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Speaker 1: This is the Will and Woody podcast sad.

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Speaker 2: I'm sitting in the studio here with Woody, Lafleur, Shag

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Speaker 2: and Chuck. They are the members of Pull my Finger,

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Speaker 2: the powder Finger tribute band, formed fifteen years after they

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Speaker 2: toured South America as a group of boys pretending to

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Speaker 2: be powder Finger. And if you're wondering what the hell

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Speaker 2: we're talking about, have a listen to this. Fifteen years

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Speaker 2: after traveling South America pretending to be the band pownder Finger.

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Speaker 2: Do you want to get a fake powdered Finger cover

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Speaker 2: band back together?

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Speaker 3: Hitting the stage? No, sorry, not the stage, the flat

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Speaker 3: dance floor, the twelve form of at a golf course.

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Speaker 3: One of us is a musician. Yeah, that's Trucker. Just

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Speaker 3: it goes, which is a bit concerned.

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Speaker 2: Shag was the lead singer, Flur was miscellaneous. You professed

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Speaker 2: to be the drummer of the net.

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Speaker 3: I didn't think there were so many drums. Thought there

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Speaker 3: was just the kick in the snatch or what it's

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Speaker 3: it called.

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Speaker 4: The boys.

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Speaker 2: You're in the studio now, boys, it is great to

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Speaker 2: see you around him before us from Pull my Finger,

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Speaker 2: welcome to the studio.

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Speaker 3: I think first question from me Lafleur. We said in

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Speaker 3: the recap mate that your role is miscellaneous. You've brought

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Speaker 3: in what looks like a child's music kit. Have you

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Speaker 3: decided what you're playing tonight?

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Speaker 4: Yeah?

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Speaker 1: We just went through it and I've short we said

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Speaker 1: a few so we're good to go.

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Speaker 4: Yeah.

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Speaker 3: Sure, is he not going to give it away? Not

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Speaker 3: this stage, just the gigs in two hours.

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Speaker 4: Yeah.

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Speaker 2: Well, I've got the triangle in the chorus and the

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Speaker 2: tambourine throughout. Obviously just a painted picture. Everyone. You've got

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Speaker 2: to see through carry bag, the likes of which would

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Speaker 2: normally hold nappies.

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Speaker 3: No, this is a genuine music bag. Didn't your boys?

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Speaker 3: Your boys brought that home from Kinder, didn't they?

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Speaker 4: They might have.

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Speaker 2: So you've got your kid. So you've got the tambourine

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Speaker 2: in there, you got what the Christmas bells I can

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Speaker 2: see in there, some sticks.

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Speaker 3: A couple of raccas.

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Speaker 2: I mean you kidded out, you're kidding?

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Speaker 3: Really? It was good to go.

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Speaker 2: Okay, I'm pumped about that, all right, Shag. We heard

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Speaker 2: a little bit of your singing this week. Plenty of

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Speaker 2: emotion there, mate. How are you feeling about tonight?

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Speaker 5: Emotional?

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Speaker 4: Great?

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Speaker 3: Great?

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Speaker 2: Your best weapon. Very good.

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Speaker 6: It's mainly emotional because it's it's the band getting back

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Speaker 6: together with Yeah, and.

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Speaker 2: You guys were together fifteen years ago. You're in South America.

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Speaker 2: What's the what's the vibe like in the room. Have

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Speaker 2: you guys changed a lot?

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Speaker 4: Was it?

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Speaker 2: What are the strongest memories that you've got from that time.

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Speaker 6: We've got a lot of memories and we will probably

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Speaker 6: have a chat with them between now and the gig. Yeah,

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Speaker 6: but yeah, that was it was a pretty incredible trip.

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Speaker 6: We were awaking about three months. Yeah, a couple of

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Speaker 6: powder Finger gigs and yeah, it was did.

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Speaker 2: You actually play a gig in South americcause I was

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Speaker 2: on the impression that what he told me you didn't

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Speaker 2: actually play together.

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Speaker 3: Well in Brazil, there was a bar would have been

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Speaker 3: two or three am, but four people in the bar.

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Speaker 3: Truck was claiming that night to be the third best

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Speaker 3: guitarist in Australia.

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Speaker 5: Yeah, I unfortunately called my bluff.

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Speaker 2: Stage.

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Speaker 3: Yeah, so we jumped up on stage, but we realized

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Speaker 3: that the best song to play was actually Cold Chisel's Case,

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Speaker 3: and so we sung Ka San right to a bar

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Speaker 3: of what three people?

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Speaker 5: Yeah, they loved it, and.

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Speaker 3: Yeah, yeah, this one, and my memory is that, Yeah,

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Speaker 3: we're bloody nail back. So where one from one? Will

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Speaker 3: you know? I'm sure I think what.

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Speaker 6: He also forgot to mention there was a second vocalist

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Speaker 6: who didn't quite make the cut.

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Speaker 2: Yeah, yeah, yeah, yeah, So.

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Speaker 6: Just a shout out to Tim. I know he's in Sydney. Apologies,

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Speaker 6: but better next time.

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Speaker 3: It's a bit of politics going on with yeah, but

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Speaker 3: one direction at the moment.

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Speaker 2: He's probably the Liam Paine's the Gallagher Brothers. Yeah, yeah, okay,

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Speaker 2: I want to talk to you because you are the

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Speaker 2: only credited musician in the band.

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Speaker 3: Just there, he is, there, he is.

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Speaker 2: We've just we We spoke to the schol captain yesterday.

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Speaker 2: He said, none of the guys, none of the school

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Speaker 2: have actually heard of the band Pounder Finger.

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Speaker 5: How that's concerning already?

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Speaker 7: Is it?

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Speaker 2: Is it concerning though? Or have you got a win

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Speaker 2: in the fact that they've got no expectations as to

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Speaker 2: what the song actually is.

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Speaker 6: Well, yeah, it might be the best version of My

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Speaker 6: Happiness or whatever song we play that they've ever heard.

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Speaker 2: This is the only time they've ever heard it. But

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Speaker 2: how do you think the boys are going to go

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Speaker 2: like truly as a musician.

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Speaker 5: I'm not unconcerned, but I think we'll nail it on

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Speaker 5: the note.

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Speaker 2: Okay, great, No, I was joking. All right, Well, here's

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Speaker 2: what we're gonna do. We're gonna go to a song

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Speaker 2: and then we're going to hear a chorus. You guys

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Speaker 2: live in studio?

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Speaker 3: Are you warm? Shag? We can't kind of him injuring

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Speaker 3: his chords.

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Speaker 6: Yeah, I'm good to go. I've just got to stand

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Speaker 6: up to get the diaphram.

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Speaker 2: Do what you need to do, Flirt with your tambourine

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Speaker 2: out of your music bag, stand up, Shag, Would you

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Speaker 2: get behind the kid. We'll get a live rendition up next.

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Speaker 2: We'll pull my finger will and it join us. We've

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Speaker 2: got the four members for Powderfinger, Tribu band Pull my

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Speaker 2: Finger in. Those four blokes are also the same four

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Speaker 2: blokes that Wood he toured South America with fifteen years ago.

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Speaker 2: They pretended to be powder Finger then and tonight they're

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Speaker 2: going to play or pretend to play like powder Finger

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Speaker 2: for a one gig, one song only at a school formal,

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Speaker 2: fifteen years after traveling South America pretending to be the

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Speaker 2: band Powderfinger. Do you want to get a fake powder Finger?

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Speaker 2: Cover band back together.

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Speaker 3: Hitting the stage, No, sorry, not the stage, the flat

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Speaker 3: dance floors had to hit the twelve form of at

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Speaker 3: a golf course.

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Speaker 8: One of us is a musician, Yeah, that's Trucker, just

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Speaker 8: which is a bit concerned. Shag was the lead singer,

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Speaker 8: Finish Flour was miscellaneous.

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Speaker 2: You professed to be the drummer of the band.

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Speaker 3: I didn't think there were so many drums. Thought there

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Speaker 3: was just the kick in the snatch or what it's

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Speaker 3: it called.

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Speaker 2: Are they're in here?

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Speaker 3: The boys?

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Speaker 2: What how are you feeling?

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Speaker 3: Honestly, I'm just excited to see the boys, as Chuk

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Speaker 3: said when he walked in, like it took a gig

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Speaker 3: on the radio show in three weeks of prep to

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Speaker 3: actually get us in the same room. You know, because

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Speaker 3: there's kids amongst us. Flour's got he's got two kids.

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Speaker 3: There's got two kids, and they're all successful in their

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Speaker 3: own rights, within their vocations. So it's great to see

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Speaker 3: the voice and means the song's becoming very secondary to me.

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Speaker 3: But I'm still going to give it a.

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Speaker 2: Crack, will I hope, because there's two hundred and fifty

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Speaker 2: kids to night. Who's formal? You're interrupting, so that you

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Speaker 2: guys can have a bash, So a little bit of

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Speaker 2: professionalism for you guys to be appreciated. I know we're

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Speaker 2: all having a bit of a laugh, but it's the

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Speaker 2: night of nights for those kids, you know, you twelve

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Speaker 2: formals especial occasion.

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Speaker 3: That's where actually Shagg's mum actually emailed me before.

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Speaker 2: She emailed you email Shaggs mum.

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Speaker 3: Yeah, casion.

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Speaker 9: Right.

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Speaker 3: I don't want to know what text me emailed me

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Speaker 3: saying the jag wok her up this morning because he

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Speaker 3: was belting our tunes in the shower, so he's taking

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Speaker 3: it serious.

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Speaker 2: Yeah, no, that's good to know, Shagg. We've heard a

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Speaker 2: little bit of your practicing on the air. Your beautiful

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Speaker 2: partner Han has shot that through to us, and I

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Speaker 2: mean the pipes sounded pretty good then, but we're going

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Speaker 2: to get a live rendition right now.

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Speaker 3: Okay, So well do you jump over on the kit

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Speaker 3: make so it's okay with you. We had a brief

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Speaker 3: chat during the song there. We'd just like to do

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Speaker 3: the big bit, yeah, well, also known as the chorus

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Speaker 3: in music.

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Speaker 2: Obviously, we don't want to give up the ghosts here either,

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Speaker 2: because the full you know, you know, you've got to

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Speaker 2: be lucky enough to beat the gig. That's how music works.

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Speaker 2: You pay a ticket. You know those kids, they're front

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Speaker 2: and center for the real thing. And obviously we'll recap

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Speaker 2: it tomorrow, but we don't want to give up everything

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Speaker 2: right now. So absolutely, you know, just a bit of

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Speaker 2: a teaser, yeah, sure. Also, the audience needs to appreciate

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Speaker 2: this is stop putting cavea. I'm not a caveat, but

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Speaker 2: they need to appreciate this is the first time we have.

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Speaker 3: Ever all done it together. This will be the first

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Speaker 3: time we've ever done it, So get your ears around

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Speaker 3: this Australia.

