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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: They are great podcasts to listen to. I know that,

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Speaker 2: but if you haven't heard the podcast the.

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Speaker 3: Podcast, Yes, the podcasts that was so imperfect of you.

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Speaker 2: Well, and the boys are in the studio.

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Speaker 4: Well, you know two thirds of the Imperfect.

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Speaker 2: Yeah, yeah, we are missing here Van Collenberg. We've got

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Speaker 2: the bit of Van Collenberg anyway, and Josh and the

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Speaker 2: non Van Collenberg. But I feel like you've you've probably

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Speaker 2: picked up a bit of Van kylen Berg about you.

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Speaker 5: Since I wish it would be like the great I

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Speaker 5: feel like if I could become a Van Khlenberg, it's

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Speaker 5: like life's ultimate, really, right, what's the bit?

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Speaker 6: What's the bit about being a Van Calenberg that you

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Speaker 6: most want?

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Speaker 4: Uh? Looks when it comes to Josh, Yeah, I would

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Speaker 4: love to be a Van Collenberg.

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Speaker 2: Yes, so you're a Shelter and I love that you're

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Speaker 2: a Shelton.

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Speaker 4: Love that I'm a Shelton. Yeah that's great too.

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Speaker 2: Yeah, part about being Elton the looks, Yeah, straight to it. Yeah,

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Speaker 2: and the modesty of course, bundle them into one. Now,

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Speaker 2: look the Imperfect. Listen on the free iHeartRadio app or

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Speaker 2: wherever you get your podcasts. But these boys are in

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Speaker 2: every fortnight with us for what is truly becoming one

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Speaker 2: of our favorite segments.

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Speaker 5: When things are down, you need and frown for a

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Speaker 5: kind word will.

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Speaker 2: Turn you around.

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Speaker 4: It's a compliment.

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Speaker 2: This is a brandy thing you do just with us

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Speaker 2: here and when then what do you And it is

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Speaker 2: all about compliments, right, It's about the idea that we

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Speaker 2: don't compliment people enough. We don't give people good compliments.

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Speaker 2: We don't do it well well.

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Speaker 5: We give a lot of compliments, but we from what

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Speaker 5: we have been told, we're not really doing it correctly

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Speaker 5: a lot of the time. Yeah, and that's the important

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Speaker 5: thing that we want to try and model.

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Speaker 2: I guess, yeah, and so and I know that beyond

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Speaker 2: just giving saying something really nice about someone, beyond you know,

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Speaker 2: nice haircut by the way, audio producer tym today, nice haircut.

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Speaker 2: But it's beyond the initial nice words about someone, you

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Speaker 2: need to follow it up with how it makes you feel? Josh, absolutely, Yeah,

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Speaker 2: that's the key part.

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Speaker 7: And I think if you've ever received a compliment where

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Speaker 7: someone's followed it up with how that makes them feel,

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Speaker 7: you can that's the bit where it really hits because

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Speaker 7: you realize you've actually had an impact on someone, and

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Speaker 7: there's this connection.

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Speaker 3: Can ask both of you, actually, actually all three of you.

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Speaker 3: I've had a well a history of struggling to believe compliments.

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Speaker 3: Do you have any advice for anyone else who's listening

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Speaker 3: right now that struggles with that.

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Speaker 5: It's good. That's a good one, because I feel I

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Speaker 5: get that a lot as well. I feel like the

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Speaker 5: same if someone says something nice to me, I'll often

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Speaker 5: go like, yeah, I don't know, I don't know if

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Speaker 5: I feel like you're just saying that. But I think

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Speaker 5: that's where if you do the compliment correctly and the

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Speaker 5: person tells you how it's made them feel, I feel

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Speaker 5: like you're probably more likely to believe them because they're

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Speaker 5: they're being more vulnerable and sharing something about how it's

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Speaker 5: impacted them.

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Speaker 7: So, and this is also probably not a thing to

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Speaker 7: bring up in a room of basically comedians and funny people.

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Speaker 6: But if you try and make a.

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Speaker 7: Joke about it when someone's given you a compliment that

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Speaker 7: I reckon is the first step of brushing it off. Yes,

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Speaker 7: then you've sort of actively nipped it in the button

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Speaker 7: and you didn't even let it get in.

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Speaker 2: And it's really hard not to do that.

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Speaker 6: Yeah, we've delivered what four or five compliments. Now you've

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Speaker 6: been coming for a bit.

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Speaker 3: Now the first thing you want to do, all of

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Speaker 3: us want to do, is almost like make jokes after yeh.

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Speaker 5: Because it sort of like makes it feel at ease

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Speaker 5: or it like cuts the tension. Yeah, releases the tension.

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Speaker 2: All right, Well, look the stage is set when we

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Speaker 2: come back, no jokes, just compliments, So ready to laugh.

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Speaker 2: You've got Ryan Shelton and Josh Van Kyleenberg in here

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Speaker 2: from the Imperfects to deliver a compliment in their brand

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Speaker 2: news segment here when things are down, you'll need and

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Speaker 2: frown for a kind word. We'll turn you around. It's

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Speaker 2: so compliment.

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Speaker 6: Oh yeah.

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Speaker 4: Already was waiting for someone else to talk, and I

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Speaker 4: was like, you know what no one talks? Was like,

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Speaker 4: is that mean?

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Speaker 6: Now over?

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Speaker 3: Ryan?

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Speaker 6: What are we doing?

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Speaker 2: God?

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Speaker 4: Just taking me back?

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Speaker 1: Now.

