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Speaker 1: It's the rhym podcast.

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Speaker 2: Yeah, the kids they flip it. Well, do you want

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Speaker 2: to re explain this?

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Speaker 3: Well, yeah, sure, because I was actually proven correct, as

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Speaker 3: you'll find in this podcast. There's a whole lot of

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Speaker 3: you know, egg eggs on my face for a period

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Speaker 3: of time. But afterwards I took that egg right off

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Speaker 3: and I splaittered on everyone who was laughing at me.

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Speaker 2: Okay, so that's the question again, do you want to explain?

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Speaker 2: So basically, the kids they flip it.

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Speaker 3: So the idea in this show we we decipher what

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Speaker 3: the kids are using to do.

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Speaker 2: Close the door, you're dick it.

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Speaker 3: So as adults or as old people, we use the

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Speaker 3: laughing face, tears, laughing, crying face, laughing crying face.

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Speaker 2: In fact, that was actually the word of the year.

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Speaker 2: That was the word of the year. That's how popular

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Speaker 2: that is now. And we all think, you know, we're

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Speaker 2: down with it, we'll we use it. But there's a

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Speaker 2: subculture in and amongst the youth.

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Speaker 3: Yes, so the young kids, and we're talking like eighteen

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Speaker 3: nineteen year olds.

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Speaker 2: That's even younger as well, because the kids that are

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Speaker 2: hottest on their phones teens.

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Speaker 3: Yeah, so the teens are not doing laughing cry face.

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Speaker 3: That actually is the worst thing you can do. It's embarrassing.

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Speaker 3: So they're doing a new one. And when I was

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Speaker 3: trying to figure out what they were doing, I said

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Speaker 3: to you, I made the actually.

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Speaker 2: Quite poignant point. Was what was your point?

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Speaker 3: Well, my poignant point, Will was that the kids they

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Speaker 3: flip it.

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Speaker 2: Means you know that it's a garbage point. It doesn't

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Speaker 2: mean kids they flip it. What do they flip?

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Speaker 3: They flip meaning so when they say it's cold, it's

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Speaker 3: actually hot. When when they say that jacket is well yes,

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Speaker 3: But I don't want to give away the thing for

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Speaker 3: the podcast.

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Speaker 2: Because don't give me the example of the podcast, because

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Speaker 2: everyone will hear what that is. Give me another example

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Speaker 2: of kids flipping something with their lingo.

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Speaker 3: Okay, kids will actually say like that, like okay, here's one.

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Speaker 3: Kids say, man, that aesthetic is clean.

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Speaker 2: You know what I mean?

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Speaker 3: So, and that might describe someone's cool fashion, But in

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Speaker 3: no way do they mean it was washed previously, or

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Speaker 3: that it actually actually is clean.

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Speaker 2: They mean they mean that it's like that looks cool.

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Speaker 2: Really was It's not the opposite. It's just another meaning.

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Speaker 2: Don't mean don't flipping anything.

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Speaker 3: Okay, now I think of another example, like, because.

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Speaker 2: That's like if I say something tight, like if something tight,

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Speaker 2: it's quite loose.

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Speaker 3: Sometimes it's cool.

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Speaker 2: Yeah, so kids do that. That's an example. I'm not

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Speaker 2: a kid. I'm not flipping any of this is what

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Speaker 2: the kids do. What do you mean they like to flip?

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Speaker 2: Thinks me? One? No, tight was good. Let's just look,

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Speaker 2: they do stuff all the time. I think what you're

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Speaker 2: saying that.

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Speaker 3: Sounds I'll go like, oh, je, how is Saturday night?

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Speaker 3: And I go, yeah, pretty quiet, pretty quiet? And what

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Speaker 3: they mean by that is I had an absolute rip snort.

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Speaker 2: You don't know that the kids are doing that.

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Speaker 3: You don't know because, as we said, someone who's a

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Speaker 3: bit younger than me.

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Speaker 2: And that's seven years younger to be sure, six that's

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Speaker 2: a bit of a six.

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Speaker 3: Thirty two three this year and she's turning twenty seven

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Speaker 3: this year, Yes, September nine, and I'm September twenty three

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Speaker 3: with a joint party.

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Speaker 2: And you both in les here as well. Which place

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Speaker 2: center is that? Which are very good? Surprised that wasn't

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Speaker 2: a penis enlargement gag. Even being on the others, it's

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Speaker 2: a reference to a bit off Mike Chad we had before.

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Speaker 2: No one's going to get that gag. It's a six

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Speaker 2: guys sick man. He's in a week off and dropping penis

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Speaker 2: enlargement gag. I've since threaded on of the podcast, which

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Speaker 2: is disturbing to our ep ed who's given me all

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Speaker 2: sorts of places now, but cop it.

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Speaker 3: He'll try and edit it out. You don't hear this,

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Speaker 3: He'll out there is that's always you call him.

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Speaker 2: He's hated that. He's hated that producer here he is.

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Speaker 4: Gone.

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Speaker 2: We got for us, right? I think we can rather

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Speaker 2: help trying to edit of a lie. It is a

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Speaker 2: probably should definitely should enjoy the podcast.

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Speaker 5: Yeah, say.

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Speaker 2: Who's go and where is Bumboddy doesn't care? I care? Listen, listen, listen.

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Speaker 2: It is Will and Boddy on your Monday afterday. We

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Speaker 2: brought to you my dairy farmers. And right now we've

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Speaker 2: got a very special guest who joins us in the

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Speaker 2: studio's gast.

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Speaker 1: He's actually the hostess with the mostess.

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Speaker 3: And when we say that, we meet the hostess with

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Speaker 3: the most days shows, Holy moly.

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Speaker 2: Dancing with the Star, Us and the Voice, and now

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Speaker 2: a new season a Big Brother.

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Speaker 6: It's hard to put on Italian nuts her on there,

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Speaker 6: but we don't complain it.

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Speaker 1: She's a great friend of the show. How we love it,

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Speaker 1: of its welcome back. It's Sonya Kruger. Yes she's bad, Yes,

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Speaker 1: host of Big Brother.

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Speaker 2: That accent is amazing. I love it, isn't it?

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Speaker 5: It's very good as much as watching you guys dance

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Speaker 5: along to that last track was that was fun.

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Speaker 2: It's a tune, that one. It is a tune, Sonya Kruger.

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Speaker 2: It's got a vibe. The glasshouse elephants or whatever it's

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Speaker 2: called glass animals animals also known as house.

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Speaker 3: Speaking of elephants, sons, elephant's.

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Speaker 5: From a march like that Segway, it's from the hostess

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Speaker 5: with the mostess as well.

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Speaker 2: That hurts you're the queen of the Seguay.

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Speaker 3: But Sonya, we had the microphones on before and we

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Speaker 3: didn't realize you could hear us, and Will was saying

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Speaker 3: that you looked, you've ever looked.

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Speaker 5: He's only human.

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Speaker 3: But Sonya, quite seriously, what the hell is your secret?

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Speaker 3: You're glowing?

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Speaker 5: Well, I actually have no secrets at all, apart from actually,

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Speaker 5: you know what. The other day when we were shooting

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Speaker 5: Dancing with the Stars, I was in the dressing room

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Speaker 5: and there was a hair person and a makeup person,

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Speaker 5: somebody putting a costume together, and Todd McKenny walked in.

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Speaker 5: He said, it literally takes six people to build you, now,

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Speaker 5: doesn't it, Presenter. I'm assembled, they assemble.

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Speaker 2: Me to You're like Mega tron, slowly facing together.

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Speaker 5: Somebody said to me once you're like the terminator, and

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Speaker 5: I'm like, oh god, I don't know, but that person's

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Speaker 5: in my crosshairs.

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Speaker 2: Because so you actually I moved to this last time.

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Speaker 2: You actually used to date Todd McKenny a very long

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Speaker 2: time ago. I did, Yeah, dated him.

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Speaker 5: So we met when we were like twelve, and when

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Speaker 5: we were seventeen we started dating each other. He was

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Speaker 5: like the Perth representative in ballroom dancing and I was

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Speaker 5: the Queensland rap and we'd get together and hands and yeah, yeah.

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Speaker 2: You want to date to an airstrip? He did.

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Speaker 5: He actually picked me up one day and when I

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Speaker 5: was in Perth with him and he we flew to

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Speaker 5: Rotnest Island.

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Speaker 2: Oh wow, he did.

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Speaker 5: And they had these trampolines which were built into the

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Speaker 5: ground and he started doing all.

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Speaker 2: These flips and back flip flips and because.

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Speaker 5: He's also like a trained gymnast. Was anyway that night

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Speaker 5: I tried to seduce him and pretty sure he's been

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Speaker 5: gay ever since.

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Speaker 2: What happened? That was the moment. That was the moment

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Speaker 2: for stick Gram. I got more Sonya Kruger. Right up next,

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Speaker 2: Big Brother premierees tonight seven thirty on Channel set. I'm

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Speaker 2: looking forward to hearing all about it. Son's going to

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Speaker 2: let you guys what to expect from the TV event

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Speaker 2: of the year. Right up next day with us, Sonya

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Speaker 2: Kruger joins in the studio. TV event of the Year

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Speaker 2: is tonight. Big Brother premiere is seven thirty on Channel seven.

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Speaker 2: It is back, Sonya, let's talk about it. Twenty housemates,

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Speaker 2: two hundred and fifty thousand dollar prize, taps three.

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Speaker 5: A secret secret room, commission free, commission free as well.

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Speaker 2: It's just cash hard, cat mate. What are we What

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Speaker 2: are we gonna expect this year?

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Speaker 7: Oh?

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Speaker 3: It's it's next level.

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Speaker 1: It really like I've read a review the other day.

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Speaker 5: It was given six stars out of five and someone

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Speaker 5: said it was the best first ever episode of reality

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Speaker 5: television that they'd ever seen.

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Speaker 2: Now why I would like to take the credit for that?

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Speaker 5: I can't because I pretty much just turned off at

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Speaker 5: the back end too of it to someone.

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Speaker 2: Yeah, but.

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Speaker 1: These characters are just hilarious. There are these two guys.

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Speaker 5: But there's a guy Danny, who's a real estate agent

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Speaker 5: from Geelong, And look, I don't want to be disparaging

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Speaker 5: about real estate agents because I think they doing and.

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Speaker 2: My dad used to be one sonya.

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Speaker 5: But right, but they're very good at making deals, right,

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Speaker 5: They're doing deals all the time, doing deals. And so

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Speaker 5: Danny is a deal maker and he hooks up with

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Speaker 5: this guy Nick, who's a color blind house painter, which

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Speaker 5: is only only.

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Speaker 1: Really effective if your house is white.

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Speaker 5: So you know, they together are these kind of like

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Speaker 5: they're like these bumbling sort of crooks in the house.

