1 00:00:01,200 --> 00:00:03,520 Speaker 1: My name is Lily Maddon and I'm a proud Arunda 2 00:00:03,760 --> 00:00:08,520 Speaker 1: Bunjelung Calcottin woman from Gadigol Country. The Daily oz acknowledges 3 00:00:08,600 --> 00:00:10,800 Speaker 1: that this podcast is recorded on the lands of the 4 00:00:10,800 --> 00:00:14,360 Speaker 1: Gadighol people and pays respect to all Aboriginal and Torres 5 00:00:14,360 --> 00:00:17,279 Speaker 1: Strait Island and nations. We pay our respects to the 6 00:00:17,320 --> 00:00:20,079 Speaker 1: first peoples of these countries, both past and present. 7 00:00:25,160 --> 00:00:27,880 Speaker 2: Good morning and welcome to the Daily os It's Friday, 8 00:00:27,920 --> 00:00:31,400 Speaker 2: the twenty first of July. I'm Sam Kazlowski, I'm Zarasisler. 9 00:00:31,800 --> 00:00:34,559 Speaker 2: It is going to be a huge weekend for film 10 00:00:34,600 --> 00:00:39,800 Speaker 2: with the release of two Hollywood blockbusters, Barbie the Ma Breaks. 11 00:00:40,360 --> 00:00:43,640 Speaker 3: Some things have been happening that might be related Chay 12 00:00:44,280 --> 00:00:49,360 Speaker 3: called shower falling off my roof and my heels are 13 00:00:49,400 --> 00:00:50,479 Speaker 3: on the ground. 14 00:00:53,640 --> 00:01:01,280 Speaker 2: And Oppenheimer five four three Truman needs to know what's next? 15 00:01:01,320 --> 00:01:02,640 Speaker 1: To what's next? 16 00:01:02,920 --> 00:01:07,000 Speaker 4: Why? 17 00:01:07,880 --> 00:01:12,720 Speaker 2: Two very different films uniting people near resurgent love for 18 00:01:12,800 --> 00:01:16,720 Speaker 2: the in real life cinema experience. So will the combined 19 00:01:16,760 --> 00:01:21,640 Speaker 2: excitement for Barbenheimer be enough to save Australian cinema. We're 20 00:01:21,640 --> 00:01:23,640 Speaker 2: going to have the discussion in today's Deep dive, but 21 00:01:23,720 --> 00:01:26,360 Speaker 2: first RS and movement on jobs figures yesterday. 22 00:01:26,959 --> 00:01:30,080 Speaker 3: The unemployment rate has remained at three point five percent 23 00:01:30,200 --> 00:01:32,920 Speaker 3: for the month of June. That's according to the Australian 24 00:01:32,959 --> 00:01:37,080 Speaker 3: Bureau of Statistics, with figures slightly lower than many expected. 25 00:01:37,640 --> 00:01:40,959 Speaker 3: The underemployment rate stayed at six point four percent. 26 00:01:42,319 --> 00:01:45,840 Speaker 2: Australian soldiers have diffused a World War II bomb found 27 00:01:45,880 --> 00:01:49,440 Speaker 2: on the Pacific island of Nauru. The discovery of the 28 00:01:49,480 --> 00:01:52,880 Speaker 2: two hundred and twenty kilogram unexploded bomb triggered a state 29 00:01:52,880 --> 00:01:56,000 Speaker 2: of emergency on the island. Schools were shut down to 30 00:01:56,080 --> 00:01:57,520 Speaker 2: ensure safety in the area. 31 00:01:58,560 --> 00:02:02,960 Speaker 3: A new venomous snakes species has been discovered in Central Australia. 32 00:02:03,120 --> 00:02:06,040 Speaker 3: Glad this one wasn't the good news. The desert whip 33 00:02:06,080 --> 00:02:09,680 Speaker 3: snake had been mistaken as a different species for decades 34 00:02:09,720 --> 00:02:12,400 Speaker 3: and was only identified through genetic testing. 