1 00:00:10,204 --> 00:00:13,484 Speaker 1: My Heart podcasts, hear more Gold one on one point 2 00:00:13,524 --> 00:00:15,204 Speaker 1: seven podcasts. 3 00:00:14,604 --> 00:00:19,483 Speaker 2: Playlists, and listen live on the free iHeart app on. 4 00:00:19,484 --> 00:00:44,763 Speaker 3: Seas Flow. 5 00:00:46,284 --> 00:00:49,124 Speaker 4: On the cutting room floor today, it's all about smells. 6 00:00:49,244 --> 00:00:51,604 Speaker 1: Smells. We actually when I went to the logis last night, 7 00:00:52,404 --> 00:00:54,804 Speaker 1: you get dressed like at lunchtime, so you have to 8 00:00:54,884 --> 00:00:58,484 Speaker 1: I needed some deodorant. Obviously, my deodorant had run out, 9 00:00:58,644 --> 00:01:00,404 Speaker 1: and the only one I could find was one of 10 00:01:00,444 --> 00:01:03,924 Speaker 1: my son's old links. Oh dear, I was chased by 11 00:01:04,244 --> 00:01:07,524 Speaker 1: middle aged women all night. Best not I've had in ages. 12 00:01:08,324 --> 00:01:10,204 Speaker 4: At least that away from the other smells. 13 00:01:12,484 --> 00:01:14,844 Speaker 1: If that supposed to be that all the. 14 00:01:14,884 --> 00:01:20,884 Speaker 4: Cans, that's just your four of your car. Sure are 15 00:01:20,884 --> 00:01:22,564 Speaker 4: you going to work at Fox Sports now? 16 00:01:25,404 --> 00:01:27,244 Speaker 1: So let's talk about smells. I've got a couple of 17 00:01:27,244 --> 00:01:31,004 Speaker 1: stories this morning that are about smells, body chemicals and 18 00:01:31,044 --> 00:01:32,764 Speaker 1: the effect they have on us when we're not even 19 00:01:32,804 --> 00:01:36,204 Speaker 1: aware of it. This first one, the headline was Women's armpit. 20 00:01:36,324 --> 00:01:38,644 Speaker 1: Bo can be relaxing for men. So maybe I shouldn't 21 00:01:38,644 --> 00:01:40,284 Speaker 1: have bothered with Deodora last night. All the men in 22 00:01:40,324 --> 00:01:41,404 Speaker 1: the room would have been so relaxed. 23 00:01:41,404 --> 00:01:42,283 Speaker 4: That would have been relaxed. 24 00:01:42,444 --> 00:01:44,884 Speaker 1: Research apparently has shown that women's they've known this for 25 00:01:44,884 --> 00:01:48,564 Speaker 1: a while, that women's body odor changes throughout your menstrual cycle, 26 00:01:48,964 --> 00:01:53,084 Speaker 1: but men find it more appealing around ovulation. That's obvious 27 00:01:53,644 --> 00:01:56,684 Speaker 1: as to why, you know, while you're appealing when you're ovulating, 28 00:01:56,804 --> 00:02:02,084 Speaker 1: therefore more chances of reproduction. But the chemical cocktail responsible 29 00:02:02,244 --> 00:02:06,164 Speaker 1: for turning sweat into this subtle signal remains a mystery 30 00:02:06,644 --> 00:02:11,883 Speaker 1: until now. High tech chemical analysis has allowed researchers at 31 00:02:11,884 --> 00:02:15,644 Speaker 1: the University of Tokyo to pinpoint three body odor compounds 32 00:02:15,644 --> 00:02:19,444 Speaker 1: that fluctuate throughout the menstrual cycle and spike during ovulation. 33 00:02:20,404 --> 00:02:23,684 Speaker 1: So those compounds were added to umpit. Sweat samples taken 34 00:02:23,684 --> 00:02:27,644 Speaker 1: from women and men constantly rated that centers more pleasing 35 00:02:28,844 --> 00:02:31,803 Speaker 1: and match the faces as more attractive therefore and more 36 00:02:31,884 --> 00:02:37,644 Speaker 1: feminine when they could smell that particular scent. So when 37 00:02:37,644 --> 00:02:40,004 Speaker 1: you get a whiff of those compounds, it relaxes the 38 00:02:40,004 --> 00:02:44,644 Speaker 1: male participants reduce their levels of stress compared to the 39 00:02:44,644 --> 00:02:48,604 Speaker 1: control group. Okay, what about story number two. It's not 40 00:02:48,644 --> 00:02:49,444 Speaker 1: about number two. 41 00:02:49,524 --> 00:02:50,204 Speaker 4: Don't smell that. 42 00:02:50,644 --> 00:02:52,763 Speaker 1: So I saw this the other day. A woman was 43 00:02:52,803 --> 00:02:55,323 Speaker 1: talking about a scientific study where there were two groups 44 00:02:55,724 --> 00:02:59,644 Speaker 1: who were asked to produce sweat. One group sweated on 45 00:02:59,684 --> 00:03:03,084 Speaker 1: a treadmill. They ran on a treadmill and produced sweat. 46 00:03:03,524 --> 00:03:05,764 Speaker 1: Another group and which group would you prefer to be 47 00:03:05,803 --> 00:03:13,163 Speaker 1: in when skydiving? Both activity produced sweat. So they took 48 00:03:13,204 --> 00:03:18,083 Speaker 1: the sweat from both groups exercise sweat, skydiving sweat, and 49 00:03:18,363 --> 00:03:22,804 Speaker 1: gave those samples, fed those through you know, not fed them, 50 00:03:22,844 --> 00:03:25,244 Speaker 1: but you know what I mean, passed them on to 51 00:03:25,444 --> 00:03:28,963 Speaker 1: people who went into an fMRI machine. So this is 52 00:03:29,004 --> 00:03:30,764 Speaker 1: a third group who went into it. They didn't know 53 00:03:30,764 --> 00:03:34,203 Speaker 1: what they were smelling, and it scans their brain. That's 54 00:03:34,244 --> 00:03:37,924 Speaker 1: what that machine does. What happened was when they were 55 00:03:37,924 --> 00:03:40,644 Speaker 1: given the smells of the sweat from the people who'd 56 00:03:40,644 --> 00:03:44,164 Speaker 1: been on the treadmill, their brains didn't change. When they 57 00:03:44,204 --> 00:03:47,644 Speaker 1: got a whiff of the set of the sweat from 58 00:03:47,684 --> 00:03:52,244 Speaker 1: the skydivers, that sweat was a fear sweat and it 59 00:03:52,324 --> 00:03:56,204 Speaker 1: led to activity in their magdala did he say it? 60 00:03:56,884 --> 00:04:00,484 Speaker 1: Magdella the part of the brain that is triggered by fear. 61 00:04:01,764 --> 00:04:04,803 Speaker 1: So what this means is that when they smelt fear, 62 00:04:04,844 --> 00:04:08,444 Speaker 1: they weren't aware of why it generated their own fear. So, 63 00:04:08,484 --> 00:04:11,964 Speaker 1: as they say, here you can smell the chemicals of fear, 64 00:04:12,324 --> 00:04:15,564 Speaker 1: and you can catch fear. And the follow up to 65 00:04:15,604 --> 00:04:18,524 Speaker 1: this or not this, what this means is you should 66 00:04:18,524 --> 00:04:22,764 Speaker 1: always trust your gut. That's what this study was saying, 67 00:04:23,404 --> 00:04:26,484 Speaker 1: is that you have an intuition that you're not even 68 00:04:26,524 --> 00:04:29,484 Speaker 1: aware of because you're picking up subtle smells, so as 69 00:04:29,484 --> 00:04:34,524 Speaker 1: well as facial expressions, body language, all of that. We're 70 00:04:34,524 --> 00:04:38,164 Speaker 1: getting these chemicals that are telling us a story and 71 00:04:38,164 --> 00:04:40,924 Speaker 1: our bodies are responding to it. So pay attention. 