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Speaker 2: Okay, all right mate, Now, so we've got Chuck over

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Speaker 2: on the guitar there, Shag. It concerns me that you're

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Speaker 2: looking at the lyrics, mate, is that going to be

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Speaker 2: Are you going to have the phone out tonight? Potentially

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Speaker 2: that might be slightly for the audience.

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Speaker 6: Now we're coming in at a heavy moment, so I'm

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Speaker 6: just taking a few breaths.

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Speaker 2: Run it yourself up, right, Fleur. I know you've got

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Speaker 2: your bag of percussion miscellaneous, but what have you gone

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Speaker 2: with this triangle to start with? All?

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Speaker 10: Right, here we go.

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Speaker 2: Now I'm not sure how you're going to count and

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Speaker 2: chuck you you're handed over to you mate. Here we go.

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Speaker 3: I might not play the kick. Just tell me too loud.

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Speaker 2: Okay, well, Jesus, is what we're doing? Okay?

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Speaker 4: All right?

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Speaker 2: Okay?

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Speaker 11: So you over there when I need you here?

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Speaker 2: What you doing?

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Speaker 5: What you're going to be hard on the Drumsone?

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Speaker 2: What happened there? Tell me that wasn't it? One more

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Speaker 2: to this is why you rehearsed you here?

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Speaker 9: All right?

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Speaker 3: I got I thought you were going straight into my happiness.

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Speaker 2: Jesus. I'll remind you that there's probably about a million

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Speaker 2: people listening to us at any one time, so this

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Speaker 2: has been a real trait for them. All right, here

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Speaker 2: we go here. I can watch this on Willing Moody

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Speaker 2: on the socials as well. If you want to take

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Speaker 2: it out, boys, when you're ready.

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Speaker 3: Five six seven, you're over there when I need you here?

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Speaker 9: Been so angry man back.

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Speaker 2: Now you're ramble.

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Speaker 3: Start say care him?

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Speaker 2: It must be when you pack kango. Oh wow, just

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Speaker 2: to taste that.

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Speaker 10: This is the point where I normally plug the gig,

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Speaker 10: but I can't because it's sold out. It's a year

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Speaker 10: twelve formal tonight ad a golf course. Poor my finger

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Speaker 10: will be playing, boys, Thanks for coming in the studio.

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Speaker 2: Break elect tonight, God Speed. That was nothing but entertaining.

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Speaker 2: Will and Woody on the socials. If you want to

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Speaker 2: see it for your second self tonight the gig will

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Speaker 2: be happening. Yes, and we will see you guys tomorrow

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Speaker 2: to talk all about it. Thanks so much for coming in. Boys,

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Speaker 2: really really appreciate it. Really Woody passing.

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Speaker 3: Now it's Will and Woody.

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Speaker 2: We've got some very special guests in the studio.

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Speaker 12: Our next guest.

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Speaker 3: So why we regarded as some.

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Speaker 10: Of the pioneers of Australian hip hop and for the

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Speaker 10: last thirty years they've been doing.

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Speaker 3: It for people.

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Speaker 2: Oh wow, wearing sweaters.

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Speaker 10: Today they announced their brand new tour and their brand

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Speaker 10: new single featuring Aymon Welcome to the show, Suffer and Pressure.

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Speaker 13: It's all times Yes the boys, mat Dan, it's good,

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Speaker 13: thank you, it's I.

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Speaker 2: Use it feels good. It's actually really nice to have

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Speaker 2: Ossie artists in here being like, A got some new tunes,

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Speaker 2: but B like we're on the road, like you know,

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Speaker 2: come and see this. We're not we're not announcing like

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Speaker 2: a lockdown session.

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Speaker 3: That's great.

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Speaker 2: Hey, I recorded this thing in my kitchen the other day.

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Speaker 5: We got a few shows away over the last week. Yeah,

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Speaker 5: the moon did yeah yeah, how was amazing?

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Speaker 2: Yeah, so good to be like, yeah, great crowd always

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Speaker 2: you and I went to agree with the move over

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Speaker 2: in Perfin Bunbury.

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Speaker 3: My memories Yeah yeah yeah, were you guys performing in

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Speaker 3: Bunbury like six years ago?

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Speaker 5: Memory hazy as well?

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Speaker 1: That one in Bunbury.

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Speaker 7: I got it.

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Speaker 3: I got a five hundred dollars seat belt. Fine. Leaving

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Speaker 3: the festival.

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Speaker 1: The cops sat set up on the one exit onto

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Speaker 1: that road and we're just pinging people left right, and

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Speaker 1: we came around the corner.

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Speaker 3: We're in a van. I didn't have my belt. I

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Speaker 3: was about to put it on. I wear belts, and

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Speaker 3: they pulled us over.

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Speaker 1: They go, you were wearing a belt, And they gave

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Speaker 1: me the option of giving it.

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Speaker 3: To the driver or taking it. Of course I'm going

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Speaker 3: to take it.

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Speaker 2: Debris d J is in the back.

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Speaker 3: He was so hung over, he goes, I was wearing one.

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Speaker 2: Give me a piece of.

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Speaker 3: What do you think.

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Speaker 2: Of the years ago public.

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Speaker 7: Street?

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Speaker 2: So this is one of the strangest things I've ever

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Speaker 2: seen him do.

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Speaker 5: Speaking of catching people coming out of festivals.

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Speaker 13: I've never understood why they didn't just set the breathlaws

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Speaker 13: up from the artist's entry point.

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Speaker 2: They're in the wrong. They really, you guys have an

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Speaker 2: exclusive of course, you've got an exclusive entry and exit.

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Speaker 2: This must be like hello turf.

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Speaker 1: Not really, it's just sort of like a depends on

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Speaker 1: the federally security guard with the.

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Speaker 2: Like, depends on the festival. Because I saw you guys

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Speaker 2: at Falls when I'm trying to think it was it

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Speaker 2: was on that bill. Moby was on that bill, right.

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Speaker 3: Boby hit on our wives.

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Speaker 1: You kidding, remind trying to get our wives back to

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Speaker 1: his room.

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Speaker 3: There was no kind of proud of movie.

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Speaker 5: I was a proud of mine.

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Speaker 2: Maybe he's a dirt bag. He's a name for himself,

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Speaker 2: hasn't he didn't he?

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Speaker 3: He brought out a biography where was effectively saying he

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Speaker 3: was in a relationship with Natalie Portman and Natalie had

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Speaker 3: no idea about it.

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Speaker 5: Yes, yes, I was in one of those relationships. And

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Speaker 5: about you through.

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Speaker 3: Mobe could not pull my wife.

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Speaker 2: Oh boys, let's talk about let's talk about you from

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Speaker 2: whether or not. Let's move past Moby pulling your wife

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Speaker 2: and get into your brand new tune featuring this guy

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Speaker 2: by the way with Ammon flashback to when was that

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Speaker 2: song out? Nineties naughties? Okay, okay, so right on the

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Speaker 2: cusp there, How do you how do you lin up

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Speaker 2: with a guy like am On?

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Speaker 3: I was a fan of Amen.

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Speaker 1: He put out like a comeback record called the Golden

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Speaker 1: Royal Motel and had a song I Got Soul that

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Speaker 1: I fell in love with and we just hit him

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Speaker 1: up and yeah, like he's he's a he's a really

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Speaker 1: nice guy.

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Speaker 3: That song kind of ruined his life. I think, like

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Speaker 3: it was so big and the biggest song in the world,

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Speaker 3: wasn't it quite a long time? And then it's to

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Speaker 3: the point where his expart I assume still ex partner,

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Speaker 3: he doesn't want to back. She brought out a song

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Speaker 3: as well, like she brought out a reply song, and

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Speaker 3: then that was the biggest song in the world.

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Speaker 1: Was crazy, And I think there was even a third

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Speaker 1: one that was I Still Don't Want You back.

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Speaker 3: Didn't get as much.

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Speaker 2: Tracks might have gilded Lily at that point, Hey, look

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Speaker 2: to talk with you more. Right up next, listen will

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Speaker 2: the Boys touring Hilltop Hoods dot Com. If you want

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Speaker 2: to get at the first headline tour in over three years.

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Speaker 2: They're in the studio with us right now. We've got

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Speaker 2: Matt and Dan in the studio. Boys, congratulations on the

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Speaker 2: new gear on the tour as well.

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Speaker 4: Thank you, thank you.

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Speaker 2: How does it feel to be back on the road,

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Speaker 2: Like it must be invigorating to be back out there.

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Speaker 5: Yeah, absolutely, I mean we're not built for daytime television.

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Speaker 2: Yeah, but I mean that's seriously, it could almost be

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Speaker 2: like someone who you know, like anybody who lives and

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Speaker 2: breathes something, you know, who was like born to dance

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Speaker 2: or to or to write or to.

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Speaker 3: You saying I was born to dance.

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Speaker 2: Yeah, but I know that it's like like like performing

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Speaker 2: for you guys hip hop, Like that looks like it's

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Speaker 2: like breathing for you, Like it's that essential to your psyche.

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Speaker 2: So what's the relief getting.

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Speaker 3: Back up on a stage.

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Speaker 1: I mean, we were pretty lucky, like we'd kind of

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Speaker 1: finished the bulk of our touring. We were lucky ones

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Speaker 1: and a lot of our friends who were just going

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Speaker 1: out at that time. So we feel pretty lucky, Like,

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Speaker 1: you know, we didn't miss out on as much touring, yeah,

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Speaker 1: as probably a lot of people did.

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Speaker 3: So we feel like in that respect.

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Speaker 2: Was that the show with the orchestra that you that

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Speaker 2: you guys were doing with you one after that?

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Speaker 3: Yeah? Okay, okay, yeah sure.

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Speaker 5: Yeah, well the tour after.

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Speaker 2: And you had a tour of them and it took

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Speaker 2: with Eminem as well in there. Yeah, you guys had

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Speaker 2: done your tour sorry for Hilltop, you needed a three

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Speaker 2: year break. Everyone had seen you for a while. Man,

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Speaker 2: but was people feeling sorry for us?

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Speaker 13: That's an amazing chance for us to reset, make some

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Speaker 13: new music, take some time out.

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Speaker 2: Yeah.

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Speaker 13: I was pretty burnt out personally after many years of Yeah.

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Speaker 4: Yeah.

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Speaker 3: Can I ask you, Eminem? So you you were the

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Speaker 3: warmat Packed four. Eminem Obviously you idolize him, you know,

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Speaker 3: you know, I imagine a huge inspiration for your music

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Speaker 3: that you create. Is that just incredibly nerve wracking or

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Speaker 3: could you enjoy that experience.

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Speaker 5: Bit of both.

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Speaker 13: It is pretty daunting a going on a stage four

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Speaker 13: some of his caliber, but his fans are pretty I'm

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Speaker 13: gonna I'm going to say loyal all about Eminem. Yeah,

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Speaker 13: It's not like going in front of a festival crowd

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Speaker 13: where the people are there just to see a lot

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Speaker 13: of different music.

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Speaker 5: They're there to see Eminem's Yeah, you have to win

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Speaker 5: them over a bit.

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Speaker 2: I was it was just a vacant stadium.

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Speaker 11: For the war.

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Speaker 5: It was a full stadium of people judging us.

