1 00:00:00,040 --> 00:00:01,280 Speaker 1: Well it's time for our podcast. 2 00:00:01,360 --> 00:00:03,200 Speaker 2: Friendy we go down to the Jones in around her 3 00:00:03,279 --> 00:00:07,440 Speaker 2: arms for the pub test. Schools aren't open to the public, 4 00:00:07,560 --> 00:00:10,719 Speaker 2: order kids out of school hours and holidays and things 5 00:00:10,760 --> 00:00:14,840 Speaker 2: like that because a lot of them have got fencing 6 00:00:14,880 --> 00:00:15,240 Speaker 2: around it. 7 00:00:15,360 --> 00:00:16,840 Speaker 3: Just stop dish. 8 00:00:16,680 --> 00:00:20,600 Speaker 4: Bad kids were demolishing the schools and then asked the taxpayer, 9 00:00:20,720 --> 00:00:23,119 Speaker 4: you and me had to pay for it. Well, so 10 00:00:23,360 --> 00:00:25,479 Speaker 4: Julia Gillard, she went and put all the fences up 11 00:00:25,520 --> 00:00:26,400 Speaker 4: around school And. 12 00:00:26,360 --> 00:00:28,680 Speaker 2: Now Chris Min's, the new South Wales premier, is saying, 13 00:00:28,680 --> 00:00:30,600 Speaker 2: you know what, we're telling kids to get off their phones, 14 00:00:30,640 --> 00:00:32,760 Speaker 2: but in our high density areas, where have they got 15 00:00:32,800 --> 00:00:35,040 Speaker 2: to play? He's saying, this is a whole lot of 16 00:00:35,240 --> 00:00:38,120 Speaker 2: unused green space that we can access. So how do 17 00:00:38,159 --> 00:00:40,280 Speaker 2: you feel about opening schools after hours? 18 00:00:40,479 --> 00:00:42,720 Speaker 4: You brought something very interesting to the table. At first 19 00:00:42,720 --> 00:00:45,480 Speaker 4: I purpooed it. I said, oh, that is ridiculous, And then. 20 00:00:45,400 --> 00:00:46,800 Speaker 3: You looked a little more closely. 21 00:00:46,880 --> 00:00:49,960 Speaker 1: I thought, well, this is could be plausible. 22 00:00:50,000 --> 00:00:53,479 Speaker 2: It's something about the security detail around King Charles, and 23 00:00:53,520 --> 00:00:58,080 Speaker 2: something unusual about their arms and not as in machine 24 00:00:58,120 --> 00:01:00,520 Speaker 2: gun arms, they're actual arms. 25 00:01:01,720 --> 00:01:05,920 Speaker 1: Hm, you're getting rid of a bunch of records at 26 00:01:05,920 --> 00:01:06,399 Speaker 1: your house. 27 00:01:06,959 --> 00:01:08,000 Speaker 3: Yeah, and my son. 28 00:01:08,080 --> 00:01:10,959 Speaker 4: Not your police records, no, or my medical record, your 29 00:01:11,040 --> 00:01:13,480 Speaker 4: tax records no, my actual records. 30 00:01:13,680 --> 00:01:14,840 Speaker 3: Wondering what to do with them all. 31 00:01:14,880 --> 00:01:18,120 Speaker 1: Although regartted de Blanc was one of my favorite. 32 00:01:17,760 --> 00:01:20,760 Speaker 3: Well what's that police record? Don't be a tool? 33 00:01:22,120 --> 00:01:25,520 Speaker 5: I have not familiar with that album. 34 00:01:25,600 --> 00:01:29,039 Speaker 2: Some of the album covers really kicked me in the heart. 35 00:01:29,200 --> 00:01:31,200 Speaker 2: So the tribal drum is going to beat for the 36 00:01:31,280 --> 00:01:31,959 Speaker 2: album cover. 37 00:01:32,319 --> 00:01:34,280 Speaker 1: Also smart versus dark. 38 00:01:34,440 --> 00:01:36,720 Speaker 3: Yes, I get to throw darts at Brendan on a Thursday. 39 00:01:36,720 --> 00:01:37,959 Speaker 3: It's the highlight of my day. 40 00:01:38,120 --> 00:01:42,760 Speaker 4: I long for the days of unreliable former NRL players 41 00:01:42,760 --> 00:01:43,240 Speaker 4: with mystery. 42 00:01:43,520 --> 00:01:45,399 Speaker 2: You winged about that all last year, and now you're 43 00:01:45,400 --> 00:01:47,960 Speaker 2: winging about how I picked the footy teams that are 44 00:01:48,000 --> 00:01:50,160 Speaker 2: going to win. It involves me throwing a dart at you. 45 00:01:50,280 --> 00:02:00,680 Speaker 1: Enjoy the podcast right now. 46 00:02:00,720 --> 00:02:01,880 Speaker 5: That a miracle of recording. 47 00:02:02,120 --> 00:02:04,280 Speaker 1: We have so many requests for them to do it again. 48 00:02:04,400 --> 00:02:08,240 Speaker 1: Mistress Amanda and Miss Keller. Amanda doesn't work alone. 49 00:02:10,080 --> 00:02:12,800 Speaker 6: Friend making the tools of the train. 50 00:02:12,880 --> 00:02:15,640 Speaker 4: I've heard them describe him as a drunken idiot. 51 00:02:17,040 --> 00:02:21,880 Speaker 7: The legendary part Jonesy and Amanda, the actress congratulations. 52 00:02:22,160 --> 00:02:25,000 Speaker 3: We are there any right now, Jersey and Amanda, you're 53 00:02:25,000 --> 00:02:25,839 Speaker 3: doing a great job. 54 00:02:30,360 --> 00:02:31,000 Speaker 8: Good radio. 55 00:02:31,240 --> 00:02:35,280 Speaker 7: Sorry, but it's a tone tongue twist set an idiot and. 56 00:02:35,360 --> 00:02:43,000 Speaker 1: Amanda's shoot Tim, we're on there. Hello, Hello, how are you? 57 00:02:43,080 --> 00:02:43,560 Speaker 3: I'm well? 58 00:02:43,800 --> 00:02:45,720 Speaker 2: Can I do a bit of housekeeping? Can you please 59 00:02:45,720 --> 00:02:48,760 Speaker 2: put the desk stuff slightly? We've got this new fangled desk. 60 00:02:48,800 --> 00:02:51,200 Speaker 2: It goes up and down and you've but it made 61 00:02:51,200 --> 00:02:52,760 Speaker 2: it too long. Sorry, I just see a little bit hard. 62 00:02:52,760 --> 00:02:54,080 Speaker 1: I like to do the thunderbirds us. 63 00:02:57,400 --> 00:03:04,120 Speaker 3: Come on, don't no? We all look like down. 64 00:03:04,760 --> 00:03:07,680 Speaker 2: Tom can't reach the panelsus asleep. 65 00:03:07,840 --> 00:03:11,359 Speaker 1: I've been waiting for this day. Down. 66 00:03:12,919 --> 00:03:14,000 Speaker 3: I'm sorry I mentioned it. 67 00:03:14,200 --> 00:03:16,200 Speaker 1: Well, we don't use the technology about you. 68 00:03:16,400 --> 00:03:19,800 Speaker 3: Yeah, that's great. A bit more down, that'll do. 69 00:03:19,880 --> 00:03:21,320 Speaker 1: Thanks, Yeah, there we go. 70 00:03:21,360 --> 00:03:22,239 Speaker 3: Thank you. I appreciate it. 71 00:03:22,360 --> 00:03:24,720 Speaker 4: Not a problem of anything for you, friend. I will 72 00:03:24,720 --> 00:03:27,120 Speaker 4: do anything for you. I'm happy to help. 73 00:03:27,639 --> 00:03:29,480 Speaker 1: Got your seat covers there from Bunnings. 74 00:03:29,480 --> 00:03:30,839 Speaker 3: Thank you for that they're here. 75 00:03:31,440 --> 00:03:33,000 Speaker 1: And thank you for giving me cash. 76 00:03:33,440 --> 00:03:35,600 Speaker 3: Thank you. You don't have to know not you owe me. 77 00:03:36,240 --> 00:03:37,720 Speaker 3: I think it's probably eight dollars. 78 00:03:37,840 --> 00:03:39,360 Speaker 1: Yeah, okay, and I'm happy to do it. I'll buy 79 00:03:39,400 --> 00:03:42,120 Speaker 1: you away one of those punsy coffees. I love that. 80 00:03:42,440 --> 00:03:43,520 Speaker 3: I would love that so much. 81 00:03:43,560 --> 00:03:44,320 Speaker 1: And you know what happened. 82 00:03:44,400 --> 00:03:48,040 Speaker 4: Remember I was saying I fixed the dishwasher at home, myself, 83 00:03:48,280 --> 00:03:49,080 Speaker 4: superhuman me. 84 00:03:50,120 --> 00:03:54,280 Speaker 1: The dryer said, okay, my beer, and it died. 85 00:03:54,440 --> 00:03:57,360 Speaker 3: Can you fix it? Didn't you get a new one 86 00:03:57,400 --> 00:03:58,440 Speaker 3: delivered the other day? 87 00:03:58,640 --> 00:04:04,560 Speaker 4: That's the one, the new ones? So that yeah, the 88 00:04:04,640 --> 00:04:10,560 Speaker 4: new way. The dryer died. The dryer died the new driver. 89 00:04:10,720 --> 00:04:12,680 Speaker 1: No, not the new dry The old dryer died. But 90 00:04:12,760 --> 00:04:16,200 Speaker 1: I thought it was repaired. I see, but it died. 91 00:04:17,720 --> 00:04:20,680 Speaker 2: You sound like someone's mother. Remember Jeff. We used to 92 00:04:20,680 --> 00:04:22,040 Speaker 2: friend Will he died. 93 00:04:22,200 --> 00:04:24,839 Speaker 1: The dry But we go through dryers like nobody's business. 94 00:04:24,880 --> 00:04:27,080 Speaker 3: And my wife, you know, it's beautiful sunshine. 95 00:04:27,080 --> 00:04:29,680 Speaker 4: And I'll give these guys a shout out the appliances 96 00:04:29,720 --> 00:04:30,280 Speaker 4: online people. 97 00:04:30,320 --> 00:04:31,360 Speaker 1: You ever use those guys? 98 00:04:31,800 --> 00:04:32,800 Speaker 3: No, but he they're very good. 99 00:04:32,839 --> 00:04:34,039 Speaker 1: They come round to my house. 100 00:04:34,200 --> 00:04:36,839 Speaker 4: I'm a marketingo in sleep and Ellen said they're going 101 00:04:36,920 --> 00:04:38,320 Speaker 4: to come around with the new dryer. 102 00:04:38,600 --> 00:04:40,440 Speaker 1: Yeah, okay, And I've woken up. 103 00:04:40,640 --> 00:04:41,640 Speaker 3: And they're in the bedroom. 104 00:04:41,720 --> 00:04:43,520 Speaker 1: No, I'm lying in the bed just reading my book. 105 00:04:43,880 --> 00:04:47,080 Speaker 4: And then a bash on the door, like like the 106 00:04:47,160 --> 00:04:48,880 Speaker 4: police are at the door and I've a walked own. 107 00:04:48,880 --> 00:04:50,880 Speaker 4: Hey fellas, Oh you we got your dry And I said, yeah, 108 00:04:50,920 --> 00:04:53,200 Speaker 4: no worries this guy about my size. 109 00:04:53,279 --> 00:04:55,280 Speaker 1: And this other guy who's about. 