1 00:00:01,160 --> 00:00:01,880 Speaker 1: Podcasting. 2 00:00:02,240 --> 00:00:05,880 Speaker 2: Now, we have a super special guest in the studio 3 00:00:06,080 --> 00:00:10,119 Speaker 2: right now for your listening pleasure. Our next guest. He 4 00:00:10,200 --> 00:00:11,880 Speaker 2: is a near faultless performer. 5 00:00:12,200 --> 00:00:14,120 Speaker 3: They're not calling mister perfect but nothing. 6 00:00:14,520 --> 00:00:16,920 Speaker 2: He's an Ausye born and bred comedian and. 7 00:00:17,000 --> 00:00:20,760 Speaker 3: Writer, and he took his talents all the way to Broadway, 8 00:00:21,360 --> 00:00:22,279 Speaker 3: writing songs for. 9 00:00:22,480 --> 00:00:24,520 Speaker 2: King Kong and Beetlejuice. 10 00:00:24,840 --> 00:00:27,720 Speaker 4: Apparently, if you say his name three times here, look 11 00:00:27,760 --> 00:00:29,000 Speaker 4: at here, let's. 12 00:00:28,760 --> 00:00:29,639 Speaker 3: See if it works. 13 00:00:30,240 --> 00:00:37,280 Speaker 2: Welcome to the show, Eddie Perfect, any perfect, Eddie Perfect, 14 00:00:38,520 --> 00:00:40,680 Speaker 2: and work about it. 15 00:00:40,080 --> 00:00:41,680 Speaker 4: Eddie Perfect. Thank you for joining us. 16 00:00:41,760 --> 00:00:43,239 Speaker 3: Oh look, thanks to you. Thank you for saying my 17 00:00:43,280 --> 00:00:44,839 Speaker 3: name three times and making it possible. 18 00:00:45,120 --> 00:00:46,200 Speaker 4: You're welcome, Welcome. 19 00:00:46,200 --> 00:00:47,080 Speaker 3: I want to test it out. 20 00:00:47,440 --> 00:00:48,920 Speaker 4: Hey, can I set the scene for everyone? 21 00:00:49,000 --> 00:00:49,200 Speaker 2: Eddie? 22 00:00:49,240 --> 00:00:53,040 Speaker 4: You are very successful here in Australia've written the Warning Musical, 23 00:00:53,280 --> 00:00:55,400 Speaker 4: You've been a lot of TV shows in Australia. And 24 00:00:55,440 --> 00:00:57,560 Speaker 4: then you have the conversation with your wife and young 25 00:00:57,600 --> 00:01:00,640 Speaker 4: family and you go, guys, I want to pick it 26 00:01:00,680 --> 00:01:03,520 Speaker 4: all up and roll the dice in New York. How 27 00:01:03,560 --> 00:01:04,600 Speaker 4: did that conversation go? 28 00:01:04,959 --> 00:01:06,720 Speaker 3: Well, my wife started it because you were sick of 29 00:01:06,760 --> 00:01:10,120 Speaker 3: my winging. I was like, you know, because it's always 30 00:01:10,120 --> 00:01:12,479 Speaker 3: been my dream to write on Broadway, but I had 31 00:01:12,480 --> 00:01:14,440 Speaker 3: no idea how to make it happen. And my wife 32 00:01:14,520 --> 00:01:16,440 Speaker 3: was like, just buy a ticket, go to New York 33 00:01:16,760 --> 00:01:19,720 Speaker 3: and try. So I just started sort of every six 34 00:01:19,760 --> 00:01:22,080 Speaker 3: months flying in New York, and I found an agent 35 00:01:22,200 --> 00:01:24,480 Speaker 3: and I sort of knocked on doors and that didn't 36 00:01:24,480 --> 00:01:26,360 Speaker 3: really go anywhere. And then I heard the Beetlejuice was 37 00:01:26,360 --> 00:01:29,000 Speaker 3: out to pitch and they said no because they were like, 38 00:01:29,040 --> 00:01:31,800 Speaker 3: who hell is this guy? So I offered to write 39 00:01:31,800 --> 00:01:34,840 Speaker 3: two songs for free and they were like, oh okay, 40 00:01:34,920 --> 00:01:36,240 Speaker 3: and they let me write them and they gave me 41 00:01:36,280 --> 00:01:39,240 