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Speaker 2: Because they're up there like in terms of like what

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Speaker 2: they expect out of him. So you feel you sent

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Speaker 2: meed to elevate almost, Well, I mean we had.

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Speaker 3: We had a great time. We had great shows, and yeah.

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Speaker 13: That's that's an opportunity to get in front of a

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Speaker 13: lot of people that might not have heard our music.

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Speaker 2: So yeah, of course, and obviously they'll open the White Rappers.

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Speaker 3: So him for the song he said, Moby tried to

400
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Speaker 3: pick up your wives? Did Eminem trying to pick up

401
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Speaker 3: your wives? No? Was that disappointing for your wives?

402
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Speaker 5: If I just not don't say yes, you can't see me.

403
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Speaker 2: It's an audible medium.

404
00:18:07,160 --> 00:18:08,960
Speaker 3: Just coming to understand how radio.

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Speaker 2: Final question for you guys. I know you're going to go,

406
00:18:14,320 --> 00:18:16,840
Speaker 2: But Woody and I obviously work in a duo and

407
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Speaker 2: our livelihoods is based really just on the chemistry that

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Speaker 2: we have with each other in the radio studio. You

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Speaker 2: got Helen, you has been doing this for now.

410
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Speaker 1: Very long time since we were at high school.

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Speaker 5: Yeah, we started early.

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Speaker 3: Yeah, very early.

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Speaker 2: And do you feel like given how long it's been

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Speaker 2: going on between the two of you and as you

415
00:18:33,800 --> 00:18:35,560
Speaker 2: just said, down like when you're on stage it is

416
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Speaker 2: all about, you know, the chemistry between you two picking

417
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Speaker 2: up where the other one is putting down and feeling

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00:18:39,840 --> 00:18:42,480
Speaker 2: and vibing off each other. Has that changed? Like do

419
00:18:42,520 --> 00:18:45,040
Speaker 2: you feel like it's it's you know, fading. Do you

420
00:18:45,080 --> 00:18:47,040
Speaker 2: feel like it's still burning as bright as ever?

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Speaker 13: It's for the cash, baby, It's actually, to be honest,

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Speaker 13: it's got stronger over the years. It's the body language

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Speaker 13: cues for us now consists of frowns and unimpressed.

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Speaker 2: Gave him the did maybe to sleep with my life?

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Speaker 3: Yeah, we've got a hand signal for that specific again.

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Speaker 2: Hey boys, it's a pleasure to have you in the studio.

427
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Speaker 2: Hilltopbods dot com if you want tickets to their brand

428
00:19:21,640 --> 00:19:24,159
Speaker 2: new tour all over Australia and brand new music is

429
00:19:24,160 --> 00:19:26,080
Speaker 2: there you would have just missed it show business feet

430
00:19:26,119 --> 00:19:27,600
Speaker 2: amon If you want to go and download wherever you

431
00:19:27,600 --> 00:19:29,040
Speaker 2: get your chunes, go and get it a listen to

432
00:19:29,080 --> 00:19:31,320
Speaker 2: it now, guys, Matt Dan always good talk to you boys,

433
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Speaker 2: thanks coming in.

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Speaker 3: Thanks guys, now is will and cunning crims? Wait for it?

435
00:19:40,560 --> 00:19:43,960
Speaker 3: That's nice? Was the crim cunning effectively? That's the question

436
00:19:43,960 --> 00:19:45,600
Speaker 3: we're asking on thirteen one six five.

437
00:19:45,680 --> 00:19:47,479
Speaker 2: Will the Krim pull off a cunning stunt?

438
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Speaker 3: Yes? Very good, very good. We are floating very close

439
00:19:51,119 --> 00:19:54,280
Speaker 3: to the sun, aren't we. Yeah, we're super impressed with

440
00:19:54,359 --> 00:19:57,800
Speaker 3: how the thief pulled off their theft, because will, I mean,

441
00:19:57,880 --> 00:20:01,840
Speaker 3: this is extraordinary out of Canada. This woman's just blown

442
00:20:01,880 --> 00:20:06,600
Speaker 3: away with how she was robbed. She had some fifty

443
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Speaker 3: seven kilogram polar bears statues in her front garden and

444
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Speaker 3: she's like she.

445
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Speaker 2: Was she's got these like taxidermists, no concrete bears.

446
00:20:20,320 --> 00:20:25,200
Speaker 3: Fifty seven kilo concrete polar bears. Wow. She gets home

447
00:20:25,240 --> 00:20:28,080
Speaker 3: one night, the thief has stolen all of her bears,

448
00:20:28,880 --> 00:20:32,119
Speaker 3: but her reaction on both of them just impressed, Like

449
00:20:32,200 --> 00:20:35,280
Speaker 3: how bloody impressed? There's fifty seven kilos that you've managed

450
00:20:35,320 --> 00:20:37,800
Speaker 3: to carry out of me front yard. And then the

451
00:20:37,840 --> 00:20:40,600
Speaker 3: absolute tight ass is offering a two hundred dollars reward

452
00:20:40,920 --> 00:20:44,080
Speaker 3: for the people who returned them. This woman is my

453
00:20:44,119 --> 00:20:47,680
Speaker 3: spirit animal. Two hundred bucks got spare me? Anyway?

454
00:20:48,359 --> 00:20:50,840
Speaker 2: How much are they worth the bears? How many bears

455
00:20:50,880 --> 00:20:51,239
Speaker 2: did she have?

456
00:20:51,320 --> 00:20:52,760
Speaker 3: But I think it was the sensus A.

457
00:20:52,720 --> 00:20:54,760
Speaker 2: Set of bears. Was that set of bears instead of

458
00:20:55,000 --> 00:20:57,560
Speaker 2: fifty seven kilo concrete bears in your front yard?

459
00:20:57,640 --> 00:20:57,800
Speaker 4: Yeah?

460
00:20:57,840 --> 00:21:00,760
Speaker 12: Yeah, you'd think they'd be safe, That's what she said.

461
00:21:00,920 --> 00:21:03,520
Speaker 12: She think when you put the be out there, you're

462
00:21:03,520 --> 00:21:06,080
Speaker 12: not looking the beers up at night. Oh yeah, they're

463
00:21:06,080 --> 00:21:08,800
Speaker 12: not keeping them behind glass there. She'll be fine out there.

464
00:21:09,040 --> 00:21:11,639
Speaker 12: But some blog's comingstant do you know? She knows how

465
00:21:11,640 --> 00:21:13,200
Speaker 12: to go to how he got them out of there?

466
00:21:13,240 --> 00:21:16,920
Speaker 3: Dolly she saw. She did a bit of research and

467
00:21:17,200 --> 00:21:21,960
Speaker 3: she realized that Dolly tracks. Dolly tracks, so it was

468
00:21:21,960 --> 00:21:25,760
Speaker 3: a Dolly getaway. But yeah, Nancy says, sentimental value. That's

469
00:21:25,800 --> 00:21:27,560
Speaker 3: why she wants to back, and that's why she's walking

470
00:21:27,600 --> 00:21:31,159
Speaker 3: out potentially two hundred dollars. So Justin's here, Justin. You

471
00:21:31,200 --> 00:21:34,000
Speaker 3: were impressed with a crim Hey.

472
00:21:34,160 --> 00:21:37,040
Speaker 9: Lawyers, I've got a good I've got a good story

473
00:21:37,040 --> 00:21:39,960
Speaker 9: for his probably back in the days when playt Action

474
00:21:40,080 --> 00:21:43,560
Speaker 9: three first came out. Yeah, yeah, yeah, one of the

475
00:21:43,600 --> 00:21:45,879
Speaker 9: one of the boys at school, he went into the

476
00:21:45,880 --> 00:21:48,600
Speaker 9: city one day and what he's done. He's gone into

477
00:21:48,600 --> 00:21:51,720
Speaker 9: big w when he stolen an empty plays Action three

478
00:21:51,760 --> 00:21:52,560
Speaker 9: display box.

479
00:21:52,840 --> 00:21:54,639
Speaker 3: Oh right, yeah, yeah, yeah.

480
00:21:55,000 --> 00:21:59,240
Speaker 9: He's grabbed himself one of the big big w bags, said,

481
00:21:59,280 --> 00:22:02,160
Speaker 9: empty plastation box in the bag, and then he's walked

482
00:22:02,160 --> 00:22:05,919
Speaker 9: into a JB High Fi right with the PlayStation in

483
00:22:05,960 --> 00:22:09,800
Speaker 9: the bag. The door security guard and like, because he

484
00:22:09,920 --> 00:22:12,400
Speaker 9: seems I've made it noticeable that old mate can see

485
00:22:12,400 --> 00:22:15,879
Speaker 9: the PlayStation in the bag, walk to the back of

486
00:22:15,920 --> 00:22:21,240
Speaker 9: the shop and yeah for a full bock the front.

487
00:22:20,960 --> 00:22:23,280
Speaker 2: Door god with a PlayStation three.

488
00:22:23,680 --> 00:22:28,440
Speaker 3: Jesus very quickly. We don't endorse theft on this show.

489
00:22:28,960 --> 00:22:32,000
Speaker 3: And I'm sure not at all technologies. And he goes

490
00:22:32,040 --> 00:22:36,280
Speaker 3: to jail for that, and I'm sure he has mind

491
00:22:36,320 --> 00:22:42,920
Speaker 3: you no cunning, cunning, cunning stunt, but no, don't do it, honestly,

492
00:22:43,119 --> 00:22:45,359
Speaker 3: do not do it, Do not pass go, do not

493
00:22:45,359 --> 00:22:47,520
Speaker 3: click turn of dollars. You're going to go to jail.

494
00:22:48,000 --> 00:22:51,480
Speaker 3: Let's go to Stephen. Here, Stephen, cunning Crims. You've encountered

495
00:22:51,520 --> 00:22:52,000
Speaker 3: with my boy.

496
00:22:52,520 --> 00:22:56,000
Speaker 2: Here you going, good, Steve, good Steven. We don't condone stealing.

497
00:22:56,480 --> 00:22:59,280
Speaker 2: We don't stress that I got sefted from I was

498
00:22:59,320 --> 00:23:02,640
Speaker 2: at at the Manhattan watching the UF City on Jose

499
00:23:02,760 --> 00:23:03,960
Speaker 2: Aldo and Conor McGregor.

500
00:23:05,760 --> 00:23:07,000
Speaker 9: Yeah, good fight that one.

501
00:23:07,119 --> 00:23:09,560
Speaker 4: I went to the.

502
00:23:08,640 --> 00:23:10,960
Speaker 14: Counter, I picked my palm up, got stuck talking to

503
00:23:11,000 --> 00:23:12,800
Speaker 14: some boys on the way back, put my plate down,

504
00:23:12,880 --> 00:23:15,000
Speaker 14: having a chat. Picked my plate up to go back

505
00:23:15,040 --> 00:23:17,480
Speaker 14: out and see my plate, my mates, and the parma

506
00:23:17,560 --> 00:23:18,000
Speaker 14: was missing.