110 00:04:55,040 --> 00:04:58,159 Speaker 3: Eight foot tall comes Jason Momoa kind. 111 00:04:58,040 --> 00:05:00,800 Speaker 4: Of comes a big young fellow, big big tall feller, 112 00:05:01,080 --> 00:05:02,320 Speaker 4: and he goes, where's your dryer? 113 00:05:02,400 --> 00:05:03,440 Speaker 1: Is just there in the laundry. 114 00:05:03,680 --> 00:05:06,479 Speaker 4: They get this dryer, they get the other dryer out. 115 00:05:06,680 --> 00:05:09,599 Speaker 4: The other guy gets the cardboard packaging. It was almost 116 00:05:09,640 --> 00:05:11,320 Speaker 4: like he's thinking, what I'm thinking, I'm. 117 00:05:11,240 --> 00:05:12,599 Speaker 1: Going to do. I have to get rid of stupid 118 00:05:12,640 --> 00:05:13,360 Speaker 1: cardboard packaging. 119 00:05:13,600 --> 00:05:17,000 Speaker 4: He folds it up like it's oregonic, takes it away 120 00:05:17,240 --> 00:05:20,160 Speaker 4: and then yeah, gets that, gives it to the other guy. 121 00:05:20,240 --> 00:05:21,600 Speaker 4: Then the guy goes, you want to put this dryer 122 00:05:21,680 --> 00:05:24,479 Speaker 4: at the old dryer on the trolley, and he said no, no, 123 00:05:24,480 --> 00:05:26,479 Speaker 4: I'll just carry it, puts it on his shoulder like 124 00:05:26,520 --> 00:05:28,400 Speaker 4: it's a cart and a beer. And then when one 125 00:05:28,400 --> 00:05:31,800 Speaker 4: hand says signed here and they're gone. I walk into 126 00:05:31,800 --> 00:05:36,039 Speaker 4: the laundry dryer perfectly installed. It took literally thirty seconds. Wow, 127 00:05:36,320 --> 00:05:38,000 Speaker 4: I was that's very impressive. 128 00:05:38,040 --> 00:05:39,719 Speaker 1: So what it cost me? I don't know. I just 129 00:05:39,760 --> 00:05:40,160 Speaker 1: loved it. 130 00:05:40,160 --> 00:05:42,279 Speaker 3: Because that's often the ways you can't get rid of stuff. 131 00:05:42,480 --> 00:05:44,400 Speaker 2: Yeah, someone kinds of no, no, it's not part of 132 00:05:44,400 --> 00:05:46,440 Speaker 2: the deal. That's up to you to mate. 133 00:05:46,440 --> 00:05:49,320 Speaker 1: Packaging, that's my that's your apartment. I'm afraid, or that 134 00:05:49,360 --> 00:05:50,520 Speaker 1: you get the chatty caffy. 135 00:05:50,520 --> 00:05:52,640 Speaker 4: How when you've been here for mate, you're that guy 136 00:05:52,640 --> 00:05:56,560 Speaker 4: on the road your pants on. So these guys appliance 137 00:05:56,640 --> 00:05:57,720 Speaker 4: is online, use them. 138 00:05:57,760 --> 00:06:01,240 Speaker 1: They're bloody good. Anyway, they would get my goolies though, 139 00:06:01,360 --> 00:06:02,600 Speaker 1: I dryer dying us. 140 00:06:02,760 --> 00:06:05,960 Speaker 2: Actually, well, this is the thing, twenty thousand dollars. If 141 00:06:06,000 --> 00:06:07,560 Speaker 2: you listened to this part of the show, you may 142 00:06:07,600 --> 00:06:09,120 Speaker 2: not know that. At the end of the show, we 143 00:06:09,160 --> 00:06:11,880 Speaker 2: have goolies every day. Brendan showed he is when he 144 00:06:11,920 --> 00:06:14,360 Speaker 2: got up from his snooze. But that's how it works, 145 00:06:14,400 --> 00:06:15,680 Speaker 2: you notice. 146 00:06:15,720 --> 00:06:15,960 Speaker 1: So you. 147 00:06:17,640 --> 00:06:20,599 Speaker 2: Complain about anything and you can win twenty thousand dollars 148 00:06:20,640 --> 00:06:21,520 Speaker 2: if your favorite goolie. 149 00:06:21,560 --> 00:06:23,640 Speaker 4: All you have to do is download the iHeartRadio app. 150 00:06:23,680 --> 00:06:24,440 Speaker 4: It's so easy. 151 00:06:24,600 --> 00:06:26,400 Speaker 1: I go to the little microphone, go to goal one 152 00:06:26,440 --> 00:06:27,680 Speaker 1: on one seven, record. 153 00:06:27,400 --> 00:06:29,640 Speaker 2: Your gooolie and it's done. You could be winning twenty 154 00:06:29,640 --> 00:06:31,480 Speaker 2: thousand dollars. I Match how many dry as you could. 155 00:06:31,360 --> 00:06:31,760 Speaker 3: Get for that? 156 00:06:32,279 --> 00:06:32,960 Speaker 1: You do all right? 157 00:06:33,040 --> 00:06:33,640 Speaker 3: You do, all right? 158 00:06:33,760 --> 00:06:37,440 Speaker 4: Action pack show today, Smart versus Dart massage return. 159 00:06:37,279 --> 00:06:39,479 Speaker 3: That's right. For the footy, that's right. 160 00:06:39,880 --> 00:06:42,560 Speaker 2: I pick my footy tips. I throw darts at Brendan Jones. 161 00:06:42,680 --> 00:06:45,039 Speaker 1: Sadly, you're winning three to two at the moment. This 162 00:06:45,080 --> 00:06:45,440 Speaker 1: is the thing. 163 00:06:45,640 --> 00:06:48,040 Speaker 2: Last week I got two out of eight, right smart, 164 00:06:48,120 --> 00:06:51,760 Speaker 2: the betting agency's got three out of eight. Overall, there 165 00:06:51,760 --> 00:06:54,840 Speaker 2: have been five rounds. I've won three smart of one 166 00:06:54,880 --> 00:06:56,080 Speaker 2: two just goes to show. 167 00:06:56,320 --> 00:06:58,240 Speaker 1: You're going to say that I don't know what it does. 168 00:06:58,279 --> 00:07:02,360 Speaker 2: It goes to show, don't rely on the experts, rely 169 00:07:02,440 --> 00:07:03,760 Speaker 2: on a fool throwing a dart. 170 00:07:03,920 --> 00:07:07,400 Speaker 4: We have money coming out of our woo wah because 171 00:07:07,560 --> 00:07:12,560 Speaker 4: we've got jam narration coming out to your show and Instagram. 172 00:07:12,840 --> 00:07:15,720 Speaker 4: But we can't do anything until we do the magnificence. 173 00:07:15,160 --> 00:07:19,160 Speaker 2: Set question one, in which sport does love mean zero geration? 174 00:07:19,480 --> 00:07:23,520 Speaker 4: We have the Magnificent seven. There are seven questions. Can 175 00:07:23,560 --> 00:07:25,640 Speaker 4: you go all the way and answer all seven questions correctly? 176 00:07:25,640 --> 00:07:27,080 Speaker 4: If do that, Amanda will say. 177 00:07:26,960 --> 00:07:28,800 Speaker 3: I'm going to say, would you like to live le 178 00:07:28,960 --> 00:07:29,840 Speaker 3: Vida Loca? 179 00:07:29,880 --> 00:07:32,640 Speaker 2: Because we've got tickets to Ricky Martin as part of 180 00:07:32,640 --> 00:07:33,360 Speaker 2: our price pack. 181 00:07:33,440 --> 00:07:35,120 Speaker 1: Why don't know if I want to live the crazy life, 182 00:07:35,200 --> 00:07:35,720 Speaker 1: don't you like? 183 00:07:36,320 --> 00:07:37,840 Speaker 3: Do you want to live the same life? 184 00:07:37,920 --> 00:07:40,320 Speaker 1: I like the same life. Crazy life's just too much 185 00:07:40,760 --> 00:07:42,760 Speaker 1: and I know people live crazy lives, and I just. 186 00:07:42,680 --> 00:07:43,840 Speaker 3: Think, no, I agree. 187 00:07:43,920 --> 00:07:46,120 Speaker 2: It's like, you know all the TV trope of the 188 00:07:46,160 --> 00:07:47,280 Speaker 2: female hot mess. 189 00:07:47,920 --> 00:07:49,680 Speaker 3: Just calm down and do your job. 190 00:07:49,840 --> 00:07:52,400 Speaker 4: Yeah, Lindsay's in mcquarie. 191 00:07:51,920 --> 00:07:55,440 Speaker 3: Park, Hi, Lindsay, Oh are you going? 192 00:07:55,520 --> 00:07:57,400 Speaker 4: That's ow old digs, Lindsay, we used to be in 193 00:07:57,480 --> 00:07:59,800 Speaker 4: mcquarie Park. We haven't been back there since we left 194 00:08:00,200 --> 00:08:02,760 Speaker 4: North right to come to the hallowed turf of North Sydney. 195 00:08:02,880 --> 00:08:05,119 Speaker 1: How's it going going? 196 00:08:05,240 --> 00:08:05,960 Speaker 9: Really well? 197 00:08:06,360 --> 00:08:09,360 Speaker 1: Is there been a pool around mccroarye Park since we left? 198 00:08:12,240 --> 00:08:12,560 Speaker 3: Lindsay? 199 00:08:12,560 --> 00:08:14,760 Speaker 2: Would you like to answer some questions that aren't related 200 00:08:14,760 --> 00:08:15,400 Speaker 2: to Jonesy? 201 00:08:17,320 --> 00:08:18,560 Speaker 9: Probably a good idea. 202 00:08:18,320 --> 00:08:21,280 Speaker 3: Yeah, which sport not giving us? And which well it 203 00:08:21,760 --> 00:08:24,600 Speaker 3: doesn't have to. It's your job to be entertaining, Lindsay. 204 00:08:25,000 --> 00:08:25,760 Speaker 1: Linday can bring a bit. 205 00:08:26,160 --> 00:08:29,280 Speaker 2: Lindsay's job to give the pizzazz. Just says you want 206 00:08:29,320 --> 00:08:31,720 Speaker 2: a slow, normal life, Brendan, and now you can't expect 207 00:08:31,760 --> 00:08:34,680 Speaker 2: Lindsay to be the crazy one in question one, in 208 00:08:34,720 --> 00:08:36,680 Speaker 2: which sport does love mean zero? 209 00:08:38,559 --> 00:08:42,520 Speaker 1: Tennis Anaheim, California is home to which worldwide destination? 210 00:08:45,080 --> 00:08:45,400 Speaker 3: That's it? 211 00:08:45,679 --> 00:08:46,199 Speaker 1: Great spot? 212 00:08:46,400 --> 00:08:52,160 Speaker 2: Let's do when Siri sings when austraight in Disneyland, great spot. 213 00:08:52,320 --> 00:08:53,079 Speaker 1: That's a great spot. 214 00:08:53,400 --> 00:08:55,760 Speaker 3: What song, Lindsay is serious singing? 