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Speaker 2: Ryan is going to be delivering the compliment today. But

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Speaker 2: before he gets into that, if you're just joining us,

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Speaker 2: the idea here is that we're giving it a compliment

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Speaker 2: properly in this room, something we don't do enough of.

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Speaker 2: And there's two parts to a proper compliment, as we

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Speaker 2: just discussed. You compliment the person, You say the thing

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Speaker 2: you like about them, and then you say how it

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Speaker 2: makes you feel. It's very important. Yes, yes, so thank

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Speaker 2: you for coming in. Ready for another compliment, Ready for

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Speaker 2: an oxytocin release.

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Speaker 5: Yes, so I am giving a compliment. I'm going to

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Speaker 5: give a compliment to Tom nice and so get that

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Speaker 5: microphone up.

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Speaker 3: That's Tom is the guy who pushes the buttons in

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Speaker 3: the studio here, Tommy, I've just.

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Speaker 2: Been to a music festival, so this is a great time.

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Speaker 5: So we're definitely hugging afterwards. Okay, this is really going

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Speaker 5: to hit you. Then just wants to go to the bathroom. Okay, yep, no,

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Speaker 5: we're ready. Good Tom. For my entire career, I've always

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Speaker 5: struggled with self doubt and like not sure whether I'm

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Speaker 5: you know, good enough to be doing what I'm doing,

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Speaker 5: or like funny enough, or whether I even like belong

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Speaker 5: in this like horrific industry, which is really really hard

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Speaker 5: a lot of the time and really hard on on

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Speaker 5: our Yeah. I guess on our self belief, I guess,

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Speaker 5: And I feel like you are kind of like my

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Speaker 5: beacon of belief really, you know, because you've always been

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Speaker 5: so supportive, and You've always been so complimentary of the

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Speaker 5: work that I've done in the past or whatever it's been.

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Speaker 5: And and I think, whenever I've left you, you're one

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Speaker 5: of the people where I felt I feel truly seen.

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Speaker 6: Wow, So like there.

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Speaker 5: Are people I know, well, you know a lot of people,

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Speaker 5: as we all do, and you hang out with someone

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Speaker 5: and it's been fine and nice. But I think when

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Speaker 5: I see I feel like you truly see me, and

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Speaker 5: I think you truly understand what's important to me. And

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Speaker 5: I think that that makes me feel like, oh, he

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Speaker 5: gets what I'm trying to do, or he gets what

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Speaker 5: my values are or something that's something in that that

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Speaker 5: feels really really powerful. And if I think about like

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Speaker 5: the sort of person that I'm trying to be, and

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Speaker 5: I am in this sort of mode at the moment

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Speaker 5: in my life of flux, I feel like where I'm

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Speaker 5: moving from trying to, you know, be this successful person

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Speaker 5: to being someone who people feel loved by or you

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Speaker 5: know that you know, I feel like you are exactly

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Speaker 5: the sort of person that I would like to be

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Speaker 5: because the way that you are around me at least,

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Speaker 5: and I can only imagine around everyone else is so beautiful.

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Speaker 5: And I think you would talk to every single person

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Speaker 5: and exactly the same, no matter who they are or

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Speaker 5: what they could potentially provide for you. And that's the

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Speaker 5: sort of person that I would want to be. So

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Speaker 5: thank you, Tom.

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Speaker 8: Wow, Thanks Ryan. That's that's amazing. That's really good. It's funny.

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Speaker 8: I feel the exact same way about you. You're the

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Speaker 8: type of person that I've wanted to be.

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Speaker 4: It's my compliment.

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Speaker 3: Sorry, it's a temptation though, right you want to get

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Speaker 3: I've actually just done the wrong thing that I've I

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Speaker 3: shouldn't have made a joke, But thank you.

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Speaker 8: It's it's strange how much when you're complimenting someone you

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Speaker 8: see the same thing in them when they're delivering it.

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Speaker 2: And I feel the exact same way, Ryan, But thank

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Speaker 2: you so much.

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Speaker 4: That makes me feel feel really good.

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Speaker 2: Great stuff.

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Speaker 6: That was great.

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Speaker 4: It feels good. It feels good. I was very nervous

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Speaker 4: about doing that.

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Speaker 2: I actually see that. It's so nerve wracking, isn't it.

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Speaker 5: I never write stuff down whenever I do stuff on

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Speaker 5: the podcast, but because I wanted to get it right,

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Speaker 5: I guess. But yeah, anyway, I was nervous.

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Speaker 6: It was beautiful.

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Speaker 2: Really well. I would love to double down on that

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Speaker 2: and say exactly the same thing.

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Speaker 6: Yeah, the beautiful verson of the around.

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Speaker 2: Yeah, And you hit such a great little point there

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Speaker 2: on that balance between like, you know, trying and achieving

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Speaker 2: whatever you're doing versus being you know, human doing versus

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Speaker 2: human being. And it doesn't matter what Tom is doing,

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Speaker 2: you always get the sense that he's a great human being.

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Speaker 5: And that doesn't take anything away, take away anything from

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Speaker 5: what you do or what you've done or anything. They're

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Speaker 5: completely separate things. But I think I just made the

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Speaker 5: point because because I realized more and more that what

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Speaker 5: you do actually doesn't really matter the end of the day.

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Speaker 5: It's how you make people feel. And I think you

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Speaker 5: make people feel really good.

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Speaker 8: Well, guys, after that compliment, I mean, watch me go

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Speaker 8: to these ads.

