1 00:00:00,080 --> 00:00:03,840 Speaker 1: Podcast, podcast podcast, Let me do all the heavy lifting here, friend. 2 00:00:03,560 --> 00:00:05,520 Speaker 2: All my voice isn't its best today? 3 00:00:05,960 --> 00:00:06,160 Speaker 3: Well? 4 00:00:06,160 --> 00:00:08,039 Speaker 1: What about the new Beatles song? Let's talk about that 5 00:00:08,080 --> 00:00:11,280 Speaker 1: sure five fear flashback today best song by a Beatle 6 00:00:11,480 --> 00:00:15,160 Speaker 1: Apologies to Ringo and George. We've gone Paul McCartney versus 7 00:00:15,240 --> 00:00:15,880 Speaker 1: John Lennon. 8 00:00:15,960 --> 00:00:17,840 Speaker 2: Whoever was going to win? It was going to be okay. 9 00:00:18,040 --> 00:00:21,200 Speaker 1: Our favorite trading in the whole world. Scottie cam QR 10 00:00:21,280 --> 00:00:23,959 Speaker 1: codes in restaurants, using them to order food. It was 11 00:00:23,960 --> 00:00:26,840 Speaker 1: the thing for the COVID pandemic, but now we're still 12 00:00:26,840 --> 00:00:29,600 Speaker 1: doing it. Does it pass the pub test? Also, we 13 00:00:29,680 --> 00:00:31,520 Speaker 1: have to discuss the mushroom woman. 14 00:00:31,960 --> 00:00:33,800 Speaker 2: She'll always be known as mushroom Lady to. 15 00:00:33,760 --> 00:00:36,720 Speaker 1: You, mushroom Lady. I think there's a degree is Shittaki 16 00:00:36,800 --> 00:00:41,040 Speaker 1: in this story? And jim Y Rise jibber jabber. Enjoy 17 00:00:41,080 --> 00:00:51,839 Speaker 1: the podcast, everybody online, I won't now that a miracle 18 00:00:51,840 --> 00:00:52,400 Speaker 1: of recording. 19 00:00:52,600 --> 00:00:54,760 Speaker 4: We have so many requests for them to do it again. 20 00:00:54,880 --> 00:01:02,280 Speaker 5: Mistress Amanda's miss killer Amanda doesn't work alone. Friend, making 21 00:01:02,320 --> 00:01:03,280 Speaker 5: the tools of the train. 22 00:01:03,360 --> 00:01:06,120 Speaker 1: I've heard them describe him as a drunken idiot. 23 00:01:07,560 --> 00:01:11,520 Speaker 3: The legendary part Jonesy and Amanda the actress. 24 00:01:11,560 --> 00:01:13,480 Speaker 2: Congratulations, we're on the right now. 25 00:01:14,760 --> 00:01:16,280 Speaker 4: And Amanda, you're doing a great. 26 00:01:16,120 --> 00:01:21,479 Speaker 3: Job for anyone but your selfie giant Now good radio. 27 00:01:21,760 --> 00:01:26,960 Speaker 1: Sorry but of a tongue tongue twist set. And Amanda, 28 00:01:27,240 --> 00:01:28,360 Speaker 1: it's shoot timing. 29 00:01:29,000 --> 00:01:29,880 Speaker 6: We're on the air. 30 00:01:30,200 --> 00:01:31,720 Speaker 1: Top of the morning to you, missus Monts. 31 00:01:31,760 --> 00:01:33,360 Speaker 2: Hello, Brendan, how are you good? 32 00:01:33,440 --> 00:01:34,960 Speaker 1: We're worried about your voice. 33 00:01:35,160 --> 00:01:38,080 Speaker 2: I feel great, but my voice is it's going to 34 00:01:38,120 --> 00:01:41,080 Speaker 2: warm up throughout the day, so I don't if you 35 00:01:41,160 --> 00:01:43,520 Speaker 2: keep talking. No, but let me just say this. If 36 00:01:43,520 --> 00:01:45,600 Speaker 2: you're hearing this, it's not. If you're hearing this, I've 37 00:01:45,640 --> 00:01:49,440 Speaker 2: been kidnapped. My voice isn't painful to talk. It may 38 00:01:49,480 --> 00:01:51,280 Speaker 2: be painful to listen to, but it's going to warm 39 00:01:51,320 --> 00:01:51,960 Speaker 2: up throughout the day. 40 00:01:52,080 --> 00:01:55,640 Speaker 1: From the diaphragm. Speak from your diaphragm. That's what you've 41 00:01:55,640 --> 00:01:56,000 Speaker 1: got to do. 42 00:01:56,320 --> 00:01:57,320 Speaker 2: I'm going to talk like this. 43 00:01:57,480 --> 00:02:00,639 Speaker 1: That's it. Are you speaking? So get a big gust 44 00:02:00,680 --> 00:02:03,680 Speaker 1: of air into your lungs and speak. 45 00:02:03,400 --> 00:02:05,440 Speaker 2: Out from your speak from here. 46 00:02:05,680 --> 00:02:06,640 Speaker 1: That's what you got to do. 47 00:02:06,800 --> 00:02:09,040 Speaker 2: That's what I do. I'll bring it down, bring my 48 00:02:09,120 --> 00:02:10,000 Speaker 2: registered down. 49 00:02:10,160 --> 00:02:12,120 Speaker 1: We will help you out. I will help you out, 50 00:02:12,160 --> 00:02:14,880 Speaker 1: gm y Rye. You've heard Amanda's voice. Maybe get you 51 00:02:14,919 --> 00:02:17,120 Speaker 1: to do some a little bit of work around the place. 52 00:02:17,320 --> 00:02:18,320 Speaker 4: I'm not helping out. 53 00:02:18,440 --> 00:02:24,240 Speaker 1: Well you just help out with some commentary. Well just commentary, commentary, commentary. 54 00:02:24,520 --> 00:02:26,440 Speaker 1: You want me to do a commentary, well, just you know, 55 00:02:27,320 --> 00:02:27,959 Speaker 1: just help out? 56 00:02:28,000 --> 00:02:29,480 Speaker 7: All right, But I got a price tag. 57 00:02:30,639 --> 00:02:31,240 Speaker 1: And what is that? 58 00:02:31,360 --> 00:02:31,800 Speaker 4: Exactly? 59 00:02:31,840 --> 00:02:33,680 Speaker 8: One hundred dollars per word. 60 00:02:36,080 --> 00:02:37,560 Speaker 2: It's a fraction of what will I get wrong? 61 00:02:37,639 --> 00:02:39,880 Speaker 1: One hundred dollars per word? 62 00:02:40,520 --> 00:02:42,920 Speaker 4: Sounds good? 63 00:02:45,840 --> 00:02:47,560 Speaker 2: Jones, you can't do the matter. You're going to be okay. 64 00:02:47,800 --> 00:02:50,959 Speaker 1: Maybe we break out the station Fisherman's Friends for Amanda 65 00:02:51,520 --> 00:02:54,880 Speaker 1: actually back Saturday, because it's Friday. We love Friday. I'm 66 00:02:55,000 --> 00:02:57,600 Speaker 1: very excited we got the well, I don't want to 67 00:02:57,600 --> 00:02:59,880 Speaker 1: give too much a way, the germanak is very very special. 68 00:03:00,080 --> 00:03:02,480 Speaker 2: I saw it today too. Don't say anymore, but I'm 69 00:03:02,760 --> 00:03:03,760 Speaker 2: so excited about it. 70 00:03:03,800 --> 00:03:05,760 Speaker 1: Very excited. Scott cam is going to be joining us 71 00:03:05,760 --> 00:03:07,560 Speaker 1: on the show. It's always a treat. Fight for your 72 00:03:07,560 --> 00:03:10,239 Speaker 1: flashback makes this return, and we can't do anything until 73 00:03:10,280 --> 00:03:11,560 Speaker 1: we do the Magnificent seven. 74 00:03:11,560 --> 00:03:12,280 Speaker 2: You read the question. 75 00:03:12,760 --> 00:03:15,480 Speaker 1: There are great private prizes that go with the Magnificent seven, 76 00:03:15,560 --> 00:03:18,320 Speaker 1: as well a one hundred and fifty dollars Brands restaurant voucher, 77 00:03:18,360 --> 00:03:21,360 Speaker 1: and a someone on the Harbor Cruz package. Question one. 78 00:03:22,360 --> 00:03:26,440 Speaker 1: A spadometer measures and displays the speed. 79 00:03:26,160 --> 00:03:26,600 Speaker 6: Of what. 80 00:03:28,919 --> 00:03:29,280 Speaker 2: Sound? 81 00:03:30,880 --> 00:03:34,480 Speaker 1: Yeah, Gama, if we have the magnificent seven seven questions, 82 00:03:34,480 --> 00:03:36,360 Speaker 1: can you go the way and answer or seven questions correctly? 83 00:03:36,360 --> 00:03:38,080 Speaker 1: If you do that, Amanda will say I'll say not 84 00:03:38,200 --> 00:03:42,119 Speaker 1: much because she's under the weather with the old instrument. 85 00:03:42,240 --> 00:03:45,280 Speaker 2: Yeah, I feel fine. I just sound croaky, but it's back. 86 00:03:45,320 --> 00:03:46,040 Speaker 1: Any questions seven? 87 00:03:46,160 --> 00:03:46,280 Speaker 5: Right? 88 00:03:46,360 --> 00:03:50,800 Speaker 1: Jay is in Blacktown. Hello, jod morning, James and Amanda. 89 00:03:50,840 --> 00:03:51,480 Speaker 3: How are you hi? 90 00:03:51,600 --> 00:03:56,160 Speaker 1: J Question one for you, Jay. A spadometer measures and 91 00:03:56,200 --> 00:04:01,080 Speaker 1: displays the speed of what a vehicle? 92 00:04:01,440 --> 00:04:01,640 Speaker 5: Yeah. 93 00:04:02,200 --> 00:04:05,040 Speaker 1: A hill billy is a term for people who dwell 94 00:04:05,120 --> 00:04:08,200 Speaker 1: in rural mountains areas in which country? 95 00:04:09,560 --> 00:04:10,080 Speaker 3: America? 96 00:04:10,480 --> 00:04:10,720 Speaker 8: Yeah? 97 00:04:10,960 --> 00:04:13,600 Speaker 1: Correct, they got some good hillbillies there. Let's play a 98 00:04:13,640 --> 00:04:16,400 Speaker 1: monster mash. Let's kick off this monster. 99 00:04:16,200 --> 00:04:21,800 Speaker 2: Mag We've munched two songs together, Jay, see if you 100 00:04:21,880 --> 00:04:22,680 Speaker 2: until what they are. 101 00:04:22,680 --> 00:04:27,520 Speaker 1: Eighteen, let's go. We're two, three, four five. 102 00:04:27,760 --> 00:04:30,520 Speaker 9: Everybody in the crowd socomona, right. 103 00:04:30,440 --> 00:04:33,400 Speaker 1: You the builders out around the corner. The gangs all 104 00:04:33,560 --> 00:04:35,600 Speaker 1: here and it's time for us to do what we 105 00:04:35,640 --> 00:04:36,680 Speaker 1: want to be. 106 00:04:37,400 --> 00:04:42,360 Speaker 2: Like Wow, Wow, that's a new Beetles song. 107 00:04:42,560 --> 00:04:50,120 Speaker 1: I love it. Just what two man? That's great? 108 00:04:50,240 --> 00:04:51,240 Speaker 2: Do you know what the two are? 109 00:04:53,000 --> 00:04:53,200 Speaker 10: Yes? 110 00:04:53,320 --> 00:04:56,000 Speaker 3: It's the Bomber Builder theme song with Mumbo number five. 111 00:04:56,120 --> 00:05:09,280 Speaker 1: That's amaz side, very good Jade. Which pasta is shaped 112 00:05:09,360 --> 00:05:11,960 Speaker 1: like a bow tie? It is my favorite pasta? 113 00:05:12,200 --> 00:05:12,640 Speaker 11: Is it? 114 00:05:12,640 --> 00:05:17,120 Speaker 1: It is my favorite pastor? I like it, but it's 115 00:05:17,120 --> 00:05:19,320 Speaker 1: got a name and it's not bow tie pastor? 116 00:05:19,400 --> 00:05:21,200 Speaker 3: Jah? 117 00:05:22,920 --> 00:05:24,560 Speaker 10: Is it? 118 00:05:26,080 --> 00:05:26,120 Speaker 5: No? 119 00:05:28,000 --> 00:05:34,760 Speaker 1: Ja, it's not. Let's try with Sonya of left Bridge Park. Hello, Sonya, 120 00:05:35,680 --> 00:05:36,640 Speaker 1: and hello to you. 121 00:05:37,839 --> 00:05:38,039 Speaker 6: Son. 122 00:05:39,680 --> 00:05:41,080 Speaker 2: I'm glad I got out of bit for this. 123 00:05:42,800 --> 00:05:45,840 Speaker 1: What are you wasting my time for? Which pasta is 124 00:05:45,880 --> 00:05:49,040 Speaker 1: shaped like a bow tie? I'll give you a clue. 125 00:05:49,400 --> 00:05:54,480 Speaker 1: It starts with an F F and it's not for you, silly? 126 00:05:56,480 --> 00:05:59,720 Speaker 1: Does that help you? And it's not not Fucini bow 127 00:05:59,800 --> 00:06:04,600 Speaker 1: tie pastor? What's the what's the Italian name for a ship? 128 00:06:04,680 --> 00:06:05,520 Speaker 5: Podcast? 129 00:06:05,600 --> 00:06:06,080 Speaker 4: The Magnet? 