1 00:00:00,600 --> 00:00:02,200 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,640 --> 00:00:08,160 Speaker 2: Jimi Rye has been working harder than he's hot rodent man. Look, 3 00:00:08,640 --> 00:00:11,000 Speaker 2: I work harder Ryan, and he's come up with this. 4 00:00:11,000 --> 00:00:12,040 Speaker 3: Jim White Rice. 5 00:00:15,720 --> 00:00:20,000 Speaker 1: But I'm about to do my compliance training. You've heard 6 00:00:20,160 --> 00:00:24,040 Speaker 1: of a mic drop. In Jonesy's world, he has a 7 00:00:24,079 --> 00:00:27,640 Speaker 1: bike drop. One of the pitfalls will being a collector, 8 00:00:28,080 --> 00:00:29,120 Speaker 1: I suppose. 9 00:00:28,960 --> 00:00:30,440 Speaker 2: And this is the first world problem if you own 10 00:00:30,440 --> 00:00:32,879 Speaker 2: a lot of motorcycles, so you got to take them 11 00:00:32,880 --> 00:00:35,080 Speaker 2: out and run them, because if you don't run them, 12 00:00:35,320 --> 00:00:37,479 Speaker 2: they just seize up and carck it. And so I've 13 00:00:37,520 --> 00:00:39,760 Speaker 2: taken this old thing out and next minute I fell 14 00:00:39,800 --> 00:00:42,640 Speaker 2: over and it's on top of me. A fellow enthusiast 15 00:00:42,720 --> 00:00:44,320 Speaker 2: drove past it, so he helped me out. 16 00:00:44,479 --> 00:00:48,040 Speaker 3: I'd be still there, wouldn't him under your bike help 17 00:00:48,120 --> 00:00:50,080 Speaker 3: me help me? My wife wouldn't have noticed. 18 00:00:50,159 --> 00:00:52,600 Speaker 1: It would have been that scene from Castaway, Will You 19 00:00:52,640 --> 00:00:54,760 Speaker 1: come Back? And she's having a party. She's remarried. 20 00:00:55,080 --> 00:00:58,560 Speaker 3: She would have moved on with a hunky Cairo rector guy. 21 00:00:59,240 --> 00:01:01,640 Speaker 1: I'm worried about what management is going to think about 22 00:01:01,640 --> 00:01:04,240 Speaker 1: my search history after this exchange. 23 00:01:04,319 --> 00:01:06,600 Speaker 2: I've never seen an elephant. You know with the big 24 00:01:06,640 --> 00:01:08,360 Speaker 2: because you would imagine there would be a big old 25 00:01:08,800 --> 00:01:11,240 Speaker 2: because it's sexual. We don't see the potato, you don't 26 00:01:11,240 --> 00:01:12,720 Speaker 2: see the penis on the heir elephant. 27 00:01:12,720 --> 00:01:15,320 Speaker 3: Get line to google it. Oh good, oh, oh my god, 28 00:01:15,880 --> 00:01:18,560 Speaker 3: that is it's dragging on the ground. Yeah, absolutely, that 29 00:01:18,720 --> 00:01:22,600 Speaker 3: a schaefe. I wonder if Babar had problems every time 30 00:01:22,640 --> 00:01:24,800 Speaker 3: he walked into it and he used to wear. 31 00:01:24,680 --> 00:01:27,840 Speaker 1: Clothes special kind of tailor. 32 00:01:29,760 --> 00:01:31,399 Speaker 3: Which side do you address to you, baba? 33 00:01:33,520 --> 00:01:37,600 Speaker 1: Actor Now director and daughter of star Barry Otto, Gracie Otto, 34 00:01:37,800 --> 00:01:40,759 Speaker 1: has made a docco about her dad. Does that mean 35 00:01:40,840 --> 00:01:43,119 Speaker 1: she'll get back on the acting tools Though you. 36 00:01:43,120 --> 00:01:45,400 Speaker 2: Like directing stuff, you're going to get on the other 37 00:01:45,440 --> 00:01:47,880 Speaker 2: side of the lens. We're going to see you acting 38 00:01:48,160 --> 00:01:48,920 Speaker 2: in something. 