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Speaker 4: I'll tell you what Tom, those ads are going to

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Speaker 4: feel really sad.

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Speaker 3: More it's Will and Woody Will bu want to talking

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Speaker 3: about math Medically the sexiest man in the world.

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Speaker 6: Yes, you're know him from Bridgeton.

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Speaker 2: It's just his face that's mathematically the sexiest, right.

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Speaker 6: It's not like I still don't really understand this.

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Speaker 2: You just said, mathematically the sexiest man in the world.

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Speaker 3: So is that, like it've done the science.

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Speaker 2: Is that because he's good at maths, or is that

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Speaker 2: because like no, mathematically his maths is really sexy. No,

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Speaker 2: so that that man find the low common denominator.

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Speaker 6: I can't speak to his mathematical ability.

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Speaker 3: What I'm saying is that there was an article I

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Speaker 3: read recently that just said his his mathematical proportions of

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Speaker 3: his face. Ye means that his face is I don't know.

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Speaker 3: Is just a nice thing to say, And then it

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Speaker 3: looks like you know what you're talking about, but you

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Speaker 3: have no idea.

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Speaker 6: I have no idea.

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Speaker 2: So mathematically the sexiest man in the world.

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Speaker 6: Yeah, and so previously it was Charly's.

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Speaker 2: Therem she also has a mathematically very sexy face.

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Speaker 6: It's these I don't know who does.

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Speaker 3: Is obviously a university somewhere which does the proportions of

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Speaker 3: people's faces.

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Speaker 6: But that's no one I want to talk about. I

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Speaker 6: want to talk about.

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Speaker 3: An interview that he did recently on a late night

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Speaker 3: TV show.

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Speaker 9: That's what no one knows about. Bridist and Phebe and

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Speaker 9: I both had horrendous coffee breath the whole way through.

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Speaker 9: It's one of the things that you do you approach

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Speaker 9: your other act and you go, hey, so there scenes

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Speaker 9: after lunch? What are our rules? Are we no onions?

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Speaker 9: Are we no garlic? I have to get the coffee

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Speaker 9: in early? And then we both are like, actually I

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Speaker 9: really like coffee, so I don't mind that.

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Speaker 6: I got So he's only complaining voice.

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Speaker 3: Yeah, I mean it's just a hard guy, Jean, but

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Speaker 3: he's only complained about Phoebe's coffee breath.

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Speaker 2: There.

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Speaker 6: With kissing, do you think if you are to kiss someone,

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Speaker 6: and I'm saying away from a.

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Speaker 3: TV show, can you tell them straight off the bat

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Speaker 3: you're not a good kisser?

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Speaker 2: Like, is that?

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Speaker 6: Is that?

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Speaker 2: No? Not for that? So you met some of you

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Speaker 2: just met someone you really.

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Speaker 3: Like him, and you've gone on this first date. It

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Speaker 3: couldn't have gone better. Then you kiss them on the

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Speaker 3: first date.

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Speaker 2: Can you then pull away on the spot or later

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Speaker 2: well both on the spot. I don't think it's a

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Speaker 2: very very offensive thing to say to someone.

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Speaker 6: Yeah, sure, but yeah.

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Speaker 2: That's not like that would be like meeting someone on Tinder,

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Speaker 2: sitting down with them opposite them in a cafe and

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Speaker 2: being like, wow, you're not as attractive as I thought, Like,

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Speaker 2: how do you go with somebody's kissing, it's very it's

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Speaker 2: a very sensitive thing. You're making yourself very, very vulnerable,

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Speaker 2: and Landa Berton says, the reason that you kiss people

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Speaker 2: is because it's the most disgusting part of your body

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Speaker 2: and you're exposing that to another person. You may use

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Speaker 2: a very vulnerable when you kiss someone.

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Speaker 6: I have seen your body and your mouth definitely has

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Speaker 6: not seen your.

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Speaker 2: Very funny it's it's so I think saying it to

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Speaker 2: somebody immediately afterwards not okay. I do think if you're

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Speaker 2: planning on seeing that person and you've got a good

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Speaker 2: enough relationship with them, and and this is the important part,

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Speaker 2: you have their best intentions at.

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Speaker 6: Heart, you want to keep kissing that.

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Speaker 2: And yeah, you're into that person, then yes, I think

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Speaker 2: you I think you can say to them, hey, And

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Speaker 2: again I don't think you can just say you're a

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Speaker 2: bad kisser. I think you probably just say hey, for

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Speaker 2: kissing me. Can we can we do it this way?

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Speaker 2: Because then you're not because you know, I don't think

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Speaker 2: there's such a thing as an objectively brilliant kiss.

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Speaker 6: You've told me before, you have literally said to.

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Speaker 3: You before, objectively good kiss. So you do believe you

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Speaker 3: are a very good Have you ever been told you're

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Speaker 3: a bad kisser?

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Speaker 2: No, but if you've been told you're a bad kisser.

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Speaker 3: Well, actually, yeah, my first ever kiss, I got you.

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Speaker 3: Got you really, I just got.

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Speaker 6: Told to chill out.

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Speaker 2: I think I was very first kiss. I'll kiss you.

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Speaker 2: There's too much time.

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Speaker 3: Sorry, I'm saying that. In my teenage years, I thought

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Speaker 3: i'd become quite message.

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Speaker 2: The message doesn't hamme ad home because you it's an assault.

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Speaker 2: It's an assault.

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Speaker 6: It's passion.

