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Speaker 1: Well, this is the fifth wall of our radio show

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Speaker 1: fifth Wall. The fifth wall, we're breaking breaking down those walls.

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Speaker 2: So's you break down the fourth wall?

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Speaker 3: Yeah, the fourth wall, we've gone. The next step, we've

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Speaker 3: gone fifth.

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Speaker 2: Wall, we're breaking down a ceiling.

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Speaker 4: Well, what we thought we'd do with this podcast is

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Speaker 4: when we put together the show, we have an idea

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Speaker 4: of all the things we're going to talk about, all

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Speaker 4: the things that you and I have gleaned overnight that

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Speaker 4: our producers think are interesting, and we decide before we

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Speaker 4: come on air what we're going to talk about. And

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Speaker 4: then sometimes other things come up and you don't have

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Speaker 4: room for everything. For example, one of the things that

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Speaker 4: really took our eye this morning. We weren't prepared so

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Speaker 4: much to talk about this, but it became a great

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Speaker 4: thing was the email we got from Craig who has said,

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Speaker 4: can someone help look after my bird Blaze for a

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Speaker 4: week so I can go to Broken Hill to see

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Speaker 4: my mum. It's been so long and I missed her warm,

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Speaker 4: reassuring hugs. So we had to dig deeper and find

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Speaker 4: out about Blaze. Blaze is a nineteen year old rainbow

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Speaker 4: lorikeet that he can't leave because he's so attached to it.

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Speaker 4: And his mum's in Broken Hill. It's her eighty second birthday.

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Speaker 1: So now we've got to look after a nineteen year

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Speaker 1: old board a.

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Speaker 2: Leo DiCaprio's on the phone, he'll do it.

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Speaker 4: So that kind of thing happened, and so we didn't

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Speaker 4: get to talk about all the things you wanted to

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Speaker 4: talk about.

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Speaker 3: Plenty of things. Jami Rhy and I were talking about

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Speaker 3: neck tattoos. Yeah, I think they're ugly.

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Speaker 4: Really, what a shock because most people, actually that's not true.

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Speaker 4: Most people do think they're attractives these days, don't they.

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Speaker 3: Well, neck tattoos are funny. I've got a lot of

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Speaker 3: mates who used to be in outlaw motorcycle clubs. One

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Speaker 3: particular made of mine used to be in the Hell's

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Speaker 3: Angels and he's got a neck tattoo on his neck

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Speaker 3: of the Hell's Angels And he said.

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Speaker 2: What do you mean happened?

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Speaker 3: Did the the logo the logo the Death's Head, you know,

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Speaker 3: with the wings and stuff? And he said, you know,

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Speaker 3: he got that when he was a young man joining

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Speaker 3: the club. And then he went to his local coffee

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Speaker 3: shop and there's a kid with a giant skull on

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Speaker 3: his throat and he goes, well, hang on, I was

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Speaker 3: in an outlaw motorcycle club that I you know, and

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Speaker 3: you know when you're an out motorcycle club you have

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Speaker 3: to live.

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Speaker 1: You have to defend your colors to the death.

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Speaker 4: Well maybe now it's the clean skins. If your next

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Speaker 4: got no tats, you can join a club.

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Speaker 3: Well, none of us have tattoos here, so we could

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Speaker 3: start the clean skin.

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Speaker 4: We don't know if Ryan has a tattoomps stamp.

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Speaker 3: So it's got to such a stage now with neck tarts.

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Speaker 3: Certain clubs won't let you in if you've got a

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Speaker 3: neck tattoo, which seems odd because everyone's got one.

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Speaker 4: Now, well, you look at married at first sight, all

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Speaker 4: the grooms have got tattoos on, and some of the

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Speaker 4: brides on the back of the hands, on the.

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Speaker 2: Neck, on the face.

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Speaker 1: Yep.

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Speaker 4: But they're still seen as aggressive to the clubs, aren't they?

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Speaker 3: Are you for me? With Jaden Lane, he finished tenth

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Speaker 3: on this year's season of Survivor, is the only ten

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Speaker 3: people on Survivor that's like me saying I came sixth.

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Speaker 3: On Dancing with the Stars, Jayden tried to get into

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Speaker 3: Burly Pavilion or Burley pov as the locals course.

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Speaker 2: Is it burly Heads yeap.

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Speaker 3: He's got a neck tattoo and he wanted to get

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Speaker 3: in there. You're not allowed to have a neck tattoo

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Speaker 3: at Burley pav So he decided to wear a turtle

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Speaker 3: neck sweater. He joined the wiggles not to do similar

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Speaker 3: to the one you're wearing today.

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Speaker 4: Oh, I've got a big but it's kind of it's

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Speaker 4: making me claustrophobic because when you come into work, outside's cold,

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Speaker 4: but inside is warm, and I've dressed for the outside.

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Speaker 3: Anyway, Jayden, anyway, enough of your boredom.

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Speaker 2: I was on Survivor. You know, came eleventh.

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Speaker 3: You've been by Jaden. Clearly if you inked up your

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Speaker 3: neck you might have done better. So Jayden's tried to

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Speaker 3: get into the Burly pav and this.

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Speaker 1: Is what happened.

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Speaker 3: No worries, I'm getting into Burly Path. I'm going to

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Speaker 3: be the first islander in Burley Path with neck tattoos

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Speaker 3: in history.

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Speaker 2: Sorry, what's going on?

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Speaker 1: What happened there?

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Speaker 3: He walked in with his turtle neck squeater on, and

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Speaker 3: they said, excuse me, can you roll down your turtle

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Speaker 3: neck sweater and Jayden said, well, no, no, I'm just

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Speaker 3: I'm just warm.

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Speaker 1: I mean, I'm just cold.

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Speaker 4: Rather, he's allowed to wear a turtle it with that

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Speaker 4: on this shows he's got a gun underneath.

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Speaker 3: It, a violation of his human rights. And then they

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Speaker 3: said no, you can't come in here.

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Speaker 2: How did they know he had a necktat.

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Speaker 3: That's a good question, I guess to look at him,

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Speaker 3: he would presume he us have other tattoos on his

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Speaker 3: hands and everything.

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Speaker 4: And also maybe they've seen, Hey, I've seen you on Survivor.

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Speaker 4: I've seen a necktat. You competed with a turtleneck the

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Speaker 4: whole season. So do you think that maybe people might

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Speaker 4: think I've got a necktat? Jump into the burly paths.

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Speaker 1: That might get you to roll down your turtlenecks.

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Speaker 2: All they'll see is my turkey neck.

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Speaker 3: Anyway, Anyway, this ended up on our cutting room floor.

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Speaker 3: Thank the lord that's managed to service in our cutting

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Speaker 3: room floor podcast.

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Speaker 4: You know what we didn't get to talk about today.

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Speaker 2: You were going to talk.

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Speaker 4: About Max Rolly's funeral and you were given the great

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Speaker 4: honor of delivering one of the eulogies.

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Speaker 1: Yeah, that was a big deal.

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Speaker 4: Well, Max was a big deal to you. We have

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Speaker 4: him to think that you're on the wireless thank is

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Speaker 4: in inverted commas.

