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Speaker 1: Hey, it's well, I'm having a wonderful drive and we

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Speaker 1: have got the brilliant guy Montgomery in the studio.

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Speaker 2: Welcome to the studio.

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Speaker 3: Thank you so much to both Will and Woody. And

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Speaker 3: let's not forget Tom, who doesn't really get a look in.

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Speaker 3: He's got a different opening consonant, the big Team, the

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Speaker 3: Big gin A couple of w.

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Speaker 2: You're sounding quite South African.

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Speaker 3: Like, no, I sound I see yeah, I sound like myself.

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Speaker 4: I love coming to Australia.

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Speaker 3: I love you guys, little voices you do, so it

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Speaker 3: sounds a little bit like us, only also a little

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Speaker 3: bit Worse's.

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Speaker 1: Who's got the wrong end of the stick there, like

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Speaker 1: quite honestly, because cards on the table, you guys sound

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Speaker 1: like ship.

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Speaker 4: You're entitled.

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Speaker 3: In Australia, they would probably hold a lot, you know,

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Speaker 3: that would a lot of people would get behind you

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Speaker 3: and believe that. But you guys sound objectively. You sound awful.

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Speaker 3: You know, in this country it sounds normal.

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Speaker 4: But if you go abroad and you hear an Australian yeah.

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Speaker 3: Like, your body tenses up, yeah, and I shut it down,

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Speaker 3: you know, because.

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Speaker 4: You guys, let you onto us. I think we have

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Speaker 4: a bit of traveling reputation.

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Speaker 1: I think people yeah, no, no, no, definitely no one

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Speaker 1: no one's no.

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Speaker 4: One's yeah, no, we do. I always traveling reputation.

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Speaker 1: But if we just talk pound for pound language, yeah,

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Speaker 1: like where like where do we lose you? It's the

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Speaker 1: it's the it's the broadness at the end of something

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Speaker 1: in the vowels, isn't.

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Speaker 4: It what you mean one of the differences?

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Speaker 1: Yeah, no, no, like, what's the offensive part of the language.

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Speaker 1: What's the word you give me the word? What's the

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Speaker 1: one that hits you that you're like, Jesus can't hear that.

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Speaker 4: I can't even place it on a word. It's more

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Speaker 4: just it's energitic.

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Speaker 3: It's what the represents, which is a group of slightly

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Speaker 3: superior athletes who beat us across the wide.

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Speaker 4: Yeah, I think that is where like a childhood sports

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Speaker 4: but that's where a lot of the rezation comes from.

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Speaker 4: A confident I.

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Speaker 2: Think is there. It is more confident. That's that's a

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Speaker 2: great way to put it.

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Speaker 5: It's like you're on the back foot, aren't you key

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Speaker 5: the way kew Is talk because they're always on the

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Speaker 5: back foot.

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Speaker 3: It's always like, well, if we talk nice and slow though,

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Speaker 3: it all you've got control, you know. I like you

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Speaker 3: talk slow, especially stand up picture. It's the skill I

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Speaker 3: learned withere. If you go out and you start real slow,

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Speaker 3: it's a lot easier to accelerate. Yes, and it sort

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Speaker 3: of creates control.

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Speaker 2: Yeah, you're you are currently in control.

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Speaker 4: Yes, right, Yeah, and that's a little trick.

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Speaker 5: Well, you potentially went a little bit too slow on

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Speaker 5: Celebrity Treasure Island.

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Speaker 3: Well this is topical because topic your little Australian version. Yeah.

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Speaker 4: Yeah, yeah, so you're part of this Celebrity Treasure Island.

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Speaker 5: But you you you only lasted a day.

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Speaker 3: No, no, I lasted three days. But I was the

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Speaker 3: first to be eliminated.

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Speaker 4: And I think it's yours.

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Speaker 3: It's it's fan voting and yes, yeah, so this one

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Speaker 3: that's like it's all inside of the community.

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Speaker 4: So it's all the people, the castaways is what they're called. Yeah.

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Speaker 3: Yeah, you're into different teams and you like put people

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Speaker 3: up for elimination challenges. It's more like big Brother maybe,

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Speaker 3: I think, yeah, or Survivor.

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Speaker 4: Yeah, your Survivor is a better example.

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Speaker 2: Yes, and yeah I was brother.

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Speaker 3: Yeah, I'm a you know, I'm a I'm a snake

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Speaker 3: in the grass. I'm a shack in the tank and

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Speaker 3: I was, I was. I was just too threatening to

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Speaker 3: really That's.

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Speaker 4: What I say. I lost a challenge.

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Speaker 1: We've got more we home on comedy right next, dope,

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Speaker 1: you haveing a wonderful drive home. You want to see Guy,

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Speaker 1: you can see him. That's the great news. Live Nation

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Speaker 1: dot com dot au is going to be the Melbourne

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Speaker 1: National Comedy Festival, Sydney Comedy Festival this April and may

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Speaker 1: go and see the great man or just stay tuned.

