1 00:00:00,520 --> 00:00:02,160 Speaker 1: It's the Will and Woody podcast. 2 00:00:02,240 --> 00:00:04,920 Speaker 2: Let's get serious for a few minutes if we can. 3 00:00:04,960 --> 00:00:07,560 Speaker 2: I know we're usually a pretty lighthearted show, but we 4 00:00:07,600 --> 00:00:09,280 Speaker 2: need to get to the bottom of this. And I'd 5 00:00:09,280 --> 00:00:12,080 Speaker 2: love you guys to call as well and shed some light, 6 00:00:12,119 --> 00:00:13,000 Speaker 2: give your opinion. 7 00:00:13,400 --> 00:00:16,560 Speaker 3: But Will, what are they doing shedding light or giving opinions? 8 00:00:17,079 --> 00:00:21,319 Speaker 2: Isn't given an opinion? Also, shedding light not always fair enough. Well, 9 00:00:21,360 --> 00:00:22,920 Speaker 2: you take your pick. You can either shed a light 10 00:00:23,040 --> 00:00:25,080 Speaker 2: or you can give an opinion. But basically we'll we're 11 00:00:25,079 --> 00:00:29,240 Speaker 2: trying to answer the question who is the hottest animated 12 00:00:29,600 --> 00:00:34,159 Speaker 2: dad of all the animation shows? So all the Disney shows, 13 00:00:34,240 --> 00:00:38,920 Speaker 2: all your cartoons, which one is the hottest for me? 14 00:00:39,760 --> 00:00:42,760 Speaker 2: There is a clear favorite? Who is it for you? 15 00:00:42,760 --> 00:00:48,280 Speaker 3: Though? Will? Look? King Trident's got to be up there 16 00:00:48,840 --> 00:00:53,800 Speaker 3: is that Aeriel's dad, aerials dad, great rig exceptional, exceptional body, 17 00:00:54,240 --> 00:00:57,360 Speaker 3: has also got a magic trident, wonderful flowing hair. 18 00:00:57,520 --> 00:01:00,320 Speaker 2: Did he have a good personality? Will wanted to be 19 00:01:00,480 --> 00:01:02,240 Speaker 2: fun with King Triydon on a Saturday night? 20 00:01:02,360 --> 00:01:04,800 Speaker 3: Yeah? No, I think you would. I think you would. Yeah, 21 00:01:04,840 --> 00:01:06,360 Speaker 3: if you weren't his daughter. No, he loved all his 22 00:01:06,440 --> 00:01:08,679 Speaker 3: daughters the area, but you know, one of his daughters 23 00:01:08,680 --> 00:01:12,319 Speaker 3: wanted to change her species, so I can understand why 24 00:01:12,360 --> 00:01:13,560 Speaker 3: he was a bit angry at her because he was 25 00:01:13,600 --> 00:01:16,320 Speaker 3: scared for her. Yeah, yeah, he was looking after her, sure, 26 00:01:16,720 --> 00:01:17,840 Speaker 3: But at the end of the day, you know he 27 00:01:17,920 --> 00:01:20,280 Speaker 3: enjoys the under the Sea song. He has a good 28 00:01:20,319 --> 00:01:20,840 Speaker 3: time for me. 29 00:01:20,959 --> 00:01:22,600 Speaker 2: Of all the dads, he definitely has one of the 30 00:01:22,600 --> 00:01:26,520 Speaker 2: best bodies. But I think the only body to challenge 31 00:01:26,920 --> 00:01:30,640 Speaker 2: a King Triden would be my vote for hortest animator 32 00:01:31,120 --> 00:01:41,280 Speaker 2: straight to it, and that's Popeye. Well, good question. He 33 00:01:41,440 --> 00:01:43,600 Speaker 2: is a dad. Not sure whether his son was adopted 34 00:01:43,680 --> 00:01:46,479 Speaker 2: or not, but he does have a son called Popeye Junior. 35 00:01:47,000 --> 00:01:50,760 Speaker 2: True story geat is Popeye Junior has the same ability 36 00:01:50,800 --> 00:01:54,680 Speaker 2: to get superhuman strength after he eats spinach, except Popeye 37 00:01:54,760 --> 00:01:57,480 Speaker 2: Junior doesn't like the taste of spinach. He prefers it 38 00:01:57,600 --> 00:02:02,840 Speaker 2: in hamburgers, which provides is all hell of stress for Dad. 39 00:02:03,120 --> 00:02:06,880 Speaker 2: What about by Sony Jr. 40 00:02:06,960 --> 00:02:08,920 Speaker 3: I'm rather, why are we doing this? 41 00:02:09,280 --> 00:02:11,639 Speaker 2: Are doing what? You asked me? Who his son is? 42 00:02:11,680 --> 00:02:13,320 Speaker 2: And I'll explain to you. 43 00:02:13,639 --> 00:02:15,920 Speaker 3: I mean, I just I feel like Popeye is a 44 00:02:16,040 --> 00:02:19,200 Speaker 3: joke representation of the hottest animand of Dad couldn't disagree more. 45 00:02:19,240 --> 00:02:22,200 Speaker 2: He has the biggest forearms you've ever seen. Yes, they 46 00:02:22,200 --> 00:02:23,680 Speaker 2: are women like Jimney. 47 00:02:23,760 --> 00:02:25,800 Speaker 3: He hasn't got an eye that opens, and he always 48 00:02:25,840 --> 00:02:27,840 Speaker 3: gets into fights. He's a bad dad. 49 00:02:28,200 --> 00:02:28,959 Speaker 2: He's a bad boy. 50 00:02:29,120 --> 00:02:31,960 Speaker 3: What about Goku Dragon ball Z when he becomes a dad? 51 00:02:32,280 --> 00:02:35,400 Speaker 3: I didn't realize hot dad Gohans his son. He's a 52 00:02:35,440 --> 00:02:37,919 Speaker 3: hot dad Goku, Goku. 53 00:02:37,600 --> 00:02:40,000 Speaker 2: And his nail. I'm not what's so sexy about Goku? 54 00:02:40,400 --> 00:02:41,959 Speaker 3: You're kidding, right, He's. 55 00:02:41,840 --> 00:02:43,760 Speaker 2: Got an amazing body, beautiful body. 56 00:02:43,840 --> 00:02:46,680 Speaker 3: Yeah, he also has got great superpowers, his great martial artist. 57 00:02:46,720 --> 00:02:47,400 Speaker 3: He's a loving farmer. 58 00:02:47,360 --> 00:02:48,360 Speaker 2: I don't think he's loving. 59 00:02:48,680 --> 00:02:51,440 Speaker 3: Mister incredible bit boring, mister incredible. 60 00:02:51,000 --> 00:02:52,919 Speaker 2: Bit Tubby, I find oh. 61 00:02:52,960 --> 00:02:54,359 Speaker 3: I think he got a little he let himself go 62 00:02:54,480 --> 00:02:57,080 Speaker 3: a little later he let himself go, but not early on. 63 00:02:57,160 --> 00:02:59,360 Speaker 2: And he has a temper. He puts his boss through 64 00:02:59,400 --> 00:03:02,239 Speaker 2: a wall, and he's. 65 00:03:02,120 --> 00:03:04,359 Speaker 3: Giving up his superpowers and he has to work a 66 00:03:04,400 --> 00:03:06,639 Speaker 3: disk job for his for his family's safety. 67 00:03:06,760 --> 00:03:08,440 Speaker 2: Yeah, no, I get that, but you can't put your 68 00:03:08,440 --> 00:03:11,480 Speaker 2: boss through a wall. I want to ask you guys 69 00:03:11,480 --> 00:03:13,919 Speaker 2: the same question. Though. Thirty one sixty five is the 70 00:03:14,040 --> 00:03:18,280 Speaker 2: number who moved Fasser. Yeah, no, move Fast is sexy. 71 00:03:18,560 --> 00:03:22,960 Speaker 2: There's no doubt because he's got voice. The voice is extraordinary. Okay, okay, 72 00:03:23,000 --> 00:03:23,720 Speaker 2: move Fasser is. 73 00:03:23,639 --> 00:03:26,440 Speaker 3: Probably talking about an animal though, Yeah, but you. 74 00:03:26,400 --> 00:03:29,000 Speaker 2: Know, but he is humanize it. They humanize it in 75 00:03:29,040 --> 00:03:32,320 Speaker 2: the in the movie. He talks, He talks, and I 76 00:03:32,360 --> 00:03:36,000 Speaker 2: can find him sexy. The hair, he's he he's an animal, 77 00:03:37,040 --> 00:03:40,560 Speaker 2: but he's still anyway. Thirty one six five, Who is 78 00:03:40,600 --> 00:03:44,080 Speaker 2: the hottest animated dad? Let's put it to bed, well, 79 00:03:44,520 --> 00:03:46,960 Speaker 2: put him to bed. That gets really weird. 80 00:03:47,600 --> 00:03:51,160 Speaker 3: We're talking hottest animated dad. 81 00:03:51,520 --> 00:03:54,680 Speaker 2: Yeah. I think in the leads so far, despite him 82 00:03:54,680 --> 00:03:56,960 Speaker 2: being an animal, is move Fasser. 83 00:03:57,760 --> 00:03:59,440 Speaker 3: I think it's more fassa move fass is it. 84 00:04:00,400 --> 00:04:04,680 Speaker 2: He's courageous, not a bad sense of humor, great sense 85 00:04:04,720 --> 00:04:08,160 Speaker 2: of humor at a few points. And while he's heard 86 00:04:08,200 --> 00:04:10,200 Speaker 2: on Simba, he's also fair with Simba. 87 00:04:10,520 --> 00:04:11,360 Speaker 3: He's a perfect father. 88 00:04:11,440 --> 00:04:13,360 Speaker 2: He is the perfect voice as well. And I think 89 00:04:13,360 --> 00:04:14,320 Speaker 2: he's got great hairy. 90 00:04:15,200 --> 00:04:15,960 Speaker 3: He has got great hair. 91 00:04:16,000 --> 00:04:17,640 Speaker 2: I think a close second was Popeye for mine. 92 00:04:17,680 --> 00:04:22,719 Speaker 3: I think both second was King tried and Max and 93 00:04:22,720 --> 00:04:26,719 Speaker 3: I tried. Honestly with you, Popeye is lucky to beat 94 00:04:27,200 --> 00:04:30,760 Speaker 3: Princess Jasmine's father in Aladdin, that little portly tip brat. 95 00:04:30,839 --> 00:04:33,839 Speaker 3: Oh wow, seriously, the guy that looks more like a 96 00:04:33,839 --> 00:04:35,720 Speaker 3: fitball than he does a king. What about George? 