130 00:06:06,560 --> 00:06:10,599 Speaker 1: Am We're a question? Number four? Which pasta is shaped 131 00:06:10,880 --> 00:06:11,960 Speaker 1: like a bow tie? 132 00:06:12,240 --> 00:06:15,800 Speaker 2: This is going to Liz in Penrith. Hi, Liz, he 133 00:06:16,160 --> 00:06:16,599 Speaker 2: are you? 134 00:06:16,640 --> 00:06:17,080 Speaker 1: We're great? 135 00:06:17,279 --> 00:06:19,039 Speaker 2: Okay, I'm a big croaky, but I'm okay. 136 00:06:19,040 --> 00:06:20,000 Speaker 1: Amanda's voice is it? 137 00:06:20,200 --> 00:06:20,440 Speaker 6: Is it? 138 00:06:20,839 --> 00:06:22,120 Speaker 1: Are you liking it on the radio? 139 00:06:22,200 --> 00:06:22,479 Speaker 5: Liz? 140 00:06:24,160 --> 00:06:28,800 Speaker 1: I guess okay, you guess it's just a croaky but 141 00:06:28,839 --> 00:06:30,040 Speaker 1: you're not underady sufferance? 142 00:06:30,200 --> 00:06:31,520 Speaker 2: No, and I feel fine. 143 00:06:32,520 --> 00:06:34,719 Speaker 1: Which pastor is shaped like a bow tie? Liz? 144 00:06:35,760 --> 00:06:37,760 Speaker 2: For Fali, that's it. 145 00:06:38,320 --> 00:06:42,280 Speaker 1: What don't the children need in Pink Floyd's another brick 146 00:06:42,320 --> 00:06:43,839 Speaker 1: in the wall. They don't need something? 147 00:06:46,560 --> 00:06:48,120 Speaker 12: Oh that's before my time? 148 00:06:48,560 --> 00:06:51,360 Speaker 2: Well yeah, but it's called music. 149 00:06:51,600 --> 00:06:51,680 Speaker 8: Ye. 150 00:06:53,600 --> 00:06:55,240 Speaker 1: Moving on. Margaret's in Bossley Park. 151 00:06:55,360 --> 00:06:57,240 Speaker 12: Hi, Margaret, Hi, how are you? 152 00:06:57,360 --> 00:06:57,800 Speaker 4: We're good? 153 00:06:57,920 --> 00:06:59,160 Speaker 2: Singing in your head? Margaret? 154 00:06:59,440 --> 00:07:02,599 Speaker 1: We don't the kids? What don't the kids need in 155 00:07:02,680 --> 00:07:05,920 Speaker 1: Pink Floyd's another brick in the war? No education? 156 00:07:08,040 --> 00:07:10,200 Speaker 2: No, any education? 157 00:07:10,320 --> 00:07:13,360 Speaker 1: Yeah, some might say that they do need some edgumacation. 158 00:07:13,520 --> 00:07:18,160 Speaker 1: There Which motorway links Sydney to Newcastle via the Central Coast? 159 00:07:19,000 --> 00:07:19,400 Speaker 13: M one? 160 00:07:19,600 --> 00:07:19,760 Speaker 6: There? 161 00:07:19,760 --> 00:07:20,160 Speaker 7: It is? 162 00:07:20,960 --> 00:07:23,960 Speaker 1: Which famous band have a new song out today? Can 163 00:07:24,000 --> 00:07:27,000 Speaker 1: you believe it? Since they first started in nineteen sixty three, 164 00:07:27,080 --> 00:07:29,560 Speaker 1: In twenty twenty three, they've got a new song out. 165 00:07:29,600 --> 00:07:32,160 Speaker 12: It's nuts the Beatles. 166 00:07:32,160 --> 00:07:32,360 Speaker 5: There. 167 00:07:32,360 --> 00:07:35,920 Speaker 1: It is exciting news about that coming out very shortly 168 00:07:35,920 --> 00:07:38,960 Speaker 1: in our javinek. Congratulations Jim, Margaret, you won the jam 169 00:07:38,960 --> 00:07:41,080 Speaker 1: package All coming away a one hundred and fifty dollars 170 00:07:41,080 --> 00:07:45,600 Speaker 1: Brenz Restaurant voucher, Epic breakfast, casual coffees, long lunches into 171 00:07:45,600 --> 00:07:48,720 Speaker 1: mid dinners, Barrents is the destination. A Summer on the 172 00:07:48,720 --> 00:07:51,800 Speaker 1: Harbor Cruise package experienced Sydney Harbor with Captain Cook Cruises. 173 00:07:51,920 --> 00:07:54,120 Speaker 1: Tickets available now from Captain Cook dot com dot Are 174 00:07:54,160 --> 00:07:56,360 Speaker 1: you and Jones in a mandicat choice fit the comer 175 00:07:56,400 --> 00:07:58,960 Speaker 1: in that's of say the pedencils. Margaret, anything you'd like 176 00:07:59,000 --> 00:07:59,320 Speaker 1: to add? 177 00:08:00,160 --> 00:08:00,880 Speaker 13: Thank you very much. 178 00:08:00,880 --> 00:08:04,119 Speaker 2: I love sailing on Harper Well Grist very nice. 179 00:08:04,240 --> 00:08:05,840 Speaker 1: You'll love it on Captain Good Cruises. 180 00:08:06,320 --> 00:08:08,960 Speaker 11: Jonesy and Amanda Gemacious podcast. 181 00:08:12,920 --> 00:08:15,520 Speaker 5: Give Up Lady Bog Just way too early for this guy. 182 00:08:16,240 --> 00:08:17,720 Speaker 4: Now asked for the weekend. 183 00:08:18,520 --> 00:08:21,560 Speaker 1: Coming through the jerminak Our Big Book of Musical Facts. 184 00:08:22,080 --> 00:08:26,440 Speaker 1: This page has just been written on this day, twenty 185 00:08:26,520 --> 00:08:30,280 Speaker 1: twenty three Today today Today's date, the third of November. 186 00:08:30,560 --> 00:08:33,720 Speaker 1: The Beatles released their final song Now and Then. The 187 00:08:33,800 --> 00:08:36,360 Speaker 1: song was written and recorded by John Lennon around nineteen 188 00:08:36,400 --> 00:08:39,560 Speaker 1: seventy eight, as a solo home piano demo, but it 189 00:08:39,600 --> 00:08:41,439 Speaker 1: was unfinished until. 190 00:08:42,040 --> 00:08:45,120 Speaker 5: When we lost John, we knew that it was really over. 191 00:08:45,800 --> 00:08:48,560 Speaker 7: I was talking to Yoko and she said, oh, I 192 00:08:48,600 --> 00:08:51,440 Speaker 7: think I've got a tape of John. Paul called me 193 00:08:51,520 --> 00:08:53,520 Speaker 7: up and said, you'd like to work on now? And 194 00:08:53,559 --> 00:08:56,600 Speaker 7: then he put the base on, I put the drums on. 195 00:08:57,840 --> 00:09:00,719 Speaker 9: It's the last song that my dad and George and 196 00:09:00,800 --> 00:09:02,560 Speaker 9: Ringo will get to make it together. 197 00:09:03,120 --> 00:09:07,640 Speaker 5: How lucky was I to have those men in my life. 198 00:09:08,240 --> 00:09:10,320 Speaker 1: So they tooled around with it in the nineties. You 199 00:09:10,360 --> 00:09:12,880 Speaker 1: might remember they did Free as a Bird, all those 200 00:09:12,880 --> 00:09:17,000 Speaker 1: little songs from the Beatles, and George Harrison he didn't 201 00:09:17,040 --> 00:09:20,000 Speaker 1: want to be involved with this because he disliked its 202 00:09:20,040 --> 00:09:21,439 Speaker 1: low quality recording. 203 00:09:21,480 --> 00:09:22,880 Speaker 2: In a long came Peter Jackson. 204 00:09:23,040 --> 00:09:26,160 Speaker 1: Long came Peter Jackson, and he did the documentary The 205 00:09:26,200 --> 00:09:29,640 Speaker 1: Beatles Get Back. And there's now technology, this AI technology, 206 00:09:29,800 --> 00:09:33,960 Speaker 1: which has lifted John Lennon's voice from those low quality recordings, 207 00:09:34,200 --> 00:09:37,439 Speaker 1: also George Harrison's recordings from the nineties. George Harrison passed 208 00:09:37,440 --> 00:09:39,600 Speaker 1: away in two thousand and one, and as Paul McCartney said, 209 00:09:40,120 --> 00:09:43,319 Speaker 1: when George died, they just went on, what can we do. 210 00:09:43,559 --> 00:09:46,920 Speaker 1: What can we do? But now here we are, we 211 00:09:47,000 --> 00:09:50,320 Speaker 1: are standing at the and this is so amazing. Nineteen 212 00:09:50,360 --> 00:09:52,960 Speaker 1: sixty three the Beatles started twenty twenty three. How many 213 00:09:53,040 --> 00:09:54,120 Speaker 1: years is that sixty? 214 00:09:54,240 --> 00:09:55,880 Speaker 2: Well fifty years after they broke up? 215 00:09:56,080 --> 00:09:59,040 Speaker 1: Yeah, so six, But it's sixty fifty years and they're 216 00:09:59,120 --> 00:10:04,120 Speaker 1: still out tracks. And ironically we don't play brand new music. 217 00:10:04,480 --> 00:10:07,440 Speaker 1: But here we are playing an old band with new music. 218 00:10:07,880 --> 00:10:09,200 Speaker 2: There was written in seventy eight. 219 00:10:09,760 --> 00:10:13,080 Speaker 1: Right now, this is now and then, Paul, I. 220 00:10:13,120 --> 00:10:15,719 Speaker 5: Hope you enjoy it, if you don't too bad On 221 00:10:16,280 --> 00:10:18,320 Speaker 5: two gem Nation. 222 00:10:18,400 --> 00:10:19,720 Speaker 1: No, look, there's someone at the door. 223 00:10:21,960 --> 00:10:23,880 Speaker 14: Hello, it's Kathy Parkington. 224 00:10:24,080 --> 00:10:25,280 Speaker 1: And who might you be? Kathy? 225 00:10:25,440 --> 00:10:27,959 Speaker 11: I'm the local council parking ranger. 226 00:10:27,960 --> 00:10:33,079 Speaker 1: Right and your name's Parkington? Yes, so what, Well that's odd, 227 00:10:33,240 --> 00:10:37,840 Speaker 1: you think, Parkington parking inspector. It's very unique. 228 00:10:38,280 --> 00:10:43,439 Speaker 14: Well, Parkington is my married name. Oh really, my maiden 229 00:10:43,520 --> 00:10:44,600 Speaker 14: name was Farq. 230 00:10:44,640 --> 00:10:46,720 Speaker 1: What well, it's good to hear you married. 231 00:10:46,920 --> 00:10:49,200 Speaker 14: No, he left, but I thought I would hang on 232 00:10:49,240 --> 00:10:53,719 Speaker 14: to Parkington. Anyways, I'm here to talk about your parking. 233 00:10:54,040 --> 00:10:56,920 Speaker 1: Well, Kathy, I think you'll find that all our vehicles 234 00:10:56,960 --> 00:11:01,080 Speaker 1: are parts within the building. Well, that's the problem. 235 00:11:01,320 --> 00:11:04,960 Speaker 14: Your building is packed in a loading zone. Here take 236 00:11:05,080 --> 00:11:09,160 Speaker 14: this and this note from management. Oh, and have a 237 00:11:09,240 --> 00:11:09,800 Speaker 14: nice day. 238 00:11:11,000 --> 00:11:12,040 Speaker 1: I'll put that in your pile. 239 00:11:12,200 --> 00:11:13,120 Speaker 2: She sounds nice. 240 00:11:13,880 --> 00:11:16,640 Speaker 1: Today's five for your flashback. The last Beatles song is 241 00:11:16,720 --> 00:11:23,680 Speaker 1: out today. Best song by a Beatle, Best solo song 242 00:11:23,760 --> 00:11:24,480 Speaker 1: by a Beatle. 243 00:11:24,720 --> 00:11:25,920 Speaker 2: It's the best song by a Beatle. 244 00:11:25,960 --> 00:11:29,000 Speaker 1: This yeah, best song by a Beatles. There's not a 245 00:11:29,000 --> 00:11:29,520 Speaker 1: Beatles song. 246 00:11:30,640 --> 00:11:33,320 Speaker 2: Wow, it's going to be a win win. Let's face 247 00:11:33,360 --> 00:11:35,920 Speaker 2: it. It will be a win win, but I hope I 248 00:11:35,960 --> 00:11:37,000 Speaker 2: win in the win win. 249 00:11:37,480 --> 00:11:40,800 Speaker 1: Well, if you go into the Ringo Star category. 250 00:11:40,360 --> 00:11:42,800 Speaker 2: Then you know Ringo has some good songs. 251 00:11:43,600 --> 00:11:44,120 Speaker 4: He has one. 252 00:11:44,360 --> 00:11:45,720 Speaker 2: George Harrison has great song. 253 00:11:45,840 --> 00:11:48,120 Speaker 1: He does too. We play Got My Mindset on You 254 00:11:48,160 --> 00:11:51,560 Speaker 1: a lot amazing actually, but George Harrison, thinking about it, 255 00:11:51,600 --> 00:11:53,440 Speaker 1: got your mindset on you something in the way. She 256 00:11:53,679 --> 00:11:55,199 Speaker 1: came out in the ninety Yeah, but that came out 257 00:11:55,200 --> 00:11:56,840 Speaker 1: in the nineties. I don't think any of the other 258 00:11:57,200 --> 00:11:59,000 Speaker 1: players had success in the nineties. 