35 00:02:13,560 --> 00:02:16,840 Speaker 2: And today's good news. Australian scientists have made a breakthrough 36 00:02:16,880 --> 00:02:21,080 Speaker 2: discovery for prostate cancer treatment. Researchers at the University of 37 00:02:21,120 --> 00:02:24,320 Speaker 2: South Australia are hopeful the discovery of three new genetic 38 00:02:24,320 --> 00:02:29,440 Speaker 2: factors called biomarkers will help identify and differentiate potentially aggressive 39 00:02:29,480 --> 00:02:32,600 Speaker 2: cases of prostate cancer. It's a disease that kills more 40 00:02:32,680 --> 00:02:38,640 Speaker 2: than three hundred thousand men a year globally. It's going 41 00:02:38,720 --> 00:02:41,520 Speaker 2: to be a huge weekend of cinema action. It's the 42 00:02:41,520 --> 00:02:45,520 Speaker 2: weekend of Barbenheimer for cinema lovers. It really does feel 43 00:02:45,560 --> 00:02:48,160 Speaker 2: like Boxing day. You know, everyone's running to the movies, 44 00:02:48,200 --> 00:02:50,960 Speaker 2: except where in July things are a little colder. Some 45 00:02:51,000 --> 00:02:53,880 Speaker 2: people might have even planned a double feature for the weekend. 46 00:02:54,040 --> 00:02:56,760 Speaker 3: Sam, I don't even know why this would be a question, 47 00:02:57,080 --> 00:03:00,360 Speaker 3: but it is one I've heard many people saying that 48 00:03:00,560 --> 00:03:03,200 Speaker 3: is which movie are you going to see first? 49 00:03:03,639 --> 00:03:06,240 Speaker 2: Well, I do have an answer to that question for you. 50 00:03:06,320 --> 00:03:08,840 Speaker 2: It's right at the end of my discussion with Christian 51 00:03:08,960 --> 00:03:13,280 Speaker 2: Connolly Teaser. He's the CEO at Cinema Nova in Melbourne 52 00:03:13,320 --> 00:03:15,519 Speaker 2: and has been working in the film industry for over 53 00:03:15,560 --> 00:03:19,000 Speaker 2: two decades. Christian Connelly, Welcome to the podcast. 54 00:03:19,000 --> 00:03:20,720 Speaker 4: Oh it's my pleasure to always check to you guys. 55 00:03:20,840 --> 00:03:23,560 Speaker 2: Paint the picture for me of your cinema today. 56 00:03:23,720 --> 00:03:27,960 Speaker 5: It's very exciting. There's a real sense of anticipation. It's 57 00:03:28,120 --> 00:03:30,359 Speaker 5: very different from when we say, forty eight hours ago 58 00:03:30,720 --> 00:03:32,920 Speaker 5: in our space Cinema and Nova. If people aren't aware 59 00:03:32,960 --> 00:03:36,360 Speaker 5: of Cinema Nova. We're a little bit different from the 60 00:03:36,440 --> 00:03:39,040 Speaker 5: multiplex theater you might find at your local shopping center. 61 00:03:39,240 --> 00:03:42,200 Speaker 5: We are dedicated to what we call sort of quality, 62 00:03:42,280 --> 00:03:46,120 Speaker 5: upscale or art house films, and as a result of that, 63 00:03:46,920 --> 00:03:49,880 Speaker 5: we tend to play things like say everything everywhere or 64 00:03:49,880 --> 00:03:52,960 Speaker 5: at Once, or Triangle of Sadness. But in the case 65 00:03:52,960 --> 00:03:56,040 Speaker 5: of Barbie, that's a different sort of thing for us 66 00:03:56,080 --> 00:03:59,360 Speaker 5: in terms of it's just on the surface because it's 67 00:03:59,600 --> 00:04:04,000 Speaker 5: really really having a moment culturally. But for us, we 68 00:04:04,040 --> 00:04:06,400 Speaker 5: look at it as a Grete Grvik film, and we've 69 00:04:06,440 --> 00:04:09,760 Speaker 5: had such extraordinary success with her and her films over 70 00:04:09,800 --> 00:04:12,640 Speaker 5: the years. With Lady Bird and Little Women, we were 71 00:04:12,840 --> 00:04:15,480 Speaker 5: the top grossing location in the country and probably amongst 72 00:04:15,480 --> 00:04:17,320 Speaker 5: the top grossing locations in the world on both of 73 00:04:17,320 --> 00:04:19,200 Speaker 5: those films. So we sort of looked at it from 74 00:04:19,240 --> 00:04:21,640 Speaker 5: a distance and we said, that's something that's going to 75 00:04:21,640 --> 00:04:24,160 Speaker 5: be a major picture for us because our audience has 76 