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Speaker 1: Drilling podcasting.

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Speaker 2: Now it's probably the wild the story without on the

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Speaker 2: airwaves this year. Bloke bringing down an illegal prostitution ring

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Speaker 2: wait for it, whilst getting a massage.

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Speaker 3: It was truly phenomen There's so many more details of

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Speaker 3: that story that you're just gonna have to hear once

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Speaker 3: you keep listening to the podcast.

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Speaker 2: Will I think that's the idea?

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Speaker 3: Is that the introductions idea? I thought it was like some.

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Speaker 2: It okay messaging, a cool way best phone top we've

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Speaker 2: ever heard ever, what's in the glove box? Kick things off?

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Speaker 2: And we also just reminisce on the skin the shows

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Speaker 2: that were just so scary that we shouldn't have been

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Speaker 2: shown them as children. And it's amazing the stuff that

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Speaker 2: you guys dig up. Genuinely traumatic, seriously nostalgic for everyone. Yeah,

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Speaker 2: plus the surefire way to know somebody wants to kiss you.

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Speaker 2: Well we didn't agree on that.

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Speaker 3: Well no, no, you put forward a theory, but sixty

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Speaker 3: six point six seven percent of Australia agree with me,

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Speaker 3: and I'll take that.

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Speaker 2: Point six recurring.

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Speaker 3: My sixties is pretty good. Yeah, you tell that, Thank you, guilding.

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Speaker 2: But it was three women called up. It was just

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Speaker 2: a random sample size. It wasn't like, you know, we

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Speaker 2: didn't census one hundred thousand people whatever. Man, So stat's

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Speaker 2: speaking no, no, no, yeah, that's to speak for themselves.

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Speaker 2: It's three randoms. Two of them said yes, one of

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Speaker 2: them said no.

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Speaker 3: My theory on knowing if someone wants to kids.

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Speaker 2: You supported by two randoms. Yeah, that's good way to

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Speaker 2: sell it, actually, Bachelor, that's don't.

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Speaker 1: Know podcasting now.

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Speaker 2: This afternoon we talked about the things you should never

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Speaker 2: have been able to watch as a kid. And I

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Speaker 2: talk about the time that the walls were too thin

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Speaker 2: between Woody and my hotel room.

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Speaker 4: Yeah, and will Is Findboddy doesn't care.

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Speaker 1: Listen.

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Speaker 3: I'm okay. I think I've been torched enough this.

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Speaker 2: Week about a tough way.

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Speaker 3: We had New Bachelor read Ellie Miles reading out the

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Speaker 3: d ms that I slipped to six to seven to

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Speaker 3: eight months ago, six months ago, six months ago.

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Speaker 2: What's with you in sliding numbers? Like the other day

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Speaker 2: asked do you have any X reality TV star with

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Speaker 2: and you moved from two to three and then we

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Speaker 2: confirmed it was four. So just hit us with the number, mate,

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Speaker 2: just give us the facts.

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Speaker 3: It's just a lot of confused.

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Speaker 2: It's been four people. It's just a lot of reality TV.

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Speaker 3: Show that you hooked up with. There's just a lot

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Speaker 3: of confusion.

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Speaker 2: There's no confusion there, it's.

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Speaker 3: Just how do you define? Anyway?

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Speaker 2: And you've number four after three under five.

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Speaker 3: Very funny now you you said in your little toppy

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Speaker 3: intro thing, we're talking about a time where you could

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Speaker 3: hear my hotel room.

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Speaker 2: Yeah, now I know that story. Yeah, the infamous and

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Speaker 2: Raphael and the dull noise.

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Speaker 3: We have had enough. You dined out on that story for.

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Speaker 2: You were watching? Would you weren't talk about it later?

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Speaker 1: Podcasting?

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Speaker 2: Now, tell us what's in your glove box and we'll

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Speaker 2: tell you what your job is?

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Speaker 3: What we all remember it? Last week I had the

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Speaker 3: hot hand. You were good everything I touched.

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Speaker 2: But no you ended up failing in the end, but

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Speaker 2: you were good to start.

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Speaker 3: No one remembers the end. Remember, let's got to Jake

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Speaker 3: on thirteen one or six five? Hey Jake, what's in

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Speaker 3: that glove box of yours?

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Speaker 1: Good boy?

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Speaker 2: How are you Friday?

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Speaker 5: That's here?

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Speaker 6: Happy Friday. So I've got the usual car.

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Speaker 7: Log book yep, I have a white card.

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Speaker 6: Mm hmm, and I've got some thread sealant.

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Speaker 2: Thread drid cealant two, ceiling three. Yes, don't tell us

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Speaker 2: too much, Jake, don't tell us, don't don't, don't, don't

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Speaker 2: give away too much. He's got red sealant yet, what

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Speaker 2: sort of do you see?

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Speaker 3: And he has a white card?

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Speaker 2: Okay, so for your just white cards. White card, I'm

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Speaker 2: pretty sure is a construction thing. Like it's like a

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Speaker 2: permit thing to get on the site. Look at you thread.

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Speaker 3: Yep.

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Speaker 2: There's two different sorts of well, there's two different applications

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Speaker 2: of the word thread, I think here we go. One

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Speaker 2: one is either like like a piece of thread, like

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Speaker 2: a piece of string, know that one. The other one

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Speaker 2: is the thread that you've got on screws and on

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Speaker 2: things that you turn taps into and stuff.

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Speaker 3: Mmmmm unfamiliar.

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Speaker 2: So you know, you know, like a gas board has

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Speaker 2: got a reverse thread. You are the wrong person to

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Speaker 2: talk to anyway. My logic is white card for construction,

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Speaker 2: thread sealant. Who works on a construction site that needs sealant?

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Speaker 3: Plumbers?

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Speaker 2: Yeah, threads taps sealant.

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Speaker 8: Here we go, Jake, you're a plumber, you're dunna boy. Yeah, right,

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Speaker 8: team effort to kick things off, Well, awesome. Let's go

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Speaker 8: to carry Anne. Hey, carry an watching the glove box.

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Speaker 9: I've got a driver's manual, I've got a toe ball plug,

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Speaker 9: shackle chain and the jam CD.

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Speaker 2: We love j QUI on this show. Jammer Wuise not

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Speaker 2: a guy, Yes he is. No, it's a band. Oh,

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Speaker 2: let me had around that.

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Speaker 3: What's his name?

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Speaker 2: Everyone thinks that jam Wise. The guy's name is the

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Speaker 2: name of the band.

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Speaker 3: What's his name?

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Speaker 2: Not sure? No, I don't think he does. I think

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Speaker 2: he changed his name to the name of the band

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Speaker 2: because it was just easy for everyone.

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Speaker 3: Yeah.

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Speaker 2: Cool, Uh carry Anne toe ball plug.

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Speaker 3: The toe ball plug and the d shackle chain.

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Speaker 2: Sound like sex toys? Well, guilty laugh from carry Anne

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Speaker 2: a toe ball plug. That sounds terrifying.

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Speaker 3: I'm thinking she's more. She goes to the snow, puts

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Speaker 3: the chains around the tires, so she might be like

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Speaker 3: a classic skier.

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Speaker 2: Jimic White heat as well. Oh scares love Jamiaic White.

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Speaker 3: Yeah, yeah, no, I've heard that.

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Speaker 2: I haven't. I was making that up.

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Speaker 3: Big Smith, the Enigma, that was you know that guy

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Speaker 3: in Big Smith. He won gold medals in the Winter Games.

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Speaker 3: His traian bloke Nakan Dix. He's a power walker. We

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Speaker 3: are way off, but but I'm thinking saying to do

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Speaker 3: with snow? Will are you feeling snow or are you're

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Speaker 3: not picking up what I'm putting down there? Uh No,

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Speaker 3: a d shackle chain, toball plug, she's carrying stuff in snow.

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Speaker 2: Ski teacher, ski teacher, ski school, skate ski school teacher

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Speaker 2: with Nathan Dicks.

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Speaker 3: You know what I'm down, Kerry Anne. What do you

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Speaker 3: think you own some sort of ski school with Nathan Deeks?

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Speaker 2: Gerry k what do you do? Mate?

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Speaker 9: So I'm gonna try to assistant, not build buses.

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Speaker 2: You build your buses. Truth almighty. Well we were never

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Speaker 2: gonna get that, and maybe that we went down the

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Speaker 2: deck's path. Who's a power walker not a skier? By

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Speaker 2: the way, who's the guy you were talking about?

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Speaker 3: Dale Beg Smith, Dale Beg Smith.

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Speaker 2: That's the guy. Yeah, he's won the gold medal of this,

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Speaker 2: but he.

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Speaker 3: Used to come come to the garden, win gold. We

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Speaker 3: go back to an island some train. Yeah, yeah, interview

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Speaker 3: good stuff. We should get him the show.

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Speaker 2: It's a good thing about Glovebox. Even if we don't

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Speaker 2: get what your job is, you learn a lot. Jim

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Speaker 2: requires not a guy yep. And Nathan Deeks was a

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Speaker 2: power walker.

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Speaker 3: And Dale Beg Smith is an enigma who won gold

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Speaker 3: at the Winter Game.

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Speaker 2: How about that podcasting? Now, what's in your glovebox? Right now?

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Speaker 1: What all right?

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Speaker 3: You tell us what's in your glove box? We tell

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Speaker 3: you what your job is. We got Benny here, Benny,

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Speaker 3: what's in the glove box?

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Speaker 10: Hey boys, I've got a CB radio, I've got shooting

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Speaker 10: CD radio.

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Speaker 2: Did you say, c D radio?

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Speaker 3: Yeah, c B radio little b B for bonkers, c B,

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Speaker 3: c B radio, y c B.

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Speaker 2: What's the c B radio?

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Speaker 10: Little handheld radio? U HF radio, U.

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Speaker 3: JF mate, u A JF.

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Speaker 9: J c P.

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Speaker 3: Well, go on, Benny, I've.

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Speaker 10: Got some more bags and emergency flair and some shooting headphones.

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Speaker 10: So some ear muffs for shooting.

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Speaker 2: You've got some high tag in that glove box. Bend

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Speaker 2: like they're talking to beer grills right now. So he's

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Speaker 2: got the QFP radio, the j S five, Yeah, the

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Speaker 2: floating ear buds.

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Speaker 3: No, he's got he's got he's got earmuffs for shooting.

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Speaker 3: So he shoots the big phone. Oh, he's got a

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Speaker 3: vomit bag, so he obviously does not the side of

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Speaker 3: I know whatever, he's shooting, so he spews after he shoots,

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Speaker 3: and he's got a c flair. Hang on, job, he's

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Speaker 3: got a sea flare. He's on the ocean. But he's

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Speaker 3: shooting things on the ocean.

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Speaker 2: Shooting things on the ocean. What are you talking about? Jaws?

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Speaker 3: Maybe he's a sharkhunder, maybe got a boody sharkhunter on

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Speaker 3: the phone. Well, but but he's got the radio. There's

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Speaker 3: the radio for though, on the on his boat, on

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Speaker 3: his little dingy when he goes out.

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Speaker 2: Yeah, look, okay, we can agree. He works in the ocean.

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Speaker 2: He's got a bomb bagottons, and he had a sea flare.

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Speaker 2: But I don't think he's shooting sharks for a living.

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Speaker 3: And if he's shooting underwater, he wouldn't need the ear

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Speaker 3: muffs because the water makes it quiet. So he's shooting,

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Speaker 3: he's shooting sea birds or something.

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Speaker 10: He's shooting birds, Ben, I'm definitely not shooting.

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Speaker 3: When we wear's your head at I mean, I feel

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Speaker 3: like I'm throwing a lot of stuff down here.

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Speaker 2: Well, I think he might be just trying to be

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Speaker 2: a little bit niche because we've got we haven't thrown

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Speaker 2: anything down and we can we can go with there.