507
00:23:18,160 --> 00:23:20,639
Speaker 2: Oh gee, whiz, who took your parma?

508
00:23:21,480 --> 00:23:23,080
Speaker 4: The guy I was talking to right in front of me.

509
00:23:23,119 --> 00:23:24,119
Speaker 9: I didn't even realize.

510
00:23:25,560 --> 00:23:28,359
Speaker 3: Is this you? And you think that was quite cunning

511
00:23:28,680 --> 00:23:31,240
Speaker 3: that he just talk about from under your eyes?

512
00:23:31,840 --> 00:23:33,040
Speaker 4: Yeah? I was impressed.

513
00:23:34,280 --> 00:23:36,200
Speaker 3: Fair enough to have quick hands.

514
00:23:37,600 --> 00:23:39,680
Speaker 2: Just keep it so if you're talking to a guy,

515
00:23:40,040 --> 00:23:42,840
Speaker 2: you're talking to a guy at the pub at the fight,

516
00:23:43,359 --> 00:23:45,760
Speaker 2: and as you're talking to him, he steals your parma.

517
00:23:46,680 --> 00:23:48,720
Speaker 4: Yeah that's pretty good.

518
00:23:48,840 --> 00:23:50,520
Speaker 2: Hang on, did we take the plate or just the

519
00:23:50,600 --> 00:23:51,399
Speaker 2: chicken off the plate?

520
00:23:52,359 --> 00:23:54,240
Speaker 9: Just the chicken part? Took the chicken?

521
00:23:54,320 --> 00:23:55,080
Speaker 3: He left where he.

522
00:23:55,080 --> 00:23:56,480
Speaker 2: Left the chips and sells?

523
00:23:56,560 --> 00:23:58,680
Speaker 3: Where did he put the straw? Where did he put

524
00:23:58,680 --> 00:24:00,679
Speaker 3: the chicken? Because I get how he could take off

525
00:24:00,720 --> 00:24:02,520
Speaker 3: the pipe. Where's he then placed it?

526
00:24:03,240 --> 00:24:03,959
Speaker 4: She was eating it?

527
00:24:04,080 --> 00:24:08,520
Speaker 2: He ate it while you were talking to him?

528
00:24:09,080 --> 00:24:11,600
Speaker 14: Yeah, I was talking about.

529
00:24:11,720 --> 00:24:14,280
Speaker 2: Absolutely, we're gonna have to taste that out. I reckon,

530
00:24:15,640 --> 00:24:19,280
Speaker 2: can you steal a pomerated while talking to someone? It's

531
00:24:19,320 --> 00:24:20,159
Speaker 2: a perfect crime.

532
00:24:20,600 --> 00:24:25,320
Speaker 3: It's the perfect crime. Why Jason Bourne as isn't it is?

533
00:24:25,640 --> 00:24:27,720
Speaker 2: You can tell Holl's going to take your hands to

534
00:24:27,760 --> 00:24:29,439
Speaker 2: shake to run at a certain altitude, and you can

535
00:24:29,440 --> 00:24:32,920
Speaker 2: steal a pomarinated while talking to some Much back for more.

536
00:24:32,960 --> 00:24:36,920
Speaker 3: In just a Bit the Will and Woody Podcast. From

537
00:24:36,960 --> 00:24:40,720
Speaker 3: one living rock legend to another, Dave Growl said this

538
00:24:41,040 --> 00:24:42,480
Speaker 3: about our next guest.

539
00:24:42,640 --> 00:24:46,320
Speaker 2: Is one of the few last remaining rock stars, to

540
00:24:46,400 --> 00:24:49,640
Speaker 2: which our guests replied on Twitter, He's correct, the rest

541
00:24:49,680 --> 00:24:53,280
Speaker 2: of them are useless. Between his triumphs as a solo.

542
00:24:53,080 --> 00:24:57,160
Speaker 3: Artist and he's phenomenal success with Oasis, he sank more

543
00:24:57,320 --> 00:25:00,480
Speaker 3: pints and worn more Parkers than we can can ever

544
00:25:00,600 --> 00:25:01,520
Speaker 3: truly document.

545
00:25:02,000 --> 00:25:05,080
Speaker 2: Welcome to the show, the greatest thing to ever.

546
00:25:04,920 --> 00:25:08,359
Speaker 3: Come out of the UK. Come on, you know it's

547
00:25:08,440 --> 00:25:09,760
Speaker 3: Liam gallagha.

548
00:25:11,000 --> 00:25:11,440
Speaker 7: Totally.

549
00:25:12,160 --> 00:25:13,960
Speaker 2: Liam Gallagher joins me all of money.

550
00:25:13,960 --> 00:25:16,280
Speaker 4: Welcome Liam, Yeah, man, I want I won't found the

551
00:25:16,320 --> 00:25:19,400
Speaker 4: greatest man, I'll probably be the second greatest. Manchester City

552
00:25:19,440 --> 00:25:24,080
Speaker 4: is the first thing come out and then I'll I'll

553
00:25:24,080 --> 00:25:25,000
Speaker 4: just sip after.

554
00:25:24,800 --> 00:25:28,919
Speaker 3: That yeah, it takes seconds. It takes seconds. Hey, Liam's

555
00:25:29,160 --> 00:25:32,480
Speaker 3: was in the opener, there was that Dave Grohl said, mate,

556
00:25:32,480 --> 00:25:34,520
Speaker 3: you teamed up with him recently and he said, you're

557
00:25:34,520 --> 00:25:37,280
Speaker 3: the last remaining rock star. Why do you think that's

558
00:25:37,320 --> 00:25:37,720
Speaker 3: the case?

559
00:25:37,760 --> 00:25:37,879
Speaker 4: Well?

560
00:25:37,960 --> 00:25:41,199
Speaker 3: Why why? What was the new crew not acting like

561
00:25:41,320 --> 00:25:41,879
Speaker 3: rock stars?

562
00:25:42,160 --> 00:25:44,840
Speaker 4: Because they're all banging on about being artists. Man, you

563
00:25:44,840 --> 00:25:46,000
Speaker 4: know what I mean. When I was in the fan,

564
00:25:46,080 --> 00:25:48,280
Speaker 4: when I was eighteen, right, I never even heard the

565
00:25:48,280 --> 00:25:51,119
Speaker 4: word artist an artists for some keys who's painted like

566
00:25:51,200 --> 00:25:53,200
Speaker 4: the castle? You know what I mean? We now all

567
00:25:53,240 --> 00:25:55,560
Speaker 4: these kids now, man, they've got little lapsop hart and

568
00:25:55,560 --> 00:25:56,960
Speaker 4: they're going, oh man, you know, I don't want to

569
00:25:56,960 --> 00:26:00,320
Speaker 4: have an artists, mate. I do exactly what it's I

570
00:26:00,400 --> 00:26:02,000
Speaker 4: do exactly what it says on a ten. And they

571
00:26:02,000 --> 00:26:04,440
Speaker 4: always have done another thing that does and as well,

572
00:26:04,680 --> 00:26:07,480
Speaker 4: oh come to my show, what show? What are you in?

573
00:26:07,480 --> 00:26:13,000
Speaker 4: Are you in? Capture? Summit? It's a gig, mate, And.

574
00:26:12,920 --> 00:26:16,080
Speaker 3: They dance as well, William. They dance when they're on stage.

575
00:26:15,760 --> 00:26:21,040
Speaker 4: Mate, exactly because they've got they've got one hundred per correct.

576
00:26:21,119 --> 00:26:21,800
Speaker 4: I agree with him.

577
00:26:22,000 --> 00:26:25,119
Speaker 2: Yeah, So I'm sure you do, mate, I'm sure you do.

578
00:26:25,560 --> 00:26:28,679
Speaker 2: You've got absolutely no shaming in calling yourself what you are,

579
00:26:28,720 --> 00:26:30,440
Speaker 2: which is a buddy legend. Now you've got a brand

580
00:26:30,440 --> 00:26:33,560
Speaker 2: new record. It's called come On you Know, and it's

581
00:26:33,600 --> 00:26:36,280
Speaker 2: got the first track is called Everything's Electric and Dave

582
00:26:36,359 --> 00:26:38,480
Speaker 2: grow himself is actually teamed up with you for it.

583
00:26:38,480 --> 00:26:40,399
Speaker 2: Can you just talk about how you guys met up?

584
00:26:40,480 --> 00:26:41,879
Speaker 2: Was it like a trip to the pub or something?

585
00:26:42,160 --> 00:26:43,840
Speaker 4: No, no, no, we didn't like So I've obviously been

586
00:26:43,880 --> 00:26:47,320
Speaker 4: met him when the Two Fighters played with Oasiss years ago,

587
00:26:47,359 --> 00:26:51,199
Speaker 4: and then obviously up we've done this solo stuff. And

588
00:26:51,200 --> 00:26:54,680
Speaker 4: then I started working with Greg Kurstin who he works with,

589
00:26:54,960 --> 00:26:57,080
Speaker 4: and I was always talk about like him writing a

590
00:26:57,200 --> 00:26:59,640
Speaker 4: song for us. So we get a phone call saying,

591
00:26:59,640 --> 00:27:03,359
Speaker 4: looks with curse and who wrote this? To you? Still

592
00:27:03,359 --> 00:27:05,320
Speaker 4: near the studio? Answers yeah, he goes right, put your

593
00:27:05,320 --> 00:27:10,320
Speaker 4: paint down.

594
00:27:07,440 --> 00:27:10,320
Speaker 2: You're not done. I can't come with it.

595
00:27:10,720 --> 00:27:12,840
Speaker 4: Wouldn't it was worth? Yeah?

596
00:27:12,840 --> 00:27:14,560
Speaker 2: There wouldn't be many people that would get you back

597
00:27:14,600 --> 00:27:16,240
Speaker 2: out of the out of the pub with it, Liam

598
00:27:16,240 --> 00:27:19,119
Speaker 2: like you're halfway down a pie. There's not many names

599
00:27:19,119 --> 00:27:21,000
Speaker 2: that would get you back into the studio from there.

600
00:27:21,280 --> 00:27:22,760
Speaker 4: No, there's only my mum, who do that?

601
00:27:23,119 --> 00:27:27,040
Speaker 2: Yeah, I make you down. You're down here for splendor.

602
00:27:27,520 --> 00:27:30,680
Speaker 2: You're going to be on tour. I know. Famously back

603
00:27:30,680 --> 00:27:33,160
Speaker 2: in the past, obviously you on tour was a bit

604
00:27:33,240 --> 00:27:36,199
Speaker 2: wild as a practice, used to try and throw as

605
00:27:36,240 --> 00:27:39,199
Speaker 2: many things out of a hotel window as you possibly

606
00:27:39,240 --> 00:27:41,240
Speaker 2: could before you got kicked out of the hotel. Does

607
00:27:41,240 --> 00:27:43,400
Speaker 2: that still go on when you're on tour?

608
00:27:43,520 --> 00:27:43,800
Speaker 14: Liam?