259 00:11:59,000 --> 00:11:59,960 Speaker 2: We've got a lot to pick from. 260 00:12:00,320 --> 00:12:06,600 Speaker 1: Jonesy and Amanda's sham Notion podcast who Wants a Free 261 00:12:06,640 --> 00:12:14,280 Speaker 1: Money instance and Amanda's Hello There, you have ten questions 262 00:12:14,320 --> 00:12:16,240 Speaker 1: sixty seconds on the clock. You can pass if you 263 00:12:16,280 --> 00:12:18,319 Speaker 1: don't know an answer. We'll come back to that question 264 00:12:18,400 --> 00:12:20,559 Speaker 1: if time permits. If you get all the questions right, 265 00:12:20,920 --> 00:12:23,360 Speaker 1: one thousand dollars, yip, yard, you can take that money 266 00:12:23,400 --> 00:12:25,080 Speaker 1: and leave. But wait, there's more. 267 00:12:25,440 --> 00:12:27,599 Speaker 15: If you get all the questions correct, you've got the 268 00:12:27,640 --> 00:12:30,640 Speaker 15: one thousand dollars, then we give you a bonus question. 269 00:12:31,160 --> 00:12:33,120 Speaker 15: We get you to risk it all though, but you 270 00:12:33,160 --> 00:12:35,920 Speaker 15: could win two thousand dollars or you could get nothing. 271 00:12:36,200 --> 00:12:37,359 Speaker 1: Jake is in Cranebrook. 272 00:12:37,440 --> 00:12:40,280 Speaker 5: Hi, Jake, Hey, here you going good? 273 00:12:40,960 --> 00:12:41,880 Speaker 1: How you feeling, Jake? 274 00:12:43,480 --> 00:12:44,240 Speaker 3: Hopefully lucky? 275 00:12:45,559 --> 00:12:46,160 Speaker 1: Lucky Jake. 276 00:12:46,240 --> 00:12:47,920 Speaker 2: I've got a croaky voice, but I'm going to read 277 00:12:47,920 --> 00:12:50,960 Speaker 2: the questions and we're going to be okay, ok are 278 00:12:51,000 --> 00:12:51,400 Speaker 2: you ready? 279 00:12:51,440 --> 00:12:52,120 Speaker 1: Good luck Jake? 280 00:12:52,960 --> 00:12:53,160 Speaker 6: Yep. 281 00:12:53,640 --> 00:12:56,720 Speaker 2: Let's start. Question one? What food do we get from bees? 282 00:12:58,040 --> 00:12:58,360 Speaker 3: Honey? 283 00:12:58,600 --> 00:13:00,720 Speaker 2: Question two? How many strings are they're on a regular 284 00:13:00,720 --> 00:13:01,280 Speaker 2: bass guitar? 285 00:13:07,760 --> 00:13:09,400 Speaker 1: Oh? 286 00:13:09,600 --> 00:13:12,640 Speaker 2: Come on, I don't know if I know that for four? 287 00:13:12,679 --> 00:13:13,679 Speaker 1: It's four strings? 288 00:13:13,720 --> 00:13:17,680 Speaker 2: Bro Oh, Jake, I'm sorry. 289 00:13:19,440 --> 00:13:22,240 Speaker 1: If anything, did you fall on your sword so Amanda 290 00:13:22,240 --> 00:13:23,960 Speaker 1: didn't have to flog a voice anymore? 291 00:13:24,360 --> 00:13:28,200 Speaker 2: Good IDEA, very honorable, Thank you, Jake. 292 00:13:28,400 --> 00:13:40,200 Speaker 1: Have a good Weekend Jam Jam Nasa, Fight for Your 293 00:13:40,320 --> 00:13:43,920 Speaker 1: flashbat two songs enter, one song leaves The Beatles. Last 294 00:13:43,960 --> 00:13:46,160 Speaker 1: song has been released. We played it for you this 295 00:13:46,200 --> 00:13:54,280 Speaker 1: morning at six thirty. It's called Now and then it's 296 00:13:54,320 --> 00:13:58,120 Speaker 1: out now. By the way, they're red and blue albums 297 00:13:58,120 --> 00:14:01,400 Speaker 1: come out of November ten, just in time Christmas. Well done. 298 00:14:02,280 --> 00:14:04,400 Speaker 2: But this is a song that's got all the Beatles on. 299 00:14:04,400 --> 00:14:07,480 Speaker 2: It's the Beatles, you know, constructed, remastered. 300 00:14:07,600 --> 00:14:10,360 Speaker 1: It's beautiful. It's almost like getting an old holding, an 301 00:14:10,360 --> 00:14:13,880 Speaker 1: old HR holding or something like that, and it's just there. 302 00:14:13,920 --> 00:14:14,240 Speaker 4: It is. 303 00:14:14,800 --> 00:14:17,680 Speaker 1: That's what it is. Today's five for your Flashback, though, 304 00:14:17,800 --> 00:14:21,000 Speaker 1: is songs by a Beatle? Do you want to go first? 305 00:14:21,080 --> 00:14:23,520 Speaker 1: You're are men to go first? You go first? I've 306 00:14:23,520 --> 00:14:26,640 Speaker 1: come with a song and I I just love this 307 00:14:26,720 --> 00:14:30,080 Speaker 1: song because it puts perspective on John Lennon's life at 308 00:14:30,080 --> 00:14:32,960 Speaker 1: the time. It's watching the Wheels and at the time 309 00:14:33,040 --> 00:14:35,800 Speaker 1: he was getting all this criticism. You know, there's all 310 00:14:35,800 --> 00:14:37,880 Speaker 1: to talk about the Beatles getting back together in the 311 00:14:37,960 --> 00:14:40,880 Speaker 1: late seventies into the eighties, and John said, I don't 312 00:14:40,880 --> 00:14:42,160 Speaker 1: want to do that. I just want to hang around 313 00:14:42,400 --> 00:14:44,720 Speaker 1: with Sean and Yoko and just live in New York 314 00:14:44,880 --> 00:14:47,360 Speaker 1: and just do that stuff and people are always you know, 315 00:14:47,760 --> 00:14:49,680 Speaker 1: don't you miss the big time? You're no longer on 316 00:14:49,720 --> 00:14:52,640 Speaker 1: the ball. And when you hear this song watching the Wheels, 317 00:14:52,680 --> 00:14:56,400 Speaker 1: that articulates the time and place that he was. Unfortunately 318 00:14:56,440 --> 00:14:58,560 Speaker 1: recorded it in nineteen eighty and then he was shot 319 00:14:58,600 --> 00:15:00,640 Speaker 1: by that dickhead at the end of the year. But 320 00:15:00,760 --> 00:15:05,000 Speaker 1: this is a great song, watching the Wheels. 321 00:15:07,080 --> 00:15:08,680 Speaker 5: You see crazy. 322 00:15:11,360 --> 00:15:11,640 Speaker 6: Dylan. 323 00:15:12,000 --> 00:15:18,520 Speaker 9: I'm just sitting here watching the wheels go rounding up. 324 00:15:21,000 --> 00:15:22,840 Speaker 9: I really love to watch the role. 325 00:15:36,680 --> 00:15:38,240 Speaker 1: It's a great song, great song. 326 00:15:38,960 --> 00:15:40,280 Speaker 11: Well, I've gone with the song. 327 00:15:40,240 --> 00:15:43,240 Speaker 2: By Paul McCartney. I saw porn McCartney last Friday night. 328 00:15:43,320 --> 00:15:46,200 Speaker 2: Maybe that's why my voice has gone still. I screamed 329 00:15:46,200 --> 00:15:49,160 Speaker 2: my head off the whole night. And this is a 330 00:15:49,200 --> 00:15:51,840 Speaker 2: song that he wrote for Linda and the Beatles were 331 00:15:51,880 --> 00:15:55,680 Speaker 2: breaking up. It was nineteen seventy and the solidity that 332 00:15:55,760 --> 00:15:58,480 Speaker 2: she brought to his life. They lived on a farm 333 00:15:58,560 --> 00:16:01,280 Speaker 2: they got away from for Liverpool, from London, from the 334 00:16:01,280 --> 00:16:06,320 Speaker 2: madness and her stability saved him. Maybe I'm amazed. 335 00:16:10,400 --> 00:16:14,200 Speaker 9: Maybe I'm amazed to way you love me all the time. 336 00:16:16,640 --> 00:16:19,280 Speaker 1: Maybe I'm afraid of the way I love you. 337 00:16:21,600 --> 00:16:22,680 Speaker 11: I love it. 338 00:16:22,840 --> 00:16:25,600 Speaker 1: WHOA, we can't do this. We can't put Leonard and 339 00:16:25,680 --> 00:16:27,200 Speaker 1: McCartney up against each. 340 00:16:27,040 --> 00:16:29,000 Speaker 11: Other either way, it's going to be a winner. 341 00:16:29,600 --> 00:16:33,000 Speaker 1: WHOA. Well, that's some big songs right there, Big big 342 00:16:33,040 --> 00:16:33,680 Speaker 1: song call. 343 00:16:33,560 --> 00:16:36,800 Speaker 2: It's thirteen WSFM, or vote on our Instagram story at 344 00:16:36,880 --> 00:16:38,640 Speaker 2: Jonesy and Amanda John's and. 345 00:16:39,640 --> 00:16:44,120 Speaker 1: Gem Nation podcast. It's fight for Your Flashback. The last 346 00:16:44,120 --> 00:16:47,760 Speaker 1: Beatles song is out today. We played it this morning, 347 00:16:47,800 --> 00:16:52,240 Speaker 1: the full version thereof now and then when you look 348 00:16:52,280 --> 00:16:55,000 Speaker 1: at the history of this thing, so recorded by John 349 00:16:55,080 --> 00:16:58,840 Speaker 1: Lennon in nineteen seventy eight thereabouts the vocal. Then George 350 00:16:58,840 --> 00:17:01,560 Speaker 1: House didn't and did his in the nineties book wasn't happened? 351 00:17:01,720 --> 00:17:02,520 Speaker 1: Happy with it? 352 00:17:02,600 --> 00:17:05,280 Speaker 2: Then along came Peter Jackson UAI technology. 353 00:17:05,640 --> 00:17:07,879 Speaker 1: Yeah, and poor old Georgie he passed away in two 354 00:17:07,920 --> 00:17:08,439 Speaker 1: thousand and one. 355 00:17:08,480 --> 00:17:09,679 Speaker 2: But this is his guitar on it. 356 00:17:09,760 --> 00:17:12,480 Speaker 1: This is guitar, the og guitar, and it's got Ringo 357 00:17:12,560 --> 00:17:14,280 Speaker 1: Starr and Paul McCartney. 358 00:17:13,760 --> 00:17:16,080 Speaker 2: On the face and drums and George Martin's son has 359 00:17:16,119 --> 00:17:17,480 Speaker 2: produced it amazing. 360 00:17:17,920 --> 00:17:21,240 Speaker 1: So today's fight for your Flashback. Best song by a Beatle. 361 00:17:21,280 --> 00:17:25,280 Speaker 1: Apologies to Ringo and George. We've gone with Paul McCarty 362 00:17:25,280 --> 00:17:26,879 Speaker 1: and John Lennon. I don't think we can do this. 363 00:17:26,920 --> 00:17:28,600 Speaker 1: I don't think we can put Lennon up against Well. 364 00:17:28,760 --> 00:17:32,080 Speaker 2: They're both so loved. It's not a tussle. Everyone's going 365 00:17:32,119 --> 00:17:33,800 Speaker 2: to be winning. Apparently it's neck and neck. 366 00:17:34,119 --> 00:17:37,320 Speaker 1: This really puts a mindset into where John Lennon was 367 00:17:37,400 --> 00:17:41,560 Speaker 1: at in nineteen eighty watching the wheels, Watching the wheels. 368 00:17:46,200 --> 00:17:49,080 Speaker 2: I've gone with this beautiful love song from Paul to Linda. 369 00:17:49,280 --> 00:17:50,680 Speaker 2: Maybe I'm amazed. 370 00:17:57,560 --> 00:17:57,960 Speaker 11: Love it. 371 00:17:59,040 --> 00:18:06,760 Speaker 1: Laney is in Penn Hi, lady, Hi, how are you Friday? 372 00:18:07,560 --> 00:18:11,720 Speaker 13: I look at those such terrific, terrific songs and hearing 373 00:18:11,760 --> 00:18:14,600 Speaker 13: Paul McCartney, it almost makes me cry. I'm actually flying 374 00:18:14,640 --> 00:18:17,320 Speaker 13: tomorrow morning up to the Hairy up to the Gold 375 00:18:17,400 --> 00:18:19,800 Speaker 13: Coast and seehim up there. It's a belated birthday present. 376 00:18:20,840 --> 00:18:21,600 Speaker 11: You will love it. 377 00:18:21,800 --> 00:18:25,240 Speaker 13: No, yeah, Jetstar, don't let me down, please, But actually 378 00:18:26,440 --> 00:18:30,760 Speaker 13: this birthday I should be doing what John Lennon was 379 00:18:30,840 --> 00:18:34,359 Speaker 13: doing in that song, watching the wheels go around. Unfortunately 380 00:18:34,400 --> 00:18:36,160 Speaker 13: I'm not watching the wheels go around, but I am 381 00:18:36,160 --> 00:18:39,359 Speaker 13: going to both sit John Lennon's song. I love that song. 382 00:18:40,400 --> 00:18:42,680 Speaker 2: Thank you lady, and you'll love the show. 383 00:18:42,760 --> 00:18:44,400 Speaker 1: Like Jetstar, You'll get there in the end. 384 00:18:44,800 --> 00:18:47,560 Speaker 2: Hello David in Penrith, Hello. 