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Speaker 5: And something happens in that very first episode that involves

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Speaker 5: them and a bit of an escape plan fifty five

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Speaker 5: thousand people trying to get into the house. But these guys,

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Speaker 5: I don't want to give too much away, but something

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Speaker 5: major happens with them, and then there's this huge twist

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Speaker 5: in the eviction right off the bat, right on night one.

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Speaker 2: So it's just like there's just so.

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Speaker 5: Much stuff into Yeah, there are there are tunnels under

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Speaker 5: this house.

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Speaker 2: What was I supposed to say that?

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Speaker 8: No, I don't know.

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Speaker 5: Wild is now looking at me like shut up, everyone.

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Speaker 2: Asks you anymore any more. But gee, Wizz seven Channel

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Speaker 2: seven escape plan is on the go there. I mean,

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Speaker 2: there's always so many different things that change with the

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Speaker 2: program signed it, but the constant is you and we're

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Speaker 2: kind of looking at your rap sheet right now. You

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Speaker 2: really are the hostess with the mosters brother the voice

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Speaker 2: to say, I'm never going to be running for office,

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Speaker 2: but you host all of these shows, Dancing with the Stars,

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Speaker 2: Holy Molly, Australia has got talent judge and it was

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Speaker 2: a big brother as well. You're always is amazing host

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Speaker 2: and so what we wanted to do right now is

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Speaker 2: just put your hosting skills to the test a little

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Speaker 2: bit because we've got a we've got a we've got

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Speaker 2: a wheel in here with a whole a whole bunch

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Speaker 2: of different names on it, show games, optional reality names

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Speaker 2: on there. We had a lot of fun coming up

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Speaker 2: with the wheel today. What we're gonna do is gonna

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Speaker 2: spin the wheel, sure, all right, and then we're gonna

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Speaker 2: land on a show name. Then we've got a whole

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Speaker 2: bunch of music in here, which is going to be

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Speaker 2: like the intro to the show and then on the

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Speaker 2: other side putting these hosting we're making you work here.

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Speaker 2: I want you to give a bit of a discretion.

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Speaker 5: This is why you're not hosting a show, because none

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Speaker 5: of this is is making any sense to me. It's

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Speaker 5: like we've already gone to a commercial.

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Speaker 2: Leaving droves. Basically, we'll tell you that, we'll tell you

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Speaker 2: the show title. You just tell us which celebrities on

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Speaker 2: the show and what's going to happen on the show

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Speaker 2: that night. Okay, are you ready? Yes, I'm spinning the wheel.

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Speaker 2: First show. Oh huge Celebrity Circumcision.

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Speaker 5: Tonight. On Celebrity Circumcision, Kyle Sandlands reveals all in the.

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Speaker 1: Most shocking and bizarre twist ever.

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Speaker 2: I don't know, sorry, what twist is having your circumcision?

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Speaker 2: I don't know sure. I'm sitting here thinking is kind circumstance.

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Speaker 5: I've got that vision in my head and I can't

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Speaker 5: get the mental image out.

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Speaker 2: You might have to address that tomorrow morning. I think.

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Speaker 2: Come on, it is amazing some thanks joining us Big

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Speaker 2: Brother premiere tonight seven thirty on Channel seven. It's always

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Speaker 2: a pleasure, mate, You're a star. Thank you so much

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Speaker 2: for joining us. Good of the show. Thanks so much, mate.

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Speaker 1: It's the Will and Woody Podcast.

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Speaker 2: Big announcement right now.

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Speaker 3: Yeah, Netflix, No, Barron Bay, No, Barron Bays No, it

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Speaker 3: could be you. No, there is a new reality show

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Speaker 3: called Barron Baz. We're about to talk about zac Efron's

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Speaker 3: connection to the new controversial reality show. But before we

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Speaker 3: get into that, if you currently live in Barron Bay, yes,

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Speaker 3: give us a call. Thirteen one oh sixty five is

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Speaker 3: our number. But let's move on though. Zac Efron's connection

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Speaker 3: to Byron Bays the news show, which is about social

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Speaker 3: media influencers.

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Speaker 2: I think just living their life in Byron Bay. Well,

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Speaker 2: I think it's a bit of a fusion. Would so,

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Speaker 2: I think it's going to be a bit of yeah, yeah,

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Speaker 2: of the influencers live within. Yes, their heartache, their heartbreaks,

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Speaker 2: their trips to the shops. It sounds enticing their armond lattes. Hmmm,

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Speaker 2: surfboards that they don't use but look cool with. I mean,

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Speaker 2: of course, what is the best surfboard to hold? You know,

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Speaker 2: it actually would be a thing, wouldn't it that to

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Speaker 2: be an episode? What what surfboard should I hold? One percent?

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Speaker 3: Anyway, Zac Efron's connection to Byron Bays is that his well,

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Speaker 3: let's call it X part of now.

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Speaker 2: I think they're broken up.

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Speaker 3: But he met a woman last year, I think midway

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Speaker 3: through last year, Vanessa Valederes Meta in Barron Bay General Sto.

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Speaker 3: I've actually got some audio actually when Zach saw Vanessa

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Speaker 3: for the first time.

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Speaker 2: Oh god, Vanessa's got a fabulous body unless she shows

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Speaker 2: like a minx. There we go.

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Speaker 3: That audio just been released. But there's talk today that

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Speaker 3: he's actually broken up with Vanessa because Vanessa is going

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Speaker 3: to be in the new show Byron. That was the

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Speaker 3: deal breaker for for Efron was, according to a story

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Speaker 3: I read today, he's broken up with her because she's

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Speaker 3: going to be a do you reckon? That's too small

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Speaker 3: of a reason to break up with someone.

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Speaker 2: Yeah, for sure. I mean, like easy for Efron. You know, mate,

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Speaker 2: you're worth tens of millions of dollars. If you're Vanessa

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Speaker 2: Parade or whatever her name it, that's a different person.

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Speaker 2: Vanessa's a French actress, Vanessa Valaderis, you're Valadaires. I mean

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Speaker 2: the only way to validate Oh here, he has a

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Speaker 2: bit of a pun on the namely been on air

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Speaker 2: for a couple of minutes. If you are valaders and

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Speaker 2: you're going to validate yourself, I mean I would have

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Speaker 2: thought that open season. I mean, I hate this stuff.

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Speaker 2: Barron Bays as influences. Sure, taking over the planet. I'm

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Speaker 2: quite scared about that. I have nightmares about it frequently.

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Speaker 2: But they already are taken over. But you know, no,

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Speaker 2: I understand that. But hopefully we can just keep them

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Speaker 2: in these little pockets like Byron Bay and then you know,

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Speaker 2: build like a dome over them like the Simpsons movie,

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Speaker 2: and just keep it locked in and hope they all

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Speaker 2: burned them. Who that was aggressive, It was a bit

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Speaker 2: of it. Might get a bunch of the end there.

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Speaker 2: But but if you are her, if you are veladaires,

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Speaker 2: like I think, if you should be letting her have

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Speaker 2: whatever opportunity she can. If it means that she's gonna

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Speaker 2: make the big UM's probably gonna a lot of cash

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Speaker 2: for it. It's pretty stiff from the front to break

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Speaker 2: up through her for it. I agree. I mean, I've

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Speaker 2: been broken up with being in a musical, but you know,

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Speaker 2: he got to the worst of us. You got broken

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Speaker 2: up with for being at a musical? Yes, can you

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Speaker 2: can you extend on that story, I used to do musicals,

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Speaker 2: used to do musicals in my bag. Yeah, yeah, who

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Speaker 2: broke up with you? Well, I was a girl seeing

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Speaker 2: for a month or so that I used to hide

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Speaker 2: the lyrics from her, like my sheet music when I

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Speaker 2: was going around to her house. Used to keep it

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Speaker 2: them bot my back. Yeah, and then she found out

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Speaker 2: about and she broke up with me. That's a great

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Speaker 2: I'd love to hear some more examples of that.

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Speaker 9: Though.

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Speaker 2: That's not the guy's singing heart full of love in

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Speaker 2: the shower. I mean, that's enough to turn anybody else.

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Speaker 3: A pretty small reason to break up with someone? About

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Speaker 3: thirty one oh six fives and number get around Paul

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Speaker 3: will here his girlfriend broke up with him for being

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Speaker 3: in musicals. What's the smallest reason someone broke up with

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Speaker 3: you for the smallest little thing? That someone went, no, noneymore,

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Speaker 3: maybe you've got a haircut or something, and someone.

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Speaker 2: Went and did they tell you? Did they tell you? Yeah?

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Speaker 2: That's good? Wow.

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Speaker 3: Thirty one oh six five is the number. What's the

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Speaker 3: smallest thing someone has broken up with you for? The

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Speaker 3: benchmark is doing musicals?

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Speaker 2: Oh thought that? I mean, it was a pretty big

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Speaker 2: deal for me, like, you know, she shouldn't have broke

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Speaker 2: up with you. Yeah, give me bro thirty one and

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Speaker 2: six five will take you, cause up next will the money.

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Speaker 2: We're talking about Byron Bays and that Byron Bays the

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Speaker 2: show being the reason that Zach Efron just broke up

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Speaker 2: with his girlfriend rumidly, trumidly, that is the truth.

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Speaker 3: Vanessa Valadares has apparently been cast in the new Barron

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Speaker 3: Bay show about social media influences in Barron Bay.

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Speaker 2: Will you watch it? You know what, I probably will

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Speaker 2: like your bag, your bank, but.

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Speaker 3: I'm against the show, like I don't want to support no,

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Speaker 3: because I actually don't like what it's doing to Byron Bads.

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Speaker 2: It's going to make the town Byron sold and soul

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Speaker 2: to the devil a long time ago. Yeah, I guess

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Speaker 2: it did it did. It's going to be like the

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Speaker 2: city of Atlantis. You know, I don't know what that

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Speaker 2: city is.

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Speaker 3: But we are talking about the smallest reasons you've broken

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Speaker 3: up with people. For Zach is breaking up with Vanessa.

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Speaker 3: Try and bring that back back.

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Speaker 2: Time comes from Let's go to Lydia.

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Speaker 3: Here, I'm thirteen one oh sixty five Lydia. Someone's broken

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Speaker 3: up with you for a small reason.

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Speaker 4: Yeah, I wasn't religious enough. I didn't want to go

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Speaker 4: to India with him and go to his ashram and

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Speaker 4: follow his guru and wake up at four am. That

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Speaker 4: was the real reason I didn't want to go.

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Speaker 2: That's a pretty big reason though, Lydia. That's a massive

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Speaker 2: lifestyle change. Yeah, it was only one early morning wake

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Speaker 2: up with the ashram, though. It was going to be

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Speaker 2: a regular thing.

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Speaker 4: Look, no, when he said it with a four am

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Speaker 4: wake up, I thought that's did I'm out. Yeah, you

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Speaker 4: know when we broke up, he said, sorry, you just

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Speaker 4: weren't religious enough for me.

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Speaker 2: So yeah, again, fair enough your slate. Gotta love your slave.

