1 00:00:00,160 --> 00:00:02,160 Speaker 1: All the comedy festivals are on all over the country. 2 00:00:02,160 --> 00:00:03,760 Speaker 2: At the moment, you might have already seen him. 3 00:00:03,880 --> 00:00:05,760 Speaker 1: You'd be liking to catch him if you have, because 4 00:00:06,000 --> 00:00:07,120 Speaker 1: he's absolutely. 5 00:00:06,640 --> 00:00:09,160 Speaker 2: Popping off at the moment. Guy Montgomery, he is in 6 00:00:09,200 --> 00:00:10,840 Speaker 2: the studio. Oh wow, yeah, I can. 7 00:00:11,760 --> 00:00:15,000 Speaker 3: I can't stop popping off at the moment. You let 8 00:00:15,040 --> 00:00:17,240 Speaker 3: to a find that when you just come I haven't 9 00:00:17,239 --> 00:00:18,880 Speaker 3: popped off like you. You're popping off. 10 00:00:18,920 --> 00:00:21,560 Speaker 1: I mean, I just you just had a very successful 11 00:00:21,600 --> 00:00:25,480 Speaker 1: TV show on the ABC, on the Australian proodcast, and 12 00:00:25,520 --> 00:00:31,120 Speaker 1: you're foreign invader. You're coming in here very limited immigration 13 00:00:31,200 --> 00:00:31,640 Speaker 1: stuff off. 14 00:00:31,720 --> 00:00:34,120 Speaker 2: My that's good. 15 00:00:34,240 --> 00:00:36,440 Speaker 4: Even your opinions fly on prime time. 16 00:00:36,600 --> 00:00:37,559 Speaker 2: I am who I am man? 17 00:00:39,760 --> 00:00:41,639 Speaker 5: Why don't you like popping off? Popping off is good? 18 00:00:42,000 --> 00:00:43,760 Speaker 4: No, I don't like it. I just I just can't 19 00:00:43,760 --> 00:00:44,680 Speaker 4: freaking help myself. 20 00:00:44,760 --> 00:00:45,040 Speaker 2: Yeah. 21 00:00:45,800 --> 00:00:47,960 Speaker 3: I'm just trying to get through a day, you know, 22 00:00:48,040 --> 00:00:49,320 Speaker 3: and all of a sudden I'm popping off. 23 00:00:54,000 --> 00:00:56,160 Speaker 2: How you guys noticing? 24 00:00:56,920 --> 00:00:59,880 Speaker 1: I think this is a nice hilarat Okay to tell 25 00:01:00,080 --> 00:01:03,440 Speaker 1: into Okay, what's the moment where you where you notice 26 00:01:03,480 --> 00:01:04,920 Speaker 1: that the popping off is happening. 27 00:01:04,959 --> 00:01:07,160 Speaker 3: It was actually there was quite a nice one last 28 00:01:07,280 --> 00:01:09,880 Speaker 3: year after I've been back. I've been home in New 29 00:01:09,959 --> 00:01:11,320 Speaker 3: Zealand for a while and I was coming over to 30 00:01:11,319 --> 00:01:14,600 Speaker 3: do a show in Adelaide. I think maybe August or September. 31 00:01:15,080 --> 00:01:16,720 Speaker 3: And I got Adelaide the airport and I made it. 32 00:01:16,760 --> 00:01:17,319 Speaker 4: I was first. 33 00:01:18,120 --> 00:01:19,640 Speaker 3: I know, I was just over for a couple of nights, 34 00:01:19,640 --> 00:01:21,080 Speaker 3: so I didn't have any chick luggage. So I was 35 00:01:21,080 --> 00:01:23,760 Speaker 3: like the first one to get to the you know, 36 00:01:23,840 --> 00:01:25,839 Speaker 3: border security or whatever to give him a bit of paper. 37 00:01:25,840 --> 00:01:27,760 Speaker 1: I don't think it's border security, but yeah, what do 38 00:01:27,800 --> 00:01:28,920 Speaker 1: you call them? 39 00:01:28,959 --> 00:01:32,920 Speaker 5: Just they're the borders immigration. He is flying from overseas. 