1 00:00:00,160 --> 00:00:02,200 Speaker 1: Well, when I showed you this piece of paper, lease, 2 00:00:02,440 --> 00:00:03,480 Speaker 1: I've got a little alarmed. 3 00:00:03,520 --> 00:00:05,200 Speaker 2: But once he start, it's. 4 00:00:05,080 --> 00:00:08,680 Speaker 1: Okay, yeah, and you'll understand why we started talking about 5 00:00:08,720 --> 00:00:10,800 Speaker 1: maybe lots of signs and bits of paper would make 6 00:00:10,840 --> 00:00:13,000 Speaker 1: sense with this artist if we were dropping lyrics on 7 00:00:13,119 --> 00:00:14,040 Speaker 1: a big sign. 8 00:00:14,120 --> 00:00:15,400 Speaker 3: But have a listen to this. 9 00:00:18,440 --> 00:00:22,560 Speaker 1: An envelope contains the music topic to discuss this five 10 00:00:22,640 --> 00:00:25,759 Speaker 1: minutes on the clock to film and this no time 11 00:00:25,840 --> 00:00:26,920 Speaker 1: to prep this. 12 00:00:27,400 --> 00:00:32,640 Speaker 3: He's banter with Clezy and Lisa. All right, there we go. 13 00:00:33,680 --> 00:00:36,360 Speaker 3: I'm going to rip it open really quickly, ripping on 14 00:00:36,440 --> 00:00:40,640 Speaker 3: bandaid off really past so ripped already. I think I 15 00:00:40,760 --> 00:00:42,000 Speaker 3: ripped the sheet in half and I can't read it. 16 00:00:42,159 --> 00:00:43,199 Speaker 2: Yeah, that happens. 17 00:00:43,240 --> 00:00:44,920 Speaker 3: I don't know if make it no one, boy, I 18 00:00:44,920 --> 00:00:46,599 Speaker 3: think this was a dud. Are you ready? 19 00:00:47,200 --> 00:00:47,599 Speaker 2: It is? 20 00:00:49,159 --> 00:00:50,440 Speaker 3: Can you read it? 21 00:00:50,440 --> 00:00:51,240 Speaker 2: It's Bob Dylan. 22 00:00:51,320 --> 00:00:56,520 Speaker 1: It's Bob Dylan. That's five minutes, five minutes is up. 23 00:00:57,040 --> 00:00:58,400 Speaker 1: There was a lot of chat about Bob Dylan, wasn't 24 00:00:58,440 --> 00:01:01,200 Speaker 1: it Bob Dylan? Bob Dylan's zimmy himself? 25 00:01:01,520 --> 00:01:05,720 Speaker 3: Yes? Did you say yes? 26 00:01:05,720 --> 00:01:06,479 Speaker 2: And I said yes? 27 00:01:06,640 --> 00:01:08,440 Speaker 3: One of the most prolific songwriters. 28 00:01:09,360 --> 00:01:13,319 Speaker 2: So good, but not a not overly extroverted. 29 00:01:13,640 --> 00:01:16,280 Speaker 3: No is Bob. No, he's a bit of an enigma. 30 00:01:16,720 --> 00:01:17,600 Speaker 3: Robbie is a. 31 00:01:17,520 --> 00:01:21,759 Speaker 2: Bit of an enigma. I think my favorite Bob Dylan, well, 32 00:01:21,760 --> 00:01:23,840 Speaker 2: my favorite Bob Dylan song is Tangled Up in Blue. 33 00:01:23,920 --> 00:01:27,960 Speaker 2: That's another story. But my favorite Bob Dylan experience is Hurricane. 34 00:01:28,160 --> 00:01:32,640 Speaker 2: Oh yeah, the song I met Ruben Carter. He made 35 00:01:32,720 --> 00:01:34,920 Speaker 2: such an impression on me. The man was in jail 36 00:01:34,959 --> 00:01:37,360 Speaker 2: for twenty years for something you didn't do. He was 37 00:01:37,400 --> 00:01:40,760 Speaker 2: incredibly He came to Perth for the Innocence Project and 38 00:01:40,840 --> 00:01:44,360 Speaker 2: gave some talks, and you know, you could excuse him 39 00:01:44,360 --> 00:01:46,319 Speaker 2: for being a bit of a bitter, twisted little fellow, 40 00:01:46,640 --> 00:01:48,920 Speaker 2: you know, after what he'd been through, or he was 41 00:01:48,920 --> 00:01:53,000 Speaker 2: a warm, lovely man. And I'm assuming that that's exactly 42 00:01:53,000 --> 00:01:56,840 Speaker 2: what Bob got when he visited him in prison in 43 00:01:56,880 --> 00:02:01,080 Speaker 2: the early days, in the early days of Ruber incarceration. 