97 00:04:35,760 --> 00:04:36,720 Speaker 2: What about George Jenson? 98 00:04:37,080 --> 00:04:40,360 Speaker 3: Does he he's up there? George, George, George George Jason's 99 00:04:40,440 --> 00:04:40,800 Speaker 3: up there. 100 00:04:41,520 --> 00:04:41,719 Speaker 4: Yeah. 101 00:04:41,800 --> 00:04:45,120 Speaker 3: But he's clever, he's clever, He's a lovely guy. 102 00:04:46,600 --> 00:04:48,680 Speaker 2: Yes. See, Fred I think is a bit sexy, got 103 00:04:48,680 --> 00:04:50,599 Speaker 2: that caveman about him, you know, and he wears a 104 00:04:50,640 --> 00:04:54,880 Speaker 2: dress which I think is hot. Let's go to Olivia here, Olivia, 105 00:04:54,920 --> 00:04:57,359 Speaker 2: who do you think the hottest animated dad is? 106 00:04:58,040 --> 00:04:58,280 Speaker 3: Well? 107 00:04:58,320 --> 00:05:00,160 Speaker 5: I was going to say both, King tried to and 108 00:05:00,360 --> 00:05:02,159 Speaker 5: move you stole both? 109 00:05:03,640 --> 00:05:04,320 Speaker 2: Sorry, Olivia. 110 00:05:05,120 --> 00:05:08,440 Speaker 3: What about have you guys seen inside Out? Yes? What 111 00:05:08,560 --> 00:05:11,080 Speaker 3: about the dad from inside out? Like this in the 112 00:05:11,120 --> 00:05:15,239 Speaker 3: Little Girl's Dad? Yeah, because otherwise they're all just little blobs. 113 00:05:16,279 --> 00:05:18,040 Speaker 2: Yeah, what's so hot about the dad? 114 00:05:18,200 --> 00:05:21,240 Speaker 3: Go with the mustache? 115 00:05:21,320 --> 00:05:22,520 Speaker 5: I think it's the mustache? 116 00:05:22,760 --> 00:05:23,960 Speaker 2: Oh yeah, yeah, yeah. 117 00:05:24,600 --> 00:05:25,120 Speaker 6: Super hot? 118 00:05:25,160 --> 00:05:27,480 Speaker 5: And also what about the Spider Man? 119 00:05:28,000 --> 00:05:32,120 Speaker 3: Yes, the animated into the Spider verse, into the body verse. 120 00:05:32,279 --> 00:05:34,240 Speaker 3: Spider Man is also pretty hot in that as well. 121 00:05:35,800 --> 00:05:37,120 Speaker 3: Talking about a cartoon. 122 00:05:38,960 --> 00:05:42,320 Speaker 2: Kelly, Kelly who's the hottest animated dad. 123 00:05:43,360 --> 00:05:46,359 Speaker 5: Well, I was gonna say far, but he's more. 124 00:05:46,279 --> 00:05:49,520 Speaker 3: Like he's not a dad. 125 00:05:50,480 --> 00:05:52,880 Speaker 2: I was able to stop. But there's a new order. 126 00:05:53,000 --> 00:05:59,480 Speaker 3: Now you will about me. I mean he's got a 127 00:05:59,520 --> 00:05:59,960 Speaker 3: tight go to. 128 00:06:00,320 --> 00:06:03,760 Speaker 2: I'll give him that. Kelly, why is your fast so hot? 129 00:06:04,600 --> 00:06:06,880 Speaker 5: Oh? You know he's got that twisty bit. He's got 130 00:06:06,880 --> 00:06:08,800 Speaker 5: that streak. 131 00:06:09,120 --> 00:06:12,640 Speaker 3: Yeah, he's got he's got that sexist streak. 132 00:06:13,560 --> 00:06:14,279 Speaker 5: Protect you. 133 00:06:16,839 --> 00:06:17,320 Speaker 3: Much better. 134 00:06:19,160 --> 00:06:20,840 Speaker 5: I also think Mona's dead. 135 00:06:20,920 --> 00:06:25,680 Speaker 3: He's playing the rock yeah, yeah, yeah, right if there 136 00:06:25,680 --> 00:06:32,000 Speaker 3: with Poker Dad, he's also a bit of a squeeze. Yeah, perfect. 137 00:06:32,200 --> 00:06:34,800 Speaker 2: So a question for you will, because I think both 138 00:06:35,200 --> 00:06:38,360 Speaker 2: Moanna's dad and mister Incredible are a little bit washed 139 00:06:38,400 --> 00:06:40,240 Speaker 2: up when they become dads. Who would win in a 140 00:06:40,320 --> 00:06:41,080 Speaker 2: fight between. 141 00:06:40,839 --> 00:06:42,000 Speaker 3: The two of mister Incredibles? 142 00:06:42,360 --> 00:06:43,839 Speaker 2: Here, there you go, let's go to. 143 00:06:45,640 --> 00:06:46,080 Speaker 3: Questions. 144 00:06:47,600 --> 00:06:50,240 Speaker 2: Didn't Moana's dad have a bit of magic behind him? 145 00:06:51,000 --> 00:06:51,440 Speaker 2: A little bit? 146 00:06:51,480 --> 00:06:55,599 Speaker 5: There's gotta be some magic, But he's. 147 00:06:55,480 --> 00:06:57,480 Speaker 3: Not gonna win. He's not going to beat mister Incredible 148 00:06:57,480 --> 00:06:57,880 Speaker 3: in a fight. 149 00:06:58,560 --> 00:06:59,480 Speaker 5: Oh I don't know about that. 150 00:06:59,480 --> 00:07:03,360 Speaker 2: Have you seen Molana's dad? Okay, what if? 151 00:07:03,560 --> 00:07:04,240 Speaker 3: What if I give you this? 152 00:07:04,360 --> 00:07:06,799 Speaker 2: What if my ands dad gets the jump on, mister Incredible, 153 00:07:06,960 --> 00:07:09,760 Speaker 2: is there is he any way like sneaks out behind him, 154 00:07:09,960 --> 00:07:12,679 Speaker 2: gets him in a headlog? Is he any chance to wins? 155 00:07:13,520 --> 00:07:14,679 Speaker 2: He needs the mystery surprise? 156 00:07:15,080 --> 00:07:18,840 Speaker 3: Yeah, he needs the element of surprise, no doubt about it. 157 00:07:19,440 --> 00:07:24,840 Speaker 3: Mister Incredible beats that iron sphere with those like robotic arms. No, 158 00:07:25,560 --> 00:07:28,840 Speaker 3: he does. In The Incredibles, he does. Send the movie 159 00:07:30,120 --> 00:07:34,400 Speaker 3: and I love it. Tell us, tell us which animated 160 00:07:34,480 --> 00:07:35,960 Speaker 3: Dad you like? Dane? So we can be done with 161 00:07:36,200 --> 00:07:37,200 Speaker 3: what do you? 162 00:07:37,440 --> 00:07:39,600 Speaker 5: Everyone thinks I look like Peter Griffin, So I'm rolling 163 00:07:39,680 --> 00:07:39,880 Speaker 5: with that. 164 00:07:41,560 --> 00:07:43,720 Speaker 2: You can't choose the blog that you look like. 165 00:07:44,960 --> 00:07:47,360 Speaker 5: Because I'm I'm a dad bot? 166 00:07:47,520 --> 00:07:52,040 Speaker 3: What is wrong with a dading? Wrong with it all? 167 00:07:52,120 --> 00:07:52,240 Speaker 2: Now? 168 00:07:52,360 --> 00:07:55,760 Speaker 3: Dane, we're talking before what his favorite hot dad? Animated 169 00:07:55,800 --> 00:08:00,640 Speaker 3: Dad was more fussa who's obviously animal, which is a 170 00:08:00,640 --> 00:08:05,400 Speaker 3: bit weird. But if we were going to take it 171 00:08:05,440 --> 00:08:09,160 Speaker 3: to the animal conversation, who would you? Which animal Dad 172 00:08:09,160 --> 00:08:09,960 Speaker 3: would you be into? 173 00:08:12,120 --> 00:08:15,840 Speaker 5: Unfortunately, have to concur did you ever? It's a bit 174 00:08:15,880 --> 00:08:17,360 Speaker 5: it's a bit tiger king, but yeah, you're going to 175 00:08:17,440 --> 00:08:18,200 Speaker 5: have to go the fasta. 176 00:08:18,840 --> 00:08:20,960 Speaker 2: Yeah, yeah, you took it to a really sick place 177 00:08:21,000 --> 00:08:22,000 Speaker 2: because Tiger King is real. 178 00:08:25,000 --> 00:08:26,600 Speaker 1: It's the Will and Woody podcast. 179 00:08:26,760 --> 00:08:31,800 Speaker 3: Back to the Rafters is back on Amazon Prime Video. 180 00:08:32,240 --> 00:08:34,719 Speaker 3: Unbelievable that you can go and check that out. That 181 00:08:34,760 --> 00:08:39,840 Speaker 3: they're reopening one of the greatest TV franchises of and 182 00:08:40,080 --> 00:08:43,600 Speaker 3: in living memory. I should say, bloody excited them to 183 00:08:43,720 --> 00:08:47,360 Speaker 3: have one of the leading roles on the show has 184 00:08:47,400 --> 00:08:50,079 Speaker 3: been for such a long time as well. Hugh Sheridan 185 00:08:50,200 --> 00:08:57,320 Speaker 3: joined us on the blower knock on worry Hi Well said, 186 00:08:58,640 --> 00:08:59,800 Speaker 3: knock on Woody. 187 00:08:59,600 --> 00:09:02,720 Speaker 5: Here, that it's going to be a hit worldwide. That's 188 00:09:03,040 --> 00:09:08,520 Speaker 5: that's what we're hoping. Now we've taken we've taken Packed 189 00:09:08,559 --> 00:09:11,320 Speaker 5: to the Rafters, made it back to the Rafters kind 190 00:09:11,320 --> 00:09:12,520 Speaker 5: of like back to the future. 191 00:09:12,679 --> 00:09:14,000 Speaker 2: Yes, I like that. 192 00:09:14,160 --> 00:09:14,680 Speaker 3: I like it. 193 00:09:14,760 --> 00:09:16,840 Speaker 5: I like it if we knew what was going to 194 00:09:16,880 --> 00:09:17,480 Speaker 5: be in the future. 195 00:09:17,600 --> 00:09:19,640 Speaker 3: Hell, how many people, how many people do you reckon? 