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Speaker 3: Yeah, it was kind of interesting as well because when

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Speaker 3: I look at it, to be doing the eulogy for

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Speaker 3: Max Roley is a big deal. Or it was your

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Speaker 3: mentor all those years ago. When I went to his

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Speaker 3: media academy, which was just a terrace house in Chalmers

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Speaker 3: Street in Redford and how old were you?

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Speaker 1: Nineteen? And I showed up there and I thought, well,

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Speaker 1: what's this joy? This is like someone's house. It didn't

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Speaker 1: look like a radio studio.

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Speaker 2: Don't You've got to the wrong place?

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Speaker 3: It was. I walked in there and there's Max and

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Speaker 3: all these students sitting in lounges mixsmatched lounges around the place,

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Speaker 3: and I thought, well, what the hell is this?

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Speaker 1: You know, look like one of those places I went up.

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Speaker 3: To the studio, I thought I was going to wake

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Speaker 3: up in a bit of a bath of ice with

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Speaker 3: the kidney missing.

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Speaker 2: That's another sliding door for your life.

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Speaker 3: Could be a sliding door moment, But it was such

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Speaker 3: a great honor. How do you feel, though, if you

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Speaker 3: get tasked with doing a eulogy about keeping it together,

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Speaker 3: because towards the end, I kind.

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Speaker 1: Of I kind of lost it, a little bit lost it.

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Speaker 3: It just lost it emotionally, a little bit, just a

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Speaker 3: crack in the voice.

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Speaker 2: Oh, I think that sort of stuff.

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Speaker 4: No one would ever judge you for being emotional in

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Speaker 4: a eulogy. Did you feel you shouldn't have been?

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Speaker 3: I just feel that you've got to be, you know,

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Speaker 3: like a less emotional You've almost got to be newsreader.

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Speaker 4: Oh that's an impossible ask of someone, isn't it? Which

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Speaker 4: bit did you lose it over?

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Speaker 1: Just towards the end, It's almost like you can see

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Speaker 1: the finish line.

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Speaker 3: You've got your script written, it's all in your head,

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Speaker 3: You've done your preparation and you can see the end.

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Speaker 4: But there's usually a sincere beat at the end, because

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Speaker 4: I know in you would have put some human along

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Speaker 4: the way, And was a very sincere beat at the

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Speaker 4: end that caught you.

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Speaker 2: That's the bit that made you get wobbly.

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Speaker 3: Yeah, I guess it was because towards the end, the

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Speaker 3: end of it was I left the academy and I've

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Speaker 3: been away from Max for about a year. I hadn't

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Speaker 3: seen him for a year, and I'm working on some

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Speaker 3: crazy buildings side, so not working in radio, not working

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Speaker 3: in radio, and I'm going back to my bike and

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Speaker 3: I'm covering concrete dust. I look like just a builder's laborer.

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Speaker 3: And I just hear from behind me, Well, if it

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Speaker 3: isn't Brendan Jones. Turn around, it's Max And we start

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Speaker 3: talking about radio and he said, well, what about you?

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Speaker 3: Are you getting into it? I said no, I just look.

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Speaker 3: I think that's it for me. I think I've done.

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Speaker 2: Wow. Imagine if you'd had if you'd stopped there.

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Speaker 3: Well, that's what he said. He said, I think you're

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Speaker 3: selling yourself a matured mood. That's Max used to talk,

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Speaker 3: by the way, and he said, why did you go

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Speaker 3: back to the academy and.

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Speaker 1: We'll work on your audition tape?

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Speaker 3: So we put these when you're in the academy, that's

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Speaker 3: what you're every week you report. You might be reading

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Speaker 3: the news, or you might be doing a music show

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Speaker 3: or an interview with someone and so, and then you

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Speaker 3: put your audition tape together and then you send it

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Speaker 3: out and hope for the best. And largely anyone that's

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Speaker 3: ever sent tapes out to a radio station, it's a

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Speaker 3: it's a terrible journey.

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Speaker 2: Had you done that?

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Speaker 1: Oh yeah, yeah.

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Speaker 3: For ages, Yeah, for a year, but totally disillusioned that

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Speaker 3: you know, for a year of just a constant rejection.

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Speaker 2: He said try again, and he said just try again.

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Speaker 3: And he made me send a tape to six Ka

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Speaker 3: Kartha where no one wanted to go.

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Speaker 2: So and that was your first radio keep.

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Speaker 1: So in.

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Speaker 2: So you said this in your U life.

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Speaker 3: I said this in my eulogy. And you know what

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Speaker 3: about Max? He could have quite easily ignored me that day.

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Speaker 3: He could have said to just look at that guy

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Speaker 3: I used to be. He used to be one of

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Speaker 3: my students. Haven't seen him for a year.

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Speaker 2: Look, well i've heard you early tapes. He had every

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Speaker 2: right to ignore you.

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Speaker 3: He could have run gone the other way, but instead

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Speaker 3: he sought me out. And if he hadn't sought me out,

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Speaker 3: would I indeed still working at that building site wondering

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Speaker 3: what could have been the fact that Max didn't.

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Speaker 4: Yeah, that's quite profound. I can see where you've got

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Speaker 4: emotional telling, that'strue.

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Speaker 1: Yeah, and then that's where I on Oh.

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Speaker 2: Max rolling much missedlyvery buddy, It's time for Josie and

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Speaker 2: mans Room.

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Speaker 3: Something that we missed on the show today and I

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Speaker 3: wanted to touch on David Copperfield is denying sexual misconduct

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Speaker 3: allegations made by.

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Speaker 1: Sixteen women and a new report.

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Speaker 3: So when you have one woman, you go ah, but

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Speaker 3: then when you're sixteen file up then you think, oh, well.

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Speaker 4: This has been going on for some time and he's

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Speaker 4: always denied it.

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Speaker 2: But the Guardian has put together a story.

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Speaker 4: He's apparently contemplating legal action against the Guardian newspaper. The

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Speaker 4: report includes allegations from sixteen women, more than half of

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Speaker 4: whom alleged they were under eighteen at the time. So

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Speaker 4: some of these allegations have been made a long time ago.

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Speaker 4: But they did interviews with more than one hundred people,

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Speaker 4: and the court reports, police reports, and the Guardian is

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Speaker 4: a reputable newspaper. So he's denied all of this and

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Speaker 4: they have said he's denied it, then he's denying it.

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Speaker 4: Now these are historical accusations that have come to nothing.

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Speaker 4: So in twenty eighteen, David Copperfield was accused of drugging

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Speaker 4: and sexually assaulting a seventeen year old, a claim that

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Speaker 4: came hours after he called for people to not quickly

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Speaker 4: judge others during the Me Too movement. So one of

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Speaker 4: his alleged victims saw him make that claim and went,

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Speaker 4: you know what, how about I.

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Speaker 2: Stepped forward right now?

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Speaker 1: Okay, David?

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Speaker 4: And in two thousand and seven he was also accused

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Speaker 4: of sexual assault charges whenever filed and the case was dropped.

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Speaker 4: You don't know what's gone on behind the scenes there,

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Speaker 4: but here we are sixteen women. This allegations have dropped.

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Speaker 4: David Copperfield, in case you don't know, is that famous

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Speaker 4: big stage magician.

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Speaker 1: Yeah, where's Puffy's shirts? Used to go with Claudia Schiffer

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Speaker 1: out with Claudi ship.

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Speaker 2: Yeah.