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Speaker 1: Has got more with him right up next money, it's kiss.

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Speaker 2: All right, hanging after a.

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Speaker 1: Round of his wheel and what you've got the one

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Speaker 1: and Only Montgomery And now look, I'm just going to

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Speaker 1: build guy up before I bring him down. He's got

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Speaker 1: a brand new comedy show.

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Speaker 2: My brain is blowing me crazy.

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Speaker 1: The Melbourne National Comedy Festival, the Sydney Comedy Festival, Livenation

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Speaker 1: dot com dot au. I want to talk to you

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Speaker 1: about your podcast A lot, the worst idea of all time.

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Speaker 4: You got, You've got an exciting list in from.

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Speaker 2: It could be the right I'm punked about talking about that.

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Speaker 1: But before we get to that, let's talk about how

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Speaker 1: you got here. Because you're a bit of you are

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Speaker 1: a keyway on the mainland.

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Speaker 4: And there's obviously.

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Speaker 2: It's obviously signals scrambled a bit and you thought you put.

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Speaker 1: Your big boy boots on and jump on one of

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Speaker 1: these electric lime scooters.

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Speaker 4: No, I won't stand for that. You're rewriting history as

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Speaker 4: you speak. What heaven is?

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Speaker 3: There are two first of all, in terms of civic

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Speaker 3: planning Melbourne, which is where we were conversing. Beautiful city.

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Speaker 3: Yeah yeah, but due to an oversight, some internal care

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Speaker 3: it still oversight. There are two kiss fms. One k

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Speaker 3: I is this, one k I I is. This is

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Speaker 3: a very small but vital detail. It turns out a

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Speaker 3: very small community radio state. And you know that because well,

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Speaker 3: because what I wanted to do before I came here

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Speaker 3: to check out the competition.

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Speaker 2: How about did you get in the door?

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Speaker 4: It was an hour round trip before I got here. No, no, no, no, no, no.

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Speaker 3: I only scooter locally. I supported local industry by getting

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Speaker 3: one uber to Brunswick for half an hour, knocking on the.

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Speaker 4: Wrong door and getting a brand new Uber back to here. Yeah,

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Speaker 4: saying on so you knocked on the door.

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Speaker 5: Was there a moment where you spoke to another human

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Speaker 5: being and said here for the door, and I said,

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Speaker 5: this is not it.

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Speaker 3: I called the producer and I said, look are you

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Speaker 3: nique to something called the Green Parrot Cafe?

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Speaker 4: And she said I could hear the frustration disappointed voice.

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Speaker 4: You said, I don't think that's it.

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Speaker 2: And then the Green Parrot.

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Speaker 4: Yeah, but you know, it's good to be here and

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Speaker 4: what a beautiful city you have for Let's talk about

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Speaker 4: your podcast.

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Speaker 2: Because you made it. You want mistake again?

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Speaker 4: No?

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Speaker 2: No, have you got a chat with the other Kiss?

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Speaker 4: I didn't get it. I honestly look like you know.

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Speaker 4: I don't want to big you guys up too much,

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Speaker 4: but we're going through a pretty hard time.

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Speaker 2: That's great.

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Speaker 1: If anyone gets a chance to listen a Kiss in Melbourne,

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Speaker 1: check it out.

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Speaker 2: It's a great hot dance.

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Speaker 5: You're currently promoting these other radio station totally.

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Speaker 2: It's really good stuff to get around it. They do

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Speaker 2: a great job.

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Speaker 5: I think, Okay, but stay here with us now for

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Speaker 5: the moment, because guys doing a great job.

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Speaker 4: Change But people hear a student that I'm not.

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Speaker 2: She's heard about it. Kiw not being able to make

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Speaker 2: their way around the big city. If you've had enough

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Speaker 2: of it.

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Speaker 1: I just love that so much. You came in here,

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Speaker 1: you're you're you're a big, big noting the New Zealanders

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Speaker 1: and you've come in you've absolutely watched it first day,

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Speaker 1: first day, did you feel like a tourist?

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Speaker 2: That's the question.

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Speaker 4: Look, I am here myself. Converse. Let's talk about your podcast.

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Speaker 5: Let's converse about your podcast, because this is awesome.

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Speaker 4: We were talking about this before you came in.

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Speaker 5: So the podcast, it's the worst idea of all time podcast,

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Speaker 5: that's what it's called. With yourself and Tim Batt. So

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Speaker 5: you watch the same movie over and over again, and

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Speaker 5: then you discuss the experience of watching that movie.

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Speaker 4: That is.

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Speaker 3: That's what it boils down to, is a movie review

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Speaker 3: podcast where the movie doesn't change.

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Speaker 4: And so we're quite the whole year. So the first

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Speaker 4: year we.

