1 00:00:00,520 --> 00:00:01,880 Speaker 1: Let Me tell You a Story. 2 00:00:02,279 --> 00:00:06,280 Speaker 2: Now a time, Cleary releases the story behind the song 3 00:00:07,080 --> 00:00:11,959 Speaker 2: let Us Tell Your Story. Burning Down the House by 4 00:00:12,039 --> 00:00:15,720 Speaker 2: Talking Heads, released in July nineteen eighty three as the 5 00:00:15,800 --> 00:00:19,480 Speaker 2: first single from their fifth studio album, Speaking in Tongues, 6 00:00:20,200 --> 00:00:23,840 Speaker 2: It's not David says, it was never a song about us, 7 00:00:23,880 --> 00:00:26,040 Speaker 2: and when I wrote the lyrics in eighty two, the 8 00:00:26,079 --> 00:00:28,920 Speaker 2: title phrase was a metaphor for destroying something safe that 9 00:00:29,160 --> 00:00:32,599 Speaker 2: entrapped you. I envisioned the song as an expression of liberation, 10 00:00:32,720 --> 00:00:35,319 Speaker 2: to break free from whatever was holding you back. Now, 11 00:00:35,400 --> 00:00:39,280 Speaker 2: Tina Weymouth, the bassist, says, burning Down the House is 12 00:00:39,280 --> 00:00:41,720 Speaker 2: a new way funk and art rock song. It started 13 00:00:41,720 --> 00:00:44,319 Speaker 2: from a jam and it sounds like the title might 14 00:00:44,360 --> 00:00:47,480 Speaker 2: have come from their drummer, Chris Franz, via a Parliament 15 00:00:47,560 --> 00:00:49,280 Speaker 2: Funkadelic gig in New York. 16 00:00:49,760 --> 00:00:52,839 Speaker 3: Absolutely. David Burn expanding on that right here. 17 00:00:52,720 --> 00:00:56,040 Speaker 1: I thought, let me see if I can make a 18 00:00:56,080 --> 00:01:00,680 Speaker 1: song that is basically a lot of non sequiturs that 19 00:01:00,880 --> 00:01:04,800 Speaker 1: have a kind of some kind of emotional impact, that 20 00:01:04,840 --> 00:01:07,880 Speaker 1: they have some kind of emotional resonance. It doesn't make 21 00:01:07,959 --> 00:01:12,000 Speaker 1: literal sense, but it makes emotional sense. The phrase burning 22 00:01:12,040 --> 00:01:16,160 Speaker 1: down the house. I'd heard being used as a chant 23 00:01:17,160 --> 00:01:20,959 Speaker 1: at a Parliament Funkadelic concert that i'd seen. They didn't 24 00:01:21,000 --> 00:01:23,080 Speaker 1: have it in a song. It was just a kind 25 00:01:23,080 --> 00:01:25,920 Speaker 1: of chance that they started chanting and the audience joined 26 00:01:25,920 --> 00:01:28,520 Speaker 1: in and it was coming. It meant like, we're going 27 00:01:28,600 --> 00:01:31,120 Speaker 1: to blow the roof off the sucker, We're going to 28 00:01:31,600 --> 00:01:33,680 Speaker 1: set this place on fire. It's going to be you know, 29 00:01:33,680 --> 00:01:37,560 Speaker 1: we're going to have a really amazing time here. Yeah, 30 00:01:37,640 --> 00:01:42,360 Speaker 1: it didn't mean literally, let's set fire to our houses. 31 00:01:42,600 --> 00:01:44,560 Speaker 1: I love it they've done that from a chant from 32 00:01:44,600 --> 00:01:45,280 Speaker 1: a gig. Yeah. 33 00:01:45,360 --> 00:01:49,240 Speaker 2: Parliament Funkadelic, of course, was the great American music collaborative 34 00:01:49,560 --> 00:01:54,480 Speaker 2: spearheaded by George Clinton, had members like Bootsy Collins, this 35 00:01:54,800 --> 00:01:56,400 Speaker 2: huge funk thing and i've. 36 00:01:56,320 --> 00:01:57,920 Speaker 3: Very influential, huge in. 37 00:01:57,880 --> 00:02:01,680 Speaker 2: The early eighties. And burn the House, Burn the House 38 00:02:01,880 --> 00:02:05,000 Speaker 2: was their audience chant, and it was Chris. It was 39 00:02:05,080 --> 00:02:07,400 Speaker 2: Chris Franz that was yelling it out evidently at this 40 00:02:07,440 --> 00:02:09,440 