00:04:24,200 --> 00:04:27,640 Speaker 5: really engaged with her and her storytelling, and so we 77 00:04:27,680 --> 00:04:28,480 Speaker 5: prioritized it. 78 00:04:28,560 --> 00:04:30,719 Speaker 2: You've been working in the film industry now for quite 79 00:04:30,760 --> 00:04:33,680 Speaker 2: a long time. Can you remember a time when you've 80 00:04:33,680 --> 00:04:38,000 Speaker 2: seen anything like this? Barbie Oppenheimer double header hype. 81 00:04:38,320 --> 00:04:41,640 Speaker 5: Certainly nothing that goes and takes two completely different films 82 00:04:41,640 --> 00:04:43,839 Speaker 5: and decides to smash them together in the way that 83 00:04:43,880 --> 00:04:46,440 Speaker 5: we've seen with Barbie and Oppenheimer. I think this is 84 00:04:46,480 --> 00:04:51,200 Speaker 5: a really unique moments that feels very organic. It's come 85 00:04:51,279 --> 00:04:54,440 Speaker 5: from a place where the audience has kind of amused 86 00:04:54,480 --> 00:04:57,200 Speaker 5: themselves by the idea that these two extraordinary films are 87 00:04:57,200 --> 00:04:59,640 Speaker 5: both opening on the same day, and then just turned 88 00:04:59,640 --> 00:05:02,280 Speaker 5: it into something that's got the whole world talking. 89 00:05:02,880 --> 00:05:07,080 Speaker 2: How much of Oppenheimer's predicted success are you attributing to 90 00:05:07,120 --> 00:05:10,320 Speaker 2: the facts that it's being coupled with Barbie. 91 00:05:10,400 --> 00:05:12,960 Speaker 5: Oh. I think that there's definitely a benefit in terms 92 00:05:13,000 --> 00:05:17,080 Speaker 5: of marketing and publicity and awareness for Oppenheimer. I think 93 00:05:17,120 --> 00:05:22,039 Speaker 5: that Oppenheimer is a masterful film. They're both great movies, 94 00:05:22,080 --> 00:05:23,880 Speaker 5: and I say that from the bottom of my heart. 95 00:05:24,040 --> 00:05:24,800 Speaker 4: I love movies. 96 00:05:25,000 --> 00:05:26,800 Speaker 5: I've been working in this industry, as you said, for 97 00:05:27,080 --> 00:05:30,600 Speaker 5: over two decades now, and I've seen both films twice, 98 00:05:30,640 --> 00:05:32,480 Speaker 5: and lucky enough to have seen both films twice, and 99 00:05:32,520 --> 00:05:33,039 Speaker 5: on both. 100 00:05:32,839 --> 00:05:34,080 Speaker 4: Occasions I adored them. 101 00:05:34,560 --> 00:05:37,520 Speaker 5: However, I think that when I think about the larger 102 00:05:37,560 --> 00:05:39,400 Speaker 5: market and I think about people who are going to 103 00:05:39,480 --> 00:05:43,160 Speaker 5: the movies. Oppenheimer is a movie which is dealing with 104 00:05:43,560 --> 00:05:46,839 Speaker 5: very dry history, and it's a three hour running time 105 00:05:47,480 --> 00:05:53,039 Speaker 5: and a very masculine, dark story about the invention of 106 00:05:53,080 --> 00:05:56,840 Speaker 5: the atomic bomb. And so I suppose what happens when 107 00:05:56,880 --> 00:05:59,880 Speaker 5: we have this sort of moment occur where you've got 108 00:06:00,120 --> 00:06:02,520 Speaker 5: RBI and Oppenheimer both opening at the same time, as 109 00:06:03,279 --> 00:06:05,800 Speaker 5: maybe what you do is you open that movie up 110 00:06:05,800 --> 00:06:09,560 Speaker 5: to a vastly larger audience than might have otherwise seen 111 00:06:09,600 --> 00:06:12,120 Speaker 5: it had Barbie not come along. 112 00:06:12,200 --> 00:06:14,720 Speaker 2: At the same time, there's undoubtedly going to be more 113 00:06:14,720 --> 00:06:17,479 Speaker 2: people going to the cinema over the next couple of 114 00:06:17,520 --> 00:06:19,440 Speaker 2: weeks than they have been in the last few years. 