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Speaker 2: Of what is that bit of a sonar going on

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Speaker 2: as well? It's tech mate, he's in a submarine. I

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Speaker 2: think I think he could be in the name. I

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Speaker 2: think we just might be a little bit clearer.

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Speaker 3: That's good.

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Speaker 2: He's got the high tech radio. Yeah, he's got the

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Speaker 2: you know, because he's got a flare, he's got the

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Speaker 2: sonar going off in the background. You're only shooting a

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Speaker 2: gun on the ocean if you're in the navy.

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Speaker 3: Yep, Ben, we think you're in the navy mate, Yeah right,

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Speaker 3: you were sheating shooting birds in the ocean again.

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Speaker 2: Where are you buzzing us from Red October? Right now, Benny?

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Speaker 2: Where are you?

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Speaker 10: I'm just an East garden shopping I just sent in

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Speaker 10: the car.

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Speaker 2: That's very unsexy, more boring, a chance to make every

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Speaker 2: woman in Australia swoon. Just then, No, I'm actually getting

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Speaker 2: my nails done in his garden. Boys, Katie, what's in

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Speaker 2: your glove box?

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Speaker 5: I have hot hands, a torch and a high business.

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Speaker 3: Just felt the need to tell us you have hot hands.

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Speaker 3: Just tells you to watch your glove box. Mate, So

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Speaker 3: you have a torch into my vis.

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Speaker 11: Just shocking you She's obviously talking about those warmers that

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Speaker 11: you put in your in your jacket, the warmer and

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Speaker 11: you break, you snap them, and the chemical chemicals reacting

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Speaker 11: they your hands.

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Speaker 3: I've got hot hands, hands, beautiful lips, and also in

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Speaker 3: my glovebox. Okay, so torch high is so cold he

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Speaker 3: doesn't find it at all. She takes his game seriously.

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Speaker 3: I respect that guy.

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Speaker 6: I like it.

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Speaker 3: We'll get your laughing at some point, Kay, don't you

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Speaker 3: worry about that. I've got a lot of people, not

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Speaker 3: a big one.

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Speaker 2: Mint hands and starting to warm up.

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Speaker 3: Okay, torch, high vis, hot hands. She's where do you

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Speaker 3: get cold hands? Will undergrounds? Like I'm thinking she's in

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Speaker 3: like the mines.

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Speaker 2: It's got freezing cold hands down there.

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Speaker 3: She's down there with a torch and some high vis

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Speaker 3: because it's dark down there as well.

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Speaker 2: Will torch.

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Speaker 3: Yeah, she's got cold hands underground.

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Speaker 2: I don't mind it.

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Speaker 3: I don't orders she work at night. That would be

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Speaker 3: the other.

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Speaker 2: No, I think work undergrounds is a percentage who works

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Speaker 2: at night. Lots of people.

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Speaker 3: She's a nice.

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Speaker 2: Shift worker, but she's a shift worker in high vis.

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Speaker 2: She could be getting over in the morning as well.

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Speaker 3: Strength you got me there.

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Speaker 2: Look at the end of the day, she's in high veers.

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Speaker 2: So you know, maybe watch hive ars. I think tunnels

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Speaker 2: tunnel work's with you.

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Speaker 3: Getting the real underground vibes.

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Speaker 2: You're just spinning off the submarine. Dude, what are you, reckon?

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Speaker 2: You're an underground underground tunnel To be honest, your logic

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Speaker 2: around the minds made sense.

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Speaker 3: Okay, I torched hive vis.

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Speaker 2: She wear vis high vis on the mines of course,

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Speaker 2: but don't they leave their gear on the mind sight

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Speaker 2: that you don't finish your work and you know, on

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Speaker 2: the mind side, and they go, jeez, take my visit,

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Speaker 2: my torture, my hard hands with me.

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Speaker 3: She's not she's not on the mind. She's a tunnel worker.

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Speaker 3: She's an underground special tunnel work. She builds tunnels. Trust me, Well, Katie,

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Speaker 3: we know that you work in tunnels.

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Speaker 5: I don't work in tunnel What do you do? I'm

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Speaker 5: a traffic controller. Let her night.

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Speaker 3: Yeah, so we were in the right area there, Jess,

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Speaker 3: order me, reckon, that's not even a provision. Who builds toms?

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Speaker 12: Then?

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Speaker 2: Who builds eoneers?

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Speaker 3: Oh yeah, you've got me there?

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Speaker 1: Podcasting now woods.

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Speaker 2: Look now you've run there's a topic that you've run

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Speaker 2: a couple of times on this showman. To be honest,

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Speaker 2: it hasn't been hugely successful. Something like me that the

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Speaker 2: phone topic you've asked people to call up on thirteen

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Speaker 2: one O six five previously to tell us a story

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Speaker 2: if they've delivered a message in a cool way.

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Speaker 3: Please don't do this to me. Well, look, I've eraised

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Speaker 3: this from my memory because it went so bad.

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Speaker 2: There's been a couple of failures recently, no doubt about that.

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Speaker 2: But I know you're passionate about it. I know you're

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Speaker 2: passionate about it.

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Speaker 3: I was passionate about it and then I dismally failed,

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Speaker 3: not once twice.

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Speaker 2: Yeah, look, you didn't have my weight behind you. I'm

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Speaker 2: here to help me out at this time.

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Speaker 3: You were criticizing a lot from the sidelines, which didn't help.

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Speaker 2: It didn't help. It didn't help. A story of the

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Speaker 2: news today about a Nintendo DS owner. So someone buys

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Speaker 2: a Nintendo secondhand, there's a note in the Nintendo from

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Speaker 2: the previous owner.

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Speaker 3: That's pretty cool. Pretty cool, that's pretty cool.

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Speaker 2: It sounds like a message in a cool ways. What

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Speaker 2: the message that I haven't made ova for you? That's

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Speaker 2: very nice of you with the message. It said, Hey, there,

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Speaker 2: thanks for buying it. Look, it's a boring message. I'm

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Speaker 2: gonna be honest, but look.

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Speaker 3: That's what's a bit there. Fine, and that's the problem

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Speaker 3: with but.

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Speaker 2: The topic is not about what's in the message, it's

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Speaker 2: how the message was delivered. Was the message delivered in

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Speaker 2: a cool way?

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Speaker 9: That's that.

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Speaker 2: That was the bit woods And you know, I've even

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00:14:39,640 --> 00:14:41,280
Speaker 2: dug up. I had to go back through the Will

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Speaker 2: and Woody archives to find the last time that we

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Speaker 2: did this topic.

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Speaker 3: Don't play this audio. And we had a we had

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Speaker 3: a great caller, don't cry.

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Speaker 13: We had a few years back. Me and my good

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Speaker 13: friend at the time used to walk this trail after

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Speaker 13: school on the weekends whatever, and we looked under this

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Speaker 13: rock and there was like an old briefcase and we

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Speaker 13: opened it up and it was one of those things

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Speaker 13: where people left random things and left random notes, and

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Speaker 13: we thought it was pretty cool. It was our little thing.

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Speaker 13: And I liked Andrew at this time. And Andrew I left

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Speaker 13: a note for him, you know, the next time he

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Speaker 13: went for the walk together, I was like, oh, Andrew,

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Speaker 13: like opened up, see what's in there? There's anything new?

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Speaker 13: And he opened it up and he saw my message.

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Speaker 13: Four years later, we're still together.

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Speaker 2: She put a note in a briefcase under a rock.

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Speaker 2: The rock doesn't make it any better.

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Speaker 3: It's hard to listen.

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Speaker 2: Doing cool in a briefcase was under a rock? Shot together,

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Speaker 2: woods go together.

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Speaker 3: I don't care. I don't care. It's a shocking story.

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Speaker 2: I think we should give the phone topic another try.

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Speaker 3: How are you saying that? How are you saying that?

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00:15:51,160 --> 00:15:53,920
Speaker 2: Because I want to see it succeed made. I want

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Speaker 2: to see you succeed.

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Speaker 3: I don't know if I have the strength.

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Speaker 2: Have you delivered a message in a cool way? No?

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00:16:04,480 --> 00:16:04,920
Speaker 2: Come on you?

342
00:16:04,960 --> 00:16:05,360
Speaker 3: Have you liveened?

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Speaker 2: A message in a cool way can be anything, guys,

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00:16:08,160 --> 00:16:11,120
Speaker 2: Obviously it's just gotta be cool, and it's got to

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00:16:11,120 --> 00:16:13,600
Speaker 2: be a message. Come on, boards telling me that. Look,

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Speaker 2: let's do it.

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Speaker 3: I'll do it one more time.

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00:16:16,160 --> 00:16:22,360
Speaker 4: Yes, I've actually got a story.

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00:16:22,520 --> 00:16:23,280
Speaker 2: I've got a story.

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Speaker 3: Shut up, well, I'm taking over. Have you delivered or

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00:16:27,160 --> 00:16:31,920
Speaker 3: have you received a message in a cool way? Australia

352
00:16:32,040 --> 00:16:34,160
Speaker 3: third times? A charm? Baby, Let's do it.

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00:16:34,240 --> 00:16:37,720
Speaker 2: I'm ready, I'm excited and readdressed my South Korea story. No,

354
00:16:37,760 --> 00:16:42,880
Speaker 2: I wouldn't bring that back. Okay, would podcasting right now?

355
00:16:42,960 --> 00:16:45,080
Speaker 2: And there's the topic you bet you've got on the air.

356
00:16:45,160 --> 00:16:47,680
Speaker 2: Laves twice, it's failed twice, and honest, you've had a

357
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Speaker 2: couple of big misses and some of the worst callers

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Speaker 2: we've ever had on this show. On radio. JK.

359
00:16:52,640 --> 00:16:55,440
Speaker 3: Rowling wrote a book about a wizard that got rejected

360
00:16:55,440 --> 00:16:58,720
Speaker 3: by seven publishing houses. That book was Harry Potter, My friend.

361
00:16:58,880 --> 00:17:01,120
Speaker 3: Let's do it? Have you deliver or received a message

362
00:17:01,120 --> 00:17:01,680
Speaker 3: in a cool way?

363
00:17:02,280 --> 00:17:06,480
Speaker 2: Message like JK.

364
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Speaker 3: Rowling will, let's go to a lease on thirteen one

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Speaker 3: oh sixty five. Now, I know you've got a wild story.

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00:17:10,480 --> 00:17:12,440
Speaker 2: I've got a great message living in a cool way.

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00:17:12,520 --> 00:17:13,639
Speaker 2: I've decide behind this.

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00:17:13,760 --> 00:17:15,760
Speaker 3: I've decided I'm going to finish with you perfect and

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Speaker 3: I trust you. Lady, great idea, it's a hot story.

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00:17:18,640 --> 00:17:21,479
Speaker 3: We'll go to a lease. At least did you receive

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Speaker 3: this or did you deliver it?

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00:17:23,640 --> 00:17:24,439
Speaker 5: I received it?

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00:17:24,480 --> 00:17:24,840
Speaker 6: Actually?

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00:17:24,960 --> 00:17:25,320
Speaker 13: All right?

375
00:17:25,440 --> 00:17:25,720
Speaker 3: Nice?

376
00:17:25,840 --> 00:17:28,840
Speaker 2: What was it? How was it? More importantly, how was it?

377
00:17:28,840 --> 00:17:31,760
Speaker 2: It's not what's in the message, it's how it was delivered.

378
00:17:32,280 --> 00:17:33,560
Speaker 2: That's got to be cool. That's got to be the

379
00:17:33,600 --> 00:17:33,960
Speaker 2: cool part.

380
00:17:34,040 --> 00:17:34,560
Speaker 3: Exactly right.

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Speaker 14: Well, yes, I had a tag left in my pigeonhole

382
00:17:38,400 --> 00:17:40,720
Speaker 14: saying I love you me around the back.

383
00:17:45,080 --> 00:17:47,960
Speaker 3: In a pigeonhole. So was that. I'm guessing you're a teacher.

