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Speaker 1: Jonesy and Amanda's.

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Speaker 2: The busiest woman in the world, joins us. Now, Nicole, Hello.

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Speaker 1: I hope that's not my title, The busy woman in

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Speaker 1: the world. That's awful. It is, isn't it interesting?

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Speaker 3: Nicole?

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Speaker 2: When people say it about me? I find it very

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Speaker 2: hard to people say do you ever get any sleep?

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Speaker 2: You must work so hard, and I don't think people

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Speaker 2: see how hard we work to put our family lives

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Speaker 2: in place and how much time we actually eke out

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Speaker 2: for our families because people don't see that.

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Speaker 1: Well, i did have nine hours sleep last night, so

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Speaker 1: I'm pretty pretty happy about that. That's probably the thing

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Speaker 1: I give up in my felch. I know you're not

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Speaker 1: meant to do, but I do.

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Speaker 2: You'll feel dreadful today because nine hours is.

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Speaker 1: As it's too long.

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Speaker 3: You're a teenager who sleeps nine hours.

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Speaker 1: That's teenager stuff, isn't it. I don't know. I just

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Speaker 1: got into bed. Keith and I were like, god, I'm exhausted,

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Speaker 1: and were just like crashed. And I love it though

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Speaker 1: nine hours, oh please, my.

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Speaker 3: Bladder can't last iring. My bladder is good for five

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Speaker 3: because we're the same age, but I'm good for five.

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Speaker 3: You didn't with the.

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Speaker 1: This is not morning show talking, this is real notd

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Speaker 1: you know what I was just reading about you.

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Speaker 3: You have done sixty four films since nineteen eighty.

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Speaker 1: That's not true.

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Speaker 3: It's not true.

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Speaker 1: That is not true. I've appeared, they say, in sixty

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Speaker 1: four different things, but maybe for a day or as

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Speaker 1: an extra in some of them. Okay, so I haven't been.

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Speaker 1: I haven't sort of dedicated huge amounts of time to

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Speaker 1: sixty four films. I think it's more like about forty

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Speaker 1: or something.

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Speaker 2: That's pretty good, more than we've done.

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Speaker 1: I hope I have a few more in me. I

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Speaker 1: love it when you're playing someone so damaged.

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Speaker 2: How do you switch off? How do you go home

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Speaker 2: and cook dinner at home and have analogue?

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Speaker 1: Or to say it, I do a grilled cheese. That's

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Speaker 1: about it. I wish I could sell as a brilliant cook. No,

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Speaker 1: I don't. I mean I switch on and off in

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Speaker 1: the sense of I've been doing this for so long,

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Speaker 1: and so I've worked out how to compartmentalize in a way.

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Speaker 1: But I think when it's really when it really penetrates

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Speaker 1: your psychea I mean, I find it very hard and

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Speaker 1: I'm not a machine and I'm still always struggling and

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Speaker 1: trying to find a way to balance my artistic life

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Speaker 1: with my with my own, you know, my real life.

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Speaker 1: And that's probably for the rest of my life. That

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Speaker 1: will be a struggle because it's I have a huge

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Speaker 1: commitment to the artistic path, but at the same time,

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Speaker 1: obviously I haven't this extraordinary kind of built this family

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Speaker 1: life that is, you know, my absolute pride and joy

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Speaker 1: and the heart it has all I mean in terms

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Speaker 1: of priority, that's what's prioritized, but a huge understanding from

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Speaker 1: them that I have to express myself artistically.

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Speaker 3: In Aquaman, so you play Jason Momoa's mum.

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Speaker 1: That was easy to switch.

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Speaker 3: You don't run the bar, that's how good you are.

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Speaker 1: But I didn't come home and eat goldfish. You didn't

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Speaker 1: cook there.

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Speaker 3: It wouldn't matter if you wet the bed, if you were.

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Speaker 1: A doesn't matter. I don't know. I wish I will.

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Speaker 1: So that has been more more my real life. Those

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Speaker 1: superpowers that Atlanta has.

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Speaker 3: Is it strange when you go from the big movie

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Speaker 3: one like that, because you've got all that great catering

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Speaker 3: and all that cool stuff, and then you go to

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Speaker 3: a smaller film.

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Speaker 1: Do you changed in the toilet or something. Hang on

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Speaker 1: a minute, No, it really is. It's keeping it real.

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Speaker 1: It's the contrast. It is. It is very much. You know,

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Speaker 1: you're sitting in your car and you don't have any

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Speaker 1: of the accouterments that go with a slightly bigger budget film.

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Speaker 1: I mean, but I always say that there's not a

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Speaker 1: lot of glamour. I mean, what what do people see?

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Speaker 1: What the public sees, which is you know, walking down

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Speaker 1: a red carpet and everything. That is literally five percent

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Speaker 1: of the job. Ninety five percent of it is the

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Speaker 1: hard work and you're out there. I mean, for us,

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Speaker 1: we're on the streets of LA shooting night shooting, working

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Speaker 1: fourteen hour days, just just desperately trying to get our

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Speaker 1: shots so that we could even cut a film together.

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Speaker 2: Well, now, when did you sleep for nine hours last night?

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Speaker 1: Yeah? Well, I mean part of that though. Now as

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Speaker 1: I have, I have pretty good way of leaving behind

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Speaker 1: all of that because I live in Nashville and I'm

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Speaker 1: able to. Once I've finished with my work, I come

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Speaker 1: back and I'm just I'm back here and I have

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Speaker 1: a much I just have a much more peaceful life.

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Speaker 3: Well, fifty is the new thing. Man, fifties. Great it is.

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Speaker 3: I'm loving her like I turned fifty last.

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Speaker 1: Year and you're doing a holiday new Feel films.

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Speaker 3: I'm just looking forward to being to sleep for nine hours,

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Speaker 3: that getting up to go to the loo at about

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Speaker 3: I want. That's all I aspire to.

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Speaker 1: That's probably never going to happen.

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Speaker 3: And the col that let's go on.

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Speaker 1: Thank you, Thanks, thanks for squeezing me in.

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Speaker 2: Oh, thank you else to do? We love talking to you.

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Speaker 2: Thank you.

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Speaker 1: Jonesy and Amanda's Nation