196 00:09:19,679 --> 00:09:22,640 Speaker 3: We're sitting in the were sitting in the room, the 197 00:09:22,679 --> 00:09:25,000 Speaker 3: creative room to come up with Back to the Rafters 198 00:09:25,000 --> 00:09:26,839 Speaker 3: as opposed to Pack to the Rafters here. 199 00:09:27,800 --> 00:09:30,200 Speaker 5: I I don't know, but I hope that. I hope 200 00:09:30,240 --> 00:09:33,200 Speaker 5: that they got it in the first shot. They didn't 201 00:09:33,480 --> 00:09:35,400 Speaker 5: too long trying to work that one. 202 00:09:35,720 --> 00:09:37,920 Speaker 2: Imagine if they booked it four days for it for 203 00:09:37,960 --> 00:09:41,720 Speaker 2: four days of session, right, we've now in five minutes. 204 00:09:42,679 --> 00:09:45,480 Speaker 5: It's actually taken them eight years. They've been trying to 205 00:09:46,520 --> 00:09:48,920 Speaker 5: a year and they finally came up with the name, 206 00:09:49,400 --> 00:09:53,360 Speaker 5: and Amazon Prime Video were like, love it, love it? 207 00:09:54,800 --> 00:09:57,439 Speaker 2: Did you did you always did you always think here 208 00:09:57,440 --> 00:09:59,000 Speaker 2: that it was going to come back? I mean eight 209 00:09:59,080 --> 00:10:01,320 Speaker 2: years as that amount of time where you're probably starting 210 00:10:01,320 --> 00:10:04,120 Speaker 2: to go, I think we just leave it or I 211 00:10:04,160 --> 00:10:05,640 Speaker 2: will never play that role again. 212 00:10:05,679 --> 00:10:11,720 Speaker 5: But they like, trust me no, that they've been wanting 213 00:10:11,760 --> 00:10:15,400 Speaker 5: it to come back. They talked about it for a 214 00:10:15,520 --> 00:10:20,079 Speaker 5: very long time. But I wasn't ready personally to step 215 00:10:20,120 --> 00:10:21,920 Speaker 5: back into it. Like Back to the Raptors was a 216 00:10:21,920 --> 00:10:24,040 Speaker 5: little bit like Friends in that people were sort of 217 00:10:24,080 --> 00:10:26,880 Speaker 5: like crazy for it, like you know, really hang out 218 00:10:26,920 --> 00:10:29,560 Speaker 5: for it. And so when you leave a show like that, 219 00:10:29,720 --> 00:10:33,000 Speaker 5: you know it takes you a while to disassociate yourself 220 00:10:33,480 --> 00:10:37,640 Speaker 5: as well. Yeah, and then like you know, when this 221 00:10:38,080 --> 00:10:41,079 Speaker 5: opportunity came up and Amazon Prime said, we really want 222 00:10:41,120 --> 00:10:44,360 Speaker 5: to make them original Australian drama and eight years is 223 00:10:44,360 --> 00:10:46,960 Speaker 5: a long time, it felt like it was long enough 224 00:10:46,960 --> 00:10:50,040 Speaker 5: and actually I wanted to play Ben again, like I 225 00:10:50,160 --> 00:10:52,679 Speaker 5: was ready, Like I wanted to have that family around 226 00:10:52,679 --> 00:10:56,440 Speaker 5: me again. And I think, you know, for Australians, like 227 00:10:56,480 --> 00:10:59,280 Speaker 5: it couldn't actually be timed better because it's just such 228 00:10:59,320 --> 00:11:03,480 Speaker 5: a sort of hard time for so many people around 229 00:11:03,480 --> 00:11:06,000 Speaker 5: the country. You know, you know, with orders a close, 230 00:11:06,080 --> 00:11:08,360 Speaker 5: people are separated from their family and all that sort 231 00:11:08,360 --> 00:11:10,760 Speaker 5: of thing. I think this is cool because you know, 232 00:11:10,840 --> 00:11:12,679 Speaker 5: even if you're separated from your family, you can all 233 00:11:12,720 --> 00:11:14,840 Speaker 5: push play at the same time and sort of have 234 00:11:14,960 --> 00:11:16,480 Speaker 5: that nostalgia is. 235 00:11:16,440 --> 00:11:19,000 Speaker 3: Back to the rafters set in COVID, like you all 236 00:11:19,040 --> 00:11:22,520 Speaker 3: in lockdown and wearing masks. 237 00:11:22,559 --> 00:11:24,600 Speaker 5: Like it's kind of sort of dealing with it in 238 00:11:25,559 --> 00:11:29,120 Speaker 5: it's not essentially talked about as such, but it's definitely 239 00:11:29,120 --> 00:11:32,160 Speaker 5: living in a different period of time, like there's all 240 00:11:32,200 --> 00:11:34,640 Speaker 5: the new topics that have come into the world are 241 00:11:34,640 --> 00:11:38,160 Speaker 5: in there. We didn't really even though we were shooting 242 00:11:38,160 --> 00:11:41,400 Speaker 5: through COVID and everything, we decided to sort of leave 243 00:11:42,920 --> 00:11:46,320 Speaker 5: well because Australia for the most part sort of has 244 00:11:46,559 --> 00:11:50,760 Speaker 5: been dealing with that find a way. And yeah, look, 245 00:11:50,840 --> 00:11:54,560 Speaker 5: you know, ifever we revisit it, maybe we'll all be 246 00:11:54,600 --> 00:11:55,280 Speaker 5: wearing masks. 247 00:11:55,360 --> 00:11:56,679 Speaker 3: You actually want to talk to you. I want to 248 00:11:56,720 --> 00:11:57,800 Speaker 3: talk to you a little bit more about some of 249 00:11:57,840 --> 00:12:00,400 Speaker 3: those other topics that you said that the Back to 250 00:12:00,440 --> 00:12:04,079 Speaker 3: the Rafters is now going to navigate and right up next, 251 00:12:04,080 --> 00:12:05,400 Speaker 3: so please stay with us a lot more with Hugh 252 00:12:05,480 --> 00:12:09,320 Speaker 3: Sheridan right up next, Back to the Rafters out on 253 00:12:09,400 --> 00:12:12,480 Speaker 3: Amazon Prime Video. You listened to Back to the Rafters 254 00:12:12,679 --> 00:12:16,400 Speaker 3: is now Back to the Rafters. It is back Amazon Prime. 255 00:12:16,400 --> 00:12:18,880 Speaker 3: We've got one of the stars, one of the darlings 256 00:12:18,880 --> 00:12:21,360 Speaker 3: of Australia and Hugh Sheridan who joins us on the 257 00:12:21,400 --> 00:12:24,360 Speaker 3: blow right now. Now you But we were just talking 258 00:12:24,360 --> 00:12:26,480 Speaker 3: about the fact that or you were saying that the 259 00:12:26,760 --> 00:12:28,360 Speaker 3: new show Back to the Rafters is going to be 260 00:12:28,640 --> 00:12:32,840 Speaker 3: tackling topics that you wouldn't normally tackle, and it made 261 00:12:32,880 --> 00:12:35,320 Speaker 3: me think just what you just said then reminded me 262 00:12:35,360 --> 00:12:37,599 Speaker 3: actually funnily enough, because Woody and I were talking just 263 00:12:37,640 --> 00:12:40,400 Speaker 3: before the interview. We I think you were actually one 264 00:12:40,400 --> 00:12:42,959 Speaker 3: of our first ever interviews. I reckon ten years ago. 265 00:12:43,000 --> 00:12:46,240 Speaker 3: We were just spoken to you. I reckon it was 266 00:12:46,240 --> 00:12:49,280 Speaker 3: a bloody long time ano and I reckon, there was 267 00:12:49,320 --> 00:12:53,440 Speaker 3: this there was like a genuine hoodoo over and I 268 00:12:53,480 --> 00:12:56,199 Speaker 3: can't seem to remember whether it was you that were 269 00:12:56,240 --> 00:12:57,760 Speaker 3: a bit kg about it, or whether it was the 270 00:12:57,920 --> 00:13:00,600 Speaker 3: production to our production team, or whether it was whoever 271 00:13:00,960 --> 00:13:02,920 Speaker 3: he was working on the show with you about the 272 00:13:02,960 --> 00:13:07,240 Speaker 3: fact that you'd come out, And I remember dealing with 273 00:13:07,280 --> 00:13:09,960 Speaker 3: that and like navigating that, and I was quite scared 274 00:13:09,960 --> 00:13:12,960 Speaker 3: about it because it's just not something that i'd done publicly. 275 00:13:13,400 --> 00:13:16,400 Speaker 3: And then fast forward ten years and I'm looking at 276 00:13:16,440 --> 00:13:20,200 Speaker 3: a photo of you making out with your partner on 277 00:13:20,240 --> 00:13:24,959 Speaker 3: the front cover of DNA magazine ahead of Pride Month, 278 00:13:25,720 --> 00:13:28,839 Speaker 3: and now I hear that you're also your gendin on 279 00:13:28,960 --> 00:13:33,040 Speaker 3: binary as well and openly bisexual, So like, holy shit, 280 00:13:33,280 --> 00:13:33,720 Speaker 3: I mean. 281 00:13:35,000 --> 00:13:37,360 Speaker 5: It's quite ironic actually that you say that, because I 282 00:13:38,679 --> 00:13:42,480 Speaker 5: I came like, when I wrote the essay for Speller 283 00:13:42,559 --> 00:13:46,479 Speaker 5: last year, I specifically said that it's like for me personally, 284 00:13:46,559 --> 00:13:49,880 Speaker 5: my major, you know, sort of seem not wanting to 285 00:13:49,920 --> 00:13:52,959 Speaker 5: talk about it was because I genuinely sort of wasn't 286 00:13:53,000 --> 00:13:56,599 Speaker 5: really sure where I landed. And suddenly enough, one of 287 00:13:56,640 --> 00:13:59,240 Speaker 5: the things that I haven't really talked about with anyone 288 00:13:59,760 --> 00:14:04,720 Speaker 5: is but I never actually really had labeled myself anything 289 00:14:04,960 --> 00:14:08,040 Speaker 5: but human. And the reason that I settled on that 290 00:14:08,160 --> 00:14:11,600 Speaker 5: was because I was like, we make so much of labels, 291 00:14:11,600 --> 00:14:14,640 Speaker 5: like labels, separators, and we hang on to them so tightly, 292 00:14:14,720 --> 00:14:18,280 Speaker 5: whether it's like it could be a religious label, it 293 00:14:18,280 --> 00:14:21,760 Speaker 5: could be ethnicity, it could be a nationality, it could 294 00:14:21,760 --> 00:14:24,480 Speaker 5: be sexuality, whatever it is. But when you get to 295 00:14:24,520 --> 00:14:28,600 Speaker 5: the base of everyone, we're all just humans. We all 296 00:14:28,640 --> 00:14:31,440 Speaker 5: like grieve the same, we feel the same. And also 297 00:14:31,840 --> 00:14:34,520 Speaker 5: humans have free to change their mind at any given time, 298 00:14:34,640 --> 00:14:37,280 Speaker 5: like you can. You can be engaged, you can get married, 299 00:14:37,320 --> 00:14:39,400 Speaker 5: you can have children, and then you can you know what, 300 00:14:39,400 --> 00:14:42,400 Speaker 5: one day, wake up and go, I think I've changed. 