WEBVTT - ALESSANDRA RAMPOLLA - MAFS - CHANNEL NINE 

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast Last Weep that wy Hey, guys,

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<v Speaker 1>welcome back to TV Reload. I want to thank you

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<v Speaker 1>for clicking and downloading on today's episode with Alessandra, one

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<v Speaker 1>of the relationship experts from Married at First Sight Australia,

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<v Speaker 1>which launches season twelve tonight on Channel nine. Married at

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<v Speaker 1>First Sight is in institution and so many people watch

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<v Speaker 1>the Channel nine reality series, not just in Australia but

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<v Speaker 1>all around the world. I'm excited to share with you

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<v Speaker 1>my catch up with Alessandra, who is the sexy psychologist

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<v Speaker 1>on the show. There is something so effortlessly engaging about

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<v Speaker 1>her accent and her intelligence. There was literally no editing

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<v Speaker 1>to this podcast, which is unusual. Let me tell you,

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<v Speaker 1>Alessandro will unpack the way in which she was picked

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<v Speaker 1>to be on the couch working with these couples. We

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<v Speaker 1>will chat about her relationship with John and Mel and

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<v Speaker 1>how she feels about her connection with the other experts.

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<v Speaker 1>I find out about what Alessandra thinks about the connection

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<v Speaker 1>with OnlyFans and Married at fort Side, which has always

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<v Speaker 1>fascinated me. You will get everything from how she feels

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<v Speaker 1>about this season, what we have to learn from Meredith

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<v Speaker 1>First Sight as viewers, and what.

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<v Speaker 2>Makes this show so addictive.

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<v Speaker 1>There's actually so much to talk about, with so many

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<v Speaker 1>inside revelations. So guys, as I said, sit back and

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<v Speaker 1>relax as we unpack the wonderful world of Meredith First

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<v Speaker 1>Site Australia for season twelve.

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<v Speaker 3>Hi, then can you hear me?

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<v Speaker 1>Yes, I can hear you now. Thank you so much

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<v Speaker 1>for that. Sorry about the technology. It's always a bit

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<v Speaker 1>of a problem, isn't it.

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<v Speaker 3>It is quote all right, no worries.

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<v Speaker 1>I'm very excited about having this chat with you because

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<v Speaker 1>I think you do such a fantastic job on the show,

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<v Speaker 1>and over the years I've spoken to John and Mel

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<v Speaker 1>and now I feel like I've collected all three of you.

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<v Speaker 2>I've collected the set.

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<v Speaker 3>Finally, I was a missing piece.

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<v Speaker 1>I think your role as a sexologist is really important

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<v Speaker 1>to the show. How did you get asked to be

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<v Speaker 1>a part of Meredith First.

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<v Speaker 3>Thank you so much.

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<v Speaker 4>Yes, I think for a show when you're thinking about

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<v Speaker 4>a marriage and a romantic relationship long term, you can't

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<v Speaker 4>really think about that without considering the implications of the

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<v Speaker 4>sexual connection and how that grows with the couple, or

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<v Speaker 4>maybe perhaps doesn't and comes back to create problems in

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<v Speaker 4>the future.

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<v Speaker 3>So it is an integral part in my case with Matth.

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<v Speaker 4>I think people from endemol Shine knew of my work

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<v Speaker 4>through some previous work I had done where we had

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<v Speaker 4>collided in the world of Emmy World in New.

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<v Speaker 3>York years ago, and so they.

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<v Speaker 4>At a certain point after Trish left the experiment, they

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<v Speaker 4>were looking for somebody to come in, and somebody mentioned

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<v Speaker 4>my name and they came to look for me and

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<v Speaker 4>sent me a couple of seasons of the existing show,

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<v Speaker 4>which is in Australia a much larger kind of bigger

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<v Speaker 4>TV format than they do in other countries around the world.

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<v Speaker 4>So I had a good grasp of what they were

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<v Speaker 4>doing in Australia and I loved it.

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<v Speaker 3>But I thought they.

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<v Speaker 4>Were missing, of course, some chat around sexuality, and I

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<v Speaker 4>also thought there were situations that could have really that

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<v Speaker 4>could have been great for conversation that perhaps wasn't shown

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<v Speaker 4>in previous seasons. So I was keen to kind of,

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<v Speaker 4>you know, in terms of bad behaviors and things like

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<v Speaker 4>that that were occurring on the experiment. I wanted to

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<v Speaker 4>make sure that there was conversation surrounding that and not

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<v Speaker 4>simply something that was shown but not really talked about.

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<v Speaker 1>I'm always amazed at how you managed to make some

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<v Speaker 1>taboo conversations sound quite normal without it sounding pervial weird.

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<v Speaker 3>Oh thank you, that's so nice.

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<v Speaker 4>I think, yes, I think sexuality is a topic that

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<v Speaker 4>many people shy away from, precisely because they feel they

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<v Speaker 4>don't know how to talk about it. They don't know

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<v Speaker 4>if they have the right words, or if it's gonna

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<v Speaker 4>sound like not couth or not nice or not agreeable

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<v Speaker 4>to everyone. But I do think it's part of the

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<v Speaker 4>human experience. So as long as you're speaking about it

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<v Speaker 4>with respect and using correct terminology, meaning like the official terms,

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<v Speaker 4>and then everybody can understand they're the official terms, I

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<v Speaker 4>think adult conversation can be had, and I do think

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<v Speaker 4>it lends to nuanced understanding of human interactions when you

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<v Speaker 4>can include what desire, what passion, what perhaps feeling accepted

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<v Speaker 4>or not or rejected by a potential partner, and what

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<v Speaker 4>that does in terms of behaviors and feelings, and this

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<v Speaker 4>all encompassing emotional roller coaster that is being in a relationship.

