1 00:00:04,640 --> 00:00:08,920 Speaker 1: Claw Claw. 2 00:00:16,320 --> 00:00:18,560 Speaker 2: This is what ended up on the cutting room floor today. 3 00:00:18,760 --> 00:00:21,200 Speaker 3: Have you ever been to the Museum of Older New 4 00:00:21,320 --> 00:00:22,360 Speaker 3: Artentazi Mona? 5 00:00:22,560 --> 00:00:23,800 Speaker 2: Love it, Hobart. 6 00:00:23,880 --> 00:00:29,200 Speaker 3: It's extraordinary, it's confronting, it's beautiful, it's ugly, it is 7 00:00:29,320 --> 00:00:34,560 Speaker 3: quite It's quite an experience, isn't it. The man who 8 00:00:34,680 --> 00:00:38,640 Speaker 3: has put that together, David Walsh's. His name is hugely eclectic, 9 00:00:39,200 --> 00:00:43,360 Speaker 3: as is his wife, Kersher Koshell. She has curated a 10 00:00:43,479 --> 00:00:47,360 Speaker 3: space in the museum that has been the subject of 11 00:00:47,400 --> 00:00:50,239 Speaker 3: a court case. We'll start at the news this is 12 00:00:50,280 --> 00:00:52,519 Speaker 3: the brand new news about this court case, and we'll 13 00:00:52,560 --> 00:00:55,360 Speaker 3: go back then and explain what the court case was about. 14 00:00:56,120 --> 00:00:59,920 Speaker 3: So on Friday, just as Shane Marshall overturned it as 15 00:01:00,000 --> 00:01:04,679 Speaker 3: decision made by the Tasmanian Civil and Administrative Tribunal that 16 00:01:04,880 --> 00:01:10,000 Speaker 3: found that one of their exhibits had been discriminatory. It 17 00:01:10,040 --> 00:01:13,720 Speaker 3: was the Lady's Lounge. It was found initially that this 18 00:01:13,760 --> 00:01:17,400 Speaker 3: had gone against the state's antidiscrimination Act, but that's recently 19 00:01:17,440 --> 00:01:21,960 Speaker 3: been overturned and it's back to a new tribunal. So 20 00:01:22,280 --> 00:01:25,959 Speaker 3: Kursher Kishell, who as I said, is the wife of 21 00:01:26,240 --> 00:01:29,399 Speaker 3: the owner of Mona. She was a curator of this space, 22 00:01:29,440 --> 00:01:33,360 Speaker 3: and essentially it was a ladies lounge of art where 23 00:01:33,400 --> 00:01:37,080 Speaker 3: men weren't allowed in. And that was because the whole point, 24 00:01:37,200 --> 00:01:40,880 Speaker 3: the whole concept of this space was about the consistent 25 00:01:40,920 --> 00:01:45,040 Speaker 3: exclusion of women from power and privilege. And one man said, 26 00:01:45,160 --> 00:01:47,560 Speaker 3: how come I can't go in there? Took it to 27 00:01:47,680 --> 00:01:52,080 Speaker 3: court and they were told it was discriminatory, even though 28 00:01:52,080 --> 00:01:55,280 Speaker 3: the whole point of it was to show how offensive 29 00:01:55,320 --> 00:01:56,320 Speaker 3: discrimination is. 30 00:01:56,960 --> 00:01:58,440 Speaker 2: Yeah, that's art. 31 00:01:58,600 --> 00:02:01,240 Speaker 3: That's the whole point of the that's right, it's showing 32 00:02:01,240 --> 00:02:03,280 Speaker 3: a mirror in your face. And this guy said I 33 00:02:03,320 --> 00:02:06,160 Speaker 3: should be allowed to go in there, and the court agreed. 34 00:02:07,040 --> 00:02:09,480 Speaker 3: So this has now been overturned, which is very interesting, 35 00:02:10,000 --> 00:02:14,520 Speaker 3: and so Kersher has said she's actually quite grateful to 36 00:02:14,560 --> 00:02:17,720 Speaker 3: this man who has brought everyone on this journey. She said, 37 00:02:17,800 --> 00:02:20,040 Speaker 3: now more than ever, it's important for us to challenge 38 00:02:20,080 --> 00:02:24,000 Speaker 3: our perspectives with open interest and refine our understanding. 39 00:02:24,040 --> 00:02:25,160 Speaker 4: I've enjoyed every minute of. 40 00:02:25,160 --> 00:02:27,120 Speaker 3: This process because there were great shots of her and 41 00:02:27,120 --> 00:02:29,679 Speaker 3: a phalanx of a legal team, all women, heading into 42 00:02:29,720 --> 00:02:35,920 Speaker 3: court to say, this angry man is fighting exactly what 43 00:02:36,040 --> 00:02:37,920 Speaker 3: the whole point of this exhibition is. 44 00:02:38,080 --> 00:02:42,480 Speaker 2: That's exactly what the point of the exhibition is. It's crazy. 45 00:02:42,600 --> 00:02:43,960 Speaker 4: I thought you was soap from there. 46 00:02:44,120 --> 00:02:45,120 Speaker 2: Yes, yes, thanks for that. 47 00:02:45,720 --> 00:02:48,880 Speaker 3: It is as my hairdresser says. He's French, and he said, 48 00:02:48,880 --> 00:02:52,360 Speaker 3: there's an exhibit of a wall of vagen, which is 49 00:02:52,480 --> 00:02:56,079 Speaker 3: French word for the downstairs and a whole. And it's 50 00:02:56,120 --> 00:02:59,920 Speaker 3: a great exhibition because it is about the variety of 51 00:03:00,040 --> 00:03:01,720 Speaker 3: women's organs and you never see it. 52 00:03:01,760 --> 00:03:04,120 Speaker 4: So women judge themselves because I think there's is weird. 