speaker 11: I am you going to ask Woody what I do?

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Speaker 12: And I was like, if he hadn't know, I awhere

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Speaker 12: to go.

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Speaker 1: On, let's not let's not go there. No, I'm not ill.

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Speaker 3: You're in full mum zone at the moment, but slight,

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Speaker 3: thank you very much.

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Speaker 1: I did so you worked yesterday, Mim.

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Speaker 2: And you're you're a property stylist, which means that you

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Speaker 2: go to a house that's selling, you then get some

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Speaker 2: fur the sure from your warehouse and you put the

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Speaker 2: fin as you're in the house and then they sell

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Speaker 2: the house.

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Speaker 11: Yeah, basics, So that's not too bad much about Okay,

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Speaker 11: thank you, and you talk on radio from four to six?

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Speaker 1: Perfect, no no, no, no, no no. What do you think

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Speaker 1: What do you think Will and I do between mid.

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Speaker 9: Day and four, because then you do some work, a

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Speaker 9: little bit of work.

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Speaker 11: So you say you do a little bit of work

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Speaker 11: in the morning, you put your glasses on that you

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Speaker 11: don't actually need.

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Speaker 2: Don't tell people that, don't tell people that.

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Speaker 3: Yeah, yeah, and then.

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Speaker 11: If you do your our work in the morning, then

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Speaker 11: what's that a chat about from twelve till four?

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Speaker 9: It just doesn't make much sense.

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Speaker 11: I mean, maybe maybe like.

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Speaker 9: A little bit of more chat on that topic, but

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Speaker 9: like you.

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Speaker 1: Know, it's pretty much you don't.

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Speaker 11: Do a whole lot, all right, all right mate?

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Speaker 3: When we might leave you there. The reason we're talking

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Speaker 3: about this is because Taylor Swift has had to be

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Speaker 3: handed a whole bunch of notes basically to tell her

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Speaker 3: exactly clear what her new boyfriend does, Travis Kelsey, and

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Speaker 3: now he's an NFL player, he plays football. Swift is

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Speaker 3: rocked after the game, and somebody's taken us a shot

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Speaker 3: of notes like a cheat sheet that she was given

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Speaker 3: for the game, just so she can talk with him

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Speaker 3: afterwards about like a great punt that you did over there.

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Speaker 3: And you know, that's actually quite clever, very clever.

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Speaker 2: Who puts together her notes for a Drinckon is one

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Speaker 2: of her staff. Yeah, yeah, right, that's quite clever. That

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Speaker 2: is quite clever. But you're saying that she obviously.

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Speaker 1: Had no idea about NFL.

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Speaker 3: And I dare say there'd be a lot of people

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Speaker 3: listening right now that would have no idea what their

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Speaker 3: partner actually analyst leaning in before telling me that. You know,

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Speaker 3: she left the the the NFL game in a popcorn machine?

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Speaker 3: Is that right? Ab did that?

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Speaker 5: Yeah?

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Speaker 1: So she was like being hidden. Like when she goes

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Speaker 1: on tour and she gets to a stage, she goes

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Speaker 1: in a little crate.

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Speaker 5: This time she went through a popcorn machine at the

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Speaker 5: NFL game.

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Speaker 3: To get out of that. So so no one could

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Speaker 3: know as her leaving.

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Speaker 2: But you've just been photographed and filmed in a very

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Speaker 2: public position.

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Speaker 3: She went, she went down to his private suite, So

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Speaker 3: I think that was a bit scandalous. You know that

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Speaker 3: she was Oh and then she wants to lose the tail.

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Speaker 3: You want to lose the tit here I am now,

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Speaker 3: but yeah, I'm gone.

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Speaker 1: Can I just say though, then after the game.

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Speaker 3: Imagine that's imagine that's the pr team had.

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Speaker 1: She's also so she didn't get swarmed by.

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Speaker 3: Fans yea again. So then she goes to a restaurant

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Speaker 3: much better.

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Speaker 1: She goes to a restaurant. Care about this, Yeah, she

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Speaker 1: goes to a restaurant with trash.

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Speaker 3: In the popcorn machine or she lost that.

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Speaker 2: I think she's popped out of the popcorn machine on

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Speaker 2: the part. And she goes to a restaurant. Everyone there

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Speaker 2: gets told your meals are paid for, but you have

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Speaker 2: to leave immediately. So then they could go to the

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Speaker 2: restaurant and eat by themselves in a public restaurant.

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Speaker 1: Wow, it's bloody wild, William.

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Speaker 2: But another part of this is that people have photographed

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Speaker 2: a little cheat sheet that she had in front of her.

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Speaker 3: He's an NFL player, and I think you know the

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Speaker 3: bit is that she doesn't know much about NFL, so

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Speaker 3: I just to have some chat with him. There's a

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Speaker 3: cheat that she had in front of her, so they

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Speaker 3: could have some chat after the game. And I'm just

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Speaker 3: asking the question because early on in a relationship you've

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Speaker 3: forgiven if you don't know what your partner does, fair enough,

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Speaker 3: it's quite hard to grapple on to and you don't

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Speaker 3: want to talk about work. But are there people out

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Speaker 3: there that still don't know what their partner does for work?

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Speaker 2: God, Lisa here, Lisa, you genuinely don't know what your

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Speaker 2: partner does for work?

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Speaker 6: Yeah?

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Speaker 11: Hey, guys, yeah, I genuinely have no idea. So he's

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Speaker 11: been in this he's been with the same company for

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Speaker 11: about ten years and for the last two years. Anytime

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Speaker 11: we talk about, oh, what does your partner do for work,

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Speaker 11: I'm like, oh, yeah, he does operations. I think like

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Speaker 11: he does rosters. I've got no idea.

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Speaker 3: Rosters, Lisa, Lisa, Rosters and operations are two very different things.

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Speaker 11: What I don't know I don't want in corporate life.

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Speaker 3: Okay, so he's corporate, So he's corporate. How long? How

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Speaker 3: long have you not known? How long have you been

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Speaker 3: saying him for?

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Speaker 11: Oh my god, we're married with two kids.

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Speaker 12: Did you know that?

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Speaker 9: Over ten years?

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Speaker 11: We're best friends? Like, I have no clue, And then

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Speaker 11: I've been about two weeks ago. We're at a dinner

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Speaker 11: and I'm like, oh, yeah, he does operations and then

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Speaker 11: he goes naha, I don't do operations. Turns out about

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Speaker 11: or about probably six months to a year ago. Again,

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Speaker 11: I don't know, because apparently I don't know anything. He

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Speaker 11: actually got a promotion and he does data analytics, which

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Speaker 11: is again, Oh, he's completely different when he works. He

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Speaker 11: works from home. Almo see him sitting there watching YouTube videos. Oh,

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Speaker 11: I'm just going to go do a workout in the gym,

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Speaker 11: And I'm like, what do you do? And why do

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Speaker 11: you get paid? So well, you.

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Speaker 3: Got to get this guy. You got to get this

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Speaker 3: guy out, Lisa, that's amazing. You can have yourself whatever

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Speaker 3: I've got in the prize kit. I'm not sure what

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Speaker 3: I've got a the producers, get yourself some of that.