40 00:01:36,480 --> 00:01:37,520 Speaker 5: You've got us, You've got us. 41 00:01:38,880 --> 00:01:43,240 Speaker 1: It's like back, you got to get through immigration because 42 00:01:43,280 --> 00:01:43,920 Speaker 1: you're a foreigner. 43 00:01:43,959 --> 00:01:49,880 Speaker 6: That's so I get there and I was like, I 44 00:01:49,920 --> 00:01:53,000 Speaker 6: give the guy the car and he goes, oh my god, mate, 45 00:01:53,160 --> 00:01:54,000 Speaker 6: I love your show. 46 00:01:54,280 --> 00:01:55,280 Speaker 4: I've been cracking up. 47 00:01:55,320 --> 00:01:57,400 Speaker 3: And I thought, this is the best sort of welcome 48 00:01:57,640 --> 00:02:00,120 Speaker 3: I've received anywhere where I could feel there was a 49 00:02:00,240 --> 00:02:03,120 Speaker 3: change over be pretty hostile. You know, they do the 50 00:02:03,160 --> 00:02:05,200 Speaker 3: full cavity search and whatnot. 51 00:02:05,280 --> 00:02:07,520 Speaker 4: The side room. Yeah, I might have been you actually, Yeah, 52 00:02:07,520 --> 00:02:09,000 Speaker 4: all of a suddenly you're. 53 00:02:08,880 --> 00:02:10,760 Speaker 2: Not popping off drink a cavity search you. 54 00:02:12,639 --> 00:02:15,800 Speaker 6: I was popping up I found a lot of stuff 55 00:02:15,800 --> 00:02:16,600 Speaker 6: that I kicked me out. 56 00:02:17,080 --> 00:02:18,560 Speaker 4: I said, I was enjoying it too much. 57 00:02:19,080 --> 00:02:22,040 Speaker 3: I know, I I do understand up specially you talked 58 00:02:22,040 --> 00:02:25,360 Speaker 3: about trying to stay off your phone while driving. 59 00:02:25,639 --> 00:02:27,760 Speaker 5: Yes, how's that going for you? 60 00:02:27,800 --> 00:02:30,280 Speaker 4: Well, it's you know, because it's against the law in 61 00:02:30,320 --> 00:02:31,040 Speaker 4: both countries. 62 00:02:32,560 --> 00:02:33,600 Speaker 2: It's a foreigner. 63 00:02:33,840 --> 00:02:37,720 Speaker 5: Yeah, I'm succeeding. 64 00:02:37,919 --> 00:02:39,360 Speaker 3: I don't go on my phone when I'm in the 65 00:02:39,360 --> 00:02:42,080 Speaker 3: car anymore, you know, listening to whatever I'm listening to, 66 00:02:42,720 --> 00:02:44,720 Speaker 3: I don't change the song because there's also there's the 67 00:02:44,760 --> 00:02:46,600 Speaker 3: screens in the cars now, so you can go on 68 00:02:46,639 --> 00:02:48,239 Speaker 3: the phone, you can just go on a bigger screen. 69 00:02:48,840 --> 00:02:50,519 Speaker 2: I found that what's the rules around that? 70 00:02:50,560 --> 00:02:52,640 Speaker 5: What are the rules around tinkering with your screen? 71 00:02:53,240 --> 00:02:55,600 Speaker 1: TV about it today, But I was on a silent 72 00:02:55,639 --> 00:02:57,800 Speaker 1: TV in a waiting room, so I couldn't quite decipher 73 00:02:57,840 --> 00:02:59,560 Speaker 1: what they were talking about the screen. 74 00:02:59,800 --> 00:03:01,519 Speaker 5: I was in a news story about the screen. 