53 00:03:04,400 --> 00:03:05,919 Speaker 2: Yeah, I loved it, and. 54 00:03:05,840 --> 00:03:08,040 Speaker 4: I thought you was soap. You can choose a soap. 55 00:03:08,280 --> 00:03:09,000 Speaker 2: Yeah. 56 00:03:09,639 --> 00:03:11,400 Speaker 4: They also remember they had the pooing machine. 57 00:03:11,720 --> 00:03:14,720 Speaker 3: Yeah, and at three o'clock every day it would show 58 00:03:14,800 --> 00:03:19,200 Speaker 3: the intricacies of the human gastro intestinal track. And at 59 00:03:19,200 --> 00:03:22,040 Speaker 3: three o'clock every day it would do a PLoP. It 60 00:03:22,200 --> 00:03:23,400 Speaker 3: smelt like a human PLoP. 61 00:03:23,720 --> 00:03:24,639 Speaker 2: It was just like you. 62 00:03:26,360 --> 00:03:30,880 Speaker 3: Ad three o'clock. Mine's normally around four. They didn't have 63 00:03:30,880 --> 00:03:33,520 Speaker 3: that at the gift shop, though, I would have brought 64 00:03:33,560 --> 00:03:34,119 Speaker 3: you one of those. 65 00:03:34,600 --> 00:03:37,040 Speaker 2: By the way, I need another soap. My one's run out. 66 00:03:39,080 --> 00:03:42,760 Speaker 4: Simon put a seatbelt on it. 67 00:03:47,480 --> 00:03:48,800 Speaker 2: A man's curtain. 68 00:03:48,600 --> 00:03:52,640 Speaker 5: Room, Beggy's way to the cutting room floor, and I 69 00:03:52,720 --> 00:03:55,200 Speaker 5: feel a bit remiss that we didn't talk about this today. 70 00:03:55,480 --> 00:03:57,000 Speaker 4: It's a very interesting phenomenon. 71 00:03:57,080 --> 00:04:00,720 Speaker 3: Men often feel that their wives and girlfriends, maybe both 72 00:04:00,760 --> 00:04:04,000 Speaker 3: of them, text them for no reason throughout the day 73 00:04:04,600 --> 00:04:09,000 Speaker 3: and a completely nonsensical and over emotional no, no, no, 74 00:04:09,960 --> 00:04:12,280 Speaker 3: I saw this one. This is a guy who's on 75 00:04:12,360 --> 00:04:17,360 Speaker 3: his own on a boat fishing yep. And here's how 76 00:04:17,360 --> 00:04:20,440 Speaker 3: he explains the text he got from his girlfriend. 77 00:04:20,560 --> 00:04:23,080 Speaker 1: This is the type of text I get while I'm 78 00:04:23,120 --> 00:04:26,400 Speaker 1: out here. Hey, And I said hey, she said what 79 00:04:26,440 --> 00:04:29,400 Speaker 1: are you doing? I said, fishing? She said, oh, okay, 80 00:04:29,480 --> 00:04:32,719 Speaker 1: Well I have a question. Would you be against getting 81 00:04:32,760 --> 00:04:36,159 Speaker 1: a horse? And I said, we do not have room 82 00:04:36,200 --> 00:04:38,000 Speaker 1: for a horse. We have to buy a house before 83 00:04:38,040 --> 00:04:41,520 Speaker 1: a horse. And then she replied, why do you hate me? 84 00:04:42,320 --> 00:04:45,560 Speaker 1: And I said I don't hate you. Where can we 85 00:04:45,600 --> 00:04:50,159 Speaker 1: put a horse? She says, my backyard. I said that 86 00:04:50,200 --> 00:04:53,360 Speaker 1: won't work. Then after that she said I love you, 87 00:04:53,440 --> 00:04:55,880 Speaker 1: and I said I love you too, and she replies 88 00:04:55,960 --> 00:04:58,400 Speaker 1: with no, you don't. If you did, you'd let me 89 00:04:58,440 --> 00:05:01,080 Speaker 1: have a horse. You might well just break up with me. 90 00:05:01,720 --> 00:05:04,560 Speaker 4: Women, and he says, what do you do with that? 91 00:05:05,800 --> 00:05:10,080 Speaker 3: It is interesting because texts don't convey enough emotions, so 92 00:05:10,160 --> 00:05:13,280 Speaker 3: you read too many nuances into them. Have ever since 93 00:05:13,320 --> 00:05:14,800 Speaker 3: you were a text that has made you go, what 94 00:05:14,800 --> 00:05:15,839 Speaker 3: the hell's she talking about? 95 00:05:16,040 --> 00:05:18,599 Speaker 5: Yeah, well, by the time that you're a car, you 96 00:05:18,640 --> 00:05:20,320 Speaker 5: thought your petrol tank was getting bigger. 97 00:05:21,400 --> 00:05:24,840 Speaker 2: Was look, fuel bill was more expensive. 98 00:05:24,360 --> 00:05:28,080 Speaker 3: Because it took more This was a number of years ago. 99 00:05:29,200 --> 00:05:32,440 Speaker 3: My car took more fuel than normal, meaning it was 100 00:05:32,480 --> 00:05:36,480 Speaker 3: more expensive, and I thought my petrol tank was getting bigger. 101 00:05:37,560 --> 00:05:39,640 Speaker 3: I know it sounds ludicrous now, but that's what I 102 00:05:39,680 --> 00:05:43,000 Speaker 3: thought at the time. Remember that time I had to 103 00:05:43,120 --> 00:05:45,039 Speaker 3: text you to say on my way home, this is 104 00:05:45,120 --> 00:05:46,520 Speaker 3: terrible because you're at my house. We're going to be 105 00:05:46,560 --> 00:05:49,559 Speaker 3: filming something. You and my husband, the two worst people 106 00:05:49,560 --> 00:05:53,120 Speaker 3: to know this information, were waiting in my house and 107 00:05:53,160 --> 00:05:56,480 Speaker 3: I to text and say I've run out of petrol 108 00:05:56,720 --> 00:05:59,560 Speaker 3: in the Harbor tunnel and I'm waiting to be toad. 109 00:06:00,000 --> 00:06:01,400 Speaker 2: You actually made the traffic news. 110 00:06:01,720 --> 00:06:03,880 Speaker 3: I had to You know, when they say there's a 111 00:06:03,960 --> 00:06:07,320 Speaker 3: hazard in yep, the third row, what not to call 112 00:06:07,480 --> 00:06:08,279 Speaker 3: not the third row? 113 00:06:08,960 --> 00:06:10,719 Speaker 2: I wasn't. Was it a concert? 