Speaker 3: the job. They never met me, they never They just 42 00:01:39,319 --> 00:01:42,000 Speaker 3: I could have had twenty people and have locked in 43 00:01:42,040 --> 00:01:44,360 Speaker 3: a vault writing songs for me for all they knew, 44 00:01:44,880 --> 00:01:47,039 Speaker 3: and they gave me the gig. So I just flew 45 00:01:47,080 --> 00:01:49,400 Speaker 3: over and met them. And then that sparked four years 46 00:01:49,400 --> 00:01:53,320 Speaker 3: of writing and we're paying the moment eyewatering amount of 47 00:01:53,360 --> 00:01:56,600 Speaker 3: rent on this very tiny apartment. Had this furious woman 48 00:01:56,640 --> 00:01:59,320 Speaker 3: that lived underneath us, who was old and hated all 49 00:01:59,320 --> 00:02:01,680 Speaker 3: the noise, wore making, and one time actually just barged 50 00:02:01,720 --> 00:02:05,080 Speaker 3: into our apartment and yelled at my kids went straight 51 00:02:05,120 --> 00:02:06,960 Speaker 3: for the children just was walked in as a woman 52 00:02:07,000 --> 00:02:08,960 Speaker 3: in the living room. You know, you cannot make those 53 00:02:09,080 --> 00:02:11,600 Speaker 3: noise and the kids were terrified. And the next day rehearsal, 54 00:02:11,680 --> 00:02:13,160 Speaker 3: I said to one of the Americans, I was like, 55 00:02:13,360 --> 00:02:15,480 Speaker 3: this is normal. Then he goes, you know in America 56 00:02:15,680 --> 00:02:16,800 Speaker 3: you can shoot her. 57 00:02:16,760 --> 00:02:21,839 Speaker 4: And you want, and you did, and you did, Eddie, 58 00:02:21,840 --> 00:02:22,160 Speaker 4: you killed. 59 00:02:23,440 --> 00:02:25,799 Speaker 3: I waited and she never came back. 60 00:02:26,040 --> 00:02:26,079 Speaker 2: No. 61 00:02:26,160 --> 00:02:28,440 Speaker 3: I'm like, I'm obviously not going to kill an old woman. 62 00:02:28,520 --> 00:02:30,240 Speaker 3: But you know, it is nice to know your options. 63 00:02:30,560 --> 00:02:35,359 Speaker 2: It's good to know. We did hear that bettle juice 64 00:02:35,400 --> 00:02:37,239 Speaker 2: sort of you wrote beetle Juice. Was it over four 65 00:02:37,320 --> 00:02:40,200 Speaker 2: years that you put better Juice together? Yeah, so commercial 66 00:02:40,280 --> 00:02:43,720 Speaker 2: radio doesn't work like that. It's much tighter. So we 67 00:02:43,720 --> 00:02:45,480 Speaker 2: were going to see if you could write a song 68 00:02:45,680 --> 00:02:47,000 Speaker 2: in four minutes. 69 00:02:47,600 --> 00:02:50,920 Speaker 3: Wow, yeah, that's that sounds like a little too much time. 70 00:02:51,160 --> 00:02:57,280 Speaker 2: So in front of you, Eddie is a cassio keyboard. Right, 71 00:02:57,360 --> 00:03:02,280 Speaker 2: It's also Valentine's Day this week, kenned on Sunday, just 72 00:03:02,360 --> 00:03:03,079 Speaker 2: remind you. 73 00:03:02,960 --> 00:03:03,440 Speaker 3: Thank you too. 74 00:03:05,040 --> 00:03:08,720 Speaker 2: That so we've got we got someone who got in 75 00:03:08,720 --> 00:03:10,679 Speaker 2: touch with a woman called Katrina who joins us on 76 00:03:10,720 --> 00:03:12,800 Speaker 2: the phone right now, because you obviously need a you know, 77 00:03:12,960 --> 00:03:13,880 Speaker 2: something to write about. 78 00:03:14,000 --> 00:03:15,560 Speaker 3: Yes, so we've got Katrina on the front. 79 00:03:16,120 --> 00:03:17,000 Speaker 2: Katrina, you've got Eddie. 