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Speaker 4: And a friend of mine was in Vegas and was

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Speaker 4: called up on stage to be part of her I

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Speaker 4: don't want to say what it was because it's against

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Speaker 4: the magician's code. So as drugging women, I think, but

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Speaker 4: allegedly went against the magician's code.

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Speaker 2: If for me to tell you what she had to do,

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Speaker 2: what the trick was?

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Speaker 1: What was a trick?

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Speaker 4: It was a trick where she was up on stage

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Speaker 4: and bam, the whole number of people up on stage

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Speaker 4: all disappeared, right and then bam reappeared.

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Speaker 2: And here's a trick.

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Speaker 4: It wasn't magic, but I'm not going to tell you

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Speaker 4: what it was. Give me a I don't want to

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Speaker 4: be that person who ruins things for people, unlike David Copperfield.

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Speaker 1: Allegedly it's ruined.

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Speaker 3: He wishes this all disappeared, because have you ever been

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Speaker 3: a volunteer and a magician.

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Speaker 2: Show someone wants well?

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Speaker 4: I often wonder about this though, is that he's not?

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Speaker 4: Is he a hypnotist?

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Speaker 3: No?

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Speaker 4: No, how hynatists conduct their lives. I've someone's tried hypnotize

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Speaker 4: me a couple of times. Various hypnotists never gone under No,

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Speaker 4: because you.

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Speaker 1: Know why, you're too curious.

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Speaker 3: That's I was told that once by Peter Powers, a

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Speaker 3: Peter Power, Peter Powers, you know Peter Powers.

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Speaker 4: He looked like the full magician with the man Drake Beard,

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Speaker 4: the whole thing.

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Speaker 1: Yeah.

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Speaker 3: And I was also on a show called You're Back

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Speaker 3: in the Room, which is hosted by Daryl Summers.

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Speaker 1: One of my great shows that.

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Speaker 2: Ended up on my show age and hypnotize you to

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Speaker 2: go on.

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Speaker 3: Anyway, I was talking to the other guy that was

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Speaker 3: on that who wasn't Peter Powers, but they said the

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Speaker 3: same thing. Because we work in this business, we are

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Speaker 3: naturally inquisitive. We asked too many questions. My mind is

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Speaker 3: always ticking over. I tried to go under hypnosis, but

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Speaker 3: Peter Power said, it's not going to happen because you're

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Speaker 3: trying to go under. You have to have a non

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Speaker 3: inquisitive mind.

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Speaker 4: Well, I've been alongside people on a stage and I've

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Speaker 4: watched them and he says, oh, it's freezing, and I'm

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Speaker 4: watching them shake, and I go, I'm making this up,

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Speaker 4: but no, they're under. So I wonder how do hypnotists

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Speaker 4: conduct their personal lives.

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Speaker 2: If they have the power to do this?

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Speaker 3: Do you see their powers for good and not evil?

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Speaker 2: What if? What if David really goes home and cuts

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Speaker 2: a woman in half? What happens?

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Speaker 1: Then that's his list of woes. You your molesting women

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Speaker 1: and now you chopping him in half.

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Speaker 2: What's it going to be, David? What this conversation will.

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Speaker 3: Be in court?

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Speaker 1: Well, I hope not.

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Speaker 3: I remember once seeing a magician show though as a volunteer,

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Speaker 3: and he was an escape artist, so he went behind

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Speaker 3: a little curtain and the assistant. So what they do

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Speaker 3: is they get the assistant to.

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Speaker 2: Ruin the secret.

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Speaker 3: Not right if they wear the high cut leotard and

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Speaker 3: all that stuff, because that takes your focus.

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Speaker 1: It's all about distraction, slide of hand.

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Speaker 2: So you didn't notice anything looked at.

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Speaker 3: But I watched the guy and I clearly so I

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Speaker 3: was the one to check the padlocks to make sure

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Speaker 3: tape was on the padlock, and I signed my name

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Speaker 3: on the padlocks.

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Speaker 1: So anyway, the.

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Speaker 3: Curtain comes up, and I'm looking over the top of

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Speaker 3: the curtain and the assistants there, and I'm looking at

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Speaker 3: the top of the curtain and I clearly see the

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Speaker 3: assistant hand him the key to the padlock and she

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Speaker 3: rips the tape off and unlocks him. But I'm watching this,

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Speaker 3: I'm part of the show.

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Speaker 2: Where do you supposedly think she is during that time?

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Speaker 3: She's there, she's standing, we're above.

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Speaker 2: The yeah, and so, but what are people in the

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Speaker 2: audience thing.

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Speaker 3: Well, they don't see it. It's all sleight of hand.

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Speaker 1: They're looking at the high cut leotard.

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Speaker 2: But how do they not see her roo lean over

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Speaker 2: and do that.

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Speaker 3: They don't see all they see. She's very good at it,

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Speaker 3: just very sleight of hand.

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Speaker 4: What if they had a fight one day and he

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Speaker 4: had to go into an underwater tank and she had

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Speaker 4: unlocked him.

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Speaker 3: Well, I don't know, but at the time, when the

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Speaker 3: magician was out of the keys, he looked at me

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Speaker 3: and went and gave a wink. And then I was

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Speaker 3: in on the scam because I'm a show man. I

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Speaker 3: just went along with it. And they said, Brendan, do

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Speaker 3: you can you attest that this was your signature? Yes,

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Speaker 3: yes it was. I was twelve years of age. I

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Speaker 3: could have ruined the whole act there and then. And

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Speaker 3: I was standing there was a crowd of a thousand

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Speaker 3: people in front of me. Where were you at Luna

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Speaker 3: Parks is down here?

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Speaker 2: Wow?

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Speaker 3: Yeah, yep, and I remember it.

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Speaker 2: So you had to sign a thing saying that I happened.

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Speaker 3: No, I didn't sign anything. I just signed the masking

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Speaker 3: tape to indicate that the locks hadn't been tampered with,

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Speaker 3: when indeed they had been tampered with, maybe dubbed. David

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Speaker 3: Copperfield should have put that same tape over his assistance

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Speaker 3: and not tampered with them allegedly.

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Speaker 4: Well, look, this story broke while we were on here today,

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Speaker 4: so obviously be on the news tonight and you'll hear

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Speaker 4: him say. This is a quote from his people. David

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Speaker 4: will be considering the position of his legal team is.

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Speaker 4: They said. The Guardian's characterization is not who David is.

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Speaker 4: He continues to support anyone who's experienced any form of

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Speaker 4: abuse or discrimination.

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Speaker 2: Is a loving blot. That's what it says.

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Speaker 1: If only can disappear in a.

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Speaker 2: If only people who'd paid us see that.

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Speaker 3: Something we missed today because we had a lot going

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Speaker 3: on in the show was this story about a couple

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Speaker 3: flipping a car whilst having a bit of a smooch

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Speaker 3: while driving. I'll ask you this question first, when you're

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Speaker 3: driving with Harley, do you.

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Speaker 1: Have a little bit of a kissy kissy at the

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Speaker 1: traffic lights?

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Speaker 2: Never do you?

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Speaker 3: And Helen no, no, are you in the olden days?

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00:16:12,880 --> 00:16:13,360
Speaker 1: We used to?

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00:16:13,520 --> 00:16:16,400
Speaker 3: Yeah. Then one day I sneezed on her by accident,

379
00:16:16,440 --> 00:16:19,800
Speaker 3: a fig lougi went on her arm and then you

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Speaker 3: know stopped.