72 00:04:41,364 --> 00:04:44,724 Speaker 4: Yeah, well, all those olfactory senses. 73 00:04:45,364 --> 00:04:48,084 Speaker 2: Michael Hutchins, for example, when that taxi driver punched him 74 00:04:48,084 --> 00:04:50,204 Speaker 2: in the head and he cooked his head on the 75 00:04:50,244 --> 00:04:53,644 Speaker 2: pavement from the assault, he lost his sense of smell 76 00:04:53,684 --> 00:04:54,044 Speaker 2: and taste. 77 00:04:54,084 --> 00:04:56,124 Speaker 1: So he had meningitis and lost his sense. 78 00:04:56,564 --> 00:04:58,924 Speaker 2: He lost his sense of smell and taste, and that 79 00:04:59,084 --> 00:05:02,364 Speaker 2: changed his personality because that was you know, he's a 80 00:05:02,404 --> 00:05:03,884 Speaker 2: creative person a huge. 81 00:05:03,724 --> 00:05:06,404 Speaker 1: Way that we interact with the world in ways we're 82 00:05:06,644 --> 00:05:08,564 Speaker 1: not even aware of. So he lost two senses. 83 00:05:09,684 --> 00:05:13,644 Speaker 2: Yeah, and he did say did he miss tasting women? 84 00:05:14,044 --> 00:05:16,444 Speaker 4: Which I always thought he actually said that that's not me. 85 00:05:16,964 --> 00:05:20,284 Speaker 2: But you know, poor old Hatch, he like, I'm not 86 00:05:20,324 --> 00:05:23,604 Speaker 2: saying that that's why he took his own life. But 87 00:05:23,644 --> 00:05:26,284 Speaker 2: I feel that he was he was pushing the boundaries 88 00:05:26,364 --> 00:05:28,924 Speaker 2: because he was trying to look for what he'd missed 89 00:05:28,924 --> 00:05:29,243 Speaker 2: out on. 90 00:05:29,644 --> 00:05:33,564 Speaker 1: Have they said I thought it was death by accidental misadventure. 91 00:05:33,804 --> 00:05:35,844 Speaker 2: I think that's always, you know, because that's a thing. 92 00:05:36,244 --> 00:05:39,084 Speaker 2: Erotic asphyxiation is a thing. People get into that. 93 00:05:39,124 --> 00:05:42,444 Speaker 1: Yes, and wanting to push boundaries. If only he could 94 00:05:42,444 --> 00:05:46,364 Speaker 1: have smelt someone's biot with us today, if only he 95 00:05:46,404 --> 00:05:48,724 Speaker 1: would have relaxed, ovulation. 96 00:05:48,364 --> 00:05:53,564 Speaker 4: Relaxed, if you had the lynx Africa, it. 97 00:05:53,564 --> 00:05:54,644 Speaker 1: All goes back to that. 98 00:05:54,844 --> 00:05:57,363 Speaker 4: It might have might have helped. But instead you've just 99 00:05:57,404 --> 00:05:58,644 Speaker 4: got the floor well of your car. 100 00:06:01,444 --> 00:06:02,444 Speaker 1: Everybody, it's. 101 00:06:06,964 --> 00:06:09,284 Speaker 4: On the cutting room floor today. What have we got, Amanda? 102 00:06:09,404 --> 00:06:10,604 Speaker 1: Do you go to Ikea much? 103 00:06:10,844 --> 00:06:12,164 Speaker 4: I haven't been for some time. 104 00:06:12,364 --> 00:06:14,924 Speaker 2: One time my daughter and I went there just for 105 00:06:15,004 --> 00:06:17,524 Speaker 2: the meatballs alone. We'll looking for something to eat and 106 00:06:17,524 --> 00:06:20,124 Speaker 2: we're driving past an Ikea in Rome said let's get 107 00:06:20,124 --> 00:06:21,244 Speaker 2: some meatballs from Ikea. 108 00:06:21,564 --> 00:06:23,924 Speaker 4: Yeah, and then we went throughout the whole shop. 109 00:06:24,084 --> 00:06:27,364 Speaker 1: That's the thing. You can't just walk into the meatball, Partner. 110 00:06:27,124 --> 00:06:29,404 Speaker 4: When you can walk right into the meatball. 111 00:06:29,284 --> 00:06:31,164 Speaker 1: We'll ask for Alan key to serve you. 112 00:06:31,324 --> 00:06:33,684 Speaker 2: So we went through and we bought some cushions and 113 00:06:33,844 --> 00:06:38,484 Speaker 2: a few flag We didn't eat them, but those meatballs, 114 00:06:38,484 --> 00:06:40,363 Speaker 2: good lord, they are so good. 115 00:06:40,724 --> 00:06:42,844 Speaker 1: The reason I asked is that I've been looking at this. 116 00:06:44,564 --> 00:06:49,404 Speaker 1: They've printed here a commentary really on five ways that 117 00:06:49,484 --> 00:06:52,884 Speaker 1: IKEA kind of hack psychology. I love this turn browsers 118 00:06:52,924 --> 00:06:55,044 Speaker 1: into buyers again and again. So say you want to 119 00:06:55,044 --> 00:06:57,924 Speaker 1: go and just for the meatballs. Here's why you get 120 00:06:57,964 --> 00:06:58,404 Speaker 1: sucked in. 121 00:06:58,844 --> 00:07:02,284 Speaker 2: Well, and I realized this after i'd been there. You 122 00:07:02,324 --> 00:07:05,204 Speaker 2: can get into the back way into our IKEA, but 123 00:07:05,244 --> 00:07:07,204 Speaker 2: it's just not really predominant. 124 00:07:07,564 --> 00:07:09,964 Speaker 1: He like to weave you through, don't. 125 00:07:10,204 --> 00:07:11,844 Speaker 2: You've got to go through. That's part of the experience. 