609
00:27:44,760 --> 00:27:49,120
Speaker 4: No, No, No, that day is a sadly sadly un

610
00:27:49,359 --> 00:27:51,560
Speaker 4: I mean, someone else started to do all that stuff,

611
00:27:51,600 --> 00:27:53,919
Speaker 4: but you know, you never know, it depends, just just

612
00:27:53,960 --> 00:27:55,439
Speaker 4: depends what kind of mood I mean. But I have

613
00:27:55,480 --> 00:27:57,720
Speaker 4: a laugh on that. But all the all the smash

614
00:27:57,920 --> 00:28:00,800
Speaker 4: up and fighting like gone, man can't be asked. I

615
00:28:01,240 --> 00:28:03,080
Speaker 4: haven't got energy for it anymore, you know what I mean.

616
00:28:03,280 --> 00:28:03,960
Speaker 3: I was reading that.

617
00:28:04,320 --> 00:28:06,560
Speaker 2: I was reading that you you've talked about becoming a

618
00:28:06,600 --> 00:28:09,560
Speaker 2: bit zin in India private life. Is that because you're

619
00:28:09,560 --> 00:28:10,960
Speaker 2: spending less time with Nol?

620
00:28:11,080 --> 00:28:13,760
Speaker 4: Is that the idea? Maybe? Yeah? Yeah, he's a yeah,

621
00:28:13,800 --> 00:28:15,320
Speaker 4: he's a wind up in No. But you know what,

622
00:28:15,359 --> 00:28:17,480
Speaker 4: do you just know it's it's like you know, obviously

623
00:28:17,520 --> 00:28:19,600
Speaker 4: you know I just can't Yeah, just yeah, I just

624
00:28:19,640 --> 00:28:21,080
Speaker 4: can't hold with it, mate, you know what I mean.

625
00:28:21,119 --> 00:28:23,720
Speaker 4: I just want to do my gigs. Do you a crack?

626
00:28:23,760 --> 00:28:25,919
Speaker 4: I have a good life when I die simple.

627
00:28:28,160 --> 00:28:30,760
Speaker 3: That is the way of life. That is the flunny

628
00:28:30,760 --> 00:28:33,480
Speaker 3: way life. He later, Mom, You've got four kids, which

629
00:28:33,480 --> 00:28:36,679
Speaker 3: obviously also leads to some some mellowing out of the

630
00:28:36,760 --> 00:28:38,760
Speaker 3: lifestyle as well. Has there been a moment where one

631
00:28:38,760 --> 00:28:40,920
Speaker 3: of your kids has come up to you and said like, oh, Dad,

632
00:28:41,000 --> 00:28:43,160
Speaker 3: is it true you used to chuck couches out of windows?

633
00:28:43,960 --> 00:28:46,320
Speaker 4: No? They knowld it' drill mate, they know. They not

634
00:28:46,480 --> 00:28:48,560
Speaker 4: exactly what I'm about. I'm in Manchester right now and

635
00:28:48,640 --> 00:28:51,719
Speaker 4: one of my kids still like, you're still out? Got

636
00:28:51,760 --> 00:28:53,560
Speaker 4: to see me mummy about half an hour and that,

637
00:28:53,680 --> 00:28:55,440
Speaker 4: and I can't get old of him. So he's probably

638
00:28:55,440 --> 00:28:56,240
Speaker 4: still off his face.

639
00:28:56,600 --> 00:28:59,880
Speaker 3: So are you going to cover for him?

640
00:29:00,200 --> 00:29:00,360
Speaker 4: Liam?

641
00:29:00,400 --> 00:29:02,280
Speaker 3: If it's about to go to his mom's house, are

642
00:29:02,320 --> 00:29:02,960
Speaker 3: you going to try and.

643
00:29:02,880 --> 00:29:03,320
Speaker 2: Cover for it?

644
00:29:03,960 --> 00:29:06,080
Speaker 4: Oh no, no, no, mate, No, he's your part if

645
00:29:06,080 --> 00:29:08,000
Speaker 4: you lived by the sword he died. But he's gonna

646
00:29:08,000 --> 00:29:09,360
Speaker 4: I'm going to drag him out of bed and he's

647
00:29:09,360 --> 00:29:12,360
Speaker 4: gonna come and shit and listen to his grandma rub

648
00:29:12,360 --> 00:29:12,800
Speaker 4: it in his.

649
00:29:17,000 --> 00:29:19,120
Speaker 2: Liam I know to do it.

650
00:29:19,280 --> 00:29:21,200
Speaker 4: I have to do it, man, When I used to

651
00:29:21,680 --> 00:29:24,920
Speaker 4: actually sit around my Grandma'll sock in gibberish.

652
00:29:26,840 --> 00:29:30,400
Speaker 2: Comes with the territory, Comes with the territory. More with

653
00:29:30,520 --> 00:29:33,840
Speaker 2: Liam Gellinger. I think right up next on Willing Hoody,

654
00:29:34,240 --> 00:29:37,480
Speaker 2: Liam Gallagher is going to be touring throughout Australia's place

655
00:29:37,480 --> 00:29:40,480
Speaker 2: Splendor in the Grass. Obviously one half of the brothers

656
00:29:40,520 --> 00:29:44,160
Speaker 2: who made up arguably the best rock band in the

657
00:29:44,240 --> 00:29:47,760
Speaker 2: last fifty years, bigger than Ben her well before many.

658
00:29:47,520 --> 00:29:48,160
Speaker 3: Of you were born.

659
00:29:48,160 --> 00:29:52,040
Speaker 2: Now did you produce Analyst's currently tiktoking? What over the

660
00:29:52,080 --> 00:29:55,160
Speaker 2: hell she's doing over there? Because listen to these guys

661
00:29:55,160 --> 00:29:57,760
Speaker 2: doesn't even know who they are, but for a lot

662
00:29:57,800 --> 00:29:59,600
Speaker 2: of you, they're a big deal.

663
00:30:06,240 --> 00:30:10,080
Speaker 10: Oh, I say, and Liam Gallagher joins the boys.

664
00:30:10,520 --> 00:30:14,520
Speaker 2: Right now, Liam, we're going to crack straight into a

665
00:30:14,600 --> 00:30:17,360
Speaker 2: game which Woody and I have devised. You're very famous

666
00:30:17,400 --> 00:30:22,760
Speaker 2: for saying things totally inappropriate, and it is called Do

667
00:30:23,320 --> 00:30:25,560
Speaker 2: you regret saying this? Liam Gallagher?

668
00:30:27,320 --> 00:30:27,680
Speaker 4: All right?

669
00:30:28,880 --> 00:30:29,720
Speaker 2: First first one.

670
00:30:29,560 --> 00:30:32,560
Speaker 4: Here you right now, No, I'll tell you right now. No,

671
00:30:37,960 --> 00:30:38,440
Speaker 4: all right.

672
00:30:38,360 --> 00:30:39,640
Speaker 2: Well, I just want to read a couple of tea

673
00:30:39,720 --> 00:30:41,640
Speaker 2: because jeez or you can at least just explain them

674
00:30:41,640 --> 00:30:43,960
Speaker 2: a little bit more. First one here, I've got a

675
00:30:44,000 --> 00:30:47,480
Speaker 2: bit of an issue with Cardigan's, aren't they?

676
00:30:48,280 --> 00:30:49,160
Speaker 4: Yeah, yeah, it can't be.

677
00:30:51,200 --> 00:30:52,120
Speaker 2: Okay, all right?

678
00:30:54,760 --> 00:30:55,840
Speaker 4: What Cardigan's all about?

679
00:30:56,720 --> 00:30:58,520
Speaker 2: Quite warm, aren't they? Have you?

680
00:30:58,560 --> 00:30:59,280
Speaker 3: Have you tried it?

681
00:30:59,320 --> 00:30:59,520
Speaker 2: Liam?

682
00:30:59,640 --> 00:31:00,360
Speaker 3: Have you try it?

683
00:31:01,160 --> 00:31:03,600
Speaker 4: I tried one on once years ago? Felt sick?

684
00:31:05,400 --> 00:31:08,160
Speaker 3: What would you do if if you come out?

685
00:31:08,200 --> 00:31:10,320
Speaker 4: I come out, I come out in a rush? Go on?

686
00:31:11,840 --> 00:31:14,120
Speaker 2: Next question here, I suppose I do it? Next, next

687
00:31:14,120 --> 00:31:16,400
Speaker 2: statement from you? This is you, Liam quoted? I suppose

688
00:31:16,400 --> 00:31:18,080
Speaker 2: I do get sad, but not for too long. I

689
00:31:18,160 --> 00:31:20,320
Speaker 2: just look up in the mirror. I say what a

690
00:31:20,640 --> 00:31:23,080
Speaker 2: good looking I am, and then I brighten up.

691
00:31:24,160 --> 00:31:26,840
Speaker 4: Yeah that's me man. Obviously you know that's what mirrors are. Four,

692
00:31:26,880 --> 00:31:33,280
Speaker 4: aren't all right?

693
00:31:33,320 --> 00:31:35,640
Speaker 3: Final one here? If I lost my hair, you no

694
00:31:35,720 --> 00:31:37,280
Speaker 3: no quid explain?

695
00:31:37,360 --> 00:31:39,320
Speaker 4: No, I am a big fun of myself. If you's young, No,

696
00:31:44,280 --> 00:31:44,840
Speaker 4: I think that.

697
00:31:45,040 --> 00:31:48,600
Speaker 3: I think when you said you were read between the lines.

698
00:31:50,400 --> 00:31:52,440
Speaker 3: Here's if I lost my hair, you'd never see me

699
00:31:52,440 --> 00:31:54,680
Speaker 3: on the stage again, because there's no place for baldness

700
00:31:54,680 --> 00:31:55,240
Speaker 3: in rock and roll?

701
00:31:55,320 --> 00:31:55,840
Speaker 2: Is that true?

702
00:31:56,360 --> 00:31:58,440
Speaker 4: Yeah? Only only if your bowl head, you know, what

703
00:31:58,520 --> 00:32:00,800
Speaker 4: I mean. But yeah, yeah, mate, No, listen, I love

704
00:32:00,800 --> 00:32:02,120
Speaker 4: a glass for sure.

705
00:32:04,720 --> 00:32:08,560
Speaker 3: What about mister worldwide Pitbull? Have you heard of him?

706
00:32:08,760 --> 00:32:08,960
Speaker 4: Yeah?

707
00:32:09,200 --> 00:32:10,520
Speaker 3: Good answer, good response.

708
00:32:10,960 --> 00:32:12,640
Speaker 2: At this point I should tell you I am actually

709
00:32:12,640 --> 00:32:13,280
Speaker 2: bored Liam.

710
00:32:13,680 --> 00:32:15,800
Speaker 4: So yeah, but you're not a rock star.

711
00:32:16,000 --> 00:32:22,360
Speaker 2: While clearly, clearly Liam's definitely hay Liam, we're very excited

712
00:32:22,400 --> 00:32:25,240
Speaker 2: about come on, you know, yeah, go on, you.

713
00:32:25,160 --> 00:32:26,920
Speaker 4: Just work on a small radio show.

714
00:32:27,040 --> 00:32:30,080
Speaker 3: I now, hang, I know we have thousands of listeners.