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Speaker 2: Were you actually driving? You're parking?

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Speaker 3: Now we're driving, and a big like a fair big came.

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Speaker 1: Out and landed at a risk.

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Speaker 4: It's got to be really early days where because at

385
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Speaker 4: the drive at the traffic lights come on.

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Speaker 3: People do that. Sometimes you see a couple having a

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Speaker 3: little bit of a peck at the lights.

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Speaker 4: Harley has always taken his driving so seriously because he

389
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Speaker 4: used to race motor cars, and so he always says,

390
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Speaker 4: this is the time of the day where something can

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Speaker 4: kill you. Well, it won't come from my germs, because

392
00:16:48,080 --> 00:16:49,600
Speaker 4: you never come near me as a car.

393
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Speaker 1: Have you tried to entice him with anything?

394
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Speaker 4: Oh, mylosis, I drive a Mitsubishi Holatosis.

395
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Speaker 2: Well, anyway, what happened to this couple?

396
00:16:59,000 --> 00:17:02,120
Speaker 3: This Adelaide Cup, a twenty five year old female driver

397
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Speaker 3: was traveling with her eighteen.

398
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Speaker 1: Year old boyfriend. Sexy.

399
00:17:05,520 --> 00:17:09,320
Speaker 3: Yeah, she decided to change the music she was flicking over,

400
00:17:10,160 --> 00:17:14,240
Speaker 3: probably to listen to this podcast of us. While she

401
00:17:14,320 --> 00:17:16,240
Speaker 3: was doing that, her passenger has leaned in for a

402
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Speaker 3: bit of a kissy.

403
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Speaker 1: Kissy. Then what's happened? The car has flipped over and rolled.

404
00:17:22,000 --> 00:17:24,560
Speaker 1: So now they've been fined for negligent driving.

405
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Speaker 3: They're unengined, which was good, but nonetheless it's negligent driving.

406
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Speaker 2: They'll have a story to tell for the rest of

407
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Speaker 2: their lives.

408
00:17:31,640 --> 00:17:34,399
Speaker 1: Yeah, yeah, yeah, well particularly if you know.

409
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Speaker 3: For example, I remember seeing a movie many years ago,

410
00:17:37,320 --> 00:17:39,919
Speaker 3: I forgot what was called Car Trouble or something, and

411
00:17:39,960 --> 00:17:41,360
Speaker 3: the guy is having it off with the.

412
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Speaker 1: Girl in the car.

413
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Speaker 3: It's part, surely part.

414
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Speaker 1: And then like I said, it's full.

415
00:17:47,280 --> 00:17:50,320
Speaker 3: You know, she's on top of kissy, Kissy, she's on

416
00:17:50,400 --> 00:17:53,240
Speaker 3: top of here. He knocks it out of gear in

417
00:17:53,320 --> 00:17:55,520
Speaker 3: the passion and the car starts rolling down the hill.

418
00:17:55,920 --> 00:18:01,280
Speaker 3: She has this involuntary reaction where her cervic cazars onto

419
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Speaker 3: the man's pooness.

420
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Speaker 2: These all car names.

421
00:18:06,040 --> 00:18:07,520
Speaker 3: They're trapped, they're stuck together.

422
00:18:07,640 --> 00:18:08,240
Speaker 1: A movie.

423
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Speaker 3: It's a movie.

424
00:18:09,040 --> 00:18:10,440
Speaker 2: It was not a documentary.

425
00:18:11,119 --> 00:18:13,800
Speaker 3: It's a movie. I'm sure I was called car trouble.

426
00:18:14,560 --> 00:18:15,960
Speaker 3: But then all the you know, because they're.

427
00:18:15,840 --> 00:18:17,439
Speaker 2: Stuck, jaws of life would have had to come and

428
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Speaker 2: cut them out.

429
00:18:18,000 --> 00:18:21,000
Speaker 3: Well, they were parking in a sort of a nature

430
00:18:21,080 --> 00:18:23,960
Speaker 3: area and the car has rolled down the grassy hill

431
00:18:24,320 --> 00:18:26,920
Speaker 3: with them still attacked, still attached, and they're in a ditch.

432
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Speaker 1: And then people have run down.

433
00:18:28,359 --> 00:18:29,119
Speaker 3: Oh what's going on.

434
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Speaker 4: I think it's a bad time to be having it

435
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Speaker 4: off people and say I can't help.

436
00:18:32,119 --> 00:18:34,399
Speaker 3: It, and she's on top of him and they can't.

437
00:18:34,680 --> 00:18:36,440
Speaker 3: I think they have to give her a muscle relaxed

438
00:18:36,440 --> 00:18:38,400
Speaker 3: into something like that.

439
00:18:38,400 --> 00:18:42,199
Speaker 4: That's a date that you'll never forget, That's what he said.

440
00:18:42,640 --> 00:18:44,480
Speaker 3: So you've got to be careful of that stuff.

441
00:18:44,640 --> 00:18:48,240
Speaker 4: A friend of mine was in the car and she

442
00:18:48,320 --> 00:18:50,760
Speaker 4: had to pull over because a bee was in a pants.

443
00:18:51,119 --> 00:18:52,280
Speaker 2: She had to pull the pants down.

444
00:18:52,960 --> 00:18:55,040
Speaker 4: Car starts moving and she hit another car and she

445
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Speaker 4: was fined as well.

446
00:18:56,160 --> 00:18:58,320
Speaker 2: Right, a bee in the pants.

447
00:18:58,440 --> 00:19:01,200
Speaker 3: Made of mine? Was we go, I was telling me.

448
00:19:01,240 --> 00:19:02,520
Speaker 2: Had a black cat in his pants.

449
00:19:08,840 --> 00:19:11,760
Speaker 3: A girl he was going out with I were driving

450
00:19:11,800 --> 00:19:14,120
Speaker 3: their car and she decided to give him a bit

451
00:19:14,160 --> 00:19:15,640
Speaker 3: of oral pleasure.

452
00:19:16,920 --> 00:19:19,119
Speaker 2: This is a podcast, doesn't mean you can be rude.

453
00:19:19,200 --> 00:19:22,000
Speaker 1: I'm sure you could say oral pleasure. Anyway, he's gone,

454
00:19:22,080 --> 00:19:22,880
Speaker 1: this is fair enough.

455
00:19:23,040 --> 00:19:25,560
Speaker 3: So as he's driving along, he's gone under a sign

456
00:19:25,640 --> 00:19:30,600
Speaker 3: that said cover your load. That's what he said. These

457
00:19:30,600 --> 00:19:32,040
Speaker 3: are one of those stories. You just talked about it

458
00:19:32,040 --> 00:19:34,040
Speaker 3: at the pub and he said, I said what did

459
00:19:34,040 --> 00:19:35,760
Speaker 3: you think? And he said, I started to laugh, and

460
00:19:35,800 --> 00:19:39,000
Speaker 3: then she stopped and he was trying to explain the

461
00:19:39,040 --> 00:19:41,400
Speaker 3: sign and she said, well, no, you're not getting it now.

462
00:19:42,720 --> 00:19:44,720
Speaker 2: This person you you think they have a lot of detail.