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<v Speaker 1>I just think that we're getting better at being able

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<v Speaker 1>to talk about sex. I don't know what's happened. What

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<v Speaker 1>do you think has changed in the dynamics about the

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<v Speaker 1>way in which we interact now that has made it

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<v Speaker 1>maybe a little bit easier to talk about what we

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<v Speaker 1>want sexually.

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<v Speaker 4>Well, I do think communications make it much easier to

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<v Speaker 4>normal what is normal meaning, you know, as you get

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<v Speaker 4>used to listening to people chat about certain topics, they

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<v Speaker 4>become less taboo.

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<v Speaker 3>It's not as scary anymore.

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<v Speaker 4>You've heard it a few times, it doesn't seem as

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<v Speaker 4>ooh shocking, So you start normalizing something that is actually

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<v Speaker 4>quite normal, which is our human sexual experience.

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<v Speaker 3>So I do think.

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<v Speaker 4>Social media, communications, just media in general, the fact that

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<v Speaker 4>in Australia it's something that's not I don't think entirely

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<v Speaker 4>normalized in media. I don't see it like I see

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<v Speaker 4>it in other countries. In terms of, for instance, my

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<v Speaker 4>profession as a sexologist. I've been working for twenty five

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<v Speaker 4>years in South America in many countries very openly as

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<v Speaker 4>a clinical sexologist in traditional media, and you don't necessarily

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<v Speaker 4>see that in traditional media in Australia. So there is

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<v Speaker 4>something about how the conversation starts opening up as you

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<v Speaker 4>start normalizing and as we start seeping into well the

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<v Speaker 4>traditional ways of communication, then it's no longer so foreign

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<v Speaker 4>and people then feel like they too can chat about

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<v Speaker 4>their experience and normalize the conversation.

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<v Speaker 1>There must be something about Meredith First Sight though, that

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<v Speaker 1>because it's so so successful in Australia, that it has

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<v Speaker 1>penetrated in a way that it's opening a conversation that

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<v Speaker 1>we hadn't seen before. Because you know, there's a lot

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<v Speaker 1>of reality shows across Australia, and very successful ones, but

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<v Speaker 1>nothing now beats Meredith First Sight when it comes to

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<v Speaker 1>the ratings, and I think that Australia is mildly obsessed

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<v Speaker 1>with this show. What do you think it is about

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<v Speaker 1>this show? In particular? That means that it doesn't matter

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<v Speaker 1>if people say that I like it or they think

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<v Speaker 1>it's trashy, everyone still turns up and they're fascinated by it.

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<v Speaker 4>It's like we're all the little mosquito on the wall

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<v Speaker 4>that gets to see what's actually happening behind the closed

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<v Speaker 4>door because there are no other TV shows, or there

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<v Speaker 4>are no other places where you can see, you know,

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<v Speaker 4>human interaction when people are trying to build a romantic connection.

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<v Speaker 3>What does that look like how do people act, how

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<v Speaker 3>do their insecurities flourish?

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<v Speaker 4>And their behaviors you're able to actually see things play out,

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<v Speaker 4>and it's much easier to identify behaviors when you're able

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<v Speaker 4>to see it play out other than simply being described.

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<v Speaker 4>So you start seeing behaviors that are either great and

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<v Speaker 4>making things function correctly, or perhaps not so.

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<v Speaker 3>Great, and then you can be like, oh, well.

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<v Speaker 4>Maybe this is something I should refrain from because I

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<v Speaker 4>see all these consequences. So I think there's something to

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<v Speaker 4>it that's a little bit of a mirror, not only

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<v Speaker 4>to the participants' behaviors, but to all of our behaviors

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<v Speaker 4>and relationships. You start comparing yourself, do I do better?

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<v Speaker 4>Am I worse at this? Do I really struggle in

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<v Speaker 4>this topic? Can I relate to that? So I think

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<v Speaker 4>there's all of that that goes into it as well,

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<v Speaker 4>and it's the one place we've all seen and can

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<v Speaker 4>go like, oh did you see this?

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<v Speaker 3>What do you think? And those conversations open up.

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<v Speaker 1>I think it's fascinating for myself because I think we

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<v Speaker 1>get lazy in the dynamics of what we want out

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<v Speaker 1>of our relationship, and we can out even if you're

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<v Speaker 1>I'm not saying that I'm a bad person, or I'm

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<v Speaker 1>not saying a good person or a bad person does this.

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<v Speaker 1>But if you get lazy in a relationship, you toxic

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<v Speaker 1>behavior can surface because you start trying to with unknowingly

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<v Speaker 1>sort of manipulate your partner in a weird way.

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<v Speaker 2>And then when you watch Meret.

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<v Speaker 1>At first sight, you think to yourself, oh, I've learned

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<v Speaker 1>terms like gas lighting and love bombing and ghosting and

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<v Speaker 1>all these sorts of terminology, and you start to see

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<v Speaker 1>some of it in yourself and you go, I think

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<v Speaker 1>that's disgusting it, and do I do that? And the

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<v Speaker 1>self reflection is also important.