715
00:32:30,440 --> 00:32:34,720
Speaker 2: Yeah, come on, hundreds of them now, Liam. You're turning

716
00:32:34,760 --> 00:32:38,560
Speaker 2: fifty in September. You're turning fifty in September. You're going

717
00:32:38,640 --> 00:32:40,080
Speaker 2: to be down here for Splending in the Grass. You've

718
00:32:40,080 --> 00:32:41,960
Speaker 2: got a brand new record. Come on, you know, I've

719
00:32:41,960 --> 00:32:43,640
Speaker 2: got a question for I know this is quite broad,

720
00:32:43,720 --> 00:32:46,840
Speaker 2: but could you sum up for me in three words?

721
00:32:47,360 --> 00:32:50,040
Speaker 2: The wildest thing that happened to you on tour in

722
00:32:50,080 --> 00:32:51,520
Speaker 2: Australia there.

723
00:32:52,600 --> 00:32:55,800
Speaker 4: I remember coming from Japan and then obviously I got

724
00:32:55,840 --> 00:32:58,520
Speaker 4: in an up fight without an idiot. It wasn't a

725
00:32:58,600 --> 00:33:00,960
Speaker 4: fun by the way, it was just an annoying you

726
00:33:01,000 --> 00:33:03,280
Speaker 4: know what I mean? And then I got nicked to that,

727
00:33:03,400 --> 00:33:04,239
Speaker 4: so that that was a bit.

728
00:33:06,520 --> 00:33:07,800
Speaker 2: That's pretty wild.

729
00:33:08,960 --> 00:33:13,520
Speaker 4: Overall, overall, I've enjoyed myself down there, man. I always

730
00:33:13,520 --> 00:33:15,520
Speaker 4: look forward to getting out of Australia. I've got a

731
00:33:15,520 --> 00:33:18,600
Speaker 4: few mates down there. I lived there from moved out there.

732
00:33:18,680 --> 00:33:22,560
Speaker 4: So well, we're.

733
00:33:22,440 --> 00:33:25,120
Speaker 2: Excited to have you downny. I hope you don't get

734
00:33:25,160 --> 00:33:26,800
Speaker 2: in a fight, and I hope you don't get nicked.

735
00:33:26,840 --> 00:33:28,400
Speaker 2: I hope you just come down and put on a

736
00:33:28,400 --> 00:33:29,720
Speaker 2: great show and we're.

737
00:33:29,560 --> 00:33:31,920
Speaker 4: All very days over mate, That days are over.

738
00:33:31,920 --> 00:33:32,680
Speaker 3: Yeah over mate.

739
00:33:32,840 --> 00:33:34,680
Speaker 2: Well and truly it's been a pleasure to George and

740
00:33:35,360 --> 00:33:37,200
Speaker 2: Liam Gallagher. You are one of the great manes.

741
00:33:37,520 --> 00:33:41,600
Speaker 4: Thanks, I'll see you soon, man, thanks for joining us. Right,

742
00:33:41,960 --> 00:33:42,680
Speaker 4: make my bike.

743
00:33:44,520 --> 00:33:47,600
Speaker 2: Will I'd love it If you've got a story about

744
00:33:47,640 --> 00:33:52,520
Speaker 2: the teacher intercepting a naughty note that you wrote in classes?

745
00:33:52,960 --> 00:33:54,840
Speaker 2: Can you remember what it was? I feel like that

746
00:33:54,920 --> 00:33:59,280
Speaker 2: almost comes instinctively. That's you always remember because often they

747
00:33:59,320 --> 00:34:02,480
Speaker 2: made you rid of it out or if it was really bad,

748
00:34:03,520 --> 00:34:05,360
Speaker 2: then they told your parents what was on the note

749
00:34:05,360 --> 00:34:06,320
Speaker 2: when your parents came to.

750
00:34:06,240 --> 00:34:09,160
Speaker 3: Pick you up. Yeah, yeah, yeah, sure wasn't naughty it

751
00:34:09,200 --> 00:34:12,120
Speaker 3: which is embarrassing because of well a bit of a misunderstanding.

752
00:34:12,560 --> 00:34:17,879
Speaker 3: I was dating Pepper Harry in before, did you really?

753
00:34:18,000 --> 00:34:19,680
Speaker 2: I didn't, but yeah, when need to get you back

754
00:34:19,680 --> 00:34:20,160
Speaker 2: on about.

755
00:34:20,000 --> 00:34:21,960
Speaker 3: That, of course I would anyway. So Pepper Harry and

756
00:34:22,000 --> 00:34:23,719
Speaker 3: I dated anyway. So we were in class and she

757
00:34:23,800 --> 00:34:26,920
Speaker 3: actually passed me a note which was effectively she was

758
00:34:26,960 --> 00:34:28,799
Speaker 3: really well designed. She was a fifty cent piece with

759
00:34:28,880 --> 00:34:31,520
Speaker 3: some glitter on it and she drew beautiful and then

760
00:34:31,520 --> 00:34:36,279
Speaker 3: it said Woody is the boy of the Year. I

761
00:34:36,360 --> 00:34:38,160
Speaker 3: got the note though.

762
00:34:38,160 --> 00:34:39,439
Speaker 2: And it's the boy of the Year.

763
00:34:40,200 --> 00:34:43,000
Speaker 3: But the teacher thought that I wrote the note. So

764
00:34:43,040 --> 00:34:45,120
Speaker 3: the teacher goes, what are you doodling? And I was like,

765
00:34:45,160 --> 00:34:47,120
Speaker 3: I'm not doodling anything. I haven't doodled at all.

766
00:34:47,239 --> 00:34:48,319
Speaker 2: You just received a hot night.

767
00:34:48,360 --> 00:34:50,200
Speaker 3: I just yeah, yeah. And the teacher didn't believe me

768
00:34:50,200 --> 00:34:53,799
Speaker 3: and goes tell everyone what You've just written on a

769
00:34:53,880 --> 00:34:56,200
Speaker 3: note and I was like, no, you don't understand. I

770
00:34:56,239 --> 00:34:58,920
Speaker 3: can't because if everyone thinks I wrote this, this is

771
00:34:58,920 --> 00:35:01,600
Speaker 3: the end of me. He goes, get up, white lad,

772
00:35:01,640 --> 00:35:04,960
Speaker 3: and I said, what he is the boy of.

773
00:35:07,000 --> 00:35:12,040
Speaker 2: It was shocking moment. Doable Lisa's Gold on thirty one

774
00:35:12,120 --> 00:35:15,760
Speaker 2: and sixty five. Koda, Lisa, we're talking about teachers intercepting notes.

775
00:35:15,800 --> 00:35:16,799
Speaker 2: You had one intercepted.

776
00:35:18,000 --> 00:35:20,680
Speaker 7: Yes, I wrote a note about our vice principal who

777
00:35:20,760 --> 00:35:24,120
Speaker 7: was teaching us at the time, that mister Cooper's party Cooper.

778
00:35:24,960 --> 00:35:27,279
Speaker 3: Oh yeah, Cooper of the party paper classic name. That's

779
00:35:27,280 --> 00:35:29,000
Speaker 3: good gear. Actually, so.

780
00:35:30,600 --> 00:35:33,520
Speaker 2: You had that. You had Cooper the party Pooper. Who

781
00:35:33,520 --> 00:35:34,360
Speaker 2: are you passing that to?

782
00:35:34,480 --> 00:35:38,359
Speaker 7: Though, Lisa, Oh, I'll pass it to a friend and

783
00:35:38,800 --> 00:35:42,000
Speaker 7: they kept passing it around and mister Cooper found it,

784
00:35:42,120 --> 00:35:45,759
Speaker 7: so he had he house who wrote it? And I

785
00:35:45,920 --> 00:35:46,640
Speaker 7: pulled my hand up.

786
00:35:47,480 --> 00:35:48,840
Speaker 2: Did you have to read it out.

787
00:35:48,760 --> 00:35:50,799
Speaker 7: Or he had to read it out?

788
00:35:51,400 --> 00:35:51,640
Speaker 15: Yeah?

789
00:35:52,040 --> 00:35:52,200
Speaker 9: Part?

790
00:35:52,600 --> 00:35:53,920
Speaker 2: And what was the response, Lisa?

791
00:35:54,960 --> 00:35:57,880
Speaker 7: I had to write one hundred lines. I must be

792
00:35:57,920 --> 00:35:59,440
Speaker 7: careful what I write about people.

793
00:36:00,120 --> 00:36:03,840
Speaker 2: Oh wow, what a party? A hundred lines?

794
00:36:04,160 --> 00:36:05,799
Speaker 3: One hundred lines was a lot.

795
00:36:05,520 --> 00:36:07,640
Speaker 2: One hundred lines. They didn't do lines when we were

796
00:36:07,640 --> 00:36:08,040
Speaker 2: at school.

797
00:36:08,040 --> 00:36:09,480
Speaker 3: I was over that I did lines.

798
00:36:09,640 --> 00:36:09,960
Speaker 4: Did you?

799
00:36:11,880 --> 00:36:18,360
Speaker 2: I can't keep saying this on the tuol. We're going

800
00:36:18,440 --> 00:36:23,640
Speaker 2: to go to Aaron on thirteen one. I'm thirty one

801
00:36:23,640 --> 00:36:27,560
Speaker 2: and sixty five. Could I erin hi, Aaron? Aaron, you

802
00:36:27,600 --> 00:36:29,400
Speaker 2: had a note intercepted in class?

803
00:36:30,239 --> 00:36:33,359
Speaker 15: Yes, so when I was I was like fifteen at

804
00:36:33,400 --> 00:36:37,120
Speaker 15: the time, and my friend had passed me, No, I

805
00:36:37,120 --> 00:36:39,399
Speaker 15: don't know why we couldn't talk. She passed me note

806
00:36:39,560 --> 00:36:42,000
Speaker 15: that told me she'd done the deepest her boyfriend the

807
00:36:42,120 --> 00:36:42,680
Speaker 15: night before.

808
00:36:43,239 --> 00:36:48,120
Speaker 2: True wows a saucy note on a note?

809
00:36:48,440 --> 00:36:52,000
Speaker 3: Why would you write that down evidence of the sea?

810
00:36:52,160 --> 00:36:53,040
Speaker 2: That is insane?

811
00:36:54,360 --> 00:36:56,560
Speaker 15: And she told me, and the teacher come up and

812
00:36:56,560 --> 00:37:00,200
Speaker 15: grabbed it, and her faith just drop and she was

813
00:37:00,280 --> 00:37:02,359
Speaker 15: like everyone was like waiting for her to read it,

814
00:37:02,920 --> 00:37:06,320
Speaker 15: and her face just dropped and she went, all right, girls,

815
00:37:06,360 --> 00:37:09,839
Speaker 15: like I won't read this one. And it turned into

816
00:37:09,920 --> 00:37:16,319
Speaker 15: a whole year level meeting about the deed. So the

817
00:37:16,440 --> 00:37:18,680
Speaker 15: whole year level had to have to talk about the deed.