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Speaker 2: What a small reason. Religion, I would say, arguably, historically

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Speaker 2: is the biggest reason that people didn't get together and

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Speaker 2: broke up.

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Speaker 3: If I'm wrong, though, but she was just concerned about

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Speaker 3: one four am wake up, which actual think is a

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Speaker 3: pretty small reason. She was pretty comfortable to take.

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Speaker 2: On the religion. I'm going to correct you because you

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Speaker 2: are wrong. She was talking about a full lifestyle change

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Speaker 2: to India. It wasn't just one alarm clock matter. Fair enough.

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Speaker 3: It's going to Lynn here, Hey, Na, Lynn, Hi, how

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Speaker 3: is that going very well.

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Speaker 2: Thank you.

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Speaker 3: Small reasons. Someone's broken up with.

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Speaker 4: You because his grandmother said she loved me.

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Speaker 2: The grandma said she loved you.

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Speaker 8: That's it.

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Speaker 2: What the hell isn't Isn't it a good thing?

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Speaker 4: Though?

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Speaker 10: It is a good thing, but not for him because

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Speaker 10: he didn't say it.

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Speaker 11: He said that she loved me before he did.

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Speaker 2: Oh, she felt too hard. What I don't know, grandmar

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00:19:13,960 --> 00:19:15,520
Speaker 2: that makes no sense, it's going to Nick.

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Speaker 3: I mean, it's a weird reason to break up with someone.

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00:19:19,600 --> 00:19:22,920
Speaker 2: My grandma loves. If grandma loves your partners normally like

387
00:19:22,960 --> 00:19:25,240
Speaker 2: the biggest tick they can get. Any of your family

388
00:19:25,280 --> 00:19:27,320
Speaker 2: loves your partners, unless your grandma is like a neo

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Speaker 2: Nazi or something. I mean, that's good news. Generally.

390
00:19:29,960 --> 00:19:32,840
Speaker 3: You've gone to some weird areas in the show talking

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Speaker 3: about the city of Atlanta, social media.

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Speaker 2: As broad references and broad references.

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Speaker 3: It's going well right over the weekend, Nick, Nick mate,

394
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Speaker 3: what did you get done for?

395
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Speaker 4: Hey?

396
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Speaker 6: Going boys?

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Speaker 9: Done for playing Call of Duty?

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Speaker 11: One weekend with the boys just one round and one.

399
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Speaker 2: Round or or the forty eight hours worth?

400
00:19:55,000 --> 00:19:58,600
Speaker 1: Nick, it was close about twelve hours in one day.

401
00:19:59,600 --> 00:20:01,639
Speaker 3: Yeah, it's a big stage But so, Nick, were you

402
00:20:01,720 --> 00:20:03,880
Speaker 3: a regular call of Judy man that I mean, be honest,

403
00:20:03,880 --> 00:20:04,840
Speaker 3: there's got to be prize here.

404
00:20:05,920 --> 00:20:08,840
Speaker 10: No, yes, but no, Like I mean, I was usually

405
00:20:08,880 --> 00:20:10,520
Speaker 10: spent time with her, and there was just that long

406
00:20:10,560 --> 00:20:12,080
Speaker 10: week and it came out and I told her, so,

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Speaker 10: I'm just gonna spend playing with the boys.

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Speaker 11: And she not like that.

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Speaker 2: Did you have the headset on? Nick?

410
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Speaker 5: Oh?

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00:20:17,800 --> 00:20:21,480
Speaker 2: No, So I'm no, not now mate, while you're playing

412
00:20:21,520 --> 00:20:23,840
Speaker 2: the game. But I'm just about to find out another

413
00:20:23,840 --> 00:20:26,160
Speaker 2: reason why she might have dumped you being an idiot.

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00:20:26,880 --> 00:20:31,440
Speaker 2: Let's go, man, just on my phone. Currently, let's go

415
00:20:31,640 --> 00:20:32,119
Speaker 2: to Molly.

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Speaker 3: Molly, bring us home in we're talking about the smallest

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Speaker 3: reasons people are breaking up with you.

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00:20:39,840 --> 00:20:42,240
Speaker 9: I got broken up with because I didn't have a

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Speaker 9: spare pencil.

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00:20:44,440 --> 00:20:46,680
Speaker 3: Now you're gonna have to give us some context there, Yeah,

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00:20:46,760 --> 00:20:47,480
Speaker 3: how did that happen?

422
00:20:48,680 --> 00:20:53,680
Speaker 9: So high school boyfriend didn't have his pencil case at school,

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Speaker 9: so he asked if I had a spare I said no,

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Speaker 9: and he dumped me.

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Speaker 2: Then and there, Yeah, I guess it's fair enough that prepared,

426
00:21:01,840 --> 00:21:03,399
Speaker 2: don't you? So he dun't you in the class. So

427
00:21:03,560 --> 00:21:05,440
Speaker 2: he was like, hey, male, can I get a was

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00:21:05,480 --> 00:21:06,720
Speaker 2: it a great Was he going for a gray lead

429
00:21:06,760 --> 00:21:08,200
Speaker 2: or a color like? Is it in an odd class?

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00:21:08,200 --> 00:21:10,240
Speaker 2: What's the give us a little bit more context. No,

431
00:21:10,560 --> 00:21:13,359
Speaker 2: just a lead pencil, lead pencil. You're in the class

432
00:21:13,440 --> 00:21:15,720
Speaker 2: back row? You say no. He leans across the desk

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Speaker 2: and says, what does he say?

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Speaker 5: Oh?

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00:21:18,320 --> 00:21:20,280
Speaker 9: Well, wash it, we're not together anymore.

436
00:21:20,400 --> 00:21:22,600
Speaker 3: Jesus Christ couldn't write a note, didn't have a pencil

437
00:21:23,400 --> 00:21:25,080
Speaker 3: there he is, so he had to lean over and.

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Speaker 2: Thank guys, don't miss this. Gold plenty more of that.

439
00:21:30,240 --> 00:21:32,040
Speaker 2: I didn't mind that. I actually didn't mind that.

440
00:21:32,359 --> 00:21:33,960
Speaker 1: It's the Will and Woody podcast.

441
00:21:34,240 --> 00:21:35,680
Speaker 2: Oh, I'm not going to intro it. I mean, I

442
00:21:35,800 --> 00:21:36,399
Speaker 2: hate this stuff.

443
00:21:37,240 --> 00:21:38,680
Speaker 3: You're a bit of a cynic when it comes to

444
00:21:38,920 --> 00:21:44,119
Speaker 3: ghost interactions. They're wild stories and I can't wait to

445
00:21:44,840 --> 00:21:48,320
Speaker 3: instigate some goosebumps on arms and legs. Now, the reason

446
00:21:48,359 --> 00:21:52,600
Speaker 3: we are talking about ghost interactions is because this guy,

447
00:21:55,640 --> 00:21:58,520
Speaker 3: j K is his name, lead singer of Jimira KWHI

448
00:21:58,840 --> 00:22:02,120
Speaker 3: used to wear the funky hats. His ex partner, Denise

449
00:22:02,320 --> 00:22:09,800
Speaker 3: van Alton, who's a TV star. Apparently Denise has come

450
00:22:09,840 --> 00:22:13,200
Speaker 3: out today and she basically said that JK his house

451
00:22:13,320 --> 00:22:17,920
Speaker 3: was haunted and on one particular occasion when she was there,

452
00:22:18,800 --> 00:22:23,359
Speaker 3: she got pinned down by a green ghost lady who

453
00:22:23,480 --> 00:22:26,160
Speaker 3: was on top of her and pinned her down right.

454
00:22:26,480 --> 00:22:28,440
Speaker 2: And I mean, the thing about these ghost stories is

455
00:22:29,880 --> 00:22:31,480
Speaker 2: you kind of just have to take them on their word,

456
00:22:31,520 --> 00:22:31,800
Speaker 2: don't you.

457
00:22:32,720 --> 00:22:35,360
Speaker 3: Well, yeah, it's out of evidence, because ghosts don't leave.

458
00:22:35,520 --> 00:22:40,240
Speaker 2: The only story on the planet which generates this much hype,

459
00:22:40,600 --> 00:22:42,800
Speaker 2: given that no one has any evidence actually there was,

460
00:22:42,840 --> 00:22:46,440
Speaker 2: Dash can say the story and you just have to go, wow, yeah, wow,

461
00:22:46,760 --> 00:22:47,080
Speaker 2: there you go.

462
00:22:47,840 --> 00:22:49,960
Speaker 3: And this is the cynical side guy and look it's there.

463
00:22:50,000 --> 00:22:52,560
Speaker 3: But I think with enough amazing stories here, we can

464
00:22:52,640 --> 00:22:55,240
Speaker 3: we can turn this cynical sally around.

465
00:22:56,720 --> 00:23:00,520
Speaker 2: Cynical I can't even Let's go to Cherry on. Uh

466
00:23:03,760 --> 00:23:08,320
Speaker 2: hate this stuff, Terry, Let's get into it. Terry came on,

467
00:23:08,440 --> 00:23:09,080
Speaker 2: what's your story?

468
00:23:09,200 --> 00:23:09,480
Speaker 1: Okay?

469
00:23:10,240 --> 00:23:13,800
Speaker 11: My uncle was missing for about a month. No one

470
00:23:13,880 --> 00:23:17,800
Speaker 11: knew where he was, and we'd speak weekly. I was

471
00:23:17,840 --> 00:23:20,119
Speaker 11: woken up one morning by something touching my arm and

472
00:23:20,160 --> 00:23:22,720
Speaker 11: actually woke me up, and I actually screamed out like

473
00:23:22,880 --> 00:23:26,000
Speaker 11: some swear words, like oh my god, what the hell

474
00:23:26,080 --> 00:23:29,800
Speaker 11: was that? There's nothing there? We then seen on the

475
00:23:29,840 --> 00:23:33,280
Speaker 11: news that someone a body has been found. I relayed

476
00:23:33,320 --> 00:23:35,480
Speaker 11: to my mum at the time, called the crime stoppers.

477
00:23:35,520 --> 00:23:39,119
Speaker 11: I think it's him. It was him that day. Just

478
00:23:39,280 --> 00:23:42,520
Speaker 11: from that, I knew it was him, and we knew.

479
00:23:43,760 --> 00:23:47,439
Speaker 11: I knew something had touched me, and yeah, that's how

480
00:23:47,480 --> 00:23:48,120
Speaker 11: we found out.

481
00:23:48,680 --> 00:23:51,240
Speaker 2: I ask you a question, Yes, do you know what

482
00:23:51,280 --> 00:23:52,119
Speaker 2: a coincidence is?

483
00:23:53,520 --> 00:23:55,240
Speaker 11: No? Well, how can you know you liked it?