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Speaker 3: Let's go to Taylor and Popcorn in honor of Taylor Swift.

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Speaker 1: Taylor, you don't know what your partner does.

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Speaker 11: No, I've been with him for ten years and sort

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Speaker 11: of all I know is that he's a scientist.

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Speaker 3: In what field? What were.

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Speaker 9: And oh my goodness, immunology?

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Speaker 3: Immimology? Wow, okay, biomedicine, the hell's that? So you don't

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Speaker 3: know what he does, like immunizing people, viruses, infections.

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Speaker 1: So he'd be busy. It would have been busy during COVID, Taylor,

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Speaker 1: he was.

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Speaker 11: Doing his pH d during COVID.

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Speaker 3: It sounds like you're all over it, mate, Lisa. She's

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Speaker 3: got no idea. She literally doesn't even know if her

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Speaker 3: partner works. Gabby on thirty one and six frotales all over.

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Speaker 3: I think immunologists happy with that, Gabby, you still don't

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Speaker 3: know what How are you going? You don't know what

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Speaker 3: your partner does for work?

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Speaker 9: No, here's a data scientist.

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Speaker 1: Okay, what's sorry?

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Speaker 3: Gabby? Turned your radio off? If you can in the background,

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Speaker 3: do me a favor.

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Speaker 9: Data scientist.

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Speaker 1: He finds data? Yeah, and so what sort of data?

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Speaker 11: Do you know?

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Speaker 1: What sort of data he finds?

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Speaker 3: He's a data scientist.

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Speaker 11: Yeah, he works for a bank.

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Speaker 1: What he finds?

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Speaker 9: Which banks?

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Speaker 1: You don't know? You don't know what banks are bouncing around?

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Speaker 11: I have no idea and it's hard to keep us.

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Speaker 2: Okay, now this is quite amazing, Gabby. We've actually got

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Speaker 2: your partner here on the under line. His name is Cash.

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Speaker 1: Cash. How close is Gabby here? Are you a data finder?

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Speaker 11: Yeah?

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Speaker 7: I'm a data scientist.

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Speaker 3: Yeah, sorry, is a data scientist? I think you misheard

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Speaker 3: that at the start you're not a data finder. Yeah

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Speaker 3: that doesn't exist.

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Speaker 1: Yeah, that's confused. So what is the data scientist?

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Speaker 3: What do you get cash?

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Speaker 9: What do you do?

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Speaker 3: What do you do?

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Speaker 11: Yeah, we do a lot of programming, supporting the apps,

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Speaker 11: work for insured and yeah, basically support the entire payments

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Speaker 11: and stuff.

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Speaker 3: I'm glad we asked that question.

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Speaker 1: Woods.

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Speaker 3: Right now, we've got Phil Rosenthal that joints is the

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Speaker 3: creator if everybody loves Raymond also obviously on Netflix now

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Speaker 3: with somebody Feed Phil, and he's gonna be touring all

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Speaker 3: throughout Australia very shortly. You can see him all throughout

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Speaker 3: the country. Tickets to an Evening with Phil Rosenthal available

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Speaker 3: livenation dot com dot Au. Phil joins us on Zoom

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Speaker 3: right now, and I'll everyone will be very happy to know,

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Speaker 3: maybe even slightly turned on that he's in bed.

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Speaker 12: It's not a pretty sight, but here I am.

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Speaker 1: I love this so much, Phil, Do you do you

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Speaker 1: do all a lot of interviews from bed?

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Speaker 12: I like to be in bed by about nine o'clock

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Speaker 12: last night. I just love watching TV and surfing the internet,

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Speaker 12: and it's very rare that I'll have an interview with

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Speaker 12: this time, So get what you get.

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Speaker 3: Guys, do you like skype or FaceTime your wife? I

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Speaker 3: know you said she she's doing a play at the

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Speaker 3: moment in Philadelphia skype or FaceTime you know.

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Speaker 12: Do you know who my wife is? Do you remember

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Speaker 12: Everybody Loves Raymond? Yes, a brother wife on the show Amy.

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Speaker 5: Yeah, that's Hersenthal.

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Speaker 11: Wow.

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Speaker 12: Okay, if you have a second, I'm going to tell

402
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Speaker 12: you there's an interesting story actually how she got the part.

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Speaker 5: She slept with the producer.

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Speaker 3: Very good.

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Speaker 12: We were we were already married at the time, so

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Speaker 12: that was very under.

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Speaker 5: So Phil, Phil.

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Speaker 3: The reason I bring that up is I mentioned this

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Speaker 3: is the angle that you FaceTime or skype pear at

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Speaker 3: while in bed. This is this is the angle.

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Speaker 5: Right, Yeah, so it's already way past midnight. Yeah, you know,

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Speaker 5: I don't wanna.

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Speaker 12: I don't want to disturb her. She might be in

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Speaker 12: bed with some who the hell know.

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Speaker 2: It's the producer of the place she's in phil That's

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Speaker 2: the way it works, right.

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Speaker 5: That's how Hollywood works.

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Speaker 3: I've just even facetimed a man from bed before, which

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Speaker 3: I'm sure you know a lot of other people have it.

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Speaker 3: It really is, it's you're so excited. It's a game

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Speaker 3: of angles, though, isn't it? Like you know, it really is.

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Speaker 3: It's hard to know what you're coming up against from

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Speaker 3: underneath here from this side. But I think when before,

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Speaker 3: when you had the camera up above your head, I

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Speaker 3: got I got a better of you.

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Speaker 5: How much do you want to.

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Speaker 1: I'm very worried about what's on the waist down.

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Speaker 3: Yeah, maybe just put a shirt on for us, we

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Speaker 3: keep it up top.

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Speaker 5: It is.

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Speaker 1: Yes, we've been very visual. Hey, Phil, can I ask you?

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Speaker 2: We will talk about Somebody Feed Phil, which is your

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Speaker 2: show that you are currently doing on Netflix, and then

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Speaker 2: obviously the tour in Australia and evening with Phil Rosenthal.

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Speaker 1: But you created Everybody Loves.

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Speaker 2: Raymond, and you based the show Everybody Loves Raymond on

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Speaker 2: your life. So do you were you of the belief

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Speaker 2: or are you of the belief that Everybody loves you?

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Speaker 5: No? No, no no.

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Speaker 12: It was loosely based on Ray Romano's life, and the

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Speaker 12: way that came about was I asked him about his

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Speaker 12: life when we met, we didn't really know each other,

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Speaker 12: and he told me I got twin boys and an

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Speaker 12: older daughter, and my parents lived close by and they

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Speaker 12: were always bothering me.

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Speaker 5: And my older brother.

447
00:20:21,280 --> 00:20:24,280
Speaker 12: Is a police sergeant and he's very jealous of me.

448
00:20:24,400 --> 00:20:27,560
Speaker 12: And he saw an award I won once for comedy

449
00:20:28,000 --> 00:20:31,720
Speaker 12: and he says, it never ends for Raymond. Everybody loves Raymond.

450
00:20:32,160 --> 00:20:32,320
Speaker 3: Oh.

