1 00:00:00,360 --> 00:00:04,840 Speaker 1: Break the Flick with Ben Oh on ninety six a FM. 2 00:00:05,080 --> 00:00:06,560 Speaker 2: Hi Ben, Hello. 3 00:00:07,320 --> 00:00:12,680 Speaker 1: So I'm a girl, so sorry, and I have noticed 4 00:00:13,160 --> 00:00:17,120 Speaker 1: so I, like most of the females of the world 5 00:00:17,560 --> 00:00:22,400 Speaker 1: watched Normal People and there was this young fellow, Paul 6 00:00:22,480 --> 00:00:27,000 Speaker 1: Mescal who is just this unassuming spunk. 7 00:00:27,800 --> 00:00:30,360 Speaker 2: There is something about you hot right now that we 8 00:00:30,440 --> 00:00:33,400 Speaker 2: all fell in love with it. Now he's everywhere he 9 00:00:33,560 --> 00:00:36,519 Speaker 2: is well. He got an Oscar nomination last year for 10 00:00:36,800 --> 00:00:39,720 Speaker 2: the indie movie After Stunt After Sun, which is an 11 00:00:39,720 --> 00:00:42,599 Speaker 2: extremely small movie. Not a lot of people watched it 12 00:00:42,680 --> 00:00:44,720 Speaker 2: until he got that Oscar nomination, and then I think 13 00:00:44,760 --> 00:00:47,280 Speaker 2: plenty of people did after that. And you know, he 14 00:00:47,320 --> 00:00:49,800 Speaker 2: played a sort of a troubled dad who was on 15 00:00:49,840 --> 00:00:52,920 Speaker 2: a holiday with his young daughter. It's a very kind of, 16 00:00:53,040 --> 00:00:57,279 Speaker 2: you know, poignant, somber film. But he was fantastic in it. 17 00:00:57,320 --> 00:00:59,720 Speaker 2: And now he's in a new movie. It's a very 18 00:01:00,240 --> 00:01:03,280 Speaker 2: adaptation of Carmen. And I know les like, sometimes I 19 00:01:03,320 --> 00:01:06,120 Speaker 2: bring you these blockbusters and transformers and things like that, 20 00:01:06,160 --> 00:01:08,160 Speaker 2: and I can tell you know, maybe your eyes gloze 21 00:01:08,160 --> 00:01:10,120 Speaker 2: over a little bit sometimes, but this one, I know 22 00:01:10,480 --> 00:01:12,600 Speaker 2: you're going to be very interested in. Honestly, because of 23 00:01:12,600 --> 00:01:15,000 Speaker 2: Paul mescal yea and I can tell you so he 24 00:01:15,040 --> 00:01:18,600 Speaker 2: plays and the tenuous link Carmen, well, it is tenuous. 25 00:01:18,600 --> 00:01:25,440 Speaker 2: So the director Benjamin Milpied, French ballet dancer and choreographer 26 00:01:25,480 --> 00:01:27,840 Speaker 2: whose claim to fame he got too. Claim to fames 27 00:01:28,080 --> 00:01:30,840 Speaker 2: one was that he was the bloke who choreographed the 28 00:01:30,880 --> 00:01:36,640 Speaker 2: ballet in Black Swan fantastic, and that's where he met 29 00:01:36,640 --> 00:01:41,120 Speaker 2: his wife on Natalie Portman. So there you go. So 30 00:01:41,160 --> 00:01:44,360 Speaker 2: he's Natalie Portman's hubby and this is his first feature. 31 00:01:44,480 --> 00:01:46,600 Speaker 2: So he set out to make an adaptation of the 32 00:01:46,640 --> 00:01:50,320 Speaker 2: classic opera Carmen. But as he got in the development process, 33 00:01:50,360 --> 00:01:52,720 Speaker 2: he realized that he didn't really like the idea of 34 00:01:53,360 --> 00:01:56,160 Speaker 2: the tragic end of Carmen, where you know, the men 35 00:01:56,200 --> 00:01:58,280 Speaker 2: who love her think she's so beautiful they can't let 36 00:01:58,320 --> 00:02:00,880 Speaker 2: her live basically, and they knock her off. He just 37 00:02:00,880 --> 00:02:04,080 Speaker 2: didn't think that was that was really something that really 38 00:02:04,280 --> 00:02:08,880 Speaker 2: really floated his boat. In this modern age. It was problematic, 39 00:02:08,919 --> 00:02:10,799 Speaker 2: it's problematic, but it was a story of its star. 40 00:02:11,520 --> 00:02:16,320 Speaker 2: Nineteenth century times are different back then, and so he 41 00:02:16,400 --> 00:02:19,960 Speaker 2: wanted to write a film where Carmen, the central character, 42 00:02:20,000 --> 00:02:23,480 Speaker 2: comes out on top. Even though similar similar sort of thing, like, 43 00:02:23,600 --> 00:02:27,080 Speaker 2: she's very central character and a guy sort of completely 44 00:02:27,120 --> 00:02:29,400 Speaker 2: falls head over heels and kind of, you know, throws 45 00:02:29,440 --> 00:02:32,239 Speaker 2: away his life and duty, which is what Paul Mescal's 46 00:02:32,280 --> 00:02:35,480 Speaker 2: character does. So Carmen played by Melissa Barrera from the 47 00:02:35,560 --> 00:02:38,680 Speaker 2: last two screen movies and In the Heights the musical 48 00:02:38,720 --> 00:02:42,920 Speaker 2: adaptation of Lin Manuel's musical, and she was great