215 00:08:56,520 --> 00:08:59,760 Speaker 10: You're wondering who I am secret secret? I've got to 216 00:08:59,760 --> 00:09:04,280 Speaker 10: see scret machine or mannequin, secret secret. I've got a secret. 217 00:09:05,040 --> 00:09:07,280 Speaker 1: Oh wow, goodness, that's a tough one, do you know? 218 00:09:09,000 --> 00:09:13,040 Speaker 3: Yeah, sorry, Lindsay, no need to apologize. 219 00:09:13,320 --> 00:09:17,200 Speaker 4: Is the life that you like, Lindsey, and give our 220 00:09:17,280 --> 00:09:20,840 Speaker 4: regards to McCrary place, to Karen's in Green Valley. 221 00:09:20,920 --> 00:09:24,880 Speaker 3: Karen, you're right. Do you want his series singing again? 222 00:09:26,120 --> 00:09:26,400 Speaker 11: Yes? 223 00:09:26,440 --> 00:09:27,160 Speaker 6: Play it is. 224 00:09:27,880 --> 00:09:31,160 Speaker 10: You're wondering who I am secret secret? I've got a 225 00:09:31,240 --> 00:09:35,640 Speaker 10: secret machine or mannequin, secret secret. I've got a secret. 226 00:09:36,160 --> 00:09:38,000 Speaker 3: That's hard. What's the song? 227 00:09:39,200 --> 00:09:39,440 Speaker 9: Is it? 228 00:09:39,840 --> 00:09:40,720 Speaker 12: Secret secret? 229 00:09:43,840 --> 00:09:46,040 Speaker 1: Karen Buzzes speaks volumes. 230 00:09:46,160 --> 00:09:48,320 Speaker 3: No, I'm sorry, no, the Buzzer said it. 231 00:09:48,320 --> 00:09:51,480 Speaker 4: All you boy, Tom, this is you. I just think 232 00:09:51,520 --> 00:09:54,160 Speaker 4: it's a little bit esoteric. I think you've gone about 233 00:09:54,000 --> 00:09:54,360 Speaker 4: get it. 234 00:09:55,640 --> 00:09:56,920 Speaker 1: I would be surprised if we. 235 00:09:56,920 --> 00:09:58,400 Speaker 3: Someone's going to have to get it all. We do 236 00:09:58,480 --> 00:09:59,480 Speaker 3: this until nine o'clock. 237 00:10:00,000 --> 00:10:02,240 Speaker 1: Feel free to put it into Google translat or whatever 238 00:10:02,280 --> 00:10:05,480 Speaker 1: you do. Thirteen ninety seven thirty six When Serious Sings? 239 00:10:05,720 --> 00:10:07,280 Speaker 1: Which song is? Just one more time? 240 00:10:07,400 --> 00:10:11,880 Speaker 10: Tom, you're wondering who I am? Secret secret? I've got 241 00:10:11,880 --> 00:10:16,440 Speaker 10: a secret machine or mannequin, secret secret. I've got a secret. 242 00:10:17,040 --> 00:10:17,640 Speaker 3: Please keep it that. 243 00:10:17,920 --> 00:10:18,600 Speaker 1: I give a clue. 244 00:10:19,400 --> 00:10:24,360 Speaker 2: Okay, if I said, babe, I'm leaving, Okay, it's not 245 00:10:24,400 --> 00:10:25,640 Speaker 2: that same band, is it, Tom? 246 00:10:25,720 --> 00:10:26,920 Speaker 1: It's that same band. 247 00:10:27,679 --> 00:10:28,960 Speaker 3: I don't know if it is it is? 248 00:10:29,440 --> 00:10:33,320 Speaker 2: Okay, Well look if that's no clue, bad luck. 249 00:10:34,000 --> 00:10:38,600 Speaker 4: The same podcast, The Magnificent seven Question three. 250 00:10:38,600 --> 00:10:39,840 Speaker 3: Doing when Siries sings? 251 00:10:40,480 --> 00:10:41,440 Speaker 1: When Serious? 252 00:10:43,440 --> 00:10:47,000 Speaker 3: Now? What song is serious singing? Have a listen. 253 00:10:47,600 --> 00:10:50,920 Speaker 10: You're wondering who I am? Secret secret? I've got a 254 00:10:50,960 --> 00:10:55,360 Speaker 10: secret machine or mannequin, secret secret. I've got a secret. 255 00:10:55,920 --> 00:10:57,880 Speaker 1: It's one for the enthusiasts, that's for sure. 256 00:10:58,120 --> 00:11:01,280 Speaker 2: Series being irritating. Hello, Leslie Shipping Norton, how are you? 257 00:11:01,640 --> 00:11:02,360 Speaker 1: I'm very well? 258 00:11:02,360 --> 00:11:02,679 Speaker 3: Thank you? 259 00:11:02,720 --> 00:11:03,840 Speaker 5: How are you very well? 260 00:11:04,360 --> 00:11:09,080 Speaker 2: Joy gave a clue saying, Babe, babe, I'm leaving. 261 00:11:09,440 --> 00:11:11,240 Speaker 3: I love that song, and I realize now that is 262 00:11:11,280 --> 00:11:15,080 Speaker 3: the same band. What is the song, Leslie, mister Roboto 263 00:11:15,120 --> 00:11:19,959 Speaker 3: by stick Yes, horrible. 264 00:11:22,559 --> 00:11:22,800 Speaker 2: Mad. 265 00:11:25,600 --> 00:11:29,120 Speaker 1: When he gets to the hawk, pasa, I'm waiting. There 266 00:11:29,120 --> 00:11:29,640 Speaker 1: we go, It's coming. 267 00:11:31,480 --> 00:11:32,599 Speaker 8: I am come on. 268 00:11:39,480 --> 00:11:40,720 Speaker 1: Thank you you boy Tom. 269 00:11:41,160 --> 00:11:43,320 Speaker 4: You know what I said, Tom, when you quote that 270 00:11:43,360 --> 00:11:46,640 Speaker 4: from Dom Yeah, when you boy Tom started here, I said, 271 00:11:46,880 --> 00:11:48,480 Speaker 4: you just keep doing what you do until I tell 272 00:11:48,480 --> 00:11:49,000 Speaker 4: you to stop. 273 00:11:49,600 --> 00:11:52,960 Speaker 2: Stop stop Lislie, Well gone for guessing that. 274 00:11:53,200 --> 00:11:57,199 Speaker 1: The nineties song Mcaraina is about what you know? This song. 275 00:11:59,240 --> 00:12:03,480 Speaker 4: Is an a woman cheating on her boyfriend Vittorino, be 276 00:12:03,840 --> 00:12:07,240 Speaker 4: a Spanish grandma entering a breakdancing competition. 277 00:12:07,800 --> 00:12:10,559 Speaker 1: Or see it means nothing, It's meaningless. 278 00:12:11,280 --> 00:12:14,240 Speaker 3: It's say it is a Let's get to question five. 279 00:12:14,280 --> 00:12:14,839 Speaker 3: True or false. 280 00:12:14,880 --> 00:12:17,320 Speaker 2: Pamela Anderson was discovered when she appeared on the big 281 00:12:17,400 --> 00:12:23,160 Speaker 2: Jumbo chron screen at a football Game's true it is true? 282 00:12:23,320 --> 00:12:23,880 Speaker 3: She was spotted. 283 00:12:23,960 --> 00:12:25,719 Speaker 2: She was wearing a beer shirt. She was spotted by 284 00:12:25,920 --> 00:12:27,920 Speaker 2: the beer company. They used her to promote that, which 285 00:12:28,000 --> 00:12:30,320 Speaker 2: led to Playboy, which led to Baywatch. 286 00:12:30,720 --> 00:12:33,240 Speaker 1: I've been on the big screen in a beer ship. 287 00:12:33,280 --> 00:12:34,280 Speaker 1: Where where's my deal? 288 00:12:34,440 --> 00:12:37,199 Speaker 3: Yeah? You got thought it was kiss Camon, We're inappropriate. 289 00:12:38,840 --> 00:12:40,840 Speaker 1: I was sitting next to the Prime Minister at the time, 290 00:12:41,840 --> 00:12:43,199 Speaker 1: so can I just go with it? Bro? 291 00:12:45,080 --> 00:12:45,800 Speaker 3: Crowd loves it. 292 00:12:45,920 --> 00:12:50,960 Speaker 2: Question six for you, Leslie, Jalapeno, haberero and Colorino reaper 293 00:12:51,280 --> 00:12:52,000 Speaker 2: are types. 294 00:12:51,720 --> 00:12:51,920 Speaker 3: Of what. 295 00:12:55,960 --> 00:12:59,280 Speaker 1: Chili peppers? Who is versing? You can tell? A millennial 296 00:12:59,320 --> 00:12:59,600 Speaker 1: rote this? 297 00:12:59,800 --> 00:13:03,400 Speaker 4: Who who is versing the dolphins tonight at sun Corpse Stadium. 298 00:13:04,160 --> 00:13:05,080 Speaker 5: Oh I don't know. 299 00:13:06,880 --> 00:13:10,760 Speaker 2: Oh, yes, you got it, she said, Penrith, And yes, 300 00:13:10,760 --> 00:13:12,200 Speaker 2: the Panthers are taking on the dolphin. 301 00:13:12,320 --> 00:13:15,040 Speaker 1: Leslie, congratulations, job, good job. 302 00:13:15,120 --> 00:13:18,000 Speaker 4: You give yourself the praise you so richly deserve and 303 00:13:18,040 --> 00:13:18,720 Speaker 4: the jam pack. 304 00:13:19,080 --> 00:13:19,720 Speaker 1: You've got it all. 305 00:13:19,760 --> 00:13:22,120 Speaker 4: You got to double past to see Ricky Martin, Ted 306 00:13:22,240 --> 00:13:25,160 Speaker 4: Dainty and Ted Live presents Ricky Martin Live Australia twenty 307 00:13:25,160 --> 00:13:29,200 Speaker 4: twenty five, a superpast cables and Aqua Park. Penrith the 308 00:13:29,240 --> 00:13:31,280 Speaker 4: most fun you can have in and on the water 309 00:13:31,559 --> 00:13:34,080 Speaker 4: and Jonesy demanded character cheers, feeder coloring as I've stayed 310 00:13:34,120 --> 00:13:36,040 Speaker 4: with the pencils, Leslie, is there anything you'd like to 311 00:13:36,080 --> 00:13:36,560 Speaker 4: add to this? 312 00:13:37,120 --> 00:13:38,160 Speaker 5: Thank you so much. 313 00:13:38,240 --> 00:13:49,800 Speaker 2: That's fabulous, Thanks Leslie, Jonesy and Amanda Podcast hands Brendan 314 00:13:49,880 --> 00:13:52,000 Speaker 2: working with slower frigids. 315 00:13:52,240 --> 00:13:58,360 Speaker 1: Idiot somewhere prayre hands Brendan, don't you be on his shirt? 316 00:13:58,520 --> 00:14:00,120 Speaker 2: Well, I'm I trying to get you to do that. 317 00:14:00,800 --> 00:14:02,360 Speaker 2: You had to hold your hands a certain way. 318 00:14:02,520 --> 00:14:03,240 Speaker 3: She couldn't do it. 319 00:14:03,360 --> 00:14:05,280 Speaker 1: I can't and you couldn't do it. There's a lot 320 00:14:05,360 --> 00:14:05,680 Speaker 1: going on. 321 00:14:05,720 --> 00:14:09,640 Speaker 4: There's a snake loose bowel constrictors out there, is anyone? 322 00:14:09,920 --> 00:14:11,840 Speaker 1: Was you do lost in vounce? That's a worthy lost 323 00:14:11,920 --> 00:14:12,280 Speaker 1: the trail. 