80 00:03:17,200 --> 00:03:18,400 Speaker 1: Hey, guys, how are you going? 81 00:03:18,800 --> 00:03:20,760 Speaker 3: We're well, I'm a little nervous about what's going to 82 00:03:20,800 --> 00:03:21,600 Speaker 3: happen here, Katrina. 83 00:03:21,919 --> 00:03:23,919 Speaker 2: What do you want? What's your Who do you want 84 00:03:23,919 --> 00:03:25,760 Speaker 2: to write? Your Eddie to write your love song to 85 00:03:26,120 --> 00:03:26,880 Speaker 2: in four minutes? 86 00:03:27,280 --> 00:03:29,560 Speaker 3: Ray, he's a lollipop man at my son's past. 87 00:03:30,440 --> 00:03:33,960 Speaker 4: Yeah, okay, the lollipop Man. Very good, go on tell 88 00:03:34,040 --> 00:03:34,720 Speaker 4: us about him. 89 00:03:34,760 --> 00:03:38,560 Speaker 2: He's such a dag He loves golf, loves the chat, 90 00:03:38,840 --> 00:03:44,040 Speaker 2: and he has these huge, big daggy glasses. Glasses amazing, Eddie. 91 00:03:44,080 --> 00:03:48,400 Speaker 4: Do you need any more details about Ray the lollipop Man. 92 00:03:51,320 --> 00:03:52,440 Speaker 3: It's a hard cell. 93 00:03:54,600 --> 00:03:58,000 Speaker 4: From opening the Tonys with a new Beetlejuice song to 94 00:03:58,080 --> 00:04:01,520 Speaker 4: write in a Valentine for He's the lollipop man, Eddie. 95 00:04:01,560 --> 00:04:02,320 Speaker 1: You go for the challenge. 96 00:04:02,920 --> 00:04:05,520 Speaker 3: I'm all over this. I'm very excitedly. Yeah, okay, Ray, 97 00:04:05,520 --> 00:04:06,960 Speaker 3: he's gonna either love this or hate it? 98 00:04:07,080 --> 00:04:07,400 Speaker 4: All right. 99 00:04:07,600 --> 00:04:08,720 Speaker 3: Well, by the way he's gonna. 100 00:04:08,480 --> 00:04:10,840 Speaker 2: Happen, he hasn't got a choice on the other side, 101 00:04:10,920 --> 00:04:14,680 Speaker 2: you guys are gonna hear Eddie Perfect writing Katrina's Valentine 102 00:04:15,360 --> 00:04:19,840 Speaker 2: Ray the Lollipop Man Broadway musical style song Stay with Us. 103 00:04:20,040 --> 00:04:24,960 Speaker 2: Eddie Perfect is in the studio now. Eddie has been 104 00:04:25,080 --> 00:04:31,200 Speaker 2: frantically working for the last four minutes on a Valentine's Day. 105 00:04:31,880 --> 00:04:33,640 Speaker 2: What do we calling this a sonata? 106 00:04:34,120 --> 00:04:37,440 Speaker 3: I mean, look, this is let's call it a Latin 107 00:04:37,560 --> 00:04:42,159 Speaker 3: jam jam. That's the that's the beat pattern that I 108 00:04:42,240 --> 00:04:44,919 Speaker 3: found in the cassio s A seventy seven that I 109 00:04:45,000 --> 00:04:46,800 Speaker 3: feel really is gonna work for Ray. 110 00:04:47,200 --> 00:04:50,080 Speaker 2: Okay, because he's talking about Ray. Because we've got Katrina 111 00:04:50,080 --> 00:04:52,839 Speaker 2: who joins on the phone right now. Katrina, you've leveraged 112 00:04:52,920 --> 00:04:57,000 Speaker 2: Eddie's talents here in telling us your Valentine for this 113 00:04:57,480 --> 00:05:02,080 Speaker 2: Sunday is, in fact the lollipop Man at your son's school. Yes, 114 00:05:02,320 --> 00:05:04,039 Speaker 2: that's right, Okay. 115 00:05:03,880 --> 00:05:08,240 Speaker 4: So raising his sixties, he wears glasses, mismatched socks. That's 116 00:05:08,279 --> 00:05:09,120 Speaker 4: the vibe on Ray. 117 00:05:09,480 --> 00:05:10,520 Speaker 1: Yeah, that's pretty much it. 118 00:05:11,000 --> 00:05:11,320 Speaker 3: Okay. 119 00:05:11,720 --> 00:05:15,560 Speaker 2: Credit. Eddie's been scrapping in here, like it's been amazing 120 00:05:15,560 --> 00:05:17,400 Speaker 2: to watch how the sausage is made. And we've got 121 00:05:17,400 --> 00:05:21,160 Speaker 2: a guy who is Bettle just nominated for eight Tony Awards. 