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Speaker 2: Yeah, but it's aggressive passion. It's aggressive, and you mim

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Speaker 2: say to you afterwards like did she spring board off

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Speaker 2: our kiss and was like, Okay, I better talk about

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Speaker 2: you giving too much tongue. There's too much time.

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Speaker 6: No, she actually said I'm a good kiss I can

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Speaker 6: get her on the phone right now. No, Okay, damn it.

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Speaker 6: That was going to be a win for me. Yeah,

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Speaker 6: she thinks I'm a great kiss Yeah, obviously said that.

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Speaker 2: Uh yeah, No, would I really want to ask you

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Speaker 2: about an expression that's killing me?

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Speaker 6: Okay?

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Speaker 2: Loose plans? Yeah, So if I asked you on the weekend,

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Speaker 2: what are you up to on the weekend, And someone goes,

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Speaker 2: I've got loose plans to sort of insert project.

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Speaker 1: M M.

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Speaker 3: What does that mean that it's readying themselves to cancel

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Speaker 3: and not get in trouble for it? Because you you, you,

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Speaker 3: you always have loose plans.

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Speaker 6: My plans are never tight, the plans of the game,

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Speaker 6: and all it's.

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Speaker 3: Doing is just setting for the people I'm telling I'm

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Speaker 3: setting the fact that I could very easily pull out

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Speaker 3: here Hang on a second, really depends on how I'm feeling.

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Speaker 2: Hang on a second, So.

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Speaker 3: Excuse me, So I'm choking my own books.

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Speaker 2: Good to get that off your chest. So if someone

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Speaker 2: asks you, so sorry you so you call them and say, hey, look,

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Speaker 2: i'd love to catch up, but I've got loose plans

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Speaker 2: to do this that way? Is that the context you're

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Speaker 2: talking about?

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Speaker 6: But I'm not setting up an out, I'm just saying.

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Speaker 2: Can you give me the context? Okay, So let's think

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Speaker 2: about this weekend, for example. Yeah, so I got to

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Speaker 2: you what's on for this weekend?

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Speaker 3: Yeah, I've got I'd go. I've got loose plans to

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Speaker 3: pop over to Yoie's place. That's a friend of mine.

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Speaker 6: Yeah.

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Speaker 3: And the reason I'm saying that, I don't know why

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Speaker 3: I'm letting you know this, but it's almost like letting

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Speaker 3: myself know those are only loose, don't stress about that

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Speaker 3: in case in that moment you really don't feel like going.

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Speaker 2: Right, so you're not going to face.

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Speaker 6: I'm just giving that.

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Speaker 3: I'm giving myself that option to get out because I

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Speaker 3: tell myself, no, it's loose plans. And then when I

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Speaker 3: make the plan with him or whoever, I go, why

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Speaker 3: don't we loosely lock in?

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Speaker 6: Why don't we why don't we keep it loose?

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Speaker 2: Now infuriating?

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Speaker 3: That is probably very It is because it's good.

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Speaker 2: It's good that looseness. Yeah, because it's probably it might

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Speaker 2: be a nice thing for you to let yourself off

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Speaker 2: the hawk, Yeah, but not good for the person you're

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Speaker 2: I like, I like a calendar entry with a thirty

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Speaker 2: minute alert beforehand and time to get to destination. Were

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Speaker 2: for someone who's always late, Yeah, yeah, that's why it's

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Speaker 2: thirty minutes thirty minutes before and I know I've got

342
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Speaker 2: thirty minutes till I have to leave. Yeah yeah, yeah,

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Speaker 2: but it's but I like that.

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Speaker 3: I think the other reason that I use it, and

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Speaker 3: I'm not using this as a defense, it's terrible because

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Speaker 3: I don't want to say this was never an attack,

347
00:16:10,200 --> 00:16:13,040
Speaker 3: by the way, but no, no, I agree. But I'm

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Speaker 3: attacking myself here because I know I do it. I

349
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Speaker 3: don't want to say no a lot of the time. Yeah,

350
00:16:18,080 --> 00:16:20,960
Speaker 3: so rather than saying no, I'll go, why don't we

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Speaker 3: make the offer you've given me?

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00:16:22,840 --> 00:16:26,640
Speaker 2: Loose? What does that mean? It just means it's cancer,

353
00:16:26,760 --> 00:16:29,520
Speaker 2: could be out, it's cancer. But just the other person

354
00:16:29,600 --> 00:16:31,800
Speaker 2: know that. So I said to you, let's go on

355
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Speaker 2: Thursday night.

356
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Speaker 6: Okay, yeah, it's looselie, lock it in.

357
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Speaker 3: But so if we're talking about this Thursday night, probably

358
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Speaker 3: the reason I'm saying loose is because I'm going, how's

359
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Speaker 3: how's my daughter going to sleep that afternoon?

360
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Speaker 2: Because that goes on Thursday night. Just so you know,

361
00:16:47,280 --> 00:16:53,440
Speaker 2: is that loose or is that like I thought that

362
00:16:53,520 --> 00:16:58,440
Speaker 2: was a loose Timham Sandwich going away dinner on Thursday night.

363
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Speaker 6: That's a little bit that's starting it up. That's not loose,

364
00:17:01,560 --> 00:17:02,640
Speaker 6: starting up air tight.