324 00:14:12,320 --> 00:14:14,280 Speaker 2: He's got lots of deadly things. A bowel constrict is 325 00:14:14,320 --> 00:14:14,880 Speaker 2: not going to be dead. 326 00:14:15,200 --> 00:14:17,360 Speaker 1: You're going to constrict you. Did you not see Anna Conda? 327 00:14:17,480 --> 00:14:17,680 Speaker 3: Yeah? 328 00:14:17,720 --> 00:14:19,720 Speaker 1: I did on this. 329 00:14:19,680 --> 00:14:22,600 Speaker 4: Day in nineteen eighty eight. I'm funding the Jarmanac as well. 330 00:14:22,680 --> 00:14:26,000 Speaker 4: By the way, Madonna released the song Who's That Girl? 331 00:14:26,000 --> 00:14:28,720 Speaker 4: That's from the movie she start in Who's that Girl? 332 00:14:28,720 --> 00:14:29,360 Speaker 1: Did you ever see that? 333 00:14:29,400 --> 00:14:30,080 Speaker 3: Yeah? I think I did. 334 00:14:31,240 --> 00:14:32,800 Speaker 1: It was no desperately seeking Susan. 335 00:14:32,880 --> 00:14:33,720 Speaker 3: No, that was great. 336 00:14:34,440 --> 00:14:36,360 Speaker 1: This was not so much great. 337 00:14:36,920 --> 00:14:40,480 Speaker 4: Away from Madonna's movie career. Great news for Madge fans 338 00:14:40,480 --> 00:14:43,560 Speaker 4: and Elton John's. One of the biggest feuds in history 339 00:14:43,720 --> 00:14:46,840 Speaker 4: has been resolved. Of Madonna and Elton John have buried 340 00:14:46,880 --> 00:14:47,480 Speaker 4: the hatchet. 341 00:14:47,560 --> 00:14:49,240 Speaker 3: Yeah, he was on Saturday Night Live. 342 00:14:49,640 --> 00:14:53,320 Speaker 2: She went to see him, and she'd always been really 343 00:14:53,360 --> 00:14:54,880 Speaker 2: hurt by what he'd said about how she was a 344 00:14:54,880 --> 00:14:57,080 Speaker 2: bad in my mind, she shouldn't be getting her rewards. 345 00:14:57,160 --> 00:14:59,040 Speaker 1: Yeah, he said this many years ago. 346 00:15:00,240 --> 00:15:11,760 Speaker 13: Madonna best enlive a car since Wana's lips sinking been live, 347 00:15:15,280 --> 00:15:17,200 Speaker 13: Sorry about that, but I think everyone who lip sinks 348 00:15:17,200 --> 00:15:19,320 Speaker 13: in public on stage when you paid like seventy five 349 00:15:19,320 --> 00:15:20,440 Speaker 13: good to see them should be shot. 350 00:15:20,720 --> 00:15:22,600 Speaker 2: Yeah, you can hear the nervous laughter of the person 351 00:15:22,640 --> 00:15:24,000 Speaker 2: next to Elton. 352 00:15:24,240 --> 00:15:28,440 Speaker 4: Elton also called her a fair ground stripper, which begat 353 00:15:28,440 --> 00:15:31,600 Speaker 4: a feud with Molly Milton, remember that, and then Elton 354 00:15:31,640 --> 00:15:34,000 Speaker 4: was feuding with Molly. The good thing you can't really 355 00:15:34,040 --> 00:15:35,920 Speaker 4: see anymore, So you know, you don't know, he doesn't 356 00:15:35,920 --> 00:15:36,880 Speaker 4: know who he's future. 357 00:15:37,000 --> 00:15:38,880 Speaker 2: But apparently after said it not live, she went not 358 00:15:39,080 --> 00:15:41,600 Speaker 2: pashed it up. They passed it up and she he said, 359 00:15:41,640 --> 00:15:44,200 Speaker 2: I'm so sorry, and just hearing those words, it all 360 00:15:44,240 --> 00:15:44,880 Speaker 2: melted away. 361 00:15:45,120 --> 00:15:50,160 Speaker 1: That's good. What her face, you say, his face and 362 00:15:50,280 --> 00:15:52,520 Speaker 1: his face, they look really good with each other. Just 363 00:15:52,520 --> 00:15:55,120 Speaker 1: they have a look at that photo. Awld's Madonna these days? 364 00:15:55,360 --> 00:15:56,120 Speaker 3: Oh, I don't know. 365 00:15:56,280 --> 00:15:59,320 Speaker 4: She does it right for a fair ground stripper. Curiously, 366 00:15:59,360 --> 00:16:02,160 Speaker 4: what is a fair ground stripper? Is there such a thing? 367 00:16:02,800 --> 00:16:03,760 Speaker 1: Do you go to these? 368 00:16:04,200 --> 00:16:05,680 Speaker 2: It'd be like, well, you know, it'd be like you 369 00:16:05,720 --> 00:16:07,800 Speaker 2: know those sides show things where see the fat lady, 370 00:16:07,840 --> 00:16:10,800 Speaker 2: see the bearded lady, see the stripping lady. Sometimes she's 371 00:16:10,840 --> 00:16:17,160 Speaker 2: all the same, lady, John. 372 00:16:17,800 --> 00:16:20,640 Speaker 4: Anyway, you will be able to sleep well tonight knowing 373 00:16:21,120 --> 00:16:25,920 Speaker 4: that two multi millionaire musicians are finally friends. 374 00:16:26,000 --> 00:16:26,960 Speaker 3: Again, what's the song again? 375 00:16:27,000 --> 00:16:29,600 Speaker 1: I'll just put on Who's that Girl? From the movie 376 00:16:29,720 --> 00:16:30,720 Speaker 1: Who's That Girl? 377 00:16:32,080 --> 00:16:34,000 Speaker 3: It's Thursday, So double a Chattery. 378 00:16:34,040 --> 00:16:36,640 Speaker 2: The podcast that I do with the hands out for that, 379 00:16:37,560 --> 00:16:41,200 Speaker 2: it's an interesting one. Today we talk about a woman 380 00:16:41,240 --> 00:16:44,760 Speaker 2: called Mel Robins who has a new book out called 381 00:16:44,920 --> 00:16:49,160 Speaker 2: Let Them. She's not a psychologist, she's I guess she's 382 00:16:49,240 --> 00:16:54,000 Speaker 2: a power speaker. But the psychology of this book really 383 00:16:54,040 --> 00:16:56,840 Speaker 2: resonated with me. And in fact, this woman, Mel Robbins, 384 00:16:56,840 --> 00:16:59,760 Speaker 2: has a podcast that outrates Joe Rogan. At the moment, 385 00:16:59,800 --> 00:17:03,160 Speaker 2: she's number one podcaster in the world. And the idea 386 00:17:03,200 --> 00:17:07,080 Speaker 2: of Let Them is that, like she starts the book 387 00:17:07,240 --> 00:17:10,840 Speaker 2: by saying she came to the Let Them theory herself. 388 00:17:11,440 --> 00:17:13,640 Speaker 3: She had two daughters who organized their own proms. 389 00:17:13,880 --> 00:17:17,480 Speaker 2: Her son when it came his to be his turn, 390 00:17:17,560 --> 00:17:19,280 Speaker 2: he said, oh, it's on Friday, and said, oh my god, 391 00:17:19,560 --> 00:17:22,240 Speaker 2: we haven't planned anything. And he said, She said, no, 392 00:17:22,320 --> 00:17:23,320 Speaker 2: we have to get you a suit, We have to 393 00:17:23,320 --> 00:17:24,160 Speaker 2: get you blah blah blah. 394 00:17:24,160 --> 00:17:24,600 Speaker 3: Do you have a day. 395 00:17:24,600 --> 00:17:26,040 Speaker 2: We have to get a corsage. What's going to happen 396 00:17:26,080 --> 00:17:27,919 Speaker 2: if you planned a dinner? And he said no, And 397 00:17:27,920 --> 00:17:29,199 Speaker 2: she said, well, I've got to take care of this. 398 00:17:29,240 --> 00:17:30,760 Speaker 2: How are you going to get a booking on Saturday night? 399 00:17:31,119 --> 00:17:34,040 Speaker 2: And it was her daughter who said, look, let him, 400 00:17:34,119 --> 00:17:35,640 Speaker 2: let him do it. He's going out in the range, 401 00:17:35,680 --> 00:17:38,119 Speaker 2: So don't go let them, let them do it. And 402 00:17:38,160 --> 00:17:40,160 Speaker 2: she had to unravel all of that. It's about letting 403 00:17:40,200 --> 00:17:44,320 Speaker 2: people have their own path. And if at that point, 404 00:17:45,359 --> 00:17:47,919 Speaker 2: say you're fighting with your husband, you brendan fighting with 405 00:17:47,920 --> 00:17:51,439 Speaker 2: your husband, and all this stuff is wound up with you, like, 406 00:17:51,480 --> 00:17:53,800 Speaker 2: for example, say the way Harley's dealing with what's going 407 00:17:53,840 --> 00:17:56,320 Speaker 2: on with him with this terrible illness he's battling at 408 00:17:56,320 --> 00:17:58,919 Speaker 2: the moment, he handles it differently to how I'd handle it, 409 00:17:59,440 --> 00:18:03,000 Speaker 2: And so I have to think let him. Let them. 410 00:18:03,320 --> 00:18:05,840 Speaker 2: This is his life, this is how he's dealing with it. 411 00:18:06,080 --> 00:18:08,240 Speaker 2: And the way the analogy she gives, which I really like, 412 00:18:08,359 --> 00:18:10,399 Speaker 2: is you come up on a sea saw and you 413 00:18:10,520 --> 00:18:13,560 Speaker 2: rise above the roiling emotion of it, so you can 414 00:18:13,600 --> 00:18:16,639 Speaker 2: see the bit clearly say let him have that. But 415 00:18:16,720 --> 00:18:18,800 Speaker 2: then when you're up the top on the sea saw, 416 00:18:19,119 --> 00:18:21,719 Speaker 2: you think, what do I need to get through this? 417 00:18:22,160 --> 00:18:23,919 Speaker 2: So the second part of the book is let me, 418 00:18:24,640 --> 00:18:27,800 Speaker 2: So let them have their moment and what power they 419 00:18:27,880 --> 00:18:30,119 Speaker 2: want to do it? But for me to survive it, 420 00:18:30,280 --> 00:18:33,840 Speaker 2: what do I need? And it's so interesting. But Anita 421 00:18:33,920 --> 00:18:37,240 Speaker 2: is a forensic psychologist, so here's this pop psychology really 422 00:18:37,520 --> 00:18:39,560 Speaker 2: that has changed the world. So many women are getting 423 00:18:39,560 --> 00:18:42,679 Speaker 2: tattoos saying let them because women are overmanagers, and this 424 00:18:42,720 --> 00:18:46,120 Speaker 2: is how you're learning to untangle it. And but Anita 425 00:18:46,160 --> 00:18:48,120 Speaker 2: has some interesting perspectives on it because she said it's 426 00:18:48,119 --> 00:18:51,400 Speaker 2: not always that or that. Sometimes it's a shared problem 427 00:18:51,720 --> 00:18:53,600 Speaker 2: and how do you tackle that together? Because she's done 428 00:18:53,600 --> 00:18:56,600 Speaker 2: a lot of couples counseling and things like that. So anyway, 429 00:18:56,600 --> 00:19:00,520 Speaker 2: in this week's podcast, we discuss the let them, discuss 430 00:19:00,600 --> 00:19:03,679 Speaker 2: mel Robins, why people, what people are getting from it 431 00:19:03,960 --> 00:19:06,800 Speaker 2: and from Anita's perspective, the stuff that didn't resonate for 432 00:19:06,880 --> 00:19:09,119 Speaker 2: her in that book. It's the number one best seller. 