301 00:14:43,040 --> 00:14:45,920 Speaker 5: That's what makes human special. And that's sort of like 302 00:14:46,120 --> 00:14:50,240 Speaker 5: was my realization, and sudden enough. A journalist, actually, I 303 00:14:50,360 --> 00:14:53,680 Speaker 5: was in Florida, like not that long ago, and I 304 00:14:53,760 --> 00:14:56,240 Speaker 5: woke up to these headlines saying Hugh's come out as 305 00:14:56,280 --> 00:14:58,200 Speaker 5: non binary, and I was like, hang on, I need 306 00:14:58,240 --> 00:15:00,000 Speaker 5: to google exactly what that means. 307 00:15:00,240 --> 00:15:02,840 Speaker 3: I don't even know what it means. Call me that 308 00:15:02,880 --> 00:15:03,840 Speaker 3: and I don't know what it is. 309 00:15:07,520 --> 00:15:12,040 Speaker 5: I'm just a human. And ironically there it's the. 310 00:15:12,000 --> 00:15:13,520 Speaker 1: Willam Woody podcast. 311 00:15:13,800 --> 00:15:15,840 Speaker 3: We have got what he's believed or not? Now, before 312 00:15:15,880 --> 00:15:18,120 Speaker 3: you play your opener, woods before you play your open. 313 00:15:18,200 --> 00:15:20,240 Speaker 3: I'd like to put on that I won last week. 314 00:15:20,520 --> 00:15:23,960 Speaker 3: I managed to spot the truth through a poorly woven 315 00:15:24,080 --> 00:15:27,160 Speaker 3: lie about a monkey taking a picture of his penis. 316 00:15:27,520 --> 00:15:29,560 Speaker 2: Twenty year old Malaysian man had his phone style when 317 00:15:29,600 --> 00:15:31,960 Speaker 2: he was asleep. He wakes up at the back of 318 00:15:32,000 --> 00:15:34,760 Speaker 2: his house. He finds the phone sees a whole bunch 319 00:15:34,840 --> 00:15:38,200 Speaker 2: of photos of a monkey. It is the first ever 320 00:15:38,520 --> 00:15:42,600 Speaker 2: known and recorded example of an animal taking a dick pic. 321 00:15:43,120 --> 00:15:45,600 Speaker 3: I think that's got to be fake, had to be fake. 322 00:15:45,680 --> 00:15:48,160 Speaker 3: Tell me that's fake. It's a fake story. 323 00:15:48,440 --> 00:15:53,680 Speaker 2: Yeah, it's devastating. I have spent the last seven days 324 00:15:53,880 --> 00:15:56,280 Speaker 2: writing my stories for this week. 325 00:15:57,160 --> 00:15:57,560 Speaker 3: It's time. 326 00:16:00,720 --> 00:16:03,920 Speaker 2: So the game is simple. I bring up stories or facts. 327 00:16:04,160 --> 00:16:05,440 Speaker 2: Some of them are real, some of them fake. You 328 00:16:05,440 --> 00:16:06,960 Speaker 2: have to guess if they are real or faked. Do 329 00:16:06,960 --> 00:16:08,280 Speaker 2: we have time to do one before the song? 330 00:16:08,320 --> 00:16:08,840 Speaker 3: Will? Sure? 331 00:16:08,960 --> 00:16:13,680 Speaker 2: Okay? Amazing? Today we are doing things that celebrities have 332 00:16:13,760 --> 00:16:14,920 Speaker 2: spent their cash on. 333 00:16:15,880 --> 00:16:18,480 Speaker 3: Oh good. So this means you can't use exotic foreign 334 00:16:18,600 --> 00:16:23,200 Speaker 3: names you've used previously, which I found out last time. 335 00:16:23,280 --> 00:16:26,880 Speaker 3: He was poaching real foreign names from other stories and 336 00:16:26,920 --> 00:16:29,080 Speaker 3: then replacing them in the story to swindle me. 337 00:16:29,120 --> 00:16:30,880 Speaker 2: That's how hard I work, mate, That is how hard 338 00:16:30,920 --> 00:16:33,240 Speaker 2: I work. Okay, what what like? 339 00:16:33,440 --> 00:16:35,640 Speaker 3: What I know? 340 00:16:35,720 --> 00:16:37,520 Speaker 2: He's the biggest thing of my week. All right, here 341 00:16:37,520 --> 00:16:41,080 Speaker 2: we go. This one's on Mike Tyson. Mike Tyson once 342 00:16:41,120 --> 00:16:43,400 Speaker 2: saw a bloke on the street who we thought looked 343 00:16:43,480 --> 00:16:46,760 Speaker 2: like him. It's like a doppelganger. He paid the bloke 344 00:16:46,920 --> 00:16:51,240 Speaker 2: three hundred thousand dollars to legally change his name to 345 00:16:51,440 --> 00:16:52,040 Speaker 2: Mini Mike. 346 00:16:52,320 --> 00:16:54,840 Speaker 3: Oh my god. Now, Mike Tyson, as we all know, 347 00:16:55,000 --> 00:17:00,400 Speaker 3: is an absolute nut job and last I think a 348 00:17:00,480 --> 00:17:02,880 Speaker 3: lot of money over the over the journey. 349 00:17:02,960 --> 00:17:05,400 Speaker 2: Would he have paid three hundred thousand dollars for someone 350 00:17:05,400 --> 00:17:07,119 Speaker 2: to legally change their name to Mini Mike? 351 00:17:07,200 --> 00:17:09,000 Speaker 3: He would have been paid a lot of. 352 00:17:08,880 --> 00:17:15,000 Speaker 2: Money Mike Tyson. Yes, oh yeah, yeah, huge. He's made 353 00:17:15,000 --> 00:17:16,840 Speaker 2: it back, by the way, he owns a very successful 354 00:17:16,840 --> 00:17:17,959 Speaker 2: cannabis business. 355 00:17:18,280 --> 00:17:19,040 Speaker 3: Oh that's right. 356 00:17:19,160 --> 00:17:19,800 Speaker 2: Yeah. 357 00:17:19,840 --> 00:17:21,800 Speaker 3: But would he go up to somebody and ask them 358 00:17:21,840 --> 00:17:24,159 Speaker 3: to change their name he lost three hundred million? 359 00:17:25,200 --> 00:17:25,480 Speaker 2: Wow? 360 00:17:25,720 --> 00:17:28,879 Speaker 3: Gee whiz? Would he go up to someone and change Well, 361 00:17:28,920 --> 00:17:31,439 Speaker 3: if you lost three hundred million, sure, I think it's true. 362 00:17:35,560 --> 00:17:37,080 Speaker 2: I'm up to a great start. 363 00:17:37,359 --> 00:17:39,000 Speaker 3: You can see. That would have been true. 364 00:17:39,400 --> 00:17:41,800 Speaker 2: He has spent two point three million dollars on a 365 00:17:41,840 --> 00:17:45,000 Speaker 2: bath made of gold. Wow, so he's a big spin Anyway, 366 00:17:45,119 --> 00:17:47,720 Speaker 2: up next, we have more of that to Believe it 367 00:17:47,800 --> 00:17:47,960 Speaker 2: or not. 368 00:17:48,000 --> 00:17:49,959 Speaker 3: Everyone does a flip of the coin that one. 369 00:17:49,960 --> 00:17:51,560 Speaker 2: I'm up to a good startup to a very good 370 00:17:52,320 --> 00:17:52,680 Speaker 2: good start. 371 00:17:52,680 --> 00:17:55,160 Speaker 3: I think it's just proving that the game is almost unbeatable. 372 00:17:55,160 --> 00:17:58,320 Speaker 3: I was lucky last week. You're the dealer at the casino. 373 00:17:58,400 --> 00:17:59,680 Speaker 3: You're the casino. Just come. 374 00:18:00,240 --> 00:18:01,879 Speaker 1: It's the Will and Woody Podcast. 375 00:18:03,280 --> 00:18:10,280 Speaker 2: It's time for believe it or not. He's got some 376 00:18:10,400 --> 00:18:12,640 Speaker 2: sweet facts and stores. 