75 00:03:02,520 --> 00:03:05,600 Speaker 3: It makes sense. I'm trying to stay off my phone 76 00:03:05,600 --> 00:03:08,600 Speaker 3: more in general. You know, I'm doing a lot of 77 00:03:08,639 --> 00:03:12,239 Speaker 3: reading while driving now, I'm getting to a lot of 78 00:03:12,240 --> 00:03:18,440 Speaker 3: the classics Savski, Dickens, other authors whose surname begins with. 79 00:03:22,960 --> 00:03:25,160 Speaker 4: It wasn't a prepared but because if it was prepared, I. 80 00:03:25,120 --> 00:03:25,640 Speaker 2: Would to hear. 81 00:03:27,760 --> 00:03:30,840 Speaker 1: For sure, for sure, I'm frantically trying to think of 82 00:03:31,840 --> 00:03:32,840 Speaker 1: with a D surname. 83 00:03:32,919 --> 00:03:36,120 Speaker 2: Now, yeah, we'll find it. Yeah, we'll get. 84 00:03:35,960 --> 00:03:37,760 Speaker 5: There or you leave, we'll find it. 85 00:03:37,840 --> 00:03:39,920 Speaker 3: Okay, Well, and there's no rush to Why don't we 86 00:03:39,920 --> 00:03:40,960 Speaker 3: all take thirty seconds? 87 00:03:41,680 --> 00:03:43,720 Speaker 5: It was Dawkins Richard Richard. 88 00:03:44,440 --> 00:03:51,760 Speaker 1: Yeah, yeah, yeah, just allowed. 89 00:03:55,880 --> 00:03:57,800 Speaker 2: I like someone in the crowd and when they were 90 00:03:57,800 --> 00:03:58,400 Speaker 2: playing no. 91 00:03:58,400 --> 00:04:03,600 Speaker 3: Deal, some might there'll be some Australian authors screaming at 92 00:04:03,600 --> 00:04:09,360 Speaker 3: the radio right now. Yeah, yeah, we don't even think 93 00:04:09,360 --> 00:04:09,800 Speaker 3: out loud. 94 00:04:09,880 --> 00:04:11,560 Speaker 4: Let's I know they say this is a big no. 95 00:04:11,400 --> 00:04:14,000 Speaker 2: On radio fifteen second Stiles trying and think of it all. 96 00:04:17,160 --> 00:04:18,400 Speaker 4: It's hard when you're under pressure. 97 00:04:19,279 --> 00:04:20,039 Speaker 2: I'm really sure. 98 00:04:20,520 --> 00:04:21,240 Speaker 5: How do you try? 99 00:04:21,360 --> 00:04:21,480 Speaker 2: Oh? 100 00:04:21,640 --> 00:04:30,320 Speaker 1: Oh, Trent Dalton, he's a guy, big listenersults. 101 00:04:30,920 --> 00:04:36,280 Speaker 2: Yeah, Hey, we're going to go to a song. I 102 00:04:36,360 --> 00:04:38,760 Speaker 2: really do. Hey, mate, let's talk about this. 103 00:04:39,040 --> 00:04:40,920 Speaker 1: I know we've spoken about it before, but I think 104 00:04:40,920 --> 00:04:42,960 Speaker 1: it is if people aren't across it. You have got 105 00:04:43,000 --> 00:04:45,120 Speaker 1: this podcast called the worst idea of All time, Yes, 106 00:04:45,760 --> 00:04:48,400 Speaker 1: where you watch a really bad movie over and over 107 00:04:48,480 --> 00:04:50,880 Speaker 1: again with your co host. 108 00:04:50,880 --> 00:04:55,800 Speaker 3: What's you decide on the bad movie? Well, I've got 109 00:04:55,839 --> 00:04:59,040 Speaker 3: to say, first of all, we just choose. Initially, we 110 00:04:59,160 --> 00:05:01,479 Speaker 3: just chose grown Ups because we thought it's funnier to 111 00:05:01,520 --> 00:05:03,480 Speaker 3: do the sequel to a film that maybe shouldn't have 112 00:05:03,520 --> 00:05:06,280 Speaker 3: been made them you know, what's worse than the original. Sure, 113 00:05:06,640 --> 00:05:08,200 Speaker 3: And then the next year we did Six and the 114 00:05:08,240 --> 00:05:10,279 Speaker 3: City two to follow the sequel rule, and then everyone 115 00:05:10,279 --> 00:05:12,320 Speaker 3: thought we only did sequels, so we did a different one. 116 00:05:12,320 --> 00:05:14,400 