in that. 49 00:02:43,360 --> 00:02:46,680 Speaker 2: She plays Carmen, a young Mexican woman who's escaping a 50 00:02:46,720 --> 00:02:50,519 Speaker 2: drug cartel flees illegally into America across the border, which 51 00:02:50,560 --> 00:02:53,959 Speaker 2: is where she encounters this group of American militia who 52 00:02:53,960 --> 00:02:57,720 Speaker 2: were patrolling the you know, the border wall, and one 53 00:02:57,720 --> 00:03:00,880 Speaker 2: of them is Paul Mescal, a return marine who's dealing 54 00:03:00,919 --> 00:03:05,799 Speaker 2: with PTSD. Kind of a bit mixed up. There's something happens, 55 00:03:05,840 --> 00:03:10,160 Speaker 2: someone is killed, and Paul Mescal's aidan character and Carmen 56 00:03:10,280 --> 00:03:12,880 Speaker 2: have to go on the run together despite not really 57 00:03:12,960 --> 00:03:15,560 Speaker 2: having a lot of trust and respect for each other. 58 00:03:15,639 --> 00:03:18,200 Speaker 2: But then over time they sort of of course romantic 59 00:03:18,240 --> 00:03:20,720 Speaker 2: feelings start to develop. They end up in Los Angeles 60 00:03:20,960 --> 00:03:26,280 Speaker 2: in a flamenco club run by Carmen's kind of estranged auntie, 61 00:03:26,320 --> 00:03:30,080 Speaker 2: who's played by Rossi Depama, who's one of Pedro Moldova's 62 00:03:30,200 --> 00:03:34,760 Speaker 2: great muses from a Spanish greats. You know, her face 63 00:03:34,800 --> 00:03:37,640 Speaker 2: is so see and she's amazing this as well, right, 64 00:03:38,240 --> 00:03:41,280 Speaker 2: and so then it kind of unfolds from there. It's 65 00:03:41,320 --> 00:03:43,680 Speaker 2: a very conceptual work. That's the one thing I will 66 00:03:43,680 --> 00:03:47,440 Speaker 2: say about this film. So I guess Benjamin the director 67 00:03:47,520 --> 00:03:49,720 Speaker 2: has taken a bit of inspiration from Black Swan, where 68 00:03:49,760 --> 00:03:53,640 Speaker 2: not everything was as it seems. Occasionally they kind of 69 00:03:53,640 --> 00:03:56,800 Speaker 2: break spontaneously into dance routines, which is not going to 70 00:03:56,800 --> 00:03:59,120 Speaker 2: be to everybody's taste. Some people are going to watch 71 00:03:59,120 --> 00:04:00,880 Speaker 2: it and going to find that a bit frustrating. I 72 00:04:00,920 --> 00:04:04,640 Speaker 2: think that it's not just a more straightforward narrative. But 73 00:04:05,040 --> 00:04:08,280 Speaker 2: Melissa is phenomenal as calm, and she really is brilliant. 74 00:04:08,320 --> 00:04:11,119 Speaker 2: And Paul Mescal if you're a Paul Mescal fan, oh 75 00:04:11,200 --> 00:04:13,480 Speaker 2: my gosh, be still your beating heart. Like, all I 76 00:04:13,480 --> 00:04:15,840 Speaker 2: need to tell is there's a scene where he's sitting 77 00:04:15,840 --> 00:04:19,039 Speaker 2: by a campfire playing an acoustic guitar, singing a song 78 00:04:19,400 --> 00:04:22,159 Speaker 2: he will melt hearts. And also he's dancing without his 79 00:04:22,200 --> 00:04:24,680 Speaker 2: shirt on. So there's a few things going on in 80 00:04:24,680 --> 00:04:29,240 Speaker 2: this film that you might be interested in and it's 81 00:04:29,279 --> 00:04:32,080 Speaker 2: beautiful shot. It's beautifully shot as well. It was made. 82 00:04:32,160 --> 00:04:34,560 Speaker 2: It was made in and around Broken Hill in New 83 00:04:34,560 --> 00:04:39,160 Speaker 2: South Wales. It was it's meant to be Texas and 84 00:04:39,400 --> 00:04:41,520 Speaker 2: Los Angeles, but shot and broken. Do you know why? 85 00:04:41,760 --> 00:04:45,560 Speaker 2: Because Portman was here shooting thor Love and Thunder. You 86 00:04:45,720 --> 00:04:48,919 Speaker 2: brought the family over and so Benjamin, Natalie Portman's hubby 87 00:04:48,960 --> 00:04:54,720 Speaker 2: is like, oh, I guess making my film here as well. 88 00:04:54,960 --> 00:04:57,680 Speaker 2: All right, well, how many torry adors are you giving to? 89 00:04:58,320 --> 00:05:01,200 Speaker 2: What a great song? Yes, so it probably doesn't quite 90 00:05:01,360 --> 00:05:03,880 Speaker 2: get to where it needs to because of the conceptual, 91 00:05:03,960 --> 00:05:06,000 Speaker 2: but it's so beautiful and performances are great. I'm going 92 00:05:06,040 --> 00:05:07,880 Speaker 2: to give this a very solid three star. Just let 93 00:05:07,920 --> 00:05:11,040 Speaker 2: yourself lose yourself. Yeah, I love it. Ridley Scott also 94 00:05:11,120 --> 00:05:14,039 Speaker 2: loves Sir Paul lovely Gladiator two coming up next year. 95 00:05:14,160 --> 00:05:16,559 Speaker 2: All right, thanks to Thays, guys,