114 00:06:11,080 --> 00:06:14,680 Speaker 4: There's a hazard in the lane to the left. That 115 00:06:14,800 --> 00:06:18,280 Speaker 4: was me. I actually became the hazard. 116 00:06:18,320 --> 00:06:19,960 Speaker 5: I should just say it's Amanda, she's run out of 117 00:06:20,000 --> 00:06:22,479 Speaker 5: fuel again. Can't understand a fuel gauge. Even though you 118 00:06:22,560 --> 00:06:25,080 Speaker 5: have a car that can measure the amount of fuel 119 00:06:25,200 --> 00:06:27,960 Speaker 5: it will need to travel down to the millimeter. 120 00:06:28,120 --> 00:06:31,120 Speaker 3: My car knows from Germany when there's a shift en 121 00:06:31,120 --> 00:06:34,279 Speaker 3: barometric pressure. I'm not as bad as I used to be. 122 00:06:34,360 --> 00:06:37,480 Speaker 3: I always thought I'll get it down to about the 123 00:06:37,800 --> 00:06:40,320 Speaker 3: just a little sniff, sniff, sniff of petrol, and that 124 00:06:40,320 --> 00:06:42,800 Speaker 3: wou'd be enough. Now my car says, you've only got 125 00:06:42,800 --> 00:06:44,479 Speaker 3: thirty k's left. You've only got what it And sometimes 126 00:06:44,520 --> 00:06:46,960 Speaker 3: it goes up to thirty five because my tank gets bigger. 127 00:06:47,160 --> 00:06:52,960 Speaker 2: Yeah. And that was these less source content texting. 128 00:06:52,600 --> 00:06:54,880 Speaker 4: To ask you can I get a horse? 129 00:06:55,080 --> 00:06:57,560 Speaker 2: No, you're not getting a horse you hate. There's no 130 00:06:57,600 --> 00:06:58,320 Speaker 2: where to keep it. 131 00:06:58,520 --> 00:07:06,000 Speaker 1: You, everybody, it's time to joldy and a man's curtain fall. 132 00:07:07,800 --> 00:07:14,200 Speaker 4: It's a curtain room, far, it's a curtain room far. 133 00:07:16,400 --> 00:07:18,240 Speaker 2: Set it up on the cutting room floor. What do 134 00:07:18,320 --> 00:07:21,679 Speaker 2: you think about gender reveal celebrations. 135 00:07:22,000 --> 00:07:24,520 Speaker 3: I was the sort that didn't even want to know 136 00:07:24,600 --> 00:07:27,000 Speaker 3: what kind of a baby I was having until it 137 00:07:27,120 --> 00:07:27,720 Speaker 3: was out. 138 00:07:27,600 --> 00:07:28,440 Speaker 2: Until it was surrounding. 139 00:07:28,520 --> 00:07:29,480 Speaker 4: I was never going to do. 140 00:07:29,880 --> 00:07:32,720 Speaker 3: In our day, it seemed exotic to hear of any 141 00:07:32,840 --> 00:07:35,440 Speaker 3: kind of gender reveal. I remember friends of mine said 142 00:07:35,480 --> 00:07:38,520 Speaker 3: that they got the doctor to put the information into 143 00:07:38,560 --> 00:07:40,800 Speaker 3: an envelope. They went out to dinner and they said 144 00:07:41,000 --> 00:07:42,680 Speaker 3: to the waiter, when we're having our dessert, can you 145 00:07:42,680 --> 00:07:45,280 Speaker 3: please deliver our baby, meaning come over and give us 146 00:07:45,320 --> 00:07:47,600 Speaker 3: the envelope? And I thought that was the most exotic 147 00:07:47,600 --> 00:07:48,240 Speaker 3: thing I'd ever heard. 148 00:07:48,280 --> 00:07:49,000 Speaker 2: And did that happen? 149 00:07:49,160 --> 00:07:49,480 Speaker 4: Yeah? 150 00:07:50,160 --> 00:07:54,200 Speaker 3: These days, you know, there's cakes, there's cars that are 151 00:07:54,280 --> 00:07:57,200 Speaker 3: colored a certain color that drive through the hold of 152 00:07:58,200 --> 00:07:59,480 Speaker 3: planes flying around. 153 00:08:00,080 --> 00:08:03,880 Speaker 5: Plane set fire to an area in America. Half of 154 00:08:04,000 --> 00:08:07,760 Speaker 5: America went on fire because of a gender reveal. A 155 00:08:07,840 --> 00:08:11,560 Speaker 5: Melbourne dad has had his car impounded after he did 156 00:08:11,640 --> 00:08:13,680 Speaker 5: a gender reveal burnout. 157 00:08:15,880 --> 00:08:16,800 Speaker 2: That's what it sounds about. 158 00:08:16,840 --> 00:08:17,200 Speaker 4: Happened. 159 00:08:17,320 --> 00:08:20,840 Speaker 5: He's in Karen Downs in Melbourne's southeast and he was 160 00:08:21,000 --> 00:08:24,680 Speaker 5: performing burnouts or burnouts with blue smoke coming from the 161 00:08:24,720 --> 00:08:26,160 Speaker 5: tire so having a little boy. 162 00:08:26,880 --> 00:08:28,280 Speaker 2: The local officers. 