Speaker 3: But we've I mean, we had to retire the concept 117 00:05:14,440 --> 00:05:18,920 Speaker 3: because we're still talking to each other both on and off. Mike, 118 00:05:20,920 --> 00:05:21,600 Speaker 3: we're old man. 119 00:05:21,640 --> 00:05:23,960 Speaker 4: We started that like eleven years yeah, yeah, and it's 120 00:05:23,960 --> 00:05:27,560 Speaker 4: a young man's game. It dates back a long way. 121 00:05:27,800 --> 00:05:29,640 Speaker 4: And so now, yeah, we don't do that. 122 00:05:29,680 --> 00:05:31,720 Speaker 3: We've still got one which we do with some guys 123 00:05:31,720 --> 00:05:33,680 Speaker 3: in America who have a podcast called My Brother and 124 00:05:33,680 --> 00:05:36,000 Speaker 3: Me called Till Death to Us Blant. Yeah, yeah, yeah, 125 00:05:36,000 --> 00:05:39,240 Speaker 3: that's an annual watch and review of Paul Blant more 126 00:05:39,279 --> 00:05:42,520 Speaker 3: Cop two brilliant and that one is from now until 127 00:05:42,520 --> 00:05:44,680 Speaker 3: the end of Lny of Time as the plan. So 128 00:05:44,720 --> 00:05:47,880 Speaker 3: we've all got ears or successes too, So that one's 129 00:05:47,920 --> 00:05:50,960 Speaker 3: going to go until someone drops off, they'll die, and 130 00:05:50,960 --> 00:05:52,600 Speaker 3: then we'll get a new we'll get a new co 131 00:05:52,720 --> 00:05:54,880 Speaker 3: host in and that's going to be quite an interesting 132 00:05:55,160 --> 00:05:57,839 Speaker 3: episode that one. And you know, god will Yeah, it's 133 00:05:57,880 --> 00:06:00,000 Speaker 3: not you know, thirty forty fifty year. 134 00:06:00,600 --> 00:06:02,880 Speaker 1: Every year you're going to meet up with these guys 135 00:06:02,880 --> 00:06:04,080 Speaker 1: and talk about Paul Black. 136 00:06:04,920 --> 00:06:07,920 Speaker 3: That's right, But so because what will happen? Of course, Yeah, 137 00:06:08,080 --> 00:06:10,719 Speaker 3: we will mourn the loss of our fallen colleague. Yeah, 138 00:06:11,080 --> 00:06:19,000 Speaker 3: it'd be great to get some fresh eyes on the movie. 139 00:06:16,680 --> 00:06:19,200 Speaker 1: Because a lot of people listening right now, knowing ore demographic, 140 00:06:19,200 --> 00:06:21,880 Speaker 1: who would have seen Sex and the City two. How 141 00:06:21,880 --> 00:06:23,360 Speaker 1: many times have you seen Sex and the City two? 142 00:06:23,839 --> 00:06:26,520 Speaker 4: I think that their final telly is fifty six? 143 00:06:26,640 --> 00:06:29,920 Speaker 1: Okay, oh my what and you're talking about that every week? 144 00:06:30,000 --> 00:06:34,960 Speaker 1: So what what is the thing for you? 145 00:06:35,839 --> 00:06:36,520 Speaker 2: Top line? 146 00:06:38,160 --> 00:06:40,480 Speaker 1: Like, if you had to tell someone something about Sex 147 00:06:40,520 --> 00:06:43,040 Speaker 1: and the City that is most remarkable to you about 148 00:06:43,040 --> 00:06:44,320 Speaker 1: that movie, what would you say? 149 00:06:44,880 --> 00:06:46,440 Speaker 4: It's two and a half hours long. I think it's 150 00:06:46,480 --> 00:06:47,640 Speaker 4: one of the big problems with the movie. 