385 00:18:48,560 --> 00:18:52,399 Speaker 16: I can't believe you are doing this to us. I 386 00:18:52,480 --> 00:18:55,120 Speaker 16: always go you Jones, even when I can't get through 387 00:18:55,200 --> 00:18:59,880 Speaker 16: or go you without a second thought. Mark, I'm man. 388 00:19:00,119 --> 00:19:03,640 Speaker 16: The song. I was at Poor on Saturday. 389 00:19:03,280 --> 00:19:07,760 Speaker 3: Night and that was just you can't go past that song. 390 00:19:07,880 --> 00:19:11,040 Speaker 2: It's amazing. And the beautiful photographs that were displayed that 391 00:19:11,160 --> 00:19:13,640 Speaker 2: Linda have had taken of Paul and of his one 392 00:19:13,640 --> 00:19:15,240 Speaker 2: of his children, just beautiful. 393 00:19:16,000 --> 00:19:19,240 Speaker 1: Anne is in ingode In, Hello, Anne, Hi there. 394 00:19:20,040 --> 00:19:22,600 Speaker 12: I would like to go for Amanda as well. 395 00:19:22,920 --> 00:19:25,920 Speaker 13: And I was there at the Corps on Saturday night 396 00:19:26,080 --> 00:19:29,920 Speaker 13: and it was just amazing, amazing concert. 397 00:19:30,280 --> 00:19:32,159 Speaker 2: I think it was Alliance, but still I'm glad you 398 00:19:32,200 --> 00:19:34,440 Speaker 2: loved it. I hope you saw Paul McCartney. I didn't 399 00:19:34,440 --> 00:19:35,440 Speaker 2: see Justice Crewe. 400 00:19:36,560 --> 00:19:40,840 Speaker 1: That's where you weren't saying Justice Crewe to amazing Grace. 401 00:19:42,560 --> 00:19:45,720 Speaker 2: Well, it is absolutely Neck and Necker producers have said, so. 402 00:19:46,560 --> 00:19:49,439 Speaker 1: Can do this. You can't have lennin versus McCartney. 403 00:19:49,280 --> 00:19:50,440 Speaker 11: Jonesy and Amanda. 404 00:19:50,680 --> 00:19:50,880 Speaker 6: Yeah. 405 00:19:51,000 --> 00:19:52,400 Speaker 11: Based podcast. 406 00:20:00,680 --> 00:20:05,280 Speaker 1: Fight for Your Flashback two songs Enter one song leaves 407 00:20:05,440 --> 00:20:08,720 Speaker 1: the Beatles last song has been released now and then 408 00:20:08,800 --> 00:20:11,600 Speaker 1: what started as a tape that was in John Lennon's 409 00:20:11,680 --> 00:20:22,879 Speaker 1: junk draw, Yoko Ono founded. She gave it to the 410 00:20:22,920 --> 00:20:26,040 Speaker 1: surviving Beatles to make something out of it. George Harrison 411 00:20:26,040 --> 00:20:28,199 Speaker 1: contributed back in the nineties, he wasn't happy with the 412 00:20:28,240 --> 00:20:31,320 Speaker 1: audio quality of that comes along to Peter Jackson and 413 00:20:31,400 --> 00:20:35,600 Speaker 1: George Martin's son with thanks to AI and technology and 414 00:20:35,600 --> 00:20:36,520 Speaker 1: the like, you've got this. 415 00:20:40,160 --> 00:20:41,000 Speaker 2: It's amazing. 416 00:20:41,040 --> 00:20:45,320 Speaker 1: It's amazed, all four Beatles, all four Beatles. So, with 417 00:20:45,400 --> 00:20:48,399 Speaker 1: apologies to Ringo and George, today's fight for your flashback 418 00:20:48,760 --> 00:20:51,439 Speaker 1: best song by a Beatle. I was going to go 419 00:20:51,480 --> 00:20:53,280 Speaker 1: photographed by Ringo Starr. 420 00:20:53,560 --> 00:20:54,560 Speaker 2: And mind that songs. 421 00:20:55,000 --> 00:20:57,800 Speaker 1: It's not a bad song, but really it pales in 422 00:20:57,840 --> 00:21:01,120 Speaker 1: comparison when you put it next to Watching the Wheels. 423 00:21:01,840 --> 00:21:02,760 Speaker 2: Just sitting here. 424 00:21:02,760 --> 00:21:12,439 Speaker 17: Watching the Wheels, I've put that or yours is up 425 00:21:12,440 --> 00:21:16,840 Speaker 17: against maybe I'm amazed by Paul McCartney. 426 00:21:17,800 --> 00:21:20,320 Speaker 2: According to our producers, this is the closest it's ever 427 00:21:20,400 --> 00:21:21,600 Speaker 2: been on sightful Flashback. 428 00:21:21,680 --> 00:21:23,600 Speaker 1: Also, I wonder if you passed on and of her 429 00:21:23,680 --> 00:21:25,080 Speaker 1: stuff to Paul as well. 430 00:21:28,200 --> 00:21:29,080 Speaker 2: Yoko, thank you. 431 00:21:29,240 --> 00:21:30,520 Speaker 1: We'll just put that back at the judger. 432 00:21:30,600 --> 00:21:31,920 Speaker 4: We'll call you. 433 00:21:32,000 --> 00:21:34,080 Speaker 1: Marina urals joined us. 434 00:21:34,040 --> 00:21:37,880 Speaker 12: Hi, Marina, Hi, Amanda, Hi, Jones, you will Amanda, you 435 00:21:37,840 --> 00:21:39,679 Speaker 12: gonna have to wash the wools, go around around with 436 00:21:39,720 --> 00:21:41,040 Speaker 12: this one because Jones he's got this. 437 00:21:41,240 --> 00:21:42,160 Speaker 6: One for sure. 438 00:21:42,640 --> 00:21:46,840 Speaker 1: All right, Thanks Marina, Kim Zimoronora Heights if your flashback, Kim. 439 00:21:47,320 --> 00:21:48,760 Speaker 4: Hi, how are you this morning? 440 00:21:48,800 --> 00:21:50,919 Speaker 1: We are great, that's good. 441 00:21:52,359 --> 00:21:55,120 Speaker 13: I hate to say it, Jones, but Amanda's got my boat. 442 00:21:55,320 --> 00:21:57,679 Speaker 12: I saw Paul on the weekend and he was amazing. 443 00:21:57,880 --> 00:21:58,919 Speaker 1: Of course he was, he was. 444 00:21:58,960 --> 00:22:04,159 Speaker 2: He was incredible. Sharon's in Mount Adam Sights your flashback, Sharon, Yeah, Hi, guys. 445 00:22:04,680 --> 00:22:06,840 Speaker 18: I also went to Paul McCartney, but I went on 446 00:22:06,880 --> 00:22:10,440 Speaker 18: Friday and Saturday night. Balled my eyes out for most 447 00:22:10,440 --> 00:22:13,840 Speaker 18: of the concert. Just absolutely amazing. However, my heart is 448 00:22:13,880 --> 00:22:16,960 Speaker 18: always with John Lennon. So Jonesy, you've got my vote today. 449 00:22:17,160 --> 00:22:17,560 Speaker 6: Wow. 450 00:22:18,160 --> 00:22:22,120 Speaker 2: Julie's in Hazelwood Fights your flashback, Julie, Oh. 451 00:22:22,000 --> 00:22:26,200 Speaker 12: Good morning, Jonesy and Amanda. It was just a phenomenal 452 00:22:26,280 --> 00:22:29,320 Speaker 12: concert on Saturday night when I went to it, and 453 00:22:29,359 --> 00:22:33,840 Speaker 12: Amanda your comments a few days after just summed it up. 454 00:22:33,880 --> 00:22:38,720 Speaker 12: So beautifully. It was like a roller coaster of emotions. 455 00:22:38,840 --> 00:22:43,520 Speaker 12: Beautiful photos of the Beetles. You just felt like, you know, 456 00:22:43,600 --> 00:22:45,879 Speaker 12: we were back in the you know, back in the 457 00:22:45,960 --> 00:22:50,879 Speaker 12: sixties seeing them there, and you know, terribly hard to 458 00:22:51,000 --> 00:22:55,960 Speaker 12: choose today. John Lennon's always been my favorite, but I 459 00:22:56,080 --> 00:22:58,679 Speaker 12: think from going to the concert and I just feel 460 00:22:59,160 --> 00:23:03,119 Speaker 12: Paul McCartney his song just Lady's Heart on the Line 461 00:23:03,160 --> 00:23:06,000 Speaker 12: when they were going through that breakup and his loved 462 00:23:06,000 --> 00:23:09,000 Speaker 12: to Linda and she was a rock for him. And 463 00:23:10,119 --> 00:23:12,800 Speaker 12: just seeing him performing at the age of eighty one, 464 00:23:13,600 --> 00:23:17,359 Speaker 12: you know, playing the guitar and the Lady Lynn and 465 00:23:17,400 --> 00:23:21,280 Speaker 12: the piano. It was just, you know, just phenomenal. 466 00:23:22,000 --> 00:23:24,480 Speaker 1: Great. So Julian summary, you're going for me. 467 00:23:25,600 --> 00:23:26,840 Speaker 2: I think the vote is mine. 468 00:23:27,200 --> 00:23:28,680 Speaker 1: Linda's at breakfast point. 469 00:23:28,720 --> 00:23:32,399 Speaker 2: Linda, it's coming down to you. Apparently one vote has 470 00:23:32,440 --> 00:23:34,679 Speaker 2: separated us and it's over to you to tell us 471 00:23:34,720 --> 00:23:35,560 Speaker 2: what song we're playing. 472 00:23:36,760 --> 00:23:39,280 Speaker 6: Jeff, this is a very important decision. As we know, 473 00:23:39,320 --> 00:23:42,359 Speaker 6: we all love the Beatles. When I first heard the 474 00:23:42,400 --> 00:23:45,080 Speaker 6: first song, I went wow, because I was on a 475 00:23:45,160 --> 00:23:49,119 Speaker 6: ferris wheel last night going round around. But then Amanda, 476 00:23:49,359 --> 00:23:52,800 Speaker 6: you said, Linda, which is my name, and obviously. My 477 00:23:53,160 --> 00:23:56,760 Speaker 6: husband Andrew thinks I'm very important, so we need to 478 00:23:56,800 --> 00:23:57,359 Speaker 6: have that song. 479 00:23:57,520 --> 00:24:00,880 Speaker 2: I love it. Either song would have been a song 480 00:24:00,920 --> 00:24:03,800 Speaker 2: would have been amazing. Here it is Paul McCartney song 481 00:24:03,880 --> 00:24:05,639 Speaker 2: for Linda. Maybe I'm amazed. 482 00:24:05,680 --> 00:24:10,480 Speaker 1: It's twenty four to eight Jones Podcast. Let's get on 483 00:24:10,520 --> 00:24:12,080 Speaker 1: down to the Jonesy de man of answer to the 484 00:24:12,080 --> 00:24:15,159 Speaker 1: pub test. QR codes at restaurants. So they passed the 485 00:24:15,160 --> 00:24:19,440 Speaker 1: pub test. See what happened was you remember the pandemic we. 486 00:24:19,440 --> 00:24:22,000 Speaker 2: Had kind of brand remember that, Yeah. 487 00:24:21,840 --> 00:24:23,800 Speaker 1: And you go to a restaurant when you could go 488 00:24:23,880 --> 00:24:25,439 Speaker 1: to a restaurant and you'd sit there and you do 489 00:24:25,480 --> 00:24:28,040 Speaker 1: your ordering by using the little QR code and this 490 00:24:28,240 --> 00:24:30,640 Speaker 1: menu thing had come up and then you do all that. 491 00:24:31,240 --> 00:24:33,639 Speaker 1: Well that's a hangover from that. But it seems that 492 00:24:33,680 --> 00:24:35,960 Speaker 1: we're not getting back to white stuff now we're getting 493 00:24:35,960 --> 00:24:39,359 Speaker 1: these QR codes. It's a thing, and people aren't happy. 494 00:24:39,359 --> 00:24:40,919 Speaker 2: I don't like it. I'll tell you why. I've got 495 00:24:40,920 --> 00:24:43,920 Speaker 2: a song with analogy, and it makes me think about 496 00:24:43,920 --> 00:24:47,480 Speaker 2: other people. If you're not actually talking to a person, 497 00:24:47,800 --> 00:24:50,800 Speaker 2: you can't amend, you can't ask questions about the menu. 498 00:24:50,920 --> 00:24:52,959 Speaker 1: Well, one person said, I went to a restaurant earlier 499 00:24:53,240 --> 00:24:55,280 Speaker 1: in the Sunny Coast asked for a menu. The only 500 00:24:55,320 --> 00:24:58,040 Speaker 1: menu they had was on the door and was directed 501 00:24:58,080 --> 00:25:00,919 Speaker 1: to a QR code menu. On the tape, it's for 502 00:25:00,960 --> 00:25:05,280 Speaker 1: this effing web app called men You Do, which proceeded 503 00:25:05,280 --> 00:25:08,439 Speaker 1: to charge a six point five percent venue surcharge, a 504 00:25:08,520 --> 00:25:12,120 Speaker 1: two percent payment processing fee, and then have the audacity 505 00:25:12,400 --> 00:25:14,920 Speaker 1: to ask for a tip ten to fifteen or twenty 506 00:25:14,920 --> 00:25:18,480 Speaker 1: five percent. As the cherry on top. This person goes 507 00:25:18,520 --> 00:25:21,440 Speaker 1: on with more swears, I'm tired of tech being used 508 00:25:21,560 --> 00:25:22,880 Speaker 1: to solve an issue. 