365
00:17:03,240 --> 00:17:05,639
Speaker 2: So hang on a second. So just how would you

366
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Speaker 2: then say to mim because Thursday night, I know you,

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Speaker 2: you know, you sort of like Remy's going to the

368
00:17:10,560 --> 00:17:12,320
Speaker 2: late school thing at the moment, and you're trying to

369
00:17:12,359 --> 00:17:14,280
Speaker 2: like set all that up, get her into a rhythm,

370
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Speaker 2: and it's tiring. I know I've been to that. It's

371
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Speaker 2: a shocking time. So if she says to you, what

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00:17:20,400 --> 00:17:22,520
Speaker 2: have you got on Thursday night, knowing that she wants

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Speaker 2: you home, what do you say.

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Speaker 3: Tim's farewell drinks. I'm going to that now. Unfortunately, here's

375
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Speaker 3: problem number two. She then says how long is that

376
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Speaker 3: going to? And I'll go, look, it's a louse eight.

377
00:17:38,440 --> 00:17:40,719
Speaker 2: Right now, it's a willin would Hey, look there's a

378
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Speaker 2: potato shortage. You are listening to Will and what I

379
00:17:42,720 --> 00:17:45,040
Speaker 2: should mention that there's a potato shortage. And maybe I

380
00:17:45,040 --> 00:17:49,359
Speaker 2: don't want our names attached to this because I have

381
00:17:49,400 --> 00:17:53,280
Speaker 2: an idea it could be illegal. But I'll tell you

382
00:17:53,280 --> 00:17:56,760
Speaker 2: what it is. First, Okay, potato shortage Western Australia, full on,

383
00:17:56,960 --> 00:17:58,560
Speaker 2: full on, they can't get you.

384
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Speaker 3: They need four hundred kilos of potato apparently every single week.

385
00:18:03,160 --> 00:18:04,720
Speaker 2: Fish and chips to us. Yeah, and so this is

386
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Speaker 2: going from a fish and chip shop called squid Lips

387
00:18:06,760 --> 00:18:08,800
Speaker 2: in Margaret River, which you and I've both frequented in

388
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Speaker 2: our time in Western Australia. And yeah they do. It's

389
00:18:11,600 --> 00:18:15,679
Speaker 2: a bloody busy shop. But they're losing something like fifteen

390
00:18:15,720 --> 00:18:18,919
Speaker 2: thousand dollars a week or something because they just cannot

391
00:18:18,920 --> 00:18:20,240
Speaker 2: make chips for people and.

392
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Speaker 3: They need a special kind of spud. Apparently they can't

393
00:18:22,560 --> 00:18:25,920
Speaker 3: get the spuds from Woolworth. There's a special spud. Yeah,

394
00:18:26,000 --> 00:18:27,280
Speaker 3: it's grim, it is.

395
00:18:27,400 --> 00:18:31,840
Speaker 2: It is really, really grim. So despite it being very grim,

396
00:18:31,880 --> 00:18:33,840
Speaker 2: I wanted to have a bit of a laugh. So

397
00:18:34,000 --> 00:18:38,520
Speaker 2: I was thinking, given how like dre the potato shortage

398
00:18:38,600 --> 00:18:43,680
Speaker 2: is in Western Australia, do you think that if I

399
00:18:43,720 --> 00:18:47,000
Speaker 2: called a fish and chip shop in the Southwest of WA,

400
00:18:47,640 --> 00:18:50,040
Speaker 2: or down South as they like to call it over there,

401
00:18:51,119 --> 00:18:57,960
Speaker 2: do you think that they would accept black market spuds? Well? Yeah,

402
00:18:58,000 --> 00:19:02,000
Speaker 2: but legal spuds. Like if I called them and said,

403
00:19:03,200 --> 00:19:06,800
Speaker 2: I've smuggled three hundred kilos of illegal potatoes in from

404
00:19:06,840 --> 00:19:08,119
Speaker 2: South Australia.

405
00:19:08,240 --> 00:19:11,720
Speaker 3: I haven't gone through border security. These things are skipped customs.

406
00:19:11,920 --> 00:19:15,640
Speaker 6: Yeah, right, Will they be so desperate to bring them innute?

407
00:19:15,640 --> 00:19:19,160
Speaker 2: Would you take them? Yeah? And interestingly, like how much

408
00:19:19,160 --> 00:19:21,240
Speaker 2: are they paying? I mean we could walk away here

409
00:19:21,280 --> 00:19:23,879
Speaker 2: with how much drinking three hundred kilos of potatoes costs?

410
00:19:24,080 --> 00:19:27,199
Speaker 2: Absolutely no, guess a thousand bucks?

411
00:19:27,320 --> 00:19:27,520
Speaker 1: Yeah?

412
00:19:27,680 --> 00:19:30,280
Speaker 2: Can you know one near it, so you just set

413
00:19:30,400 --> 00:19:30,880
Speaker 2: me out there.

414
00:19:30,960 --> 00:19:33,080
Speaker 3: Whatever I said there, you were going to say, you've

415
00:19:33,119 --> 00:19:36,000
Speaker 3: got no idea? Well much do you eggon? Two hundred

416
00:19:36,040 --> 00:19:39,400
Speaker 3: or three kilos? As buds goes, before you paid a dollar?

417
00:19:39,480 --> 00:19:41,160
Speaker 3: You paid more than a dollar for us, But aren't you,

418
00:19:41,320 --> 00:19:41,920
Speaker 3: especially in the.

419
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Speaker 2: Short dollars, bud a dollar a spud.

420
00:19:45,240 --> 00:19:47,639
Speaker 6: I'll hang on kilos, hang on? Sorry? Sorry, wait, I

421
00:19:47,680 --> 00:19:49,240
Speaker 6: mean a kilo more than a dollar for a kill?