451
00:20:32,400 --> 00:20:35,560
Speaker 12: I said, Wow, it doesn't seem like there's anything there

452
00:20:35,600 --> 00:20:36,240
Speaker 12: we can use.

453
00:20:36,800 --> 00:20:42,359
Speaker 2: Ah, but my wife needs some work at the moment,

454
00:20:42,440 --> 00:20:44,600
Speaker 2: so I'll create a show.

455
00:20:44,640 --> 00:20:46,600
Speaker 5: Count show.

456
00:20:47,240 --> 00:20:50,879
Speaker 12: And we did use his life and what I didn't

457
00:20:50,880 --> 00:20:54,040
Speaker 12: know about the personalities in his family, I did fill

458
00:20:54,040 --> 00:20:56,160
Speaker 12: in with the personalities from my family.

459
00:20:56,400 --> 00:21:00,000
Speaker 3: Wow. Okay, yes, that's brilliant. What are you most excited?

460
00:21:00,320 --> 00:21:01,240
Speaker 3: Eight in Australia?

461
00:21:01,640 --> 00:21:03,399
Speaker 5: Oh? I love Asian food.

462
00:21:03,680 --> 00:21:06,720
Speaker 12: I hear the Asian food in Melbourne is especially great.

463
00:21:07,000 --> 00:21:09,800
Speaker 5: I can't wait to have that. But you know, Australia

464
00:21:09,840 --> 00:21:10,680
Speaker 5: is so beautiful.

465
00:21:10,800 --> 00:21:12,639
Speaker 1: Is there any food you don't like? Phil?

466
00:21:12,680 --> 00:21:15,080
Speaker 2: I feel like, I mean, you've got this show, somebody

467
00:21:15,080 --> 00:21:17,920
Speaker 2: fade Phil. You travel all around the world, Like, yeah, Well,

468
00:21:17,920 --> 00:21:19,160
Speaker 2: what are the foods you haven't liked?

469
00:21:20,000 --> 00:21:23,040
Speaker 12: I was in Hong Kong and I had a thousand

470
00:21:23,119 --> 00:21:23,720
Speaker 12: year old egg.

471
00:21:23,760 --> 00:21:26,280
Speaker 1: Have you ever had that? A century egg? A century egg?

472
00:21:26,320 --> 00:21:27,120
Speaker 1: Is that?

473
00:21:27,560 --> 00:21:27,720
Speaker 11: Oh?

474
00:21:28,080 --> 00:21:31,639
Speaker 12: Yes, it's not really a century It just tastes that

475
00:21:31,680 --> 00:21:33,480
Speaker 12: way disgusting?

476
00:21:33,600 --> 00:21:34,560
Speaker 1: Did you ate the hall thing?

477
00:21:35,080 --> 00:21:37,600
Speaker 12: I popped an entire half an egg in my mouth

478
00:21:38,200 --> 00:21:40,720
Speaker 12: because yes, I didn't know what I was doing, and

479
00:21:40,760 --> 00:21:41,919
Speaker 12: I thought I was being funny.

480
00:21:42,040 --> 00:21:44,960
Speaker 5: The first thing you taste is very, very rotten egg.

481
00:21:45,920 --> 00:21:51,800
Speaker 12: That taste is then overcome by the flavor of ammonia. Oh,

482
00:21:51,840 --> 00:21:56,159
Speaker 12: it's like a cat feed in your face. Yes, but

483
00:21:56,600 --> 00:21:59,080
Speaker 12: I also learned that I did it wrong.

484
00:21:59,359 --> 00:22:00,520
Speaker 5: You're supposed to take a.

485
00:22:00,600 --> 00:22:02,840
Speaker 12: Tiny slivers of it and put it in the hot

486
00:22:02,840 --> 00:22:05,120
Speaker 12: pot with you know, lots of other ingredients.

487
00:22:05,440 --> 00:22:07,840
Speaker 5: You're not supoke to do what I meant to have. Hi,

488
00:22:08,119 --> 00:22:10,240
Speaker 5: it turned out I I'm an idiot.

489
00:22:12,760 --> 00:22:15,600
Speaker 2: I want to ask you who's the most colorful character

490
00:22:16,000 --> 00:22:16,680
Speaker 2: that you've met?

491
00:22:16,840 --> 00:22:18,480
Speaker 1: Finding the world's great food?

492
00:22:18,840 --> 00:22:19,040
Speaker 5: You know?

493
00:22:19,200 --> 00:22:22,400
Speaker 12: I find them in every place I go. I'm reminded

494
00:22:22,440 --> 00:22:26,679
Speaker 12: of a wonderful lady in Bangkok. She makes a crab

495
00:22:26,720 --> 00:22:28,040
Speaker 12: omelet that's like one.

496
00:22:27,920 --> 00:22:29,199
Speaker 5: Of the best things in the world.

497
00:22:29,520 --> 00:22:29,800
Speaker 1: Wow.

498
00:22:29,960 --> 00:22:32,800
Speaker 5: Her name is Jafi. She's like seventy five years old.

499
00:22:32,840 --> 00:22:36,520
Speaker 12: She wears these aviator goggles because she works over these.

500
00:22:36,480 --> 00:22:39,080
Speaker 5: Very hot walks, and she looks.

501
00:22:38,880 --> 00:22:41,560
Speaker 12: Like Snoopy who's going off to fight the Red Baron

502
00:22:42,600 --> 00:22:45,439
Speaker 12: and she's adorable, but she's one of the great chefs

503
00:22:45,440 --> 00:22:46,080
Speaker 12: in the world.

504
00:22:46,240 --> 00:22:49,439
Speaker 5: Wow, you gotta go to Bangkok and have the crab

505
00:22:49,480 --> 00:22:50,720
Speaker 5: Omelet at jfive.

506
00:22:51,040 --> 00:22:53,280
Speaker 3: Okay, I'll check it out. You're gonna be here really, Sota,

507
00:22:53,320 --> 00:22:55,640
Speaker 3: You're gonna go ta get to say Phil Live Nation

508
00:22:55,800 --> 00:22:58,480
Speaker 3: dot com dot au and evening in Phil Rosenphil, have

509
00:22:58,520 --> 00:23:00,359
Speaker 3: you only been to see me? So you been to

510
00:23:00,400 --> 00:23:04,159
Speaker 3: the center of Australia. No, And this big part of

511
00:23:04,200 --> 00:23:06,240
Speaker 3: Australia right in the middle of which is effectively desert,

512
00:23:06,720 --> 00:23:09,639
Speaker 3: and a very good friend of ours owns a baiton

513
00:23:09,720 --> 00:23:12,600
Speaker 3: tackle shop. Her name's Rude Jude. She lives in a

514
00:23:12,600 --> 00:23:15,600
Speaker 3: place called Charlaville, which is eight hours he lendm.

515
00:23:15,160 --> 00:23:17,240
Speaker 5: I suggesting that I have to visit this beat.

516
00:23:18,320 --> 00:23:23,159
Speaker 2: No, I think after you speak to Rude Jude, you

517
00:23:23,280 --> 00:23:24,600
Speaker 2: might want to make that detail.

