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Speaker 1: Jersey and Amanda jam Nation.

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Speaker 2: I've been just working on my pivot, my job golf,

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Speaker 2: no golf move pivot.

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Speaker 3: I've just been working on. I've decided my next step

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Speaker 3: in this business.

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Speaker 1: We've been back two days is to.

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Speaker 2: Be one of those voice over artists for inanimate objects

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Speaker 2: that look like they've got faces in them.

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Speaker 1: It's very specific an agency for that, I don't know.

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Speaker 3: There's a lot of ads like.

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Speaker 1: Tucker Box, tucker Bag. You'd see a paper bag talking.

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Speaker 3: No, tucker Bag was a mascot.

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Speaker 1: You could be the big mattress face.

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Speaker 3: Once again, mister yawn is a mattress with.

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Speaker 1: As opposed to what the are you talking about?

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Speaker 3: I'm talking about?

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Speaker 2: There's these ads you might have seen them for inanimate objects,

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Speaker 2: the Woolies ads. There there's an ad and the lady

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Speaker 2: gets in a car and the coffee cup starts to

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Speaker 2: it's one of those reusable coffee cups. And the mouth

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Speaker 2: is the flap where you drink the coffee and the

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Speaker 2: eyes of the vent holes.

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Speaker 1: And do the eyes blink and the mouth yeah, So

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Speaker 1: you get down here are you getting your woolies worth?

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Speaker 2: And then there's another one who's a basketball basketball hope

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Speaker 2: you got your wool is worth the mouth.

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Speaker 3: Yeah, it's just a bashed of old basketball.

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Speaker 2: So it's not really drawn by anyone specifically, like Tucker Bags.

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Speaker 3: Tucker Bags.

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Speaker 1: But you do have an irritating voice, so I can

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Speaker 1: see you doing this.

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Speaker 3: I don't think my voice is irritated.

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Speaker 1: So what are you picturing for yourself?

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Speaker 3: I just like to be one of those character.

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Speaker 1: Voice for nanimate objects.

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Speaker 3: Yeah, yeah, I think that that's my next pivot.

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Speaker 1: Well, practice, what can we use?

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Speaker 3: Well, like I could do like see this water bottle,

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Speaker 3: So I got the water bottle.

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Speaker 1: We've got water bottles in here that have a.

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Speaker 2: It's got a spouty bit yeah, and then the spout

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Speaker 2: just for the purposes of this, I'm just going to

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Speaker 2: put a dot there.

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Speaker 3: So I've got like two.

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Speaker 1: Eyes all right, and the spouts the mouth.

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Speaker 3: Yeah, and then I got him in here are you today?

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Speaker 3: You got your bloody wooly?

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Speaker 1: That's the voice you do for everything?

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Speaker 3: No, it doesn't. Yeah, Well let me audition what voices

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Speaker 3: do you want?

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Speaker 1: Well say something romantic?

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Speaker 3: Well, hello, Amanda, how are you today?

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Speaker 1: You're dripping water off the table.

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Speaker 3: I've made everything wet.

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Speaker 1: Oh come on, I'm not coming on. I'll stop it.

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Speaker 3: All right, I'll give you.

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Speaker 1: I'll give you an inanimate object. Can you do the

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Speaker 1: voice for? You know, in public a toilet paper dispenser

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Speaker 1: and maybe those ones in public toilets where the paper

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Speaker 1: it's almost like wax paper, the least absorbent paper of

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Speaker 1: all time. The paper comes out of the hole. So

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Speaker 1: there you've got your toilet paper dispenser, because it can't

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Speaker 1: be your water bottles are nice things, audition for that.

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Speaker 3: Why would toilet paper dispenser start talking?

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Speaker 1: Why would a water bottle talk to you?

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Speaker 3: What makes more sense?

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Speaker 1: All right, this is your audition, Brendan and Action. It's

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Speaker 1: always the same voice, isn't it.

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Speaker 3: You gotta be here again? No smoking in here? Well,

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Speaker 3: bloody hell made another flash. That's the other.

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Speaker 1: You're good. I think you're good. But you've only got

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Speaker 1: that one voice.

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Speaker 3: No, I've gotten many voices, many many.

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Speaker 1: Okay, do posh? Amanda has a toilet dispenser?

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Speaker 3: Hello, Amanda, how are you today? I love your bomb creep? No,

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Speaker 3: you said all right?

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Speaker 1: From the wild West. It's the same voice. It's Mike Whitney.

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Speaker 3: Every guy Mike Whitney is totally different. How the Amanda

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Speaker 3: how are.

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Speaker 1: You doing that, Mike Whitney, No, and do like a kid.

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Speaker 3: I'm really.

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Speaker 1: You've got no range. Stretch your problem. You have no range.

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Speaker 3: Heaps of range anyway, if you're a casting director, that's

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Speaker 3: what I want to do.

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Speaker 1: Okay, we're not using this as your professional by swap

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Speaker 1: and sell? What edition?

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Speaker 3: What else is it good for?

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Speaker 1: All right? Well please hang on, I just hang it.

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Speaker 1: I can't hear the phone ring.

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Speaker 2: What a shame, what a better Pottle wants to say something,

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Speaker 2: get Amena?

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Speaker 1: Well, hopefully someone else would write it for you.