115 00:06:19,440 --> 00:06:22,200 Speaker 2: And that's of course due to the pandemic primarily, but 116 00:06:22,839 --> 00:06:25,520 Speaker 2: some other kind of macro trends as well. Is this 117 00:06:25,560 --> 00:06:28,480 Speaker 2: the beginning of the recovery for cinema in Australia? 118 00:06:28,640 --> 00:06:31,680 Speaker 5: Look, I suppose I'm a believer in the idea that 119 00:06:32,480 --> 00:06:35,560 Speaker 5: people come to the movies and they get exposed to 120 00:06:35,600 --> 00:06:37,400 Speaker 5: the next movie they're going to see when they're at 121 00:06:37,440 --> 00:06:39,920 Speaker 5: the movies, And so what you need is you need 122 00:06:39,960 --> 00:06:43,800 Speaker 5: that kind of consistent chain of films coming out week 123 00:06:43,839 --> 00:06:46,440 Speaker 5: in week out, makes people go, hey, you know, I 124 00:06:46,480 --> 00:06:48,719 Speaker 5: love going to the movies. Movies are fun, and I 125 00:06:48,760 --> 00:06:50,240 Speaker 5: want to make sure I come back and I want 126 00:06:50,279 --> 00:06:51,760 Speaker 5: to see that movie and I want to see that movie. 127 00:06:51,760 --> 00:06:54,839 Speaker 5: And hopefully that just sort of restarts that sort of 128 00:06:54,880 --> 00:06:56,680 Speaker 5: cycle of people going, you know, oh, we've got to 129 00:06:56,680 --> 00:06:59,719 Speaker 5: go and see a movie this week, because it hasn't 130 00:06:59,720 --> 00:07:02,520 Speaker 5: been consistent I suppose since the pandemic occurred. 131 00:07:02,640 --> 00:07:06,520 Speaker 2: Christian. That's a really interesting perspective that the power of 132 00:07:06,560 --> 00:07:10,040 Speaker 2: Barbing Oppenheimer might indeed be in the trailers that come 133 00:07:10,080 --> 00:07:12,480 Speaker 2: before it in terms of the impact he could have 134 00:07:12,480 --> 00:07:15,880 Speaker 2: in Australian cinema. We're spoken a bit on this podcast 135 00:07:16,280 --> 00:07:18,160 Speaker 2: in the last couple of weeks about the actor's strike 136 00:07:18,320 --> 00:07:21,640 Speaker 2: over in the US. Does that kind of event have 137 00:07:21,720 --> 00:07:24,840 Speaker 2: problematic implications for you in terms of that steady stream 138 00:07:24,880 --> 00:07:27,480 Speaker 2: of movies that is so important to cinema. 139 00:07:27,800 --> 00:07:28,440 Speaker 4: Absolutely. 140 00:07:28,560 --> 00:07:30,960 Speaker 5: I mean, we were I was in conversations with an 141 00:07:30,960 --> 00:07:32,960 Speaker 5: old colleague of mine at the very end of last 142 00:07:33,040 --> 00:07:36,240 Speaker 5: year and we were already kind of discussing the implications 143 00:07:36,280 --> 00:07:40,000 Speaker 5: of a writer's strike which led to the actors strike and. 144 00:07:39,920 --> 00:07:41,280 Speaker 4: Solidarity with the writers. 145 00:07:41,480 --> 00:07:43,800 Speaker 5: However, tend always try and look on the bright side, 146 00:07:43,840 --> 00:07:46,000 Speaker 5: because there are things that are beyond your control and 147 00:07:46,040 --> 00:07:48,360 Speaker 5: you can either agonize over it and be sort of 148 00:07:48,440 --> 00:07:51,320 Speaker 5: very downbeat about it. But as we've already seen here 149 00:07:51,320 --> 00:07:54,239 Speaker 5: at Cinema over we've had lots of movies that people 150 00:07:54,240 --> 00:07:56,760 Speaker 5: have come out and really pushed into blockbuster business levels, 151 00:07:56,760 --> 00:07:59,360 Speaker 5: which is really exciting the money that's going in and 152 00:07:59,720 --> 00:08:02,720 Speaker 5: see some of that money go out, because as we've 153 00:08:02,720 --> 00:08:05,880 Speaker 5: seen that in many cases, particularly the