377 00:18:13,400 --> 00:18:14,800 Speaker 3: Some of them are real. 378 00:18:15,000 --> 00:18:20,280 Speaker 2: Some alrighty one nil up. This is best of five, 379 00:18:20,440 --> 00:18:23,600 Speaker 2: first to three. Here we go. Today we are doing 380 00:18:24,320 --> 00:18:27,240 Speaker 2: things that celebrities have blown their cash on. 381 00:18:27,600 --> 00:18:31,320 Speaker 3: Yeah, okay, not my strong suit as well. Yeah, celebrities 382 00:18:31,320 --> 00:18:33,080 Speaker 3: is not strong my strong suit. 383 00:18:33,160 --> 00:18:35,480 Speaker 2: But you know, you should be able to tell no, no, no. 384 00:18:35,320 --> 00:18:37,600 Speaker 3: I shouldn't be able to tell I think that's important here. Well, 385 00:18:37,680 --> 00:18:39,760 Speaker 3: I'm the drunk guy that rocked up at a casino 386 00:18:39,840 --> 00:18:42,160 Speaker 3: table at one hundred at five o'clock in the morning 387 00:18:42,200 --> 00:18:45,600 Speaker 3: and on table, and you're the very sober croupier who's 388 00:18:45,640 --> 00:18:47,240 Speaker 3: just rocked up and spotted a fish. 389 00:18:47,240 --> 00:18:48,760 Speaker 2: I don't know what a croupier is, but if it's 390 00:18:48,800 --> 00:18:51,960 Speaker 2: destroying you, then I'm up for it. All right, here's one. 391 00:18:52,000 --> 00:18:55,919 Speaker 2: This one's about Madonna Madge. She's got some cash she 392 00:18:56,080 --> 00:19:00,440 Speaker 2: on's bought. This is for an unconfirmed amount to be fair, 393 00:19:00,760 --> 00:19:05,240 Speaker 2: but she once bought Elvis's left testicle, which she keeps 394 00:19:05,280 --> 00:19:06,960 Speaker 2: in a jar in her house. 395 00:19:09,040 --> 00:19:11,080 Speaker 3: That is what I hate about this game, because, like, 396 00:19:11,240 --> 00:19:14,520 Speaker 3: you know, left test If I say that that's real, 397 00:19:16,200 --> 00:19:18,200 Speaker 3: then I'm gonna say it's real, and then afterwards you're 398 00:19:18,200 --> 00:19:20,000 Speaker 3: gonna go, I can't believe you thought that was real. 399 00:19:20,480 --> 00:19:22,359 Speaker 3: She bought a testicle. That's what everyone's going to do. 400 00:19:22,920 --> 00:19:23,879 Speaker 3: I can't believe me saying that. 401 00:19:24,240 --> 00:19:24,720 Speaker 2: Say it's fake. 402 00:19:24,760 --> 00:19:28,280 Speaker 3: Then stop talking to me like you're carry Ane Kennedy, Like, 403 00:19:28,440 --> 00:19:31,919 Speaker 3: just you don't. You don't instantly become a wanker as 404 00:19:31,920 --> 00:19:33,399 Speaker 3: soon as this segment starts, but you do? 405 00:19:36,480 --> 00:19:40,120 Speaker 2: You call Kenny absolutely, Oh my goodness, we love cac 406 00:19:40,160 --> 00:19:48,760 Speaker 2: on this shower on did Madonna buy Elvis's left testicle, 407 00:19:49,160 --> 00:19:50,160 Speaker 2: which she keeps in a jar? 408 00:19:52,080 --> 00:19:54,840 Speaker 3: She's weird. I don't think it's true. I think it's fake. 409 00:19:55,400 --> 00:20:02,760 Speaker 3: That is fake. Save myself right one? Or gee, it's 410 00:20:02,800 --> 00:20:05,960 Speaker 3: best three? Am I one win away from a win? 411 00:20:06,200 --> 00:20:06,440 Speaker 2: No? 412 00:20:06,320 --> 00:20:09,040 Speaker 3: No, bestI five? I think something. It's best of three, 413 00:20:09,040 --> 00:20:13,160 Speaker 3: it's best three. I'm sorry, I'm taking to produce three. 414 00:20:13,200 --> 00:20:15,080 Speaker 3: You're just worried that I could close out another one. 415 00:20:15,119 --> 00:20:17,800 Speaker 3: I'm going to close out another one for a week 416 00:20:19,880 --> 00:20:23,480 Speaker 3: the finale. Don't look at it. It's the You know 417 00:20:23,520 --> 00:20:25,960 Speaker 3: we're gonna go to Dravick. You know you know we do. 418 00:20:26,280 --> 00:20:32,200 Speaker 2: I won't do it. I won't, buddy, why do we? 419 00:20:32,720 --> 00:20:35,879 Speaker 3: We can do the other one on the other side 420 00:20:35,920 --> 00:20:40,320 Speaker 3: of I can't believe that you've run the clock down 421 00:20:40,359 --> 00:20:44,480 Speaker 3: with your crap chat. Sorry, mate, but you you carry 422 00:20:44,520 --> 00:20:47,080 Speaker 3: and kiddling me a little while ago. Just get into it. 423 00:20:47,119 --> 00:20:48,399 Speaker 2: There we go, all right, So this is it. 424 00:20:48,480 --> 00:20:48,920 Speaker 3: This is it. 425 00:20:49,119 --> 00:20:51,960 Speaker 2: I gotta pick your favorite one now, all right? 426 00:20:52,000 --> 00:20:55,240 Speaker 3: There we go. God, this would be an absolutely another one. 427 00:20:55,280 --> 00:20:58,440 Speaker 3: It's another wild victory, another wild victory for the boy 428 00:20:58,480 --> 00:21:01,919 Speaker 3: that nobody wanted. Here we go. Everyone loves the guy 429 00:21:01,920 --> 00:21:06,440 Speaker 3: I'm had to walk out of the ten thousands of dollars. 430 00:21:06,480 --> 00:21:08,639 Speaker 3: Everyone can go to the chatouse with me. All right, 431 00:21:08,680 --> 00:21:09,080 Speaker 3: let's do it. 432 00:21:09,240 --> 00:21:12,560 Speaker 2: Kanye West, Oh god, yeah, Okay, it's the story about 433 00:21:12,600 --> 00:21:16,280 Speaker 2: Kanye West. He's got cash. He once paid over two 434 00:21:16,359 --> 00:21:20,040 Speaker 2: thousand dollars for a first class seat on a plane 435 00:21:20,800 --> 00:21:21,680 Speaker 2: for his spirit. 436 00:21:22,720 --> 00:21:25,560 Speaker 3: Oh that's so Kanye West, isn't it. 437 00:21:25,600 --> 00:21:27,240 Speaker 2: So it's just an empty seat on. 438 00:21:27,160 --> 00:21:30,520 Speaker 3: A plane Kanye West, and he's just so Kanye West. 439 00:21:30,560 --> 00:21:32,760 Speaker 3: We all know. That's how much did he pay for it? 440 00:21:33,160 --> 00:21:34,120 Speaker 2: Over two thousand dollars. 441 00:21:34,280 --> 00:21:36,520 Speaker 3: Two thousand dollars absolutely chump change for him. 442 00:21:37,000 --> 00:21:40,000 Speaker 2: So he chose to do a first class seat though, Yeah, yeah, but. 443 00:21:39,920 --> 00:21:42,000 Speaker 3: It's chump change for him. It's Kanye West, like two 444 00:21:42,040 --> 00:21:45,240 Speaker 3: thousand dollars. Think about it. He is he worth billions? 445 00:21:45,400 --> 00:21:48,160 Speaker 2: Kanye Yeah, he produces music. I don't think he's worth billions, 446 00:21:48,200 --> 00:21:49,440 Speaker 2: but he's worth hundreds of millions. 447 00:21:49,600 --> 00:21:53,000 Speaker 3: It'd be like, yeah, honestly, I think it'd be like 448 00:21:53,000 --> 00:21:55,000 Speaker 3: buying another fifty dollars train ticket. 449 00:21:55,440 --> 00:21:57,960 Speaker 2: But what moron just buys from an empty seat on 450 00:21:57,960 --> 00:21:59,840 Speaker 2: a That's true. 451 00:22:00,000 --> 00:22:02,120 Speaker 3: It's very kne I think you're bluffing me. I think 452 00:22:02,119 --> 00:22:04,720 Speaker 3: it's fake. 453 00:22:05,080 --> 00:22:16,720 Speaker 6: Yes to go wow. 454 00:22:19,080 --> 00:22:19,920 Speaker 2: I hate this The. 455 00:22:19,880 --> 00:22:23,879 Speaker 3: Wolf for the Will of Wall Street. 456 00:22:24,440 --> 00:22:26,119 Speaker 1: It's the Will and Woody podcast. 457 00:22:26,320 --> 00:22:28,320 Speaker 3: It is a pretty boring subject matter, but at the 458 00:22:28,359 --> 00:22:30,280 Speaker 3: end of the day. All you need to know about 459 00:22:30,320 --> 00:22:34,679 Speaker 3: the Australian French submarine nuclear sub debacle is that we 460 00:22:34,720 --> 00:22:38,399 Speaker 3: absolutely screwed the French Aucus, screwed them over aucas Aucus. 461 00:22:38,520 --> 00:22:40,680 Speaker 2: We signed UCAST, We signed UCUST, which. 462 00:22:40,520 --> 00:22:43,439 Speaker 3: Was a bit awkward given that we had a thirty 463 00:22:43,520 --> 00:22:46,199 Speaker 3: billion dollar deal with the French for them to do 464 00:22:46,240 --> 00:22:49,280 Speaker 3: our subs for us. That a famous submarine program down 465 00:22:49,359 --> 00:22:50,040 Speaker 3: in Marseille. 466 00:22:50,760 --> 00:22:53,080 Speaker 2: And did they drop the ball? I mean, I'm not 467 00:22:53,080 --> 00:22:55,040 Speaker 2: gonna get into it too much, but are the US 468 00:22:55,080 --> 00:22:55,960 Speaker 2: subs way better? 469 00:22:56,000 --> 00:22:58,199 Speaker 3: I think nuclear subs are more sustainable, yes, and you 470 00:22:58,200 --> 00:22:59,080 Speaker 3: can they can? They can? 471 00:22:59,160 --> 00:23:01,800 Speaker 2: You know, well step upfronts. Yeah, it's a business. It's 472 00:23:01,800 --> 00:23:02,240 Speaker 2: all business. 473 00:23:02,240 --> 00:23:03,679 Speaker 3: At the end of the day, it is all business. 474 00:23:03,800 --> 00:23:05,560 Speaker 3: It's all business. Is a big global business was and 475 00:23:05,840 --> 00:23:07,320 Speaker 3: that's that's what I love about you. You bring it 476 00:23:07,359 --> 00:23:08,639 Speaker 3: back to the stocks, you bring it back to the 477 00:23:08,720 --> 00:23:12,680 Speaker 3: capital devis and credits credits guy. And for a while 478 00:23:12,680 --> 00:23:14,760 Speaker 3: I thought it was about the business too, But then 479 00:23:14,800 --> 00:23:17,840 Speaker 3: I was reminded of why Australia really scrubbed that deal. 480 00:23:18,320 --> 00:23:22,560 Speaker 3: And that's because we all remember Emmanuel macaum when he 481 00:23:22,680 --> 00:23:26,639 Speaker 3: was here in Australia doing the rounds. He called Malcolm 482 00:23:26,600 --> 00:23:27,880 Speaker 3: Turnbull's wife delicious. 