151 00:06:47,800 --> 00:06:50,159 Speaker 3: Yeah, fair enough, but you will while you will clock 152 00:06:50,279 --> 00:06:53,560 Speaker 3: if you watch a movie enough times, is all of 153 00:06:53,600 --> 00:06:56,440 Speaker 3: the main action that's all on focus, and all the 154 00:06:56,480 --> 00:06:59,040 Speaker 3: background action they'll have that out of focus. But if 155 00:06:59,080 --> 00:07:01,960 Speaker 3: you watch the movie long enough and enough times, it's 156 00:07:02,000 --> 00:07:03,760 Speaker 3: sort of like, all of a sudden, the focus is 157 00:07:03,800 --> 00:07:05,479 Speaker 3: a focus pool, and all of a sudden, all the 158 00:07:05,480 --> 00:07:07,880 Speaker 3: main action in the front of frame becomes soft focused 159 00:07:07,880 --> 00:07:10,840 Speaker 3: and in the background you're picking up on people are making. 160 00:07:10,680 --> 00:07:13,040 Speaker 4: Different choices week screening, the screening. 161 00:07:13,080 --> 00:07:16,600 Speaker 3: You know, you're watching all of the cast, the core casts, 162 00:07:16,720 --> 00:07:19,720 Speaker 3: you know the chorus line basically, and you're building out 163 00:07:19,760 --> 00:07:20,720 Speaker 3: big stories for them. 164 00:07:20,720 --> 00:07:23,880 Speaker 5: Where's that person walking that quickly? 165 00:07:23,920 --> 00:07:24,480 Speaker 4: Coffee guy? 166 00:07:24,600 --> 00:07:27,880 Speaker 3: Second City, season two, there's a guy he sits down. 167 00:07:27,960 --> 00:07:29,520 Speaker 3: The girls are in the coffee shop. There's a guy 168 00:07:29,520 --> 00:07:31,640 Speaker 3: walks into the coffee shop, sits down. You see him 169 00:07:31,680 --> 00:07:33,480 Speaker 3: order a coffee. You see him drink it one, two, 170 00:07:33,520 --> 00:07:34,720 Speaker 3: three times, put it down. 171 00:07:34,600 --> 00:07:38,280 Speaker 4: Walk out. It's all this and like one minute of 172 00:07:38,520 --> 00:07:39,560 Speaker 4: actual screen time. 173 00:07:40,960 --> 00:07:42,680 Speaker 3: And you know, like guys like that you're not going 174 00:07:42,720 --> 00:07:44,120 Speaker 3: to see if you go to the movies once, you're 175 00:07:44,120 --> 00:07:45,160 Speaker 3: going to see a guy like that. 176 00:07:45,520 --> 00:07:49,040 Speaker 4: We got in touch with him. Yeah, we found it, 177 00:07:49,200 --> 00:07:51,040 Speaker 4: we found him. We're tracking down. 178 00:07:51,040 --> 00:07:53,840 Speaker 3: You know, we are giving shine all the unsung heroes 179 00:07:53,840 --> 00:07:57,320 Speaker 3: of these sorts of other crazy thing. Season one we 180 00:07:57,360 --> 00:08:01,840 Speaker 3: had grown ups too, Patrick Schwartz and Swartzeneger's son. He's 181 00:08:01,840 --> 00:08:05,440 Speaker 3: having a moment. He was sort of a bigger than 182 00:08:05,480 --> 00:08:08,160 Speaker 3: featured extra. He was there's a frat boy. There's like 183 00:08:08,200 --> 00:08:10,720 Speaker 3: four frat boys, lead by Taylor Lautner of Twilight Fame. 184 00:08:10,800 --> 00:08:13,040 Speaker 3: One of us off side is Patrick Schwarzenegger. We were 185 00:08:13,040 --> 00:08:15,000 Speaker 3: totally drawn to him. There was a magnetism. He was 186 00:08:15,040 --> 00:08:18,360 Speaker 3: also not turning in a particularly convincing performance. So about 187 00:08:18,640 --> 00:08:20,960 Speaker 3: twenty five