509 00:25:22,960 --> 00:25:25,960 Speaker 2: I also don't have money on my phone, so if 510 00:25:25,960 --> 00:25:28,000 Speaker 2: I go to a place, I can't pay for it 511 00:25:28,440 --> 00:25:29,000 Speaker 2: on my phone. 512 00:25:29,080 --> 00:25:30,960 Speaker 1: But a lot of people saying it's a big stinking 513 00:25:31,080 --> 00:25:34,239 Speaker 1: f you twenty one old or not tech savvy. But 514 00:25:34,320 --> 00:25:36,800 Speaker 1: other people have said I actually like the QR ordering 515 00:25:36,800 --> 00:25:39,680 Speaker 1: because I don't like people. But the surcharge isn't tipping 516 00:25:39,720 --> 00:25:41,720 Speaker 1: in their fife. What's with all the language? You come 517 00:25:41,720 --> 00:25:44,840 Speaker 1: on people? What's the matter? People are really fired up 518 00:25:44,880 --> 00:25:47,240 Speaker 1: about this. I don't mind it so much because you 519 00:25:47,359 --> 00:25:48,800 Speaker 1: go there and you go right, I'll have this, this 520 00:25:48,880 --> 00:25:49,640 Speaker 1: and this and then again. 521 00:25:49,800 --> 00:25:51,359 Speaker 2: But if you want to change the menuf and I 522 00:25:51,400 --> 00:25:52,720 Speaker 2: ask a question about the menu. 523 00:25:53,280 --> 00:25:55,560 Speaker 1: Can't see you're the type that I asks all the questions. 524 00:25:55,560 --> 00:25:56,640 Speaker 2: Well, I have a sun with analogy. 525 00:25:56,720 --> 00:25:58,239 Speaker 1: I know, I know. But for yourself. If you and 526 00:25:58,280 --> 00:26:00,119 Speaker 1: I go out there, you sit there and you'll say 527 00:26:00,560 --> 00:26:02,960 Speaker 1: have you got any soup? And they says, I'll go 528 00:26:03,040 --> 00:26:05,520 Speaker 1: and check, and she walks off. I think, yes, got 529 00:26:05,560 --> 00:26:10,480 Speaker 1: a soup. It's it's celery and pumpkin has got any 530 00:26:10,520 --> 00:26:13,120 Speaker 1: ginger in it? I'll go and check and she comes back. 531 00:26:13,400 --> 00:26:14,520 Speaker 1: You know that goes off for days. 532 00:26:14,560 --> 00:26:16,000 Speaker 2: I'm allowed to. It's illegal. 533 00:26:16,280 --> 00:26:19,879 Speaker 1: That's too much. What do you think QR codes at restaurants? 534 00:26:20,119 --> 00:26:23,320 Speaker 1: Do they pass the pub testa. It's that time of 535 00:26:23,359 --> 00:26:25,480 Speaker 1: the year where we hang up the hive ers and 536 00:26:25,600 --> 00:26:28,239 Speaker 1: pick up the oxygen hammer because the block homes are 537 00:26:28,320 --> 00:26:31,920 Speaker 1: officially done and ready for sale with all the behind 538 00:26:32,040 --> 00:26:35,520 Speaker 1: the scenes goss. It's our favorite trading in the history 539 00:26:35,560 --> 00:26:37,840 Speaker 1: of tradinges scodcare. 540 00:26:37,520 --> 00:26:41,520 Speaker 2: Good morning, a morning, guys, are great. 541 00:26:41,600 --> 00:26:43,160 Speaker 1: Man is a little bit rustier voice. 542 00:26:43,240 --> 00:26:44,520 Speaker 2: I'm a little bit croaky today. 543 00:26:45,520 --> 00:26:48,080 Speaker 3: Oh that's so good, Amanda. I get troubles with my 544 00:26:48,320 --> 00:26:50,439 Speaker 3: voice or two. You know what it is? You're talking 545 00:26:50,600 --> 00:26:51,040 Speaker 3: too much? 546 00:26:51,560 --> 00:26:53,959 Speaker 2: Well, that's what everyone says, Scott, but it's never going 547 00:26:54,040 --> 00:26:54,520 Speaker 2: to stop me. 548 00:26:55,600 --> 00:26:59,359 Speaker 3: No true. I'm standing here on the banks of the 549 00:26:59,440 --> 00:27:03,720 Speaker 3: Yarra beautiful and it is freezing in Melbourne on a 550 00:27:03,760 --> 00:27:08,000 Speaker 3: third and November. It's unbelievable. It's cold now. 551 00:27:08,119 --> 00:27:12,760 Speaker 2: Last year the auctions were so stressful and they didn't 552 00:27:12,840 --> 00:27:15,280 Speaker 2: go as well as everyone would have hoped. How do 553 00:27:15,359 --> 00:27:18,720 Speaker 2: you feel gearing up to them this year with high 554 00:27:18,800 --> 00:27:21,480 Speaker 2: interest rates, with the cost of living. How's it making 555 00:27:21,560 --> 00:27:22,000 Speaker 2: you feel? 556 00:27:22,920 --> 00:27:26,320 Speaker 3: Yeah? I look and then I always feel really nervous. 557 00:27:26,920 --> 00:27:29,520 Speaker 3: And I don't get nervous, but I feel nervous on 558 00:27:29,600 --> 00:27:31,840 Speaker 3: option weekend and I feel a bit sick in this 559 00:27:31,960 --> 00:27:34,320 Speaker 3: coming and you know, I know it's going to be 560 00:27:34,359 --> 00:27:37,359 Speaker 3: a big weekend. I'm worried about the results. I'm worried 561 00:27:37,400 --> 00:27:39,640 Speaker 3: for them. I want them to make money. They've worked 562 00:27:39,640 --> 00:27:42,480 Speaker 3: really hard and I want them to make a quid. 563 00:27:42,560 --> 00:27:44,199 Speaker 3: And that's what we're all about on the block too, 564 00:27:44,359 --> 00:27:47,160 Speaker 3: all the crew, everybody, we say this tom one day one. 565 00:27:47,880 --> 00:27:50,159 Speaker 3: We don't set anyone up to fail. We want you 566 00:27:50,280 --> 00:27:52,359 Speaker 3: to do well and we want you to build a 567 00:27:52,440 --> 00:27:55,320 Speaker 3: nice heart and make a quid. And so we just 568 00:27:55,400 --> 00:27:56,760 Speaker 3: hope they do well and. 569 00:27:56,840 --> 00:27:58,960 Speaker 1: Then that's setting up to fail those things. But what 570 00:27:59,040 --> 00:28:02,480 Speaker 1: about Christie and Brett saying that Eliza's been getting special 571 00:28:02,560 --> 00:28:06,560 Speaker 1: treatment because Eliza has been Hamish Blake's personal assistant and 572 00:28:06,720 --> 00:28:08,920 Speaker 1: she she thinks they're in league with Channel nine. 573 00:28:11,320 --> 00:28:15,159 Speaker 3: Nothing can be further from the truth. There's no special 574 00:28:15,240 --> 00:28:19,960 Speaker 3: treatment to anybody. And that doesn't even come into account 575 00:28:20,480 --> 00:28:24,520 Speaker 3: about her previous job. She appined like anybody else, and 576 00:28:24,680 --> 00:28:28,600 Speaker 3: she put her application in as a personal assistant, so 577 00:28:29,040 --> 00:28:32,320 Speaker 3: you know that wasn't known to us. And also even 578 00:28:32,480 --> 00:28:35,080 Speaker 3: if it was, like if she was a plant or 579 00:28:35,160 --> 00:28:38,000 Speaker 3: a Channel nine person or something like that. I mean, 580 00:28:38,160 --> 00:28:42,560 Speaker 3: we come up with a better backstory than we'd come 581 00:28:42,640 --> 00:28:45,000 Speaker 3: up with a bit of backstory than working be Hamish. 582 00:28:45,360 --> 00:28:47,040 Speaker 3: You know, we'dn't try and hide that, and I suppose 583 00:28:47,280 --> 00:28:48,560 Speaker 3: we wouldn't say that out loud. 584 00:28:49,120 --> 00:28:51,400 Speaker 1: Yeah, because what does she do for hamis sort out 585 00:28:51,440 --> 00:28:53,640 Speaker 1: all his lego you know, the yellow ones here, head 586 00:28:53,720 --> 00:28:57,160 Speaker 1: ones here, get those one? Can I talk about? Can 587 00:28:57,200 --> 00:28:59,680 Speaker 1: I talk about something serious with you? Mate? How good? 588 00:29:00,400 --> 00:29:04,200 Speaker 1: How good is your rig that get out of town? 589 00:29:04,560 --> 00:29:06,760 Speaker 1: What is it that get out of town? I don't 590 00:29:06,800 --> 00:29:08,800 Speaker 1: know what your truck is now, Scott I don't know 591 00:29:08,840 --> 00:29:11,000 Speaker 1: if you know this, Amanda. Now one day we're at 592 00:29:11,080 --> 00:29:13,240 Speaker 1: Channel nine and he had this truck. It was the 593 00:29:13,280 --> 00:29:15,840 Speaker 1: biggest truck I've ever seen in my life. I don't 594 00:29:15,840 --> 00:29:17,320 Speaker 1: know how he got on the road. And now he's 595 00:29:17,320 --> 00:29:19,520 Speaker 1: got this truck and this get out of town boat. 596 00:29:19,800 --> 00:29:20,600 Speaker 1: It's just nuts. 597 00:29:22,200 --> 00:29:25,640 Speaker 3: I'll tell what happened. I turned sixty and then I 598 00:29:25,680 --> 00:29:27,520 Speaker 3: thought I better set myself up for the next twenty 599 00:29:27,640 --> 00:29:30,160 Speaker 3: years till eighty. And so I sold a whole bunch 600 00:29:30,200 --> 00:29:32,640 Speaker 3: of stuff. I sold my yarn. Ye, I sold this, 601 00:29:32,880 --> 00:29:34,880 Speaker 3: I sold that, and I bought myself a new years 602 00:29:35,280 --> 00:29:36,960 Speaker 3: and a new boat to ask me for the rest 603 00:29:37,000 --> 00:29:41,480 Speaker 3: of my life. So I bought one of those you know, 604 00:29:41,680 --> 00:29:45,080 Speaker 3: grs bought the land Cruiser and I had it stretched 605 00:29:45,200 --> 00:29:49,240 Speaker 3: and turned into a yit. And then I bought a 606 00:29:49,280 --> 00:29:52,400 Speaker 3: new fishing boats, just a fishing boat like a trailer tailor. 607 00:29:52,880 --> 00:29:54,920 Speaker 3: And it's a good rig. And my son and I Bill, 608 00:29:55,400 --> 00:29:58,120 Speaker 3: we got up to Queensland to pick it up and 609 00:29:58,160 --> 00:30:00,640 Speaker 3: we toiled it home. We did five hundred k's and 610 00:30:00,720 --> 00:30:03,440 Speaker 3: we stopped the cuffsaba had a few beers and stay 611 00:30:03,520 --> 00:30:06,440 Speaker 3: the night, and we did. We drove drove this rig 612 00:30:06,600 --> 00:30:09,240 Speaker 3: down down the coast and that the boys trip it was. 613 00:30:09,480 --> 00:30:10,840 Speaker 1: I just wanted to be a part of that. I 614 00:30:11,000 --> 00:30:13,480 Speaker 1: just saw it. I thought, this, this is one of 615 00:30:13,520 --> 00:30:15,320 Speaker 1: my this is what I want my life to be. 616 00:30:15,480 --> 00:30:17,520 Speaker 2: Well, what about this rumor that you and Shelley are 617 00:30:17,560 --> 00:30:20,000 Speaker 2: going to celebrate twenty years of the block by getting 618 00:30:20,040 --> 00:30:20,800 Speaker 2: matching tats. 619 00:30:22,440 --> 00:30:30,600 Speaker 3: Oh, yes, well, Shelley, she's a real ink girl. Tell 620 00:30:30,640 --> 00:30:33,240 Speaker 3: you I'm not ready matching tats. I just want to 621 00:30:33,240 --> 00:30:34,400 Speaker 3: say that out around right now. 622 00:30:34,560 --> 00:30:37,480 Speaker 1: It's not going to happen. Not gonna happen because you've 623 00:30:37,520 --> 00:30:38,760 Speaker 1: got a tattoo though, haven't you. 624 00:30:40,080 --> 00:30:43,080 Speaker 3: I've got I've got my kids' names on my back 625 00:30:43,360 --> 00:30:46,920 Speaker 3: with the Southern Cross. Oh, I love the Southern Cross. 