384
00:17:47,960 --> 00:17:49,119
Speaker 3: Given you've got a pigeonhole.

385
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Speaker 2: Everyone's got pigeonholes. You need to be a teacher.

386
00:17:52,600 --> 00:17:55,200
Speaker 14: Really a factory environment.

387
00:17:55,400 --> 00:18:01,040
Speaker 3: It was a factory environment, fair enough? No, sorry, come

388
00:18:01,040 --> 00:18:02,480
Speaker 3: back to alite real quick. Come back to a least

389
00:18:02,480 --> 00:18:04,080
Speaker 3: real quick. So at least did you go around the

390
00:18:04,160 --> 00:18:06,320
Speaker 3: back and meet said mystery love?

391
00:18:06,440 --> 00:18:08,320
Speaker 2: Did you go around the back of leaves? Yes?

392
00:18:08,400 --> 00:18:08,800
Speaker 5: I didn't.

393
00:18:09,000 --> 00:18:09,560
Speaker 10: Was they married?

394
00:18:09,560 --> 00:18:10,639
Speaker 6: Actually for twenty.

395
00:18:10,359 --> 00:18:17,680
Speaker 2: Six In a factory environment? You turn round the back.

396
00:18:18,080 --> 00:18:20,120
Speaker 2: Message in a cool way is off to a hot site?

397
00:18:20,200 --> 00:18:22,240
Speaker 2: Who said this was a bad phone topic? Not me.

398
00:18:22,359 --> 00:18:25,479
Speaker 2: Let's get to James. James is called on thirteen one,

399
00:18:25,640 --> 00:18:28,760
Speaker 2: six y five. James, you've either James, you've either sent

400
00:18:28,960 --> 00:18:31,320
Speaker 2: or received a message in a cool way.

401
00:18:32,400 --> 00:18:32,720
Speaker 9: Yeah.

402
00:18:32,720 --> 00:18:34,919
Speaker 6: So I was sitting at the traffic lights with my

403
00:18:34,960 --> 00:18:37,600
Speaker 6: window down and in came a piece of paper that

404
00:18:37,720 --> 00:18:40,639
Speaker 6: slapped me in the face and had someone's phone number

405
00:18:40,720 --> 00:18:42,440
Speaker 6: saying come and take me on a date.

406
00:18:42,800 --> 00:18:48,439
Speaker 2: Yeah, wow, not the message in a cool way? James,

407
00:18:48,440 --> 00:18:49,440
Speaker 2: Did you take him on a date.

408
00:18:50,000 --> 00:18:54,080
Speaker 6: Oh I sure did, and oh look it s hissed out,

409
00:18:54,160 --> 00:18:55,120
Speaker 6: but you know it was fun.

410
00:18:55,600 --> 00:18:56,160
Speaker 2: That's all right.

411
00:18:56,760 --> 00:19:00,800
Speaker 3: It's a great start, A cool that's.

412
00:19:00,680 --> 00:19:01,960
Speaker 11: All the Woods.

413
00:19:04,520 --> 00:19:07,360
Speaker 2: Accurate paper plane? I mean, what is every chance they

414
00:19:07,359 --> 00:19:11,120
Speaker 2: missed from there? Slapped him on the face. Sorry, can

415
00:19:11,119 --> 00:19:14,200
Speaker 2: we just can we go back to the message, James?

416
00:19:14,200 --> 00:19:15,840
Speaker 2: Did they payer plane it through your window?

417
00:19:16,640 --> 00:19:16,840
Speaker 1: No?

418
00:19:17,000 --> 00:19:18,800
Speaker 6: So it was like scrunched up in a ball, came

419
00:19:18,880 --> 00:19:20,000
Speaker 6: absolutely flying it.

420
00:19:19,960 --> 00:19:21,760
Speaker 2: And they just tossed it from the car next to

421
00:19:21,800 --> 00:19:22,919
Speaker 2: you or from the from the paper.

422
00:19:23,240 --> 00:19:25,240
Speaker 6: So they got out. They were in the car behind me,

423
00:19:25,320 --> 00:19:26,960
Speaker 6: and the girl got out. She sprint it to my

424
00:19:27,000 --> 00:19:28,159
Speaker 6: window and threw the paper in.

425
00:19:29,040 --> 00:19:29,359
Speaker 2: Wow.

426
00:19:31,119 --> 00:19:32,600
Speaker 3: But we should have done more tossing from the car

427
00:19:32,640 --> 00:19:34,200
Speaker 3: because that was a great way to get your number

428
00:19:34,240 --> 00:19:34,600
Speaker 3: out there.

429
00:19:35,160 --> 00:19:37,199
Speaker 2: No, I disagree Woods. That's why he's calling for the

430
00:19:37,200 --> 00:19:39,000
Speaker 2: front of it, because it's out of the ordinary.

431
00:19:39,119 --> 00:19:42,240
Speaker 3: It's got a Nancy. I mean, I'll tell you what.

432
00:19:42,280 --> 00:19:44,880
Speaker 3: I don't want to get too excited early because has gone.

433
00:19:44,960 --> 00:19:47,000
Speaker 3: Let's just take a minute and just go. This is

434
00:19:47,040 --> 00:19:47,960
Speaker 3: going really well.

435
00:19:48,359 --> 00:19:50,280
Speaker 2: It's going as well as it ever could have.

436
00:19:50,520 --> 00:19:54,040
Speaker 3: Nancy, My dreams come true. Nancy, you sent a message

437
00:19:54,080 --> 00:19:54,720
Speaker 3: in a cool way.

438
00:19:55,760 --> 00:20:01,480
Speaker 14: I did so my pregnancy announce We poured it in

439
00:20:01,560 --> 00:20:04,600
Speaker 14: a Christmas card, but we put like a scratchy sticker

440
00:20:04,720 --> 00:20:07,600
Speaker 14: over the top. So at Christmas we gave everyone their

441
00:20:07,640 --> 00:20:09,840
Speaker 14: Christmas cards in a ten cent coin and watched them

442
00:20:09,920 --> 00:20:12,439
Speaker 14: scratch their little scratchy to find out that we were

443
00:20:12,480 --> 00:20:16,960
Speaker 14: having our first baby.

444
00:20:17,520 --> 00:20:17,800
Speaker 11: Cool.

445
00:20:17,960 --> 00:20:20,919
Speaker 3: I mean imagine that, will you you scratch away? Boom,

446
00:20:21,000 --> 00:20:21,680
Speaker 3: she's pregnant.

447
00:20:22,640 --> 00:20:27,600
Speaker 2: Yeah, I think we're kind of you know, standily. Yeah,

448
00:20:27,960 --> 00:20:29,160
Speaker 2: got worse as we've gone.

449
00:20:29,280 --> 00:20:31,080
Speaker 3: I'll speak to the producer about who put that called

450
00:20:31,080 --> 00:20:32,360
Speaker 3: across because that was definitely the worst.

451
00:20:33,040 --> 00:20:36,640
Speaker 2: But luckily, will we come home with a bank?

452
00:20:36,680 --> 00:20:37,560
Speaker 3: We come home with the bands.

453
00:20:37,600 --> 00:20:38,880
Speaker 2: I've got a message in a cool way.

454
00:20:39,000 --> 00:20:40,280
Speaker 3: Just send it? Would you receive it?

455
00:20:40,720 --> 00:20:42,320
Speaker 2: Neither? Read it on a plark?

456
00:20:43,600 --> 00:20:47,359
Speaker 3: Okay, not a great start. You read it on a pluk.

457
00:20:47,800 --> 00:20:51,040
Speaker 3: No good story ever follows. Hey I read this on

458
00:20:51,080 --> 00:20:51,480
Speaker 3: a plant.

459
00:20:51,720 --> 00:20:56,320
Speaker 2: That's not true. I love plarks, no one else. So

460
00:20:56,400 --> 00:21:01,280
Speaker 2: these are the Green Cape Lighthouse Jesus yep. And I

461
00:21:01,359 --> 00:21:05,159
Speaker 2: was reading about how steamboats who used to pass the

462
00:21:05,240 --> 00:21:07,800
Speaker 2: lighthouse used to send messages to people at the linehouse.

463
00:21:07,800 --> 00:21:09,840
Speaker 2: Because I was gonna have phones and radios and stuff.

464
00:21:09,880 --> 00:21:12,000
Speaker 2: Then oh yeah, you got me back. Here we go, yep,

465
00:21:12,640 --> 00:21:14,040
Speaker 2: talk about message in a cool way?

466
00:21:14,200 --> 00:21:14,680
Speaker 3: Yeah, mate?

467
00:21:17,920 --> 00:21:23,840
Speaker 2: Flags that talk was the subtitle Don't Care Shipped to shore.

468
00:21:23,960 --> 00:21:28,600
Speaker 2: Communication was via a flag signaling system. There were more

469
00:21:28,640 --> 00:21:32,919
Speaker 2: than forty fat flags clipped together formed an elaborate code

470
00:21:33,560 --> 00:21:34,760
Speaker 2: or meaning or words.

471
00:21:35,840 --> 00:21:37,159
Speaker 3: So you put them on top of each other or

472
00:21:37,160 --> 00:21:39,600
Speaker 3: like put them in a line, and you send a

473
00:21:39,600 --> 00:21:41,119
Speaker 3: message in a cool way. So what we're thinking like

474
00:21:41,840 --> 00:21:44,480
Speaker 3: egg plant or something different?

475
00:21:44,480 --> 00:21:46,920
Speaker 2: Phase, mate, like red, blue, yellow, green, And then you

476
00:21:47,040 --> 00:21:49,840
Speaker 2: get it, and you'd be like, wow, how good is that?

477
00:21:50,640 --> 00:21:54,159
Speaker 3: And I just thought, I'm close to wearing You've deliberately

478
00:21:54,200 --> 00:21:56,080
Speaker 3: left this segment up and it was going so well,

479
00:21:57,040 --> 00:22:00,960
Speaker 3: and no, and if you and for the producer with

480
00:22:01,040 --> 00:22:04,200
Speaker 3: the final call across, because it was it was a moment.

481
00:22:04,200 --> 00:22:06,040
Speaker 3: I mean I sat there. There was one moment where

482
00:22:06,080 --> 00:22:08,080
Speaker 3: I was like, this couldn't have gone better. And then

483
00:22:09,200 --> 00:22:14,160
Speaker 3: I will get to the bottom of it. I don't.

484
00:22:14,280 --> 00:22:17,400
Speaker 1: I will swear podcasting now.

485
00:22:17,760 --> 00:22:20,199
Speaker 2: Mike Pence, the American Vice President, had a debate with

486
00:22:20,480 --> 00:22:24,680
Speaker 2: Kamala Harris. The debate was awful, but everyone's talking about

487
00:22:24,680 --> 00:22:26,199
Speaker 2: the fact that Mike Pen's had a fly on his

488
00:22:26,200 --> 00:22:28,240
Speaker 2: head the whole time. That's what all the chatty is.

489
00:22:28,240 --> 00:22:30,080
Speaker 2: That's where we're at, guys, where it flies on heads.

490
00:22:30,080 --> 00:22:33,040
Speaker 2: That's how bad these debates are. And you know, if

491
00:22:33,080 --> 00:22:34,959
Speaker 2: there was every time that you didn't want to be

492
00:22:35,000 --> 00:22:37,120
Speaker 2: a fly on the wall or the forehead for that matter,

493
00:22:37,520 --> 00:22:40,480
Speaker 2: it's during that debate because it sucked.

494
00:22:41,000 --> 00:22:43,440
Speaker 15: It looks a little bit like plagiarism, which is something

495
00:22:43,520 --> 00:22:44,960
Speaker 15: Joe Biden knows a little bit about.

496
00:22:45,119 --> 00:22:48,040
Speaker 16: Well, let's going, but this is inportant, and I want

497
00:22:48,040 --> 00:22:51,000
Speaker 16: to add, mister Vice President, I'm speaking, I'm speaking.