433 00:19:09,520 --> 00:19:11,840 Speaker 2: As I said, her podcast is the number one podcast 434 00:19:11,880 --> 00:19:13,920 Speaker 2: in the world, next to Double A Chattery. 435 00:19:14,680 --> 00:19:15,439 Speaker 1: This is great. 436 00:19:15,520 --> 00:19:17,719 Speaker 3: This is what you know. I've used it with us, Brendan. 437 00:19:17,760 --> 00:19:20,040 Speaker 2: If we are having moments on things, I think I 438 00:19:20,200 --> 00:19:22,960 Speaker 2: am going to ride the seesaw up. Let Brendan have 439 00:19:23,080 --> 00:19:25,119 Speaker 2: his moment, and I think for me to not be 440 00:19:25,200 --> 00:19:27,840 Speaker 2: angry at what's happened, how do I express myself because 441 00:19:27,840 --> 00:19:29,320 Speaker 2: what do I want to get from it? 442 00:19:29,040 --> 00:19:31,280 Speaker 4: It's a bit like when I play with the desk 443 00:19:31,760 --> 00:19:35,280 Speaker 4: when you know, just hear me out, like I'm right 444 00:19:35,400 --> 00:19:36,200 Speaker 4: raising the desk. 445 00:19:36,480 --> 00:19:41,080 Speaker 2: See, let them just breathe, just let them. What do 446 00:19:41,160 --> 00:19:42,520 Speaker 2: I want to get from this? I want to hit 447 00:19:42,520 --> 00:19:43,359 Speaker 2: you on the head with a hammer. 448 00:19:43,440 --> 00:19:46,040 Speaker 1: What are you getting? You're getting comfort? 449 00:19:46,400 --> 00:19:48,480 Speaker 2: No, See, what I need from this is to say, well, 450 00:19:48,480 --> 00:19:50,600 Speaker 2: you've had your moment. Now let's be grown up and 451 00:19:50,600 --> 00:19:52,600 Speaker 2: get on with the show so we all get what 452 00:19:52,640 --> 00:19:53,080 Speaker 2: we need. 453 00:19:53,280 --> 00:19:56,120 Speaker 1: Double A Chattery is available where you get all your 454 00:19:57,000 --> 00:19:58,480 Speaker 1: get your podcast or the best one. 455 00:19:58,520 --> 00:20:00,280 Speaker 2: Well, you can just go to Double a chattery dot Common. 456 00:20:00,320 --> 00:20:01,200 Speaker 2: You'll find it there too. 457 00:20:01,400 --> 00:20:04,160 Speaker 1: It's accorded to Jonesy Nation. 458 00:20:05,560 --> 00:20:08,119 Speaker 4: Let's get on down to the Jonesy demand arms for 459 00:20:08,160 --> 00:20:08,720 Speaker 4: the pub test. 460 00:20:10,280 --> 00:20:12,760 Speaker 1: Opening schools are for hours? Does it passed the pub test? 461 00:20:12,800 --> 00:20:15,080 Speaker 1: You might remember the Julia Gillard government. 462 00:20:14,840 --> 00:20:16,960 Speaker 4: A few years ago when she was in power for 463 00:20:17,119 --> 00:20:21,000 Speaker 4: giant fences around schools that look pretty much like prison 464 00:20:21,040 --> 00:20:24,960 Speaker 4: fences to combat vandalism. At the time, us the taxpayer, 465 00:20:24,960 --> 00:20:29,560 Speaker 4: we're paying a fortune for vandalism and schools. And then 466 00:20:29,880 --> 00:20:32,399 Speaker 4: now the Men's government has said, you know what, we 467 00:20:32,400 --> 00:20:34,560 Speaker 4: should open up the schools so the kids have got 468 00:20:34,560 --> 00:20:36,639 Speaker 4: somewhere to play out of school hours. 469 00:20:36,720 --> 00:20:39,040 Speaker 2: Well, we're taking away all their mobile phones, etcetera, saying 470 00:20:39,119 --> 00:20:40,919 Speaker 2: be more active, but where can they go and be that? 471 00:20:41,040 --> 00:20:44,679 Speaker 2: And also with more high density living as the Premier 472 00:20:44,800 --> 00:20:48,440 Speaker 2: Chris Mins has said that this is a significant amount 473 00:20:48,480 --> 00:20:50,520 Speaker 2: of green space that the public have been locked out 474 00:20:50,560 --> 00:20:54,159 Speaker 2: of for many years. Sometimes the schools allow their ovals 475 00:20:54,160 --> 00:20:58,840 Speaker 2: to be used during term time, but not in public holidays. 476 00:20:58,840 --> 00:21:01,320 Speaker 2: I can't be used outside of the term break or 477 00:21:01,320 --> 00:21:04,600 Speaker 2: maybe only during school holidays. Either way, he's saying, let's 478 00:21:04,600 --> 00:21:05,879 Speaker 2: make them available for kids. 479 00:21:06,240 --> 00:21:07,400 Speaker 3: I grew up next. 480 00:21:07,160 --> 00:21:09,879 Speaker 2: To our school oval and that was our playground. That 481 00:21:09,960 --> 00:21:12,360 Speaker 2: we were always on the school oval and wandering through 482 00:21:12,400 --> 00:21:13,800 Speaker 2: the school grounds and is mucking up. 483 00:21:13,880 --> 00:21:14,600 Speaker 1: It was a great time. 484 00:21:14,680 --> 00:21:17,560 Speaker 4: My school used to have a bunch of like new 485 00:21:17,600 --> 00:21:20,000 Speaker 4: ash felt put down, so we'd ride our skateboards there. 486 00:21:20,200 --> 00:21:21,840 Speaker 1: And I remember one of the brothers. 487 00:21:21,600 --> 00:21:24,440 Speaker 4: Of the school he walks past because they lived at 488 00:21:24,480 --> 00:21:26,480 Speaker 4: the school, and he said, don't you guys get. 489 00:21:26,400 --> 00:21:27,080 Speaker 1: Enough of this place. 490 00:21:27,119 --> 00:21:31,480 Speaker 4: It's the weekend, But brav these skateboard It was perfect. 491 00:21:31,119 --> 00:21:34,120 Speaker 4: But we didn't think about setting the school on fire 492 00:21:34,240 --> 00:21:35,199 Speaker 4: or doing anything dreadful. 493 00:21:35,400 --> 00:21:36,520 Speaker 1: No rite our skateboards. 494 00:21:36,520 --> 00:21:38,920 Speaker 2: Well that's the flip side, isn't it is that as 495 00:21:38,960 --> 00:21:41,920 Speaker 2: you say, break and enters, trespass, vandalism incidents. 496 00:21:41,960 --> 00:21:43,359 Speaker 1: Do you know much mate, we've saved? 497 00:21:44,119 --> 00:21:46,320 Speaker 4: To put the fences up was very expensive and I 498 00:21:46,359 --> 00:21:49,199 Speaker 4: remember at the time how much people complained about what 499 00:21:49,240 --> 00:21:52,679 Speaker 4: these fences have cost. But the cost of vandalism was 500 00:21:52,800 --> 00:21:54,760 Speaker 4: outweighing what the costs of the fences were. 501 00:21:54,880 --> 00:21:56,600 Speaker 2: But what about the cost now we look at the 502 00:21:56,600 --> 00:21:58,440 Speaker 2: social cost of kids having nowhere to go? 503 00:21:58,600 --> 00:21:59,240 Speaker 1: Yeah, what do you know? 504 00:21:59,240 --> 00:22:00,719 Speaker 3: Where to play? No door space? 505 00:22:01,160 --> 00:22:05,200 Speaker 2: Opening schools after hours, does this pass the pub test. 506 00:22:05,200 --> 00:22:10,280 Speaker 14: Jem, damnation, you had doo your pants for cash? 507 00:22:10,440 --> 00:22:11,240 Speaker 3: I've had nothing. 508 00:22:14,320 --> 00:22:17,760 Speaker 4: Hello there we wake up this morning. The snake hasn't 509 00:22:17,800 --> 00:22:20,160 Speaker 4: been found. It was reported on the news last night. 510 00:22:20,359 --> 00:22:24,480 Speaker 14: This red tail bowl constrictor was last seen here slithering 511 00:22:24,560 --> 00:22:27,399 Speaker 14: down the pavement at the boat ramp here beneath the 512 00:22:27,440 --> 00:22:31,919 Speaker 14: tom Uglies Bridge. Now where this snake is now is 513 00:22:31,960 --> 00:22:34,480 Speaker 14: a mystery, and that is cause for concern considering the 514 00:22:34,480 --> 00:22:37,520 Speaker 14: snake is native to Brazil and that poses a threat 515 00:22:37,520 --> 00:22:42,040 Speaker 14: to Australia's biosecurity. Now, typically these snakes are not aggressive. 516 00:22:42,119 --> 00:22:43,560 Speaker 3: They are in fact quoite. 517 00:22:43,440 --> 00:22:46,600 Speaker 14: Docile, but they do have that ability to constrict, which 518 00:22:46,920 --> 00:22:50,440 Speaker 14: can be deadly for small animals. They can also swim. 519 00:22:50,560 --> 00:22:54,080 Speaker 4: So where this thing is tonight, I send it back 520 00:22:54,119 --> 00:22:54,600 Speaker 4: to Brazil. 521 00:22:54,960 --> 00:22:56,440 Speaker 3: So it's obviously someone's pet. 522 00:22:57,359 --> 00:23:02,640 Speaker 2: Yeah, who could have come from a zoo, a private. 523 00:23:02,359 --> 00:23:06,840 Speaker 4: Zoo, private zoo, someone which Sylvania with their private. 524 00:23:06,600 --> 00:23:09,240 Speaker 1: Zoo, their private you know those places around there. 525 00:23:09,640 --> 00:23:12,560 Speaker 4: Yeah, there's all sorts of dudes just hanging around. 