major studio is 154 00:08:05,920 --> 00:08:08,440 Speaker 5: not necessarily Netflix, but the you know, the Walt Disneys, 155 00:08:08,440 --> 00:08:13,680 Speaker 5: et cetera, have really recognized that so much of their 156 00:08:13,720 --> 00:08:16,720 Speaker 5: business model is about going and putting a movie into 157 00:08:16,800 --> 00:08:20,040 Speaker 5: theaters and getting people excited about it in the very 158 00:08:20,080 --> 00:08:22,320 Speaker 5: way that we're seeing people be excited about Barbie and 159 00:08:22,320 --> 00:08:25,560 Speaker 5: Oppenheimer today. So you know, they're kind of going back 160 00:08:25,600 --> 00:08:28,720 Speaker 5: and saying, oh, wow, we really can't do without movies, 161 00:08:28,800 --> 00:08:33,520 Speaker 5: because what movies do is they concentrate the conversation on 162 00:08:33,520 --> 00:08:36,840 Speaker 5: one particular point, because everybody wants to go and see 163 00:08:36,880 --> 00:08:40,800 Speaker 5: say Barbie or Oppenheimer on opening weekend, part of the conversation, 164 00:08:41,120 --> 00:08:44,400 Speaker 5: I hated it, I loved it. Whatever they want to wear, 165 00:08:44,400 --> 00:08:46,080 Speaker 5: the T shirt they want to buy the book, they 166 00:08:46,120 --> 00:08:48,480 Speaker 5: want to buy the soundtrack, and that all kind of 167 00:08:48,520 --> 00:08:52,000 Speaker 5: happens in a really really kind of a sortistic sort 168 00:08:52,040 --> 00:08:55,199 Speaker 5: of you know, to borrow something from Oppenheimer kind of 169 00:08:55,240 --> 00:08:59,439 Speaker 5: this explosion of popular culture. Now when you have something 170 00:08:59,480 --> 00:09:02,400 Speaker 5: on streaming, that same thing doesn't occur, because we all 171 00:09:02,400 --> 00:09:05,280 Speaker 5: come at streaming in our own time. Sometimes something like 172 00:09:05,320 --> 00:09:07,800 Speaker 5: say Squid Game comes along and people are like, oh, 173 00:09:07,840 --> 00:09:09,280 Speaker 5: have you seen that. 174 00:09:09,000 --> 00:09:10,880 Speaker 4: Weird Korean sort of thriller. 175 00:09:10,960 --> 00:09:13,280 Speaker 5: It's sort of like Hunger Games type thing, and people 176 00:09:13,360 --> 00:09:15,400 Speaker 5: kind of it comes to sort of a conversation, but 177 00:09:15,480 --> 00:09:17,920 Speaker 5: it doesn't all happen in this massive way, in the 178 00:09:17,920 --> 00:09:20,840 Speaker 5: way that we're seeing with Barbie. So I think hopefully 179 00:09:21,480 --> 00:09:24,320 Speaker 5: what we'll see out of Barbie and the extraordinary thing's 180 00:09:24,360 --> 00:09:27,480 Speaker 5: going on here actually maybe accelerate a resolution to the 181 00:09:27,480 --> 00:09:30,640 Speaker 5: writers and the actor strike, because what we'll see is 182 00:09:30,880 --> 00:09:32,719 Speaker 5: particularly we say Warner Brothers. 183 00:09:32,480 --> 00:09:36,000 Speaker 6: But they'll say, well, oh wow, okay, we really need 184 00:09:36,559 --> 00:09:41,080 Speaker 6: a We need creative individuals writing unexpected material in the 185 00:09:41,120 --> 00:09:44,720 Speaker 6: case of saying, Noah boundback and Greta Gerwig with great 186 00:09:44,760 --> 00:09:49,959 Speaker 6: performances from people like either Killian Murphy or Margo Robbie 187 00:09:50,000 --> 00:09:51,760 Speaker 6: or Ryan Gosling or Robert Danney Jr. 188 00:09:52,360 --> 00:09:54,600 Speaker 4: And recognizing it just can't. 189 00:09:54,200 --> 00:09:59,679 Speaker 5: Just be about subscription numbers and churn and paying See 190 00:10:00,000 --> 00:10:04,560 Speaker 5: those fifty million dollars plus, you know, plus bonuses. So 191 00:10:04,679 --> 00:10:07,680 Speaker 5: I think, yeah, this is this might hopefully be a 192 00:10:07,679 --> 00:10:09,760 Speaker 5: bit of a light bulb moment for the broader industry. 