498
00:22:51,040 --> 00:22:55,000
Speaker 2: Oh my god, your system is in disarray anyway, right now,

499
00:22:56,000 --> 00:22:57,800
Speaker 2: what I want to do is put myself in the

500
00:22:57,840 --> 00:23:02,080
Speaker 2: position of that fly. It is a horrible situation when

501
00:23:02,920 --> 00:23:04,919
Speaker 2: you are a fly on the wall but you don't

502
00:23:04,960 --> 00:23:08,320
Speaker 2: want to be. In other words, what did you overhear?

503
00:23:08,600 --> 00:23:10,639
Speaker 2: But you wish to God that you hadn't. Yeah, we

504
00:23:10,720 --> 00:23:12,760
Speaker 2: got Rebecca here, Rebecca, you were that fly.

505
00:23:13,920 --> 00:23:15,080
Speaker 5: I was in fly that day.

506
00:23:15,160 --> 00:23:16,400
Speaker 2: Yes, what happened?

507
00:23:17,359 --> 00:23:21,320
Speaker 13: Sorry, my parents were talking about how I was conceived.

508
00:23:21,480 --> 00:23:22,920
Speaker 5: And then they admitted that I.

509
00:23:22,960 --> 00:23:23,720
Speaker 15: Was an accident.

510
00:23:24,280 --> 00:23:28,040
Speaker 4: Oh why God, where were you?

511
00:23:28,320 --> 00:23:30,520
Speaker 2: How did you Julie, you had a chance to get

512
00:23:30,560 --> 00:23:31,440
Speaker 2: out of that situation.

513
00:23:32,800 --> 00:23:34,480
Speaker 13: No, I was just in the back of the car

514
00:23:34,560 --> 00:23:37,680
Speaker 13: and we're just talking about kids and family and whatnot.

515
00:23:38,040 --> 00:23:39,720
Speaker 2: But there were your parents. You're just in the back

516
00:23:39,760 --> 00:23:44,359
Speaker 2: of the car if you not had a sleeping in

517
00:23:44,359 --> 00:23:47,080
Speaker 2: the back of the car bombshell. No, I had a

518
00:23:47,119 --> 00:23:49,199
Speaker 2: sleeping in the back of the car. Bombshells.

519
00:23:49,320 --> 00:23:51,399
Speaker 13: I've kind of been the black sheep in the family

520
00:23:51,440 --> 00:23:52,159
Speaker 13: for a while.

521
00:23:51,960 --> 00:23:55,000
Speaker 2: So it's kind of, I guess, the accidental sheep, if

522
00:23:55,040 --> 00:23:56,720
Speaker 2: we're being honest, Rebecca. Anyway, thanks to the girl.

523
00:23:56,800 --> 00:23:58,920
Speaker 3: Man, it sounds like you're, you know, going all with kids.

524
00:23:59,359 --> 00:24:01,520
Speaker 2: At the end of the day, you're alive. Take take

525
00:24:01,520 --> 00:24:03,520
Speaker 2: whatever you can. Yeah, what was your bombshow when you

526
00:24:03,680 --> 00:24:06,240
Speaker 2: and I cannot say that on the radio, fair enough,

527
00:24:06,960 --> 00:24:09,040
Speaker 2: We'll go to justin here on thirty month. My bombshell

528
00:24:09,119 --> 00:24:11,000
Speaker 2: was yeah, yeah, yeah, No, it's not a personal one.

529
00:24:11,080 --> 00:24:13,160
Speaker 2: It's just like a universal bombshell.

530
00:24:13,359 --> 00:24:15,280
Speaker 3: You so you pretend to be a sleeve who dropped

531
00:24:15,280 --> 00:24:15,800
Speaker 3: the bombshell?

532
00:24:16,000 --> 00:24:16,640
Speaker 2: Mum and dad?

533
00:24:17,200 --> 00:24:18,639
Speaker 3: Were they talking about sexy stuff?

534
00:24:18,760 --> 00:24:22,720
Speaker 2: No, no, no, it's really hard for me to say

535
00:24:22,760 --> 00:24:26,080
Speaker 2: exactly what this is. Okay, but every No, I'll move on.

536
00:24:26,119 --> 00:24:27,960
Speaker 2: We've got to to non thirty one and six life.

537
00:24:27,960 --> 00:24:30,240
Speaker 3: Get on the podcast. Everyone. You get your podcast, you

538
00:24:30,240 --> 00:24:30,960
Speaker 3: won't be able to get it on.

539
00:24:31,000 --> 00:24:32,760
Speaker 2: The podcast either. You get on the podcast.

540
00:24:32,760 --> 00:24:34,840
Speaker 3: I'll get it nowhere. Everyone, No, you're getting you never

541
00:24:34,880 --> 00:24:36,080
Speaker 3: hear it nowhere.

542
00:24:36,520 --> 00:24:38,080
Speaker 2: People who know what I'm talking about will know what

543
00:24:38,160 --> 00:24:38,960
Speaker 2: I'm talking about.

544
00:24:39,600 --> 00:24:40,640
Speaker 3: You haven't said anything.

545
00:24:41,040 --> 00:24:43,120
Speaker 2: You're a kid in the backseat and you overhear something

546
00:24:43,160 --> 00:24:45,399
Speaker 2: and it ruins everything. That's all I'm gonna say. Thirty

547
00:24:45,480 --> 00:24:48,480
Speaker 2: one and six five, We've got Justin who's called gud I? Justin?

548
00:24:49,240 --> 00:24:50,280
Speaker 7: Okay, how are we doing?

549
00:24:50,640 --> 00:24:52,880
Speaker 2: Justin? What did you over here? But wish to God

550
00:24:52,920 --> 00:24:53,520
Speaker 2: that you hadn't.

551
00:24:54,320 --> 00:24:54,639
Speaker 16: Well.

552
00:24:54,840 --> 00:24:59,000
Speaker 7: I'm a like, quote unquote white dude, and I speak Mandarin.

553
00:25:00,800 --> 00:25:05,439
Speaker 7: I overheard a I overheard a a like at a

554
00:25:05,440 --> 00:25:08,480
Speaker 7: massage place. I was getting a foot massage and they

555
00:25:08,720 --> 00:25:12,560
Speaker 7: they were organizing a prostitution ery, like the organized.

556
00:25:12,160 --> 00:25:16,600
Speaker 16: Like, oh my god, wait, wait, gets worse, gets worse.

557
00:25:16,720 --> 00:25:18,439
Speaker 7: It's just like six weeks ago in the middle of

558
00:25:18,440 --> 00:25:21,680
Speaker 7: Melbourne and they're moving people from Newcastle to Melbourne.

559
00:25:22,440 --> 00:25:27,000
Speaker 2: Oh my god. Oh yeah, just if you told the cobs.

560
00:25:27,520 --> 00:25:29,560
Speaker 16: Yeah, I just held my tongue because I was talking

561
00:25:29,600 --> 00:25:29,960
Speaker 16: to the person.

562
00:25:30,080 --> 00:25:31,440
Speaker 7: I was giving a massage to Chinese.

563
00:25:31,440 --> 00:25:34,600
Speaker 16: It's a good lesson, and like I was just shut

564
00:25:34,720 --> 00:25:36,320
Speaker 16: up and I just was like, I'm not talking because

565
00:25:36,320 --> 00:25:38,800
Speaker 16: they don't think that Chinese, right, And so then I

566
00:25:38,800 --> 00:25:41,360
Speaker 16: called crime stoffers as soon as I left, I called

567
00:25:41,359 --> 00:25:41,960
Speaker 16: it straight away.

568
00:25:42,040 --> 00:25:43,880
Speaker 3: How was the How was the foot rub though? Justin?

569
00:25:43,960 --> 00:25:45,200
Speaker 3: Was it good? Oh?

570
00:25:45,320 --> 00:25:46,280
Speaker 11: Mate? That was the bomb?

571
00:25:46,600 --> 00:25:46,800
Speaker 2: Yeah?

572
00:25:48,480 --> 00:25:50,520
Speaker 7: I was doing it fantastic.

573
00:25:50,560 --> 00:25:55,680
Speaker 2: But you know, wild story because that you finished his

574
00:25:55,960 --> 00:25:56,960
Speaker 2: rubb but no I finished.

575
00:25:57,880 --> 00:25:59,040
Speaker 3: Then I'll call crimes.

576
00:26:01,040 --> 00:26:04,160
Speaker 1: Podcasting now sad?

577
00:26:08,119 --> 00:26:09,080
Speaker 2: Who would go along?

578
00:26:12,040 --> 00:26:30,320
Speaker 4: And where is Bardbody doesn't care what else? Okay, listen, listen, listen,

579
00:26:30,600 --> 00:26:32,679
Speaker 4: good afternoon, everyone will and what he brought to you

580
00:26:32,720 --> 00:26:34,400
Speaker 4: by Lad Brokes.

581
00:26:34,760 --> 00:26:37,119
Speaker 2: I hope you're having a wonderful drive home. Right up next,

582
00:26:37,160 --> 00:26:39,240
Speaker 2: we're actually going to be talking about the TV shows

583
00:26:39,240 --> 00:26:42,320
Speaker 2: that were so scary that you actually shouldn't have been

584
00:26:42,359 --> 00:26:44,760
Speaker 2: allowed to watch as a kid, The ones that still

585
00:26:44,800 --> 00:26:48,840
Speaker 2: give your nightmares. Hoocus pocus, anyone, there was some warped gear?

586
00:26:48,960 --> 00:26:49,960
Speaker 3: Is that the cat.

587
00:26:49,920 --> 00:26:52,960
Speaker 2: That was idiot? There was a cat involved there, Bett Middler,

588
00:26:53,720 --> 00:26:55,240
Speaker 2: Oh my, it's coming back. To me.

589
00:26:55,359 --> 00:26:57,359
Speaker 3: I feel like I suppress a lot of these scary memories.

590
00:26:57,440 --> 00:26:59,760
Speaker 2: We're gonna talk about him really surely right now though.

591
00:27:00,119 --> 00:27:02,399
Speaker 2: Hundred bucks can be one if you can answer ten

592
00:27:02,480 --> 00:27:04,920
Speaker 2: questions in thirty seconds with Australia's easiest squeez.

593
00:27:11,280 --> 00:27:14,359
Speaker 3: Plain today we've got Bailey barely. There are thirty seconds

594
00:27:14,400 --> 00:27:17,080
Speaker 3: on the clock. You've got to get ten questions right.

595
00:27:17,320 --> 00:27:19,840
Speaker 3: You can pass on any question and we have to

596
00:27:19,880 --> 00:27:21,320
Speaker 3: take your first answer first.

597
00:27:21,560 --> 00:27:24,000
Speaker 2: How we feeling on these beautiful Friday bails?

598
00:27:24,000 --> 00:27:24,160
Speaker 9: Oh?

599
00:27:24,280 --> 00:27:26,480
Speaker 7: Confident? Loving it easy?

600
00:27:26,520 --> 00:27:30,040
Speaker 2: Mate? I love you, Bally. Let's do this thing all right, Bailey?

601
00:27:31,840 --> 00:27:32,679
Speaker 2: Can you hear me? Bailey?

602
00:27:33,280 --> 00:27:33,480
Speaker 13: Yeah?

603
00:27:33,480 --> 00:27:34,400
Speaker 16: I can all right?

604
00:27:34,760 --> 00:27:37,159
Speaker 2: Just your audio sounded a bit tinny before.

605
00:27:38,119 --> 00:27:38,359
Speaker 14: Yep.

606
00:27:39,000 --> 00:27:42,760
Speaker 2: Are you better now? Mate? You're right a right. I

607
00:27:42,840 --> 00:27:44,400
Speaker 2: just just want to give you the best chance you can.

608
00:27:44,440 --> 00:27:49,920
Speaker 2: It's crisp now, double trick. You're not Bo Ryan. I

609
00:27:49,920 --> 00:27:51,240
Speaker 2: don't think it is. I don't think it could be.