126 00:07:11,844 --> 00:07:13,604 Speaker 2: They send you on this meandering path. 127 00:07:13,684 --> 00:07:19,404 Speaker 1: That's right. So they call this the endowment effect. IKEA 128 00:07:19,484 --> 00:07:22,524 Speaker 1: lets you touch everything. You can sit on chairs, you 129 00:07:22,564 --> 00:07:25,644 Speaker 1: can open drawers, you can move a fake lamp a 130 00:07:25,644 --> 00:07:27,604 Speaker 1: couple of inches to the left or the right. And 131 00:07:27,644 --> 00:07:30,364 Speaker 1: this is because they say here, when you interact with it, 132 00:07:30,444 --> 00:07:33,444 Speaker 1: you start to feel like you own it. We're wired 133 00:07:33,524 --> 00:07:35,604 Speaker 1: to not let go of what we feel is ours. 134 00:07:35,724 --> 00:07:37,404 Speaker 4: Yeah, okay, yeah, I get that. 135 00:07:37,884 --> 00:07:42,124 Speaker 1: So when you see say an Ikea bathroom. There's a toilet, 136 00:07:43,084 --> 00:07:44,724 Speaker 1: you interact with it. 137 00:07:45,084 --> 00:07:46,724 Speaker 4: Excuse me, that's not plumbed in, sir. 138 00:07:48,284 --> 00:07:51,164 Speaker 1: What about this one choice bracketing? So there'll be three 139 00:07:51,564 --> 00:07:56,804 Speaker 1: three sofa colors, five lamps. Not overwhelming, but just enough. 140 00:07:57,204 --> 00:08:03,084 Speaker 1: IKEA's limited variety model reduces cognitive load, so you think 141 00:08:03,124 --> 00:08:05,924 Speaker 1: you're choosing freely, but they're controlling your options. If there 142 00:08:05,964 --> 00:08:08,324 Speaker 1: was a whole lot of stuff, you'd feel overwhelmed. Choices 143 00:08:08,364 --> 00:08:11,444 Speaker 1: are harder this and if there's only one thing that's different, 144 00:08:11,644 --> 00:08:14,244 Speaker 1: there's a few little options that make you feel like 145 00:08:14,244 --> 00:08:19,524 Speaker 1: you're in control, but there's few enough that you're not overwhelmed. 146 00:08:19,684 --> 00:08:22,644 Speaker 4: Yeah. I see that when you go to restaurants and 147 00:08:22,644 --> 00:08:23,564 Speaker 4: they have too much stuff on the. 148 00:08:23,524 --> 00:08:27,324 Speaker 1: Home menus that have ninety thousand things on, like some 149 00:08:27,364 --> 00:08:30,724 Speaker 1: old Italian restaurant that'll have six pages of menu, I think, 150 00:08:30,764 --> 00:08:33,444 Speaker 1: how can they possibly have all these fresh ingredients that 151 00:08:33,444 --> 00:08:34,203 Speaker 1: they bought at the market. 152 00:08:34,604 --> 00:08:37,164 Speaker 4: It's just passed to Giuseppe, whip it up and make. 153 00:08:37,044 --> 00:08:39,843 Speaker 1: It gee, and you get spit in yours on bed. 154 00:08:40,804 --> 00:08:44,564 Speaker 2: No Giuseppe is my local Italian restaurant, is he? Yeah, 155 00:08:44,644 --> 00:08:46,684 Speaker 2: it's got too many items on these thing though. 156 00:08:46,924 --> 00:08:51,284 Speaker 1: What about price lulling? What's that that dollar forty nine 157 00:08:51,404 --> 00:08:55,124 Speaker 1: lint roller that's not there to make money. Apparently it's 158 00:08:55,164 --> 00:08:59,884 Speaker 1: there to relax your spending resistance. So small winds up 159 00:08:59,924 --> 00:09:03,484 Speaker 1: front make you more open to big ticket items later. 160 00:09:04,004 --> 00:09:07,964 Speaker 1: So cheap first expensive later. So do you ever feel 161 00:09:07,964 --> 00:09:10,203 Speaker 1: like that, it's like breaking the seal. Yeah, if you're 162 00:09:10,244 --> 00:09:12,564 Speaker 1: out shopping like my girlfriends and I, or if I'm 163 00:09:12,564 --> 00:09:15,083 Speaker 1: overseas and I want for buying something, you think, God, 164 00:09:15,124 --> 00:09:16,964 Speaker 1: I've gone all day and through all these shops. 165 00:09:17,084 --> 00:09:17,804 Speaker 4: I've got to buy something. 166 00:09:17,844 --> 00:09:19,484 Speaker 1: I've got to buy something. So if you buy something 167 00:09:19,524 --> 00:09:22,284 Speaker 1: small breaks the seal, I can keep going. 168 00:09:22,324 --> 00:09:23,924 Speaker 4: My son did that to me. 169 00:09:24,364 --> 00:09:27,444 Speaker 2: I was he worked at Reese Wreese Plumbing Supplies, and 170 00:09:27,484 --> 00:09:30,004 Speaker 2: I went in just to get some silicon, some bathroom silicon, 171 00:09:30,004 --> 00:09:32,004 Speaker 2: a tube of it. I was going past Morges's shop 172 00:09:32,324 --> 00:09:33,644 Speaker 2: and I went in there. I said, I'll get some 173 00:09:33,684 --> 00:09:36,804 Speaker 2: silicon six dollar purchase. But as soon as I bought 174 00:09:36,804 --> 00:09:39,924 Speaker 2: that six dollar purchase, you suddenly look around the shop 175 00:09:39,964 --> 00:09:40,364 Speaker 2: a little bit. 176 00:09:40,404 --> 00:09:43,124 Speaker 4: I'm chatting to my son, and then there was this. 177 00:09:43,124 --> 00:09:45,844 Speaker 2: Saltwater chlorinador there, and I said, oh, man, look at 178 00:09:45,844 --> 00:09:48,044 Speaker 2: the they've come a long way, and he said, yeah, 179 00:09:48,204 --> 00:09:49,884 Speaker 2: well they got Well that's on special. It's on sale 180 00:09:49,964 --> 00:09:52,564 Speaker 2: right now, and I said, and I said, well, what's 181 00:09:52,604 --> 00:09:54,324 Speaker 2: it usually working? He said, well, you usually it's sixteen 182 00:09:54,444 --> 00:09:56,284 Speaker 2: hundred dollars and I went, wow, So what's it now? 183 00:09:56,284 --> 00:09:57,684 Speaker 2: And he said eight hundred and I. 184 00:09:57,604 --> 00:09:59,044 Speaker 1: Said wow, did you buy it? 185 00:09:59,204 --> 00:10:02,484 Speaker 2: Next minute, I've bought it well similarly, and then I said, 186 00:10:02,644 --> 00:10:04,284 Speaker 2: my son got me a discoun and the bus said no, 187 00:10:04,324 --> 00:10:05,884 Speaker 2: not really, that's just what it's getting sold for. 188 00:10:06,524 --> 00:10:07,164 Speaker 4: Got your beauty. 189 00:10:07,724 --> 00:10:12,204 Speaker 1: The I went into a friend's florist and she's sent 190 00:10:12,364 --> 00:10:15,964 Speaker 1: bits and pieces, flowers, coffee, ob je dar But I 191 00:10:16,004 --> 00:10:18,164 Speaker 1: went in and bought some flowers and a coffee, not 192 00:10:18,244 --> 00:10:20,724 Speaker 1: expensive purchases at all. But my other friend is with 193 00:10:20,804 --> 00:10:22,724 Speaker 1: me said I'm surprised you're not buying that, and I said, 194 00:10:22,724 --> 00:10:24,644 Speaker 1: what do you mean? I looked up on the wall. 195 00:10:24,924 --> 00:10:28,124 Speaker 1: It's a giant fiberglass rhino head with a light in 196 00:10:28,164 --> 00:10:32,844 Speaker 1: its horn. And guess what you bought it? I bought it. 197 00:10:33,324 --> 00:10:35,844 Speaker 1: I've had it for years. But I bought that in 198 00:10:35,884 --> 00:10:38,324 Speaker 1: a coffee florist's shop. What are the chances? 