122 00:05:21,279 --> 00:05:23,440 Speaker 4: Four years took four years to shout. 123 00:05:23,160 --> 00:05:26,160 Speaker 2: A Broadway back in Australia. And you know here in Australia, 124 00:05:26,400 --> 00:05:27,880 Speaker 2: you know you got to You got to prove yourself. 125 00:05:27,920 --> 00:05:31,080 Speaker 3: You gotta don't just a question why I needed four 126 00:05:31,120 --> 00:05:33,120 Speaker 3: years minutes. 127 00:05:33,160 --> 00:05:35,719 Speaker 2: We don't just count up the overseas accolades. You're gonna 128 00:05:35,760 --> 00:05:39,200 Speaker 2: come back here and show us on your own, prove yourself. 129 00:05:39,320 --> 00:05:41,600 Speaker 2: Eddie perfect. So he's had four minutes to write a 130 00:05:41,720 --> 00:05:46,200 Speaker 2: Valentine's Day song for Ray the Lollipop Man, the Latin 131 00:05:46,279 --> 00:05:50,799 Speaker 2: jam I'm ready when you're already Eddie Australia. This is perfect. 132 00:05:51,080 --> 00:05:53,640 Speaker 2: Here we go on a cassio in the studio. Radio 133 00:05:53,640 --> 00:05:56,120 Speaker 2: doesn't get much better than this. This is for you Ray. 134 00:05:57,320 --> 00:06:02,360 Speaker 3: Oh God do you feel that? 135 00:06:04,240 --> 00:06:08,760 Speaker 1: Yeah? Ray the Lonely lollipop Man. We gotta find him 136 00:06:08,800 --> 00:06:13,279 Speaker 1: love if we can see him rock those non matching 137 00:06:13,360 --> 00:06:17,080 Speaker 1: socks out on the street helping kid is cross its 138 00:06:17,240 --> 00:06:22,320 Speaker 1: Ray the Lonely Lollipop Man. He needs a Susan Renee 139 00:06:22,480 --> 00:06:26,080 Speaker 1: or Jan or maybe he prefer a man. 140 00:06:26,279 --> 00:06:29,400 Speaker 3: No judgments here, because one thing's clean. 141 00:06:29,320 --> 00:06:34,520 Speaker 1: To where the straight okay. He's looking for somebody to 142 00:06:34,600 --> 00:06:36,400 Speaker 1: look at his way. It's Ray. 143 00:06:38,720 --> 00:06:41,560 Speaker 3: Let me say it again. It's Ray. 144 00:06:41,560 --> 00:06:45,719 Speaker 1: Oh, it's Ray. The Lonely Lollipop Man. 145 00:06:55,440 --> 00:06:57,760 Speaker 2: What do you think of train up? Oh my god, 146 00:06:57,920 --> 00:07:02,520 Speaker 2: that was funny, brilliant, it's extraordinary. 147 00:07:03,160 --> 00:07:07,120 Speaker 4: You can get the iTunes Ray the Lollipop Man now. 148 00:07:07,000 --> 00:07:09,120 Speaker 2: And if you want to go and see it unmissable 149 00:07:09,160 --> 00:07:12,720 Speaker 2: footage here any perfect huddled over a cassio in the 150 00:07:12,840 --> 00:07:15,560 Speaker 2: studio Comedy dot Comment dot au if you want to 151 00:07:15,560 --> 00:07:17,280 Speaker 2: find out where you can see Eddi Perfect Idiot's great 152 00:07:17,320 --> 00:07:18,080 Speaker 2: to hear back in the country. 153 00:07:18,120 --> 00:07:20,160 Speaker 3: Man, Hey, I'm loving being back and thank you for 154 00:07:20,200 --> 00:07:21,800 Speaker 3: that really fun experience that may. 155 00:07:22,360 --> 00:07:23,239 Speaker 1: See what you're hearing. 156 00:07:23,440 --> 00:07:26,680 Speaker 3: Find us on Instagram and Facebook search Will and Woody