483 00:23:28,200 --> 00:23:29,120 Speaker 2: That was the turning point. 484 00:23:29,160 --> 00:23:31,240 Speaker 3: Well, I've listened to yourself, mate, it's pretty damning audio. 485 00:23:31,359 --> 00:23:33,680 Speaker 4: But they wanted to send you for you to think 486 00:23:33,720 --> 00:23:36,959 Speaker 4: you and your delicious wife for your one welcome. 487 00:23:38,800 --> 00:23:42,560 Speaker 2: It's pretty disrespectful, he slammed Australia in the face. That 488 00:23:42,680 --> 00:23:45,600 Speaker 2: actual that is the wife. 489 00:23:49,800 --> 00:23:52,720 Speaker 3: In front of it is sick. 490 00:23:53,800 --> 00:23:56,200 Speaker 4: But I wanted to send you for you think you 491 00:23:56,720 --> 00:23:58,720 Speaker 4: and your delicious wife. 492 00:24:00,160 --> 00:24:01,440 Speaker 2: Jean Lewisy would have loved it. 493 00:24:02,520 --> 00:24:06,080 Speaker 3: I've ever so anyway, so we cooked it, we burnt 494 00:24:06,119 --> 00:24:08,880 Speaker 3: it with the French. Yeah. And now and only now, 495 00:24:09,080 --> 00:24:12,959 Speaker 3: only recently, are they sending back an ambassador to Australia. Okay, 496 00:24:13,000 --> 00:24:15,320 Speaker 3: And it reminded me like I just wanted to put 497 00:24:15,320 --> 00:24:17,840 Speaker 3: myself in the shoes of that ambassador that's coming back 498 00:24:17,880 --> 00:24:20,720 Speaker 3: to France, because there's nothing worse than the feeling of 499 00:24:20,840 --> 00:24:25,960 Speaker 3: crawling back to someone. I remember vividly when I was, oh, 500 00:24:26,000 --> 00:24:27,879 Speaker 3: it must have been about twenty three and I've broken 501 00:24:27,920 --> 00:24:30,440 Speaker 3: up with my girlfriend to go overseas, and then as 502 00:24:30,480 --> 00:24:32,800 Speaker 3: I was coming back to Australia, I was so scared 503 00:24:32,960 --> 00:24:35,840 Speaker 3: about not being able to be in a relationship with 504 00:24:35,880 --> 00:24:37,720 Speaker 3: her anymore, and it was really scared about the idea 505 00:24:37,720 --> 00:24:39,760 Speaker 3: that it was going to be in Australia and single again. 506 00:24:40,080 --> 00:24:41,840 Speaker 3: I was at the airport and I remember I had 507 00:24:41,880 --> 00:24:44,000 Speaker 3: pretty much no money left because I've been in Europe 508 00:24:44,040 --> 00:24:47,080 Speaker 3: for a year, and I bought my girlfriend, like my 509 00:24:47,160 --> 00:24:49,240 Speaker 3: ex girlfriend, like a three hundred dollars which was my 510 00:24:49,440 --> 00:24:52,840 Speaker 3: entire bank account at the time. Bracelet. It's like a 511 00:24:53,280 --> 00:24:56,560 Speaker 3: can I come back in? And I remember going back 512 00:24:56,600 --> 00:24:58,320 Speaker 3: to her. I walked up at her house. I was like, 513 00:24:58,359 --> 00:25:00,760 Speaker 3: I'm so sorry I left, and I gave it this 514 00:25:00,840 --> 00:25:02,720 Speaker 3: bracelet and she took it off me. 515 00:25:03,080 --> 00:25:04,120 Speaker 2: Yeah, and she was like. 516 00:25:04,880 --> 00:25:07,520 Speaker 3: Get out, like I actually don't want to see you anymore. 517 00:25:07,680 --> 00:25:08,840 Speaker 3: She took it though she took it. 518 00:25:08,880 --> 00:25:11,520 Speaker 2: That's not on. No, you can't take the bracelet and 519 00:25:11,520 --> 00:25:15,280 Speaker 2: then say I'm not taking you though. You've got to 520 00:25:15,280 --> 00:25:16,400 Speaker 2: go one or the other. 521 00:25:16,560 --> 00:25:18,280 Speaker 3: I know, well, that's it was the best thing that 522 00:25:18,359 --> 00:25:20,440 Speaker 3: could have happened to me, the best thing that could 523 00:25:20,440 --> 00:25:22,920 Speaker 3: have happened to me, because it felt so bitter about 524 00:25:22,960 --> 00:25:24,840 Speaker 3: it that she made me walk away from her. 525 00:25:25,160 --> 00:25:26,960 Speaker 2: Did you get the bracelet back then? And I'm sorry 526 00:25:26,960 --> 00:25:30,040 Speaker 2: to sound like a Titus, but it's three hundred dollars bracelet. 527 00:25:31,560 --> 00:25:34,800 Speaker 3: You didn't even message her after because it annoyed me 528 00:25:34,880 --> 00:25:36,960 Speaker 3: so much. I was so angry at her that then 529 00:25:37,000 --> 00:25:40,040 Speaker 3: I got a clean breakaway from her, But it took her. 530 00:25:40,480 --> 00:25:42,880 Speaker 3: It's always the game. People should remember this about breakups. 531 00:25:43,080 --> 00:25:46,040 Speaker 3: The bigger person in a breakup is the one who's 532 00:25:46,040 --> 00:25:48,920 Speaker 3: prepared to burn the other one. That's the bigger person 533 00:25:48,920 --> 00:25:49,479 Speaker 3: in the bakeup. 534 00:25:49,560 --> 00:25:50,800 Speaker 2: It's off on a Mexican standard. 535 00:25:50,960 --> 00:25:52,200 Speaker 3: Got to be cruel to be kind to. 536 00:25:52,320 --> 00:25:54,080 Speaker 2: People know that we should be breaking up, but no 537 00:25:54,080 --> 00:25:56,120 Speaker 2: one wants to be the one to be the one 538 00:25:56,119 --> 00:25:59,360 Speaker 2: who actually flicks the switch. Absolutely, then you're the bad one. 539 00:25:59,440 --> 00:26:00,359 Speaker 2: You're in control, Oliver. 540 00:26:00,720 --> 00:26:03,320 Speaker 3: Yes, it looks like I'm the good guy going and 541 00:26:03,320 --> 00:26:05,040 Speaker 3: getting the Swarowski bracelet. I'm not. 542 00:26:05,320 --> 00:26:06,920 Speaker 2: Yeah, And then people know when you go to them, no, 543 00:26:07,160 --> 00:26:10,560 Speaker 2: she broke up with me, exactly. I feel so sorry. 544 00:26:10,640 --> 00:26:11,600 Speaker 3: You get to play that car. 545 00:26:11,680 --> 00:26:14,720 Speaker 2: People don't feel sorry for the person who broke it off. Absolutely, 546 00:26:14,760 --> 00:26:15,920 Speaker 2: it's much harder role to play. 547 00:26:16,000 --> 00:26:17,880 Speaker 3: Yeah, So in other words, we feel for Schoe mate. 548 00:26:18,520 --> 00:26:20,520 Speaker 2: Yes, sorry, I forgot we were talking about McConn. You're 549 00:26:20,560 --> 00:26:22,680 Speaker 2: a pig, Yeah, but who's mccon. 550 00:26:22,560 --> 00:26:26,080 Speaker 4: Here, he's but I wanted to thank you for thinking 551 00:26:26,200 --> 00:26:29,280 Speaker 4: you and your delicious wife for your one welcome. 552 00:26:29,440 --> 00:26:30,880 Speaker 2: He's big mccon you here. 553 00:26:31,000 --> 00:26:34,800 Speaker 3: No Macron's the bracelet getter. No Macron's me. He's crawling back. 554 00:26:34,840 --> 00:26:41,960 Speaker 3: He's crawling back. Wood podcast Woods, you want to bring 555 00:26:42,040 --> 00:26:45,080 Speaker 3: back another meaningless, redundant, empty game. 556 00:26:45,720 --> 00:26:47,240 Speaker 2: Yeah, which is pretty good fun. 557 00:26:47,560 --> 00:26:48,480 Speaker 3: It's called. 558 00:26:51,720 --> 00:26:56,439 Speaker 2: It is called slip it in, Woody. Get your minds 559 00:26:56,480 --> 00:26:58,680 Speaker 2: out of the gutter of Australia. This is a simple 560 00:26:58,760 --> 00:27:03,000 Speaker 2: game of I would say improvisation. So will the rules 561 00:27:03,040 --> 00:27:06,160 Speaker 2: are I will just be reading just a random story 562 00:27:06,680 --> 00:27:09,399 Speaker 2: from the news ess actually a pretty old story. But 563 00:27:09,440 --> 00:27:12,159 Speaker 2: at the end of the day, the story doesn't matter. Okay, 564 00:27:12,240 --> 00:27:17,040 Speaker 2: what I'm trying to do. What I'm what I'm trying 565 00:27:17,080 --> 00:27:19,440 Speaker 2: to do is just talk about this story with you, will, 566 00:27:19,920 --> 00:27:23,000 Speaker 2: except some listeners who are on the phone right now 567 00:27:23,560 --> 00:27:27,560 Speaker 2: are giving me some words to try and slip in. Right, 568 00:27:27,680 --> 00:27:29,840 Speaker 2: So the story right now. 569 00:27:29,640 --> 00:27:31,880 Speaker 3: Your task, yeah, is to try and figure out which 570 00:27:31,880 --> 00:27:33,359 Speaker 3: ones you've slipped in that aren't actually a part of 571 00:27:33,400 --> 00:27:33,760 Speaker 3: the story. 