518
00:23:24,720 --> 00:23:27,560
Speaker 3: Yeah, Phil, that's right, because she's she's she's closing the

519
00:23:27,600 --> 00:23:30,520
Speaker 3: shop really soon and she's got a she has a

520
00:23:30,640 --> 00:23:33,840
Speaker 3: naughty corner in her baiton tackle shop. So I was

521
00:23:33,920 --> 00:23:38,040
Speaker 3: just wondering if you would be interested. She's trying to

522
00:23:38,040 --> 00:23:40,000
Speaker 3: get rid of all the stuff in the naughty corner.

523
00:23:40,320 --> 00:23:43,280
Speaker 3: We're just wondering if you'd be interested in hearing some

524
00:23:43,359 --> 00:23:46,399
Speaker 3: of the stuff she's got to give away. Absolutely, okay,

525
00:23:46,600 --> 00:23:48,639
Speaker 3: thank you, all right, I'll put her on here on

526
00:23:48,680 --> 00:23:49,200
Speaker 3: two sex.

527
00:23:51,640 --> 00:23:54,640
Speaker 1: Yes, boys, how are you so well?

528
00:23:54,960 --> 00:23:55,440
Speaker 5: So well?

529
00:23:55,920 --> 00:23:58,600
Speaker 3: Dude? We're speaking to a guy called Phil Rosenthal. He

530
00:23:58,920 --> 00:24:00,960
Speaker 3: found out that you're selling the shop and you're trying

531
00:24:00,960 --> 00:24:03,199
Speaker 3: to get rid of the things in the naughty corner,

532
00:24:03,600 --> 00:24:06,320
Speaker 3: and we said he might be interested in hearing what

533
00:24:06,359 --> 00:24:10,639
Speaker 3: you've got to offer. Oh oh, that's great, he Phil.

534
00:24:10,680 --> 00:24:13,320
Speaker 3: Phil made the show everyone loves Raymond. Do you remember

535
00:24:13,359 --> 00:24:13,720
Speaker 3: that show?

536
00:24:14,040 --> 00:24:17,560
Speaker 6: Oh shitch, yeah, yeah, yes, great show.

537
00:24:17,920 --> 00:24:19,080
Speaker 5: She's great show.

538
00:24:19,240 --> 00:24:21,280
Speaker 6: They're all mad. Great show.

539
00:24:22,160 --> 00:24:23,879
Speaker 1: So what would you like to sell? Phil? Is he

540
00:24:23,960 --> 00:24:29,000
Speaker 1: to say? Hi, Phil, do.

541
00:24:29,080 --> 00:24:31,280
Speaker 6: You want a naughty corner or you just wanted naughty?

542
00:24:31,600 --> 00:24:34,840
Speaker 5: A little boat, dude, I might have to come visit

543
00:24:34,920 --> 00:24:35,119
Speaker 5: you with.

544
00:24:37,400 --> 00:24:42,720
Speaker 6: We've got a few dolls left here. One she's a

545
00:24:42,760 --> 00:24:46,680
Speaker 6: big girl and she's got double thee breast, and she's

546
00:24:46,680 --> 00:24:51,520
Speaker 6: got a removable vagina, so you can, you know, used

547
00:24:51,720 --> 00:24:54,560
Speaker 6: it can be used individually or with the doll.

548
00:24:54,760 --> 00:24:55,000
Speaker 3: You know.

549
00:24:55,680 --> 00:24:59,040
Speaker 6: She comes along with a nach back and produce position

550
00:24:59,160 --> 00:25:01,119
Speaker 6: and juicy long les dude.

551
00:25:01,359 --> 00:25:03,080
Speaker 5: Yes, I'll be right over.

552
00:25:10,200 --> 00:25:11,600
Speaker 6: One for you too, doll a.

553
00:25:11,680 --> 00:25:15,600
Speaker 3: But pluck, don't think he's I think he's going to

554
00:25:15,720 --> 00:25:19,720
Speaker 3: take the toll. I don't think we need to im

555
00:25:19,880 --> 00:25:23,399
Speaker 3: sell him any more of the it's it's got a

556
00:25:23,400 --> 00:25:25,240
Speaker 3: bit real show us this.

557
00:25:27,960 --> 00:25:29,560
Speaker 6: I'll see you Phil shortly.

558
00:25:29,920 --> 00:25:30,640
Speaker 5: Thanks a lot.

559
00:25:31,400 --> 00:25:33,879
Speaker 3: Tickets to an evening with Phil Rosenvial. They're available now

560
00:25:33,960 --> 00:25:37,399
Speaker 3: livenation dot com dot us New shows in Perth, Adelaide

561
00:25:37,680 --> 00:25:40,680
Speaker 3: and Brisbane. To go and see the man live, mate,

562
00:25:40,720 --> 00:25:43,480
Speaker 3: it sounds like you're booking out places all over Australia.

563
00:25:43,560 --> 00:25:45,679
Speaker 3: Have a wonderful time here, eat some great food and

564
00:25:45,720 --> 00:25:47,040
Speaker 3: we'll hopefully see why you're here.

565
00:25:47,200 --> 00:25:48,800
Speaker 5: Can't wait. Thank you boys.

566
00:25:51,480 --> 00:25:58,800
Speaker 1: Right now? How did this guy lou Baga.

567
00:26:01,280 --> 00:26:01,520
Speaker 3: Do it?

568
00:26:01,640 --> 00:26:01,840
Speaker 2: Love?

569
00:26:02,000 --> 00:26:04,239
Speaker 3: Do it? You got another bar to go before he does?

570
00:26:04,800 --> 00:26:09,119
Speaker 3: Now he goes, We're two, three, four five, everybody.

571
00:26:08,640 --> 00:26:09,919
Speaker 11: In the j.

572
00:26:11,600 --> 00:26:14,280
Speaker 1: Mate, I never want to be a DJ. That is

573
00:26:14,359 --> 00:26:15,919
Speaker 1: literally the worst job possible for me.

574
00:26:16,080 --> 00:26:25,119
Speaker 10: Go load A blue bager almost calls Stephen King, who's

575
00:26:25,160 --> 00:26:28,679
Speaker 10: the famous horror writer, to divorce from his wife.

576
00:26:30,119 --> 00:26:35,720
Speaker 1: Now that's a very slack sport and it's all good.

577
00:26:37,080 --> 00:26:40,320
Speaker 1: The trumpet a little bit of money in my life.

578
00:26:40,720 --> 00:26:43,439
Speaker 2: Now he's obviously anit promiscuous lou bager. So you know,

579
00:26:43,520 --> 00:26:45,760
Speaker 2: how has he caused a rift in the marriage of

580
00:26:45,800 --> 00:26:49,600
Speaker 2: Stephen King? Not actually that saucy. So it turns out

581
00:26:49,640 --> 00:26:52,720
Speaker 2: Stephen King is a massive fan of this song, bloody

582
00:26:52,760 --> 00:26:54,159
Speaker 2: loves it, brushes his teeth to it.

583
00:26:54,240 --> 00:26:54,440
Speaker 5: Right.