484
00:23:58,400 --> 00:24:00,879
Speaker 2: I will, too much of a coincident? What there's a

485
00:24:00,920 --> 00:24:03,240
Speaker 2: boy missing and something touched her arm in the middle

486
00:24:03,240 --> 00:24:04,960
Speaker 2: of the night. There's not even a coincidence, just two

487
00:24:05,080 --> 00:24:07,920
Speaker 2: random things that she's connected. It's not even a coincidence.

488
00:24:08,040 --> 00:24:10,480
Speaker 2: I was giving her a favor by calling her a coincidence.

489
00:24:10,960 --> 00:24:12,879
Speaker 2: Something touched her in the night and then at the

490
00:24:12,920 --> 00:24:14,800
Speaker 2: same time as a guy missing. Right, it was him.

491
00:24:15,400 --> 00:24:18,520
Speaker 3: Okay, first off, first come on, first story, off the bat,

492
00:24:18,680 --> 00:24:19,240
Speaker 3: not convincing.

493
00:24:19,280 --> 00:24:21,320
Speaker 2: I'll give you that. That might be one nil to you.

494
00:24:21,800 --> 00:24:23,520
Speaker 3: Come on, ghosts, let's step it up. We've got a

495
00:24:23,640 --> 00:24:27,119
Speaker 3: Laria here. Alaria, you've got to be pretty concrete with

496
00:24:27,200 --> 00:24:29,080
Speaker 3: your details here. What was your ghost interaction?

497
00:24:29,920 --> 00:24:30,679
Speaker 10: Okay, so my.

498
00:24:30,840 --> 00:24:35,440
Speaker 6: Uncle passed away, but at his house beginner, all the windows,

499
00:24:35,560 --> 00:24:37,800
Speaker 6: all the doors were shut. We were all sitting in

500
00:24:37,840 --> 00:24:41,000
Speaker 6: the lounge room, and as we're speaking of my late uncle,

501
00:24:41,320 --> 00:24:43,560
Speaker 6: we had a auntie had a little pop plant, and

502
00:24:43,760 --> 00:24:47,120
Speaker 6: the pop plant started shaking and just fell to the floor.

503
00:24:47,200 --> 00:24:49,720
Speaker 3: Bloody help, bloody help. So did you say that was

504
00:24:49,760 --> 00:24:50,680
Speaker 3: his favorite pop plant?

505
00:24:51,680 --> 00:25:00,840
Speaker 2: Nolia? I gave you on set there. Just carry it,

506
00:25:01,080 --> 00:25:02,200
Speaker 2: catch it, carry it.

507
00:25:02,280 --> 00:25:04,920
Speaker 3: Okay, So that might be true, nil, because pot plant

508
00:25:04,960 --> 00:25:06,920
Speaker 3: falling over isn't exactly we have.

509
00:25:08,280 --> 00:25:11,239
Speaker 2: We have a fallen pop plant and a girl who

510
00:25:11,359 --> 00:25:14,879
Speaker 2: felt something touch her arm. I wasn't any favorite pot plant. Well,

511
00:25:15,760 --> 00:25:19,720
Speaker 2: let's go to Martin. Come on, Martin, the windows and

512
00:25:19,760 --> 00:25:22,080
Speaker 2: doors were closed though woods, all the windows and doors

513
00:25:22,200 --> 00:25:23,879
Speaker 2: were closed together.

514
00:25:24,880 --> 00:25:28,320
Speaker 3: Okay, Martin, come on, you've got a story to help

515
00:25:28,359 --> 00:25:29,119
Speaker 3: people believe it.

516
00:25:29,240 --> 00:25:31,760
Speaker 2: I hope this gives people a bit of freedom when

517
00:25:31,920 --> 00:25:34,359
Speaker 2: people trying to pull that hokus pokers stuff around them.

518
00:25:34,440 --> 00:25:36,680
Speaker 2: But you've got to laugh, guys, you've got to laugh

519
00:25:36,720 --> 00:25:38,520
Speaker 2: at it. Yeah, yeah, you do. But we may not

520
00:25:38,600 --> 00:25:40,360
Speaker 2: be laughing out your story, Martine.

521
00:25:41,440 --> 00:25:45,280
Speaker 7: Okay, So mom and dad built their house on an

522
00:25:45,359 --> 00:25:49,040
Speaker 7: old market garden. When they built the house, all they

523
00:25:49,080 --> 00:25:51,600
Speaker 7: could hear was the clip clopping of a girl screaming

524
00:25:51,720 --> 00:25:55,000
Speaker 7: and a horse. So we're born and brought into the house.

525
00:25:56,240 --> 00:25:59,760
Speaker 7: The clip clopping and the horses and the screaming stops,

526
00:26:00,040 --> 00:26:04,800
Speaker 7: and there's some sort of connections between the horse my arrival,

527
00:26:05,080 --> 00:26:07,280
Speaker 7: and apparently I look like the girl on the horse.

528
00:26:08,560 --> 00:26:08,679
Speaker 8: Right.

529
00:26:11,680 --> 00:26:19,119
Speaker 2: So I just to summarize, Martine, I now believe in guys,

530
00:26:19,520 --> 00:26:22,719
Speaker 2: because you look like a dead girl and you hear

531
00:26:22,800 --> 00:26:23,760
Speaker 2: clip clopping in the night.

532
00:26:25,720 --> 00:26:28,880
Speaker 7: Well nobody hears the clopping anymore because I'm alive. I'm

533
00:26:28,920 --> 00:26:29,800
Speaker 7: not a ghost anymore.

534
00:26:29,920 --> 00:26:33,680
Speaker 2: Where's the horse? Where's the horse? Martine? Just asking, you've

535
00:26:33,800 --> 00:26:36,000
Speaker 2: just seen it. There's no horse. We're gonna go to

536
00:26:36,080 --> 00:26:39,680
Speaker 2: that another side.

537
00:26:40,080 --> 00:26:41,720
Speaker 1: It's the Will and Woody Podcast.

538
00:26:42,600 --> 00:26:44,320
Speaker 2: We're brought to you by Derek Farmers, and we're going

539
00:26:44,320 --> 00:26:44,960
Speaker 2: around the world.

540
00:26:45,359 --> 00:26:46,280
Speaker 4: I guess I'm around here.

541
00:26:46,359 --> 00:26:49,360
Speaker 11: You know what they're famous for, it's Will and Woodies.

542
00:26:52,040 --> 00:26:55,680
Speaker 3: People from outside of Australia are calling the show right now.

543
00:26:55,760 --> 00:26:58,280
Speaker 3: I'm thirteen, one oh sixty five. They're telling us what

544
00:26:58,359 --> 00:27:00,800
Speaker 3: their country is famous for, and then we are trying

545
00:27:00,840 --> 00:27:02,080
Speaker 3: to guess where they are from.

546
00:27:02,600 --> 00:27:06,920
Speaker 2: Now we have Marianne here. Hello, Marianne, how are you

547
00:27:07,600 --> 00:27:10,960
Speaker 2: very well, thank you. What is your place of birth

548
00:27:11,040 --> 00:27:11,480
Speaker 2: famous for?

549
00:27:12,400 --> 00:27:14,720
Speaker 10: Well, I'm sure you won't guess it'll have a go, guys.

550
00:27:15,720 --> 00:27:19,000
Speaker 10: What it is is a coconut that is called Coco

551
00:27:19,080 --> 00:27:19,480
Speaker 10: de mayor.

552
00:27:21,840 --> 00:27:22,040
Speaker 5: Yes.

553
00:27:22,640 --> 00:27:24,760
Speaker 10: It Actually the reason why got its name was somebody

554
00:27:24,800 --> 00:27:26,920
Speaker 10: and I just took floating on the on the on

555
00:27:27,080 --> 00:27:32,640
Speaker 10: the water and thought, oh, it's a coconut like mayor

556
00:27:33,040 --> 00:27:34,520
Speaker 10: like Mary c Mary.

557
00:27:34,400 --> 00:27:36,080
Speaker 2: Ce so woulds. I mean, I don't want to sound

558
00:27:36,080 --> 00:27:40,200
Speaker 2: a complete flog here, but Coco de Mayr is French,

559
00:27:40,400 --> 00:27:43,680
Speaker 2: and I'm just wondering whether maybe it's New Caledoni, Lonoville,

560
00:27:43,720 --> 00:27:47,120
Speaker 2: Caledoni or Tahiti, is the other anything anywhere in French

561
00:27:47,160 --> 00:27:49,320
Speaker 2: Polynesia otherwise Mauritius.

562
00:27:48,960 --> 00:27:50,719
Speaker 3: Or I'm going to lean on you here, which one

563
00:27:50,760 --> 00:27:53,440
Speaker 3: do you think it is? Where are there more coconuts.

564
00:27:52,960 --> 00:27:55,720
Speaker 2: Will I'd say they'll all sport a few coke. I'm

565
00:27:55,720 --> 00:27:56,480
Speaker 2: gonna say Mauritius.

566
00:27:56,480 --> 00:28:02,920
Speaker 10: Though Marianne very close says, oh wow, that is tough.

567
00:28:03,640 --> 00:28:06,560
Speaker 2: Say that is just I mean, you're really splitting hairs there.

568
00:28:06,560 --> 00:28:08,199
Speaker 2: I mean, in your own country, your own country. At

569
00:28:08,240 --> 00:28:10,240
Speaker 2: end of the day, thanks the co say shells is

570
00:28:10,280 --> 00:28:13,879
Speaker 2: near Mauritius. Imber actually sure would. It sounds like she

571
00:28:13,960 --> 00:28:20,040
Speaker 2: said it was, so we'll take that, Johnny. What's your

572
00:28:20,440 --> 00:28:21,800
Speaker 2: country famous.

573
00:28:21,440 --> 00:28:23,359
Speaker 8: For naked statues?

574
00:28:24,080 --> 00:28:27,760
Speaker 3: Naked statues? It's got to be like room or something

575
00:28:27,840 --> 00:28:28,600
Speaker 3: that's a city.

576
00:28:29,119 --> 00:28:33,040
Speaker 2: The country is Italy though, John, Yeah, no.

577
00:28:33,280 --> 00:28:34,119
Speaker 11: No, it's not Italy.

578
00:28:34,440 --> 00:28:35,440
Speaker 2: Whoa, whoa?

579
00:28:35,600 --> 00:28:37,360
Speaker 3: Now hang on can be album on a second? Guess

580
00:28:37,640 --> 00:28:40,440
Speaker 3: where else are there nude statues? Who loves the nude body?

581
00:28:40,520 --> 00:28:46,360
Speaker 2: Which Greece? Greece? John? No, hell, bloody hell. There's nude

582
00:28:46,360 --> 00:28:48,440
Speaker 2: statues everywhere. Yeah, John, there are a lot of nude

583
00:28:48,480 --> 00:28:52,760
Speaker 2: statues in and around the Mediterranean, but I think Europe

584
00:28:53,480 --> 00:28:55,120
Speaker 2: might be good naked statues.

585
00:28:55,480 --> 00:28:57,920
Speaker 3: You know what, Johnny tells? Where are these nude statues?