44 00:02:01,760 --> 00:02:06,360 Speaker 2: And I believe that Bob went back to his hotel room, 45 00:02:07,080 --> 00:02:10,920 Speaker 2: sat down with a pen and a notebook and wrote Hurricane, which, 46 00:02:10,960 --> 00:02:13,760 Speaker 2: as we all know, you can have a shower, dinner piece, 47 00:02:13,880 --> 00:02:18,760 Speaker 2: and clean the bathroom before it ends. He wrote it 48 00:02:18,760 --> 00:02:22,040 Speaker 2: from beginning to end in something like half an hour. 49 00:02:22,320 --> 00:02:26,160 Speaker 3: And the song's nearly that long. The song is Nellie 50 00:02:26,200 --> 00:02:28,799 Speaker 3: that long. So same day when he got he. 51 00:02:28,760 --> 00:02:31,000 Speaker 2: Got back, he went to visit Ruben. He went back 52 00:02:31,040 --> 00:02:34,080 Speaker 2: to the hotel, he sat down and he just wrote 53 00:02:34,120 --> 00:02:37,800 Speaker 2: it out and it's it's a masterpiece of a song. 54 00:02:37,880 --> 00:02:40,400 Speaker 1: Freaky how timing goes, because I can literally be honest here. 55 00:02:40,400 --> 00:02:42,080 Speaker 1: And so you and I were talking about Bob Dylan 56 00:02:42,120 --> 00:02:44,160 Speaker 1: only a couple of hours ago, and I said to you, 57 00:02:44,240 --> 00:02:46,040 Speaker 1: what's your favorite Dylan song? Because I said, I love 58 00:02:46,160 --> 00:02:49,640 Speaker 1: I Want You, I Want from those years ago, and 59 00:02:49,680 --> 00:02:51,640 Speaker 1: I love the Usual, which he wrote which was recorded 60 00:02:51,639 --> 00:02:55,440 Speaker 1: by John Hyatt. Yeah, everyone's got a favorite Dylan song. 61 00:02:55,520 --> 00:02:58,520 Speaker 2: I don't know why it came up the Bob Dylan 62 00:02:59,240 --> 00:03:02,080 Speaker 2: except that we were talking about video clips and I 63 00:03:02,160 --> 00:03:06,919 Speaker 2: said something about the you know what it was. You 64 00:03:06,919 --> 00:03:08,480 Speaker 2: were talking to missus Higgins and we said that you 65 00:03:08,480 --> 00:03:11,639 Speaker 2: could always recognize Peter Garrett even in silhouette, from the 66 00:03:11,639 --> 00:03:14,920 Speaker 2: way it moves, and she said, you might not recognize 67 00:03:15,200 --> 00:03:17,320 Speaker 2: Bob Dylan from a silhouette because that would be her 68 00:03:17,400 --> 00:03:21,120 Speaker 2: dream person to perform with. And I said, well, maybe 69 00:03:21,160 --> 00:03:22,920 Speaker 2: if he was doing that video where he's got the 70 00:03:22,960 --> 00:03:23,919 Speaker 2: cards and he's. 71 00:03:23,800 --> 00:03:24,680 Speaker 3: Touching them assiety. 72 00:03:24,680 --> 00:03:26,880 Speaker 2: You might recognize that because that's quite a famous video 73 00:03:27,800 --> 00:03:34,040 Speaker 2: Subterranean And you said, of course, in excess, did a 74 00:03:34,080 --> 00:03:37,560 Speaker 2: little borrow media for media. And the wonderful thing about 75 00:03:37,640 --> 00:03:40,440 Speaker 2: borrowing such a great idea like that that it was. 76 00:03:40,880 --> 00:03:43,680 Speaker 2: For the people that remember it, you can go, well, 77 00:03:44,000 --> 00:03:46,480 Speaker 2: it's an homage to the great Bob Dylan and that 78 00:03:46,480 --> 00:03:48,240 Speaker 2: wonderful thing. And for the people that don't remember it, 79 00:03:48,240 --> 00:03:50,880 Speaker 2: you don't have to say anything. Just pretend it was yours, 80 00:03:51,480 --> 00:03:52,040 Speaker 2: your idea. 81 00:03:52,160 --> 00:03:54,600 Speaker 1: Bob's been to per quite a few times, and it 82 00:03:54,680 --> 00:03:58,880 Speaker 1: was part of that discussion. Missy Higgins. I've known a 83 00:03:58,920 --> 00:04:01,800 Speaker 1: few Dylanologists. To girlfriend who was obsessed with Bob Dylan. 