163 00:08:27,880 --> 00:08:32,040 Speaker 5: Impoundered the man's holden commodore Surprise Surprise, which is going 164 00:08:32,080 --> 00:08:35,160 Speaker 5: to cross the guy over a thousand bucks to get back. 165 00:08:35,200 --> 00:08:38,880 Speaker 5: By the way, it's rather gobsmacking, really and very fortunate 166 00:08:38,920 --> 00:08:40,880 Speaker 5: members of the public called through. 167 00:08:41,000 --> 00:08:43,600 Speaker 2: Maybe they'll ringing in with congradulas having a boy. 168 00:08:45,840 --> 00:08:48,240 Speaker 3: So were you saying the smoke comes from the wheels, 169 00:08:48,280 --> 00:08:49,120 Speaker 3: not from the exhaust. 170 00:08:49,400 --> 00:08:50,560 Speaker 2: No, it's from the tires. 171 00:08:50,880 --> 00:08:52,320 Speaker 4: But how do you get blue to come out? 172 00:08:52,600 --> 00:08:54,520 Speaker 5: Well, I'm glad you ask. In the tire there's a 173 00:08:54,520 --> 00:08:57,520 Speaker 5: polymer that goes into the tire that when it gets 174 00:08:57,520 --> 00:08:59,679 Speaker 5: friction going, it releases blue smoke. 175 00:09:00,040 --> 00:09:01,640 Speaker 4: So what would they have put into the tie to 176 00:09:01,640 --> 00:09:02,360 Speaker 4: make that come out? 177 00:09:02,440 --> 00:09:02,680 Speaker 1: Oh? 178 00:09:02,960 --> 00:09:05,560 Speaker 2: Is there a rubber technician in the house. I'm not 179 00:09:05,600 --> 00:09:06,640 Speaker 2: too sure. Let me check. 180 00:09:08,040 --> 00:09:10,000 Speaker 4: No, I think she doesn't want to talk. 181 00:09:10,120 --> 00:09:12,160 Speaker 2: I think if you rubb a technician. 182 00:09:12,480 --> 00:09:13,920 Speaker 5: I think if you went down to Bob J and 183 00:09:14,000 --> 00:09:16,440 Speaker 5: T Marts and said to Bob, Hey, Bob, I'm got 184 00:09:16,440 --> 00:09:17,640 Speaker 5: a gender reveal coming up. 185 00:09:17,679 --> 00:09:19,520 Speaker 2: Can you whip me up some blue tires? He would 186 00:09:19,559 --> 00:09:20,000 Speaker 2: explain it. 187 00:09:20,040 --> 00:09:22,960 Speaker 3: If I had that in my tires and I just 188 00:09:23,040 --> 00:09:25,920 Speaker 3: drove through the gender reveal, would I be able to 189 00:09:25,960 --> 00:09:26,680 Speaker 3: reveal the gender? 190 00:09:26,760 --> 00:09:27,320 Speaker 4: Or do I have to go? 191 00:09:28,280 --> 00:09:30,000 Speaker 2: You have to smoke the bags? 192 00:09:30,000 --> 00:09:32,000 Speaker 4: And how do I do that? Just by spinning the car? 193 00:09:32,400 --> 00:09:35,520 Speaker 5: Well, you put your foot on the brake. If you've 194 00:09:35,520 --> 00:09:38,960 Speaker 5: got to get out of town V eight lots of horsepower. 195 00:09:39,120 --> 00:09:40,520 Speaker 5: You don't need to put your foot on the brake. 196 00:09:40,800 --> 00:09:44,199 Speaker 5: But with your car, actually, I don't know. You might 197 00:09:44,520 --> 00:09:45,360 Speaker 5: blop your transfer. 198 00:09:45,480 --> 00:09:47,280 Speaker 3: What I would do I just drive past and say 199 00:09:47,280 --> 00:09:50,520 Speaker 3: it's a boy just ruin it. I saw someone the 200 00:09:50,520 --> 00:09:55,000 Speaker 3: other day. This is obviously a joke. This grown man 201 00:09:56,000 --> 00:09:59,760 Speaker 3: goes to someone's house and he's completely naked and they're 202 00:09:59,760 --> 00:10:02,040 Speaker 3: looking horrified. He said, well, I'm here for the gender reveal. 203 00:10:06,280 --> 00:10:08,000 Speaker 3: He was smoking his bags as well. 204 00:10:07,760 --> 00:10:10,000 Speaker 2: Well, bags on display. 205 00:10:10,120 --> 00:10:12,320 Speaker 4: Anyway, Is that enough information? 206 00:10:12,440 --> 00:10:15,160 Speaker 2: His car's now being crushed into a cube, has it really? Yeah? 207 00:10:15,200 --> 00:10:15,800 Speaker 2: A blue cube? 208 00:10:15,840 --> 00:10:16,040 Speaker 1: Though? 209 00:10:16,320 --> 00:10:20,400 Speaker 4: Nice baby, every buddy. 210 00:10:21,040 --> 00:10:26,400 Speaker 2: It's time for Chelsey and the man's room on the 211 00:10:26,440 --> 00:10:27,520 Speaker 2: cutting room floor today. 212 00:10:27,760 --> 00:10:30,160 Speaker 3: Well, push, prison's a thing when you and your wife 213 00:10:30,200 --> 00:10:31,320 Speaker 3: had children. 214 00:10:32,040 --> 00:10:35,560 Speaker 5: No, no, you just had the baby. That's what you 215 00:10:35,640 --> 00:10:37,880 Speaker 5: did in those days. You just had the baby. 216 00:10:38,000 --> 00:10:39,439 Speaker 4: How your youngest twenty two? 217 00:10:39,840 --> 00:10:43,520 Speaker 5: Twenty three, yeah, twenty two, Yeah, he just had your baby. 218 00:10:43,679 --> 00:10:45,400 Speaker 2: And then you get back to doing your chores. 219 00:10:46,880 --> 00:10:50,920 Speaker 3: Were you want Walton Mountains on the prairie, turning. 220 00:10:50,679 --> 00:10:51,359 Speaker 2: Your batter. 