584
00:26:54,960 --> 00:26:57,440
Speaker 2: So it gets to the point in his home where

585
00:26:57,480 --> 00:27:01,359
Speaker 2: his wife's like, Steve, you you've got to stop playing

586
00:27:01,680 --> 00:27:02,760
Speaker 2: number number five.

587
00:27:03,280 --> 00:27:04,560
Speaker 1: And these are his words.

588
00:27:04,600 --> 00:27:07,560
Speaker 2: Apparently at one point she just said one more time

589
00:27:07,640 --> 00:27:09,760
Speaker 2: and I'm going to effing leave you.

590
00:27:10,800 --> 00:27:11,080
Speaker 11: Wow.

591
00:27:13,600 --> 00:27:14,560
Speaker 1: Almost broken up?

592
00:27:14,800 --> 00:27:15,080
Speaker 3: Wow.

593
00:27:15,200 --> 00:27:18,080
Speaker 1: Now I reckon? What's going on here? Is I reckon?

594
00:27:18,200 --> 00:27:20,280
Speaker 1: Stephen King realized.

595
00:27:19,760 --> 00:27:22,160
Speaker 3: It's an annoying song. It is a bit like when

596
00:27:22,200 --> 00:27:25,359
Speaker 3: you hear it, when you hear them this is killing me.

597
00:27:25,400 --> 00:27:26,119
Speaker 3: And I've only heard it.

598
00:27:26,119 --> 00:27:29,280
Speaker 1: For twenty seconds, right, And so I reckon. Stephen King

599
00:27:29,359 --> 00:27:31,880
Speaker 1: knew this was annoying his wife, right, And.

600
00:27:31,800 --> 00:27:33,520
Speaker 2: Then I think he just started going, you know what,

601
00:27:33,960 --> 00:27:36,720
Speaker 2: I'm actually quite enjoying getting to rise out of you.

602
00:27:36,840 --> 00:27:38,560
Speaker 1: I'm enjoying annoying you.

603
00:27:39,000 --> 00:27:41,000
Speaker 2: So I'm just going to continue to do this to

604
00:27:41,480 --> 00:27:44,359
Speaker 2: really get up here. And I don't know why we

605
00:27:44,440 --> 00:27:45,920
Speaker 2: all do that in our relationships.

606
00:27:46,000 --> 00:27:50,399
Speaker 3: Yeah, with here about if you date them.

607
00:27:50,240 --> 00:27:52,120
Speaker 2: For long enough or you're married to them for long enough,

608
00:27:52,160 --> 00:27:54,280
Speaker 2: you just kind of start doing things to annoy them.

609
00:27:54,320 --> 00:27:55,360
Speaker 3: And it's a language.

610
00:27:55,400 --> 00:27:57,399
Speaker 1: You get it. You get a real joy out of

611
00:27:57,400 --> 00:27:58,800
Speaker 1: it when you annoy them.

612
00:27:58,840 --> 00:28:02,280
Speaker 2: Like at home, for me, like Mim just hates it

613
00:28:02,320 --> 00:28:04,320
Speaker 2: when I take a way outside. She she's just like,

614
00:28:04,640 --> 00:28:07,639
Speaker 2: we've got we've got two toilets. Yeah, why would you

615
00:28:07,640 --> 00:28:10,320
Speaker 2: wear outside? And ever since she had that conversation with me,

616
00:28:10,480 --> 00:28:13,720
Speaker 2: it's like, I seek out the outdoor wing now.

617
00:28:13,600 --> 00:28:17,000
Speaker 1: And I like it's just my like, why would I

618
00:28:17,080 --> 00:28:17,320
Speaker 1: do that?

619
00:28:17,359 --> 00:28:18,600
Speaker 2: I know she doesn't like it, but I get a

620
00:28:18,600 --> 00:28:20,640
Speaker 2: little bit of a kick when I get to walk

621
00:28:20,680 --> 00:28:25,240
Speaker 2: out there, and I know it's annoying her. Shocking, right, Yeah,

622
00:28:25,240 --> 00:28:28,280
Speaker 2: But I don't think I'm the only one.

623
00:28:27,480 --> 00:28:29,240
Speaker 3: Say something in the mix there. Your mumm used to

624
00:28:29,240 --> 00:28:31,760
Speaker 3: take your wing outside as well, right, hated it? Yeah,

625
00:28:31,800 --> 00:28:34,960
Speaker 3: And I loved it? Interesting there anyway.

626
00:28:35,240 --> 00:28:44,200
Speaker 2: Yeah, let's take your calls yeah that number?

627
00:28:44,240 --> 00:28:45,720
Speaker 3: Yeah, yeah, yeah.

628
00:28:45,800 --> 00:28:48,160
Speaker 1: The thing your partner does just to annoy you?

629
00:28:48,960 --> 00:28:51,800
Speaker 2: Oh yeah, you think there's something they do and the

630
00:28:51,840 --> 00:28:54,360
Speaker 2: sole reason they do it is just to annoy it.

631
00:28:54,240 --> 00:28:57,400
Speaker 3: It kills you, Yeah, breaks you.

632
00:28:57,880 --> 00:28:58,640
Speaker 1: Sorry, that's a good bit.

633
00:29:00,280 --> 00:29:04,440
Speaker 2: Stephen King, the famous horror rider, his wife almost left

634
00:29:04,480 --> 00:29:06,640
Speaker 2: him or threatened to leave him because he wouldn't.

635
00:29:06,360 --> 00:29:07,400
Speaker 1: Stop playing this song.

636
00:29:07,600 --> 00:29:09,800
Speaker 3: Yeah, he bloody loves it.

637
00:29:10,960 --> 00:29:14,440
Speaker 2: And we suspect that Stephen King was probably just playing

638
00:29:14,480 --> 00:29:16,520
Speaker 2: this song to piss off his partner.

639
00:29:16,640 --> 00:29:20,800
Speaker 1: To annoy his partner, he gets to a point life

640
00:29:22,440 --> 00:29:23,240
Speaker 1: for some reason.

641
00:29:23,840 --> 00:29:24,320
Speaker 5: The troll.

642
00:29:25,360 --> 00:29:26,240
Speaker 1: You can't mate.

643
00:29:26,320 --> 00:29:28,080
Speaker 3: You can't even a trumpet. You don't even throw to

644
00:29:28,120 --> 00:29:29,960
Speaker 3: a trumpet. You just say the trumpet?

645
00:29:30,000 --> 00:29:30,440
Speaker 1: What is that?

646
00:29:31,680 --> 00:29:38,200
Speaker 3: I know there's a trumpet. Apologize to Lou, Apologize to

647
00:29:38,240 --> 00:29:39,600
Speaker 3: louve in his song.

648
00:29:39,800 --> 00:29:41,080
Speaker 1: What's with You?

649
00:29:41,320 --> 00:29:41,480
Speaker 5: Then?

650
00:29:41,480 --> 00:29:44,640
Speaker 1: Against Lou Bager a durable guy anyway.

651
00:29:44,720 --> 00:29:46,680
Speaker 2: So we're asking you on thirteen one oh sixty five,

652
00:29:46,680 --> 00:29:49,000
Speaker 2: what's the thing your partner does just to annoy you.