586
00:28:58,640 --> 00:29:01,480
Speaker 2: Norm Way, I didn't know that. Why are you're famous

587
00:29:01,520 --> 00:29:02,800
Speaker 2: for your nude statues? John?

588
00:29:03,440 --> 00:29:05,280
Speaker 8: I don't know. If there's a.

589
00:29:07,080 --> 00:29:10,440
Speaker 4: National park and Olslo, it's called used to fell a

590
00:29:10,560 --> 00:29:11,320
Speaker 4: park and it's.

591
00:29:12,720 --> 00:29:15,080
Speaker 8: Uh, it's just backed with naked statues and.

592
00:29:15,560 --> 00:29:16,880
Speaker 2: Blood of hell? Yeah, beautiful.

593
00:29:17,280 --> 00:29:19,240
Speaker 3: Isn't there in Tasmania? Will And you know this because

594
00:29:19,240 --> 00:29:22,840
Speaker 3: you're a cultured man. Isn't there like a momo or

595
00:29:22,920 --> 00:29:27,480
Speaker 3: something down there? Mona and there's a wall of vaginas. Yeah, yeah,

596
00:29:28,520 --> 00:29:31,400
Speaker 3: let's go to Lana. I'm just curious because you know,

597
00:29:31,440 --> 00:29:33,160
Speaker 3: I know why he's got all these nudes statues.

598
00:29:33,360 --> 00:29:34,920
Speaker 2: There's something you wanted to bring up with me for

599
00:29:35,120 --> 00:29:36,920
Speaker 2: a long time, and that was my moment.

600
00:29:39,480 --> 00:29:39,720
Speaker 4: For me.

601
00:29:40,720 --> 00:29:42,000
Speaker 2: Let's know about that.

602
00:29:42,280 --> 00:29:44,920
Speaker 3: No, I just find that fascinating. Yeah right, okay, let's

603
00:29:44,920 --> 00:29:47,080
Speaker 3: go to We should do a phone tep Are you

604
00:29:47,160 --> 00:29:49,960
Speaker 3: on the wall? Because they're they're real, they're molds.

605
00:29:49,680 --> 00:29:53,680
Speaker 2: Of Vagina's Yeah it again for fifty in the world's

606
00:29:53,720 --> 00:29:56,480
Speaker 2: going mate, Let's go to Lana. Sorry, could you not

607
00:29:56,640 --> 00:29:58,680
Speaker 2: say that word on the radio? Vagina? There we go?

608
00:29:58,880 --> 00:30:02,920
Speaker 3: Felt naughty? Sorry, Lana, I'm very childish.

609
00:30:03,840 --> 00:30:06,360
Speaker 2: What's your country famous for.

610
00:30:07,520 --> 00:30:09,840
Speaker 8: A couple of things. The first one is when I

611
00:30:10,000 --> 00:30:13,960
Speaker 8: was sick, my mum puts sliced onions on my feet overnight.

612
00:30:14,440 --> 00:30:17,240
Speaker 8: And the second is a dish. It's a delicacy. It's

613
00:30:17,280 --> 00:30:19,320
Speaker 8: got like pigs trotters and it's jellied.

614
00:30:21,000 --> 00:30:25,040
Speaker 3: So we got jellied pig trotters of onions on your feet.

615
00:30:25,360 --> 00:30:27,800
Speaker 2: I reckon somewhere. I'm thinking Eastern Europe.

616
00:30:28,240 --> 00:30:32,120
Speaker 3: Yeah, it feels very Transylvania, like a pig stewy sort

617
00:30:32,120 --> 00:30:32,440
Speaker 3: of a thing.

618
00:30:32,520 --> 00:30:37,320
Speaker 2: That's not a country place, it's a fake place. I

619
00:30:37,400 --> 00:30:42,520
Speaker 2: was just thinking, because they made up for Dracula La la,

620
00:30:43,120 --> 00:30:46,560
Speaker 2: what about like a Poland or something like like somewhere

621
00:30:46,600 --> 00:30:49,800
Speaker 2: like that. That's what I'm thinking. You're getting warm like Georgia,

622
00:30:50,240 --> 00:30:53,440
Speaker 2: somewhere deep in the east over there, Yugoslavia.

623
00:30:53,920 --> 00:30:57,280
Speaker 4: Warmish, bigger, bigger.

624
00:30:57,040 --> 00:31:06,720
Speaker 2: Russia, Kazakhstan, Russia, chucking at the throw in Russia. They

625
00:31:06,760 --> 00:31:10,120
Speaker 2: give you another Eastern European country, Oh, Poland? Said that

626
00:31:10,200 --> 00:31:14,520
Speaker 2: one Switzerland, that's not Eastern Europe. You know, I'm not

627
00:31:14,520 --> 00:31:15,160
Speaker 2: good at geography.

628
00:31:15,400 --> 00:31:19,920
Speaker 3: You know who's good at geography in Eastern European country Croatia.

629
00:31:20,440 --> 00:31:26,120
Speaker 3: Thank you, Slovakia, I can go again. Uh, Puerto Rico, No,

630
00:31:26,280 --> 00:31:28,040
Speaker 3: that's that's none of us in America.

631
00:31:27,840 --> 00:31:29,560
Speaker 2: South America. Yeah, I'm.

632
00:31:31,000 --> 00:31:33,760
Speaker 3: There's no, there's no question. I'm not good at geography.

633
00:31:34,360 --> 00:31:36,640
Speaker 1: It's the Will and Woody podcast about.

634
00:31:36,400 --> 00:31:38,960
Speaker 2: To give you all the juice from the oscars right now.

635
00:31:39,040 --> 00:31:42,240
Speaker 2: Woods You're we want to ask you about something which

636
00:31:42,240 --> 00:31:45,160
Speaker 2: I generally speaking, I think a lot of people find

637
00:31:45,280 --> 00:31:47,840
Speaker 2: very boring. But it's up to you. Yeah. Yeah, it's

638
00:31:47,840 --> 00:31:49,680
Speaker 2: a bad way to sell it. Actually, a little bit

639
00:31:49,680 --> 00:31:51,360
Speaker 2: of a cavet out there, Like, if you're actually finding

640
00:31:51,400 --> 00:31:53,800
Speaker 2: this particularly boring, please call us and tell us, oh,

641
00:31:53,880 --> 00:31:54,480
Speaker 2: that's a great idea.

642
00:31:54,520 --> 00:31:56,640
Speaker 3: Actually, and i'mbout thirteen one oh six five, And actually

643
00:31:56,640 --> 00:31:58,320
Speaker 3: you can call any time and let us know if

644
00:31:58,360 --> 00:32:00,320
Speaker 3: the show is boring and mudhism moving.

645
00:32:02,520 --> 00:32:03,400
Speaker 2: But no, this is intriguing.

646
00:32:03,560 --> 00:32:05,880
Speaker 3: There's news today that some French people spent forty days

647
00:32:05,920 --> 00:32:08,400
Speaker 3: in a cave, and I was fascinated by this story.

648
00:32:08,600 --> 00:32:10,960
Speaker 3: So they had to rely on their biological clocks and

649
00:32:10,960 --> 00:32:12,640
Speaker 3: they went to wake up, go to sleep, eat. They

650
00:32:12,760 --> 00:32:15,600
Speaker 3: totally lost the concept of time. They had no idea

651
00:32:15,640 --> 00:32:17,520
Speaker 3: how long they were in there for. It really is intriguing,

652
00:32:17,920 --> 00:32:19,760
Speaker 3: And I just thought, I mean, the man to be

653
00:32:19,840 --> 00:32:22,880
Speaker 3: talking about this is the man that's sitting across from me.

654
00:32:23,640 --> 00:32:26,120
Speaker 2: Where do you fly, Schlanka, Joe's a bit of isolation. Yes,

655
00:32:26,160 --> 00:32:27,720
Speaker 2: I went. I went to Srilanker and I did a

656
00:32:27,760 --> 00:32:31,600
Speaker 2: ten day with past meditation retreat, which is not that

657
00:32:32,680 --> 00:32:35,160
Speaker 2: not that it's not that well. I think the reason

658
00:32:35,240 --> 00:32:37,800
Speaker 2: that people do find this boring or very annoying is

659
00:32:37,840 --> 00:32:41,959
Speaker 2: because it's very like, you know, wellness in inverted commas.

660
00:32:42,200 --> 00:32:45,400
Speaker 2: Sure you know it's not really wellness though. Wellness is

661
00:32:45,480 --> 00:32:48,160
Speaker 2: a very is a word that I think gets thrown

662
00:32:48,160 --> 00:32:50,000
Speaker 2: around a little bit too much right now and starting

663
00:32:50,000 --> 00:32:52,920
Speaker 2: to give things a bad reputation. Sure, I think essentially

664
00:32:52,960 --> 00:32:54,960
Speaker 2: what was going on with me is that I felt

665
00:32:55,040 --> 00:32:57,640
Speaker 2: I get depressed. I was seeing a lot of psychologists

666
00:32:57,800 --> 00:33:00,440
Speaker 2: I started. I think I understood why I was getting depressed,

667
00:33:00,480 --> 00:33:04,400
Speaker 2: but I didn't really have a way to combat why

668
00:33:05,000 --> 00:33:07,680
Speaker 2: when it was happening. If anyone's got in mental health issue,

669
00:33:07,720 --> 00:33:09,320
Speaker 2: you know that one of the things you kind of know,

670
00:33:09,560 --> 00:33:11,800
Speaker 2: unfortunately is it's going to keep coming back. So it's

671
00:33:11,840 --> 00:33:14,320
Speaker 2: just about how you're sort of ready for it. And

672
00:33:14,400 --> 00:33:16,960
Speaker 2: I found out about this thing called virpasna, which is

673
00:33:19,000 --> 00:33:23,040
Speaker 2: literally translates to truly seeing, that's what the word means.

674
00:33:23,520 --> 00:33:26,040
Speaker 2: And you're basically just spending it's ten hours of meditation

675
00:33:26,120 --> 00:33:30,320
Speaker 2: a day for ten days, no human contact, just sitting

676
00:33:30,520 --> 00:33:35,640
Speaker 2: and watching what is going on? Bloody hell. Yeah.

677
00:33:35,880 --> 00:33:38,640
Speaker 3: So again, like I struggle if I have two hours

678
00:33:38,680 --> 00:33:40,880
Speaker 3: by myself, I struggle with the thoughts that start coming out.

679
00:33:40,880 --> 00:33:42,120
Speaker 3: And that's why I saw when we reach for our

680
00:33:42,160 --> 00:33:43,120
Speaker 3: phone and stuff for distraction.