572 00:27:33,880 --> 00:27:36,200 Speaker 2: Yeah, that's exactly exactly right. So can you just ear 573 00:27:36,240 --> 00:27:38,720 Speaker 2: muffet because I need to get the words that I've 574 00:27:38,720 --> 00:27:44,280 Speaker 2: got to slip in, so you ear muffin muffin boy, 575 00:27:44,720 --> 00:27:46,080 Speaker 2: you have the biggest head I've ever seen. 576 00:27:47,040 --> 00:27:52,280 Speaker 3: I heard that. I haven't actually start sorry music, yes, sorry, 577 00:27:55,720 --> 00:28:02,720 Speaker 3: you make a pumpkin look small new huge edded barstard Okay, yeah, 578 00:28:02,720 --> 00:28:03,159 Speaker 3: we've got him. 579 00:28:03,160 --> 00:28:08,080 Speaker 2: Okay, outstanding, Susan, Hello, Hello, thank you so much for 580 00:28:08,119 --> 00:28:10,440 Speaker 2: getting involved with slip it in, Woody. What word would 581 00:28:10,480 --> 00:28:12,119 Speaker 2: you like me to slip into the story? 582 00:28:13,200 --> 00:28:13,600 Speaker 3: Hammer? 583 00:28:14,560 --> 00:28:18,600 Speaker 2: Hammer? Okay, okay, outstanding hammer. That should be pretty easy, 584 00:28:18,600 --> 00:28:20,959 Speaker 2: Thank you, Susan. We've got a Dele here, now, Adele, 585 00:28:21,000 --> 00:28:23,479 Speaker 2: what word do you want me to slip into the story? 586 00:28:24,440 --> 00:28:24,680 Speaker 6: Coin? 587 00:28:25,680 --> 00:28:32,480 Speaker 2: Coin purse? All right, it's coin purse, perfect. And we've 588 00:28:32,520 --> 00:28:33,200 Speaker 2: got Kelly here. 589 00:28:33,280 --> 00:28:33,560 Speaker 3: Kelly. 590 00:28:33,600 --> 00:28:35,280 Speaker 2: What word do you want me to try and slip 591 00:28:35,320 --> 00:28:36,080 Speaker 2: into the story? 592 00:28:37,560 --> 00:28:38,040 Speaker 5: Peanut? 593 00:28:38,680 --> 00:28:45,480 Speaker 2: Peen? It was peanut nuts nuts okay, Sorr, Yes, thank 594 00:28:45,480 --> 00:28:47,200 Speaker 2: you for enunciating because I thought that was a bit 595 00:28:47,280 --> 00:28:48,000 Speaker 2: naughty of you. 596 00:28:48,160 --> 00:28:48,440 Speaker 3: Kelly. 597 00:28:48,440 --> 00:28:52,840 Speaker 2: All right, coin purse, peanut, and hammer are the three 598 00:28:52,840 --> 00:28:57,640 Speaker 2: words I have to try and slip in. Well, well, well, 599 00:28:57,920 --> 00:28:59,440 Speaker 2: stop listening to your music. 600 00:28:59,680 --> 00:29:02,800 Speaker 3: And a really tight set. Yeah, I don't care follow more. 601 00:29:03,040 --> 00:29:04,320 Speaker 2: I don't. I don't care. 602 00:29:04,480 --> 00:29:04,960 Speaker 3: He's great. 603 00:29:05,000 --> 00:29:07,600 Speaker 2: All right, so you haven't heard the words I have 604 00:29:07,720 --> 00:29:09,800 Speaker 2: to slip into the story. We're going to go to 605 00:29:09,840 --> 00:29:12,640 Speaker 2: a song. I haven't heard it on the other song. 606 00:29:12,800 --> 00:29:15,480 Speaker 3: Doing this over a song, Julie is doing it now? 607 00:29:15,720 --> 00:29:16,000 Speaker 5: All right? 608 00:29:16,120 --> 00:29:17,120 Speaker 3: You want to do it over a song. 609 00:29:17,480 --> 00:29:20,840 Speaker 2: Well, we've been talking for I don't know enough. 610 00:29:20,880 --> 00:29:23,040 Speaker 3: It's commercial radio. Yeah, we're getting told do it over 611 00:29:23,040 --> 00:29:24,520 Speaker 3: a song. Good call, Let's go to a song. 612 00:29:24,560 --> 00:29:27,120 Speaker 2: Thank you very much for giving me a permission to 613 00:29:27,160 --> 00:29:29,120 Speaker 2: do something when I'm half the show. We're going to 614 00:29:29,160 --> 00:29:31,840 Speaker 2: go to a song you are listen to in Woody 615 00:29:32,000 --> 00:29:34,680 Speaker 2: is right up next. We're playing a new game. Well 616 00:29:34,720 --> 00:29:36,600 Speaker 2: it's not really new, second time I've done it, but 617 00:29:36,640 --> 00:29:42,800 Speaker 2: it's called slip it in Woody. The rules are simple. 618 00:29:42,800 --> 00:29:44,280 Speaker 2: I've got an old story in front of me, an 619 00:29:44,280 --> 00:29:47,040 Speaker 2: old news story, and the listeners have just called up 620 00:29:47,080 --> 00:29:49,120 Speaker 2: and given me three words to try and slip into 621 00:29:49,120 --> 00:29:53,040 Speaker 2: the story. Your role, your task, Your job is to 622 00:29:53,920 --> 00:29:57,160 Speaker 2: when you think I've slipped in the listener word, say 623 00:29:57,280 --> 00:30:00,360 Speaker 2: you've slipped it in Woody, and you've got five second. 624 00:30:00,400 --> 00:30:02,600 Speaker 2: I'm going to say you've got five seconds to say 625 00:30:02,680 --> 00:30:04,080 Speaker 2: you've slipped it in Woody. 626 00:30:03,880 --> 00:30:05,720 Speaker 3: So it's just a word. It's not a phrase, it's 627 00:30:05,800 --> 00:30:07,800 Speaker 3: just a word. Oh wow, Okay, there's a lot harder 628 00:30:07,840 --> 00:30:08,480 Speaker 3: than it used to be. 629 00:30:08,560 --> 00:30:12,200 Speaker 2: Okay, now, can you real quickly and everyone listening just 630 00:30:12,480 --> 00:30:14,880 Speaker 2: you don't have to listen to European trance every time. 631 00:30:18,520 --> 00:30:21,120 Speaker 3: I've just plugged this. Follow more DJ set from the 632 00:30:21,160 --> 00:30:22,480 Speaker 3: I Love Techno Festival. 633 00:30:22,960 --> 00:30:26,400 Speaker 2: I Love Techno Festival. Bloody hell. He's so predictable, isn't he. 634 00:30:26,640 --> 00:30:29,880 Speaker 2: He can't hear me right now, So I'm going to 635 00:30:30,000 --> 00:30:32,840 Speaker 2: let you all know that he wives from the front anyway. 636 00:30:35,240 --> 00:30:37,840 Speaker 2: Mother of the words that I'm trying to slip in 637 00:30:38,440 --> 00:30:44,560 Speaker 2: a coin purse, peanut and hammer. Okay, here we go, Okay, 638 00:30:44,600 --> 00:30:47,360 Speaker 2: well we can come back, Well come back. 639 00:30:47,400 --> 00:30:48,160 Speaker 3: It's a good bit though. 640 00:30:48,560 --> 00:30:52,400 Speaker 2: I don't care. I don't care that you're up to 641 00:30:52,480 --> 00:30:55,200 Speaker 2: a good bit in your I Love Techno Festival. 642 00:30:56,600 --> 00:31:00,560 Speaker 3: All right now, story, Yeah. 643 00:31:00,000 --> 00:31:02,400 Speaker 2: The story that I'm talking about is so, this is 644 00:31:02,400 --> 00:31:05,080 Speaker 2: about a soccer player called Naymar. 645 00:31:04,800 --> 00:31:08,000 Speaker 3: Oh yeah, yeah, very famous soccer player and a Brazilian namer. 646 00:31:08,480 --> 00:31:11,160 Speaker 2: He's a Brazilian guy named Mary. He plays for Paris 647 00:31:11,200 --> 00:31:16,640 Speaker 2: Saint GERMAINI PSG. If you're into soccer, That doesn't matter 648 00:31:16,680 --> 00:31:21,160 Speaker 2: because the story is actually about something that's in his contract. 649 00:31:21,640 --> 00:31:24,120 Speaker 2: So he has a world record fee of three hundred 650 00:31:24,120 --> 00:31:26,400 Speaker 2: and sixty nine million dollars a year. That's how much 651 00:31:26,400 --> 00:31:31,280 Speaker 2: he gets paide. But it came out in the news recently. 652 00:31:32,080 --> 00:31:34,760 Speaker 3: Wow, I can't believe that. Is he the highest paid 653 00:31:34,760 --> 00:31:35,800 Speaker 3: sports person in the world. 654 00:31:37,360 --> 00:31:40,000 Speaker 2: I don't know, he's well, he's got to be up there. Okay, 655 00:31:40,040 --> 00:31:41,880 Speaker 2: he's got to be up there anyway. 656 00:31:42,480 --> 00:31:44,000 Speaker 3: It turns out. 657 00:31:44,080 --> 00:31:46,920 Speaker 2: It turns out though, that within his contract he's got 658 00:31:46,920 --> 00:31:50,960 Speaker 2: an ethics bonus of eight hundred and sixty seven thousand 659 00:31:50,960 --> 00:31:54,320 Speaker 2: dollars per month for being polite. 660 00:31:54,720 --> 00:31:55,200 Speaker 3: Wow. 661 00:31:55,240 --> 00:31:58,000 Speaker 2: So that adds to his coin purse there every single month? 662 00:31:58,280 --> 00:32:01,800 Speaker 2: And yes, how did you get that? 663 00:32:02,320 --> 00:32:03,880 Speaker 3: What's the word? They wouldn't have said that adds to 664 00:32:03,920 --> 00:32:05,680 Speaker 3: his coin purse every single month. Damn. 665 00:32:05,720 --> 00:32:07,760 Speaker 2: Okay, you've got me there on the first one, all right. 666 00:32:08,760 --> 00:32:10,720 Speaker 2: So you know so look, he said. 667 00:32:11,160 --> 00:32:14,520 Speaker 3: No, we'd started you you've just tried to bumble into it. 668 00:32:14,720 --> 00:32:17,560 Speaker 3: Yeah it was perfect, but no, you did well, you 669 00:32:17,600 --> 00:32:18,000 Speaker 3: did well. 670 00:32:19,000 --> 00:32:21,600 Speaker 2: So he gets ten million dollars a year for being, 671 00:32:21,640 --> 00:32:25,720 Speaker 2: as I said, polite, punctual, friendly and available to the fans. 672 00:32:26,640 --> 00:32:28,760 Speaker 2: That's so generally, just from being a nice person, he 673 00:32:28,800 --> 00:32:31,480 Speaker 2: gets a couple more peanuts in his in his pockets. 