626 00:30:46,960 --> 00:30:49,320 Speaker 3: My dad. When my dad died many years ago, but 627 00:30:49,440 --> 00:30:52,800 Speaker 3: he used to come out in the morning and and no, sorry, 628 00:30:52,880 --> 00:30:56,120 Speaker 3: come out at night. Let's find the Southern Cross. And 629 00:30:56,560 --> 00:30:58,360 Speaker 3: we find the Southern Cross. And I did that with 630 00:30:58,480 --> 00:31:00,880 Speaker 3: my kids. Let's find the Southern Cross. We look at 631 00:31:00,920 --> 00:31:02,440 Speaker 3: the night and have a look at it. So it 632 00:31:02,560 --> 00:31:05,600 Speaker 3: means a lot to yeah, and they'll put my kids 633 00:31:05,760 --> 00:31:07,960 Speaker 3: names in my wife and I'm the small star in 634 00:31:08,000 --> 00:31:11,720 Speaker 3: the middle looking over the rest of them. Yea, and 635 00:31:11,800 --> 00:31:13,800 Speaker 3: to the kids and that's sorry, that sounded very bad. 636 00:31:13,880 --> 00:31:16,760 Speaker 1: No, it's and the kids are the kids done. They 637 00:31:16,800 --> 00:31:18,880 Speaker 1: got the Southern Cross as well because it got a 638 00:31:18,920 --> 00:31:20,560 Speaker 1: bad sort of you know wrap for a bit there. 639 00:31:20,600 --> 00:31:21,880 Speaker 1: But it is a great thing to happen. 640 00:31:22,720 --> 00:31:24,800 Speaker 3: Well, I think it was hijacked a bit the sum 641 00:31:24,880 --> 00:31:28,120 Speaker 3: Across as some sort of racial symbol, which I did 642 00:31:28,240 --> 00:31:31,920 Speaker 3: completely disagree with. And so you know, I've had it 643 00:31:31,960 --> 00:31:33,680 Speaker 3: for a long time. My kids are ink free. 644 00:31:35,040 --> 00:31:36,880 Speaker 1: That's well, they'd be the only ones. They'd be the 645 00:31:36,920 --> 00:31:39,280 Speaker 1: individual because everyone's got a tattoo. I've got to mate 646 00:31:39,280 --> 00:31:41,280 Speaker 1: that used to be in the Hells Angels and he says, 647 00:31:41,480 --> 00:31:43,360 Speaker 1: you know, I had a neck tattoo. I went to 648 00:31:43,440 --> 00:31:46,200 Speaker 1: see the barista and like, the brister's got a neck tattoo. 649 00:31:46,240 --> 00:31:47,040 Speaker 2: So does the barrister. 650 00:31:47,320 --> 00:31:50,040 Speaker 1: Everyone's got a tatto. So if you don't have a tattoo, 651 00:31:50,080 --> 00:31:53,240 Speaker 1: you're unique. Scotty. It's always good to talk to you, mate. 652 00:31:53,280 --> 00:31:56,160 Speaker 1: The block auction is this Sunday night at seven o'clock 653 00:31:56,200 --> 00:31:58,680 Speaker 1: on Channel nine and nine. Now, good hunting. 654 00:32:00,320 --> 00:32:03,200 Speaker 3: It's going to be big. We're nervous, but we're excited 655 00:32:03,240 --> 00:32:03,880 Speaker 3: at the same time. 656 00:32:04,040 --> 00:32:05,200 Speaker 2: So thank you Scott. 657 00:32:06,120 --> 00:32:08,960 Speaker 3: Hey you guys under Manda. 658 00:32:08,720 --> 00:32:13,400 Speaker 1: Gem Nations podcast. When God, I. 659 00:32:13,440 --> 00:32:16,440 Speaker 3: Want you to get on right now, I'm taking pleasing. 660 00:32:16,600 --> 00:32:19,360 Speaker 3: Now go to your windows open, stick. 661 00:32:19,240 --> 00:32:20,440 Speaker 9: Your head on a jel. 662 00:32:24,400 --> 00:32:26,480 Speaker 1: Down to the Jonesy amount of arms for the pub 663 00:32:26,520 --> 00:32:29,920 Speaker 1: test today. QR codes at restaurants do they pub past 664 00:32:30,000 --> 00:32:32,800 Speaker 1: the pub test? You might remember these came into fashion 665 00:32:32,880 --> 00:32:35,480 Speaker 1: during COVID and now they seem to have stuck around. 666 00:32:35,520 --> 00:32:37,800 Speaker 1: So instead of going to the wait staff, you actually 667 00:32:37,880 --> 00:32:40,600 Speaker 1: punch in your little qrcade and a menu comes up. 668 00:32:40,840 --> 00:32:43,040 Speaker 2: I don't like it because it means you can't amend 669 00:32:43,480 --> 00:32:43,880 Speaker 2: the menu. 670 00:32:44,280 --> 00:32:46,680 Speaker 1: If you have allergies, you can't ask all those questions 671 00:32:46,800 --> 00:32:47,720 Speaker 1: you like questions. 672 00:32:48,120 --> 00:32:50,160 Speaker 2: And also I don't have a credit card on my phone, 673 00:32:50,640 --> 00:32:51,520 Speaker 2: and so how do you pay? 674 00:32:51,880 --> 00:32:53,440 Speaker 1: People are saying it's a bit rich when they ask 675 00:32:53,520 --> 00:32:56,160 Speaker 1: for a tip because you're not actually getting any service right. True, 676 00:32:56,360 --> 00:32:58,440 Speaker 1: I find if I use one of those QR code things, 677 00:32:58,720 --> 00:33:00,600 Speaker 1: because I don't mind them, but I'm certainly not going 678 00:33:00,640 --> 00:33:02,920 Speaker 1: to leave a tip. But what do you think QR 679 00:33:03,000 --> 00:33:05,320 Speaker 1: codes and restaurants do they pass the pub test? 680 00:33:05,440 --> 00:33:08,560 Speaker 3: It's the same as sugar market when you have your ungrossy. 681 00:33:08,720 --> 00:33:10,280 Speaker 10: First of what, you're taking away jobs. 682 00:33:10,680 --> 00:33:12,880 Speaker 3: I'm not working for the company or these It's is 683 00:33:12,880 --> 00:33:15,320 Speaker 3: you're not getting a style disc on for doing it yourself. 684 00:33:15,560 --> 00:33:16,200 Speaker 13: No, they don't. 685 00:33:16,280 --> 00:33:16,840 Speaker 3: It's annoying. 686 00:33:17,320 --> 00:33:19,680 Speaker 10: I want to be the personal service and I want 687 00:33:19,720 --> 00:33:21,360 Speaker 10: to be able to get a bit of feedback from 688 00:33:21,480 --> 00:33:23,600 Speaker 10: the waiters and the waitresses. 689 00:33:23,320 --> 00:33:26,440 Speaker 3: About the meals. So definitely, no, they don't pass the 690 00:33:26,480 --> 00:33:26,880 Speaker 3: pub tet. 691 00:33:27,000 --> 00:33:30,400 Speaker 10: Well we're ordering from vending machines now or what it 692 00:33:30,440 --> 00:33:33,000 Speaker 10: doesn't pass the pub tests. You go to a restaurant 693 00:33:33,080 --> 00:33:36,840 Speaker 10: for the experience, not to just sit there and tat 694 00:33:36,920 --> 00:33:39,640 Speaker 10: buttons on your phone or whatever. It's about the whole 695 00:33:39,720 --> 00:33:42,240 Speaker 10: time in experiences. 696 00:33:41,200 --> 00:33:43,920 Speaker 12: To be like self service checkouts. To me trying to 697 00:33:43,960 --> 00:33:46,360 Speaker 12: get jobs, you go to any shop now and all, 698 00:33:46,400 --> 00:33:48,120 Speaker 12: where is your self service checkouts? 699 00:33:48,240 --> 00:33:50,320 Speaker 2: We are being taken over by robots. 700 00:33:51,280 --> 00:33:54,440 Speaker 1: We're being taken over by robots, That is right. How 701 00:33:54,480 --> 00:33:55,800 Speaker 1: do I know that you're not a robot? 702 00:33:56,120 --> 00:33:56,360 Speaker 12: Well? 703 00:33:57,160 --> 00:33:59,120 Speaker 2: If I did, I'd replace the batteries that I've got 704 00:33:59,160 --> 00:33:59,960 Speaker 2: in me today. 705 00:34:02,120 --> 00:34:02,600 Speaker 5: Podcast. 706 00:34:02,840 --> 00:34:05,360 Speaker 1: The woman who cooked a fatal mushroom lunch for her 707 00:34:05,520 --> 00:34:08,320 Speaker 1: ex in laws and other guests was last night charged 708 00:34:08,360 --> 00:34:09,239 Speaker 1: with three counts of. 709 00:34:09,360 --> 00:34:13,279 Speaker 2: Murder and two counts of attempted murder previous attempts to 710 00:34:13,320 --> 00:34:15,200 Speaker 2: poison allegedly her husband. 711 00:34:15,360 --> 00:34:18,719 Speaker 1: Yep, my wife had issue. Says that what they keept 712 00:34:18,719 --> 00:34:21,759 Speaker 1: saying about the murder charges in the mushroom meals, it's 713 00:34:21,760 --> 00:34:22,839 Speaker 1: always the mushroom meal. 714 00:34:22,960 --> 00:34:23,640 Speaker 2: What was the problem. 715 00:34:23,800 --> 00:34:27,000 Speaker 1: Well, she's always saying it's always mushroom. It was actually 716 00:34:27,000 --> 00:34:29,200 Speaker 1: a beef Wellington, and I said, well, they don't want 717 00:34:29,280 --> 00:34:31,560 Speaker 1: the beef Wellington industry to die. 718 00:34:31,960 --> 00:34:33,759 Speaker 2: Well, the mushroom industry has really copped it. 719 00:34:33,920 --> 00:34:34,719 Speaker 1: Yeah, of course it has. 720 00:34:34,840 --> 00:34:38,520 Speaker 2: And I love mushrooms, but I probably wouldn't buy an 721 00:34:38,520 --> 00:34:40,960 Speaker 2: exotic mushroom right now, which is not which it must 722 00:34:40,960 --> 00:34:43,640 Speaker 2: be terrible for the industry because even the exotic ones 723 00:34:43,680 --> 00:34:47,440 Speaker 2: are farmed. She didn't get this from a proper mushroom provider. 724 00:34:47,719 --> 00:34:52,240 Speaker 1: I got to admit I was avoiding the Shitaki mushroom 725 00:34:52,280 --> 00:34:54,560 Speaker 1: because they look a little bit exotic, don't they. 726 00:34:54,760 --> 00:34:57,840 Speaker 2: Well, the death cap mushroom that she allegedly put in 727 00:34:57,920 --> 00:35:00,359 Speaker 2: the beef Wellington is what's reached you here. 728 00:35:00,480 --> 00:35:02,920 Speaker 1: When I'm in the mushroom, my calls, I always look 729 00:35:02,960 --> 00:35:06,759 Speaker 1: like a Shataki death cap. Okay, let's not get that one. 730 00:35:06,840 --> 00:35:08,120 Speaker 1: Unless the in laws are coming around. 731 00:35:08,120 --> 00:35:10,440 Speaker 2: You're never going to get a death cap. Mushroom in 732 00:35:10,560 --> 00:35:13,560 Speaker 2: a shop, You're never going to it. And no groceries 733 00:35:14,080 --> 00:35:16,160 Speaker 2: one and we're making jokes, you're never going to get one. 734 00:35:16,960 --> 00:35:18,480 Speaker 1: Don't know where do you get a death cap? 735 00:35:18,600 --> 00:35:21,280 Speaker 2: Well, that's what the question is, because the mushroom industry 736 00:35:21,360 --> 00:35:25,400 Speaker 2: has said she didn't get this from any provider, So. 737 00:35:25,520 --> 00:35:27,680 Speaker 1: Watch this space. I don't think the cops are going 738 00:35:27,719 --> 00:35:29,600 Speaker 1: to have to bring in Jessica Fletcher on this one. 739 00:35:29,800 --> 00:35:32,280 Speaker 1: I think she can stay at home. It's all right, Jessica. 740 00:35:32,760 --> 00:35:34,840 Speaker 2: We've got this one, and I'll give THEE for Thecini 741 00:35:34,920 --> 00:35:35,919 Speaker 2: il Fungi. 