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<v Speaker 3>The self reflection, I think is incredibly important.

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<v Speaker 4>And I think the conversations that can be generated around

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<v Speaker 4>that a couple watching together, for instance, Yes, of course

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<v Speaker 4>you might be really enthralled by the drama, like who

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<v Speaker 4>is it is? It is? It is an entertainment show

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<v Speaker 4>and it is reality. So one must not lose sight

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<v Speaker 4>of the context from which we're speaking. But within that

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<v Speaker 4>the interactions are the real interactions of those participants at

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<v Speaker 4>that moment. Faced with that challenge in that I get

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<v Speaker 4>staged in a relationship and that is something that anybody

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<v Speaker 4>who's watching can identify with and do the compare and

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<v Speaker 4>contrast and have conversations around. So I do think that

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<v Speaker 4>there's a space there that is really potent in terms

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<v Speaker 4>of using it as a tool not only of entertainment,

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<v Speaker 4>but then also have a little self reflection and you know,

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<v Speaker 4>tool gathering and growth that can occur not only for

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<v Speaker 4>the participants, and many of our participants talk about how

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<v Speaker 4>much they've learned in the experience of the experiment, regardless

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<v Speaker 4>of whether they have found love or not, but I

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<v Speaker 4>think that happens also to many people at home, not

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<v Speaker 4>only to the participants going through the experience.

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<v Speaker 1>I've met a lot of ex merit at first site

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<v Speaker 1>people along the way, and I think what's really interesting

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<v Speaker 1>in about there's a common thread that I've noticed when

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<v Speaker 1>I've met them, and it's a little bit of a

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<v Speaker 1>psychologist now in all of them. They're a little bit

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<v Speaker 1>more heightened with them when it comes to relationship, when

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<v Speaker 1>it comes to communication actually, and I've noticed that thread

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<v Speaker 1>over time. You know, we're now sitting with so many

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<v Speaker 1>seasons under our belt, and so many of these people

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<v Speaker 1>have gone out into the world. Do you think that

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<v Speaker 1>that has a lot to do with the three relationship

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<v Speaker 1>experts who can maybe unearth things and make people or

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<v Speaker 1>make them think more about what they're getting themselves involved in.

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<v Speaker 5>Well, I think certainly, I hope that we're able to

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<v Speaker 5>help guide when we see behavior that is not healthy

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<v Speaker 5>or is not serving the participants to their end goal

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<v Speaker 5>that they have voice to us that they're.

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<v Speaker 3>Wanting to achieve.

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<v Speaker 4>Of course, I hope that they're able to take that

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<v Speaker 4>information and that guidance and run with it and make

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<v Speaker 4>the adjustments they need to if they need to. So

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<v Speaker 4>we always hope for that, But it really is their journey,

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<v Speaker 4>and it really is about themselves putting their experience out there,

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<v Speaker 4>and it takes such bravery.

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<v Speaker 3>I don't think hits for anyone.

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<v Speaker 4>I really admire our participants just simply in the sheer

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<v Speaker 4>bravery it takes to allow yourself to put up that

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<v Speaker 4>mirror and look at yourself, not simply in the privacy

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<v Speaker 4>of your home and understanding and having self awareness, but

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<v Speaker 4>in front of the world. So that requires quite the

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<v Speaker 4>amount of confidence and bravery, I believe. But I do

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<v Speaker 4>think it is that they are actually being able to

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<v Speaker 4>see their behavior the things that you don't notice about yourself.

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<v Speaker 4>The camera doesn't miss, so it is there is that

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<v Speaker 4>even in the moments when one feels that one a

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<v Speaker 4>handle the situation, you.

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<v Speaker 3>Don't always know.

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<v Speaker 4>And I always think of in terms of this, and

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<v Speaker 4>even for us as experts, if you're in a relationship

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<v Speaker 4>in real life going to see an expert, a therapist

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<v Speaker 4>or whatnot, that person never sees your actual interaction in

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<v Speaker 4>a fight through a discussion with your partner, unless you

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<v Speaker 4>have a blowout in the session. But for the most part,

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<v Speaker 4>if you're coming in with a crisis, you will be

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<v Speaker 4>telling a story of what happened. It's very different to

0:12:05.080 --> 0:12:07.280
<v Speaker 4>what we get to see here Here.

0:12:07.280 --> 0:12:08.520
<v Speaker 3>It's not simply.

0:12:08.200 --> 0:12:12.720
<v Speaker 4>One imagining how one person gave a look or a glare,

0:12:12.960 --> 0:12:16.120
<v Speaker 4>or the tone or the words or everything that you

0:12:16.160 --> 0:12:18.800
<v Speaker 4>can take in with nonverbals that you see when you're

0:12:18.840 --> 0:12:21.400
<v Speaker 4>actually watching the image with the audio and watching it.

0:12:21.360 --> 0:12:23.840
<v Speaker 3>Play out, and that's what happens in maths.

0:12:24.160 --> 0:12:27.520
<v Speaker 6>So it's much more vivid and it's much more a

0:12:27.559 --> 0:12:30.640
<v Speaker 6>picture of what actually happens, and that can be quite

0:12:30.720 --> 0:12:36.239
<v Speaker 6>confronting when you've never seen yourself under those stressful situations reacting.