221 00:10:52,679 --> 00:10:54,400 Speaker 4: This is a euphemism. I'm not even. 222 00:10:54,200 --> 00:10:56,240 Speaker 2: Sure tending to the crops in the field. 223 00:10:56,320 --> 00:10:57,400 Speaker 4: Look this push prison. 224 00:10:57,440 --> 00:10:59,040 Speaker 3: The first time I ever heard about that was when 225 00:10:59,520 --> 00:11:03,920 Speaker 3: Hale was having twins who are now twenty five I think, 226 00:11:04,000 --> 00:11:07,360 Speaker 3: or twenty six. Actually, no, they're in their thirties. They're 227 00:11:07,360 --> 00:11:10,800 Speaker 3: in their thirties. And she had given birth to twins, 228 00:11:11,640 --> 00:11:14,280 Speaker 3: and the woman in the bed next to her had 229 00:11:14,280 --> 00:11:18,000 Speaker 3: been given a ring as a push present, and Harley's sister, 230 00:11:18,640 --> 00:11:21,480 Speaker 3: as her special award for pushing out twins, was given 231 00:11:21,480 --> 00:11:23,079 Speaker 3: a subscription to National Geography. 232 00:11:23,559 --> 00:11:25,680 Speaker 2: Well, well that's very good. 233 00:11:26,000 --> 00:11:28,520 Speaker 4: This is what your bosoms will look like in a 234 00:11:28,559 --> 00:11:29,160 Speaker 4: month's time. 235 00:11:29,960 --> 00:11:32,000 Speaker 3: The first time I ever heard of the concept, and 236 00:11:32,440 --> 00:11:34,200 Speaker 3: now it's become more and more. And the reason I 237 00:11:34,200 --> 00:11:35,960 Speaker 3: bring it up, there's a guy who's taken to Reddit 238 00:11:36,320 --> 00:11:38,240 Speaker 3: to say what do you think of all this? He's 239 00:11:38,360 --> 00:11:44,400 Speaker 3: blaming extremist podcasts and social media influences for ruining relationships. 240 00:11:44,400 --> 00:11:47,439 Speaker 3: He said his wife was acting entitled. They'd been married 241 00:11:47,480 --> 00:11:50,120 Speaker 3: for five years, they're about to have their first baby, 242 00:11:50,880 --> 00:11:54,040 Speaker 3: and about a week ago she sent him a TikTok 243 00:11:54,080 --> 00:11:57,840 Speaker 3: that featured a woman who was discussing what kind of 244 00:11:57,880 --> 00:12:01,840 Speaker 3: push present she deserved. And this wife said to her 245 00:12:01,920 --> 00:12:07,079 Speaker 3: husband that she wants a car. She wants a new car, 246 00:12:08,160 --> 00:12:11,040 Speaker 3: So he is saying, I don't approve of this. 247 00:12:11,120 --> 00:12:11,720 Speaker 4: He is saying. 248 00:12:12,040 --> 00:12:15,640 Speaker 3: Look, he's saying, the gift we're having is the gift 249 00:12:15,679 --> 00:12:18,720 Speaker 3: of parenthood and the hopeful outcome of a healthy baby. 250 00:12:18,920 --> 00:12:21,480 Speaker 3: Materially speaking, I might give her a Mother's Day card 251 00:12:21,640 --> 00:12:24,640 Speaker 3: or some jewelry. I'm not going to spend that much money. 252 00:12:24,800 --> 00:12:26,680 Speaker 3: If she wants an extra car, it'll be our car, 253 00:12:26,760 --> 00:12:29,440 Speaker 3: not her calf that baby. It'll be our car to 254 00:12:29,480 --> 00:12:33,040 Speaker 3: take the baby around in. But I like the idea. 255 00:12:33,080 --> 00:12:36,400 Speaker 3: I'm intrigued by this bit. Extremist podcasts and social media 256 00:12:36,440 --> 00:12:41,000 Speaker 3: influences are ruining relationships. Even in terms of proposals, you 257 00:12:41,040 --> 00:12:45,080 Speaker 3: have to blindfold someone, take them into an incredible location, 258 00:12:45,600 --> 00:12:48,840 Speaker 3: have pedals strewn everywhere, spell out letters I love you, 259 00:12:48,880 --> 00:12:52,400 Speaker 3: and spend a million dollars on the proposal. Let alone 260 00:12:53,160 --> 00:12:56,760 Speaker 3: engagement parties, big weddings. It's all for the sake of photos. 261 00:12:56,840 --> 00:12:57,200 Speaker 4: Now. 262 00:12:57,240 --> 00:13:00,320 Speaker 5: Everyone has an engagement plan, a social media engagement. An 263 00:13:00,559 --> 00:13:03,960 Speaker 5: engagement plan, an engagement plan of how they released the information, 264 00:13:04,360 --> 00:13:08,240 Speaker 5: how people post that information that could be for anything. 265 00:13:08,280 --> 00:13:14,080 Speaker 5: Engagement slash wedding slash baby birth, baby announcement gender, reveal 266 00:13:14,400 --> 00:13:17,120 Speaker 5: all these things if they don't happen and no one 267 00:13:17,200 --> 00:13:19,240 Speaker 5: saw them, did they indeed actually happen? 268 00:13:19,320 --> 00:13:22,480 Speaker 3: Did you and I actually have families because we didn't 269 00:13:22,480 --> 00:13:22,679 Speaker 3: do it? 270 00:13:22,960 --> 00:13:23,760 Speaker 2: They exist? 271 00:13:23,880 --> 00:13:24,720 Speaker 4: Do they exist? 272 00:13:24,840 --> 00:13:24,960 Speaker 5: Now? 273 00:13:25,040 --> 00:13:27,040 Speaker 2: I know they exist because they're always into me for money. 