742 00:35:35,680 --> 00:35:37,719 Speaker 4: A miss gem. 743 00:35:39,400 --> 00:35:42,160 Speaker 19: Jonesy and Amanda in the Morning one oh one point 744 00:35:42,239 --> 00:35:43,720 Speaker 19: seven WSFM. 745 00:35:44,040 --> 00:35:46,160 Speaker 1: When the Beatles got together in the latter part of 746 00:35:46,200 --> 00:35:48,759 Speaker 1: the fifties. Who would have thought in twenty twenty three 747 00:35:49,320 --> 00:35:52,400 Speaker 1: that they would be releasing new music, But here they 748 00:35:52,440 --> 00:35:56,319 Speaker 1: are releasing new music. Isn't it amazing at this time 749 00:35:56,400 --> 00:35:58,640 Speaker 1: that we're we're hearing a brand new beat of song. 750 00:35:58,680 --> 00:36:01,359 Speaker 1: We played this one early this morning on the show. 751 00:36:01,440 --> 00:36:04,000 Speaker 1: But it's such a great story about how it all 752 00:36:04,080 --> 00:36:06,880 Speaker 1: came about. John Lennon noodling on the piano in New 753 00:36:06,960 --> 00:36:11,040 Speaker 1: York City in nineteen seventy eight. Yoko finds a tape when. 754 00:36:10,920 --> 00:36:13,759 Speaker 4: We lost John, we knew that it was really over. 755 00:36:14,440 --> 00:36:17,200 Speaker 7: I was talking to Yoko and she said, Oh, I 756 00:36:17,280 --> 00:36:20,080 Speaker 7: think I've got a tape of John. Paul called me 757 00:36:20,200 --> 00:36:22,120 Speaker 7: up and said, you'd like to work on now, and 758 00:36:22,280 --> 00:36:25,239 Speaker 7: then he put the bass on. I put the drums on. 759 00:36:25,880 --> 00:36:28,640 Speaker 1: And what makes it more extraordinary? George Harrison worked on 760 00:36:29,080 --> 00:36:32,800 Speaker 1: the album in the nineties and he wasn't happy with 761 00:36:32,920 --> 00:36:35,920 Speaker 1: John's the quality of John's voice in the tape. No, 762 00:36:36,160 --> 00:36:37,200 Speaker 1: he didn't want anything to do with it. 763 00:36:37,280 --> 00:36:41,440 Speaker 2: Peter Jackson was able to introduce new AI technology that 764 00:36:41,560 --> 00:36:46,840 Speaker 2: could lift John's voice, could separate George's guitar. Yeah, and 765 00:36:46,920 --> 00:36:51,120 Speaker 2: then Ringo added drums, John added, Paul added vocals and 766 00:36:51,200 --> 00:36:52,120 Speaker 2: guitar and bass. 767 00:36:52,800 --> 00:37:05,000 Speaker 1: This is how it sounded in nineteen seventy eight. So 768 00:37:05,120 --> 00:37:07,640 Speaker 1: that's just John just noodling on the piano. But thanks 769 00:37:07,719 --> 00:37:12,920 Speaker 1: to Peter Jackson, the more I hear it, the more 770 00:37:12,960 --> 00:37:16,799 Speaker 1: I love it. Yes, Jo Goo and Know also offered 771 00:37:16,880 --> 00:37:24,000 Speaker 1: up some other recordings of our own solo work. Paul said, 772 00:37:24,040 --> 00:37:25,640 Speaker 1: you know, just put that back in the junk tour 773 00:37:26,440 --> 00:37:29,080 Speaker 1: We'll call you. I think though, we should play it 774 00:37:29,120 --> 00:37:31,880 Speaker 1: again because are you right? It's like a classical car 775 00:37:32,000 --> 00:37:34,960 Speaker 1: that's been restored and it's worthy of a listener. And 776 00:37:35,080 --> 00:37:35,960 Speaker 1: as Paul would. 777 00:37:35,719 --> 00:37:38,399 Speaker 5: Say, hope you enjoy it. If you don't, too bad, 778 00:37:41,120 --> 00:37:43,120 Speaker 5: Sam Podcast. 779 00:37:43,080 --> 00:37:45,960 Speaker 1: WSFM, Hello there he is Jonesy. The metis that is 780 00:37:46,120 --> 00:37:47,960 Speaker 1: new music from the Beatles Now and Then? 781 00:37:48,040 --> 00:37:50,120 Speaker 2: So ironic, weird sentenced to say, isn't it? 782 00:37:50,400 --> 00:37:52,719 Speaker 1: Here we are playing new music on Beatles on a 783 00:37:52,800 --> 00:37:56,080 Speaker 1: predominantly classic hits radio station where we don't usually play 784 00:37:56,160 --> 00:37:58,719 Speaker 1: new music, but we're playing with a band that's split 785 00:37:58,800 --> 00:37:59,719 Speaker 1: up some fifty years ago. 786 00:38:00,000 --> 00:38:02,279 Speaker 2: We don't often play music from the Beatles because it's 787 00:38:02,320 --> 00:38:02,719 Speaker 2: too old. 788 00:38:02,920 --> 00:38:04,279 Speaker 1: Yeah, where are we? 789 00:38:04,440 --> 00:38:04,920 Speaker 3: What ahead? 790 00:38:05,000 --> 00:38:05,239 Speaker 2: Mess? 791 00:38:05,400 --> 00:38:08,279 Speaker 1: Now the world? The new song Now and Then is 792 00:38:08,320 --> 00:38:12,919 Speaker 1: out now. The Red and Blue albums are out November ten. 793 00:38:13,239 --> 00:38:15,719 Speaker 1: So that's some good marketing right there. Christmas Time around 794 00:38:15,719 --> 00:38:17,680 Speaker 1: the corner. I think that thing's going to add to 795 00:38:17,760 --> 00:38:21,120 Speaker 1: the coffers, Like you know, Paul McCartney's got Christmas Time? 796 00:38:21,239 --> 00:38:22,040 Speaker 1: Is it Christmas Time? 797 00:38:22,120 --> 00:38:22,319 Speaker 3: Song? 798 00:38:22,480 --> 00:38:25,560 Speaker 1: As an Iceittle's side hustle And now this how good's that? 799 00:38:26,400 --> 00:38:28,920 Speaker 1: It's eight twenty four, Coming up, gets My Goolies, you 800 00:38:28,960 --> 00:38:30,960 Speaker 1: get something on your case cap straight to us via 801 00:38:31,040 --> 00:38:34,920 Speaker 1: the iHeartRadio app and an evening with Jonesy and Amanda. 802 00:38:35,040 --> 00:38:37,160 Speaker 2: Tickets are on sound now through ticket Tech. We're going 803 00:38:37,239 --> 00:38:40,200 Speaker 2: to have Marcia Hines performing. My voice will be back 804 00:38:40,239 --> 00:38:43,560 Speaker 2: and will be melliffluous. We've got lots of stuff. We're 805 00:38:43,600 --> 00:38:46,080 Speaker 2: going to recreate our show on stage. 806 00:38:46,440 --> 00:38:48,640 Speaker 1: Okay, I'm looking forward to it. How are they going 807 00:38:48,680 --> 00:38:50,480 Speaker 1: with the ticket sales? Is this because we've opened up 808 00:38:50,480 --> 00:38:51,280 Speaker 1: the other section. 809 00:38:51,280 --> 00:38:56,320 Speaker 2: We have but ticket sales? This is also crazy Going Crazy? 810 00:38:56,800 --> 00:38:59,840 Speaker 11: Jonesy and Amanda Yama podcast. 811 00:39:03,000 --> 00:39:05,040 Speaker 4: Instruc turn it on. 812 00:39:08,760 --> 00:39:11,239 Speaker 1: What about the Wiggles? The Wiggles are not happy with 813 00:39:11,320 --> 00:39:12,880 Speaker 1: the city of Bunbury. What's going on? 814 00:39:13,160 --> 00:39:16,319 Speaker 2: Well, in the city of Bumbrey, they have a little 815 00:39:16,400 --> 00:39:19,920 Speaker 2: stage near a park and apparently homeless people have been 816 00:39:19,960 --> 00:39:23,319 Speaker 2: setting up camp there and the council has been using 817 00:39:23,480 --> 00:39:24,200 Speaker 2: this song. 818 00:39:24,280 --> 00:39:28,080 Speaker 9: Hot Potato, Hot Potatoes on a loop hot Potatoes to 819 00:39:28,200 --> 00:39:29,239 Speaker 9: keep people away. 820 00:39:30,760 --> 00:39:31,120 Speaker 4: Homeless. 821 00:39:31,160 --> 00:39:34,440 Speaker 1: They're talking about hot potatoes nonetheless, yeah, or. 822 00:39:34,440 --> 00:39:40,440 Speaker 2: Fruit salad or food plated, oh, cold spaghetti, So this 823 00:39:40,520 --> 00:39:41,040 Speaker 2: would be great. 824 00:39:41,200 --> 00:39:45,200 Speaker 1: Well, one time forgot the lyrics to hot Potatoes. Listen, 825 00:39:45,280 --> 00:39:49,759 Speaker 1: it's complex potato, potato potato? How does it go? 826 00:39:50,360 --> 00:39:50,759 Speaker 8: What is it? 827 00:39:51,280 --> 00:39:53,440 Speaker 2: But so they played this music twenty four hours a day, 828 00:39:54,080 --> 00:39:56,280 Speaker 2: and you know this is not a solution to homelessness. 829 00:39:56,280 --> 00:39:59,160 Speaker 2: As we know, the Wiggles are not happy. They've contacted 830 00:39:59,200 --> 00:40:01,520 Speaker 2: the city of Bumbrey and have banned am using the song. 831 00:40:02,800 --> 00:40:05,239 Speaker 2: They've said, the Wiggles music is created to bring joy 832 00:40:05,280 --> 00:40:08,160 Speaker 2: and happiness to children and families around the world. We're 833 00:40:08,200 --> 00:40:10,640 Speaker 2: disappointed to hear it's been used in any other way. 834 00:40:10,920 --> 00:40:13,160 Speaker 1: I agree they should use something else. This will keep 835 00:40:13,200 --> 00:40:21,640 Speaker 1: people away, Wow, John Lennon Away. The homeless have suffered 836 00:40:21,760 --> 00:40:23,960 Speaker 1: enough coming up. 837 00:40:24,040 --> 00:40:26,399 Speaker 2: Thank you, Yoko gets my Ghoolies on the way. 838 00:40:26,400 --> 00:40:28,040 Speaker 1: You got to tell you your case. In a matter 839 00:40:28,080 --> 00:40:30,759 Speaker 1: of days or weeks, someone is going to win twenty 840 00:40:30,800 --> 00:40:33,439 Speaker 1: thousand dollars cash thanks to Hair and Force Machinery House. 841 00:40:33,760 --> 00:40:36,200 Speaker 1: If you'd like to be a part of this, download 842 00:40:36,320 --> 00:40:41,040 Speaker 1: the iHeartRadio app, Record your Ghoulie and Boom Jones and 843 00:40:41,080 --> 00:40:53,120 Speaker 1: Amanda's sham Nation podcast just by getting your Gholie and 844 00:40:53,200 --> 00:40:55,480 Speaker 1: you could win twenty thousand dollars thanks to Hair and 845 00:40:55,560 --> 00:40:57,320 Speaker 1: Force Machinery House. What have we got today? 846 00:40:57,960 --> 00:40:59,080 Speaker 4: Hi Jones and Amanda. 847 00:40:59,160 --> 00:41:01,440 Speaker 11: I've got to tell you what really gets my goolies. 848 00:41:01,800 --> 00:41:03,840 Speaker 19: For the last few years, there's been a mister Whippie 849 00:41:03,880 --> 00:41:06,360 Speaker 19: van in my suburb that drives through the streets like 850 00:41:06,480 --> 00:41:09,120 Speaker 19: Peterborough trying to get to the battlest finish line. 851 00:41:09,480 --> 00:41:11,440 Speaker 11: You hear the happy sounds of green sleeves. 852 00:41:11,680 --> 00:41:14,120 Speaker 19: Everyone wants an ice cream, But honestly, as soon as 853 00:41:14,200 --> 00:41:15,520 Speaker 19: you grab your money and run out. 854 00:41:15,400 --> 00:41:17,280 Speaker 2: The door, that guy is gone. 855 00:41:18,000 --> 00:41:22,520 Speaker 1: Really gets my ghoulies. And Mary's in the background, ironically 856 00:41:22,760 --> 00:41:24,320 Speaker 1: she was not on the phone. She'd be getting in. 857 00:41:24,680 --> 00:41:25,280 Speaker 2: What a shame? 858 00:41:26,080 --> 00:41:26,839 Speaker 1: What else have we got? 859 00:41:27,440 --> 00:41:28,520 Speaker 3: Hi, jen Z and Amanda? 860 00:41:28,880 --> 00:41:30,200 Speaker 4: Do you know what gets my ghoulies? 861 00:41:30,719 --> 00:41:30,759 Speaker 5: Me? 862 00:41:31,920 --> 00:41:34,040 Speaker 3: I find it's so hard to listen to my parents, 863 00:41:34,400 --> 00:41:36,240 Speaker 3: and I'm forever getting into trouble. 864 00:41:37,560 --> 00:41:39,600 Speaker 4: Why can't I just listen? 865 00:41:40,719 --> 00:41:41,920 Speaker 3: That's what gets my goolies. 