463
00:19:46,080 --> 00:19:49,720
Speaker 3: He had stories we talked about when we're in the pub.

464
00:19:50,160 --> 00:19:53,840
Speaker 3: But I always thought, if you are having an amorous

465
00:19:54,040 --> 00:19:54,480
Speaker 3: thing in.

466
00:19:54,440 --> 00:19:56,840
Speaker 2: A car, check your handbrake and you see.

467
00:19:57,280 --> 00:19:59,000
Speaker 3: But if you're having an amorous thing in the in

468
00:19:59,040 --> 00:20:02,240
Speaker 3: the car, should know this that it's actually it's part

469
00:20:02,240 --> 00:20:02,879
Speaker 3: of neck driving.

470
00:20:02,920 --> 00:20:05,320
Speaker 4: It it's illegal, even if your card doesn't smashed to

471
00:20:05,359 --> 00:20:05,880
Speaker 4: something else.

472
00:20:06,119 --> 00:20:09,879
Speaker 1: Yeah, so have the coppers pull you up and you're receiving.

473
00:20:10,240 --> 00:20:11,960
Speaker 2: Even if you're parked or you mean when you're drive.

474
00:20:12,240 --> 00:20:12,720
Speaker 3: I don't know it.

475
00:20:14,600 --> 00:20:15,720
Speaker 2: It's probably indecency, I.

476
00:20:15,680 --> 00:20:18,080
Speaker 3: Think, because you're not allow just have sex outside.

477
00:20:18,080 --> 00:20:18,560
Speaker 1: You can't know.

478
00:20:18,680 --> 00:20:21,160
Speaker 3: You learned that you gotta have an inside.

479
00:20:22,760 --> 00:20:23,800
Speaker 1: That's what you're going to do.

480
00:20:24,160 --> 00:20:25,720
Speaker 2: Can we end this conversation now?

481
00:20:26,400 --> 00:20:29,440
Speaker 4: Just be mindful, Please be everyone, Just be mindful of everything.

482
00:20:29,520 --> 00:20:31,680
Speaker 3: It can happen in a blink of the eye out

483
00:20:31,720 --> 00:20:33,520
Speaker 3: on the highways and byways of them.

484
00:20:33,600 --> 00:20:36,399
Speaker 2: Stop talking, I'm going home.

485
00:20:37,000 --> 00:20:38,439
Speaker 3: Why don't we do this on the radio.

486
00:20:38,480 --> 00:20:47,800
Speaker 1: It's great. Just louse you the floor sweepings Today.

487
00:20:47,920 --> 00:20:51,399
Speaker 3: Something we didn't discuss was the controversy at the Taylor

488
00:20:51,400 --> 00:20:53,040
Speaker 3: Swift concert over in Paris.

489
00:20:53,200 --> 00:20:56,040
Speaker 4: Yeah, fans have been outraged after spotting a baby on

490
00:20:56,080 --> 00:20:59,639
Speaker 4: the ground at Taylor Swift's Paris show. A photos a

491
00:20:59,680 --> 00:21:02,760
Speaker 4: move to a baby lying on the floor in the picture.

492
00:21:03,040 --> 00:21:03,879
Speaker 4: How old is that baby?

493
00:21:04,000 --> 00:21:04,119
Speaker 2: Going?

494
00:21:04,440 --> 00:21:04,560
Speaker 3: Like?

495
00:21:05,040 --> 00:21:07,159
Speaker 4: Six months old something maybe a bit older, lying on

496
00:21:07,160 --> 00:21:09,840
Speaker 4: a feathered jacket at the feet of an adult assumed

497
00:21:09,840 --> 00:21:12,280
Speaker 4: to be their parent or their guardian. Lots of people

498
00:21:12,359 --> 00:21:15,280
Speaker 4: have said, I would call security if I saw this.

499
00:21:15,280 --> 00:21:18,359
Speaker 4: This is terrifying. It's on the ground. It looks probably

500
00:21:18,440 --> 00:21:21,360
Speaker 4: much pretty much in the mosh pit. Yeah, it's hard

501
00:21:21,359 --> 00:21:23,800
Speaker 4: to comment on other people's parenting, but gee, that looks bad.

502
00:21:23,880 --> 00:21:27,000
Speaker 3: Did you ever take your babies when they're little to stuff?

503
00:21:27,359 --> 00:21:29,280
Speaker 4: No, but the world's different now where people are saying, hey,

504
00:21:29,320 --> 00:21:32,359
Speaker 4: you know ARJ Barker ask him, you know a woman

505
00:21:33,880 --> 00:21:37,240
Speaker 4: trying to breastfeed a grizzly baby. Yeah, not a baby grizzly,

506
00:21:37,400 --> 00:21:40,640
Speaker 4: that would be charming. And he said, look, this isn't

507
00:21:40,680 --> 00:21:42,400
Speaker 4: really a place for a baby. What are you doing?

508
00:21:42,440 --> 00:21:45,520
Speaker 4: And there's lots of debate around that. Taking a baby

509
00:21:45,560 --> 00:21:48,280
Speaker 4: to a Taylor Swift concert and putting it on the floor,

510
00:21:48,400 --> 00:21:50,560
Speaker 4: keep them in a papoose on your chest or something

511
00:21:50,600 --> 00:21:50,920
Speaker 4: like that.

512
00:21:51,440 --> 00:21:53,320
Speaker 1: Well, you know, you take them to a party.

513
00:21:53,359 --> 00:21:56,119
Speaker 3: I remember taking our little kids to parties and stuff

514
00:21:56,119 --> 00:21:57,720
Speaker 3: in baby capsules and you put.

515
00:21:57,520 --> 00:21:59,920
Speaker 1: It underneath the dining room table and then you'd forget

516
00:22:00,480 --> 00:22:01,040
Speaker 1: you let the.

517
00:22:01,000 --> 00:22:04,320
Speaker 4: Baby there see now other parents would be outraged at that.

518
00:22:04,760 --> 00:22:07,560
Speaker 4: Parenting has become a competitive sport. And the hard thing

519
00:22:07,680 --> 00:22:10,560
Speaker 4: is you can be photographed to doing anything. Who knows

520
00:22:10,560 --> 00:22:15,040
Speaker 4: the circumstances around this. People get pinged your baby's asleep

521
00:22:15,080 --> 00:22:17,720
Speaker 4: in the car. You can see the baby in the

522
00:22:17,760 --> 00:22:19,880
Speaker 4: car seat, and you just stop the car to put

523
00:22:19,920 --> 00:22:21,560
Speaker 4: petrol in or to go and grab a coffee. You

524
00:22:21,600 --> 00:22:24,399
Speaker 4: can see you're standing at an outside venue. You can

525
00:22:24,440 --> 00:22:27,119
Speaker 4: see the baby. People photograph it and something. It's on

526
00:22:27,160 --> 00:22:28,880
Speaker 4: the front page of the paper. This has happened to.

527
00:22:28,840 --> 00:22:31,800
Speaker 3: Parents and by law, when you go to a petrol station,

528
00:22:31,880 --> 00:22:33,600
Speaker 3: you fill your car up with petrol. Say you've got

529
00:22:33,640 --> 00:22:36,280
Speaker 3: two three kids, say in the backseat of your car,

530
00:22:36,560 --> 00:22:38,680
Speaker 3: and they're all little under the age.