681
00:33:43,240 --> 00:33:46,440
Speaker 2: Yeah, that's right. How hard was it though? This is

682
00:33:46,480 --> 00:33:48,920
Speaker 2: a long time. Well, I actually now, and this is

683
00:33:48,960 --> 00:33:51,280
Speaker 2: important to distinguish as well. I actually I now spend

684
00:33:51,360 --> 00:33:53,280
Speaker 2: a week by myself in isolation at the end of

685
00:33:53,320 --> 00:33:55,560
Speaker 2: every year at least if I can, well, no, I

686
00:33:55,640 --> 00:33:55,800
Speaker 2: do it.

687
00:33:55,880 --> 00:33:56,520
Speaker 11: I do it now.

688
00:33:56,600 --> 00:33:58,440
Speaker 2: Like forming my partner sem sort of makes me go

689
00:33:58,520 --> 00:34:02,760
Speaker 2: as well, because the the reality is that every day

690
00:34:02,920 --> 00:34:06,480
Speaker 2: you kind of get just dragged along by your thoughts.

691
00:34:06,800 --> 00:34:09,799
Speaker 2: Everyone kind of just dreams their life away subconsciously. Your

692
00:34:09,840 --> 00:34:13,160
Speaker 2: thoughts just tell you what you want, and you respond

693
00:34:13,200 --> 00:34:16,000
Speaker 2: to them. You're constantly either pushing them away and saying

694
00:34:16,000 --> 00:34:18,000
Speaker 2: I don't want anything to do with that thought, or

695
00:34:18,120 --> 00:34:20,000
Speaker 2: you're grabbing onto it and you're going, yes, that thought's

696
00:34:20,000 --> 00:34:22,560
Speaker 2: going to give me this thing. So the idea is

697
00:34:22,640 --> 00:34:27,360
Speaker 2: that you detach yourself from that train, which effectively just

698
00:34:27,400 --> 00:34:29,480
Speaker 2: dictates what your next move is, and you get a

699
00:34:29,560 --> 00:34:33,120
Speaker 2: whole new sense of freedom by dropping back away from

700
00:34:33,760 --> 00:34:36,920
Speaker 2: your mind, which is just essentially constantly distracting you. So

701
00:34:37,640 --> 00:34:42,640
Speaker 2: the first couple of days of isolation is terrifying because

702
00:34:42,680 --> 00:34:48,319
Speaker 2: what happens is your brain just spews effectively because it's

703
00:34:48,440 --> 00:34:51,080
Speaker 2: so not used to you not responding to your thoughts and.

704
00:34:51,080 --> 00:34:53,799
Speaker 3: Are they scary thought when you say spews like there's

705
00:34:53,880 --> 00:34:54,600
Speaker 3: scary thoughts that.

706
00:34:54,760 --> 00:34:58,000
Speaker 2: The worst are the worst because you're not responding to

707
00:34:58,080 --> 00:35:00,520
Speaker 2: your mind distracting you. What happens is you're your mind's like,

708
00:35:00,520 --> 00:35:01,799
Speaker 2: all right, cool, I'm just going to get something that's

709
00:35:01,800 --> 00:35:03,719
Speaker 2: really going to distract you. So here's this massive thing

710
00:35:03,800 --> 00:35:05,560
Speaker 2: that you screwed up during the year. I want you

711
00:35:05,600 --> 00:35:09,240
Speaker 2: to regret that. Oh wow, he is all this self judgment,

712
00:35:09,280 --> 00:35:10,799
Speaker 2: all this sort of stuff that happens For the first

713
00:35:10,840 --> 00:35:12,600
Speaker 2: couple of days you get a bit of a brain vomit,

714
00:35:13,000 --> 00:35:16,560
Speaker 2: and then after that, yeah, it gets really peaceful because

715
00:35:16,560 --> 00:35:19,760
Speaker 2: you actually get to watch your desires and your fears

716
00:35:20,080 --> 00:35:24,680
Speaker 2: sort of arise and before you react to them, which

717
00:35:24,760 --> 00:35:26,720
Speaker 2: is just very liberating totally.

718
00:35:26,760 --> 00:35:28,359
Speaker 3: I will remind people thirty one or six y five,

719
00:35:28,360 --> 00:35:29,759
Speaker 3: if you find this boring, do give us a call.

720
00:35:30,120 --> 00:35:34,120
Speaker 2: I'm loving it. I I've got one for the question.

721
00:35:34,239 --> 00:35:36,600
Speaker 3: Because these French people that spend forty days in a cave,

722
00:35:36,840 --> 00:35:38,080
Speaker 3: a lot of them wanted to go straight back into

723
00:35:38,120 --> 00:35:38,439
Speaker 3: the cave.

724
00:35:38,800 --> 00:35:40,759
Speaker 2: They were like, I'm not ready for the world, like

725
00:35:40,920 --> 00:35:42,440
Speaker 2: cave life is for me. Baby.

726
00:35:43,280 --> 00:35:46,120
Speaker 3: With you, you obviously haven't gone and lived a life

727
00:35:46,160 --> 00:35:48,279
Speaker 3: of self isolation. You've come back and done this show,

728
00:35:48,280 --> 00:35:52,680
Speaker 3: which is huge for my life, But what changed about

729
00:35:52,719 --> 00:35:54,280
Speaker 3: your life after isolation?

730
00:35:58,320 --> 00:36:01,080
Speaker 2: I think the great thing about it is that you

731
00:36:01,239 --> 00:36:05,160
Speaker 2: can change how long you suffer for. That's the biggest

732
00:36:05,360 --> 00:36:09,480
Speaker 2: that's the biggest kicker. So I think that when you suffer,

733
00:36:09,600 --> 00:36:11,840
Speaker 2: so when you're angry or jealous or sad or whatever,

734
00:36:12,600 --> 00:36:15,160
Speaker 2: often well in every day life because of the way

735
00:36:15,239 --> 00:36:18,759
Speaker 2: that your thoughts perpetuate that emotion, they constantly make you

736
00:36:18,880 --> 00:36:22,360
Speaker 2: keep thinking about it. If you're attached to those thoughts,

737
00:36:22,440 --> 00:36:24,560
Speaker 2: then the anger or the jealousy, or the sadness or

738
00:36:24,560 --> 00:36:28,319
Speaker 2: the grief can last hours, days, sure, But if you're

739
00:36:28,560 --> 00:36:32,279
Speaker 2: aware of your thoughts without reacting to them, then you

740
00:36:32,480 --> 00:36:36,680
Speaker 2: realize that the actual emotion can last like a minute less.

741
00:36:37,080 --> 00:36:40,680
Speaker 2: And so the difference between being angry for hours, We've

742
00:36:40,680 --> 00:36:42,200
Speaker 2: all felt what it's like to be angry for hours,

743
00:36:42,239 --> 00:36:45,680
Speaker 2: for days, versus the difference between angry for a minute

744
00:36:46,160 --> 00:36:49,160
Speaker 2: is enormous, Like it's actually just improving your quality of

745
00:36:49,239 --> 00:36:51,520
Speaker 2: your life rather than being caught up in a really

746
00:36:51,760 --> 00:36:52,800
Speaker 2: self afflicting emotion.

747
00:36:53,080 --> 00:36:54,719
Speaker 3: I find that fascinating. But we are starting to get

748
00:36:54,760 --> 00:36:59,600
Speaker 3: a lot of fun called right, We're going to talk

749
00:36:59,640 --> 00:37:01,239
Speaker 3: about the change the pace again.

750
00:37:02,840 --> 00:37:04,480
Speaker 2: Station shots off.

751
00:37:04,920 --> 00:37:07,520
Speaker 1: It's the Will and Woody podcast talking about the Oscars.

752
00:37:07,600 --> 00:37:13,279
Speaker 2: Guys had a look at the Red carpet. Not worth

753
00:37:13,320 --> 00:37:17,080
Speaker 2: talking about, just a mix of uh splice, remember splices

754
00:37:17,200 --> 00:37:19,200
Speaker 2: the lot of the ice creams. They're still good, but

755
00:37:19,360 --> 00:37:22,800
Speaker 2: people look like splices largely on the red carpet. Fluoro

756
00:37:23,040 --> 00:37:25,600
Speaker 2: was really in big thing this year. I didn't say

757
00:37:25,600 --> 00:37:27,640
Speaker 2: that coms we got had a mango splice that looked

758
00:37:27,640 --> 00:37:31,080
Speaker 2: a lot like what a few of them were wearing. Anyway,

759
00:37:32,160 --> 00:37:36,000
Speaker 2: one actor, can you No pop gol is not really

760
00:37:36,520 --> 00:37:38,200
Speaker 2: really my bag, baby, That's why I'm going to throw

761
00:37:38,200 --> 00:37:41,600
Speaker 2: to them montage of what actually happened, and the oscar

762
00:37:42,280 --> 00:37:46,880
Speaker 2: goes to and the Oscar goes to Judge young Y.

763
00:37:47,400 --> 00:37:52,959
Speaker 7: The Academy Award for Actor goes to Anthony Hopkins the Father.

764
00:37:54,680 --> 00:37:57,440
Speaker 2: There we go so a nova Land won Best Picture.

765
00:37:57,480 --> 00:38:00,760
Speaker 2: Their Best Actress in a leading role was Francis McDormand

766
00:38:00,800 --> 00:38:02,640
Speaker 2: for No Manland. No man Land also my best director

767
00:38:02,680 --> 00:38:04,680
Speaker 2: for Chloe Joo, which I think it was at her debut.

768
00:38:05,400 --> 00:38:08,640
Speaker 2: I don't think it was movie for Chloe Jao. It

769
00:38:08,719 --> 00:38:10,520
Speaker 2: was the first time that two women have been nominated

770
00:38:10,560 --> 00:38:12,440
Speaker 2: for the Best Director category.

771
00:38:12,600 --> 00:38:16,840
Speaker 3: Yes, the debut director was a promising young woman.

772
00:38:16,960 --> 00:38:18,680
Speaker 2: Yes, that's right, which was a cracker of the movie.

773
00:38:18,800 --> 00:38:21,000
Speaker 3: Yes, yes, yes, yes, yes, But I think Chloe Joo

774
00:38:21,480 --> 00:38:25,839
Speaker 3: speaking of first she was the director of No mad Land.

775
00:38:25,920 --> 00:38:29,719
Speaker 3: Yea second woman to win Best Director, Yeah, and first

776
00:38:29,760 --> 00:38:32,040
Speaker 3: woman of color to win the award. Wow, so amazing.

777
00:38:32,080 --> 00:38:33,959
Speaker 2: Ever, that's taken a long time. Great movie.

778
00:38:34,080 --> 00:38:36,359
Speaker 3: Actually, No mad Land, I haven't seen it. It's really

779
00:38:36,440 --> 00:38:37,799
Speaker 3: really good. Was very good.

780
00:38:37,920 --> 00:38:40,680
Speaker 2: All the controversy though, I mean, congratulations to No man Land.