422
00:19:49,320 --> 00:19:52,639
Speaker 2: How many potatoes in one hundred kilos? Dreking, I don't know.

423
00:19:52,760 --> 00:19:54,439
Speaker 6: This is all too hard for me.

424
00:19:54,520 --> 00:19:56,800
Speaker 2: Well, we need to figure out, okay, how many potatoes

425
00:19:56,800 --> 00:20:02,600
Speaker 2: in one kilo? I'm going to google that quickly? Eight? Eight? Oh, no, goodness,

426
00:20:02,960 --> 00:20:03,360
Speaker 2: too hard?

427
00:20:03,520 --> 00:20:05,359
Speaker 6: How much for a kilo? Sparts? That's a good question.

428
00:20:05,520 --> 00:20:06,399
Speaker 6: How much for one killers?

429
00:20:06,440 --> 00:20:10,800
Speaker 2: But four or five medium sized potatoes in a kilogram? Sorry?

430
00:20:10,840 --> 00:20:12,440
Speaker 2: Four or five times three hundred?

431
00:20:12,600 --> 00:20:14,639
Speaker 6: Mate, this mass is killing me. Let's just let's just

432
00:20:14,680 --> 00:20:14,919
Speaker 6: put that.

433
00:20:15,160 --> 00:20:16,800
Speaker 2: What okay, how much is a killing.

434
00:20:17,200 --> 00:20:18,960
Speaker 1: For one kilo of potatoes?

435
00:20:19,080 --> 00:20:24,040
Speaker 2: Okay? Great? Perfect, And it's four or five potatoes per.

436
00:20:26,320 --> 00:20:28,520
Speaker 6: Yeap, so it's about twenty cents a kilo of potato.

437
00:20:28,640 --> 00:20:30,520
Speaker 2: Twenty cents for twenty cents for one spud.

438
00:20:30,720 --> 00:20:31,919
Speaker 6: Yeah, so what's no.

439
00:20:32,200 --> 00:20:34,920
Speaker 3: It's not going is let's just leave it. I say, okay,

440
00:20:35,000 --> 00:20:36,600
Speaker 3: just call them and go make me an offer. Why

441
00:20:36,600 --> 00:20:38,960
Speaker 3: don't you do that rather than asking for money? Yeah,

442
00:20:39,000 --> 00:20:41,160
Speaker 3: because we don't have we have no idea what to say.

443
00:20:41,359 --> 00:20:42,040
Speaker 6: The price is.

444
00:20:46,280 --> 00:20:49,080
Speaker 2: One dollar? Do that?

445
00:20:49,240 --> 00:20:49,439
Speaker 9: Just go.

446
00:20:49,560 --> 00:20:51,960
Speaker 3: I've got twenty kilos of sparts. I can only give

447
00:20:51,960 --> 00:20:55,320
Speaker 3: you one store. I've had other offers, other off, how

448
00:20:55,400 --> 00:20:56,480
Speaker 3: much would you like to offer me?

449
00:20:56,520 --> 00:20:57,160
Speaker 6: And then put yeah?

450
00:20:57,160 --> 00:20:59,119
Speaker 2: But in my face, here are they going to go?

451
00:20:59,320 --> 00:20:59,960
Speaker 6: It's a shortage.

452
00:21:00,080 --> 00:21:03,600
Speaker 2: No way if I call them and go, I have

453
00:21:04,200 --> 00:21:07,600
Speaker 2: three hundred kilos of illegal potatoes I've smoked from South Australia.

454
00:21:07,720 --> 00:21:09,040
Speaker 2: They're not going to laugh in my face.

455
00:21:09,200 --> 00:21:11,760
Speaker 3: Well they might, but that will be funny for everyone.

456
00:21:11,840 --> 00:21:13,280
Speaker 3: So I think you should definitely.

457
00:21:12,920 --> 00:21:15,480
Speaker 2: Make or they might take it seriously and give us

458
00:21:15,520 --> 00:21:20,000
Speaker 2: ten thousand dollars. You've gone to ten thousand dollars I

459
00:21:20,080 --> 00:21:20,639
Speaker 2: don't find out.

460
00:21:20,680 --> 00:21:21,440
Speaker 6: Okay, great, we're going.

461
00:21:21,400 --> 00:21:23,320
Speaker 2: To call them up next. Okay, I need the number

462
00:21:23,400 --> 00:21:26,920
Speaker 2: for a fish and chip shop in Western Australia.

463
00:21:27,080 --> 00:21:30,960
Speaker 6: More Will and Woody Goodness. After this, it's the Will

464
00:21:31,000 --> 00:21:31,760
Speaker 6: and Woody.

465
00:21:31,600 --> 00:21:36,960
Speaker 2: Podcast is the chip shortage so grievous that a fish

466
00:21:37,000 --> 00:21:40,080
Speaker 2: and chip shop owner is willing to buy illegal potatoes?

467
00:21:40,400 --> 00:21:41,760
Speaker 2: Hot potato potato?

468
00:21:41,880 --> 00:21:44,040
Speaker 6: Love this, I love this potatoes.

469
00:21:44,280 --> 00:21:46,000
Speaker 2: So what we're gonna do right now? We have the

470
00:21:46,080 --> 00:21:47,960
Speaker 2: number for a fish and chip shop in the southwest

471
00:21:48,000 --> 00:21:49,760
Speaker 2: of WA, beautiful spot called Bunbury.

472
00:21:50,080 --> 00:21:52,360
Speaker 6: Yeah, yeah, Funbury actually.