531
00:22:38,440 --> 00:22:40,480
Speaker 1: Of five, and they're all asleep. You put fuel in

532
00:22:40,520 --> 00:22:40,960
Speaker 1: your car.

533
00:22:41,280 --> 00:22:43,359
Speaker 3: You have to take those kids out of the car

534
00:22:43,800 --> 00:22:47,840
Speaker 3: into the petrol station and pay for your fuel by law,

535
00:22:48,320 --> 00:22:49,560
Speaker 3: which is crazy.

536
00:22:49,320 --> 00:22:50,280
Speaker 2: And drag them across it.

537
00:22:50,359 --> 00:22:53,119
Speaker 4: You know, the service station, tarmac, all that stuff.

538
00:22:53,119 --> 00:22:53,720
Speaker 1: I saw that.

539
00:22:53,800 --> 00:22:55,800
Speaker 3: If I was filling out my car and I saw

540
00:22:55,960 --> 00:22:58,760
Speaker 3: someone else do that, you assess the situation.

541
00:22:58,840 --> 00:22:59,880
Speaker 1: You wouldn't shame that pair.

542
00:23:00,080 --> 00:23:00,920
Speaker 2: But that's the hard thing.

543
00:23:00,920 --> 00:23:03,440
Speaker 4: We're so easy to be shamed now because we're all

544
00:23:03,560 --> 00:23:07,200
Speaker 4: hyper vigilant because of the stories we see. One person

545
00:23:07,720 --> 00:23:11,640
Speaker 4: has gets their car carjacked when they're opening the letterbox

546
00:23:11,640 --> 00:23:13,080
Speaker 4: while they've got a kid in the back of the car,

547
00:23:13,119 --> 00:23:14,920
Speaker 4: and you think it's going to happen every day because

548
00:23:14,960 --> 00:23:18,359
Speaker 4: we see that story and we think that's everywhere. But

549
00:23:18,359 --> 00:23:20,920
Speaker 4: remember what Lee Sales said when we interviewed her about

550
00:23:21,440 --> 00:23:23,639
Speaker 4: how you come to terms with some of the hard

551
00:23:23,680 --> 00:23:26,480
Speaker 4: news stories. She said, let's remember their news stories because

552
00:23:26,480 --> 00:23:27,879
Speaker 4: it's news, it's unusual.

553
00:23:28,320 --> 00:23:29,520
Speaker 2: Keep it in its context.

554
00:23:29,640 --> 00:23:33,560
Speaker 4: But we're so terrified now that we're so hyper vigilant

555
00:23:33,560 --> 00:23:35,959
Speaker 4: and ready to go at everyone else and their parenting

556
00:23:36,040 --> 00:23:36,440
Speaker 4: as well.

557
00:23:36,520 --> 00:23:39,920
Speaker 3: But let's go for the asshole carjacker, not the mum

558
00:23:40,000 --> 00:23:42,240
Speaker 3: that's leaving them. She very good, but you know what's

559
00:23:42,280 --> 00:23:44,240
Speaker 3: the world. There's not a mum's fault. Don't go and

560
00:23:44,280 --> 00:23:46,800
Speaker 3: steal a car that's got kids in it. Don't steal

561
00:23:46,800 --> 00:23:47,160
Speaker 3: a car.

562
00:23:47,400 --> 00:23:50,880
Speaker 4: Imagine stealing someone else's kids. It's hard enough with you, right,

563
00:23:52,119 --> 00:23:53,240
Speaker 4: you can take my kids.

564
00:23:53,359 --> 00:23:56,040
Speaker 3: I remember one time I was picking up my motorbike.

565
00:23:56,040 --> 00:23:58,520
Speaker 3: I left it at Barried Duoir's place. Are you going

566
00:23:58,600 --> 00:24:01,320
Speaker 3: to the details why I left it buried by I'm

567
00:24:01,359 --> 00:24:04,040
Speaker 3: trying to stay awake, but there was probably some drinking involved.

568
00:24:04,160 --> 00:24:07,120
Speaker 1: So what happened. I've got a motorcycle trailer and my.

569
00:24:07,200 --> 00:24:09,880
Speaker 3: Daughter at the time, she would have been I reckon

570
00:24:09,960 --> 00:24:13,400
Speaker 3: about twelve thirteen, and so I've gone along to Bazz's

571
00:24:13,440 --> 00:24:16,520
Speaker 3: place with my car and my motorbike trailer, and Baz

572
00:24:16,600 --> 00:24:19,520
Speaker 3: is there with little Arabella. Arabella who is olds the

573
00:24:19,520 --> 00:24:20,960
Speaker 3: twins now, Benny and Arab they're.

574
00:24:20,760 --> 00:24:23,000
Speaker 4: About start high school next year, so they're probably eleven.

575
00:24:22,880 --> 00:24:23,440
Speaker 1: Or twelve yep.

576
00:24:23,520 --> 00:24:26,480
Speaker 3: So they were like, she was like a tiny weeny baby,

577
00:24:26,680 --> 00:24:29,840
Speaker 3: like tensy weeny little baby. And so I'm pushing my

578
00:24:29,880 --> 00:24:32,919
Speaker 3: bike up onto the bike trailer and as it's gone up,

579
00:24:32,960 --> 00:24:35,119
Speaker 3: the back wheels kick the ramp off and the ramps

580
00:24:35,160 --> 00:24:37,720
Speaker 3: plumped onto the ground. So now the bike's hanging off

581
00:24:37,720 --> 00:24:40,159
Speaker 3: the trailer and Baz, you know what he's like, can.

582
00:24:40,080 --> 00:24:42,600
Speaker 2: Do Bas He's holding his baby there, holding his baby.

583
00:24:42,640 --> 00:24:45,520
Speaker 3: So he puts Arabella down on the ground next to

584
00:24:45,560 --> 00:24:48,600
Speaker 3: the bike trailer and he's got jonesy, no worries, And

585
00:24:48,640 --> 00:24:50,679
Speaker 3: I'm going and I'm yelling out to Romney, who was

586
00:24:50,680 --> 00:24:54,000
Speaker 3: a teenager to Romney. For God's sake, pick that child up.

587
00:24:54,040 --> 00:24:55,639
Speaker 3: I don't know what to do. I don't pick the

588
00:24:55,720 --> 00:24:56,119
Speaker 3: child up.

589
00:24:56,160 --> 00:24:57,320
Speaker 1: Don't live it near the trailer.

590
00:24:57,560 --> 00:24:58,480
Speaker 3: You know you know who?

591
00:24:58,480 --> 00:25:00,600
Speaker 2: I hope doesn't hear this. Stories are a Bella's mother

592
00:25:02,920 --> 00:25:05,520
Speaker 2: nearly Oni. It all ended well, it all ended well.

593
00:25:05,560 --> 00:25:06,880
Speaker 3: Come on, it was ten years ago.

594
00:25:07,600 --> 00:25:08,919
Speaker 1: Arabella is fine.

595
00:25:08,880 --> 00:25:10,000
Speaker 3: Starting high school.

596
00:25:10,720 --> 00:25:11,760
Speaker 1: Everything's going to be okay.

597
00:25:11,920 --> 00:25:12,920
Speaker 2: All take a deep breath.