0:12:36.720 --> 0:12:38.240
<v Speaker 1>You think about the way in which we are in

0:12:38.280 --> 0:12:40.640
<v Speaker 1>our own relationships as well, and I think that most

0:12:40.720 --> 0:12:42.640
<v Speaker 1>couples will relate to what I'm about to say. But

0:12:42.920 --> 0:12:45.360
<v Speaker 1>in a fight in conflict, you will say, but you

0:12:45.480 --> 0:12:48.880
<v Speaker 1>said this, and then the fight becomes about who said.

0:12:48.800 --> 0:12:52.040
<v Speaker 2>Was yes, And it always turns up as being the inflection.

0:12:52.200 --> 0:12:54.800
<v Speaker 1>To me, it's always hang on a sec you might

0:12:54.840 --> 0:12:57.200
<v Speaker 1>have said that, but the tone is what the tone

0:12:57.240 --> 0:12:58.920
<v Speaker 1>will way, you know what I.

0:12:58.880 --> 0:13:03.000
<v Speaker 4>Mean, on the underlying that I gathered from that little

0:13:03.040 --> 0:13:04.960
<v Speaker 4>inflection in your ConA voice.

0:13:05.120 --> 0:13:07.959
<v Speaker 1>Yes, I've gone down a rabbit hole over that tone

0:13:07.960 --> 0:13:10.160
<v Speaker 1>that you had. And so when I ask you why

0:13:10.160 --> 0:13:12.320
<v Speaker 1>did you say this and you repeat it back to

0:13:12.360 --> 0:13:15.199
<v Speaker 1>me in a different tone, you kind of feel gaslighted.

0:13:15.440 --> 0:13:17.320
<v Speaker 1>And I think that there's a part of all of

0:13:17.400 --> 0:13:19.360
<v Speaker 1>us that would love to have cameras and have the

0:13:19.400 --> 0:13:21.400
<v Speaker 1>ability to play the replay fights.

0:13:21.679 --> 0:13:26.760
<v Speaker 4>Yes, yes, Reefly and the replay would be amazing or

0:13:26.800 --> 0:13:29.400
<v Speaker 4>maybe not, but it is part of it is part

0:13:29.520 --> 0:13:33.880
<v Speaker 4>of this experience here, So it does make it very distinct,

0:13:34.160 --> 0:13:38.800
<v Speaker 4>and I think, yeah, you don't have other experiences in

0:13:38.800 --> 0:13:42.400
<v Speaker 4>television or really in life. For you, you're able to

0:13:42.440 --> 0:13:45.240
<v Speaker 4>be the little mosquito on the wall and begin to

0:13:45.360 --> 0:13:47.679
<v Speaker 4>what other people are doing and how they're doing it.

0:13:47.840 --> 0:13:49.160
<v Speaker 2>So, yeah, what about yourself?

0:13:49.160 --> 0:13:49.319
<v Speaker 4>Though?

0:13:49.360 --> 0:13:51.760
<v Speaker 1>You must grow every season, you must find new ways

0:13:51.800 --> 0:13:55.000
<v Speaker 1>to approach these couples. Was there anything in particular that

0:13:55.040 --> 0:13:58.520
<v Speaker 1>you learned from last year that's helped you that's changed

0:13:58.520 --> 0:14:01.440
<v Speaker 1>the way in which you've turned up for twenty twenty five.

0:14:01.800 --> 0:14:05.360
<v Speaker 3>Yeah, really, it hasn't. I wouldn't say from last year

0:14:05.400 --> 0:14:06.000
<v Speaker 3>to this year.

0:14:06.040 --> 0:14:08.960
<v Speaker 4>I think when I first joined the experiment in twenty

0:14:09.000 --> 0:14:11.680
<v Speaker 4>twenty for the season that aired in twenty twenty one,

0:14:12.120 --> 0:14:16.840
<v Speaker 4>I really think it took the entire experience of filming,

0:14:17.360 --> 0:14:20.000
<v Speaker 4>waiting for production to end, for the show to go

0:14:20.040 --> 0:14:23.040
<v Speaker 4>on air, and waiting for it to be completely wrapped

0:14:23.480 --> 0:14:27.240
<v Speaker 4>for me to really understand the dynamic of what maths meant.

0:14:27.960 --> 0:14:30.720
<v Speaker 4>And I think I've grown and understood it better every year.

0:14:30.920 --> 0:14:32.480
<v Speaker 3>I think it's a matter for.

0:14:32.400 --> 0:14:37.360
<v Speaker 4>Me personally of trusting at face value. For instance, there's

0:14:37.360 --> 0:14:40.360
<v Speaker 4>a lot of talk around what is the motivation for

0:14:40.400 --> 0:14:44.359
<v Speaker 4>our participants to be on the experiment, and I, of course.

0:14:44.120 --> 0:14:48.680
<v Speaker 3>I'm not blind. I don't live in a different planet.

0:14:49.000 --> 0:14:52.160
<v Speaker 4>I know that many people are going to be enthused

0:14:52.200 --> 0:14:54.800
<v Speaker 4>with the popularity of the show and the possibilities for

0:14:54.960 --> 0:15:00.480
<v Speaker 4>careers and whatever social media and exposure can provide. But

0:15:01.320 --> 0:15:04.840
<v Speaker 4>regardless of that, I am enthused with the person in

0:15:04.880 --> 0:15:08.240
<v Speaker 4>front of me who's telling me whatever story they're telling me,

0:15:08.360 --> 0:15:11.560
<v Speaker 4>true or not believe They're not Number one because I

0:15:11.600 --> 0:15:15.080
<v Speaker 4>think if they actually find someone or meet someone that

0:15:15.080 --> 0:15:18.520
<v Speaker 4>they really like, they will lean into the possibility of love.