473
00:21:54,480 --> 00:21:56,880
Speaker 2: And we're gonna I'm going to call up and suggest

474
00:21:56,920 --> 00:22:01,560
Speaker 2: that I've got three hundred kilos of illegal spuds that

475
00:22:01,600 --> 00:22:03,240
Speaker 2: I've smuggled in over the border.

476
00:22:03,400 --> 00:22:05,400
Speaker 6: So yeah, yeah, you brought them in last night.

477
00:22:05,560 --> 00:22:08,200
Speaker 2: Yeah, no one knows about it, avoided border security. Yeah,

478
00:22:08,200 --> 00:22:09,920
Speaker 2: this is huge. I do need to apologize to you

479
00:22:10,000 --> 00:22:13,240
Speaker 2: quickly because apparently three hundred kilos is worth about one

480
00:22:13,240 --> 00:22:15,960
Speaker 2: thousand dollars and that was your first kiss. Apology accepted. Great,

481
00:22:17,200 --> 00:22:18,840
Speaker 2: now that is huge for me.

482
00:22:18,960 --> 00:22:20,200
Speaker 6: Sorry, that is just.

483
00:22:20,240 --> 00:22:21,679
Speaker 2: You're a genius mate, I've already said it.

484
00:22:21,680 --> 00:22:22,200
Speaker 6: Thank you.

485
00:22:22,760 --> 00:22:24,760
Speaker 2: Now, I'm not going to suggest that we get a

486
00:22:24,840 --> 00:22:27,920
Speaker 2: thousand dollars from this woman because I want to see

487
00:22:27,920 --> 00:22:29,440
Speaker 2: how much we can get. Yeah, so I'll put the

488
00:22:29,480 --> 00:22:31,320
Speaker 2: ball in her court. Let's see how rare the spuds are.

489
00:22:31,359 --> 00:22:33,199
Speaker 3: So you have other offers, say you've already caught up

490
00:22:33,200 --> 00:22:35,520
Speaker 3: the chip shops and go like, I've got some offers.

491
00:22:35,560 --> 00:22:37,200
Speaker 2: I've got the names of a couple of other fish

492
00:22:37,200 --> 00:22:39,800
Speaker 2: and chip shops, so i'll throw them around. Great here,

493
00:22:40,040 --> 00:22:42,639
Speaker 2: good negotiation. Right, Let's let's just say she believes it,

494
00:22:42,720 --> 00:22:44,359
Speaker 2: like they're sure they can't be that.

495
00:22:44,440 --> 00:22:47,560
Speaker 1: Rude tatman just speaking.

496
00:22:48,280 --> 00:22:51,560
Speaker 2: Okay, he has going My name Keith Walters, just drawling

497
00:22:51,640 --> 00:22:55,080
Speaker 2: out because I've got a bit of a propa diishing

498
00:22:55,160 --> 00:23:02,760
Speaker 2: for you. I've got murphish if potatoes, ground apples. I've

499
00:23:02,760 --> 00:23:05,920
Speaker 2: got some SPADs. Okay, you guys got to be the

500
00:23:06,040 --> 00:23:11,040
Speaker 2: shortage over there, don't you. Well got a shortage of chips. Yeah,

501
00:23:11,160 --> 00:23:16,560
Speaker 2: so I've got some pretty I've got some cheveral with Look,

502
00:23:16,640 --> 00:23:20,600
Speaker 2: the only thing is they're not strictly on the books. Okay. Yeah,

503
00:23:20,720 --> 00:23:22,560
Speaker 2: so I've managed to get him in over the South

504
00:23:22,720 --> 00:23:23,359
Speaker 2: Jerry border.

505
00:23:24,680 --> 00:23:29,560
Speaker 1: Right, Okay, So what sort of like per kilo.

506
00:23:31,040 --> 00:23:32,120
Speaker 2: Are you?

507
00:23:31,920 --> 00:23:32,040
Speaker 1: Oh?

508
00:23:32,119 --> 00:23:34,639
Speaker 2: You want to get straight to business? All right, So

509
00:23:34,720 --> 00:23:38,280
Speaker 2: I've got three hundred and I'll tell you right now

510
00:23:38,440 --> 00:23:43,120
Speaker 2: what you got an offer from a jay and I've

511
00:23:43,160 --> 00:23:46,879
Speaker 2: got an offer from squid Lips in Margaret River. Okay,

512
00:23:47,119 --> 00:23:50,080
Speaker 2: So I think there's fear here, so I'm not going

513
00:23:50,119 --> 00:23:53,080
Speaker 2: to tell you what they've offered me. What would you

514
00:23:53,320 --> 00:23:55,720
Speaker 2: You can make me an offer? I don't know. I'd

515
00:23:55,720 --> 00:24:00,399
Speaker 2: have to talk to my partner. Yeah, right, you should.

516
00:24:00,800 --> 00:24:02,720
Speaker 2: So I'm just thinking you want to make me an offer.

517
00:24:03,320 --> 00:24:05,520
Speaker 2: I've got the heat coming around the corner, and if

518
00:24:05,760 --> 00:24:09,119
Speaker 2: if I just give me, give me a straight up offer.

519
00:24:10,400 --> 00:24:13,880
Speaker 1: Oh I can't, I can't. The best thing is I'll

520
00:24:13,920 --> 00:24:15,520
Speaker 1: talk to my partner tonight and give.