199 00:10:38,404 --> 00:10:39,243 Speaker 4: Is it expensive? 200 00:10:39,444 --> 00:10:44,924 Speaker 1: Yes? All right? How about this time based control. There's 201 00:10:44,964 --> 00:10:47,964 Speaker 1: a reason that it feels like a journey through Ikia. 202 00:10:48,364 --> 00:10:52,884 Speaker 1: Ikia's long path slows you down, but the cafeteria break 203 00:10:53,004 --> 00:10:57,884 Speaker 1: speeds you up. It's intentional pacing, so they control how 204 00:10:57,964 --> 00:10:59,684 Speaker 1: fast you do it when you need a sugar hit, 205 00:10:59,764 --> 00:11:04,364 Speaker 1: when you exhausted. They manage your tempo to manage your decisions. 206 00:11:04,524 --> 00:11:11,083 Speaker 1: Brillant and finally, assembly as investment. Flat pack furniture isn't 207 00:11:11,124 --> 00:11:15,764 Speaker 1: just efficient, is it. It's sticky, meaning the more effort 208 00:11:15,844 --> 00:11:18,444 Speaker 1: you put into building it, the more you value the 209 00:11:18,524 --> 00:11:22,924 Speaker 1: end product. It says, effort equals ownership equals satisfaction. Even 210 00:11:22,924 --> 00:11:26,724 Speaker 1: if the shelf leans, so you feel connected to it 211 00:11:26,924 --> 00:11:28,964 Speaker 1: in a way you may not from another piece of furniture, 212 00:11:29,004 --> 00:11:30,444 Speaker 1: which means you might be a return customer. 213 00:11:30,444 --> 00:11:32,644 Speaker 2: I'm guessing I remember that when I put my leaning 214 00:11:32,724 --> 00:11:34,924 Speaker 2: shelf out on the junk path for council cleanup. 215 00:11:35,044 --> 00:11:37,723 Speaker 1: I like to get a flat pack, take it out 216 00:11:37,724 --> 00:11:41,164 Speaker 1: of the bit of my car and put it straightish 217 00:11:41,764 --> 00:11:43,124 Speaker 1: I bother building it. 218 00:11:43,324 --> 00:11:46,284 Speaker 5: Hey, hey, everybody, here's some more Jelsey and a man's 219 00:11:46,324 --> 00:11:50,564 Speaker 5: curtain room for Hey. Hey, hey, get ready, everybody, here's 220 00:11:50,564 --> 00:11:55,004 Speaker 5: some more Josy and a man's curtain room for Hey, Hey, hey. 221 00:11:55,884 --> 00:11:59,524 Speaker 2: Are you ready for on the cutting room floor today? 222 00:11:59,804 --> 00:12:02,044 Speaker 2: I like talking about postpartum. 223 00:12:02,724 --> 00:12:05,844 Speaker 1: Do you brandan post part Do you love anything that's Latin? 224 00:12:06,044 --> 00:12:06,244 Speaker 3: Yeap? 225 00:12:06,684 --> 00:12:10,843 Speaker 1: Postpartum means you know past baby? Is that past birth? 226 00:12:10,964 --> 00:12:11,764 Speaker 4: Have you had the baby? 227 00:12:11,764 --> 00:12:13,124 Speaker 1: What does partum actually mean? 228 00:12:14,284 --> 00:12:16,324 Speaker 2: My Latin isn't great, but it means have you had 229 00:12:16,364 --> 00:12:17,363 Speaker 2: the baby? 230 00:12:17,444 --> 00:12:18,484 Speaker 4: After something's happened? 231 00:12:18,484 --> 00:12:22,564 Speaker 1: All right? This woman says, here mom's moms, tell me 232 00:12:22,604 --> 00:12:26,444 Speaker 1: the most unhinged thing you did freshly postpartum. Not like 233 00:12:26,524 --> 00:12:28,644 Speaker 1: I cried a lot a I only WoT pajamas. I'm 234 00:12:28,644 --> 00:12:31,964 Speaker 1: talking unhinged and the results are great. Did Helen become unhinged? 235 00:12:32,724 --> 00:12:33,324 Speaker 4: Not on hings. 236 00:12:33,324 --> 00:12:36,644 Speaker 2: She got very emotional though. After our first child was born. 237 00:12:36,684 --> 00:12:38,804 Speaker 2: I remember coming home and she's just crying. I said, 238 00:12:38,804 --> 00:12:41,444 Speaker 2: what's the matter. And one of the mum's mums group 239 00:12:41,684 --> 00:12:45,804 Speaker 2: had bib embrace overalls, denim BIBB embrace overalls and she 240 00:12:45,844 --> 00:12:49,604 Speaker 2: said yes. I said yes, And she said I don't 241 00:12:49,644 --> 00:12:51,884 Speaker 2: have BIBB embrace overalls. I said, well, we can get 242 00:12:51,924 --> 00:12:54,204 Speaker 2: you bibb and brace overalls if you want to wear them. 243 00:12:54,884 --> 00:12:57,764 Speaker 4: You don't have to cry about it. You don't understand. 244 00:12:59,444 --> 00:13:01,764 Speaker 2: If I could get to the shop that sells bib 245 00:13:01,804 --> 00:13:04,684 Speaker 2: embrace overalls, I would get them. But it is ten 246 00:13:04,684 --> 00:13:07,004 Speaker 2: o'clock at night and we're in a small country town. 247 00:13:08,244 --> 00:13:09,924 Speaker 1: Well, this is a kind of thing that happens. And 248 00:13:09,924 --> 00:13:13,124 Speaker 1: these responses to this were terrific. I went outside at 249 00:13:13,164 --> 00:13:14,884 Speaker 1: three am and a bathrobe to hit a bush with 250 00:13:14,924 --> 00:13:17,364 Speaker 1: a stick because of a frog kept croaking outside my 251 00:13:17,404 --> 00:13:20,444 Speaker 1: window and I wanted to sleep. I dreamt I had twins, 252 00:13:20,444 --> 00:13:22,524 Speaker 1: said someone. I woke up in a panic because I 253 00:13:22,564 --> 00:13:25,084 Speaker 1: couldn't find the other baby. I was looking for fifteen 254 00:13:25,124 --> 00:13:27,604 Speaker 1: minutes before I realized only had wine. 255 00:13:28,444 --> 00:13:29,684 Speaker 4: Did you ever get any of this? 256 00:13:29,964 --> 00:13:33,204 Speaker 1: I'm sure I did. I'm sure I did. I had 257 00:13:33,524 --> 00:13:37,004 Speaker 1: the kind of paranoia where I had a breathing mat 258 00:13:37,204 --> 00:13:41,284 Speaker 1: in the cot, so if Liam kind of wasn't breathing, 259 00:13:41,284 --> 00:13:44,203 Speaker 1: it would set off an alarm. I had a temperature gauge, 260 00:13:44,524 --> 00:13:47,484 Speaker 1: I had all that frew through stuff, so I didn't 261 00:13:47,484 --> 00:13:49,324 Speaker 1: have to rush in every five minutes to see to 262 00:13:49,364 --> 00:13:51,044 Speaker 1: put a mirror under his nose to see his breathing. 