781
00:38:40,719 --> 00:38:43,560
Speaker 2: Absolutely cleaned up. You also said you didn't think it

782
00:38:43,600 --> 00:38:45,400
Speaker 2: was that good just before we started the show. So

783
00:38:45,560 --> 00:38:47,080
Speaker 2: when the mark's run there, I like to sit on

784
00:38:47,120 --> 00:38:51,320
Speaker 2: the fence more, as you know. Now, let's focus on

785
00:38:51,440 --> 00:38:53,240
Speaker 2: the big quickly.

786
00:38:53,320 --> 00:38:55,920
Speaker 3: I thought it was very well directed, Chloe Joe, very deserving.

787
00:38:56,280 --> 00:38:58,680
Speaker 2: I don't think it deserved best film. That's offensive. You

788
00:38:58,800 --> 00:39:00,759
Speaker 2: just gave it a compliment and then backed away again.

789
00:39:04,080 --> 00:39:07,239
Speaker 2: The directing was good, but not should best. There we go,

790
00:39:07,320 --> 00:39:09,359
Speaker 2: see you back on the fence. Now, let's talk about

791
00:39:09,400 --> 00:39:13,200
Speaker 2: the controversy. Because Chadwick Boseman we all know, is a

792
00:39:13,200 --> 00:39:14,800
Speaker 2: guy that played Black Panther. Guys, if you had a

793
00:39:14,840 --> 00:39:18,800
Speaker 2: little bit of context, he died tragically before the Oscars

794
00:39:18,840 --> 00:39:20,239
Speaker 2: this year is gonna be the first person to ever

795
00:39:20,280 --> 00:39:22,719
Speaker 2: receive a posthumous oscar. That looked like they were rigging

796
00:39:22,760 --> 00:39:25,080
Speaker 2: the awards or rigging the ceremony, so the Best Actor

797
00:39:25,120 --> 00:39:28,040
Speaker 2: category went last so that his wife could receive it

798
00:39:28,120 --> 00:39:32,319
Speaker 2: on his behalf, and then Hopkins takes it from him,

799
00:39:33,120 --> 00:39:36,680
Speaker 2: And I mean, there's a bit of our people up

800
00:39:36,719 --> 00:39:39,000
Speaker 2: people going on about that he's swooped. Could have been

801
00:39:39,040 --> 00:39:42,120
Speaker 2: a very special moment for the Academy, very romantic moment

802
00:39:43,320 --> 00:39:45,360
Speaker 2: for the Academy. That I'm saying that you and I

803
00:39:45,560 --> 00:39:48,600
Speaker 2: haven't seen the movie that Chadwick Boseman got nominated for,

804
00:39:48,800 --> 00:39:50,960
Speaker 2: to be fair, but you and I have both seen

805
00:39:51,000 --> 00:39:54,399
Speaker 2: The Father. With Anthony Hopkins, he would have been pretty

806
00:39:54,440 --> 00:39:56,279
Speaker 2: hard to beat. He was extraordinary.

807
00:39:56,560 --> 00:39:58,880
Speaker 3: He is so good in The Father that I went

808
00:39:58,960 --> 00:40:02,120
Speaker 3: to it with friends and the discussion after was does

809
00:40:02,280 --> 00:40:04,840
Speaker 3: Anthony Hopkins actually have yes dementia?

810
00:40:04,920 --> 00:40:06,480
Speaker 2: His performance was so good that it was like, he

811
00:40:06,520 --> 00:40:09,439
Speaker 2: can't be putting that on yes? And can I Also

812
00:40:09,560 --> 00:40:11,160
Speaker 2: the other part about that about the movie. If you

813
00:40:11,200 --> 00:40:12,960
Speaker 2: haven't seen The Father, by the way, if you know

814
00:40:13,000 --> 00:40:15,640
Speaker 2: anyone's ever had Alzheimer's on been around them. My girl,

815
00:40:16,080 --> 00:40:18,279
Speaker 2: both my girlfriend's grandparents had it, and she was just

816
00:40:18,320 --> 00:40:20,239
Speaker 2: in floods of tears afterwards because of how real it

817
00:40:20,440 --> 00:40:23,000
Speaker 2: was and how it's cut from the perspective of someone

818
00:40:23,120 --> 00:40:25,759
Speaker 2: with the disease so you're lost in it. And then

819
00:40:25,880 --> 00:40:28,800
Speaker 2: he just it really is a really special And I

820
00:40:28,800 --> 00:40:30,680
Speaker 2: haven't seen Chadwick Boseman's movie, but it would have been

821
00:40:31,080 --> 00:40:32,680
Speaker 2: hard to beat him in that one, if I'm being

822
00:40:32,719 --> 00:40:34,239
Speaker 2: totally honest, So go and check it out. You haven't

823
00:40:34,239 --> 00:40:37,160
Speaker 2: seen it The Father, find a little bit here, which

824
00:40:37,160 --> 00:40:39,080
Speaker 2: I think is bloody good stuff. Sorry, can I just

825
00:40:39,200 --> 00:40:41,160
Speaker 2: one more comment on that, Anthony hopkinsing, because you and

826
00:40:41,200 --> 00:40:43,359
Speaker 2: I have spoken about this on The Father to place

827
00:40:43,480 --> 00:40:46,200
Speaker 2: on it with Alzheimer's, and my girlfriend said to me afterwards,

828
00:40:46,200 --> 00:40:48,080
Speaker 2: because there's obviously a whole lot of hubbub right now

829
00:40:48,200 --> 00:40:52,400
Speaker 2: about people who are actors playing roles that they are

830
00:40:52,560 --> 00:40:58,960
Speaker 2: not allowed to play. Let's call it that, right, she

831
00:40:59,239 --> 00:41:00,919
Speaker 2: and we don't want to about it here. We're talking

832
00:41:00,920 --> 00:41:04,399
Speaker 2: about people who've got certain conditions, or you know, there's

833
00:41:04,400 --> 00:41:06,600
Speaker 2: a lot of stuff about transgenders, people playing transgend all

834
00:41:06,600 --> 00:41:08,520
Speaker 2: that sort of stuff and really spiking up. And I

835
00:41:08,560 --> 00:41:10,200
Speaker 2: think there are certain times when that's one hundred percent

836
00:41:10,239 --> 00:41:12,160
Speaker 2: the truth. But my girlfriend acually said to me, ge Whiz,

837
00:41:12,200 --> 00:41:14,279
Speaker 2: it was nice to see exactly what you're talking about now,

838
00:41:15,160 --> 00:41:18,319
Speaker 2: an actor playing someone with a serious ailment that he's

839
00:41:18,440 --> 00:41:20,879
Speaker 2: not going to get canned for. Yeah, yeah, very true,

840
00:41:21,760 --> 00:41:23,840
Speaker 2: very true. And that's acting. That's what actors do.

841
00:41:24,080 --> 00:41:25,840
Speaker 3: Like that's and that's what you reward at the end

842
00:41:25,840 --> 00:41:28,920
Speaker 3: of the night. That's why Anthony Best Actor in a

843
00:41:29,040 --> 00:41:29,480
Speaker 3: leading role.

844
00:41:29,560 --> 00:41:29,800
Speaker 4: That's it.

845
00:41:30,400 --> 00:41:31,920
Speaker 2: Final note, he because thing. It's a little bit of fun.

846
00:41:32,120 --> 00:41:37,000
Speaker 2: Harrison Ford absolutely canning Hollywood execs for their editing notes

847
00:41:37,239 --> 00:41:39,879
Speaker 2: he read out there he gave the award for Best

848
00:41:40,040 --> 00:41:43,080
Speaker 2: Edited Film or Best Editing in a Film, and while

849
00:41:43,120 --> 00:41:44,839
Speaker 2: he did that, he read out some of the notes

850
00:41:44,880 --> 00:41:48,399
Speaker 2: that execs had left on his Academy Award winning movie

851
00:41:48,760 --> 00:41:49,359
Speaker 2: Blade Runner.

852
00:41:49,440 --> 00:41:53,960
Speaker 1: Have listened opening to choppy, Why is this voiceover track

853
00:41:54,120 --> 00:41:54,760
Speaker 1: so terrible?

854
00:41:55,040 --> 00:41:57,640
Speaker 7: The movie is deadly dull.

855
00:42:00,120 --> 00:42:06,200
Speaker 1: This movie gets worse every screening. That movie was called

856
00:42:06,239 --> 00:42:09,840
Speaker 1: Blee Grunner. It's the Will and Woody podcast.

857
00:42:09,920 --> 00:42:11,400
Speaker 2: We're about to get out of your make way for

858
00:42:11,520 --> 00:42:13,560
Speaker 2: Colin Jackie O, which is right up next to the

859
00:42:13,600 --> 00:42:16,000
Speaker 2: Hour of Power right now. Though I found out the

860
00:42:16,040 --> 00:42:19,360
Speaker 2: other day that apparently the laughing crying face the emoji

861
00:42:19,560 --> 00:42:23,560
Speaker 2: is the number one sign of an aging person over

862
00:42:23,640 --> 00:42:27,040
Speaker 2: text message, which hurts a little bit given that I

863
00:42:27,160 --> 00:42:31,160
Speaker 2: sling it around a lot. We're getting old. Yeah, yeah,

864
00:42:31,160 --> 00:42:33,439
Speaker 2: it's true. And and and as you said to me before,

865
00:42:33,520 --> 00:42:36,080
Speaker 2: like your dad uses the emojis, my parents use the

866
00:42:36,160 --> 00:42:40,200
Speaker 2: laughing crying face emoji like it's it's dated. It's dated.

867
00:42:40,239 --> 00:42:42,080
Speaker 2: The kids using a new one now, and I do

868
00:42:42,239 --> 00:42:43,759
Speaker 2: know what it is before we get there, obviously, want

869
00:42:43,760 --> 00:42:44,680
Speaker 2: to have a little bit of fun with this and

870
00:42:44,760 --> 00:42:46,480
Speaker 2: just see what you guys think it is. Now, if

871
00:42:46,520 --> 00:42:48,320
Speaker 2: you are a young hip kid and you're you know,

872
00:42:48,680 --> 00:42:53,000
Speaker 2: raffling or whatever the hell you do, ling's pretty old

873
00:42:53,040 --> 00:42:56,279
Speaker 2: as well. There again, show mage there again, don't call

874
00:42:56,360 --> 00:42:57,400
Speaker 2: those is what I was trying to say to the

875
00:42:57,480 --> 00:42:59,640
Speaker 2: hip kids. We're going to go outside to our junior

876
00:42:59,680 --> 00:43:01,239
Speaker 2: producer and alys In is sec who's going to have

877
00:43:01,280 --> 00:43:03,640
Speaker 2: a chance to tell us what it is. I wouldn't

878
00:43:03,640 --> 00:43:04,520
Speaker 2: mind having a few guests as well.

879
00:43:04,520 --> 00:43:07,160
Speaker 3: I was just going through my emotor cons on my phone,

880
00:43:07,239 --> 00:43:10,440
Speaker 3: perfect you if I have a check at the stumps here.