39 00:01:49,080 --> 00:01:51,240 Speaker 1: No. No, I'm not a good actor, like I'm so 40 00:01:51,280 --> 00:01:53,360 Speaker 1: good at playing myself, so if the role comes up. 41 00:01:53,240 --> 00:01:56,680 Speaker 3: When they call me. But I think I was definitely 42 00:01:57,720 --> 00:01:58,400 Speaker 3: behind the camera. 43 00:01:58,600 --> 00:02:02,160 Speaker 2: You were great in Sea Patrol. I was in ce Patrol. 44 00:02:02,200 --> 00:02:04,320 Speaker 2: I played someone on island where they I remember I 45 00:02:04,360 --> 00:02:06,360 Speaker 2: went up to the director and said, I'm sent to 46 00:02:06,400 --> 00:02:07,040 Speaker 2: crime and leave the. 47 00:02:07,040 --> 00:02:08,799 Speaker 1: Machines and my husband are dining. I like to be 48 00:02:08,840 --> 00:02:10,959 Speaker 1: on an island, and I said, look, I think she's strong. 49 00:02:11,080 --> 00:02:11,919 Speaker 2: I don't think. 50 00:02:14,400 --> 00:02:16,920 Speaker 1: You guys give me grief about some of the artists 51 00:02:16,919 --> 00:02:21,520 Speaker 1: I'm into. What about you? Who the hell is Adam. 52 00:02:21,280 --> 00:02:24,560 Speaker 2: And Stuart Goddard or Adam Man. In nineteen eighty five, 53 00:02:24,800 --> 00:02:27,560 Speaker 2: Bob Geldoff asked him to perform at Live Aid. Remember 54 00:02:27,600 --> 00:02:29,880 Speaker 2: that the queen sort of hogged all that that was 55 00:02:29,919 --> 00:02:32,200 Speaker 2: their big comeback at Live Aid, and. 56 00:02:32,120 --> 00:02:38,880 Speaker 3: So he take off with all the picnic goods he raided. 57 00:02:38,919 --> 00:02:42,320 Speaker 3: Fred took off Fendie Mercury's picnic basket. 58 00:02:42,639 --> 00:02:46,040 Speaker 1: These new studios are pretty impressive, I must say, like 59 00:02:46,080 --> 00:02:49,840 Speaker 1: the desk's height can even be adjusted automatically. Although it's 60 00:02:49,960 --> 00:02:52,720 Speaker 1: easy to see why. There's a well worn path in 61 00:02:52,760 --> 00:02:56,160 Speaker 1: the carpet from this studio to the HR officers. 62 00:02:56,280 --> 00:02:59,080 Speaker 3: I'm just playing with her and it's gotten right out. 63 00:02:59,280 --> 00:03:01,040 Speaker 3: Who do you want to go? The desk can go lower? 64 00:03:01,120 --> 00:03:01,440 Speaker 2: Please? 65 00:03:01,639 --> 00:03:05,040 Speaker 3: While you're down there? Eh what CHR? 66 00:03:05,520 --> 00:03:07,960 Speaker 1: A little bit further down there we go, thank you. 67 00:03:07,960 --> 00:03:11,760 Speaker 3: You know, can't have fun anymore, can't have sexual innuendo 68 00:03:11,800 --> 00:03:14,640 Speaker 3: with your colleagues anymore without going to HR. You know, 69 00:03:14,880 --> 00:03:17,119 Speaker 3: we've moved on from while you're down there. 70 00:03:18,160 --> 00:03:20,720 Speaker 1: That's such an easy thing to say. 71 00:03:21,240 --> 00:03:22,520 Speaker 2: You could just go along with it. 72 00:03:22,600 --> 00:03:24,240 Speaker 1: Oh okay, while I'm down there, would you like me 73 00:03:24,280 --> 00:03:28,400 Speaker 1: to perform some kind of sexual act? Sorry? Is that 74 00:03:28,440 --> 00:03:31,120 Speaker 1: where we're going with this shit? Did do you mean? 75 00:03:31,120 --> 00:03:32,640 Speaker 2: Would you like to me to explain? 76 00:03:32,720 --> 00:03:34,360 Speaker 1: No, it's just a fun joke. 77 00:03:35,880 --> 00:03:36,760 Speaker 3: You made your point. 78 00:03:36,920 --> 00:03:39,840 Speaker 1: Ah, the good old days. This has been Jen wy 79 00:03:40,000 --> 00:03:43,240 Speaker 1: Ries Jibbijabba, Thanks mate, Jonesy and Amanda in the Morning 80 00:03:44,760 --> 00:03:45,160 Speaker 1: sm