Speaker 2: particular show that he and David were at. 41 00:02:09,520 --> 00:02:11,680 Speaker 3: Isn't it funny? We'll only go back here and I'll 42 00:02:11,720 --> 00:02:13,720 Speaker 3: just point out that this was their first to top 43 00:02:13,760 --> 00:02:16,440 Speaker 3: ten hit in America on the Billboard charts. Didn't do 44 00:02:16,520 --> 00:02:19,280 Speaker 3: so well here I was in four like installed at 45 00:02:19,360 --> 00:02:22,240 Speaker 3: ninety four. I'm embarrassed he. 46 00:02:22,280 --> 00:02:24,359 Speaker 2: Stopped making sense and then people reconsidered it. 47 00:02:24,440 --> 00:02:26,080 Speaker 3: Well, then we got the extended version in me on 48 00:02:26,080 --> 00:02:28,080 Speaker 3: the movie stop making sense in the soundtrack itself. But 49 00:02:28,240 --> 00:02:29,800 Speaker 3: if you dig a bit deeper in the early days 50 00:02:29,800 --> 00:02:32,280 Speaker 3: of the song's development and the creative process. David Burn 51 00:02:32,320 --> 00:02:33,200 Speaker 3: being interviewed. 52 00:02:32,840 --> 00:02:36,359 Speaker 4: Here, and generally I get about oh an hour is 53 00:02:36,400 --> 00:02:39,480 Speaker 4: worth a tep out of each day because I only 54 00:02:39,480 --> 00:02:41,840 Speaker 4: turn it on when I thought something interesting was happening, 55 00:02:42,880 --> 00:02:47,040 Speaker 4: and then I'd take those home and pick out the 56 00:02:47,080 --> 00:02:50,200 Speaker 4: bits that I thought were interesting. Would you have an 57 00:02:50,200 --> 00:02:53,560 Speaker 4: example of an early jam could bring. 58 00:02:53,440 --> 00:02:53,960 Speaker 1: Down the house? 59 00:02:54,400 --> 00:02:56,800 Speaker 4: Yeah, this is pretty early. Should I put it on? 60 00:03:17,000 --> 00:03:18,720 Speaker 1: So? Is that what we're listening to? 61 00:03:18,919 --> 00:03:21,799 Speaker 4: Is that the very first time that that you came 62 00:03:21,880 --> 00:03:24,520 Speaker 4: up with that? Well, that's very close to it. That's 63 00:03:24,520 --> 00:03:27,600 Speaker 4: probably the result of me listening to a tape and 64 00:03:27,600 --> 00:03:30,440 Speaker 4: then bringing it in and saying, here is some little 65 00:03:30,480 --> 00:03:34,239 Speaker 4: accidental thing happening here that I think we could improve on, 66 00:03:35,000 --> 00:03:36,480 Speaker 4: and this is probably the result of that. 67 00:03:44,600 --> 00:03:47,080 Speaker 3: I love how he says it's like an accident. It's 68 00:03:47,120 --> 00:03:47,720 Speaker 3: an accident. 69 00:03:47,760 --> 00:03:49,720 Speaker 2: I imagine if you job sitting in a room with 70 00:03:49,800 --> 00:03:52,000 Speaker 2: David Bernie sticking out his old tapes playing in the 71 00:03:52,040 --> 00:03:54,520 Speaker 2: early couldn't you hear the Parliament? 72 00:03:55,400 --> 00:03:59,120 Speaker 3: Absolutely? Yeah, vibe there definitely had a real love, funky 73 00:03:59,160 --> 00:04:01,520 Speaker 3: feel to it and you go, oh okay. So they 74 00:04:01,640 --> 00:04:03,640 Speaker 3: developed it from there and that is very cool. They 75 00:04:03,680 --> 00:04:08,160 Speaker 3: hear the early incarnation absolutely the album was speaking in tongues. 76 00:04:08,680 --> 00:04:10,280 Speaker 3: But when we sat in the cinema and saw the 77 00:04:10,280 --> 00:04:13,720 Speaker 3: concert film of Stop Making Sense, that version, that extended 78 00:04:13,800 --> 00:04:16,360 Speaker 3: version of burning down the House is blew your way amazing, 79 00:04:16,600 --> 00:04:17,320 Speaker 3: so damn good. 80 00:04:17,440 --> 00:04:19,040 Speaker 2: That was our story behind the song. 81 00:04:19,279 --> 00:04:20,400 Speaker 3: Song Today