881
00:43:11,440 --> 00:43:12,960
Speaker 3: I don't think I have a choice because sometimes I

882
00:43:13,040 --> 00:43:14,320
Speaker 3: had to hang out with the with the young, and

883
00:43:14,440 --> 00:43:17,000
Speaker 3: stillating a person in law younger than you. She's twenty

884
00:43:17,080 --> 00:43:20,480
Speaker 3: six years old, she's thirty three. Yep, thank you for

885
00:43:20,640 --> 00:43:23,040
Speaker 3: naming my age. I'm going to say how many years

886
00:43:23,239 --> 00:43:23,920
Speaker 3: difference that is?

887
00:43:24,560 --> 00:43:26,480
Speaker 2: Are you in year six when she was prep or

888
00:43:26,520 --> 00:43:28,520
Speaker 2: something that? Don't do that, because that's true. It does

889
00:43:28,600 --> 00:43:30,560
Speaker 2: to me. That's that would be it prep a new

890
00:43:30,680 --> 00:43:31,760
Speaker 2: year seven? Probably?

891
00:43:32,200 --> 00:43:32,439
Speaker 4: Wow?

892
00:43:32,640 --> 00:43:34,080
Speaker 2: Yeah, that's difference, different difference.

893
00:43:34,200 --> 00:43:36,480
Speaker 3: But anyway, So anyway, so I still hang with some

894
00:43:36,640 --> 00:43:39,400
Speaker 3: young people, so I'm probably in a good position here. Yes, Okay,

895
00:43:39,600 --> 00:43:42,320
Speaker 3: do they do the emoticon of a giraffe because that

896
00:43:42,480 --> 00:43:45,279
Speaker 3: rhymes with laugh, having a laugh, having having a draw?

897
00:43:46,280 --> 00:43:48,640
Speaker 2: I do like that though. We should start doing that. Yeah,

898
00:43:48,640 --> 00:43:53,200
Speaker 2: I'm not going to do it. Yeah, so you've got

899
00:43:53,239 --> 00:43:56,000
Speaker 2: a testcase. Lots of people are calling over mid test.

900
00:43:56,040 --> 00:43:58,240
Speaker 2: What do you reckon the kids are using for instead

901
00:43:58,280 --> 00:43:59,040
Speaker 2: of laughing crying?

902
00:44:00,160 --> 00:44:00,239
Speaker 4: Oh?

903
00:44:00,600 --> 00:44:04,080
Speaker 9: I think they might be using the three drops of water?

904
00:44:04,640 --> 00:44:08,320
Speaker 10: Oh yeah, slash like ha ha, I've wet myself.

905
00:44:09,160 --> 00:44:13,720
Speaker 2: Ah, Unfortunately, Jess, I think that the old three drops

906
00:44:13,800 --> 00:44:18,400
Speaker 2: might be used for this usually used with a purple

907
00:44:18,600 --> 00:44:22,000
Speaker 2: vegetable to suggest something else. Girls.

908
00:44:22,360 --> 00:44:25,120
Speaker 3: Yeah, young people like pussy cats. I'm finding that on

909
00:44:25,320 --> 00:44:29,720
Speaker 3: TikTok and whatnot. Pussy cat laughing because there's a pussy

910
00:44:29,760 --> 00:44:32,120
Speaker 3: cat that laughs with the crime. That's just the crying face,

911
00:44:32,280 --> 00:44:35,400
Speaker 3: but it's with a cat instead of that. Okay, what

912
00:44:35,520 --> 00:44:37,960
Speaker 3: about face masks because you're covering your mouth because you're

913
00:44:38,000 --> 00:44:39,920
Speaker 3: laughing so hard. And also the young people are very

914
00:44:40,000 --> 00:44:41,839
Speaker 3: up with, you know, COVID.

915
00:44:42,640 --> 00:44:45,960
Speaker 2: So it's a young Sorry, the young people are up

916
00:44:46,080 --> 00:44:48,239
Speaker 2: with COVID. You just showed your age agetting there, bro,

917
00:44:49,080 --> 00:44:50,960
Speaker 2: I'm going to Emma, Emma, what are the kids using

918
00:44:51,000 --> 00:44:52,360
Speaker 2: instead of laughing crying face?

919
00:44:54,480 --> 00:44:56,879
Speaker 4: I could be very wrong, but I feel like it's

920
00:44:56,920 --> 00:44:59,880
Speaker 4: one with a stream of tears out in space.

921
00:45:00,560 --> 00:45:02,799
Speaker 2: So just the crying just just.

922
00:45:03,160 --> 00:45:05,640
Speaker 4: Like crying one that I use when I'm really upset, just.

923
00:45:05,680 --> 00:45:08,440
Speaker 2: Flat out crying, so not crying cry.

924
00:45:08,719 --> 00:45:10,280
Speaker 4: Mouth is open in a little circle.

925
00:45:10,680 --> 00:45:13,799
Speaker 2: Yeah, I know, it's a tragic makes absolutely no sense.

926
00:45:14,440 --> 00:45:15,040
Speaker 2: It's incorrect.

927
00:45:15,880 --> 00:45:17,720
Speaker 3: But the youngs might have flipped it though, because youngs

928
00:45:17,719 --> 00:45:19,560
Speaker 3: tend to do that, Emma, like you know, They'll say

929
00:45:19,600 --> 00:45:20,360
Speaker 3: something is like.

930
00:45:21,840 --> 00:45:29,680
Speaker 2: Cool, but it's hot. Sorry, So what about getting you run?

931
00:45:29,880 --> 00:45:31,920
Speaker 2: Just just just if I just get you to run

932
00:45:32,000 --> 00:45:34,040
Speaker 2: over that point and get illustrate that point for me again.

933
00:45:34,120 --> 00:45:36,560
Speaker 2: You said the young kids tend to flip things. They

934
00:45:36,640 --> 00:45:39,040
Speaker 2: flip the meaning. So we'll put my cool hot one

935
00:45:39,080 --> 00:45:41,839
Speaker 2: to one side. But they will say something is thick

936
00:45:42,400 --> 00:45:44,520
Speaker 2: and that means it's awesome. Isn't it that they say that?

937
00:45:45,520 --> 00:45:48,800
Speaker 2: You are really sounding right? Now? That's what they do.

938
00:45:51,800 --> 00:45:54,520
Speaker 2: It's I'm going to cross outside to analyst Jenny Produce.

939
00:45:54,600 --> 00:45:55,880
Speaker 2: It's loads of people cling up, but we have to

940
00:45:55,920 --> 00:45:58,120
Speaker 2: make room for Cole and Jackie analyses in and around

941
00:45:58,120 --> 00:45:59,920
Speaker 2: the cool kids. Now, Analyst, you actually got this wrong.

942
00:46:00,239 --> 00:46:01,200
Speaker 2: How old are you, Analyst?

943
00:46:01,920 --> 00:46:02,960
Speaker 11: I'm twenty.

944
00:46:03,000 --> 00:46:05,160
Speaker 2: I have to think about that, jeezs So you should

945
00:46:05,200 --> 00:46:07,320
Speaker 2: have known this, should have known this right, and the

946
00:46:07,640 --> 00:46:08,319
Speaker 2: guys here so.

947
00:46:09,280 --> 00:46:11,640
Speaker 1: You didn't know it though, No, I didn't know.

948
00:46:11,680 --> 00:46:13,880
Speaker 2: I actually thought it was ha ha ha ha.

949
00:46:15,080 --> 00:46:17,880
Speaker 3: Just the word just vintage, vintage, going back to haha.

950
00:46:19,920 --> 00:46:21,399
Speaker 2: But your little brother you found out?

951
00:46:21,760 --> 00:46:21,920
Speaker 11: Is this?

952
00:46:22,520 --> 00:46:22,719
Speaker 8: Yes?

953
00:46:22,920 --> 00:46:25,719
Speaker 5: No, I constantly get sent it and usually I was

954
00:46:25,719 --> 00:46:28,880
Speaker 5: a bit confused, but I have since learnt that it

955
00:46:29,040 --> 00:46:30,000
Speaker 5: is hilarious.

956
00:46:30,360 --> 00:46:31,120
Speaker 2: Yes, what is it?

957
00:46:31,480 --> 00:46:31,840
Speaker 7: What is it?

958
00:46:32,200 --> 00:46:32,839
Speaker 2: What's the sign?

959
00:46:33,480 --> 00:46:37,440
Speaker 1: The big reveal is the coffin God.

960
00:46:37,440 --> 00:46:40,800
Speaker 3: Dead dead dead, That's what I'm talking about. It's the

961
00:46:40,800 --> 00:46:44,000
Speaker 3: opposite thing they do because they're very alive when they're laughing.

962
00:46:44,160 --> 00:46:46,960
Speaker 2: They don't. Don't you try and bring this back? Come

963
00:46:47,040 --> 00:46:49,520
Speaker 2: back to Ruster. What was possibly the worst moment you've

964
00:46:49,520 --> 00:46:52,160
Speaker 2: had on radio in ten years? How do you try

965
00:46:52,239 --> 00:46:58,080
Speaker 2: and validate that? Schmart? Moving on, guys, be announcement from

966
00:46:58,160 --> 00:47:01,400
Speaker 2: us here, Yes, the coffin. Thanks Analisa seemed yourself. We

967
00:47:01,560 --> 00:47:06,920
Speaker 2: are hitting the road though, guys with dairy farmers products. Right,

968
00:47:07,000 --> 00:47:08,239
Speaker 2: So what we're gonna be doing is we're gonna be

969
00:47:08,280 --> 00:47:11,160
Speaker 2: finding people in your communities if you reckon, they're deserving

970
00:47:11,320 --> 00:47:13,319
Speaker 2: of a bit of a pick me up. You've got

971
00:47:13,400 --> 00:47:16,400
Speaker 2: someone who's genuinely doing good things in your community. They

972
00:47:16,440 --> 00:47:18,880
Speaker 2: could win a thousand dollars cash plus one thousand dollars

973
00:47:19,280 --> 00:47:22,400
Speaker 2: for their nominated charity. Awesome, Yeah, awesome. Head on Wilmoody

974
00:47:22,400 --> 00:47:24,040
Speaker 2: dot com if you'd like to nominate someone in your

975
00:47:24,120 --> 00:47:27,920
Speaker 2: community for that award. Good feelings all around, dairy Farmer's

976
00:47:28,000 --> 00:47:30,200
Speaker 2: here's to good. That's kicking off really shortly actually, so

977
00:47:30,239 --> 00:47:32,040
Speaker 2: get involved with themooy dot com if you think someone's

978
00:47:32,239 --> 00:47:33,800
Speaker 2: deserving of a bit of cash and they've been a

979
00:47:33,840 --> 00:47:35,120
Speaker 2: really good thing in your community.

980
00:47:35,360 --> 00:47:38,440
Speaker 1: See what you're hearing. Find us on Instagram and Facebook

981
00:47:38,640 --> 00:47:39,640
Speaker 1: search Will and Woody