610
00:27:51,359 --> 00:27:51,680
Speaker 5: I've got it.

611
00:27:51,680 --> 00:27:52,840
Speaker 7: I've got it, I've got it, I've got it. I

612
00:27:52,840 --> 00:27:53,439
Speaker 7: can hear it now.

613
00:27:53,880 --> 00:27:55,240
Speaker 2: Yeah, I don't know if you can. Just ask you

614
00:27:55,240 --> 00:27:57,200
Speaker 2: if you were Bo Ryan and you said you can

615
00:27:57,240 --> 00:27:59,120
Speaker 2: hear me now? So maybe Oh no, I can't.

616
00:27:59,160 --> 00:28:00,000
Speaker 7: No, I'm not Bow Ryan.

617
00:28:00,119 --> 00:28:02,879
Speaker 2: No, okay, okay, good compounds. I think that Bow just

618
00:28:02,920 --> 00:28:04,680
Speaker 2: calls up on a different with a different name, trying

619
00:28:04,760 --> 00:28:06,520
Speaker 2: within a quiz. He loves cash, Bow, We know that

620
00:28:06,760 --> 00:28:07,600
Speaker 2: he loves it. He loves it.

621
00:28:07,600 --> 00:28:08,600
Speaker 3: Does anything for cash?

622
00:28:09,000 --> 00:28:09,760
Speaker 2: All right, Bailey?

623
00:28:10,680 --> 00:28:11,200
Speaker 10: Yeah?

624
00:28:11,480 --> 00:28:14,439
Speaker 2: Thirty seconds? Are you ready? Yeah? Okay? Are you going

625
00:28:14,520 --> 00:28:15,280
Speaker 2: to win this quiz?

626
00:28:16,280 --> 00:28:16,920
Speaker 16: Is that a question?

627
00:28:17,920 --> 00:28:18,120
Speaker 3: Yes?

628
00:28:18,160 --> 00:28:18,399
Speaker 9: It is?

629
00:28:18,440 --> 00:28:19,760
Speaker 2: How many countries have you traveled?

630
00:28:19,800 --> 00:28:19,919
Speaker 5: Too?

631
00:28:21,200 --> 00:28:21,400
Speaker 6: Five?

632
00:28:21,560 --> 00:28:26,920
Speaker 2: Name something a human needs to survive? Border spell bat bat?

633
00:28:27,160 --> 00:28:28,840
Speaker 2: Name a job you think Woody would be good at?

634
00:28:29,920 --> 00:28:30,400
Speaker 6: Construction?

635
00:28:30,440 --> 00:28:31,560
Speaker 2: Where's the Great Wall of China?

636
00:28:32,280 --> 00:28:32,600
Speaker 16: China?

637
00:28:32,680 --> 00:28:33,800
Speaker 2: How long is a piece of string?

638
00:28:35,200 --> 00:28:36,600
Speaker 3: And he that keeps going?

639
00:28:36,640 --> 00:28:40,040
Speaker 2: Give me a word that rhymes with tartn? What color

640
00:28:40,040 --> 00:28:40,440
Speaker 2: hair is ed?

641
00:28:40,520 --> 00:28:40,560
Speaker 12: She?

642
00:28:40,560 --> 00:28:40,720
Speaker 16: Heer?

643
00:28:40,760 --> 00:28:43,720
Speaker 2: And god red? What's better cake or biscuits?

644
00:28:44,240 --> 00:28:44,480
Speaker 6: Heay?

645
00:28:45,200 --> 00:28:48,640
Speaker 4: Oh my god, that was interesting stuff.

646
00:28:48,720 --> 00:28:51,360
Speaker 2: Jeez, you put yourself on the back foot to start with.

647
00:28:51,440 --> 00:28:55,280
Speaker 3: Mate. Here we go, christ Now I'm going to go

648
00:28:55,320 --> 00:28:57,280
Speaker 3: to the first one here because I think I need

649
00:28:57,280 --> 00:28:59,480
Speaker 3: to be the judge of this one. Name a job

650
00:28:59,520 --> 00:29:01,520
Speaker 3: that you think he would be good at. Now you've

651
00:29:01,560 --> 00:29:05,840
Speaker 3: said construction. I need to know why, Bailey, why do

652
00:29:05,880 --> 00:29:07,160
Speaker 3: you think I'd be good at construction.

653
00:29:08,400 --> 00:29:09,960
Speaker 7: Could you just get out there on the job side,

654
00:29:09,960 --> 00:29:11,560
Speaker 7: you'd be bloody confident.

655
00:29:11,800 --> 00:29:13,800
Speaker 6: All the boys would have a laugh to make the

656
00:29:14,080 --> 00:29:15,560
Speaker 6: construction side a bit more interesting.

657
00:29:15,840 --> 00:29:17,719
Speaker 3: Yeah, I love that answer fair enough. That's correct.

658
00:29:18,760 --> 00:29:22,160
Speaker 2: It was. There was a ninety percent charge that you

659
00:29:22,200 --> 00:29:26,720
Speaker 2: would say the words all the boys in that answer somewhere.

660
00:29:26,360 --> 00:29:28,680
Speaker 3: All right, bails. The other one that I was a

661
00:29:28,720 --> 00:29:30,920
Speaker 3: little bit concerned about. Give me a word that rhymes

662
00:29:30,920 --> 00:29:31,480
Speaker 3: with tart?

663
00:29:32,200 --> 00:29:32,440
Speaker 17: Now?

664
00:29:32,800 --> 00:29:41,320
Speaker 3: Did you say not? Nots in like a nut in tart?

665
00:29:41,800 --> 00:29:41,840
Speaker 12: Not?

666
00:29:42,680 --> 00:29:44,400
Speaker 2: You mate kidding?

667
00:29:45,240 --> 00:29:49,240
Speaker 3: We're gonna go outside of the judges here, baiales LJ

668
00:29:49,560 --> 00:29:51,400
Speaker 3: is not rhyming with tart.

669
00:29:52,640 --> 00:29:55,400
Speaker 17: Now, Bailey, you can change your und so if you

670
00:29:55,440 --> 00:30:00,200
Speaker 17: want and not say and you tea nut. But if

671
00:30:00,240 --> 00:30:04,200
Speaker 17: you say an A R T not, I will allow it.

672
00:30:04,280 --> 00:30:04,880
Speaker 2: So it's up to you.

673
00:30:04,960 --> 00:30:07,800
Speaker 14: Bailey, an M A T.

674
00:30:08,360 --> 00:30:11,320
Speaker 2: Did you say, Well, let's just one the clock back

675
00:30:11,400 --> 00:30:14,640
Speaker 2: a second, okay, before we start saying, you can change

676
00:30:14,640 --> 00:30:16,160
Speaker 2: your answer. That's a bit wye.

677
00:30:16,360 --> 00:30:17,520
Speaker 3: He's actually not changing his hand.

678
00:30:17,680 --> 00:30:19,720
Speaker 2: Hang on a second, Woods. I asked him, give me

679
00:30:19,760 --> 00:30:23,160
Speaker 2: a word that rhymes with tart, and Bailey said not.

680
00:30:23,960 --> 00:30:26,880
Speaker 2: Bailey said not in you t. No, it's just how

681
00:30:26,920 --> 00:30:30,360
Speaker 2: he says m A r T. No, he's changed his answer.

682
00:30:30,840 --> 00:30:31,920
Speaker 2: He said in ut.

683
00:30:32,400 --> 00:30:35,320
Speaker 3: No, maybe he said it like not and he just

684
00:30:35,360 --> 00:30:37,040
Speaker 3: didn't know that there's a word that exists. This is

685
00:30:37,040 --> 00:30:39,560
Speaker 3: in a r T so broadly ft five hundred parts.

686
00:30:42,920 --> 00:30:51,680
Speaker 8: Yeah, mate, Yeah, very delayed reaction, Bailey, But good on

687
00:30:51,760 --> 00:30:52,040
Speaker 8: your man.

688
00:30:53,360 --> 00:30:59,240
Speaker 2: Have a great weekend, Bailey. We don't know where you're

689
00:30:59,280 --> 00:31:02,320
Speaker 2: going you. I just don't know whether I should have

690
00:31:02,360 --> 00:31:04,440
Speaker 2: won that. I mean, the question was, give me a

691
00:31:04,440 --> 00:31:05,480
Speaker 2: word that rhymes with tough.

692
00:31:05,520 --> 00:31:07,800
Speaker 3: If you go to the tape, he said nat.

693
00:31:08,080 --> 00:31:09,080
Speaker 2: Yeah, he said nuts.

694
00:31:09,160 --> 00:31:11,800
Speaker 3: Now it sounds like he was mispronouncing the word nut

695
00:31:11,840 --> 00:31:14,320
Speaker 3: and new t. But we have no idea what he

696
00:31:14,360 --> 00:31:15,920
Speaker 3: was suggesting to say. But the fact that he said

697
00:31:16,000 --> 00:31:18,160
Speaker 3: nut like gnat and there is a word that exists

698
00:31:18,160 --> 00:31:19,880
Speaker 3: that is naar t. He means he wins the five

699
00:31:19,920 --> 00:31:20,400
Speaker 3: hundred bars.

700
00:31:20,520 --> 00:31:22,200
Speaker 2: Not a word that exists. It's nai t. I just

701
00:31:22,240 --> 00:31:26,360
Speaker 2: lost it up, isn't it any which does not does

702
00:31:26,400 --> 00:31:29,400
Speaker 2: not count as a word. Everyone who's ever played scrabble

703
00:31:29,440 --> 00:31:32,520
Speaker 2: knows that that's not a word. An aar t acronym.

704
00:31:32,680 --> 00:31:33,520
Speaker 2: You can't use it.

705
00:31:33,440 --> 00:31:35,400
Speaker 3: Only loses his place. Grabble mate, Let's go to a

706
00:31:35,480 --> 00:31:39,240
Speaker 3: song up next, we'll be talking about the TV shows

707
00:31:39,240 --> 00:31:40,320
Speaker 3: that scared you as a kids.

708
00:31:40,360 --> 00:31:44,880
Speaker 2: God Win Nut does not rhyme with tart. He could

709
00:31:44,880 --> 00:31:46,320
Speaker 2: have gone with anything.

710
00:31:47,440 --> 00:31:52,800
Speaker 3: Podcasting now, TV show or movie that scared you as

711
00:31:52,800 --> 00:31:54,960
Speaker 3: a kid to the point where you look back and

712
00:31:55,000 --> 00:31:58,200
Speaker 3: you go, yeah, where's I probably shouldn't have been watching that.

713
00:31:58,800 --> 00:32:01,479
Speaker 2: Or someone should have since is it it? When? You know?

714
00:32:01,560 --> 00:32:04,680
Speaker 2: Like I had this conversation all the time when I

715
00:32:04,760 --> 00:32:08,040
Speaker 2: see the movie Chitty Chitty Bang Bang, lovely movie. There's

716
00:32:08,080 --> 00:32:10,360
Speaker 2: a car, you know, great, the car goes in the water,

717
00:32:10,400 --> 00:32:13,400
Speaker 2: the car flies the other except the point where they

718
00:32:13,480 --> 00:32:16,360
Speaker 2: get to the far away land. And there's a dude

719
00:32:16,680 --> 00:32:19,760
Speaker 2: who drives a crate with a cage I should say

720
00:32:20,840 --> 00:32:23,800
Speaker 2: called the child catcher yep, terrifying, And he has a

721
00:32:23,840 --> 00:32:26,480
Speaker 2: net and he rounds up children and he puts them

722
00:32:26,480 --> 00:32:27,600
Speaker 2: in there and drives them off.

723
00:32:28,120 --> 00:32:31,480
Speaker 3: That like, is that's the storyline of a horror That's

724
00:32:32,160 --> 00:32:33,320
Speaker 3: like they just plug.