screenings in a guy comes on and says, 188 00:08:20,960 --> 00:08:23,360 Speaker 3: you know, that's Donald Schwartzenegger's son, and we become consumed 189 00:08:23,360 --> 00:08:24,880 Speaker 3: by him. We have a segment on the podcast called 190 00:08:24,920 --> 00:08:28,520 Speaker 3: Patty Schwartz Party Time. We're tracking his investments, we're tracking 191 00:08:28,520 --> 00:08:31,960 Speaker 3: his relationships, we're reaching out on Twitter. At the end 192 00:08:32,000 --> 00:08:37,160 Speaker 3: of the season we get matching Patrick Schwarzeneger tattoos. And 193 00:08:37,240 --> 00:08:40,280 Speaker 3: for sort of eleven years, since it's just this miscellaneous 194 00:08:40,280 --> 00:08:42,200 Speaker 3: piece of trivia that no one really knows about, it's 195 00:08:42,200 --> 00:08:44,760 Speaker 3: on my ass, no one gets to see or really discuss, 196 00:08:45,200 --> 00:08:46,960 Speaker 3: and then all of a sudden he has this huge 197 00:08:47,000 --> 00:08:48,439 Speaker 3: Schwarzenegger renaissance. 198 00:08:48,800 --> 00:08:49,559 Speaker 4: He's back in the. 199 00:08:49,480 --> 00:08:51,120 Speaker 5: Public eye and I'm going, you don't know. 200 00:08:51,240 --> 00:08:52,120 Speaker 4: I know this guy. 201 00:08:54,200 --> 00:08:55,280 Speaker 5: I used to reach out to. 202 00:08:55,559 --> 00:08:59,439 Speaker 3: We d him, we used to d on Twitching. I 203 00:08:59,520 --> 00:09:02,160 Speaker 3: got a direct line. Yeah, he's launched this product recently 204 00:09:02,200 --> 00:09:02,920 Speaker 3: called marsh Bars. 205 00:09:02,920 --> 00:09:04,640 Speaker 4: He reckons. He solving al Zeims with a music. 206 00:09:04,920 --> 00:09:05,440 Speaker 5: He's lost his. 207 00:09:07,880 --> 00:09:10,559 Speaker 4: Bars. We've got him back on the line. We're saying 208 00:09:10,679 --> 00:09:12,920 Speaker 4: we want mys to sponsor our podcast. You said, what 209 00:09:12,920 --> 00:09:15,600 Speaker 4: are you thinking? And I said twenty five thousand dollars. 210 00:09:16,320 --> 00:09:18,560 Speaker 3: He said, usually we need to see your numbers before 211 00:09:18,559 --> 00:09:22,760 Speaker 3: committing to something like that, and then I deleted Twitter. 212 00:09:25,160 --> 00:09:26,640 Speaker 1: If you want to go and see him, get around 213 00:09:26,640 --> 00:09:27,319 Speaker 1: going Ontgomery. 214 00:09:27,360 --> 00:09:28,320 Speaker 2: It's a great show. 215 00:09:28,679 --> 00:09:31,240 Speaker 1: Live Nation dot com dot you to see guys show 216 00:09:31,800 --> 00:09:34,240 Speaker 1: doing Melbourne and Fresh out of Adeli doing all the 217 00:09:34,240 --> 00:09:35,640 Speaker 1: other comedy festivals I imagine. 218 00:09:35,720 --> 00:09:41,120 Speaker 3: Yeah, you're doing the tours Sydney, Perth, Brisbane, wollongong. 219 00:09:40,600 --> 00:09:44,559 Speaker 4: O, bat All, the major Newcastle. 220 00:09:44,600 --> 00:09:46,360 Speaker 1: Don't call it a center. You sound like a foreigner 221 00:09:47,400 --> 00:09:49,920 Speaker 1: Live Nation. You should do that exit. 222 00:09:49,679 --> 00:09:53,400 Speaker 4: You were doing how do you say Foreigner's talk again? 223 00:09:53,840 --> 00:09:56,520 Speaker 2: Live on 224 00:09:58,480 --> 00:09:58,800 Speaker 5: Kiss