263 00:13:51,084 --> 00:13:52,444 Speaker 1: Because I know I would have been that kind of. 264 00:13:52,444 --> 00:13:54,364 Speaker 4: How one used to worry about that with our eldest 265 00:13:54,364 --> 00:13:56,884 Speaker 4: all the time. Is he alive? Is your life? Check going? 266 00:13:56,964 --> 00:13:57,124 Speaker 5: Jack? 267 00:13:57,164 --> 00:14:00,404 Speaker 1: Well, we've got great footage of dressing Liam to take 268 00:14:00,444 --> 00:14:03,524 Speaker 1: him home from the hospital. And he was asleep, and 269 00:14:03,604 --> 00:14:06,204 Speaker 1: we put eighteen layers of clothes on him, and he 270 00:14:06,284 --> 00:14:09,724 Speaker 1: was so tiny. The gloves fell off, the hat fell off, 271 00:14:09,964 --> 00:14:14,644 Speaker 1: his hands kept going inside the clothes, and I kept persevering, 272 00:14:14,844 --> 00:14:16,804 Speaker 1: and I thought, how many layers do I dressing him? 273 00:14:17,044 --> 00:14:20,124 Speaker 1: Who cares? Jack comes along and virtually stick a hose 274 00:14:20,124 --> 00:14:21,484 Speaker 1: on him in the backyard, and you're done. 275 00:14:21,524 --> 00:14:22,164 Speaker 4: You're on your own. 276 00:14:22,244 --> 00:14:24,804 Speaker 2: I like this one here, a lady wrote she made 277 00:14:24,844 --> 00:14:27,604 Speaker 2: her husband stand in the bathroom holding the baby while 278 00:14:27,684 --> 00:14:31,364 Speaker 2: she showered so she could see the baby at all times. 279 00:14:32,444 --> 00:14:34,404 Speaker 2: The woman in your life doesn't trust you with the baby. 280 00:14:34,564 --> 00:14:37,284 Speaker 2: It's like you've got the baby and I go, will. 281 00:14:37,164 --> 00:14:38,844 Speaker 4: You be all right with them? Yeah, of course I'll 282 00:14:38,884 --> 00:14:40,684 Speaker 4: be all right with it. And then they think you're 283 00:14:40,684 --> 00:14:42,564 Speaker 4: going to sell it or do something with it. 284 00:14:42,684 --> 00:14:45,364 Speaker 1: Yes, And that's where bad habits begin, because you need 285 00:14:45,404 --> 00:14:47,444 Speaker 1: to let your husband know you trust him or else 286 00:14:47,484 --> 00:14:49,404 Speaker 1: it's a slave to you. It's a rod to your 287 00:14:49,404 --> 00:14:51,564 Speaker 1: own back, this woman said. I kept saying, I was 288 00:14:51,604 --> 00:14:54,004 Speaker 1: taking my son to the vet instead of the pediatrician. 289 00:14:54,524 --> 00:14:56,604 Speaker 1: This was one I dialed nine on one in a panic. 290 00:14:56,884 --> 00:14:59,164 Speaker 1: I saw on the monitor that someone was standing over 291 00:14:59,204 --> 00:15:01,564 Speaker 1: my baby's crib in the middle of the night. It 292 00:15:01,684 --> 00:15:03,524 Speaker 1: was me. I was standing there. 293 00:15:03,564 --> 00:15:04,444 Speaker 4: So she's looked at that. 294 00:15:04,884 --> 00:15:09,004 Speaker 2: Yeah, because I've got a grandson now and my kids. 295 00:15:09,844 --> 00:15:11,684 Speaker 4: My son, he talks to me like I've never had 296 00:15:11,684 --> 00:15:12,564 Speaker 4: a baby in my life. 297 00:15:12,604 --> 00:15:13,284 Speaker 1: But that's the nature. 298 00:15:13,724 --> 00:15:16,044 Speaker 4: You're holding him too tight, Dad is too tight. 299 00:15:16,244 --> 00:15:18,484 Speaker 2: And then they've got this monitor that you could they 300 00:15:18,484 --> 00:15:20,484 Speaker 2: can look at the kid anywhere, and you just see 301 00:15:20,484 --> 00:15:23,124 Speaker 2: this little baby just in the bed with little little 302 00:15:23,444 --> 00:15:26,684 Speaker 2: glowing eyes. Because it's night vision camera, it looks like 303 00:15:26,684 --> 00:15:29,364 Speaker 2: with a sasquatch videos, you know, with a film. 304 00:15:29,804 --> 00:15:31,644 Speaker 4: Yeah, that's a sasquatch over there. 305 00:15:32,324 --> 00:15:36,524 Speaker 1: Because I think every generation has new ways of doing things, 306 00:15:36,924 --> 00:15:39,804 Speaker 1: or they believe they do. And as the older person brandan, 307 00:15:39,884 --> 00:15:41,484 Speaker 1: you have to be shut your neck, I do, and 308 00:15:41,524 --> 00:15:44,564 Speaker 1: be respectful that they know best. 309 00:15:44,724 --> 00:15:45,244 Speaker 4: Yeah I do. 310 00:15:45,364 --> 00:15:47,284 Speaker 1: I say this to my mother times since you've had 311 00:15:47,284 --> 00:15:48,204 Speaker 1: a baby, Yeah, of course. 312 00:15:48,244 --> 00:15:49,884 Speaker 2: And I say this to my mother because my mother 313 00:15:51,124 --> 00:15:53,324 Speaker 2: is one of those people called spade Spade and has 314 00:15:53,404 --> 00:15:55,724 Speaker 2: always done that, and I said, Mom, it's not your 315 00:15:55,764 --> 00:15:59,044 Speaker 2: business to raise my children like she used to do 316 00:15:59,084 --> 00:16:03,804 Speaker 2: this to me. And so her relationship with the grandkids 317 00:16:04,044 --> 00:16:05,844 Speaker 2: I don't think as a solid I said, just be 318 00:16:06,284 --> 00:16:09,044 Speaker 2: a nana who gives them money and support. Don't tell 319 00:16:09,044 --> 00:16:10,924 Speaker 2: them to put on weight. We don't like their neck 320 00:16:11,004 --> 00:16:13,644 Speaker 2: tattoo or any of that stuff. It's none of your business. 321 00:16:13,764 --> 00:16:15,884 Speaker 1: Your grandson have a neck tatto he's only six months old, 322 00:16:16,404 --> 00:16:17,124 Speaker 1: Well you. 323 00:16:17,004 --> 00:16:19,564 Speaker 4: Get a discout because it's very small. 324 00:16:19,604 --> 00:16:21,244 Speaker 1: And also at that age you want them to put 325 00:16:21,244 --> 00:16:24,204 Speaker 1: on weight. About this one. When filling out paperwork in 326 00:16:24,244 --> 00:16:26,644 Speaker 1: the hospital, I put my parents' names in the parents 327 00:16:26,644 --> 00:16:28,924 Speaker 1: section for my firstborn. Takes a while to get ready, 328 00:16:28,924 --> 00:16:30,124 Speaker 1: to get used to the fact that. 329 00:16:30,084 --> 00:16:32,204 Speaker 4: You're the parent, because suddenly you're a parent. 