653
00:29:49,040 --> 00:29:51,400
Speaker 2: We got Dylan here now, Dylan, you're on the flip

654
00:29:51,400 --> 00:29:53,840
Speaker 2: side of this. You do something just to annoy your partner?

655
00:29:55,440 --> 00:29:58,680
Speaker 7: Yeah, yeah, I jumped out around some calls and scare

656
00:29:58,880 --> 00:29:59,840
Speaker 7: or like even just making.

657
00:29:59,680 --> 00:30:03,360
Speaker 3: A loud scaring. Scaring is lifeblood for me.

658
00:30:03,800 --> 00:30:07,640
Speaker 1: That is, you do that to your partner, sim at least.

659
00:30:07,360 --> 00:30:09,479
Speaker 3: Three times a day. I don't know what it is,

660
00:30:09,720 --> 00:30:12,360
Speaker 3: just the best thing in the world. And now, amazingly

661
00:30:12,480 --> 00:30:15,960
Speaker 3: my daughter loves it. Of course I get to scare

662
00:30:16,000 --> 00:30:20,560
Speaker 3: her as well, part of intergenerational scare. It's amazing.

663
00:30:20,680 --> 00:30:22,040
Speaker 1: Have you ever got them like two in one?

664
00:30:22,120 --> 00:30:25,000
Speaker 3: Yeah? Absolutely? And Sam, it just I don't know what

665
00:30:25,040 --> 00:30:29,320
Speaker 3: it is. Keeps your relationship alive, like she's on edge,

666
00:30:29,360 --> 00:30:30,440
Speaker 3: which is just where I want to.

667
00:30:30,600 --> 00:30:34,360
Speaker 2: Anyway for me, Mims the scarer and I hate it.

668
00:30:34,520 --> 00:30:39,160
Speaker 2: I get home from work, she pops out and it's like, why, yeah, yeah,

669
00:30:39,160 --> 00:30:42,240
Speaker 2: because you're just trying to relate in your heart.

670
00:30:43,480 --> 00:30:45,320
Speaker 3: The other one that I if you want to call

671
00:30:45,400 --> 00:30:47,560
Speaker 3: up by the way, if you are the annoyer as

672
00:30:47,640 --> 00:30:49,960
Speaker 3: Dylan as, and I certainly am. You know when you

673
00:30:50,000 --> 00:30:51,680
Speaker 3: go and have a shower, like you have a shower

674
00:30:51,680 --> 00:30:55,040
Speaker 3: with your partner, lovely thing to do. She's a nice shower.

675
00:30:55,680 --> 00:30:58,040
Speaker 3: I always opt to get out first. I like, I'll

676
00:30:58,040 --> 00:30:59,920
Speaker 3: get out first, you know, he's saying here, And as

677
00:30:59,920 --> 00:31:04,040
Speaker 3: I get out, I always walk past the tap the mixer. Oh,

678
00:31:04,080 --> 00:31:06,959
Speaker 3: I always flick it to freezing cold. I'm out there.

679
00:31:08,200 --> 00:31:10,680
Speaker 3: But I just the best part about it is the delay,

680
00:31:10,880 --> 00:31:14,560
Speaker 3: Like I do it. I just count down five four. Well,

681
00:31:16,200 --> 00:31:18,920
Speaker 3: it's amazing if you don't do that, like enjoy that

682
00:31:18,920 --> 00:31:20,440
Speaker 3: because they always think it's a good thing. That's the

683
00:31:20,440 --> 00:31:22,120
Speaker 3: best thing about annoying your partner if you if you

684
00:31:22,200 --> 00:31:23,960
Speaker 3: lure them in with something that thinks good for them,

685
00:31:23,960 --> 00:31:24,720
Speaker 3: and then it's bad.

686
00:31:25,120 --> 00:31:26,160
Speaker 1: You kind of sending evil.

687
00:31:26,200 --> 00:31:29,680
Speaker 2: Let's go to JJ here, JJ, what is your partner

688
00:31:29,760 --> 00:31:31,880
Speaker 2: do just to annoy you?

689
00:31:31,920 --> 00:31:37,120
Speaker 9: Just pinches me, just loves pinching all the chubby spots

690
00:31:37,160 --> 00:31:40,240
Speaker 9: and he does it to the kids. Yeah, just anytime

691
00:31:40,280 --> 00:31:42,760
Speaker 9: he gets just comes up, pinches my cheeks, comes up,

692
00:31:42,800 --> 00:31:43,840
Speaker 9: pinches my thighs.

693
00:31:44,160 --> 00:31:47,520
Speaker 3: Oh, pinches your camel a camel bide to JJ, like

694
00:31:48,280 --> 00:31:49,760
Speaker 3: if you get if you get a good camel byte

695
00:31:49,760 --> 00:31:51,120
Speaker 3: going in the car, there's nothing.

696
00:31:51,400 --> 00:31:53,360
Speaker 1: Yeah, what's like?

697
00:31:53,600 --> 00:31:56,080
Speaker 3: Camel byite is just like just above the knee, like

698
00:31:56,160 --> 00:31:58,520
Speaker 3: just above the knee, about ten centimeters above the knee.

699
00:31:58,560 --> 00:31:59,120
Speaker 1: You get a big.

700
00:31:59,040 --> 00:32:02,800
Speaker 3: Squeeze going on there. It's like this like pure excruciation

701
00:32:02,960 --> 00:32:13,120
Speaker 3: mixed with hilarity. It's nothing better. Let's really, Lucy, what.

702
00:32:13,000 --> 00:32:15,200
Speaker 1: Do you do to annoy your partner?

703
00:32:16,200 --> 00:32:16,400
Speaker 7: Hi?

704
00:32:16,560 --> 00:32:16,760
Speaker 8: Lad?

705
00:32:16,880 --> 00:32:17,480
Speaker 2: How are you doing?

706
00:32:17,760 --> 00:32:18,120
Speaker 1: Very good?

707
00:32:18,160 --> 00:32:18,520
Speaker 3: Lucy?

708
00:32:19,360 --> 00:32:19,600
Speaker 12: Yeah?

709
00:32:19,640 --> 00:32:20,360
Speaker 9: Good, good for it?

710
00:32:21,120 --> 00:32:24,760
Speaker 7: So what I do to annoy my partner is he

711
00:32:25,000 --> 00:32:29,800
Speaker 7: has a gorgeous Baby Series land cruiser and he doesn't

712
00:32:29,840 --> 00:32:32,880
Speaker 7: have a name for it. So earlier in our relationships,

713
00:32:32,880 --> 00:32:35,960
Speaker 7: about two and a half old years ago, I decided

714
00:32:36,000 --> 00:32:37,920
Speaker 7: to come up with a name for it, and he

715
00:32:38,160 --> 00:32:42,280
Speaker 7: despises it. I call her Bessie, and every time I

716
00:32:42,280 --> 00:32:44,800
Speaker 7: see her car, I'm like, oh, hey, Bessie, and he's like,

717
00:32:45,040 --> 00:32:45,960
Speaker 7: that's not her name.

718
00:32:46,080 --> 00:32:46,520
Speaker 6: Stop that.