193 00:10:09,840 --> 00:10:12,360 Speaker 5: And the great thing is that that's happening because the 194 00:10:12,440 --> 00:10:14,680 Speaker 5: audience is showing that they. 195 00:10:14,640 --> 00:10:20,800 Speaker 7: Love movies, they love fresh ip, and when that happens, 196 00:10:21,400 --> 00:10:24,800 Speaker 7: people buy a lot of merchandise and and you. 197 00:10:24,760 --> 00:10:27,200 Speaker 5: Know, people get excited about cinema in general. 198 00:10:27,320 --> 00:10:30,480 Speaker 2: And Christian, last question from me, if you had to 199 00:10:30,520 --> 00:10:33,199 Speaker 2: recommend a way to do the double, would you start 200 00:10:33,240 --> 00:10:35,520 Speaker 2: with Barbie and then go into Oppenheimer or would you 201 00:10:35,559 --> 00:10:36,680 Speaker 2: start heavy and then go light? 202 00:10:37,080 --> 00:10:38,920 Speaker 4: Wow, that's a that's what I've actually thought. 203 00:10:39,000 --> 00:10:44,760 Speaker 5: I've thought about this way too much, and I look, 204 00:10:44,760 --> 00:10:46,439 Speaker 5: I think I would start with Barbie and then I'll 205 00:10:46,440 --> 00:10:49,000 Speaker 5: watch Oppenheimer. And the reason why I would say that 206 00:10:49,120 --> 00:10:53,439 Speaker 5: is because Oppenheimer is is a is a very intense, 207 00:10:53,960 --> 00:10:59,600 Speaker 5: intellectual movie, and I don't think you necessarily want that 208 00:10:59,600 --> 00:11:03,240 Speaker 5: that that the shadow of it impacting on your Barbie experience. 209 00:11:03,320 --> 00:11:05,839 Speaker 5: I think I actually watched them in that order. I 210 00:11:05,920 --> 00:11:08,240 Speaker 5: watched Barbie on one day and then I watched Oppenheimer 211 00:11:08,240 --> 00:11:10,560 Speaker 5: on the next day. And in the case of the premieres, 212 00:11:11,080 --> 00:11:13,200 Speaker 5: Barbie was on the Monday and Oppenheimer. 213 00:11:12,760 --> 00:11:15,160 Speaker 4: Was on Tuesday, so it was actually very fortuitous. 214 00:11:15,320 --> 00:11:16,760 Speaker 5: So maybe it would have been good if I'd seen 215 00:11:16,760 --> 00:11:19,679 Speaker 5: them in the opposite direction on one of those two occasions. 216 00:11:19,679 --> 00:11:22,400 Speaker 4: But I think, yeah, you start off with Barbie. 217 00:11:22,080 --> 00:11:24,000 Speaker 5: Love get that, and then you can go and see 218 00:11:24,000 --> 00:11:28,320 Speaker 5: the sort of the real heady, the real intense cinema 219 00:11:28,400 --> 00:11:29,520 Speaker 5: of Oppenheimer after that. 220 00:11:29,800 --> 00:11:31,880 Speaker 2: Christian, I really appreciate your time. Thanks so much for 221 00:11:31,920 --> 00:11:32,400 Speaker 2: joining us. 222 00:11:32,440 --> 00:11:34,360 Speaker 4: It's absolutely pleasure. Sam, thanks very much. 223 00:11:41,559 --> 00:11:44,920 Speaker 3: Thanks for listening in to this episode of The Daily Os. 224 00:11:45,120 --> 00:11:49,439 Speaker 3: We have loved reading your reviews on Spotify, So if 225 00:11:49,440 --> 00:11:52,000 Speaker 3: you liked this episode, you can go to your Spotify 226 00:11:52,040 --> 00:11:54,280 Speaker 3: app and it'll give you a little box under the 227 00:11:54,360 --> 00:11:56,400 Speaker 3: episode name, and there you can tell us how you 228 00:11:56,400 --> 00:11:59,439 Speaker 3: felt about the episode and any questions you might have. 229 00:12:00,000 --> 00:12:02,400 Speaker 2: Back your ears on Monday morning. Until then, have a 230 00:12:02,400 --> 00:12:03,160 Speaker 2: wonderful weekend.