274 00:13:27,400 --> 00:13:29,880 Speaker 3: And the flip side of all that is our kids. 275 00:13:30,600 --> 00:13:32,360 Speaker 3: You know, they don't want you to take photos of 276 00:13:32,360 --> 00:13:33,800 Speaker 3: them all the time. We didn't want that when we 277 00:13:33,800 --> 00:13:35,839 Speaker 3: were kids either, but we had one photo taken a year. 278 00:13:36,080 --> 00:13:36,280 Speaker 2: Yep. 279 00:13:36,559 --> 00:13:40,480 Speaker 3: Now it's a photograph every ten seconds. And the kids, 280 00:13:40,559 --> 00:13:41,960 Speaker 3: all the photos I've got of them when they were 281 00:13:41,960 --> 00:13:43,959 Speaker 3: youngers in pulling rough heads because they didn't want their 282 00:13:43,960 --> 00:13:46,280 Speaker 3: photo taken. And I used to say, well, they'll be 283 00:13:46,400 --> 00:13:48,320 Speaker 3: all your holiday shots from now on. Is you're pulling 284 00:13:48,320 --> 00:13:51,320 Speaker 3: a rough head because they don't know where those photos 285 00:13:51,360 --> 00:13:51,720 Speaker 3: are going. 286 00:13:51,640 --> 00:13:52,160 Speaker 4: To be used. 287 00:13:52,240 --> 00:13:54,280 Speaker 2: We are so immersed in it we don't even know. 288 00:13:54,640 --> 00:13:58,200 Speaker 5: Imagine if we went backstat just ten years, ten years 289 00:13:58,200 --> 00:14:04,600 Speaker 5: ago to twenty fourteen and Instagram had started, but it 290 00:14:04,679 --> 00:14:07,840 Speaker 5: wasn't what it is now. People now are defined by 291 00:14:07,880 --> 00:14:11,360 Speaker 5: how many likes they have, how much traction they get, 292 00:14:11,400 --> 00:14:14,000 Speaker 5: what sort of influence they are. We don't even say 293 00:14:14,240 --> 00:14:15,560 Speaker 5: we're immersed in it right now. 294 00:14:15,600 --> 00:14:19,440 Speaker 3: Well, people in our industry in TV and radio get 295 00:14:19,520 --> 00:14:22,120 Speaker 3: jobs because people look at how many followers people have. 296 00:14:22,560 --> 00:14:24,160 Speaker 4: Yeah, that's weird, that's weird. 297 00:14:24,240 --> 00:14:25,880 Speaker 5: Well me, they used to say to me, it didn't 298 00:14:25,880 --> 00:14:28,640 Speaker 5: matter how many followers you had, and now it seems 299 00:14:28,680 --> 00:14:29,280 Speaker 5: to matter. 300 00:14:29,640 --> 00:14:31,600 Speaker 2: Remember that time when they took away the likes. 301 00:14:31,880 --> 00:14:33,720 Speaker 5: They took away how many likes you got on a thing, 302 00:14:34,080 --> 00:14:35,360 Speaker 5: But then they brought it back because a lot of 303 00:14:35,440 --> 00:14:39,160 Speaker 5: influencers lost their source of income because they couldn't quantify 304 00:14:39,200 --> 00:14:43,280 Speaker 5: how many people are actually getting into their stuff. You know, 305 00:14:43,360 --> 00:14:45,680 Speaker 5: like my time lapse photography that I film here each 306 00:14:45,760 --> 00:14:48,080 Speaker 5: day to put out to the greater world. 307 00:14:48,240 --> 00:14:51,040 Speaker 3: What you do every morning is while we're trying to 308 00:14:51,120 --> 00:14:53,760 Speaker 3: organize a meeting before we go on air, you. 309 00:14:53,720 --> 00:14:56,760 Speaker 4: Say, oh, I've got to do my time laps. Every morning. 310 00:14:56,800 --> 00:14:59,440 Speaker 3: You put your phone in exactly the same position at 311 00:14:59,480 --> 00:15:02,800 Speaker 3: the window. You bend over so I see you bum 312 00:15:02,840 --> 00:15:05,920 Speaker 3: crack or what color unders you're wearing that day and 313 00:15:06,480 --> 00:15:07,960 Speaker 3: every day, and then you come in here and say, 314 00:15:07,960 --> 00:15:09,680 Speaker 3: look at this. And I don't want to be a 315 00:15:09,720 --> 00:15:13,560 Speaker 3: Debbie Downer, but it's the same picture every day. 316 00:15:13,840 --> 00:15:14,040 Speaker 1: I know. 317 00:15:14,080 --> 00:15:16,800 Speaker 4: We look over the harbor here. But short of there. 318 00:15:16,560 --> 00:15:21,360 Speaker 3: Being an invasion or a crazy weather event or a 319 00:15:21,440 --> 00:15:24,760 Speaker 3: giant cruise ship, it doesn't look that different. 320 00:15:24,600 --> 00:15:24,840 Speaker 1: You know. 321 00:15:25,160 --> 00:15:27,280 Speaker 5: I team it up with a nice song, the intro 322 00:15:27,400 --> 00:15:30,040 Speaker 5: of a song that's got an anthemic feel to it 323 00:15:30,080 --> 00:15:31,520 Speaker 5: to reflect the mood of the day. 324 00:15:31,600 --> 00:15:32,920 Speaker 4: But it takes about half an hour. 325 00:15:32,960 --> 00:15:36,160 Speaker 5: Your how is it then that that's not interesting? But 326 00:15:36,280 --> 00:15:38,160 Speaker 5: some kid deflating. 