526 00:23:12,720 --> 00:23:15,040 Speaker 2: So, I mean, we have a lot of deadly snakes 527 00:23:15,040 --> 00:23:18,200 Speaker 2: in Australia, but that one seems to capture our imagination 528 00:23:18,400 --> 00:23:20,760 Speaker 2: because it's going to kill small animals. What about what 529 00:23:20,840 --> 00:23:23,719 Speaker 2: about the brown snakes that kill us? And yet this 530 00:23:23,800 --> 00:23:26,200 Speaker 2: one makes the news. 531 00:23:26,600 --> 00:23:29,320 Speaker 3: Hello of Taipan. Hello best. 532 00:23:31,720 --> 00:23:34,080 Speaker 4: I know Se and Fraser missed this, but we've got 533 00:23:34,119 --> 00:23:35,680 Speaker 4: our minister for snakes. 534 00:23:36,600 --> 00:23:38,760 Speaker 1: What are you going to do with this snake? Minister? 535 00:23:40,000 --> 00:23:44,320 Speaker 1: Enough is enough. I have had it with this mon snake. 536 00:23:44,960 --> 00:23:49,040 Speaker 4: Okay, just round the thing up. Get Peter done on 537 00:23:49,040 --> 00:23:49,320 Speaker 4: the case. 538 00:23:49,359 --> 00:23:53,280 Speaker 1: He'll send it back Anyway'll keep you posted. 539 00:23:53,400 --> 00:23:53,960 Speaker 3: Please do. 540 00:23:56,880 --> 00:24:06,240 Speaker 15: Podcast God, I want now crazy your windows, your head 541 00:24:06,280 --> 00:24:06,840 Speaker 15: on a yell? 542 00:24:08,160 --> 00:24:15,960 Speaker 4: Now opening schools after hours? Does it pass the pub test? 543 00:24:16,000 --> 00:24:19,439 Speaker 4: Implemented under the Julia Gillard's watch a few years ago, 544 00:24:19,520 --> 00:24:22,320 Speaker 4: they build these ginormous fences because schools were just getting 545 00:24:22,320 --> 00:24:23,160 Speaker 4: burned down all the time. 546 00:24:23,240 --> 00:24:25,800 Speaker 1: Remember every week a school had burned oa. 547 00:24:25,800 --> 00:24:28,840 Speaker 2: There was breaking into a trespass, vandalism incidents. They put 548 00:24:28,840 --> 00:24:32,159 Speaker 2: these big fences up. Chris Min's, the new South Wales Premier, 549 00:24:32,240 --> 00:24:34,479 Speaker 2: has said, this is a significant amount of green space 550 00:24:34,520 --> 00:24:36,840 Speaker 2: that the public have been locked out of and we're 551 00:24:36,840 --> 00:24:38,760 Speaker 2: telling kids to get off their mobile phones and to 552 00:24:38,800 --> 00:24:39,640 Speaker 2: go outside and play. 553 00:24:39,640 --> 00:24:40,680 Speaker 3: But with our high. 554 00:24:40,440 --> 00:24:43,040 Speaker 2: Density living, where are those spaces their school? 555 00:24:43,160 --> 00:24:44,439 Speaker 1: Where did the children play. 556 00:24:44,600 --> 00:24:47,280 Speaker 4: As Cat Stephen said, but when we were kids, I 557 00:24:47,359 --> 00:24:49,240 Speaker 4: used to love going up to the school on the 558 00:24:49,280 --> 00:24:52,400 Speaker 4: skateboard because they had brand new ash Felt and we'd 559 00:24:52,440 --> 00:24:53,040 Speaker 4: ride around there. 560 00:24:53,080 --> 00:24:54,800 Speaker 1: But we wouldn't go and wreck the place. We wouldn't 561 00:24:54,800 --> 00:24:55,560 Speaker 1: set it on fire. 562 00:24:55,880 --> 00:24:59,080 Speaker 4: I once lent a bubbler running by accident that year, 563 00:24:59,119 --> 00:25:00,000 Speaker 4: which I felt guilty. 564 00:25:00,160 --> 00:25:02,440 Speaker 3: I remember seeing it on the news. 565 00:25:02,160 --> 00:25:05,160 Speaker 1: And you know I might have yeah of that anyway, Yeah, 566 00:25:05,160 --> 00:25:05,600 Speaker 1: but I'll be. 567 00:25:05,560 --> 00:25:07,440 Speaker 2: Live near the school over and that was our entire 568 00:25:07,560 --> 00:25:11,119 Speaker 2: sort of hangout zone. That was a time opening schools 569 00:25:11,160 --> 00:25:13,000 Speaker 2: after hours. Does it pass the pub test? 570 00:25:13,600 --> 00:25:14,400 Speaker 9: No, it doesn't. 571 00:25:14,800 --> 00:25:17,320 Speaker 12: I work in a school and if kids came and 572 00:25:17,400 --> 00:25:20,480 Speaker 12: play and there's no supervision, if someone gets hurt, the 573 00:25:20,560 --> 00:25:23,000 Speaker 12: parents will be up in arms because there's no one 574 00:25:23,000 --> 00:25:24,520 Speaker 12: out the supervising their kids. 575 00:25:24,520 --> 00:25:25,360 Speaker 8: Though it doesn't. 576 00:25:25,520 --> 00:25:26,680 Speaker 12: I actually work. 577 00:25:26,480 --> 00:25:29,080 Speaker 8: At a school on what they call it GA. I 578 00:25:29,160 --> 00:25:33,119 Speaker 8: do all the maintenance and looking after the school. And 579 00:25:33,119 --> 00:25:35,959 Speaker 8: they have a thing called share My Zone, which the 580 00:25:36,000 --> 00:25:39,640 Speaker 8: school's open through the school breaks and the kids come 581 00:25:39,680 --> 00:25:43,399 Speaker 8: in they rip things out answer and that they destroy things. 582 00:25:43,600 --> 00:25:46,159 Speaker 9: It's not a good idea. It ends up costing the 583 00:25:46,200 --> 00:25:46,840 Speaker 9: schools a. 584 00:25:46,800 --> 00:25:47,439 Speaker 1: Lot of money. 585 00:25:47,520 --> 00:25:50,600 Speaker 12: No, I don't think so. Counsels now do a lot 586 00:25:50,640 --> 00:25:55,600 Speaker 12: of work for parks in their area, So why invite 587 00:25:55,760 --> 00:25:58,119 Speaker 12: vandaloo from into the school when the kids can go 588 00:25:58,160 --> 00:26:01,320 Speaker 12: to the parks? And how do you change their mobile 589 00:26:01,400 --> 00:26:04,960 Speaker 12: phone usage? Anyway they're doing it. 590 00:26:04,960 --> 00:26:07,720 Speaker 16: It passes a pub test because it's an excellent use 591 00:26:07,760 --> 00:26:12,280 Speaker 16: of free space, out of hours and handle correctly. You 592 00:26:12,320 --> 00:26:16,480 Speaker 16: can offer employment to someone for the care of those areas, 593 00:26:16,760 --> 00:26:19,159 Speaker 16: and it will mean that there's an opportunity also for 594 00:26:19,280 --> 00:26:22,040 Speaker 16: the community to maybe grow that little bit closer together 595 00:26:22,160 --> 00:26:24,080 Speaker 16: rather than brought themselves apart. 596 00:26:25,560 --> 00:26:26,520 Speaker 1: Well, there you go. 597 00:26:26,600 --> 00:26:27,080 Speaker 3: It's interesting. 598 00:26:27,119 --> 00:26:29,680 Speaker 2: Most people are saying no, but they sound like they're 599 00:26:29,680 --> 00:26:31,159 Speaker 2: not the kids who are looking for somewhere to go 600 00:26:31,240 --> 00:26:31,560 Speaker 2: and play. 601 00:26:31,720 --> 00:26:34,240 Speaker 4: And there's nothing better than running a skateboard on freshly 602 00:26:34,320 --> 00:26:35,879 Speaker 4: laid ashfelt. 603 00:26:35,320 --> 00:26:38,879 Speaker 2: Or maybe witsa men. Where else can you do your 604 00:26:38,880 --> 00:26:39,920 Speaker 2: handprints these days? 605 00:26:39,920 --> 00:26:41,560 Speaker 1: You had a lot of stuff back in the seventies. 606 00:26:42,880 --> 00:26:45,120 Speaker 2: I wanted to show you some footage, Brendan. I saw 607 00:26:45,160 --> 00:26:49,240 Speaker 2: this last night and I'm fascinated. It's King Charles on 608 00:26:49,280 --> 00:26:51,440 Speaker 2: a walk about. He's in Italy at the moment, celebrating 609 00:26:51,440 --> 00:26:55,639 Speaker 2: his twentieth wedding anniversary with Camilla had he married twenty years. 610 00:26:55,680 --> 00:26:56,800 Speaker 3: Wow, what a story. 611 00:26:57,520 --> 00:26:59,560 Speaker 2: But this isn't that, this isn't their recent trip, but 612 00:26:59,600 --> 00:27:03,440 Speaker 2: his walk around the streets and he's got a security 613 00:27:03,480 --> 00:27:04,680 Speaker 2: detail behind him. 614 00:27:05,400 --> 00:27:05,840 Speaker 1: Have a look. 615 00:27:05,880 --> 00:27:06,560 Speaker 3: I'm going to show you. 616 00:27:07,000 --> 00:27:09,480 Speaker 1: They look like you could take those guys pretty easily. 617 00:27:10,280 --> 00:27:14,960 Speaker 2: They don't look like American beefy secured. But this is 618 00:27:14,960 --> 00:27:16,840 Speaker 2: the English, you know. The police aren't armed. It's that 619 00:27:16,920 --> 00:27:20,639 Speaker 2: kind of thing. And speaking of armed and armed, have 620 00:27:20,720 --> 00:27:24,480 Speaker 2: a look at the hands and the arms of the 621 00:27:24,560 --> 00:27:29,000 Speaker 2: security guard, who's just a middle aged man standing right 622 00:27:29,040 --> 00:27:29,640 Speaker 2: behind him. 623 00:27:29,680 --> 00:27:30,720 Speaker 1: I'm looking on the screen. 624 00:27:31,000 --> 00:27:34,680 Speaker 2: So Charles is walking through. The man behind him, his 625 00:27:34,720 --> 00:27:39,159 Speaker 2: security detail, who just looks like he's his accountant, is 626 00:27:39,200 --> 00:27:42,199 Speaker 2: walking along behind him, and he has his fingers his 627 00:27:42,400 --> 00:27:45,000 Speaker 2: arms in front of him and he's holding his fingers together. 628 00:27:45,680 --> 00:27:49,760 Speaker 4: Yeah, he's like at the ready, I'm imagining what happens. 629 00:27:49,760 --> 00:27:53,359 Speaker 4: Someone you know, Johnny Terrorist comes out, gives him some 630 00:27:53,400 --> 00:27:56,639 Speaker 4: flowers and then old mate just goes with his hands, 631 00:27:56,640 --> 00:27:57,760 Speaker 4: but his hands are. 632 00:27:58,200 --> 00:28:02,199 Speaker 2: More closely because I think either one or both of 633 00:28:02,240 --> 00:28:04,879 Speaker 2: the arms is fake. That's what someone else is saying. 