330 00:16:32,284 --> 00:16:32,964 Speaker 1: You're a parent. 331 00:16:33,044 --> 00:16:34,324 Speaker 4: That's exactly what happens. 332 00:16:34,324 --> 00:16:35,644 Speaker 1: It's a parent. You're a parent. 333 00:16:35,764 --> 00:16:38,564 Speaker 4: You know, every generation blames the one before. 334 00:16:39,364 --> 00:16:40,284 Speaker 1: I love Mike and the MCCA. 335 00:16:40,884 --> 00:16:44,004 Speaker 2: That's from the teachings of great Latin philosophers, Mike and 336 00:16:44,044 --> 00:16:44,484 Speaker 2: the mccans. 337 00:16:44,484 --> 00:16:46,724 Speaker 1: You could have actually got some overalls from the mechanics. 338 00:16:47,244 --> 00:16:48,244 Speaker 4: These are all good ideas. 339 00:16:48,444 --> 00:16:55,524 Speaker 2: Now on the cutting room floor today, did just see 340 00:16:55,524 --> 00:16:58,764 Speaker 2: the story about this guy. He's built a Lego project, 341 00:16:59,124 --> 00:17:03,524 Speaker 2: incredibly impressive. He spent two hundred thousand dollars, but it's 342 00:17:03,564 --> 00:17:07,564 Speaker 2: cost him, not just financially but personally. He's had two 343 00:17:07,604 --> 00:17:09,843 Speaker 2: divorces because of his session with Lego. 344 00:17:10,004 --> 00:17:12,643 Speaker 1: Describe the Lego project. What do you get for two 345 00:17:12,724 --> 00:17:13,684 Speaker 1: hundred thousand dollars? 346 00:17:13,764 --> 00:17:17,124 Speaker 2: He's built a replica of the Star Wars Battle of Gionosis. 347 00:17:17,164 --> 00:17:18,644 Speaker 1: Oh my god, what's that? 348 00:17:18,684 --> 00:17:23,283 Speaker 4: It's fifteen foot long and it is amazing. 349 00:17:23,364 --> 00:17:26,884 Speaker 2: It's got the clones being made, it's got everything in there, 350 00:17:26,924 --> 00:17:29,364 Speaker 2: and it's all proportionately correct and great. 351 00:17:30,284 --> 00:17:34,324 Speaker 1: So I'm just looking at this story here. Two hundred 352 00:17:34,364 --> 00:17:38,324 Speaker 1: thousand dollars. Yep, cost Hume his marriages. Two marriages, Yeah, 353 00:17:38,364 --> 00:17:39,084 Speaker 1: two marriages. 354 00:17:39,164 --> 00:17:42,004 Speaker 4: Go on down the drain, because he's love of the 355 00:17:42,084 --> 00:17:42,644 Speaker 4: little brick. 356 00:17:42,844 --> 00:17:43,244 Speaker 3: You know what. 357 00:17:44,164 --> 00:17:48,763 Speaker 1: This story isn't real. I've just verified it. What's weird 358 00:17:49,164 --> 00:17:51,724 Speaker 1: is that this man has made this Lego project and 359 00:17:51,724 --> 00:17:53,844 Speaker 1: it cost him over two hundred thousand dollars. The shock 360 00:17:53,884 --> 00:17:56,124 Speaker 1: of this is it hasn't cost him his marriages. I 361 00:17:56,164 --> 00:17:58,043 Speaker 1: don't know if he's married, but this is one of 362 00:17:58,044 --> 00:18:04,444 Speaker 1: those made up stories. But weirdly, the real part of 363 00:18:04,484 --> 00:18:06,964 Speaker 1: it is real. He has spent two hundred thousand dollars 364 00:18:07,124 --> 00:18:08,884 Speaker 1: and made what did you call it? The Star Wars? 365 00:18:08,924 --> 00:18:09,244 Speaker 1: What is it? 366 00:18:09,284 --> 00:18:10,884 Speaker 4: The Battle of Gionosis? 367 00:18:11,324 --> 00:18:14,564 Speaker 1: Are you disappointed that his marriages haven't ended? I'm shocked 368 00:18:14,844 --> 00:18:16,404 Speaker 1: that he might still be in a relationships. 369 00:18:16,404 --> 00:18:18,484 Speaker 4: I looked you, I looked at this story. But he's 370 00:18:18,684 --> 00:18:19,324 Speaker 4: got a girl. 371 00:18:19,604 --> 00:18:23,364 Speaker 1: Well, but you know you like train set. 372 00:18:23,404 --> 00:18:23,924 Speaker 4: I love trains. 373 00:18:23,964 --> 00:18:26,044 Speaker 1: If it was a two hundred thousand dollars train set 374 00:18:26,044 --> 00:18:28,684 Speaker 1: that was over fifteen feet long, you'd say, how brilliant. 375 00:18:28,844 --> 00:18:30,004 Speaker 1: So why is this nerdy? 376 00:18:30,044 --> 00:18:32,803 Speaker 4: And that's not train sets aren't nerdy? 377 00:18:32,844 --> 00:18:34,284 Speaker 1: Oh my god, are you joking? 378 00:18:34,324 --> 00:18:34,404 Speaker 6: You? 379 00:18:34,484 --> 00:18:36,884 Speaker 1: And Rod Stewart, he's obsessed with them. 380 00:18:37,084 --> 00:18:39,523 Speaker 4: He's got a great train set. He was on the 381 00:18:39,604 --> 00:18:44,084 Speaker 4: front of Train Modelers Monthly in the Nude. 382 00:18:44,124 --> 00:18:45,004 Speaker 1: It was a very good front. 383 00:18:45,484 --> 00:18:47,524 Speaker 4: I had a great train set. I had a really 384 00:18:47,604 --> 00:18:48,484 Speaker 4: good train set. 385 00:18:48,684 --> 00:18:50,563 Speaker 1: And what era did you have it? And what was 386 00:18:50,564 --> 00:18:51,043 Speaker 1: it made of? 387 00:18:51,124 --> 00:18:54,964 Speaker 4: I was young. It started off just with a layout, 388 00:18:55,124 --> 00:18:56,523 Speaker 4: the flatboard. 389 00:18:56,004 --> 00:18:57,484 Speaker 1: And it was the old school one. 390 00:18:57,604 --> 00:18:59,523 Speaker 2: Yeah, the dad put together for me, and I just 391 00:18:59,604 --> 00:19:03,043 Speaker 2: had the trains going around. But then I discovered chicken 392 00:19:03,084 --> 00:19:04,284 Speaker 2: wire and plastra. 393 00:19:03,964 --> 00:19:05,644 Speaker 1: Ap paris your love of a diorama? 394 00:19:05,964 --> 00:19:08,244 Speaker 2: Yeah, and it just and I started. I made a 395 00:19:08,284 --> 00:19:10,604 Speaker 2: mountain rain, and then I started making. 396 00:19:10,404 --> 00:19:11,283 Speaker 4: More mountain range. 