327 00:15:37,680 --> 00:15:38,480 Speaker 2: A beach ball? 328 00:15:40,320 --> 00:15:42,080 Speaker 4: Am I following them? 329 00:15:42,600 --> 00:15:44,040 Speaker 2: The kid deflating a beach ball. 330 00:15:44,080 --> 00:15:46,800 Speaker 5: He's got a podcast on how he deflated the beach ball. 331 00:15:46,880 --> 00:15:49,840 Speaker 4: It's very good. Don't even get me study eight thousand followers. 332 00:15:49,920 --> 00:15:52,360 Speaker 2: Don't even get me started on Hot to Girl. 333 00:15:52,440 --> 00:15:53,280 Speaker 4: She's great too. 334 00:15:53,640 --> 00:16:03,720 Speaker 2: What's the world coming tons? It's Charles and mans cut. 335 00:16:12,640 --> 00:16:15,800 Speaker 2: Are you ready for what's there on the catin room 336 00:16:15,800 --> 00:16:16,760 Speaker 2: floor today, Amanda? 337 00:16:17,200 --> 00:16:19,840 Speaker 3: Well, I saw some footage, and if you were there 338 00:16:19,880 --> 00:16:21,440 Speaker 3: on the day, I'm sure it wouldn't have been funny 339 00:16:21,840 --> 00:16:23,680 Speaker 3: because kids were screaming and running around. 340 00:16:23,680 --> 00:16:26,120 Speaker 4: But to watch the footage, it is so hilarious. 341 00:16:26,480 --> 00:16:28,720 Speaker 3: There's a stack of kids at a friendship farmer petting 342 00:16:28,800 --> 00:16:32,880 Speaker 3: zoo and there they are and an EMU gets. 343 00:16:32,720 --> 00:16:35,760 Speaker 4: The zoomies have you ever seen an emu with the zoomies? 344 00:16:35,880 --> 00:16:38,000 Speaker 2: What's the zoomies? Have you ever heard the word zoomi? 345 00:16:38,040 --> 00:16:39,840 Speaker 2: Are they doing meetings with other EMUs? 346 00:16:42,920 --> 00:16:44,480 Speaker 4: Frank, you've got your audio off. 347 00:16:45,600 --> 00:16:46,720 Speaker 2: I think you're on mute. 348 00:16:49,640 --> 00:16:50,400 Speaker 4: Stick your neck. 349 00:16:50,280 --> 00:16:55,240 Speaker 3: Out, man, Come on, No, what's happened? Zoomies are well, 350 00:16:55,280 --> 00:16:57,600 Speaker 3: I know dogs get them. I didn't know EMUs get them. 351 00:16:57,640 --> 00:17:01,000 Speaker 3: But a zoomie is when, for it seems no reason, 352 00:17:01,040 --> 00:17:03,040 Speaker 3: they just run around. They have to have this giant 353 00:17:03,080 --> 00:17:05,320 Speaker 3: burst of energy. Have you seen your daughter's dog have 354 00:17:05,320 --> 00:17:07,720 Speaker 3: a zoomi? And often, I think Chris Brown has said 355 00:17:07,720 --> 00:17:09,679 Speaker 3: sometimes they get it when they need to go outside 356 00:17:09,720 --> 00:17:13,200 Speaker 3: and do it. Pooh, But they but they run around 357 00:17:13,280 --> 00:17:15,320 Speaker 3: crazily and often get it at night they go boom 358 00:17:16,000 --> 00:17:18,120 Speaker 3: and then it's over. Cats get them, Dogs get them. 359 00:17:18,359 --> 00:17:20,359 Speaker 3: I didn't know emu's got them. And so at this 360 00:17:20,480 --> 00:17:24,520 Speaker 3: petting Zoo friendship farm, there's an emu just running crazily around. 361 00:17:24,560 --> 00:17:27,000 Speaker 3: And an emu is quite big, and when it gets 362 00:17:27,000 --> 00:17:30,600 Speaker 3: a zoomi, its body goes one way, its neck goes 363 00:17:30,640 --> 00:17:32,679 Speaker 3: the other, and its head goes another way again. So 364 00:17:32,720 --> 00:17:35,800 Speaker 3: it's like this s shape and its next swings from 365 00:17:35,840 --> 00:17:39,199 Speaker 3: side to side. It looks hilarious, but it's running up 366 00:17:39,240 --> 00:17:43,119 Speaker 3: and pushing the kids over, and the parents are screaming, 367 00:17:43,280 --> 00:17:45,680 Speaker 3: kids are in tears, kids are trying to get out 368 00:17:45,680 --> 00:17:48,760 Speaker 3: of the way, and there's emu just is running circles 369 00:17:48,760 --> 00:17:51,640 Speaker 3: and zigzags. It is so so funny. 370 00:17:51,760 --> 00:17:54,439 Speaker 5: When I was young, my brother and I were at 371 00:17:54,440 --> 00:17:57,280 Speaker 5: some sort of petting zoo and an emu took a 372 00:17:57,320 --> 00:17:58,359 Speaker 5: dislike to my brother. 373 00:17:58,680 --> 00:18:01,480 Speaker 4: Oh, I've got to love this fair What does dislike me? 374 00:18:01,600 --> 00:18:03,760 Speaker 5: I dislike had just started chasing him around and I 375 00:18:03,920 --> 00:18:07,560 Speaker 5: couldn't stop laughing. And I was chasing him around, pegging 376 00:18:07,640 --> 00:18:12,200 Speaker 5: him on the head, and Matt Matt cry fell into 377 00:18:12,240 --> 00:18:15,560 Speaker 5: a little ball in and crying away, and I was 378 00:18:15,600 --> 00:18:18,560 Speaker 5: trying to at that stage rescue him. Sure you were, 379 00:18:18,880 --> 00:18:20,880 Speaker 5: and I went over with the EMU had no interest 380 00:18:20,920 --> 00:18:22,840 Speaker 5: in me. It was like he had a set against 381 00:18:22,840 --> 00:18:24,760 Speaker 5: my brother. So I was going, okay. I was trying 382 00:18:24,800 --> 00:18:27,240 Speaker 5: to fend the EMU off, and the