0:15:18.600 --> 0:15:22.480
<v Speaker 4>Who wouldn't in whatever circumstance that shows up. And number

0:15:22.520 --> 0:15:26.360
<v Speaker 4>two because I think, regardless it's the experience of people watching,

0:15:26.440 --> 0:15:28.880
<v Speaker 4>and if they're going to be themselves and they're going

0:15:28.960 --> 0:15:31.640
<v Speaker 4>to be committed to the experience and they're going.

0:15:31.440 --> 0:15:34.160
<v Speaker 3>To attempt to really take part in.

0:15:34.160 --> 0:15:37.800
<v Speaker 4>The experiment, then that's still going to be helpful even

0:15:37.920 --> 0:15:39.520
<v Speaker 4>for them and this.

0:15:39.640 --> 0:15:41.440
<v Speaker 3>One or future relationships.

0:15:41.480 --> 0:15:44.440
<v Speaker 4>So I don't really focus on motivations because I'm not

0:15:44.480 --> 0:15:48.000
<v Speaker 4>a soothsayer, but I focus at face value on the

0:15:48.040 --> 0:15:50.400
<v Speaker 4>situation in front of me because I know it represents

0:15:50.440 --> 0:15:53.200
<v Speaker 4>a situation of so many other people who will be watching.

0:15:53.600 --> 0:15:55.240
<v Speaker 1>Do you know what I've always wanted to ask you,

0:15:55.440 --> 0:15:57.800
<v Speaker 1>And I'm honestly this is so exciting that I even

0:15:57.840 --> 0:16:00.160
<v Speaker 1>have you to have this conversation, But what do you

0:16:00.200 --> 0:16:04.160
<v Speaker 1>think as a sexologist is the connection between Maretith First

0:16:04.200 --> 0:16:07.680
<v Speaker 1>Sight and then Only Fans, because we've now made that

0:16:08.200 --> 0:16:10.920
<v Speaker 1>such a thing that even in the first episode, one

0:16:10.920 --> 0:16:14.400
<v Speaker 1>of the bride sister husband in her fowls you know,

0:16:14.600 --> 0:16:16.280
<v Speaker 1>I promise you I'm here for love. I'm not here

0:16:16.320 --> 0:16:20.160
<v Speaker 1>for only fans. But there is this connection that's now created, Like,

0:16:20.240 --> 0:16:23.320
<v Speaker 1>what do you think that relationship? Is there a tie

0:16:23.360 --> 0:16:24.600
<v Speaker 1>somehow between the time.

0:16:25.760 --> 0:16:29.920
<v Speaker 4>Well, I don't think the connection is with their sexuality

0:16:30.120 --> 0:16:30.560
<v Speaker 4>at all.

0:16:32.080 --> 0:16:33.000
<v Speaker 3>I think that's just.

0:16:33.320 --> 0:16:36.280
<v Speaker 4>A possible part of what goes on and Only Fans

0:16:36.440 --> 0:16:38.920
<v Speaker 4>and an interesting part for those who want to.

0:16:38.880 --> 0:16:40.400
<v Speaker 3>Make bank through Only Fans.

0:16:40.680 --> 0:16:43.040
<v Speaker 4>And I think what it is is again, it's a

0:16:43.080 --> 0:16:46.800
<v Speaker 4>platform and the opportunity and what some people view as

0:16:46.840 --> 0:16:50.200
<v Speaker 4>a way that they find interesting to put themselves out

0:16:50.200 --> 0:16:52.840
<v Speaker 4>there or make some money. And I think it's totally

0:16:52.920 --> 0:16:55.600
<v Speaker 4>valid for whoever wants to do that. There's a reason

0:16:55.840 --> 0:16:58.640
<v Speaker 4>it exists, and it's a great platform for a lot

0:16:58.680 --> 0:17:01.240
<v Speaker 4>of people. But I don't think it's something that has

0:17:01.280 --> 0:17:04.680
<v Speaker 4>anything to do with the sexuality, because not everybody who's

0:17:04.720 --> 0:17:08.520
<v Speaker 4>on OnlyFans is necessarily playing up the sexuality. Although it

0:17:08.640 --> 0:17:11.000
<v Speaker 4>is quite a popular thing to do on there.

0:17:11.359 --> 0:17:13.960
<v Speaker 1>Absolutely you know before you go, I really wanted to

0:17:14.000 --> 0:17:16.359
<v Speaker 1>ask you as well about the relationship that you have

0:17:16.520 --> 0:17:20.520
<v Speaker 1>with Melan John. How do you describe the dynamics between

0:17:20.560 --> 0:17:21.159
<v Speaker 1>the three of you.

0:17:21.800 --> 0:17:25.600
<v Speaker 4>I think we have so much fun and so much

0:17:25.640 --> 0:17:28.880
<v Speaker 4>respect for each other as professionals, and I would say

0:17:28.880 --> 0:17:32.160
<v Speaker 4>the most important part for me is the respect as professionals.