598
00:25:12,960 --> 00:25:14,760
Speaker 3: What do I think in summary, if you see something

599
00:25:14,880 --> 00:25:18,080
Speaker 3: like that, just assess the situation before you start filming

600
00:25:18,080 --> 00:25:20,640
Speaker 3: it and shaming that person. And if you're an asshole

601
00:25:20,680 --> 00:25:24,280
Speaker 3: car thief, don't steal a car, go and do something

602
00:25:24,320 --> 00:25:25,040
Speaker 3: good with your life.

603
00:25:25,280 --> 00:25:27,200
Speaker 4: Yeah, And how about we're not so hyper vision and

604
00:25:27,240 --> 00:25:28,720
Speaker 4: about everyone else's parents.

605
00:25:28,800 --> 00:25:35,639
Speaker 3: Shoot the car thieves, not the mum. Well, this is

606
00:25:35,680 --> 00:25:38,439
Speaker 3: something that we've swept up from the cutting room floor.

607
00:25:38,720 --> 00:25:40,600
Speaker 2: I came across this story earlier in the week.

608
00:25:40,720 --> 00:25:42,560
Speaker 4: We just didn't get a chance to talk about it

609
00:25:42,560 --> 00:25:46,280
Speaker 4: because we've been looking after Blaze the Bird. This is

610
00:25:46,280 --> 00:25:49,320
Speaker 4: interesting that Americans have only just learned about the Australian

611
00:25:49,359 --> 00:25:52,000
Speaker 4: game Goon of Fortune, and it's been written about in

612
00:25:52,040 --> 00:25:57,040
Speaker 4: the American magazine Food and Wine that has an explanation

613
00:25:57,119 --> 00:25:59,280
Speaker 4: of how to play, as they say, the sacred Aussie

614
00:25:59,359 --> 00:26:02,879
Speaker 4: drinking game of fortune. Here's what they have said about

615
00:26:02,920 --> 00:26:06,680
Speaker 4: the rules. The rules are simple. Attach a wine bag

616
00:26:06,720 --> 00:26:09,560
Speaker 4: to one of the prongs of the hills hoist clothesline.

617
00:26:09,920 --> 00:26:12,719
Speaker 4: A large group of people ideally eight to twelve, stands

618
00:26:12,720 --> 00:26:14,280
Speaker 4: in a circle around the hills hoist.

619
00:26:15,160 --> 00:26:16,080
Speaker 2: Sounds like druids.

620
00:26:16,440 --> 00:26:19,520
Speaker 4: Someone spins the hills hoist and whoever is closest to

621
00:26:19,560 --> 00:26:22,240
Speaker 4: the goon once it stops moving, must take a drink

622
00:26:22,280 --> 00:26:25,520
Speaker 4: directly from its spout. This is revolutionary to them. They've

623
00:26:25,560 --> 00:26:28,040
Speaker 4: never heard of this, They've never heard the term goon bag.

624
00:26:28,280 --> 00:26:31,000
Speaker 4: They've never well, I'm sure they've got their own backyard alcoholism.

625
00:26:31,320 --> 00:26:32,720
Speaker 2: Still, this features a hills hoist.

626
00:26:33,040 --> 00:26:35,359
Speaker 3: Yeah, do Americans even have a hills hoist?

627
00:26:35,520 --> 00:26:37,159
Speaker 2: No, hills hoist is an Australian invention.

628
00:26:37,280 --> 00:26:38,840
Speaker 1: So how do they drive their clothes then?

629
00:26:40,880 --> 00:26:42,280
Speaker 2: Well, I guess you can have a close on. There's

630
00:26:42,280 --> 00:26:43,040
Speaker 2: not a hills hoist.

631
00:26:43,160 --> 00:26:46,119
Speaker 3: Yeah, I guess that the hills hoist as we know

632
00:26:46,160 --> 00:26:47,960
Speaker 3: at the round one. Yeah, I guess they have those

633
00:26:47,960 --> 00:26:49,960
Speaker 3: crazy pull out ones or the ones that come out

634
00:26:49,960 --> 00:26:50,360
Speaker 3: from the set.

635
00:26:50,400 --> 00:26:51,720
Speaker 2: They put everything in the dryer.

636
00:26:51,880 --> 00:26:55,040
Speaker 4: Do you know Americans don't know what a kettle is really,

637
00:26:55,119 --> 00:26:57,760
Speaker 4: They never boil the kettle to make a cup of tea.

638
00:26:57,800 --> 00:26:59,960
Speaker 4: They put or coffee. They make it in the mid

639
00:27:00,119 --> 00:27:03,439
Speaker 4: crow wave. That's weird, isn't it When you discover that

640
00:27:03,480 --> 00:27:04,399
Speaker 4: they don't have a kettle?

641
00:27:04,560 --> 00:27:05,280
Speaker 1: That is weird.

642
00:27:05,640 --> 00:27:07,200
Speaker 3: Have you ever played gooner Fortune? No?

643
00:27:07,320 --> 00:27:07,560
Speaker 2: Have you?

644
00:27:08,440 --> 00:27:11,280
Speaker 3: I have once, but it just didn't work. There wasn't

645
00:27:11,359 --> 00:27:15,440
Speaker 3: enough people right, and it would never come around to

646
00:27:15,480 --> 00:27:18,560
Speaker 3: the person. You know, it kept the hills hoist was

647
00:27:18,640 --> 00:27:20,880
Speaker 3: such that it would end up opposite. There was only

648
00:27:20,920 --> 00:27:23,159
Speaker 3: three of us play, so it did end up.

649
00:27:23,800 --> 00:27:25,280
Speaker 4: No, you need to have a number of players so

650
00:27:25,359 --> 00:27:29,360
Speaker 4: that it will invariably stop me someone. The Americans apparently

651
00:27:29,400 --> 00:27:30,919
Speaker 4: have a game that they said, oh, this is like

652
00:27:30,960 --> 00:27:35,040
Speaker 4: we've got that called slap the bag, right, But that's

653
00:27:35,160 --> 00:27:37,280
Speaker 4: what that is. Slapped the bag insisted of drinking from

654
00:27:37,280 --> 00:27:39,600
Speaker 4: a goon bag, but then just slapping it when you're done.

655
00:27:39,760 --> 00:27:41,919
Speaker 4: That's not the same. But what about this? This is

656
00:27:41,960 --> 00:27:46,439
Speaker 4: what Americans do that is so weird. This country singer

657
00:27:46,520 --> 00:27:48,720
Speaker 4: Ali Walker, she did this recently.

658
00:27:49,359 --> 00:27:51,560
Speaker 2: You know how we have a showy where you poor.

659
00:27:52,080 --> 00:27:55,359
Speaker 2: Is it usually beer, isn't it? Or champagne if you're

660
00:27:55,359 --> 00:27:56,280
Speaker 2: a Formula one star.

661
00:27:56,480 --> 00:27:59,479
Speaker 3: Yeah. Well Dannel Ricardo started it. Yeah, he got Patrick

662
00:27:59,520 --> 00:28:02,399
Speaker 3: Stewart do a shoey. A shoey's a been.

663
00:28:02,320 --> 00:28:03,560
Speaker 2: Around Stewart, the actor.

664
00:28:03,680 --> 00:28:07,320
Speaker 3: Patrick Stewart, the actor was did a shoey with I'm

665
00:28:07,320 --> 00:28:10,199
Speaker 3: not making this up. Dania Ricardo encouraged him to do

666
00:28:10,240 --> 00:28:11,679
Speaker 3: a shoey in front of the crowd.