818
00:37:18,719 --> 00:37:20,399
Speaker 15: And everyone knew it was because of it our known.

819
00:37:20,600 --> 00:37:27,600
Speaker 2: Oh oh my god, so everybody knew, but did you everyone,

820
00:37:27,800 --> 00:37:29,399
Speaker 2: but everyone thought that it might have been you as

821
00:37:29,400 --> 00:37:30,120
Speaker 2: well erin.

822
00:37:31,080 --> 00:37:33,640
Speaker 15: Yeah, I know. Well we were just sitting there and

823
00:37:33,760 --> 00:37:37,320
Speaker 15: like she was very conservative, and it was really that's awful.

824
00:37:37,719 --> 00:37:40,800
Speaker 2: Actually, that's horrific. That's bad teaching as far as I'm concerned.

825
00:37:41,320 --> 00:37:42,960
Speaker 2: I just found out that one of the kids. No,

826
00:37:43,000 --> 00:37:44,839
Speaker 2: I didn't read it out. I'm not gonna read out

827
00:37:44,840 --> 00:37:46,640
Speaker 2: what's on the moment and like to hold a whole

828
00:37:46,719 --> 00:37:48,799
Speaker 2: year meeting about sex.

829
00:37:49,040 --> 00:37:50,680
Speaker 3: And erin particularly.

830
00:37:51,920 --> 00:37:54,200
Speaker 2: Right now it's time for the vague sale.

831
00:37:55,680 --> 00:38:02,359
Speaker 3: Vee. Okay, well bye, Will one of these items for

832
00:38:02,440 --> 00:38:04,480
Speaker 3: fifty bucks. Yeah, that's right. Okay, that's right, that's right.

833
00:38:04,560 --> 00:38:07,359
Speaker 2: Chance to sell us elemon Woods, Absolutely, it's a real

834
00:38:07,440 --> 00:38:08,920
Speaker 2: chance to sell us eleven. You come on here. You

835
00:38:08,960 --> 00:38:11,360
Speaker 2: can tell any word you like, guys, any word you like,

836
00:38:11,400 --> 00:38:13,120
Speaker 2: just have to describe the item.

837
00:38:13,200 --> 00:38:14,320
Speaker 3: It just has to be one word.

838
00:38:14,640 --> 00:38:16,040
Speaker 2: You can obviously be very tricky with this.

839
00:38:16,120 --> 00:38:19,000
Speaker 3: That's the whole point. That's what you are trying to do.

840
00:38:19,080 --> 00:38:20,560
Speaker 3: Will and I are trying to figure out what it

841
00:38:20,640 --> 00:38:23,080
Speaker 3: is based on your vagueness. We do get one question

842
00:38:23,200 --> 00:38:26,000
Speaker 3: about each item as well. The only rule is yes don't.

843
00:38:26,000 --> 00:38:28,680
Speaker 3: You can't lie, You can't flat out light to our faces.

844
00:38:28,719 --> 00:38:30,880
Speaker 3: You can be cryptic, yes the cryptic is you like,

845
00:38:31,000 --> 00:38:35,600
Speaker 3: but you cannot as a cryptex crytrypt What is a cryptext.

846
00:38:36,160 --> 00:38:41,760
Speaker 2: It's actually like a form of a let's go letters

847
00:38:41,800 --> 00:38:45,120
Speaker 2: that Leonardo DaVinci used to hide secrets in anyway, Let's

848
00:38:45,120 --> 00:38:45,720
Speaker 2: go to Jackie.

849
00:38:45,800 --> 00:38:50,200
Speaker 3: He's got to Jackie. As I know it. My fault, Jackie,

850
00:38:50,520 --> 00:38:53,080
Speaker 3: one word to describe the item. You're trying to sell

851
00:38:53,160 --> 00:39:00,319
Speaker 3: us profitable profitable seeh I mean it sounds good red

852
00:39:00,360 --> 00:39:03,319
Speaker 3: herring obviously, but immediately but as I said before, you

853
00:39:03,320 --> 00:39:06,319
Speaker 3: can't lie. If something is profitable, that means we can

854
00:39:06,360 --> 00:39:07,000
Speaker 3: make money off.

855
00:39:06,960 --> 00:39:09,160
Speaker 2: How could the word profitabill be a stitch up?

856
00:39:09,200 --> 00:39:13,160
Speaker 3: Then profit? What is a prophet? None? No? Not sorry?

857
00:39:13,200 --> 00:39:16,000
Speaker 3: What's a what's a prophet?

858
00:39:16,040 --> 00:39:18,040
Speaker 2: Do you do? You mean? Do you mean like as

859
00:39:18,040 --> 00:39:20,719
Speaker 2: someone who speaks the word of God. I don't think

860
00:39:20,719 --> 00:39:25,960
Speaker 2: that you can extend that profitable the adjective profitable, so

861
00:39:26,040 --> 00:39:27,960
Speaker 2: like you have to be able to make money off it.

862
00:39:28,040 --> 00:39:29,799
Speaker 3: Okay, okay, we're walking. I like, I.

863
00:39:29,800 --> 00:39:32,320
Speaker 2: Like, what's the profit?

864
00:39:32,400 --> 00:39:37,120
Speaker 3: And none? Okay? So so it's profitable, which which? But

865
00:39:37,440 --> 00:39:39,120
Speaker 3: a profit can be five cents, you know, so you

866
00:39:39,200 --> 00:39:43,240
Speaker 3: might just be saying that, yes, yes, if.

867
00:39:43,120 --> 00:39:46,680
Speaker 2: You sell a can for five you can sell a

868
00:39:46,680 --> 00:39:49,480
Speaker 2: can back to the to the tip for five cents.

869
00:39:49,520 --> 00:39:51,280
Speaker 3: Should we ask her if this is if it's rubbish

870
00:39:51,320 --> 00:39:53,399
Speaker 3: to people throw this in being no? Should we say

871
00:39:53,520 --> 00:39:54,040
Speaker 3: is it a can?

872
00:39:54,680 --> 00:39:57,320
Speaker 2: It's very very descriptive, But I like that you're backing me, Jackie.

873
00:39:57,440 --> 00:39:58,080
Speaker 2: Is it a can?

874
00:39:59,000 --> 00:39:59,719
Speaker 9: Absolutely not?

875
00:40:00,320 --> 00:40:00,920
Speaker 4: We're nowhere?

876
00:40:00,960 --> 00:40:03,120
Speaker 2: Could be a bottle nowhere could be a bottle.

877
00:40:03,520 --> 00:40:05,440
Speaker 3: It could be a bottle, could be so we've got

878
00:40:05,480 --> 00:40:06,480
Speaker 3: nothing from that question.

879
00:40:06,840 --> 00:40:09,279
Speaker 2: Let's go to Steve. You went very specific. I told

880
00:40:09,280 --> 00:40:11,600
Speaker 2: you not to, but you backed me. I appreciate that,

881
00:40:11,680 --> 00:40:12,799
Speaker 2: but you were nowhere with nuns.

882
00:40:12,840 --> 00:40:15,000
Speaker 3: Let's be honest. That's fair, Steve. What have you got?

883
00:40:15,280 --> 00:40:15,840
Speaker 3: One word?

884
00:40:16,640 --> 00:40:18,120
Speaker 4: One word? Communication?

885
00:40:19,280 --> 00:40:21,360
Speaker 3: Okay? Interesting? So the first thing that popped in my

886
00:40:21,400 --> 00:40:24,040
Speaker 3: head was walky talkie. That's the first I think everybody

887
00:40:24,040 --> 00:40:24,439
Speaker 3: else thought.

888
00:40:24,480 --> 00:40:27,960
Speaker 2: Phone. First in the in my head was carry a pigeon.

889
00:40:30,239 --> 00:40:32,880
Speaker 3: Okay, okay, So if walking Talkie isn't coming to my

890
00:40:32,960 --> 00:40:34,960
Speaker 3: hang on communication, it could be two paper cups on

891
00:40:35,000 --> 00:40:36,359
Speaker 3: a string make communication.

892
00:40:36,600 --> 00:40:38,640
Speaker 2: It could be anything. He might be handing us a

893
00:40:38,640 --> 00:40:39,680
Speaker 2: print out of an email.

894
00:40:40,120 --> 00:40:42,920
Speaker 3: Oh gee whiz. Yeah, it could be a factor.

895
00:40:42,920 --> 00:40:45,560
Speaker 2: He's a vague sale, for Christ's sake, that's the point.

896
00:40:45,640 --> 00:40:45,879
Speaker 3: Okay.

897
00:40:46,440 --> 00:40:50,000
Speaker 2: What two things on one's profitable, one's communication. What do

898
00:40:50,040 --> 00:40:52,000
Speaker 2: you want to ask him? Maybe we should ask him

899
00:40:52,160 --> 00:40:53,120
Speaker 2: is it hardware?

900
00:40:53,680 --> 00:41:01,560
Speaker 3: Because hard well she is, Steve, you absolute dog.

901
00:41:02,200 --> 00:41:05,319
Speaker 2: We'll talk to you when spoken to won't make any sense,

902
00:41:05,360 --> 00:41:05,759
Speaker 2: but you know.

903
00:41:05,680 --> 00:41:07,640
Speaker 3: What I mean? What if what if we say, like,

904
00:41:07,760 --> 00:41:09,840
Speaker 3: was it invented? After the nineties.

905
00:41:11,000 --> 00:41:14,600
Speaker 2: What what are you eliminating? I appreciate that you're trying

906
00:41:14,640 --> 00:41:16,480
Speaker 2: to be broader, but what are you trying to eliminate?

907
00:41:16,520 --> 00:41:17,799
Speaker 3: What was it you're.

908
00:41:17,680 --> 00:41:20,080
Speaker 2: Trying to knock out? Walkie talking? Because I will start zilly?

909
00:41:20,520 --> 00:41:21,960
Speaker 2: What are you trying to knock out?

910
00:41:22,239 --> 00:41:25,000
Speaker 3: Like smartphone? So I could go what.

911
00:41:24,960 --> 00:41:26,280
Speaker 2: If it's before the nineties?

912
00:41:26,480 --> 00:41:28,120
Speaker 3: What else? What do you think? It's a fax machine?

913
00:41:28,160 --> 00:41:29,799
Speaker 2: He's stuck in this fax machine, so it's crap.

914
00:41:29,920 --> 00:41:31,000
Speaker 3: Ira.

915
00:41:31,120 --> 00:41:32,400
Speaker 2: The fax machine might be vintage.

916
00:41:32,480 --> 00:41:33,799
Speaker 3: That could be cool. I don't want to I don't

917
00:41:33,800 --> 00:41:35,240
Speaker 3: want a vintage fax machine.

918
00:41:35,280 --> 00:41:36,279
Speaker 2: Or what do you want?

919
00:41:36,560 --> 00:41:37,520
Speaker 3: I'd love a Samsung.

920
00:41:38,200 --> 00:41:39,360
Speaker 2: Well that's just not going to happen.