0:17:32.240 --> 0:17:34.919
<v Speaker 3>I know we have each other's backs. I know how

0:17:35.119 --> 0:17:36.240
<v Speaker 3>when we sit down.

0:17:36.080 --> 0:17:41.920
<v Speaker 4>To discuss, you know, situations or crisis or participants or whatever.

0:17:42.280 --> 0:17:44.520
<v Speaker 4>I can see how their mind is working and it's

0:17:44.640 --> 0:17:45.600
<v Speaker 4>very much aligned.

0:17:45.880 --> 0:17:48.440
<v Speaker 3>And I love that. And they are so fun and so.

0:17:48.600 --> 0:17:53.760
<v Speaker 4>Lovely and just such great co workers and friends after

0:17:53.800 --> 0:17:57.320
<v Speaker 4>all this time, so no, I feel happy and blessed

0:17:57.359 --> 0:17:58.800
<v Speaker 4>to have them as part of the team.

0:17:59.080 --> 0:18:02.359
<v Speaker 2>Do you drink a lot of car fee to stay up?

0:18:02.720 --> 0:18:05.680
<v Speaker 4>I'd like a lot of coffee in regular nice yes.

0:18:05.720 --> 0:18:07.879
<v Speaker 4>And when we're filming, are you kidding? And then I

0:18:07.920 --> 0:18:11.120
<v Speaker 4>get home and especially after like a dinner party, which

0:18:11.119 --> 0:18:15.400
<v Speaker 4>are they're very intense, Yeah, and we're they're like listening

0:18:15.480 --> 0:18:19.200
<v Speaker 4>to everything and it's all blaring in our ears and whatnot.

0:18:19.240 --> 0:18:21.000
<v Speaker 4>I get home and then it's like from the coffee

0:18:21.040 --> 0:18:23.639
<v Speaker 4>to the wine, because you have to somehow like wind

0:18:23.680 --> 0:18:24.119
<v Speaker 4>it down.

0:18:24.359 --> 0:18:26.240
<v Speaker 2>So you've got to wind it down.

0:18:26.840 --> 0:18:30.119
<v Speaker 4>Wind you have to wine it literally wind it down.

0:18:30.160 --> 0:18:32.960
<v Speaker 3>With a hot top bath and like, okay, all right,

0:18:33.240 --> 0:18:35.120
<v Speaker 3>so tomorrow's a new day.

0:18:35.840 --> 0:18:38.240
<v Speaker 1>There's gonna be some nice eye out there. Because we're

0:18:38.359 --> 0:18:39.600
<v Speaker 1>up to season twelve.

0:18:39.680 --> 0:18:41.159
<v Speaker 2>You know, people are going to be talking.

0:18:40.920 --> 0:18:44.240
<v Speaker 1>About couples getting mismatched, and right from the get go

0:18:44.359 --> 0:18:46.719
<v Speaker 1>we see some couples that really struggle. What do you

0:18:46.800 --> 0:18:49.679
<v Speaker 1>have to say about those claims that you know produces

0:18:49.720 --> 0:18:52.600
<v Speaker 1>a mixing people up just to create drama.

0:18:53.000 --> 0:18:57.560
<v Speaker 3>No, that's not my experience. We What I would say

0:18:57.760 --> 0:18:58.280
<v Speaker 3>is that the.

0:18:58.240 --> 0:19:03.720
<v Speaker 4>Production cast very big personalities. So they are very big personalities,

0:19:03.760 --> 0:19:06.320
<v Speaker 4>all because we're doing a reality.

0:19:05.920 --> 0:19:08.879
<v Speaker 3>TV show and to be entertaining.

0:19:09.160 --> 0:19:11.240
<v Speaker 4>So of course the people that are picked to be

0:19:11.280 --> 0:19:13.640
<v Speaker 4>part of the experiment, aside from everything else that they

0:19:13.640 --> 0:19:17.240
<v Speaker 4>have to go through, there also I'm sure considered for

0:19:17.320 --> 0:19:21.120
<v Speaker 4>their personalities and how outspoken they can be or whatnot.

0:19:21.560 --> 0:19:24.960
<v Speaker 4>But aside from that, no, like really the intent is

0:19:25.080 --> 0:19:29.000
<v Speaker 4>for them to potentially get along, and we base it

0:19:29.119 --> 0:19:31.800
<v Speaker 4>off of what the participants tell us. And I think

0:19:31.880 --> 0:19:34.280
<v Speaker 4>I'll tell you this for this season watch out because

0:19:34.359 --> 0:19:36.719
<v Speaker 4>I think the way that they are presenting.

0:19:36.840 --> 0:19:37.720
<v Speaker 3>You see much.

0:19:37.560 --> 0:19:42.960
<v Speaker 4>More what is told to us by the participants about themselves,

0:19:43.040 --> 0:19:45.960
<v Speaker 4>their character, what they want, what they don't want, how

0:19:46.000 --> 0:19:49.640
<v Speaker 4>they would act or not act does not necessarily align

0:19:49.880 --> 0:19:55.560
<v Speaker 4>with what they actually do when confronted with circumstance. So yeah,

0:19:55.600 --> 0:19:57.720
<v Speaker 4>so there's only so much you can do. And again

0:19:57.840 --> 0:20:00.639
<v Speaker 4>I take it at face value and I work with that,

0:20:01.040 --> 0:20:03.600
<v Speaker 4>and then it's up to the participants to.