397 00:19:11,404 --> 00:19:13,204 Speaker 2: And then one day Dad said to me, he said, 398 00:19:13,724 --> 00:19:17,084 Speaker 2: you've got more mountain range than training. I'd covered the 399 00:19:17,124 --> 00:19:20,004 Speaker 2: whole the Alps. There was literally a foot of train 400 00:19:20,084 --> 00:19:23,283 Speaker 2: track left. Everything was just And then one of the 401 00:19:23,324 --> 00:19:24,244 Speaker 2: Dad's mates came to. 402 00:19:24,164 --> 00:19:24,444 Speaker 4: Look at it. 403 00:19:24,444 --> 00:19:26,244 Speaker 2: He said, that's impressive. But you had no idea what 404 00:19:26,364 --> 00:19:27,724 Speaker 2: train's in there? There could be anything. 405 00:19:27,764 --> 00:19:30,324 Speaker 1: Why didn't you make the mountain range beside the train 406 00:19:31,644 --> 00:19:33,764 Speaker 1: I had? Why did the train have to be underneath it? 407 00:19:33,964 --> 00:19:35,804 Speaker 2: Because it's in a tunnel and I have the little 408 00:19:35,844 --> 00:19:38,044 Speaker 2: tunnel and I didn't extend, then all have. 409 00:19:38,004 --> 00:19:38,924 Speaker 1: To be in the tunnel. 410 00:19:39,644 --> 00:19:40,484 Speaker 4: What are your critic? 411 00:19:40,764 --> 00:19:44,803 Speaker 1: What are you working for? Civil engineering? Big? Civil engineering 412 00:19:44,844 --> 00:19:45,204 Speaker 1: got to you. 413 00:19:45,804 --> 00:19:48,604 Speaker 2: I'm moving mountains. I'm putting mountains back on the track. 414 00:19:49,084 --> 00:19:50,763 Speaker 2: And then it all ended with my brother and I 415 00:19:50,804 --> 00:19:54,324 Speaker 2: had a huge punch up. Every story ends with that, 416 00:19:54,604 --> 00:19:56,844 Speaker 2: and we both fell on top of the train seat. 417 00:19:58,004 --> 00:20:00,964 Speaker 4: Dad came into the rood and to separate us, and. 418 00:20:00,924 --> 00:20:03,563 Speaker 2: He said it looked like Godzilla. 419 00:20:04,484 --> 00:20:07,604 Speaker 4: And some other Japanese king con. 420 00:20:09,004 --> 00:20:12,164 Speaker 2: Sling each other on this giant train layout, and and 421 00:20:12,244 --> 00:20:13,604 Speaker 2: next it was out on the junk pile. 422 00:20:13,724 --> 00:20:16,404 Speaker 1: That would have been quite painful landing on that chicken wire. 423 00:20:16,404 --> 00:20:17,324 Speaker 4: And the plaster for powers. 424 00:20:17,404 --> 00:20:20,004 Speaker 1: Well, for my brother it was yeah, it was what 425 00:20:20,164 --> 00:20:23,524 Speaker 1: a flex to tell us that you won. I once 426 00:20:23,604 --> 00:20:28,043 Speaker 1: made he wrecked the training set. I once made a 427 00:20:28,044 --> 00:20:30,164 Speaker 1: a thing for art at school. You know the King 428 00:20:30,164 --> 00:20:31,763 Speaker 1: of Id that soon character. 429 00:20:31,524 --> 00:20:32,324 Speaker 4: The King is a think. 430 00:20:32,604 --> 00:20:36,204 Speaker 1: I made a replica. It was so lifelike. It was 431 00:20:36,364 --> 00:20:40,004 Speaker 1: frightening of the King of Id, And so I made 432 00:20:40,084 --> 00:20:43,164 Speaker 1: him chicken wire. I'm never good at craft. I don't 433 00:20:43,204 --> 00:20:45,924 Speaker 1: like craft. You could have used to big a orchy 434 00:20:45,964 --> 00:20:48,644 Speaker 1: bottle for those I wasn't smoking a bomb. 435 00:20:49,404 --> 00:20:50,804 Speaker 4: He used a smaller orchi bottle for that. 436 00:20:51,484 --> 00:20:52,924 Speaker 1: It was this big. Look what I'm doing my hands? 437 00:20:52,964 --> 00:20:53,524 Speaker 1: How big is that? 438 00:20:53,524 --> 00:20:57,524 Speaker 4: That's from the table or no, not from the ground. 439 00:20:57,604 --> 00:21:02,244 Speaker 1: From the It wasn't like it wasn't the size of me. 440 00:21:02,724 --> 00:21:03,964 Speaker 1: It's how big is that? I? 441 00:21:04,484 --> 00:21:06,924 Speaker 4: Okay, from the bench right about two and a half. 442 00:21:07,044 --> 00:21:11,444 Speaker 1: Yeah, So it was big, and so chicken wire, paper 443 00:21:11,524 --> 00:21:16,644 Speaker 1: mache and for his hair, strands of yellow wool made 444 00:21:16,724 --> 00:21:20,084 Speaker 1: the crown everything, handed it in for school, came home. 445 00:21:20,124 --> 00:21:22,924 Speaker 1: It's the way I remember it. It wasn't long after 446 00:21:23,924 --> 00:21:25,964 Speaker 1: came home from school. We had to skip out the 447 00:21:25,964 --> 00:21:27,644 Speaker 1: front of our house, and that was right at the 448 00:21:27,644 --> 00:21:31,084 Speaker 1: top of it. MoMA chucked it out. She was very 449 00:21:31,124 --> 00:21:32,324 Speaker 1: non sentimental with those. 450 00:21:32,724 --> 00:21:36,164 Speaker 4: That was my year twelve, major work, pretty much pretty much, 451 00:21:36,524 --> 00:21:38,644 Speaker 4: and it's out on the skipp Did anyone take it? 452 00:21:40,564 --> 00:21:42,724 Speaker 1: A in those days, no one stole from your skip 453 00:21:42,844 --> 00:21:44,164 Speaker 1: b Who would take that? 454 00:21:44,284 --> 00:21:46,043 Speaker 2: And then you went to university and broke out the 455 00:21:46,084 --> 00:21:47,283 Speaker 2: smaller orchy bottle. 456 00:21:51,484 --> 00:22:09,444 Speaker 6: It sells you. It sells on. 457 00:22:09,484 --> 00:22:10,523 Speaker 4: The cutting room floor. 458 00:22:10,564 --> 00:22:13,124 Speaker 2: If you want to stop something, you can't complain about 459 00:22:13,124 --> 00:22:14,844 Speaker 2: it because the more you complain about. 460 00:22:14,644 --> 00:22:17,523 Speaker 4: It, it will keep self perpetuating. 461 00:22:17,684 --> 00:22:19,444 Speaker 1: Isn't that the barber streisand. 462 00:22:18,964 --> 00:22:22,444 Speaker 4: Effect the bart How does this go? 463 00:22:22,644 --> 00:22:26,404 Speaker 1: She complained, I think about she has a cliff frontage 464 00:22:26,924 --> 00:22:29,684 Speaker 1: in Malibu. She was complaining about something. 465 00:22:29,804 --> 00:22:31,843 Speaker 4: I think it was her bush. There was too much 466 00:22:31,924 --> 00:22:34,724 Speaker 4: bush around the area and the bush had to be cleared. 