921
00:41:39,400 --> 00:41:40,759
Speaker 3: Well, okay, what a question you want to ask? I've

922
00:41:40,760 --> 00:41:41,160
Speaker 3: got a question.

923
00:41:41,800 --> 00:41:42,520
Speaker 2: Is it hardware?

924
00:41:42,719 --> 00:41:43,480
Speaker 3: What does that mean?

925
00:41:43,480 --> 00:41:46,280
Speaker 2: Because then we're opening it up to smartphones, fax machines.

926
00:41:46,320 --> 00:41:47,880
Speaker 3: Either way, it could be everything that we think it

927
00:41:47,920 --> 00:41:48,319
Speaker 3: could be.

928
00:41:48,440 --> 00:41:51,080
Speaker 2: But it might not be a print out Steve, I'm

929
00:41:51,080 --> 00:41:53,719
Speaker 2: eliminating so it doesn't need electricity.

930
00:41:53,960 --> 00:41:56,280
Speaker 3: Okay, doesn't need electricity, Steve.

931
00:41:58,239 --> 00:42:00,719
Speaker 2: No, he's got a lemon. He's got a le Okay, okay,

932
00:42:01,800 --> 00:42:04,440
Speaker 2: you've got a lemon dog. He's got to print out

933
00:42:04,440 --> 00:42:04,880
Speaker 2: of an email.

934
00:42:04,920 --> 00:42:07,080
Speaker 3: So Jackie, though, all she said it to us is

935
00:42:07,120 --> 00:42:08,000
Speaker 3: it's not a can and.

936
00:42:07,960 --> 00:42:09,920
Speaker 2: It's profitable, which sounds good to me.

937
00:42:10,160 --> 00:42:13,200
Speaker 3: It's better than better than communication, better than a print

938
00:42:13,200 --> 00:42:17,279
Speaker 3: out of an email, and it doesn't need Jackie, we're

939
00:42:17,280 --> 00:42:19,400
Speaker 3: going to take your item. What have we bought?

940
00:42:20,480 --> 00:42:20,560
Speaker 4: You?

941
00:42:20,600 --> 00:42:21,600
Speaker 15: Guys are so lucky.

942
00:42:21,640 --> 00:42:23,440
Speaker 9: You have just bought a piece of advice.

943
00:42:23,920 --> 00:42:29,120
Speaker 3: Oh yeah, you well go on give us the hang

944
00:42:29,160 --> 00:42:30,160
Speaker 3: on before we get the piece.

945
00:42:29,960 --> 00:42:32,800
Speaker 2: Of profitable Jackie. It's got to be profitable.

946
00:42:32,360 --> 00:42:34,040
Speaker 3: Before we get the piece of advice. Steve, what were

947
00:42:34,080 --> 00:42:35,080
Speaker 3: you trying to sell us?

948
00:42:36,280 --> 00:42:41,640
Speaker 12: A posted note produces?

949
00:42:42,040 --> 00:42:44,600
Speaker 3: Okay? So Jackie, what is this piece of advice that

950
00:42:44,680 --> 00:42:45,719
Speaker 3: is so profitable?

951
00:42:46,680 --> 00:42:51,120
Speaker 15: Stay in schoolboys?

952
00:42:51,440 --> 00:42:53,000
Speaker 3: You've got fifty bucks? Jackie, well done.

953
00:42:53,120 --> 00:42:55,000
Speaker 2: I mean that was profitable for her. Damn it.

954
00:42:55,200 --> 00:42:59,520
Speaker 3: She actually can see it now, you can see it now.

955
00:42:59,640 --> 00:42:59,960
Speaker 2: Damn it.

956
00:43:02,719 --> 00:43:06,640
Speaker 3: It's will What did you steal from work? Give us

957
00:43:06,640 --> 00:43:09,040
Speaker 3: a call thirteen one oh sixty five. And I'm asking

958
00:43:09,080 --> 00:43:11,040
Speaker 3: that question because I had a good old cackle at

959
00:43:11,040 --> 00:43:14,040
Speaker 3: the hospital this morning. I had an ultrasound done on

960
00:43:14,080 --> 00:43:16,680
Speaker 3: my right ankle, and if you ever had an ultrasound

961
00:43:16,680 --> 00:43:19,400
Speaker 3: before there's this little thing that looks like the the

962
00:43:19,480 --> 00:43:22,200
Speaker 3: barcode zappa that the check out people hold.

963
00:43:24,320 --> 00:43:27,080
Speaker 2: Yeah, yep, kind of yeah, it looks like that.

964
00:43:27,160 --> 00:43:27,399
Speaker 4: Yeah.

965
00:43:27,560 --> 00:43:29,719
Speaker 3: Anyway, they put it on the area that their ultrasound

966
00:43:29,719 --> 00:43:32,160
Speaker 3: in and then they put effectively a lube on your

967
00:43:32,200 --> 00:43:34,080
Speaker 3: ankle to sort of move it around. And I said

968
00:43:34,120 --> 00:43:36,799
Speaker 3: to the guy today, I said, mate, Simon was his name?

969
00:43:36,800 --> 00:43:39,000
Speaker 3: If you listening, Simon, big hello, And I said, Simon.

970
00:43:38,840 --> 00:43:39,680
Speaker 2: Is doctor Shue.

971
00:43:40,080 --> 00:43:41,480
Speaker 3: No, I was a specialist.

972
00:43:42,480 --> 00:43:44,800
Speaker 2: Very funny that he does.

973
00:43:44,440 --> 00:43:46,799
Speaker 3: It really does feat.

974
00:43:48,200 --> 00:43:48,520
Speaker 4: Funny.

975
00:43:49,280 --> 00:43:52,560
Speaker 3: I think it's she, but doctor Schue. Yes, let me

976
00:43:52,600 --> 00:43:54,560
Speaker 3: know that I have a torn ligament that's neither here

977
00:43:54,600 --> 00:43:56,080
Speaker 3: nor there. So I said to Simon, who is my

978
00:43:56,160 --> 00:43:59,240
Speaker 3: ultrasound guy? I said, mate, effectively he is putting lube

979
00:43:59,560 --> 00:44:02,040
Speaker 3: on my called and moved that around and he said yeah, yeah, yeah.

980
00:44:02,080 --> 00:44:04,279
Speaker 3: It's actually a pretty high quality loop. And I was like,

981
00:44:04,280 --> 00:44:06,919
Speaker 3: that's really interesting, Simon, and he said you might find

982
00:44:06,920 --> 00:44:10,200
Speaker 3: this funny, but a lot of the hospital stuff taken

983
00:44:10,320 --> 00:44:11,640
Speaker 3: home with them.

984
00:44:12,239 --> 00:44:18,160
Speaker 2: Yes, such a child, you are, no kid?

985
00:44:18,200 --> 00:44:24,000
Speaker 3: Doctors go off before I go very common.

986
00:44:24,120 --> 00:44:26,120
Speaker 2: He said, what sort of loop was it?

987
00:44:26,400 --> 00:44:30,120
Speaker 3: High grade? Mean high grade? Don't know?

988
00:44:30,160 --> 00:44:30,399
Speaker 2: Will.

989
00:44:30,480 --> 00:44:30,920
Speaker 4: I don't know.

990
00:44:30,960 --> 00:44:33,280
Speaker 3: I didn't ask too many questions, didn't want to sound sick. Yeah,

991
00:44:33,320 --> 00:44:35,839
Speaker 3: that's fair. Anyway, it's got Kyle here thirty one h six.

992
00:44:36,480 --> 00:44:38,800
Speaker 3: That's pretty funny, right. It gave me a good life, Kyle.

993
00:44:39,239 --> 00:44:40,560
Speaker 3: What did you steal from work?

994
00:44:41,440 --> 00:44:43,920
Speaker 14: Awesome? So I worked at a movie theater and we're

995
00:44:43,960 --> 00:44:47,160
Speaker 14: putting up a standy for the first Avengers film.

996
00:44:47,280 --> 00:44:48,040
Speaker 3: Oh yep, yep.

997
00:44:48,200 --> 00:44:51,680
Speaker 14: That was like, oh maybe fifteen different superheros in the front,

998
00:44:51,680 --> 00:44:54,920
Speaker 14: and I disordered to Nick thor So, Chris Hansworth. So

999
00:44:54,920 --> 00:44:57,640
Speaker 14: I took that home with me, and that whole time

1000
00:44:57,920 --> 00:45:00,239
Speaker 14: they had that standy up, they no one could have

1001
00:45:00,239 --> 00:45:01,120
Speaker 14: a fine fault.

1002
00:45:01,360 --> 00:45:02,960
Speaker 10: Ah, very good child.

1003
00:45:02,800 --> 00:45:07,279
Speaker 3: Well played, Kyle, very good, very very annoying for the fans.

1004
00:45:07,040 --> 00:45:10,000
Speaker 2: To discover why we shouldn't have gone to phones. Didn't

1005
00:45:10,080 --> 00:45:12,480
Speaker 2: quite get the arded out early as well.

1006
00:45:12,600 --> 00:45:15,279
Speaker 3: Didn't quite get the fuel voucher that Gabrielle is going

1007
00:45:15,320 --> 00:45:19,279
Speaker 3: to give it a crack, gabriel Gabrielle, help me out

1008
00:45:19,680 --> 00:45:22,000
Speaker 3: your daughter. You stole something from your daughter's work.

1009
00:45:22,680 --> 00:45:23,200
Speaker 4: I did.

1010
00:45:23,400 --> 00:45:27,760
Speaker 14: I stole the giant blower crumpet man. I just walked

1011
00:45:27,840 --> 00:45:31,080
Speaker 14: right out through the check out, which is the giant

1012
00:45:31,080 --> 00:45:31,799
Speaker 14: crumpet man?

1013
00:45:31,920 --> 00:45:33,239
Speaker 3: How big is he? Gabrielle to.

1014
00:45:35,239 --> 00:45:41,080
Speaker 2: A big as a twelve year old? I walked out,

1015
00:45:42,239 --> 00:45:46,319
Speaker 2: griel Hannah trumpet man, Hannah, what did you steal from work?

1016
00:45:47,800 --> 00:45:47,960
Speaker 10: Hi?

1017
00:45:48,480 --> 00:45:49,839
Speaker 3: Hi, Hannah? What'll just do it? From work?

1018
00:45:50,560 --> 00:45:51,840
Speaker 8: I stole four sheep?

1019
00:45:53,040 --> 00:45:53,400
Speaker 3: Hoddy?

1020
00:45:53,440 --> 00:45:53,640
Speaker 2: Hell?

1021
00:45:54,200 --> 00:45:56,759
Speaker 3: Did they not let as the four sheep were missing? Hannah?

1022
00:45:57,040 --> 00:45:57,520
Speaker 14: They did not?

1023
00:45:58,320 --> 00:45:59,439
Speaker 3: Bloody? What'd you do with them?

1024
00:46:00,160 --> 00:46:01,480
Speaker 15: I gave them to a friend.

1025
00:46:02,680 --> 00:46:04,120
Speaker 3: Nice.

1026
00:46:08,840 --> 00:46:13,040
Speaker 2: No, it wasn't bad story. God crush