0:20:03.920 --> 0:20:05.080
<v Speaker 3>Have that a line or not.

0:20:05.440 --> 0:20:07.680
<v Speaker 1>I had a couple from this year, say, the guy

0:20:07.880 --> 0:20:10.160
<v Speaker 1>messaged me on social media to say I'm doing merit

0:20:10.160 --> 0:20:12.440
<v Speaker 1>at first sight and I don't know whether I should quit,

0:20:12.680 --> 0:20:15.040
<v Speaker 1>and I was like, I don't know you as a stranger,

0:20:15.200 --> 0:20:17.359
<v Speaker 1>and we had this conversation about it, and I said, look,

0:20:17.440 --> 0:20:18.800
<v Speaker 1>you know what, you've signed.

0:20:18.600 --> 0:20:19.800
<v Speaker 2>Up to a reality show.

0:20:20.080 --> 0:20:23.000
<v Speaker 1>Last year, Tory and Jack they joined this show and

0:20:23.119 --> 0:20:26.720
<v Speaker 1>Jack was not initially attracted to Tory, but they persisted

0:20:26.760 --> 0:20:29.520
<v Speaker 1>through the experience and he gave himself up to it

0:20:29.560 --> 0:20:32.520
<v Speaker 1>and found love. He is still with Tory, even though

0:20:32.560 --> 0:20:36.360
<v Speaker 1>Australia had a lot to serve about that relationship last year.

0:20:36.760 --> 0:20:39.280
<v Speaker 1>But I said to this man, what's the harm in

0:20:39.320 --> 0:20:42.080
<v Speaker 1>you committing to this don't throw don't cut your nose

0:20:42.080 --> 0:20:44.439
<v Speaker 1>off to spite your face, even though you might not

0:20:44.480 --> 0:20:46.920
<v Speaker 1>be sexually attracted. Or she may have said she doesn't

0:20:47.040 --> 0:20:50.000
<v Speaker 1>like certain things that you, of course have said that

0:20:50.080 --> 0:20:50.560
<v Speaker 1>you liked.

0:20:51.040 --> 0:20:55.000
<v Speaker 4>Yes, And it's quite difficult because they you know, they

0:20:55.080 --> 0:21:00.560
<v Speaker 4>go through so many interviews, and yes, you would expect

0:21:00.600 --> 0:21:03.000
<v Speaker 4>them to be gained for a variety of things, and

0:21:03.040 --> 0:21:05.679
<v Speaker 4>then sometimes they're not. So I think it's part of

0:21:05.720 --> 0:21:09.240
<v Speaker 4>what makes the experience interesting. And again, it's one thing

0:21:09.400 --> 0:21:12.560
<v Speaker 4>how you self describe. It might be quite different to

0:21:12.720 --> 0:21:16.960
<v Speaker 4>actually observe yourself and then and then describe what you're observing,

0:21:17.000 --> 0:21:18.640
<v Speaker 4>and maybe they don't always match.

0:21:18.480 --> 0:21:20.639
<v Speaker 2>Up exactly right. You know, I have to let you go.

0:21:20.680 --> 0:21:22.880
<v Speaker 1>I'm over time, but I just am obsessed with you.

0:21:22.920 --> 0:21:25.960
<v Speaker 1>The last question that I honestly you have no idea.

0:21:26.240 --> 0:21:28.320
<v Speaker 1>The last question I ask everyone who's been on the podcast.

0:21:28.320 --> 0:21:30.760
<v Speaker 1>This is episode five hundred and thirty, so I've been

0:21:30.800 --> 0:21:33.440
<v Speaker 1>doing this. I've been doing this for a long time.

0:21:33.560 --> 0:21:36.359
<v Speaker 1>What's something from behind the scenes of this season, something

0:21:36.359 --> 0:21:39.280
<v Speaker 1>that maybe we won't watch on television, but from your

0:21:39.440 --> 0:21:42.040
<v Speaker 1>experience of filming, kind of like a behind the scenes

0:21:42.119 --> 0:21:46.280
<v Speaker 1>secret for season twelve. Oh my gosh, did anything did

0:21:46.280 --> 0:21:49.520
<v Speaker 1>you fall over? Did you drop your coffee because someone

0:21:49.560 --> 0:21:53.280
<v Speaker 1>said something? Was there anything unusual that happened that I

0:21:53.359 --> 0:21:54.080
<v Speaker 1>remember the season?

0:21:54.160 --> 0:21:56.960
<v Speaker 4>Oh, I'm trying to remember from this season if there

0:21:57.040 --> 0:22:03.359
<v Speaker 4>was like anything that's very cold nights, very late nights

0:22:03.440 --> 0:22:06.439
<v Speaker 4>that I can't think of anything that's a good secret,

0:22:07.040 --> 0:22:07.760
<v Speaker 4>how boring.

0:22:08.280 --> 0:22:11.640
<v Speaker 3>Well, the latest, of course, is like the sun coming up.

0:22:11.800 --> 0:22:12.399
<v Speaker 2>Oh my god.

0:22:12.720 --> 0:22:14.680
<v Speaker 3>That happens for reunion quite often.

0:22:14.840 --> 0:22:17.600
<v Speaker 4>I don't think I've ever made it back without like

0:22:17.680 --> 0:22:24.359
<v Speaker 4>at least listening to the birds chirping, get out. Yes, yes, yes,

0:22:24.359 --> 0:22:29.080
<v Speaker 4>that's that's basically reunion. The finale experience is always a

0:22:29.160 --> 0:22:32.480
<v Speaker 4>very because it's the entire cast and it's going through everything.