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Speaker 3: Did Grown Ups Too, so we'd watch and of Your

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Speaker 3: Grown Ups Too every week for a year, and then

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Speaker 3: the next year we did Six in the City two.

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Speaker 4: It but actually only sequels, is that? Well?

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Speaker 3: No, Then we did a listener known a movie called

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Speaker 3: We Are Your Friends. It's maybe from.

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Speaker 4: Places all great films.

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Speaker 3: Yeah, But so we're currently actually doing the Fast and

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Speaker 3: the Furious franchise backwards Fast nine nine time because we

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Speaker 3: haven't seen any of them, So in Fast nine nine

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Speaker 3: times eight eight times, all the way back to the

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Speaker 3: first movie to figure out how these people got here.

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Speaker 1: Oh, the origin story of the podcast is called the

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Speaker 1: worst idea of all time?

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Speaker 2: So which it could be? Is it because I said

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Speaker 2: it Woody before?

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Speaker 1: Surely that like just the rigmarole of that is exhausting,

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Speaker 1: Like like every week you've got to find two two

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Speaker 1: and a half hours, We're like, I've got to go

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Speaker 1: and watch Sex and Sex and the City two for

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Speaker 1: the thirtieth time this year.

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Speaker 3: It's a young man's game because you know, we had

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Speaker 3: no sort of dependence or obligations really when we got together.

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Speaker 3: But now we've both got families. You're really coming time

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Speaker 3: out of what is your life totally, you know, And

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Speaker 3: it's it's a scant reward of it becomes more and

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Speaker 3: more grim the longer it goes.

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Speaker 4: But also so that's sort of that's part of the fascination.

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Speaker 5: And I think in the draw, have you ever considered lying,

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Speaker 5: like just rocking up one week ago?

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Speaker 4: We've always seen it. We've got more integrity than teens.

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Speaker 1: I'm really really keen to listen to that. Can I

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Speaker 1: just ask, sorry, what because it's the watching experience of

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Speaker 1: the movie that you watch fifty well, yeah, fifty two times.

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Speaker 2: What is that?

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Speaker 1: What's what's the sort of unusual that changes in the experience.

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Speaker 3: It's so you basically, if you watch a movie, once

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Speaker 3: you watch what the cameras are focus what you focus

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Speaker 3: on what you're meant to watch.

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Speaker 4: Yeah, you watch the movie that the director wanted you

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Speaker 4: to see, watch.

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Speaker 3: It over and over again. That sort of stuff actually

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Speaker 3: turns into soft focus. Your eye has literally drawn to like,

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Speaker 3: of course, if she crowned extras, you're you're craving, Varya.

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Speaker 1: Can we have an example, So let's use in the

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Speaker 1: City too, that was there's a there's.

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Speaker 3: This in six and two is the scene where all

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Speaker 3: of the four girls, Carrie, Samantha, Miranda, and Charlotte or

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Speaker 3: at a cafe and they're planning a trip abroad. In

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Speaker 3: the background of frame, like every other shot in the

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Speaker 3: Cementa's frame, in the background of her frame, there's a

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Speaker 3: guy and you see him like this is a story

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Speaker 3: that's told in start of Ten Things in the movie.

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Speaker 3: You see a guy into the cafe, sit down, ask

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Speaker 3: for a coffee, get a coffee, Nick it, get another

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Speaker 3: coffee the next time he's in frame, Nick that, and

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Speaker 3: then just stand up, pick up a newspaper and walk

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Speaker 3: out a frame. And so all we're talking about like

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Speaker 3: every episode, basically the whole thing is like, what is this?

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Speaker 1: You know?

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Speaker 4: What is it? We had a sequence called what's he doing?

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Speaker 4: Whizzy off to who needs to scatch caffeine?

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Speaker 3: And so you sort of you gravitate towards basically anything

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Speaker 3: that might represent a.

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Speaker 4: Change from the media you're consumed.

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Speaker 5: Did you come up with an answer? What was the

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Speaker 5: best answer? He came up with what do you think

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Speaker 5: that guy who was punching espresso is doing?

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Speaker 3: I honestly can't remember. I think it was so long

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Speaker 3: you'd have to listen.

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Speaker 2: Podcast is called the worst idea of all time.

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Speaker 1: Guy Mint comery with his best mate Tim Batt looks

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Speaker 1: awesome mate, Live Nation dot com. Do you if you

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Speaker 1: want to go and see Guy? I know Melbourne Comedy

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Speaker 1: Festival selling very very fast all show and Sydney Comedy

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Speaker 1: Festival as well.

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Speaker 4: Mate.

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Speaker 2: Great to have you having me, That's pleasure.

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Speaker 4: Can I say good luck to achieve? Review? Guys Onto

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Speaker 4: the Jungle a reality TV show? Cool? Yes?

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Speaker 2: Cool, Thanks guys,