866 00:41:42,320 --> 00:41:44,279 Speaker 1: I don't move out. 867 00:41:45,239 --> 00:41:49,040 Speaker 2: You get out of the house so your son. 868 00:41:50,640 --> 00:41:53,520 Speaker 1: Get a job. He doesn't get up till the crack 869 00:41:53,560 --> 00:41:57,000 Speaker 1: of noon. The good if you dipped out, you can 870 00:41:57,040 --> 00:42:01,040 Speaker 1: always contact us via the iHeartRadio. Happy Amy said, you know, 871 00:42:01,160 --> 00:42:03,840 Speaker 1: Jimy Ray has been working harder than Amanda's sue the 872 00:42:04,000 --> 00:42:06,440 Speaker 1: roadie it's not working, and he's come up with this 873 00:42:06,760 --> 00:42:08,680 Speaker 1: Jen White Rise, Jim jab. 874 00:42:11,440 --> 00:42:15,400 Speaker 8: But the Muns truck just arrived. I don't know how 875 00:42:15,440 --> 00:42:18,160 Speaker 8: you guys get up in the morning or in an emergency, 876 00:42:18,360 --> 00:42:20,240 Speaker 8: like when a thing called a blackout happens. 877 00:42:20,520 --> 00:42:22,360 Speaker 1: I mean, I don't know. My mum usually just wakes 878 00:42:22,400 --> 00:42:25,120 Speaker 1: me up. Nothing works when your power goes off overnight 879 00:42:25,239 --> 00:42:27,440 Speaker 1: and you've got the old school alarm clock and it 880 00:42:27,520 --> 00:42:28,239 Speaker 1: doesn't go off. 881 00:42:28,360 --> 00:42:30,200 Speaker 4: I've got my phone as well. Yeah, I've got my 882 00:42:30,239 --> 00:42:30,600 Speaker 4: back out. 883 00:42:30,640 --> 00:42:33,880 Speaker 2: There have been occasions where I think my phone's plugged in. 884 00:42:34,760 --> 00:42:35,759 Speaker 2: It's coming from out of. 885 00:42:35,760 --> 00:42:38,480 Speaker 11: The wall, So there are risks. 886 00:42:38,560 --> 00:42:41,359 Speaker 4: And you've got good old bladder. My bladder will. 887 00:42:41,239 --> 00:42:43,320 Speaker 2: Wake up eventually, hopefully every ten minutes. 888 00:42:44,040 --> 00:42:46,960 Speaker 4: Sometimes sometimes that slips through it. 889 00:42:48,080 --> 00:42:48,960 Speaker 2: That's Harley's alarm. 890 00:42:50,719 --> 00:42:51,000 Speaker 1: Funny. 891 00:42:51,080 --> 00:42:54,200 Speaker 8: Lady Ursula Carson is in a new animated feature starring 892 00:42:54,239 --> 00:42:56,080 Speaker 8: a whole bunch of big Hollywood types. 893 00:42:56,280 --> 00:43:00,160 Speaker 2: You're voicing a character in an animated film alongside a 894 00:43:00,239 --> 00:43:03,760 Speaker 2: couple of people, Donald Sutherland, Laura de RuPaul, being produced 895 00:43:03,760 --> 00:43:04,760 Speaker 2: by Leonardo DiCaprio. 896 00:43:05,000 --> 00:43:06,279 Speaker 16: Yeah, she's short, you know. 897 00:43:06,320 --> 00:43:07,160 Speaker 3: As the rookies in. 898 00:43:07,160 --> 00:43:09,799 Speaker 4: The game were you in Leonardo's orbit? Did you get 899 00:43:09,840 --> 00:43:11,160 Speaker 4: to talk to him or anything like that? 900 00:43:11,320 --> 00:43:14,640 Speaker 12: No, no, because I've had my forty seventh birthday already. 901 00:43:18,000 --> 00:43:19,479 Speaker 18: I don't walk around the mouth. 902 00:43:19,600 --> 00:43:25,640 Speaker 1: So Halloween happened this week? 903 00:43:25,760 --> 00:43:28,719 Speaker 4: Halloween chocolates? You didn't get any last night? I didn't 904 00:43:28,719 --> 00:43:30,400 Speaker 4: go trick or treating if that's what you did. 905 00:43:30,480 --> 00:43:32,080 Speaker 11: I get any chocolates last night. 906 00:43:32,640 --> 00:43:34,640 Speaker 2: Yes, I dressed up as a young child and went 907 00:43:34,680 --> 00:43:35,920 Speaker 2: from house to house. 908 00:43:35,719 --> 00:43:38,680 Speaker 4: Got a new wagu ohy are nice? 909 00:43:38,960 --> 00:43:40,200 Speaker 11: Any shampa's open? 910 00:43:40,960 --> 00:43:42,160 Speaker 2: No, Brenda, I didn't. 911 00:43:43,440 --> 00:43:47,040 Speaker 8: Tim Robarts has completed an SAS course. His real job, 912 00:43:47,160 --> 00:43:50,360 Speaker 8: other than being the OG Bachelor, is a Cairo practice 913 00:43:50,480 --> 00:43:51,360 Speaker 8: whatever that really is. 914 00:43:51,480 --> 00:43:53,239 Speaker 1: I just remember when I broke my back in that 915 00:43:53,320 --> 00:43:56,000 Speaker 1: motorcycle accident. I said to the orthopedic surgeon, I said, 916 00:43:56,200 --> 00:43:57,920 Speaker 1: my mom said should I go and see a chiropractice? 917 00:43:57,920 --> 00:43:59,200 Speaker 4: And he says, do you want to walk again? 918 00:43:59,440 --> 00:44:01,359 Speaker 1: And I'm well, I like I like walking as well. 919 00:44:01,400 --> 00:44:02,600 Speaker 4: Don't see your current break up. 920 00:44:03,120 --> 00:44:03,960 Speaker 1: It was an expert. 921 00:44:04,120 --> 00:44:06,120 Speaker 20: One school of medicine is never going to enjoy it 922 00:44:06,520 --> 00:44:09,160 Speaker 20: through that another philosophy of healing. 923 00:44:09,440 --> 00:44:11,640 Speaker 4: It's like going getting cupping and all that other job. 924 00:44:11,960 --> 00:44:13,600 Speaker 20: Yeah, if you're not into cupping, they're going to poo 925 00:44:13,640 --> 00:44:16,160 Speaker 20: poo the cup. Remember when you poo pooed the cupping. 926 00:44:16,200 --> 00:44:21,280 Speaker 20: You haven't been invited back, I remember, and then rinse. 927 00:44:21,080 --> 00:44:21,920 Speaker 19: That out before you go. 928 00:44:23,239 --> 00:44:27,680 Speaker 8: Speaking of sas, they had to face some pretty grim situations. 929 00:44:27,920 --> 00:44:29,360 Speaker 1: WHOA some grizzly stuff. 930 00:44:29,480 --> 00:44:32,040 Speaker 4: Last night on the show they had this after being 931 00:44:32,160 --> 00:44:36,320 Speaker 4: held for over two hours. It's recruit will now before 932 00:44:36,400 --> 00:44:40,880 Speaker 4: is to suffer the most confronting experience any years a 933 00:44:41,200 --> 00:44:42,720 Speaker 4: soldier will ever face. 934 00:44:44,600 --> 00:44:47,080 Speaker 9: Live from the studios of Channel seven. 935 00:44:47,840 --> 00:44:48,480 Speaker 6: This is. 936 00:44:50,520 --> 00:44:50,880 Speaker 3: Brutal. 937 00:44:51,120 --> 00:44:53,520 Speaker 5: This was so brutal. So I'll go and fight on 938 00:44:53,600 --> 00:44:54,040 Speaker 5: the front. 939 00:44:56,080 --> 00:44:59,600 Speaker 8: And it seems at last Jonesy is destined for the 940 00:44:59,680 --> 00:45:00,480 Speaker 8: record books. 941 00:45:00,560 --> 00:45:01,760 Speaker 11: Let me talk you about this festival. 942 00:45:01,800 --> 00:45:05,719 Speaker 2: I came across the Italian twenty twenty three Burbing Festival. 943 00:45:05,960 --> 00:45:11,680 Speaker 2: This guy seemed to take the wind and a decibel 944 00:45:11,760 --> 00:45:15,560 Speaker 2: reader behind him says it's one hundred and thirty decibel. 945 00:45:16,280 --> 00:45:17,520 Speaker 4: Well, you know what I was thinking. 946 00:45:17,680 --> 00:45:20,320 Speaker 2: If life gives you lemons, you should make lemonade. Is 947 00:45:20,400 --> 00:45:23,320 Speaker 2: this something you have thought of entering, Brendan because you 948 00:45:23,560 --> 00:45:25,879 Speaker 2: like a bird. Let's play this for a moment. 949 00:45:27,719 --> 00:45:30,239 Speaker 1: Mirk's cave for just one bathist. That's how long ago 950 00:45:30,360 --> 00:45:32,879 Speaker 1: it was. And I was watching the race and I'd 951 00:45:32,920 --> 00:45:35,120 Speaker 1: had a couple of beers, and I left a message 952 00:45:35,320 --> 00:45:40,279 Speaker 1: on our producers and producers voice message machine thing, Yeah, 953 00:45:40,440 --> 00:45:41,040 Speaker 1: so here. 954 00:45:40,960 --> 00:45:45,680 Speaker 2: We have this guy, and now let's have you. Brendan 955 00:45:45,800 --> 00:45:47,920 Speaker 2: jones I announced you the winner. 956 00:45:49,400 --> 00:45:53,320 Speaker 20: They got one hundred and thirty one decibel's congratulations that 957 00:45:53,440 --> 00:45:54,880 Speaker 20: you finished damn straight. 958 00:45:55,320 --> 00:45:57,520 Speaker 11: This has been Jenwy Eyes Jibbijabba. 959 00:45:57,640 --> 00:46:04,320 Speaker 1: Thanks made gem Nation our favorite call or email or 960 00:46:04,480 --> 00:46:07,960 Speaker 1: contribute to the show wins a fantastic prize today the 961 00:46:08,520 --> 00:46:13,320 Speaker 1: x Sonya XG Sonia Say XG three hundred X serious 962 00:46:13,400 --> 00:46:19,839 Speaker 1: portable wireless speaker far out that just all came off 963 00:46:19,840 --> 00:46:22,240 Speaker 1: the top of my head. Simply charge it up, grab 964 00:46:22,320 --> 00:46:25,400 Speaker 1: the easy to hold handle and take this durable portable 965 00:46:25,440 --> 00:46:28,920 Speaker 1: and great sounds. So before well, I didn't know that 966 00:46:29,040 --> 00:46:30,840 Speaker 1: this is off the top of my head. As I said, Okay, 967 00:46:31,200 --> 00:46:33,800 Speaker 1: stuff happens. You can listen to Johnny Hats Jase to 968 00:46:33,880 --> 00:46:36,960 Speaker 1: your hearts content on it. You get Jonesi and Amanda 969 00:46:37,040 --> 00:46:39,960 Speaker 1: Ttowel and eighteenth birthday key ring. Every morning we kick 970 00:46:40,000 --> 00:46:42,000 Speaker 1: off the show with a magnificent seven. It's our early 971 00:46:42,080 --> 00:46:44,320 Speaker 1: morning quiz. That's why we love it because the majority 972 00:46:44,320 --> 00:46:47,640 Speaker 1: of the callers haven't had their morning coffee yet. 973 00:46:47,680 --> 00:46:49,560 Speaker 2: It's sometimes it's more challenging than others. 974 00:46:49,760 --> 00:46:52,719 Speaker 1: Sometimes we asked a pastor question this morning and it 975 00:46:52,800 --> 00:46:57,120 Speaker 1: really stumped everyone, especially Sonya from left Bridge Park, which 976 00:46:57,400 --> 00:47:00,120 Speaker 1: pasta is shaped like a bow tie. It is my 977 00:47:00,400 --> 00:47:01,719 Speaker 1: favorite pastor. 978 00:47:08,600 --> 00:47:09,399 Speaker 10: Right at you too. 979 00:47:11,840 --> 00:47:13,640 Speaker 2: Thank you for putting up with my voice today. I'll 980 00:47:13,680 --> 00:47:15,800 Speaker 2: be back stop talking full strength on Monday. 981 00:47:15,960 --> 00:47:18,960 Speaker 1: I'm Lee Fellers up next with your charming get your tickets. 982 00:47:19,560 --> 00:47:21,279 Speaker 1: I'll get your hands on the hottest tickets in town 983 00:47:21,360 --> 00:47:23,160 Speaker 1: with Wheel of Tickets, and we'll be back from six 984 00:47:23,239 --> 00:47:26,319 Speaker 1: to night for jam Nation. Good date you well, Thank 985 00:47:26,440 --> 00:47:27,279 Speaker 1: god that's over. 986 00:47:27,400 --> 00:47:29,600 Speaker 5: Good good bite. 987 00:47:30,440 --> 00:47:34,840 Speaker 19: Wipe from your catch Jonesy and Amanda's podcast on the 988 00:47:34,920 --> 00:47:37,799 Speaker 19: iHeartRadio app or wherever you get your podcasts. 989 00:47:48,200 --> 00:47:50,480 Speaker 11: Catch up on what you've missed on the free iHeart 990 00:47:50,600 --> 00:47:51,239 Speaker 11: Radio app.