634 00:28:04,880 --> 00:28:08,240 Speaker 2: Here has King Charles security guard got fake arms. 635 00:28:09,119 --> 00:28:09,800 Speaker 3: The right arm. 636 00:28:09,840 --> 00:28:12,639 Speaker 2: They're saying, here, maybe look how the right arm looks weird. 637 00:28:12,920 --> 00:28:15,639 Speaker 2: He doesn't move his hands. The ones the other security 638 00:28:15,640 --> 00:28:18,440 Speaker 2: details have occasionally have their hands like that, but move 639 00:28:18,520 --> 00:28:22,639 Speaker 2: them around a bit. His arms and hands do not move. 640 00:28:22,960 --> 00:28:24,200 Speaker 2: Have a look the one that's right. 641 00:28:24,080 --> 00:28:26,760 Speaker 1: Behind him, I'm watching and the other guy's got it too. 642 00:28:26,840 --> 00:28:27,040 Speaker 17: Yeah. 643 00:28:27,040 --> 00:28:30,160 Speaker 2: But the other one, yeah, but the one behind him, 644 00:28:30,160 --> 00:28:32,520 Speaker 2: the one who's right at his back, the one there doesn't. 645 00:28:32,640 --> 00:28:34,760 Speaker 2: This person is saying the right arm is fake and 646 00:28:34,800 --> 00:28:37,159 Speaker 2: will be on a weapon inside the coat. 647 00:28:38,000 --> 00:28:40,720 Speaker 3: Ah decoy ah. 648 00:28:42,320 --> 00:28:42,560 Speaker 1: Yeah. 649 00:28:43,120 --> 00:28:47,560 Speaker 4: Maybe terrorist thinks Okay, here's my time, and he's singing 650 00:28:47,920 --> 00:28:50,800 Speaker 4: made here and then bang, Jason stathens. 651 00:28:50,360 --> 00:28:52,920 Speaker 2: Him he's got three arms and throws everyone and Ralph 652 00:28:52,920 --> 00:28:55,880 Speaker 2: Harris comes out, hold my beer, and all. 653 00:28:55,800 --> 00:28:57,320 Speaker 3: The kids run away. 654 00:28:58,080 --> 00:29:00,680 Speaker 2: Well, someone here who is one of the world's specialists 655 00:29:00,720 --> 00:29:03,880 Speaker 2: encounter terrorism, et cetera. Et cetera, said that he says 656 00:29:03,920 --> 00:29:06,840 Speaker 2: that decoy arms are not used for the royal family. 657 00:29:06,880 --> 00:29:08,720 Speaker 2: He said that while the tactic might be used in 658 00:29:08,720 --> 00:29:10,440 Speaker 2: the US, it wouldn't be employed by the guards in 659 00:29:10,440 --> 00:29:13,240 Speaker 2: the UK. But then they say here, that's exactly what 660 00:29:13,320 --> 00:29:14,600 Speaker 2: they want you to think. 661 00:29:14,840 --> 00:29:16,560 Speaker 4: You know, whenever I get my young son to do 662 00:29:16,600 --> 00:29:19,000 Speaker 4: any labor around the house, he's got decoy arms on 663 00:29:20,280 --> 00:29:21,440 Speaker 4: the painted on I've. 664 00:29:21,360 --> 00:29:23,480 Speaker 3: Got another story is this. 665 00:29:24,520 --> 00:29:28,280 Speaker 2: This is a story from a zoo in Rotterdam, where 666 00:29:28,320 --> 00:29:30,960 Speaker 2: if you want to look at the gorilla, they hand 667 00:29:31,040 --> 00:29:36,240 Speaker 2: you glasses that have eyes painted on them that point 668 00:29:36,280 --> 00:29:40,480 Speaker 2: away in the same direction that woo so you can 669 00:29:40,520 --> 00:29:41,400 Speaker 2: see straight through. 670 00:29:41,560 --> 00:29:42,520 Speaker 1: So you're doing side eye. 671 00:29:42,600 --> 00:29:46,280 Speaker 2: You're doing side eye as designed to prevent direct eye 672 00:29:46,320 --> 00:29:50,400 Speaker 2: contact with the gorillas to reduce the stress and aggression. 673 00:29:50,000 --> 00:29:51,680 Speaker 3: In the animals. There was an incident there a number 674 00:29:51,680 --> 00:29:52,200 Speaker 3: of years ago. 675 00:29:52,480 --> 00:29:55,200 Speaker 2: This woman used to visit the gorilla constantly, and because 676 00:29:55,200 --> 00:29:57,440 Speaker 2: it made eye contact with her, she thought we're friends. 677 00:29:57,720 --> 00:29:58,960 Speaker 3: Then it tried to attack her. 678 00:29:59,080 --> 00:30:01,440 Speaker 1: Didn't she see gorillas in the mist. 679 00:30:01,280 --> 00:30:02,600 Speaker 3: These eye contact. 680 00:30:02,640 --> 00:30:05,080 Speaker 2: Prolonged eye contact is perceived as a threat or a 681 00:30:05,160 --> 00:30:09,560 Speaker 2: challenge to gorillas. So these glasses obscure the wearer's eyes 682 00:30:09,600 --> 00:30:11,800 Speaker 2: from the gorilla's view and allow for a safer and 683 00:30:11,920 --> 00:30:13,640 Speaker 2: more comfortable observation. 684 00:30:15,160 --> 00:30:16,320 Speaker 1: Classes look like have a look. 685 00:30:17,160 --> 00:30:20,000 Speaker 3: Everyone looks slightly deranged, but that way they can look 686 00:30:20,040 --> 00:30:22,200 Speaker 3: happily at the gorilla. I like to wear them id 687 00:30:22,200 --> 00:30:23,080 Speaker 3: look at Prince Child. 688 00:30:24,920 --> 00:30:27,640 Speaker 1: The fake arms a fake. 689 00:30:27,920 --> 00:30:31,360 Speaker 2: I've got a bottle of wine every moment inside my coat, 690 00:30:31,400 --> 00:30:36,520 Speaker 2: and you wear the big guger ones. Look if you 691 00:30:36,560 --> 00:30:39,080 Speaker 2: need information Sydney Sweeny. 692 00:30:40,240 --> 00:30:43,560 Speaker 3: Anyway, I google it so you don't have to thank you. 693 00:30:43,640 --> 00:30:44,400 Speaker 1: I like it. 694 00:30:44,600 --> 00:30:51,400 Speaker 3: Jonesie and Amanda. 695 00:30:49,920 --> 00:30:54,720 Speaker 18: Amanda Killer narrates the groundbreaking new series Airborne seven Friday 696 00:30:54,880 --> 00:30:55,360 Speaker 18: on ten. 697 00:30:55,600 --> 00:30:57,320 Speaker 1: That's all well and good. See your jay dog. 698 00:31:00,520 --> 00:31:00,720 Speaker 6: Wow. 699 00:31:01,560 --> 00:31:05,880 Speaker 2: Now that there's Mats Bus Wow mus Wow Bus. 700 00:31:05,560 --> 00:31:06,280 Speaker 3: Now an adult. 701 00:31:06,880 --> 00:31:09,640 Speaker 2: He has just a few hours to find a mate 702 00:31:09,960 --> 00:31:11,400 Speaker 2: and reproduce fire us. 703 00:31:11,760 --> 00:31:13,560 Speaker 1: Wow mus. 704 00:31:13,640 --> 00:31:22,800 Speaker 2: Then where's her belly full? She invites him, wow, giving 705 00:31:22,880 --> 00:31:23,240 Speaker 2: him one? 706 00:31:24,760 --> 00:31:25,440 Speaker 1: I deserve one. 707 00:31:25,480 --> 00:31:26,520 Speaker 3: Come on, you've. 708 00:31:26,360 --> 00:31:28,640 Speaker 2: Taken away the rich tapestry of life and replaced it 709 00:31:28,680 --> 00:31:29,800 Speaker 2: with a lightweight traveling round. 710 00:31:29,800 --> 00:31:32,320 Speaker 1: How did the Hamburger win Australian idol? 711 00:31:32,680 --> 00:31:33,280 Speaker 3: What do you mean? 712 00:31:33,400 --> 00:31:36,840 Speaker 4: And the kid Hamburger I should be in Australia ended 713 00:31:36,840 --> 00:31:37,560 Speaker 4: me in next year. 714 00:31:38,000 --> 00:31:39,920 Speaker 3: I think you're injuring yourself as we speak. 715 00:31:40,480 --> 00:31:43,160 Speaker 1: We are giving you the chance to win one thousand dollars. 716 00:31:43,200 --> 00:31:45,800 Speaker 4: To win, you need to correctly guess what song Amanda 717 00:31:46,160 --> 00:31:49,320 Speaker 4: is narrating with jam narration gets the right title to 718 00:31:49,360 --> 00:31:51,000 Speaker 4: the song, and you will win the cash. 719 00:31:51,120 --> 00:31:52,280 Speaker 1: Jai is in Richmond. 720 00:31:52,480 --> 00:31:55,960 Speaker 2: Hello, Ji, here you go, Gray, Well, all right, here 721 00:31:55,960 --> 00:31:58,320 Speaker 2: we go. This is a song, but I'm going to 722 00:31:58,320 --> 00:32:00,440 Speaker 2: give you the first line. See if you can gets 723 00:32:00,440 --> 00:32:05,960 Speaker 2: it from here? Go Tom, play the nature noises behind me. 724 00:32:07,280 --> 00:32:09,960 Speaker 2: Once I get you up there where the air is rarefied, 725 00:32:10,800 --> 00:32:12,880 Speaker 2: we'll just glide starry eyed. 726 00:32:13,680 --> 00:32:15,640 Speaker 3: Once I get you up there, I'll be. 727 00:32:15,640 --> 00:32:19,040 Speaker 2: Holding you so near you may hear all angels cheer 728 00:32:19,760 --> 00:32:20,719 Speaker 2: because we're together. 729 00:32:21,200 --> 00:32:23,160 Speaker 1: Well, oh, well done. 730 00:32:23,360 --> 00:32:24,080 Speaker 3: What's the song? 731 00:32:24,200 --> 00:32:24,520 Speaker 1: Do you know? 732 00:32:24,680 --> 00:32:24,880 Speaker 3: John? 733 00:32:26,560 --> 00:32:32,280 Speaker 2: I'm thinking without me, No, without me, it's not eminem 734 00:32:33,000 --> 00:32:34,560 Speaker 2: Yeah right, if that's what you're thinking. 735 00:32:34,720 --> 00:32:35,200 Speaker 3: I don't know. 736 00:32:35,680 --> 00:32:36,440 Speaker 1: Oh sorry, Joe. 737 00:32:36,680 --> 00:32:39,000 Speaker 2: Steve, I've got another paragraph to add. Are you ready 738 00:32:39,000 --> 00:32:39,520 Speaker 2: to receive? 739 00:32:40,440 --> 00:32:41,040 Speaker 16: I am ready. 