0:22:32.520 --> 0:22:35.960
<v Speaker 4>It's it's a very long night of filming. So I

0:22:35.960 --> 0:22:38.000
<v Speaker 4>don't know that that's quite the big secret, but I

0:22:38.040 --> 0:22:40.320
<v Speaker 4>couldn't think of a good one for you know that.

0:22:40.840 --> 0:22:43.040
<v Speaker 1>I think that's hilarious because we'll marry that up with

0:22:43.080 --> 0:22:45.840
<v Speaker 1>the fact that you know, you've moved from coffee to wine,

0:22:45.880 --> 0:22:49.159
<v Speaker 1>so we just think of you exactly what do you

0:22:49.240 --> 0:22:50.800
<v Speaker 1>call the drink, and that it's not even a hair

0:22:50.840 --> 0:22:51.160
<v Speaker 1>of the dog.

0:22:51.440 --> 0:22:53.280
<v Speaker 4>No, no, no, Then when I get home. Then it's

0:22:53.320 --> 0:22:56.520
<v Speaker 4>a memosa for breakfast. It's a little champagne with my

0:22:56.640 --> 0:22:59.000
<v Speaker 4>leg something. After the finale.

0:23:00.160 --> 0:23:04.359
<v Speaker 2>Says, oh my god, anyway, look after yourself. Just so

0:23:04.480 --> 0:23:04.679
<v Speaker 2>you know.

0:23:04.760 --> 0:23:06.240
<v Speaker 1>I don't know if you remember this from the Channel

0:23:06.280 --> 0:23:08.520
<v Speaker 1>nine launch, but I reminded you that I met you

0:23:08.560 --> 0:23:09.040
<v Speaker 1>once at.

0:23:08.960 --> 0:23:11.080
<v Speaker 2>A bar and I bought you a shot and.

0:23:11.000 --> 0:23:14.199
<v Speaker 1>We were at We couldn't work out which because I

0:23:14.240 --> 0:23:16.080
<v Speaker 1>said to you was at a gay bar and you

0:23:16.119 --> 0:23:17.840
<v Speaker 1>were like, I don't remember being at a gay bar,

0:23:18.000 --> 0:23:18.560
<v Speaker 1>but I think.

0:23:18.560 --> 0:23:20.880
<v Speaker 3>Are you kidding not? It must have been the Palm

0:23:21.160 --> 0:23:21.960
<v Speaker 3>or like eight.

0:23:22.040 --> 0:23:22.200
<v Speaker 2>Yes.

0:23:23.400 --> 0:23:26.000
<v Speaker 1>We were standing at the bar and my friend next

0:23:26.040 --> 0:23:28.479
<v Speaker 1>to me, he's quite well known. He's Farmer Dave from

0:23:28.520 --> 0:23:31.159
<v Speaker 1>Big Brother. He has this long, beautiful hair. Anyway, he

0:23:31.200 --> 0:23:33.840
<v Speaker 1>said to me, that woman next to you is stunning,

0:23:33.960 --> 0:23:35.320
<v Speaker 1>and I go, she's.

0:23:35.160 --> 0:23:38.800
<v Speaker 2>The lady from the married at first and he was like,

0:23:39.160 --> 0:23:40.920
<v Speaker 2>oh my god, we need to talk to her, buy

0:23:40.960 --> 0:23:41.600
<v Speaker 2>her a drink.

0:23:41.680 --> 0:23:43.760
<v Speaker 1>So you were there with your friend and I said,

0:23:44.040 --> 0:23:45.280
<v Speaker 1>you know, can we buy you a shot?

0:23:45.440 --> 0:23:47.119
<v Speaker 2>You said, yes, we had a shot.

0:23:47.240 --> 0:23:50.240
<v Speaker 1>You mainly talked to my friend, Farmer Dave, who's very engaging.

0:23:50.320 --> 0:23:52.840
<v Speaker 2>But it was so amazing to.

0:23:52.760 --> 0:23:55.919
<v Speaker 1>Meet you in real life and see how open you

0:23:56.000 --> 0:23:56.840
<v Speaker 1>are as a person.

0:23:57.200 --> 0:23:59.720
<v Speaker 2>I know, we get to see you on television, but you.

0:23:59.680 --> 0:24:03.240
<v Speaker 1>Were a We're enigmatic and so gorgeous and so kind

0:24:03.280 --> 0:24:06.160
<v Speaker 1>and so generous with your time, and I just think, yeah,

0:24:06.280 --> 0:24:07.800
<v Speaker 1>I think that you're an amazing person.

0:24:08.000 --> 0:24:10.720
<v Speaker 3>Oh my god, you're the best. You just made my day.

0:24:10.880 --> 0:24:14.560
<v Speaker 3>Thank you so much. Thank you so much for saying that.

0:24:14.560 --> 0:24:15.159
<v Speaker 3>That's lovely.

0:24:15.560 --> 0:24:17.399
<v Speaker 2>It was fun anyway, Alex is going to kill me

0:24:17.440 --> 0:24:19.920
<v Speaker 2>from you. I'm gotta let you go. That's the best day.

0:24:20.680 --> 0:24:24.600
<v Speaker 4>Big hugs, see you, bye bye bye.