84 00:04:02,120 --> 00:04:04,920 Speaker 1: I've got a brother in law, and the Dylanologists, like 85 00:04:04,960 --> 00:04:08,440 Speaker 1: our former boss, they go to gigs, they wait in 86 00:04:08,480 --> 00:04:10,720 Speaker 1: line for tickets in the old days they did. They 87 00:04:11,120 --> 00:04:14,040 Speaker 1: go to the gigs together as groups and then analyze 88 00:04:14,080 --> 00:04:14,960 Speaker 1: the playlist, do. 89 00:04:14,960 --> 00:04:18,320 Speaker 2: Their master's degrees and things at university on Bob Dylan. 90 00:04:18,640 --> 00:04:20,760 Speaker 1: And I went with the subject with said girlfriend. I 91 00:04:20,760 --> 00:04:22,640 Speaker 1: went to the entertainment center and saw Bob Dylan and 92 00:04:22,680 --> 00:04:23,720 Speaker 1: at the end of a song, I said do you 93 00:04:23,800 --> 00:04:26,600 Speaker 1: know what that song was? Because he changes the arrangements 94 00:04:26,600 --> 00:04:28,839 Speaker 1: all the time. And she goes, that was lay Lady Lay, 95 00:04:28,880 --> 00:04:31,479 Speaker 1: and I went, oh, you're joking. Didn't sound anything like 96 00:04:31,560 --> 00:04:33,400 Speaker 1: lay Lady Lay because it was that. 97 00:04:34,520 --> 00:04:35,960 Speaker 2: Did she give you the boot after that? 98 00:04:36,600 --> 00:04:36,800 Speaker 3: Yeah? 99 00:04:37,000 --> 00:04:38,520 Speaker 2: She didn't, Dylan. 100 00:04:38,880 --> 00:04:40,240 Speaker 3: Yeah, And then she went out with someone we know, 101 00:04:43,440 --> 00:04:47,480 Speaker 3: so Bob Dylan. The fans are so rabid. Yeah, they're 102 00:04:47,520 --> 00:04:47,920 Speaker 3: so rapid. 103 00:04:47,920 --> 00:04:54,040 Speaker 1: They got so yeah she did, they got and I 104 00:04:54,080 --> 00:04:57,479 Speaker 1: went out for alas now. The Dylan fans are so 105 00:04:57,520 --> 00:05:00,279 Speaker 1: excited that they when he started doing a radio sh 106 00:05:00,400 --> 00:05:02,920 Speaker 1: you tell stories and stuff like that. A few years 107 00:05:02,920 --> 00:05:05,400 Speaker 1: ago he did an online radio show. But Dylan does 108 00:05:05,520 --> 00:05:07,080 Speaker 1: like to change it up. But one thing that hasn't 109 00:05:07,120 --> 00:05:09,840 Speaker 1: changed for quite a few years is his guitarist who 110 00:05:09,839 --> 00:05:12,000 Speaker 1: stands next to him because he always has really good 111 00:05:12,040 --> 00:05:15,600 Speaker 1: players around him. Well that's Charlie Sexton is a great guitarist. 112 00:05:15,640 --> 00:05:16,760 Speaker 1: He's been with Bob for a while. 113 00:05:17,600 --> 00:05:20,320 Speaker 2: Charlie Sexton. Charlie Sexton, I know that's how I feel 114 00:05:20,360 --> 00:05:21,720 Speaker 2: about and Charlie beat so lonely. 115 00:05:22,360 --> 00:05:25,320 Speaker 1: He's very cool man and also the all the fueral 116 00:05:25,400 --> 00:05:27,040 Speaker 1: with the folkyes because he was a folky, and then 117 00:05:27,080 --> 00:05:29,600 Speaker 1: he rolled up to a festival and played electric, and 118 00:05:29,680 --> 00:05:32,680 Speaker 1: these folk fans were rabid. They were so upset with 119 00:05:32,720 --> 00:05:34,960 Speaker 1: Bob Dylan, for I reckon he was selling out by 120 00:05:35,000 --> 00:05:37,040 Speaker 1: going electric and going commercial in their mind. 121 00:05:37,120 --> 00:05:41,279 Speaker 2: I think the reason why uh Uh Tangled Up in 122 00:05:41,320 --> 00:05:43,560 Speaker 2: Blue is my favorite Bob Dylan song. This is because 123 00:05:43,560 --> 00:05:47,160 Speaker 2: it's in the wonderful, wonderful movie Truly Madly DP player right, 124 00:05:47,400 --> 00:05:52,120 Speaker 2: Juliette Stephenson and Rick Man. 125 00:05:52,240 --> 00:05:52,920 Speaker 3: The late great 126 00:05:53,640 --> 00:05:59,240 Speaker 1: Fancid Time is thanks Bob Bloody six FM, Clezie and 127 00:05:59,480 --> 00:05:59,840 Speaker 1: Lisa