EMU did nothing 383 00:18:27,280 --> 00:18:29,160 Speaker 5: to me but just kept pegging at him. 384 00:18:30,160 --> 00:18:31,880 Speaker 4: Can I have another theory on that? 385 00:18:32,080 --> 00:18:34,480 Speaker 3: You say it took a dislike to your brother, I'm 386 00:18:34,520 --> 00:18:37,200 Speaker 3: wondering if it took an intense like to your brother 387 00:18:37,640 --> 00:18:40,080 Speaker 3: because Chris Brown I mentioned his name again, did a 388 00:18:40,119 --> 00:18:43,600 Speaker 3: story for the Living Room on a farmer that got 389 00:18:43,600 --> 00:18:47,040 Speaker 3: in touch with Chris, saying, what's going on, The EMU 390 00:18:47,160 --> 00:18:50,639 Speaker 3: is acting strangely blah blah blah. Chris went to study 391 00:18:50,680 --> 00:18:53,720 Speaker 3: the EMU at the household at the farm. The EMU 392 00:18:53,840 --> 00:18:57,359 Speaker 3: had fallen in love with the farmer. Right, So sometimes 393 00:18:57,440 --> 00:19:00,960 Speaker 3: emu's apparently go also for big shiny machinery things as well. 394 00:19:01,200 --> 00:19:03,600 Speaker 3: You hear stories of emu's falling in love with vespers 395 00:19:03,680 --> 00:19:08,359 Speaker 3: or milk trucks, things like that. So maybe your brother 396 00:19:08,520 --> 00:19:12,520 Speaker 3: missed a wonderful opportunity of having a relationship with Marty. 397 00:19:12,560 --> 00:19:13,880 Speaker 4: Would be furious. 398 00:19:15,640 --> 00:19:16,480 Speaker 2: Marty. 399 00:19:16,840 --> 00:19:17,640 Speaker 4: Marty was the man. 400 00:19:17,920 --> 00:19:19,400 Speaker 2: That's Marty, the monster. 401 00:19:19,160 --> 00:19:22,080 Speaker 4: The mighty, the monster. It's a big thing that looked 402 00:19:22,080 --> 00:19:23,520 Speaker 4: like the big thing. 403 00:19:23,840 --> 00:19:27,520 Speaker 2: It got bashed up by a kangaroo, got whacked. 404 00:19:27,240 --> 00:19:30,240 Speaker 3: Around the ground, Mary, and Marty was the one that 405 00:19:30,320 --> 00:19:31,280 Speaker 3: had his hand up them. 406 00:19:31,560 --> 00:19:34,840 Speaker 2: So it was a poor man's Darryl and Aussy. Yes, Mary, but. 407 00:19:34,760 --> 00:19:36,879 Speaker 4: Marty and you came before Darryl and Izzy. 408 00:19:36,720 --> 00:19:40,240 Speaker 2: Do they really? Marty and yes? From America? 409 00:19:40,280 --> 00:19:42,520 Speaker 3: But then no, no, no, that was the Australian version 410 00:19:43,520 --> 00:19:46,280 Speaker 3: was an English version and an Australian version. 411 00:19:47,480 --> 00:19:49,120 Speaker 4: Either way, someone had their hand up an. 412 00:19:49,040 --> 00:19:51,400 Speaker 2: Em And what about Lambsay? 413 00:19:54,000 --> 00:19:55,919 Speaker 3: You know they were the days these days look at 414 00:19:55,920 --> 00:19:57,600 Speaker 3: all the c g I that kids get to watch 415 00:19:57,600 --> 00:19:59,000 Speaker 3: some movies and they go, oh. 416 00:19:58,920 --> 00:19:59,680 Speaker 2: That looks fake. 417 00:19:59,760 --> 00:20:03,920 Speaker 3: Yeah, we had we were enthralled by a woman who 418 00:20:03,960 --> 00:20:06,520 Speaker 3: had her hand in This was a TV show, a 419 00:20:06,560 --> 00:20:08,840 Speaker 3: woman who had her hand inside a sock. 420 00:20:08,920 --> 00:20:10,119 Speaker 4: They had googly eyes on it. 421 00:20:10,560 --> 00:20:13,399 Speaker 3: That was the Lambsy character and it always would. The 422 00:20:13,480 --> 00:20:15,120 Speaker 3: only thing to do was open and close its mouth 423 00:20:15,160 --> 00:20:16,880 Speaker 3: and a try and go into a shoulder. 424 00:20:17,040 --> 00:20:20,040 Speaker 5: You could stick go googly eyes on anything. 425 00:20:20,080 --> 00:20:22,240 Speaker 4: What about Sooti? Remember Sooti? 426 00:20:22,520 --> 00:20:25,600 Speaker 3: Sooti was a glove puppet and all it could do 427 00:20:25,680 --> 00:20:27,680 Speaker 3: was pick up bits of paper from a desk because 428 00:20:27,720 --> 00:20:31,040 Speaker 3: it's two hands could move to pick up a piece 429 00:20:31,040 --> 00:20:31,880 Speaker 3: of paper. 430 00:20:31,640 --> 00:20:32,320 Speaker 2: And be shy. 431 00:20:32,600 --> 00:20:37,119 Speaker 5: That's all we can do was pick up bits of 432 00:20:37,160 --> 00:20:38,560 Speaker 5: paper and be shy. 433 00:20:38,720 --> 00:20:40,600 Speaker 4: Should go on a dating show? That's it? Or maybe 434 00:20:40,640 --> 00:20:41,600 Speaker 4: it's his LinkedIn pro. 435 00:20:41,920 --> 00:20:45,879 Speaker 2: And what are we watching now? Made in Bondai? Oh God? 436 00:20:46,200 --> 00:20:48,880 Speaker 2: Speaking about googly eyes? You watch it. 437 00:20:51,640 --> 00:20:55,119 Speaker 3: Someone's hand up someone's bum. 438 00:20:55,160 --> 00:21:00,520 Speaker 2: Okay, yes, come back them all joint him. 439 00:21:00,520 --> 00:21:01,960 Speaker 5: A members trying on the floor