719
00:32:47,040 --> 00:32:51,320
Speaker 7: I do it multiple times a day and it riles

720
00:32:51,400 --> 00:32:54,400
Speaker 7: him up, and I love it to dip love the car.

721
00:32:55,240 --> 00:32:57,520
Speaker 7: He insists on being like, no, I'm not going to

722
00:32:57,560 --> 00:33:00,800
Speaker 7: give it a name. He just calls it car.

723
00:33:00,120 --> 00:33:00,680
Speaker 6: I thought.

724
00:33:02,080 --> 00:33:04,239
Speaker 7: I thought that wasn't good enough, so I was like,

725
00:33:04,320 --> 00:33:05,320
Speaker 7: I'm going to give her a name.

726
00:33:06,560 --> 00:33:08,520
Speaker 3: You've gone for the last common denominator.

727
00:33:09,320 --> 00:33:11,080
Speaker 1: The fact that he hates it is kind of tragic, though.

728
00:33:11,120 --> 00:33:18,120
Speaker 2: Isn't it called Bessie And it doesn't mean her name

729
00:33:18,160 --> 00:33:19,080
Speaker 2: is actually Bessie.

730
00:33:19,080 --> 00:33:20,920
Speaker 1: Your partner is just saying that, yeah.

731
00:33:20,720 --> 00:33:22,640
Speaker 3: But it's the connotation. It's your manhood.

732
00:33:22,880 --> 00:33:23,320
Speaker 5: It's like.

733
00:33:25,720 --> 00:33:27,720
Speaker 3: How to lose a guy in ten days where she

734
00:33:27,880 --> 00:33:30,400
Speaker 3: calls his, she calls his, she gives his chop a nickname,

735
00:33:30,440 --> 00:33:32,800
Speaker 3: and it's like Princess Sophia or something like that. It's

736
00:33:32,800 --> 00:33:40,280
Speaker 3: your manhood, like it's the thing that you know, the hand.

737
00:33:49,560 --> 00:33:51,479
Speaker 3: One of our favorite people is going through a bit

738
00:33:51,480 --> 00:33:53,800
Speaker 3: of a tough time as they're saying goodbye to the

739
00:33:53,880 --> 00:33:56,920
Speaker 3: thing which has made them very famous on the show,

740
00:34:00,800 --> 00:34:05,320
Speaker 3: Rude Jude shuts up Shot. Rutchard's probably our favorite person

741
00:34:05,360 --> 00:34:08,279
Speaker 3: has ever called this show Woods. She's as charismatic as

742
00:34:08,320 --> 00:34:10,359
Speaker 3: she is beautiful. She owns a bait and tackle shop

743
00:34:10,360 --> 00:34:12,600
Speaker 3: with a naughty corner, eight hours inland from Brisbane, in

744
00:34:12,640 --> 00:34:14,799
Speaker 3: a tiny place called Charldville. She really is the heart

745
00:34:14,800 --> 00:34:16,000
Speaker 3: and soul of the town. She came on the show

746
00:34:16,040 --> 00:34:17,839
Speaker 3: the other day to say that she's shutting the shop down.

747
00:34:18,000 --> 00:34:20,560
Speaker 6: We've still had a few things left there. Yeah, would

748
00:34:20,600 --> 00:34:23,000
Speaker 6: run out of dolls. Remember that bloke came and every

749
00:34:23,040 --> 00:34:24,840
Speaker 6: month and bought a bluff dol. He bit her on

750
00:34:24,920 --> 00:34:26,600
Speaker 6: the tit and she flew out the windows.

751
00:34:32,160 --> 00:34:34,719
Speaker 1: Oh mate, we love you mate.

752
00:34:34,840 --> 00:34:38,360
Speaker 6: I think it's just the people mainly that I'll miss.

753
00:34:38,800 --> 00:34:41,200
Speaker 3: She captured the hearts and minds of the whole country

754
00:34:41,200 --> 00:34:43,000
Speaker 3: because a how much of a character she is. B

755
00:34:43,200 --> 00:34:45,200
Speaker 3: the fact that it has a naughty corner, so she's

756
00:34:45,239 --> 00:34:48,600
Speaker 3: also responsible for selling all the naughty paraphernalia for one

757
00:34:48,640 --> 00:34:49,480
Speaker 3: hundred kilometers.

758
00:34:49,960 --> 00:34:53,440
Speaker 2: Karl Stefanovic, very sexual lady.

759
00:34:54,320 --> 00:34:56,719
Speaker 1: A lot of sparks between user. It's truth light.

760
00:34:57,360 --> 00:34:59,480
Speaker 3: She gave me something to take home to which went

761
00:34:59,520 --> 00:35:03,399
Speaker 3: down like a lead balloon, right.

762
00:35:03,680 --> 00:35:06,360
Speaker 7: A bit sad about Jude obviously, just looking through some

763
00:35:06,440 --> 00:35:08,080
Speaker 7: of my photos now from the Lokies.

764
00:35:08,280 --> 00:35:09,520
Speaker 6: Yeah, she's a star man.

765
00:35:10,680 --> 00:35:12,880
Speaker 8: Yeah, you've got anything else you're looking all fload.

766
00:35:13,040 --> 00:35:16,320
Speaker 6: We've got a bat plug here. It's got to Remarkee

767
00:35:16,360 --> 00:35:17,640
Speaker 6: contrials nice.

768
00:35:17,800 --> 00:35:21,360
Speaker 3: Yeah. Yeah, we want.

769
00:35:21,160 --> 00:35:24,520
Speaker 2: To send Rude Jude off in style as Rude.

770
00:35:24,320 --> 00:35:27,960
Speaker 3: Jude shuts up shop. That's the idea of the shop

771
00:35:28,040 --> 00:35:30,920
Speaker 3: sells next Wednesday. As you can hear already a couple

772
00:35:30,960 --> 00:35:34,080
Speaker 3: of rejections for performing live from the Naughty Corner. It's

773
00:35:34,080 --> 00:35:36,600
Speaker 3: a no from Carl. I know from bow Hey, Kylie

774
00:35:36,640 --> 00:35:38,440
Speaker 3: and Oak she's going to be on the show tomorrow.

775
00:35:38,480 --> 00:35:41,000
Speaker 3: I reckon Kylie live from the Naughty Corner. I mean,

776
00:35:41,080 --> 00:35:43,720
Speaker 3: ge whiz if anything's going to bring foot trap buddy,

777
00:35:43,960 --> 00:35:44,760
Speaker 3: Oh my god.

778
00:35:44,600 --> 00:35:46,000
Speaker 1: Are you going to shoot with that question? Are you

779
00:35:46,000 --> 00:35:46,480
Speaker 1: going to leave that?

780
00:35:46,640 --> 00:35:47,960
Speaker 3: I was going to leave that for you. That's your

781
00:35:48,120 --> 00:35:48,960
Speaker 3: that's your zone.

782
00:35:49,640 --> 00:35:51,800
Speaker 2: Asking Kylie to perform from a Nordy corner in the

783
00:35:51,840 --> 00:35:56,280
Speaker 2: middle of Australia in front of a wall of yeah,

784
00:35:56,320 --> 00:35:57,720
Speaker 2: you know, it's a bit funny.