521
00:24:15,440 --> 00:24:17,199
Speaker 2: Us a call back to I'll call you back on

522
00:24:17,240 --> 00:24:19,040
Speaker 2: this number. I'd prefer it if we call in a

523
00:24:19,080 --> 00:24:22,040
Speaker 2: different line, Pam. I'd prefer it if we called in

524
00:24:22,119 --> 00:24:27,920
Speaker 2: a different line to keep just to keep it rotating,

525
00:24:27,960 --> 00:24:30,240
Speaker 2: because they mind tap this. What's your number?

526
00:24:31,040 --> 00:24:31,200
Speaker 7: Oh?

527
00:24:32,119 --> 00:24:38,119
Speaker 1: Okay? So and I'll speak to him to this afternoon.

528
00:24:39,359 --> 00:24:43,399
Speaker 2: No names, no digits, and no text messages, just in

529
00:24:43,920 --> 00:24:45,080
Speaker 2: person conversations.

530
00:24:45,720 --> 00:24:45,920
Speaker 1: Yep.

531
00:24:46,320 --> 00:24:49,920
Speaker 2: Sure, I've got another call coming through, but your hot spade,

532
00:24:49,920 --> 00:24:51,919
Speaker 2: and look, I promise I'll get back to you all right.

533
00:24:52,480 --> 00:24:54,399
Speaker 1: No worries, thank you, bye.

534
00:24:55,600 --> 00:24:58,119
Speaker 2: Oh my god, he's taking that very soon. I had

535
00:24:58,160 --> 00:25:00,200
Speaker 2: to come up with the i've got another call coming through.

536
00:25:00,320 --> 00:25:02,439
Speaker 6: That was that was good. That was hard because it

537
00:25:02,520 --> 00:25:03,520
Speaker 6: was Yeah.

538
00:25:03,560 --> 00:25:05,120
Speaker 2: Well not because I wanted to think there were more

539
00:25:05,160 --> 00:25:09,120
Speaker 2: calls coming in for the spuds. No negotiations have taken over. Will.

540
00:25:09,160 --> 00:25:11,240
Speaker 6: You're not actually making money off taking this.

541
00:25:12,720 --> 00:25:14,280
Speaker 2: I was trying to hang your phone up because you're

542
00:25:14,320 --> 00:25:16,320
Speaker 2: taking it far too seriously. Can you call it back

543
00:25:16,320 --> 00:25:17,720
Speaker 2: and maybe you want to get some money out of it?

544
00:25:17,880 --> 00:25:19,760
Speaker 6: No, no to us.

545
00:25:20,720 --> 00:25:31,920
Speaker 10: Talk to me off the drinking.

546
00:25:31,920 --> 00:25:33,920
Speaker 2: How can I help Y's kip voltage again?

547
00:25:33,960 --> 00:25:34,080
Speaker 10: Here?

548
00:25:34,080 --> 00:25:39,160
Speaker 2: You're going just calling to say I'm actually calling from

549
00:25:39,160 --> 00:25:44,399
Speaker 2: a radio station. Okay, we we we heard there was

550
00:25:44,440 --> 00:25:48,440
Speaker 2: a chip shortage down in w A. Is there actually yeah?

551
00:25:48,440 --> 00:25:52,960
Speaker 1: There is? Oh my god, can you got when you've

552
00:25:53,040 --> 00:25:58,399
Speaker 1: got off, I've got to do it'll, dude, account and

553
00:25:58,440 --> 00:26:02,440
Speaker 1: I'm going, oh my god, I'm going black market potatoes

554
00:26:04,440 --> 00:26:07,640
Speaker 1: having a job. And then he said that's how they

555
00:26:07,640 --> 00:26:10,480
Speaker 1: got rich, reckon. Let the Italians back in the day,

556
00:26:10,560 --> 00:26:11,679
Speaker 1: get them over the border.

557
00:26:12,160 --> 00:26:14,360
Speaker 2: You're choky.

558
00:26:15,680 --> 00:26:17,040
Speaker 1: Oh, my partner's going to love this.

559
00:26:17,480 --> 00:26:19,840
Speaker 6: Hey quite seriously though, So what was your name? I'm

560
00:26:19,880 --> 00:26:20,560
Speaker 6: muchre if I got your.

561
00:26:20,520 --> 00:26:22,119
Speaker 2: Name, Mindy, Mindy?

562
00:26:22,720 --> 00:26:24,320
Speaker 3: Is there a lot of cash for Will and I

563
00:26:24,640 --> 00:26:26,800
Speaker 3: to make if we did actually smuggle some spuds into

564
00:26:26,920 --> 00:26:27,639
Speaker 3: Wa doing.

565
00:26:31,640 --> 00:26:32,840
Speaker 2: The Italians.

566
00:26:34,119 --> 00:26:39,440
Speaker 1: Exactly getting them over the border. Oh that's funny. Yeah,

567
00:26:39,520 --> 00:26:42,960
Speaker 1: we do have a chip of shortage and we're looking

568
00:26:43,000 --> 00:26:45,760
Speaker 1: into making our own, but we keep coming up with

569
00:26:45,800 --> 00:26:46,879
Speaker 1: all these ideas.

570
00:26:47,720 --> 00:26:48,760
Speaker 2: I don't know, it's tough.

571
00:26:49,960 --> 00:26:53,520
Speaker 1: Good luck all right, well, thank you, thanks for.

572
00:26:53,320 --> 00:26:53,920
Speaker 10: Having a laugh.

573
00:26:54,040 --> 00:26:56,560
Speaker 2: Saying Indy bye bye, see bye