725
00:32:33,080 --> 00:32:34,960
Speaker 2: That in three quarters of the way through, in and

726
00:32:35,000 --> 00:32:37,920
Speaker 2: around you know too? Its sweet and all that gear.

727
00:32:38,080 --> 00:32:40,680
Speaker 3: Yeah, how does that get in? Yeah? I have no

728
00:32:40,760 --> 00:32:44,280
Speaker 3: idea how that passed the editing suite of Chitty Chitty

729
00:32:44,720 --> 00:32:49,600
Speaker 3: Bang Bang. That reminds me of and I was reminded

730
00:32:49,640 --> 00:32:51,360
Speaker 3: of this today. I'd suppress this, but in the in

731
00:32:51,440 --> 00:32:54,880
Speaker 3: the movie Pinocchio, the show Pinocchio, Yeah, apparently Pinocchio goes

732
00:32:54,920 --> 00:32:57,280
Speaker 3: to this island with a whole bunch of boys and

733
00:32:57,320 --> 00:33:00,360
Speaker 3: they smoke the gars and drinks and anyway, the dude

734
00:33:00,400 --> 00:33:03,280
Speaker 3: who runs the island turns the boys into donkeys.

735
00:33:02,880 --> 00:33:06,520
Speaker 2: Donkeys, and they're like, they're like wailing and crying after

736
00:33:06,560 --> 00:33:09,960
Speaker 2: their mother as they get deformed into donkeys.

737
00:33:10,120 --> 00:33:10,640
Speaker 1: Horrific.

738
00:33:10,680 --> 00:33:13,120
Speaker 2: I know there's lots. I think you're right. I think

739
00:33:13,120 --> 00:33:14,800
Speaker 2: there's a lot of people that be listening to this now,

740
00:33:15,320 --> 00:33:17,280
Speaker 2: particularly if you grew up in the nineties, you'd be

741
00:33:17,280 --> 00:33:20,480
Speaker 2: thinking to yourself, oh my god, I remember that, and

742
00:33:20,600 --> 00:33:23,720
Speaker 2: I've totally forgot, deliberately probably suppressed that.

743
00:33:24,040 --> 00:33:26,520
Speaker 3: So I do join the conversation. Thirteen one oh six y' five.

744
00:33:26,560 --> 00:33:28,880
Speaker 3: You have an example I should explain while we're talking

745
00:33:28,880 --> 00:33:32,600
Speaker 3: about it, though. Paul Jennings. Yea, all you eighties and

746
00:33:32,680 --> 00:33:35,080
Speaker 3: nineties babies out there would be screaming in the cars

747
00:33:35,120 --> 00:33:38,600
Speaker 3: because it was the best Paul he wrote Round the

748
00:33:38,640 --> 00:33:41,880
Speaker 3: Twist gizmo, amongst a whole bunch of other ones. And

749
00:33:42,000 --> 00:33:44,880
Speaker 3: he was talking about career regrets. He once wrote a

750
00:33:44,960 --> 00:33:48,560
Speaker 3: kid's story about a dad who takes his daughter into

751
00:33:48,560 --> 00:33:52,400
Speaker 3: the forest and as an experiment, teaches his daughter opposites

752
00:33:53,040 --> 00:33:57,000
Speaker 3: or everything is opposite, so yes means no, hot means cold, right,

753
00:33:57,080 --> 00:33:59,280
Speaker 3: as like an experiment. Anyway, they go back to the

754
00:33:59,320 --> 00:34:02,240
Speaker 3: house and the house is on fire, and the girl,

755
00:34:02,280 --> 00:34:05,560
Speaker 3: the daughter's out the front and the fire brigade come

756
00:34:05,560 --> 00:34:08,200
Speaker 3: and they say, is anyone in the house that's on fire?

757
00:34:09,000 --> 00:34:12,320
Speaker 3: And she says no, Oh, that is just crook.

758
00:34:13,280 --> 00:34:17,360
Speaker 2: That was the end of the story. Suddenly warped imaginations,

759
00:34:17,400 --> 00:34:19,160
Speaker 2: like Roald Dahl was the same. Like I know, the

760
00:34:19,239 --> 00:34:21,600
Speaker 2: last time you read or watched the BFG, there's just

761
00:34:21,680 --> 00:34:24,600
Speaker 2: giants that reach their hands in windows and eat kids,

762
00:34:25,400 --> 00:34:26,560
Speaker 2: Like what the hell?

763
00:34:26,680 --> 00:34:26,879
Speaker 1: Mate?

764
00:34:27,160 --> 00:34:29,160
Speaker 2: And like you know you read that as a bedtime story.

765
00:34:29,200 --> 00:34:32,279
Speaker 2: Good night, have a good one. Yeah, in eight hours.

766
00:34:32,280 --> 00:34:34,280
Speaker 2: I didn't think that through today and then you regret

767
00:34:34,280 --> 00:34:36,880
Speaker 2: it later on when your kids like nightmares. I went

768
00:34:36,960 --> 00:34:39,359
Speaker 2: and saw roll Dahl's The Witches as a five year old,

769
00:34:39,400 --> 00:34:42,440
Speaker 2: and I literally dreamt about witches for five years. My

770
00:34:42,480 --> 00:34:44,600
Speaker 2: parents could not keep me in my own bed because

771
00:34:44,600 --> 00:34:47,080
Speaker 2: they were women like witches that lived on a beautiful

772
00:34:47,080 --> 00:34:50,880
Speaker 2: women's faces, like rip their face off and again eight children.

773
00:34:51,920 --> 00:34:56,160
Speaker 2: I just don't understand. They're like, let's make this great

774
00:34:56,200 --> 00:34:56,719
Speaker 2: for a ten.

775
00:34:56,680 --> 00:35:00,120
Speaker 1: Year old podcasting now.

776
00:35:00,120 --> 00:35:02,560
Speaker 2: Right now, we're talking about the kids shows that are

777
00:35:02,600 --> 00:35:06,400
Speaker 2: really just too scary and probably shouldn't have been kids

778
00:35:06,400 --> 00:35:07,240
Speaker 2: shows or movies.

779
00:35:07,440 --> 00:35:10,239
Speaker 3: Yeah, thirteen one, six five. If you have an example,

780
00:35:10,480 --> 00:35:14,080
Speaker 3: we got Kate here, Kate, what's a TV show movie

781
00:35:14,080 --> 00:35:15,520
Speaker 3: that was a bit scary for you as a kid?

782
00:35:16,520 --> 00:35:19,160
Speaker 5: Watership Down? It was terrifying with.

783
00:35:19,120 --> 00:35:21,439
Speaker 2: Those the rabbits.

784
00:35:21,440 --> 00:35:22,440
Speaker 13: The rabbits.

785
00:35:26,560 --> 00:35:28,719
Speaker 2: We just tripped you into like a some sort of

786
00:35:28,760 --> 00:35:32,440
Speaker 2: a fit over there, Kie, all right, night mad. It

787
00:35:32,480 --> 00:35:34,200
Speaker 2: was terrific. It was none of the matter, like.

788
00:35:34,160 --> 00:35:38,759
Speaker 9: A guy stuff, the one that died and ended up

789
00:35:38,760 --> 00:35:39,759
Speaker 9: as the Shadows.

790
00:35:39,960 --> 00:35:42,360
Speaker 2: Yeah, it was like rabbit rarific.

791
00:35:43,280 --> 00:35:46,160
Speaker 3: Yeah. Fun fact on Watership Down band in China.

792
00:35:46,600 --> 00:35:52,439
Speaker 2: And that's what you're here for. Speaking movies and things

793
00:35:52,440 --> 00:35:56,239
Speaker 2: that rated as a kid. Jamanji Yeah, oh my god, Yeah,

794
00:35:56,280 --> 00:35:59,080
Speaker 2: really scary that when he rolls the dice and gets

795
00:35:59,080 --> 00:36:00,640
Speaker 2: sucked into the game in the.

796
00:36:00,640 --> 00:36:04,200
Speaker 1: Jungle, you must wait until the Day Street.

797
00:36:04,000 --> 00:36:04,440
Speaker 2: Five or e.

798
00:36:05,080 --> 00:36:07,840
Speaker 3: So he comes out of that board game as Robin Williams,

799
00:36:07,960 --> 00:36:08,680
Speaker 3: which is that's a win.

800
00:36:08,920 --> 00:36:15,319
Speaker 2: Brilliant little child that him drums when the guy's being

801
00:36:15,400 --> 00:36:18,080
Speaker 2: dragged across the dirt at the start when the chest

802
00:36:18,160 --> 00:36:19,520
Speaker 2: is trying to drag him back in.

803
00:36:19,600 --> 00:36:21,960
Speaker 3: Horrific but also let's figure he wakes up as Robin

804
00:36:22,000 --> 00:36:24,239
Speaker 3: Williams and then he comes back into the world. His

805
00:36:24,280 --> 00:36:25,760
Speaker 3: parents are dead, people.

806
00:36:25,600 --> 00:36:26,920
Speaker 2: Have passed to all that, and then all of a

807
00:36:26,920 --> 00:36:28,440
Speaker 2: sudd there's another guy that pops out of the board

808
00:36:28,440 --> 00:36:30,799
Speaker 2: game and just wants to shoot him. An assassin that

809
00:36:30,880 --> 00:36:31,880
Speaker 2: just follows him around.

810
00:36:31,960 --> 00:36:33,080
Speaker 3: Dude with the mustache.

811
00:36:33,440 --> 00:36:35,280
Speaker 2: Let's go to zoe the Monopoly.

812
00:36:36,840 --> 00:36:40,359
Speaker 3: A wrong game, mate, Zoey, what's the TV show movie

813
00:36:40,360 --> 00:36:41,319
Speaker 3: that scared you as a kid.

814
00:36:42,400 --> 00:36:44,160
Speaker 5: First of all, let me just say I'm actually now

815
00:36:44,239 --> 00:36:46,480
Speaker 5: terrified to go watch a monkey now after you guys

816
00:36:46,560 --> 00:36:46,920
Speaker 5: have just.

817
00:36:46,880 --> 00:36:47,920
Speaker 2: Said that you've seen it.

818
00:36:48,440 --> 00:36:51,040
Speaker 5: You've seen it, Zoey, but now I'm watching it with

819
00:36:51,040 --> 00:36:52,279
Speaker 5: a whole new per second.

820
00:36:53,600 --> 00:36:55,080
Speaker 2: Look back at it, and you're like, Wow, I think

821
00:36:55,080 --> 00:36:57,120
Speaker 2: we've got just go have a big class action loss

822
00:36:57,160 --> 00:36:59,000
Speaker 2: at the end of this, which is soue Disney.

823
00:36:59,320 --> 00:37:03,520
Speaker 5: Yeah, so I used to be really yeah, loved Disney.

824
00:37:03,560 --> 00:37:05,640
Speaker 5: I used to be really scared of Mary Poppins.

825
00:37:05,680 --> 00:37:07,080
Speaker 2: What why why?

826
00:37:08,040 --> 00:37:10,080
Speaker 5: Just like how she used to slide up and down

827
00:37:10,120 --> 00:37:13,040
Speaker 5: those stairs and when he jumps into those paintings.

828
00:37:12,520 --> 00:37:16,640
Speaker 2: That you used to get Zoey. Have you seen the

829
00:37:16,760 --> 00:37:21,400
Speaker 2: YouTube clip which is a recut trailer using Mary Poppins footage,

830
00:37:21,400 --> 00:37:24,319
Speaker 2: which is Mary Poppins as a horror film. Oh my god,

831
00:37:24,840 --> 00:37:29,000
Speaker 2: you've got yourself going to a wonderful evening. It is

832
00:37:29,040 --> 00:37:32,319
Speaker 2: one of the best things ever. Like they take all

833
00:37:32,360 --> 00:37:34,160
Speaker 2: the stuff you're talking about right now and they literally

834
00:37:34,160 --> 00:37:36,000
Speaker 2: turn into the best horror movie trailer you've ever seen

835
00:37:36,000 --> 00:37:38,720
Speaker 2: in your life. This woman that rocks up and scares

836
00:37:38,760 --> 00:37:40,800
Speaker 2: the kids. The other thing I'd say about Mary Poppins

837
00:37:40,840 --> 00:37:42,760
Speaker 2: if we get Zoe back, because I'm bigger Mary Popins.