667
00:28:12,040 --> 00:28:14,040
Speaker 2: How weird. This is an Australian thing, though, isn't it.

668
00:28:14,080 --> 00:28:18,720
Speaker 4: You pour alcohol into your dirty shoe, into your sweaty,

669
00:28:18,760 --> 00:28:21,200
Speaker 4: dirty shoe and drink it. Well, what about this? This

670
00:28:21,240 --> 00:28:24,479
Speaker 4: is another step. This is an American thing. This is

671
00:28:24,880 --> 00:28:28,760
Speaker 4: where this woman did it. You pour a beer not

672
00:28:28,840 --> 00:28:31,840
Speaker 4: into a shoe, but into the mouth of a catfish.

673
00:28:31,880 --> 00:28:34,199
Speaker 4: They do this in Nashville, and then you pour that

674
00:28:34,400 --> 00:28:37,800
Speaker 4: down your throat. You pour a can of Budwiser down

675
00:28:37,840 --> 00:28:40,160
Speaker 4: the neck of the dead catfish, and then you pour

676
00:28:40,240 --> 00:28:43,160
Speaker 4: the soiled contents down your own throat.

677
00:28:43,520 --> 00:28:45,480
Speaker 1: It might actually make budwise it taste good.

678
00:28:45,720 --> 00:28:45,880
Speaker 3: Well.

679
00:28:45,920 --> 00:28:50,840
Speaker 4: The tradition began apparently when the Detroit Red Wings used

680
00:28:50,840 --> 00:28:54,480
Speaker 4: to throw an octopus. There's an ice hockey team onto

681
00:28:54,560 --> 00:28:56,520
Speaker 4: the ice to symbolize the fact that the team needed

682
00:28:56,560 --> 00:28:58,360
Speaker 4: eight playoffs yeah.

683
00:28:58,320 --> 00:28:59,600
Speaker 2: To win the Stanley Cup.

684
00:29:00,040 --> 00:29:02,040
Speaker 4: So then the tradition of throwing a catfish and ice,

685
00:29:02,080 --> 00:29:04,480
Speaker 4: which means maybe I have to win once onto the ice,

686
00:29:04,560 --> 00:29:08,760
Speaker 4: and then this then became a semi regular ritual where

687
00:29:08,760 --> 00:29:13,240
Speaker 4: you'd pour beer down a catfish and drink it out.

688
00:29:13,360 --> 00:29:16,000
Speaker 3: It's interesting now traditions were drinking. What about the yard

689
00:29:16,000 --> 00:29:18,160
Speaker 3: glass and I bear this. I bring this up because

690
00:29:18,160 --> 00:29:20,000
Speaker 3: your son's twenty first is this weekend.

691
00:29:20,000 --> 00:29:21,640
Speaker 2: It's not going to be a yard glass.

692
00:29:21,760 --> 00:29:24,640
Speaker 3: I remember years ago when I used to be weddings, buddies, anything,

693
00:29:24,720 --> 00:29:27,080
Speaker 3: DJ man. I was doing it twenty first for a

694
00:29:27,120 --> 00:29:29,640
Speaker 3: young man called Darren, and they brought out half a

695
00:29:29,720 --> 00:29:32,960
Speaker 3: yard glass for him to skull. I don't think it's

696
00:29:33,120 --> 00:29:33,600
Speaker 3: a full.

697
00:29:33,480 --> 00:29:35,479
Speaker 2: Yard glass or fill a half one up.

698
00:29:35,520 --> 00:29:36,360
Speaker 1: No, it was a half.

699
00:29:36,440 --> 00:29:40,760
Speaker 3: It was a junior burger yard specifically blown by the

700
00:29:40,760 --> 00:29:42,080
Speaker 3: glass blowers that made it.

701
00:29:42,120 --> 00:29:44,360
Speaker 2: Thank you, okay, thanks for the detail.

702
00:29:44,520 --> 00:29:47,440
Speaker 3: Anyway, he didn't have I don't think Daren was very

703
00:29:47,440 --> 00:29:51,160
Speaker 3: popular because there wasn't many mates at his party. So

704
00:29:51,520 --> 00:29:55,080
Speaker 3: he's gone and sculled the half yard guys glass. And

705
00:29:55,120 --> 00:29:56,800
Speaker 3: while I was down there going from a record, so

706
00:29:56,840 --> 00:29:59,840
Speaker 3: I to put the Happy Birthday so on. I hear

707
00:29:59,880 --> 00:30:04,080
Speaker 3: it crowd yelling out loudly. It seems that Darren has

708
00:30:04,120 --> 00:30:07,080
Speaker 3: projectile vomited all over. The only person from his work

709
00:30:07,160 --> 00:30:10,200
Speaker 3: that showed up. Oh no, it was a potato bacon lamb.

710
00:30:10,400 --> 00:30:13,240
Speaker 2: Oh no, a half lamb on a spit.

711
00:30:13,320 --> 00:30:16,200
Speaker 4: That's the twenty first half A later of KB, I

712
00:30:16,240 --> 00:30:18,640
Speaker 4: found a photo from my own twenty first that I

713
00:30:18,680 --> 00:30:22,080
Speaker 4: sent to Jack, saying, look at my shindy. It's a

714
00:30:22,120 --> 00:30:24,720
Speaker 4: photo of me just wearing normal clothes. I don't even

715
00:30:24,720 --> 00:30:26,240
Speaker 4: think I was dressed up. I don't think I was

716
00:30:26,240 --> 00:30:28,480
Speaker 4: wearing makeup. My mom, who was only in her forties,

717
00:30:28,520 --> 00:30:31,040
Speaker 4: is standing next to me, looking she'd made her own outfit,

718
00:30:31,040 --> 00:30:33,920
Speaker 4: I think from a butteric pattern. So these two shapeless women,

719
00:30:34,200 --> 00:30:37,440
Speaker 4: so standing there, and I'm cutting a key shaped cake,

720
00:30:38,640 --> 00:30:40,680
Speaker 4: and I look at one hundred people that are coming

721
00:30:40,680 --> 00:30:43,960
Speaker 4: to the pub tonight for Jack's birthday. You know, I've

722
00:30:43,960 --> 00:30:45,800
Speaker 4: got to put my credit card down on the bar

723
00:30:45,920 --> 00:30:48,320
Speaker 4: and off we go. It's a different world, isn't it.

724
00:30:48,360 --> 00:30:49,840
Speaker 1: Well, how about you just give that credit card to

725
00:30:49,920 --> 00:30:51,400
Speaker 1: me and I'll look after for it.

726
00:30:51,640 --> 00:30:54,680
Speaker 2: I think that would be so generous. Brendan. I should

727
00:30:54,720 --> 00:30:57,560
Speaker 2: get Jack to drink out of a catfish.

728
00:30:57,760 --> 00:31:00,480
Speaker 3: He's been catfished, Zie.

729
00:31:00,360 --> 00:31:02,120
Speaker 1: And Anasta.

730
00:31:03,240 --> 00:31:06,560
Speaker 3: The kids. That's safe for today. Come back tomorrow for

731
00:31:06,800 --> 00:31:10,560
Speaker 3: more Jonesie and Amandas Cutting room bo