674 00:32:35,800 --> 00:32:39,640 Speaker 3: You why would you do this to yourself. You're not 675 00:32:39,720 --> 00:32:40,880 Speaker 3: good at this. 676 00:32:40,880 --> 00:32:43,680 Speaker 2: This is not your I mean, the thing is about it. 677 00:32:43,720 --> 00:32:45,080 Speaker 2: I mean you would think it is going to get 678 00:32:45,080 --> 00:32:48,680 Speaker 2: paid for, you know, his soccer prowess. Yeah, you know 679 00:32:48,760 --> 00:32:51,080 Speaker 2: that's what you would assume. You know, his fly kicks, 680 00:32:51,520 --> 00:32:54,440 Speaker 2: his scissor kicks, his corners, you know all all the 681 00:32:54,480 --> 00:32:58,760 Speaker 2: things in soccer. No, I did not slip it in. 682 00:33:00,240 --> 00:33:02,000 Speaker 2: You get two more strikes though, so it's still a 683 00:33:02,000 --> 00:33:03,880 Speaker 2: way on top, thank you. But yeah, as I was saying, 684 00:33:04,120 --> 00:33:06,840 Speaker 2: you think you get paid for his soccer skills such 685 00:33:06,840 --> 00:33:08,760 Speaker 2: as he's a kicking I mean he's very well known 686 00:33:08,800 --> 00:33:10,680 Speaker 2: for his hammer kick, which is a. 687 00:33:15,480 --> 00:33:18,719 Speaker 3: Goin swip, Thank you very much. 688 00:33:19,320 --> 00:33:24,400 Speaker 2: Hammock kick peanut or hammer It was hammer peanut and 689 00:33:24,480 --> 00:33:26,280 Speaker 2: goin first. God, that's harder. 690 00:33:26,040 --> 00:33:28,040 Speaker 3: Than you think. Yeah, I reckon you'd be pretty good. 691 00:33:29,120 --> 00:33:31,440 Speaker 2: Maybe we'll flip it. We'll flip it tomorrow, all right, perfect, 692 00:33:31,560 --> 00:33:32,960 Speaker 2: or whenever we want to do it again, slip it 693 00:33:33,080 --> 00:33:35,720 Speaker 2: will slim. Yeah, yeah, we're both slipping it in now. 694 00:33:36,040 --> 00:33:38,960 Speaker 2: It's a party. 695 00:33:39,000 --> 00:33:40,560 Speaker 1: It's the Will and Woody podcast. 696 00:33:40,760 --> 00:33:42,320 Speaker 3: I've said everyone and it's Will and Woody things. You're 697 00:33:42,320 --> 00:33:45,120 Speaker 3: about to get a bit silly here. If you're not silly, 698 00:33:45,160 --> 00:33:47,920 Speaker 3: if you're a bit of a sensible Sally or a 699 00:33:48,040 --> 00:33:50,920 Speaker 3: serious Steven. 700 00:33:51,040 --> 00:33:55,560 Speaker 2: Yeah parking, Yeah, because we're usually we're putting on a 701 00:33:55,560 --> 00:33:57,800 Speaker 2: different skin right now, we're pretty serious. 702 00:33:57,440 --> 00:34:00,640 Speaker 3: I think only I think normally there's there's business in here, 703 00:34:00,680 --> 00:34:02,240 Speaker 3: there's politics. 704 00:34:01,880 --> 00:34:04,800 Speaker 2: A lot of economy, chatt of stock chat. But right now, look, 705 00:34:04,800 --> 00:34:07,400 Speaker 2: we was going to put it aside de skin ourselves. 706 00:34:07,480 --> 00:34:10,080 Speaker 2: If we can become chameleons and get a little bit 707 00:34:10,120 --> 00:34:11,200 Speaker 2: funky and silly for a sec. 708 00:34:11,320 --> 00:34:13,640 Speaker 3: Yeah, nice, So what we're going to do all. 709 00:34:13,520 --> 00:34:16,000 Speaker 2: The silly snakes in here? Sorry you go. 710 00:34:16,440 --> 00:34:20,000 Speaker 3: My girlfriend Sam is Dutch, and she's blissfully unaware of 711 00:34:20,040 --> 00:34:23,080 Speaker 3: a lot of the silly, juvenile games that we used 712 00:34:23,120 --> 00:34:25,600 Speaker 3: to play as as kids, the sort of games, the 713 00:34:25,640 --> 00:34:27,840 Speaker 3: sort of things that you just wouldn't walk into anymore 714 00:34:27,920 --> 00:34:32,120 Speaker 3: because you know that, well, you look like an idiot. 715 00:34:33,440 --> 00:34:35,759 Speaker 2: These Australian specific games. Because she's in holand so would 716 00:34:35,760 --> 00:34:36,359 Speaker 2: she not have known. 717 00:34:36,760 --> 00:34:39,799 Speaker 3: So she's got ideas and I realized this the other 718 00:34:39,920 --> 00:34:42,160 Speaker 3: day when because it's it's not very often as an 719 00:34:42,160 --> 00:34:44,280 Speaker 3: adult that you do these silly things to other adults 720 00:34:44,320 --> 00:34:45,920 Speaker 3: because you just know it's not going to work. But 721 00:34:45,960 --> 00:34:48,600 Speaker 3: then the other day I gave her a high five 722 00:34:49,000 --> 00:34:50,359 Speaker 3: and then I went for a down low and then 723 00:34:50,360 --> 00:34:53,319 Speaker 3: I too slow to and she fell into it. It 724 00:34:53,360 --> 00:34:54,600 Speaker 3: was just it was crisp. 725 00:34:54,640 --> 00:34:56,200 Speaker 2: Did she lose her footing because she went so hard 726 00:34:56,400 --> 00:34:57,239 Speaker 2: she nearly did? 727 00:34:57,400 --> 00:35:00,839 Speaker 3: Yeah, So I decided yes, the after I got her 728 00:35:00,840 --> 00:35:03,640 Speaker 3: with down download to slide yeah that I'm going to 729 00:35:03,719 --> 00:35:06,440 Speaker 3: now share these moments with you guys Australia because they're 730 00:35:06,440 --> 00:35:09,839 Speaker 3: great moments. They're very easy to do. I probably haven't 731 00:35:09,880 --> 00:35:13,240 Speaker 3: heard or seen somebody else fall for one of these 732 00:35:14,280 --> 00:35:18,400 Speaker 3: since you were five, because they burned so quickly and 733 00:35:18,440 --> 00:35:20,640 Speaker 3: as soon as you say, you've got your guard up. Yeah, 734 00:35:20,680 --> 00:35:21,839 Speaker 3: So I'm going to burn her now live? 735 00:35:21,920 --> 00:35:22,960 Speaker 2: What are you? What are you going for? 736 00:35:23,320 --> 00:35:25,040 Speaker 3: I think I'm just going to go for a standard loser, 737 00:35:25,160 --> 00:35:28,040 Speaker 3: say what classic? So I'm going to call her now 738 00:35:29,440 --> 00:35:32,920 Speaker 3: and I'll just shoot straight into it. Let's get this, 739 00:35:33,160 --> 00:35:35,359 Speaker 3: Let's get this Dutch loser? All right? 740 00:35:35,560 --> 00:35:35,759 Speaker 4: We go? 741 00:35:41,320 --> 00:35:47,319 Speaker 3: Hi? Hello, Sam? Hello, how are you going very good? 742 00:35:47,560 --> 00:35:49,480 Speaker 3: What is here as well. 743 00:35:49,320 --> 00:35:51,800 Speaker 2: Hey, Sam, sorry I didn't say today. I didn't know 744 00:35:51,840 --> 00:35:55,400 Speaker 2: whether to that was that was really weird. 745 00:35:55,520 --> 00:35:58,279 Speaker 1: I was like, you just left. 746 00:35:58,040 --> 00:35:59,600 Speaker 2: And I was like, that was weird because you did 747 00:35:59,719 --> 00:36:01,280 Speaker 2: you did you did a streak. 748 00:36:01,320 --> 00:36:01,680 Speaker 3: You did this. 749 00:36:01,800 --> 00:36:03,719 Speaker 2: I think I think you did a nude streak in 750 00:36:03,800 --> 00:36:06,239 Speaker 2: my peripheral vision, which rattled me a bit. And then 751 00:36:06,280 --> 00:36:09,680 Speaker 2: I didn't you ran from the shower to the bedroom 752 00:36:09,719 --> 00:36:12,719 Speaker 2: you did? I was I only started. I wasn't. 753 00:36:13,200 --> 00:36:14,279 Speaker 3: Oh, I thought you. 754 00:36:14,239 --> 00:36:16,640 Speaker 2: Were nerd And I was like, this, my experience has 755 00:36:16,680 --> 00:36:18,279 Speaker 2: been very full on for me so early in the 756 00:36:18,280 --> 00:36:22,120 Speaker 2: morning and then and then I just didn't know whether 757 00:36:22,160 --> 00:36:24,200 Speaker 2: you were still like naked around the house. But anyway, 758 00:36:24,320 --> 00:36:26,319 Speaker 2: I'm glad you've been able to address this. I wasn't 759 00:36:26,360 --> 00:36:34,400 Speaker 2: ignoring you heard footsteps. Yeah poor. 760 00:36:37,440 --> 00:36:42,640 Speaker 3: Anyway, Sam, I just wanted to say to you, lose 761 00:36:42,680 --> 00:36:55,080 Speaker 3: say what got it too easy. 762 00:36:56,440 --> 00:37:01,040 Speaker 2: Money for jam that one he said, Losers say what? 763 00:37:01,920 --> 00:37:03,960 Speaker 5: And then oh, I tell you that. 764 00:37:04,120 --> 00:37:08,600 Speaker 3: Lucy says what And I was like, Lucy say what, 765 00:37:08,800 --> 00:37:16,040 Speaker 3: and you said what? My friend gone go again automatically 766 00:37:16,080 --> 00:37:21,680 Speaker 3: a los up. Gosh, how does it? How does it feel? 767 00:37:21,800 --> 00:37:24,480 Speaker 3: How does it feel? Yeah? Good?