838
00:37:42,760 --> 00:37:46,520
Speaker 2: That was my favorite favorite back of the day, Zoey. Yeah,

839
00:37:46,560 --> 00:37:48,719
Speaker 2: Mary Poppins. And I've spoken about this on the show

840
00:37:48,719 --> 00:37:53,319
Speaker 2: Befwards Mary Popins, because that's what she does. She has

841
00:37:53,360 --> 00:37:54,319
Speaker 2: happy Poppins.

842
00:37:54,960 --> 00:37:56,719
Speaker 5: Yep, that's what I was scared of as a kid.

843
00:37:56,840 --> 00:37:59,040
Speaker 5: I was like, what's going on? No one's that happy?

844
00:37:59,239 --> 00:37:59,359
Speaker 13: No?

845
00:37:59,440 --> 00:38:03,880
Speaker 3: Sorry, little bit Wills Will saying that she's called Mary

846
00:38:03,880 --> 00:38:07,359
Speaker 3: as because she does happy pop ins. That's that's why

847
00:38:07,360 --> 00:38:09,120
Speaker 3: she's called Mary Poppins.

848
00:38:11,080 --> 00:38:22,600
Speaker 2: It's not funny Bonnie Bonnie talking about some excuse you,

849
00:38:22,960 --> 00:38:30,040
Speaker 2: it's the fact I'm allergic to shit jokes.

850
00:38:30,200 --> 00:38:32,960
Speaker 3: I'm about to tell everyone a sure sign way of

851
00:38:33,120 --> 00:38:37,560
Speaker 3: knowing if someone wants to kiss you. It actually started

852
00:38:37,560 --> 00:38:40,520
Speaker 3: a fight with my girlfriend last night though, but I'll

853
00:38:40,520 --> 00:38:41,400
Speaker 3: get to that in a second.

854
00:38:41,880 --> 00:38:41,960
Speaker 9: Now.

855
00:38:42,000 --> 00:38:45,319
Speaker 3: I was watching Bachelor Bachelorette excuse me last night, and

856
00:38:45,400 --> 00:38:48,120
Speaker 3: Becky was lucky enough to snag a kiss during the

857
00:38:48,160 --> 00:38:49,359
Speaker 3: photo shoot with Will.

858
00:38:50,680 --> 00:38:52,840
Speaker 2: Well, look, I've got the sheet in front of me,

859
00:38:52,920 --> 00:38:57,160
Speaker 2: I've seen the clip. Look, there's like thirty guys here.

860
00:38:57,239 --> 00:39:00,440
Speaker 2: There's a good chance it's Joe, could be Pete, and

861
00:39:00,520 --> 00:39:02,279
Speaker 2: I reckon Jake might be in the mix as well.

862
00:39:02,320 --> 00:39:04,440
Speaker 2: But look it's the start of the start, so no

863
00:39:04,480 --> 00:39:07,920
Speaker 2: one really knows. He had his shirt off and he

864
00:39:07,920 --> 00:39:10,719
Speaker 2: had a cowboy hat on for everyone that knows the bit.

865
00:39:11,160 --> 00:39:16,719
Speaker 3: So she's kissed Mike, Bobby, Jay.

866
00:39:17,280 --> 00:39:19,879
Speaker 2: Look as an outside chance it was Trent, but fair enough,

867
00:39:19,920 --> 00:39:21,120
Speaker 2: but it's one of them.

868
00:39:21,640 --> 00:39:22,840
Speaker 3: This is the moment they kissed.

869
00:39:23,520 --> 00:39:27,680
Speaker 12: As soon as the boys leave. I can feel Becky relaxed.

870
00:39:28,360 --> 00:39:31,719
Speaker 12: I'm not sure if she wants to kiss me or not,

871
00:39:33,239 --> 00:39:35,319
Speaker 12: but I definitely want to kiss her.

872
00:39:36,239 --> 00:39:38,040
Speaker 2: Sorry, I'm now hearing it. It's rudy.

873
00:39:38,320 --> 00:39:41,880
Speaker 3: It's ruddy. Okay, so look the rude man, I think, whatever,

874
00:39:42,200 --> 00:39:44,320
Speaker 3: But the rude man's gona kiss. Now. What the rude

875
00:39:44,320 --> 00:39:46,120
Speaker 3: man has said there is I don't know if she

876
00:39:46,160 --> 00:39:49,360
Speaker 3: wants a kiss. But here's the thing. Watching the clip

877
00:39:49,600 --> 00:39:54,160
Speaker 3: and watching Becky, she licked her lips.

878
00:39:54,200 --> 00:39:55,720
Speaker 2: Will she licked her lips.

879
00:39:55,800 --> 00:39:57,440
Speaker 3: She licked her lips.

880
00:39:57,120 --> 00:39:58,960
Speaker 2: And that's a telltale sign that they want to kiss.

881
00:39:59,040 --> 00:40:02,399
Speaker 3: I turned to my girlfriend Ann and I said, oh,

882
00:40:02,440 --> 00:40:04,880
Speaker 3: he's in here. She just licked her lips. He should

883
00:40:04,960 --> 00:40:07,880
Speaker 3: kiss her. And she said, no, that's not a signal.

884
00:40:08,080 --> 00:40:10,520
Speaker 2: She might just have chapped lips. She's doing a photo

885
00:40:10,560 --> 00:40:11,360
Speaker 2: shoot as well.

886
00:40:11,600 --> 00:40:13,400
Speaker 3: Please what please?

887
00:40:13,480 --> 00:40:17,000
Speaker 2: A lick of the lips is very much Hello, sailor. Now,

888
00:40:17,040 --> 00:40:17,560
Speaker 2: I want to have.

889
00:40:17,520 --> 00:40:23,480
Speaker 3: This confirmed by the people who we've got Snaya here, Sonaya.

890
00:40:24,160 --> 00:40:28,160
Speaker 3: If you lick your lips when you're standing with a

891
00:40:28,200 --> 00:40:31,640
Speaker 3: gentleman or a woman, are you saying kiss me?

892
00:40:33,080 --> 00:40:37,520
Speaker 5: Well, it depends on the context. Like it's not literally

893
00:40:37,600 --> 00:40:38,399
Speaker 5: your lips could just.

894
00:40:38,320 --> 00:40:43,120
Speaker 3: Be dry, and I have to know to know early.

895
00:40:44,080 --> 00:40:45,839
Speaker 3: We've got Brittany here, though, Will you got a question

896
00:40:45,880 --> 00:40:46,080
Speaker 3: for me?

897
00:40:46,080 --> 00:40:48,480
Speaker 2: I got a question for you. When you were single,

898
00:40:49,320 --> 00:40:53,320
Speaker 2: you used to do a little move I remember correctly

899
00:40:53,640 --> 00:40:56,280
Speaker 2: where you used to say like it was like a

900
00:40:56,440 --> 00:40:58,400
Speaker 2: home run for you as to how you would secure

901
00:40:58,400 --> 00:41:00,000
Speaker 2: a kiss. Now we'll talk about that in to say.

902
00:41:00,000 --> 00:41:01,280
Speaker 3: Okay, let's go to Brittany.

903
00:41:01,280 --> 00:41:04,759
Speaker 2: First was the closing your eyes one. We'll talk about

904
00:41:04,800 --> 00:41:05,360
Speaker 2: that in a second.

905
00:41:06,200 --> 00:41:06,600
Speaker 5: Yeah, so.

906
00:41:08,360 --> 00:41:10,919
Speaker 2: We've got Brittany, got Brittany here.

907
00:41:11,040 --> 00:41:12,719
Speaker 3: Hey, Brittany off, this was a slam dunk.

908
00:41:12,840 --> 00:41:14,200
Speaker 2: If you lick your lips.

909
00:41:13,920 --> 00:41:16,239
Speaker 3: And you're standing with it with a guy, are you

910
00:41:16,320 --> 00:41:18,440
Speaker 3: are you sending a subliminal message of I want to

911
00:41:18,480 --> 00:41:22,360
Speaker 3: be kissed? Thank you, Brittany.

912
00:41:22,440 --> 00:41:25,240
Speaker 2: God some sanity.

913
00:41:27,080 --> 00:41:29,000
Speaker 3: You just lick your lips, but the chap Will you

914
00:41:29,040 --> 00:41:30,520
Speaker 3: use a chapstick? Thank you? Brittany.

915
00:41:30,560 --> 00:41:32,719
Speaker 2: Let's go to meet Have you got a stick on you?

916
00:41:32,960 --> 00:41:35,080
Speaker 2: Some of their run coads is chapstick with them?

917
00:41:35,200 --> 00:41:39,719
Speaker 3: Licking your lips makes them trier. We've got Mia here,

918
00:41:39,840 --> 00:41:41,880
Speaker 3: or it might be m I afore we.

919
00:41:41,920 --> 00:41:43,239
Speaker 2: Got to me. The other thing that you used to

920
00:41:43,280 --> 00:41:47,040
Speaker 2: do from back in the day was the famous shark

921
00:41:47,120 --> 00:41:49,600
Speaker 2: cage approach where you used to like put your arms

922
00:41:49,600 --> 00:41:52,080
Speaker 2: either side of them up against a wall. I remember

923
00:41:52,080 --> 00:41:53,360
Speaker 2: that big nightclub moved from you.

924
00:41:53,800 --> 00:41:59,600
Speaker 3: That sounds particularly aggressive. I never did the did I did?

925
00:41:59,719 --> 00:42:01,120
Speaker 2: You talking to them against the wall and then you

926
00:42:01,120 --> 00:42:02,480
Speaker 2: put one hand next to their head and then you

927
00:42:02,480 --> 00:42:03,880
Speaker 2: put the other hand next to the other side of

928
00:42:03,920 --> 00:42:04,279
Speaker 2: their head.

929
00:42:04,320 --> 00:42:06,960
Speaker 3: That's because I had had far too many drinks and

930
00:42:07,000 --> 00:42:08,680
Speaker 3: I was worried that I wasn't going to be able

931
00:42:08,719 --> 00:42:11,719
Speaker 3: to hold myself up. Let's go to Mia here, Miya

932
00:42:11,920 --> 00:42:14,600
Speaker 3: getting back on her track here. If you lick your

933
00:42:14,640 --> 00:42:16,360
Speaker 3: lips in you with a man or a woman, is

934
00:42:16,400 --> 00:42:18,000
Speaker 3: that saying, hey, I want to be.

935
00:42:18,040 --> 00:42:21,560
Speaker 14: Kissed in the in the moment where it's like a

936
00:42:21,680 --> 00:42:22,680
Speaker 14: Roman sixteen.

937
00:42:23,120 --> 00:42:25,560
Speaker 5: I think it definitely is a sign that.

938
00:42:26,040 --> 00:42:27,480
Speaker 2: You can to be kissed.

939
00:42:27,680 --> 00:42:30,239
Speaker 9: Yeah, thank you very much.

940
00:42:30,560 --> 00:42:31,680
Speaker 3: Oh, thank goodness.

941
00:42:32,120 --> 00:42:33,560
Speaker 2: Well, very good. Now we can get back to what

942
00:42:33,640 --> 00:42:37,680
Speaker 2: I was talking about before. You're fail safe way, because

943
00:42:37,680 --> 00:42:39,520
Speaker 2: all those women that you caught out them just were

944
00:42:39,600 --> 00:42:41,080
Speaker 2: women that you said, do you want to get kissed

945
00:42:41,120 --> 00:42:41,680
Speaker 2: this weekend?

946
00:42:41,800 --> 00:42:42,000
Speaker 3: Yeah.