785
00:35:57,840 --> 00:36:00,000
Speaker 3: He's a funny boy.

786
00:35:59,520 --> 00:36:01,080
Speaker 1: I mean people say I'm disarming.

787
00:36:01,120 --> 00:36:03,040
Speaker 3: Yeah me, They're like, hey, I'm really serious about that.

788
00:36:03,440 --> 00:36:06,359
Speaker 3: Whereas you might be able to get it anyway. We've

789
00:36:06,360 --> 00:36:08,000
Speaker 3: got Guy Sebastian on the show next week. I mean

790
00:36:08,000 --> 00:36:10,160
Speaker 3: Guy Sebastian live from the Naughty Corner. That could be

791
00:36:10,200 --> 00:36:11,040
Speaker 3: pretty great as well.

792
00:36:11,080 --> 00:36:12,719
Speaker 2: I think the method is let's chuck the net out

793
00:36:12,719 --> 00:36:14,240
Speaker 2: pretty bloody wide, because.

794
00:36:14,000 --> 00:36:15,759
Speaker 1: I think we're going to get a lot of nose.

795
00:36:15,800 --> 00:36:17,879
Speaker 1: We're gonna get a lot of nose. But I agree

796
00:36:17,920 --> 00:36:20,560
Speaker 1: with you. By next Wednesday, we just need to we need.

797
00:36:20,440 --> 00:36:22,000
Speaker 3: To send her off in style. We owe it to

798
00:36:22,080 --> 00:36:24,279
Speaker 3: a one hundred er, have a proper closing downsale, and

799
00:36:24,320 --> 00:36:26,880
Speaker 3: not just that to clear the stock off the shelves. Yes,

800
00:36:27,200 --> 00:36:29,000
Speaker 3: just to try and get there, because I mean she's

801
00:36:29,040 --> 00:36:31,680
Speaker 3: closing this entire fishing shop. And yes, it's got a

802
00:36:31,760 --> 00:36:33,960
Speaker 3: naughty corner in this I'll tell you right now. There

803
00:36:34,000 --> 00:36:35,680
Speaker 3: as sex joys in that naughty girder that have been

804
00:36:35,680 --> 00:36:39,200
Speaker 3: there for forty years, like they still good though, Yeah,

805
00:36:39,200 --> 00:36:41,719
Speaker 3: I'm still good, still good. I mean you're just still

806
00:36:41,760 --> 00:36:44,319
Speaker 3: in the packaging, I mean collector's item maybe, but she

807
00:36:44,400 --> 00:36:45,920
Speaker 3: needs a bit of a hand getting all this stuff

808
00:36:45,920 --> 00:36:46,359
Speaker 3: out the door.

809
00:36:46,440 --> 00:36:48,520
Speaker 2: So and I just said, if Caylie Minogue is doing

810
00:36:48,600 --> 00:36:53,000
Speaker 2: a one off performance, people will next all around Australia.

811
00:36:52,960 --> 00:36:53,920
Speaker 1: See her perform.

812
00:36:54,000 --> 00:36:54,879
Speaker 3: Yes, and then you.

813
00:36:54,960 --> 00:36:56,959
Speaker 1: Sell a couple of rods at the same time, will

814
00:36:57,080 --> 00:36:57,600
Speaker 1: you know what I.

815
00:36:57,520 --> 00:37:00,480
Speaker 3: Mean fishing rods? Yeah, exactly. So look, Kylie's on the

816
00:37:00,480 --> 00:37:02,759
Speaker 3: show tomorrow. We'll ask Kylie. We're going to keep We're

817
00:37:02,760 --> 00:37:05,440
Speaker 3: going to keep scoping guys. If you've got anyone that

818
00:37:05,480 --> 00:37:08,000
Speaker 3: you know might be able to get in there and

819
00:37:08,080 --> 00:37:10,600
Speaker 3: get involved with us closing down Rude Jude's shop, Rud

820
00:37:10,680 --> 00:37:13,400
Speaker 3: Dude shutting up shop, then please let us know or

821
00:37:13,800 --> 00:37:16,360
Speaker 3: just DM us on willing Woody give us a call anytime.

822
00:37:16,640 --> 00:37:19,400
Speaker 3: We had a wonderful call from a woman from California

823
00:37:19,800 --> 00:37:22,279
Speaker 3: recently who had been in Jude's shop. We're all just

824
00:37:22,280 --> 00:37:25,160
Speaker 3: sort of like building this memory and commemorating what an

825
00:37:25,239 --> 00:37:28,320
Speaker 3: amazing place it's been for forty one years. Jennifer's calling

826
00:37:28,400 --> 00:37:29,760
Speaker 3: is from California.

827
00:37:30,360 --> 00:37:34,000
Speaker 8: We went on a outback adventure and the accent, of course,

828
00:37:34,160 --> 00:37:36,360
Speaker 8: just blew my mind. And I turned and I'm listening

829
00:37:36,360 --> 00:37:39,960
Speaker 8: to her talking to this customer, so off the wall

830
00:37:40,000 --> 00:37:43,040
Speaker 8: from what you've ever hear in California in the United States.

831
00:37:43,160 --> 00:37:45,640
Speaker 8: I look behind her and I see the ninety quarter

832
00:37:45,800 --> 00:37:49,680
Speaker 8: and I'm just like, wait a minute. Something bright pink

833
00:37:49,760 --> 00:37:51,719
Speaker 8: catches my eyes and I look over and it's the

834
00:37:52,200 --> 00:37:55,040
Speaker 8: packet of penistras, and I'm like, well, this is pretty.

835
00:37:54,760 --> 00:37:59,400
Speaker 3: Cool, awesome, amazing that people have been in and out

836
00:37:59,440 --> 00:38:01,120
Speaker 3: of that shop from all over the world. So if

837
00:38:01,120 --> 00:38:03,000
Speaker 3: you've been in Judy's browsing and hit us up, Will

838
00:38:03,080 --> 00:38:04,319
Speaker 3: and Wood you guys, we're going to send it off

839
00:38:04,320 --> 00:38:06,480
Speaker 3: in style. Hopefully we can be great if we could

840
00:38:06,480 --> 00:38:08,680
Speaker 3: surprise her. It would be great if we could surprise.

841
00:38:08,440 --> 00:38:10,759
Speaker 1: Her big performer or celebrity. That's the goal.

842
00:38:10,800 --> 00:38:13,240
Speaker 3: Well, that's the goal. It's next Wednesday, guys. Phil Rosendal's

843
00:38:13,239 --> 00:38:14,680
Speaker 3: going to join us. Actually a little bit later, the

844
00:38:14,680 --> 00:38:18,759
Speaker 3: creator of Everybody Loves Raymond and obviously Netflix, somebody feed

845
00:38:18,760 --> 00:38:20,520
Speaker 3: Phil so we can get him down there.

846
00:38:20,680 --> 00:38:23,279
Speaker 1: Oh, there we go, Will Chuck the net out, chuck

847
00:38:23,360 --> 00:38:23,919
Speaker 1: the net out,