467 00:22:35,004 --> 00:22:36,444 Speaker 1: Something happened and she complained about it. 468 00:22:36,604 --> 00:22:37,884 Speaker 4: I was going to catch fire that bush. 469 00:22:38,124 --> 00:22:40,164 Speaker 1: No one would have known that she had this cliff 470 00:22:40,204 --> 00:22:44,524 Speaker 1: front abode until she spoke about it, and then everyone 471 00:22:44,724 --> 00:22:48,004 Speaker 1: kind of knew the privileged positions it watches Barbar Streisan 472 00:22:48,244 --> 00:22:49,283 Speaker 1: put a backfired on her. 473 00:22:49,324 --> 00:22:51,684 Speaker 4: Somehow lived in a little firebrow house. 474 00:22:51,804 --> 00:22:53,804 Speaker 1: No, but if you complain about something and you're a 475 00:22:53,844 --> 00:22:55,724 Speaker 1: giant richie, you have to be very careful because it 476 00:22:55,764 --> 00:22:56,404 Speaker 1: can backfire. 477 00:22:57,004 --> 00:22:59,604 Speaker 4: Yeah, are you taking notes, Sarahmanda am I Brandon? 478 00:23:00,204 --> 00:23:02,244 Speaker 1: I know why you're talking about this is don't complain 479 00:23:02,244 --> 00:23:04,164 Speaker 1: because it's going to happen again and again and again. 480 00:23:04,524 --> 00:23:08,604 Speaker 1: They actually the Royals have this saying, never complain, never explain. Yeah, 481 00:23:08,964 --> 00:23:10,684 Speaker 1: so royal pain. 482 00:23:11,644 --> 00:23:14,763 Speaker 2: Dave Groll from the Food Fighters people throw mentos up 483 00:23:14,764 --> 00:23:17,964 Speaker 2: on the stage. I've forgotten why, but he hates it 484 00:23:17,964 --> 00:23:19,604 Speaker 2: and he goes, I'm going to I'm gonna kick your ass. 485 00:23:19,684 --> 00:23:23,763 Speaker 1: If only they thrown condom. Well, what's been happening in 486 00:23:23,844 --> 00:23:26,484 Speaker 1: the WNBA? So, for those of you who don't know, 487 00:23:26,644 --> 00:23:30,724 Speaker 1: this is the women's basketball league in the States. Someone 488 00:23:31,444 --> 00:23:34,404 Speaker 1: threw something onto the court and I'll tell you what 489 00:23:34,484 --> 00:23:37,604 Speaker 1: it is in a minute, and that has now become viral. 490 00:23:38,164 --> 00:23:42,844 Speaker 1: Someone threw a sex toy, a bright green, iridescent green 491 00:23:42,964 --> 00:23:48,283 Speaker 1: sex toy, and so that has gone the idea of 492 00:23:48,364 --> 00:23:52,204 Speaker 1: this has gone viral three times now over the past week. 493 00:23:52,324 --> 00:23:55,523 Speaker 1: A WNBA game has been brought to a halt because 494 00:23:55,564 --> 00:23:59,004 Speaker 1: the sex toy has been launched from the stands. So 495 00:24:00,244 --> 00:24:02,484 Speaker 1: the first time it happened, the scores were tied up 496 00:24:02,524 --> 00:24:05,404 Speaker 1: between two teams, the Atlanta Dream and the Golden State Valkyries, 497 00:24:05,684 --> 00:24:08,804 Speaker 1: dying stages of this contest, scores tied up. As I said, 498 00:24:09,084 --> 00:24:12,283 Speaker 1: little under a minute left on the clock, hugely tense. 499 00:24:13,044 --> 00:24:16,164 Speaker 1: This object comes flying onto the court, narrowly avoiding the players. 500 00:24:16,244 --> 00:24:19,964 Speaker 1: It was a bright green sex toy, and so security 501 00:24:20,004 --> 00:24:22,964 Speaker 1: stepped in arrested a fan who was charged with this 502 00:24:23,124 --> 00:24:27,404 Speaker 1: orderly conduct, public indecency in Disney exposure, and criminal trespass. 503 00:24:27,484 --> 00:24:29,804 Speaker 1: So they're quite serious charge. It is for just throwing 504 00:24:30,364 --> 00:24:34,283 Speaker 1: a sexual projectile. So in the wake of this, the 505 00:24:34,524 --> 00:24:38,244 Speaker 1: an Indiana Fever star player Sophie Cunningham took to X 506 00:24:38,364 --> 00:24:40,764 Speaker 1: to plead with fans to stop it. She said, stop 507 00:24:40,884 --> 00:24:43,884 Speaker 1: throwing dildos on the court. You go to hurt one 508 00:24:43,924 --> 00:24:46,084 Speaker 1: of us. That's a sentence you don't ever dream. You'll 509 00:24:46,124 --> 00:24:46,364 Speaker 1: have to. 510 00:24:46,404 --> 00:24:49,523 Speaker 4: Post imagine not unlone if it just hits you. But 511 00:24:49,604 --> 00:24:50,844 Speaker 4: if you rolled your ankle on it. 512 00:24:51,484 --> 00:24:54,204 Speaker 1: What that insurance claim? How's that going to look? But 513 00:24:54,364 --> 00:24:57,884 Speaker 1: what's happened is that spurred on more attacks aimed at her. 514 00:24:58,364 --> 00:25:01,364 Speaker 1: She has found herself on the receiving end of a 515 00:25:01,484 --> 00:25:05,123 Speaker 1: sex toy strike. So this object came flying towards her 516 00:25:05,204 --> 00:25:07,044 Speaker 1: and so she then took to social media to say, 517 00:25:07,364 --> 00:25:09,444 Speaker 1: it didn't hit me. I knew I shouldn't have tweeted it. 518 00:25:09,804 --> 00:25:11,924 Speaker 1: And at the same time in Brooklyn, a fourth sex 519 00:25:12,044 --> 00:25:14,964 Speaker 1: toy was thrown. But how embarrassing for the person's throwing. 520 00:25:15,004 --> 00:25:17,164 Speaker 1: It didn't reach the court. It hit another fan in 521 00:25:17,244 --> 00:25:20,204 Speaker 1: the back of the head in the front row. So 522 00:25:20,404 --> 00:25:22,283 Speaker 1: this is actually we're talking about it. 523 00:25:22,404 --> 00:25:22,523 Speaker 3: Now. 524 00:25:22,884 --> 00:25:25,444 Speaker 1: Social media has gone into a frenzy clips and memes 525 00:25:25,484 --> 00:25:28,844 Speaker 1: of floating people's timelines. So all the security in the 526 00:25:28,964 --> 00:25:32,164 Speaker 1: world can't stop this craziness. And the players are saying 527 00:25:32,524 --> 00:25:35,964 Speaker 1: just stop. Barbro Streis and says, don't throw it in 528 00:25:36,084 --> 00:25:41,644 Speaker 1: my bullsh No, no one knows why, well, just someone 529 00:25:41,764 --> 00:25:43,924 Speaker 1: doing it. And then in this world of social media, 530 00:25:44,324 --> 00:25:46,444 Speaker 1: it happened again and again and again. Why didn't someone 531 00:25:46,684 --> 00:25:49,724 Speaker 1: throw a dictionary somewhere once? In social media there's a 532 00:25:49,764 --> 00:25:51,364 Speaker 1: book of words. People enjoy it 533 00:26:01,284 --> 00:26:06,404 Speaker 4: For some more jaun zy and Don manus Ho