947
00:42:42,120 --> 00:42:45,440
Speaker 2: I used to have a fail safe way to secure

948
00:42:45,440 --> 00:42:47,520
Speaker 2: a kiss on a date far away, we all wait

949
00:42:47,520 --> 00:42:49,320
Speaker 2: and can we get there some drobe or something a

950
00:42:49,400 --> 00:42:50,480
Speaker 2: bit of intensity.

951
00:42:51,280 --> 00:42:53,960
Speaker 3: Okay, now I want to just this is it. There's

952
00:42:53,960 --> 00:42:55,600
Speaker 3: a lot of there's a lot of context here that

953
00:42:55,600 --> 00:42:56,040
Speaker 3: I need to say.

954
00:42:56,040 --> 00:42:57,279
Speaker 2: I wonder how many people have heard this.

955
00:42:58,120 --> 00:43:01,680
Speaker 3: There's a lot of context here that I need to set. So, okay,

956
00:43:01,719 --> 00:43:04,200
Speaker 3: you need to be if you're on a date and

957
00:43:04,239 --> 00:43:06,960
Speaker 3: it's going particularly well, gee we're laid in the breaks, she'll.

958
00:43:06,840 --> 00:43:07,759
Speaker 2: Do it up next.

959
00:43:07,960 --> 00:43:10,359
Speaker 3: Okay. If the date's going really well, so you are

960
00:43:10,360 --> 00:43:12,719
Speaker 3: feeling like, okay, things are going really well here, I

961
00:43:12,760 --> 00:43:15,920
Speaker 3: think she wants to kiss me or he and I'm

962
00:43:15,920 --> 00:43:18,640
Speaker 3: feeling it. The hard thing is making that move forward

963
00:43:18,640 --> 00:43:20,759
Speaker 3: to take the kiss, you know, because it's always a

964
00:43:20,800 --> 00:43:22,440
Speaker 3: bit awkward when when you when you lean in. So

965
00:43:22,560 --> 00:43:24,440
Speaker 3: something that I had previously named the past. In my

966
00:43:24,520 --> 00:43:27,080
Speaker 3: younger years, I mean I was an immature a little bit.

967
00:43:27,840 --> 00:43:29,880
Speaker 3: I would say to them, hey, I bet you I

968
00:43:29,920 --> 00:43:33,480
Speaker 3: can I bet you I can kiss you without touching

969
00:43:33,480 --> 00:43:37,239
Speaker 3: your lips, And I bet you twenty bucks I can

970
00:43:37,320 --> 00:43:39,960
Speaker 3: kiss you that touching lips. And they'd go like, oh yeah, sure, nos,

971
00:43:39,960 --> 00:43:42,280
Speaker 3: I'll take that bet, and I go okay, nose, close

972
00:43:42,280 --> 00:43:44,560
Speaker 3: your eyes and go yeah, close their eyes and then

973
00:43:44,600 --> 00:43:46,600
Speaker 3: I just kiss them. I give them a kiss on

974
00:43:46,640 --> 00:43:49,319
Speaker 3: the lips. Let's go, and then you pull away and

975
00:43:49,400 --> 00:43:51,240
Speaker 3: just go best spend twenty bucks ever.

976
00:43:51,280 --> 00:43:54,279
Speaker 2: Wow, I mean kiss me music again. I mean that

977
00:43:54,320 --> 00:43:56,560
Speaker 2: is a beautiful thing, like I.

978
00:43:56,520 --> 00:43:59,640
Speaker 3: Said about that, But like I said, like I said,

979
00:44:00,200 --> 00:44:02,000
Speaker 3: you would only ever do that if it was going

980
00:44:02,080 --> 00:44:03,600
Speaker 3: really really well. You wouldn't do that, like as a

981
00:44:03,600 --> 00:44:07,360
Speaker 3: first interaction with someone that's that would be horrifically inappropriate. Okay,

982
00:44:07,600 --> 00:44:09,840
Speaker 3: that's really important to say no, no, because obviously otherwise

983
00:44:09,840 --> 00:44:12,719
Speaker 3: it sounds very you know, presumptuous, consumptuous and wrong to

984
00:44:12,880 --> 00:44:14,640
Speaker 3: go in there. So God, it was a beautiful morth.

985
00:44:15,160 --> 00:44:17,040
Speaker 2: It's a beautiful moth. It's not take it away from you.

986
00:44:17,840 --> 00:44:18,799
Speaker 3: I don't want to talk about that.

987
00:44:18,800 --> 00:44:21,879
Speaker 2: Obviously a lot of people would be writing that down

988
00:44:21,960 --> 00:44:22,359
Speaker 2: right now.

989
00:44:23,239 --> 00:44:24,040
Speaker 3: Just be careful with it.

990
00:44:24,120 --> 00:44:25,040
Speaker 2: The love God himself.

991
00:44:26,680 --> 00:44:28,720
Speaker 1: Podcasting now, this.

992
00:44:28,600 --> 00:44:30,680
Speaker 2: Is something we're absolutely loving doing on this show at

993
00:44:30,680 --> 00:44:31,920
Speaker 2: the moment. It's been a hell of a year for

994
00:44:31,960 --> 00:44:34,400
Speaker 2: all sorts of people in all sorts of ways for

995
00:44:34,440 --> 00:44:37,720
Speaker 2: obvious reasons. So if you would like to nominate someone

996
00:44:37,760 --> 00:44:41,160
Speaker 2: who's had an absolute stinker, and they deserve a great day.

997
00:44:41,560 --> 00:44:43,760
Speaker 2: Let us create a great day for them all thanks

998
00:44:43,760 --> 00:44:44,960
Speaker 2: to Mike Tyrone Audo.

999
00:44:45,360 --> 00:44:49,920
Speaker 8: Okay, Boylan Horney, create a great day with my card.

1000
00:44:49,880 --> 00:44:50,400
Speaker 12: Iron or.

1001
00:44:52,600 --> 00:44:58,880
Speaker 3: Today will We've got Kathy and she is nominating her husband. Kathy. Welcome,

1002
00:44:59,440 --> 00:45:02,640
Speaker 3: Thank you so so much. There, you are so welcome, Kathy.

1003
00:45:03,320 --> 00:45:05,680
Speaker 3: Now why you're nominating husband Steve?

1004
00:45:06,360 --> 00:45:09,319
Speaker 15: Well, look, not all heroes wear caps. My husband at

1005
00:45:09,320 --> 00:45:12,800
Speaker 15: the beginning of Lockdown, he gave up his favorite hobby,

1006
00:45:12,880 --> 00:45:18,359
Speaker 15: which was going to Bunnings daily, and he swapped it

1007
00:45:18,480 --> 00:45:21,719
Speaker 15: for learning how to make cocktails, just to keep his

1008
00:45:21,760 --> 00:45:24,480
Speaker 15: wife happy. And I think there is no greater gift

1009
00:45:24,560 --> 00:45:27,520
Speaker 15: any husband can give than fabulous cocktails.

1010
00:45:27,600 --> 00:45:37,000
Speaker 3: Oh sorry, I'm glad you didn't trip on the cocktails. Hey, Gaddy,

1011
00:45:37,840 --> 00:45:39,560
Speaker 3: what cocktails was he going for?

1012
00:45:40,440 --> 00:45:43,080
Speaker 15: His favorite one is something called an East State hold

1013
00:45:43,160 --> 00:45:46,120
Speaker 15: up is it's got apparol in it, and it has

1014
00:45:46,160 --> 00:45:49,480
Speaker 15: some fresh mint, and it's got passion fruit and it's oh,

1015
00:45:49,520 --> 00:45:53,799
Speaker 15: it's absolutely deliciul. Yeah, Friday night is cocktail nights.

1016
00:45:53,920 --> 00:45:56,359
Speaker 2: Sounds like your husband's got a really wonderful cocktail on him,

1017
00:45:56,360 --> 00:45:58,320
Speaker 2: So let's cross to him right now. I've got Steve

1018
00:45:58,360 --> 00:46:03,440
Speaker 2: Can I Steve Height. Hi, Hello, Steve, Kathy's nominated you.

1019
00:46:03,760 --> 00:46:05,160
Speaker 2: I know it's been a hell of a year mate,

1020
00:46:05,200 --> 00:46:07,640
Speaker 2: and sounds like you've been the one solely getting her through.

1021
00:46:07,680 --> 00:46:09,960
Speaker 2: You've given up your favorite thing of going down the

1022
00:46:10,000 --> 00:46:14,880
Speaker 2: bunnings and hoarding the snags to heading over to Dan Murphy.

1023
00:46:14,960 --> 00:46:17,400
Speaker 2: So what we're going to do for you, for both

1024
00:46:17,400 --> 00:46:19,960
Speaker 2: of you? Actually, first of all, Steve, we're going to

1025
00:46:20,040 --> 00:46:22,319
Speaker 2: give you Watson FC Guernsey to wear out in your

1026
00:46:22,320 --> 00:46:25,200
Speaker 2: great day out, which is going to be very very shortly.

1027
00:46:26,000 --> 00:46:28,880
Speaker 2: And then you guys are going to have an overnight

1028
00:46:29,000 --> 00:46:31,600
Speaker 2: stay at the Soft Hotel in the Sydney Darling Harbor

1029
00:46:31,640 --> 00:46:33,680
Speaker 2: with a superior room with the room of the view

1030
00:46:33,719 --> 00:46:38,560
Speaker 2: breakfast included. And we've got you booked in for the

1031
00:46:38,600 --> 00:46:42,440
Speaker 2: Coastal Golf Club, regarded as one of Sydney's most spectacular

1032
00:46:42,480 --> 00:46:46,640
Speaker 2: courses eighteen holes. And of course to wrap it offwards,

1033
00:46:46,719 --> 00:46:49,879
Speaker 2: wrap it out, wrap it up, I should say, we've

1034
00:46:49,880 --> 00:46:52,120
Speaker 2: got a damn Murphis pouch. We've got Dan Murphy's voucher

1035
00:46:52,160 --> 00:46:52,719
Speaker 2: for you as well.

1036
00:46:52,760 --> 00:46:56,440
Speaker 7: Steve, Oh, oh brilliant, Oh thank you so much, so

1037
00:46:56,440 --> 00:46:58,319
Speaker 7: it's really great. Thanks really nice.

1038
00:46:58,360 --> 00:46:58,839
Speaker 5: Thank you.

1039
00:46:58,840 --> 00:47:01,000
Speaker 2: You've got to be pretty tough. Get yourself a football

1040
00:47:01,000 --> 00:47:04,000
Speaker 2: club jersey and night overnight stay in the Cydney Darling

1041
00:47:04,040 --> 00:47:08,080
Speaker 2: Harbor and a round on one of Sydney's best golf courses. Awful,

1042
00:47:08,120 --> 00:47:14,239
Speaker 2: making your wife a bunch of cocktails. Not bad at all,

1043
00:47:14,320 --> 00:47:16,160
Speaker 2: thanks to Mike car Tyre in order. They just look

1044
00:47:16,160 --> 00:47:17,960
Speaker 2: after cars, they look after the people that drive them.

1045
00:47:17,960 --> 00:47:21,960
Speaker 2: We're going to get out of here. Congratulations, guys. Jeez,

1046
00:47:22,280 --> 00:47:24,799
Speaker 2: Steve couldn't believe his luck. Clarently he just jumped off

1047
00:47:24,840 --> 00:47:29,840
Speaker 2: a business call and he came on the air the end. Brilliant.

1048
00:47:29,320 --> 00:47:33,879
Speaker 3: He was so shocked, Absolutely brilliant, creating a great day

1049
00:47:33,880 --> 00:47:34,759
Speaker 3: of people who deserve it.

1050
00:47:34,760 --> 00:47:37,320
Speaker 2: I hardly deserved, but I'll take you see what you're hearing.

1051
00:47:37,480 --> 00:47:40,720
Speaker 15: Find us on Instagram and Facebook search Will and Woody