740 00:32:41,120 --> 00:32:45,760 Speaker 3: Here we go, Steve Weatherwise, it's such a lovely day. 741 00:32:46,600 --> 00:32:48,920 Speaker 2: Just say the words and we'll beat the birds down 742 00:32:49,000 --> 00:32:50,280 Speaker 2: to Acapulco Bay. 743 00:32:52,960 --> 00:32:54,040 Speaker 3: Steve, do you know the song? 744 00:32:54,800 --> 00:32:57,800 Speaker 9: I do know the song, and I've got a tear 745 00:32:57,880 --> 00:32:59,880 Speaker 9: in my eye, but I'll just give you the song first. 746 00:33:00,560 --> 00:33:00,760 Speaker 4: Is it? 747 00:33:00,960 --> 00:33:02,800 Speaker 9: Come fly with me? Frank? 748 00:33:03,080 --> 00:33:09,600 Speaker 1: Yes, b with me, Let's fly, Let's fly away, Let's go. 749 00:33:10,520 --> 00:33:13,080 Speaker 9: Can I tell you a story just quickly. 750 00:33:13,480 --> 00:33:16,120 Speaker 16: My my dad passed away last week and we had 751 00:33:16,120 --> 00:33:19,880 Speaker 16: his funeral last Wednesday, and he was a massive Frank 752 00:33:19,960 --> 00:33:23,400 Speaker 16: sinatrophane and I think he sent it down to me 753 00:33:23,440 --> 00:33:23,880 Speaker 16: this morning. 754 00:33:26,200 --> 00:33:27,640 Speaker 3: Oh you are you're. 755 00:33:27,480 --> 00:33:29,360 Speaker 1: Making us all woll Steve. 756 00:33:29,760 --> 00:33:36,160 Speaker 3: Oh yeah, you've made us all go. I'm sorry for 757 00:33:36,240 --> 00:33:37,720 Speaker 3: your loss, but what a lovely thing is. 758 00:33:39,640 --> 00:33:41,080 Speaker 9: And then you got my wife next to me. 759 00:33:45,560 --> 00:33:53,200 Speaker 1: Good, thank you, condolences from us. Congratulat well, congratulations and condolences. Wow, 760 00:33:54,600 --> 00:33:55,320 Speaker 1: thank you, Steve. 761 00:33:56,200 --> 00:33:59,080 Speaker 4: Thanks to Airborne managed you show Prime Prime Time seven 762 00:33:59,160 --> 00:34:00,400 Speaker 4: thirty on Friday today night. 763 00:34:00,400 --> 00:34:02,440 Speaker 2: We'll play again tomorrow and we're thinking of you, Steve. 764 00:34:02,440 --> 00:34:06,320 Speaker 2: What a lovely winners. 765 00:34:06,960 --> 00:34:10,560 Speaker 4: We just had jam narration and I know that the 766 00:34:10,560 --> 00:34:12,520 Speaker 4: big part of it is the intro that I record 767 00:34:12,640 --> 00:34:15,960 Speaker 4: for that, but also the story we got from Steve 768 00:34:16,200 --> 00:34:17,760 Speaker 4: just then having to pass. 769 00:34:17,880 --> 00:34:20,760 Speaker 2: Yeah, the song was I quoted the lyrics to a song. 770 00:34:20,920 --> 00:34:24,480 Speaker 2: The song was come Fly with Me, Fly. 771 00:34:24,600 --> 00:34:27,720 Speaker 1: With Me, Let's Fly, Let's Fly Away. 772 00:34:28,160 --> 00:34:32,000 Speaker 2: Steve knew that it was that song. Yeah, and well 773 00:34:32,000 --> 00:34:32,760 Speaker 2: here's his story. 774 00:34:33,400 --> 00:34:35,960 Speaker 9: Well, I tell you a story just quickly. 775 00:34:36,320 --> 00:34:39,040 Speaker 16: My dad passed away last week and we had his 776 00:34:39,080 --> 00:34:43,480 Speaker 16: funeral last Wednesday, and he was a massive Frank Sinatra fan. 777 00:34:43,960 --> 00:34:46,720 Speaker 9: And I think he said it down to me this morning. 778 00:34:48,960 --> 00:34:51,960 Speaker 2: That's such a great Steve told our producers on the 779 00:34:52,000 --> 00:34:54,040 Speaker 2: phone that he's sitting in the car with his wife. 780 00:34:54,080 --> 00:34:56,960 Speaker 2: He's never called the radio station before and he was 781 00:34:57,000 --> 00:34:58,920 Speaker 2: just compelled to do it. And that's the first time 782 00:34:58,960 --> 00:35:01,200 Speaker 2: he's been able to shad it to since his dad's funeral. 783 00:35:01,400 --> 00:35:03,160 Speaker 2: That he felt that I unlocked something. But if that 784 00:35:03,280 --> 00:35:04,960 Speaker 2: was a message from his dad. 785 00:35:05,520 --> 00:35:08,920 Speaker 4: Oh, you know, and a condolence's mate, your dad Mink 786 00:35:09,040 --> 00:35:10,759 Speaker 4: passed away last week and if you're. 787 00:35:10,640 --> 00:35:15,280 Speaker 2: Sharing that with us and our thoughts are with you. 788 00:35:16,040 --> 00:35:23,719 Speaker 1: Podcast. 789 00:35:23,960 --> 00:35:25,480 Speaker 3: Oh this is a bit where I read I just 790 00:35:25,560 --> 00:35:27,320 Speaker 3: was dancing around. I gets so excited. 791 00:35:27,440 --> 00:35:29,160 Speaker 1: Let the man do the DJ bits. 792 00:35:29,760 --> 00:35:33,160 Speaker 2: It's round six of the NRL this year. We're experimenting 793 00:35:33,160 --> 00:35:35,280 Speaker 2: with who's a better tipper, the experts or the universe. 794 00:35:35,360 --> 00:35:38,000 Speaker 2: The experts have knowledge, they have information, They've got all 795 00:35:38,000 --> 00:35:38,200 Speaker 2: of that. 796 00:35:38,800 --> 00:35:40,400 Speaker 3: But I just throw darts at Jonesy. 797 00:35:40,640 --> 00:35:42,120 Speaker 1: This neck guard thing is stupid. 798 00:35:42,120 --> 00:35:43,480 Speaker 2: You have to I'm not throwing a dart at you. 799 00:35:43,520 --> 00:35:47,480 Speaker 2: On Shanecks Coves. We're calling it smart versus dart Lund. 800 00:35:47,600 --> 00:35:50,200 Speaker 2: Last week, Smart got three out of eight, Dark got 801 00:35:50,200 --> 00:35:50,799 Speaker 2: two out of eight. 802 00:35:50,840 --> 00:35:53,239 Speaker 3: But the current score out of the last five rounds, 803 00:35:53,640 --> 00:35:54,719 Speaker 3: I'm winning three two. 804 00:35:54,840 --> 00:35:56,800 Speaker 1: Did you want to go to show start? 805 00:35:57,400 --> 00:36:02,360 Speaker 3: No, you just when you get in position, because. 806 00:36:02,080 --> 00:36:02,680 Speaker 1: We heard the person. 807 00:36:07,520 --> 00:36:10,120 Speaker 2: We're starting with Dolphins versus the Panthers. 808 00:36:10,360 --> 00:36:14,239 Speaker 3: The experts have picked the dolphins. Let's see what's going 809 00:36:14,280 --> 00:36:15,640 Speaker 3: to cover yourself? A bitter. 810 00:36:15,680 --> 00:36:18,120 Speaker 2: I'm just going to go straight from your chest. Oh 811 00:36:18,160 --> 00:36:22,800 Speaker 2: I got it in the chest. Oh no, I missed. 812 00:36:23,120 --> 00:36:26,719 Speaker 2: That's okay, yay, bull dye for the Panirate for the Panthers. 813 00:36:26,960 --> 00:36:30,319 Speaker 2: Dragons versus the Titans. The experts have said, dragons. Let's 814 00:36:30,360 --> 00:36:34,600 Speaker 2: see what this dragon has to do. Oh sorry, right 815 00:36:34,640 --> 00:36:39,400 Speaker 2: in the face. Oh sorry, in your stomach. Okay, I'm 816 00:36:39,400 --> 00:36:40,440 Speaker 2: glad you've got some padding. 817 00:36:40,840 --> 00:36:41,200 Speaker 1: That one. 818 00:36:41,239 --> 00:36:45,040 Speaker 2: I think it's that hit the dragons. Broncos and the roosters. Well, 819 00:36:45,080 --> 00:36:46,959 Speaker 2: the experts are the experts. 820 00:36:46,640 --> 00:36:53,600 Speaker 3: Have picked the broncos. I've picked your face again. 821 00:36:54,280 --> 00:36:58,320 Speaker 2: Okay, now don't come too close. No, they hit the roosters, 822 00:36:58,920 --> 00:37:02,120 Speaker 2: all right. Sharks and sea eagles. The experts have said, sharks. 823 00:37:02,160 --> 00:37:06,040 Speaker 3: Let's see what Okay, shark, next. 824 00:37:05,800 --> 00:37:08,200 Speaker 2: One rabbit O's and the Cowboys. The Cowboys have been 825 00:37:08,239 --> 00:37:11,600 Speaker 2: picked for this round. Cowboys was picked by me as well. 826 00:37:11,880 --> 00:37:13,360 Speaker 2: The Reels and the Raiders. 827 00:37:13,360 --> 00:37:16,839 Speaker 3: The Raiders. Move them around, so it's not so did 828 00:37:16,840 --> 00:37:19,239 Speaker 3: that hit a raider? I think it hit a raider. 829 00:37:20,480 --> 00:37:23,040 Speaker 2: The next one the storms Storm and the Warriors Storm 830 00:37:23,080 --> 00:37:30,319 Speaker 2: have been picked by the experts. Don't inflame me move 831 00:37:30,360 --> 00:37:33,200 Speaker 2: them a little bit because you Okay. 832 00:37:32,880 --> 00:37:36,880 Speaker 3: That hit a warrior. And the next one is Knights 833 00:37:36,920 --> 00:37:37,600 Speaker 3: and the Tigers. 834 00:37:37,600 --> 00:37:39,880 Speaker 2: The last round, let's see that they predicted that the 835 00:37:39,960 --> 00:37:40,560 Speaker 2: Knights will win. 836 00:37:40,920 --> 00:37:43,120 Speaker 1: Growing my box has slipped down. 837 00:37:43,320 --> 00:37:45,440 Speaker 3: Okay, that makes two of us. Move them around a 838 00:37:45,440 --> 00:37:48,359 Speaker 3: little bit. That was no one. 839 00:37:48,440 --> 00:37:53,319 Speaker 2: Let me get one more. Oh sorry, that went for 840 00:37:53,360 --> 00:37:57,560 Speaker 2: your forehead. Move them around a bit and with one more, 841 00:37:57,600 --> 00:38:02,120 Speaker 2: throw one more he a tiger. Oh thank god, that's 842 00:38:02,120 --> 00:38:04,720 Speaker 2: over all right. Well, Brendan, are you still alive? 843 00:38:05,640 --> 00:38:05,839 Speaker 3: Man? 844 00:38:06,000 --> 00:38:08,600 Speaker 2: Look coming here on the floor. That didn't go anywhere. 845 00:38:10,880 --> 00:38:12,040 Speaker 2: Thank you, You're welcome. 846 00:38:12,520 --> 00:38:14,920 Speaker 3: We will let you know what happens over the weekend. 847 00:38:15,360 --> 00:38:20,360 Speaker 18: Jam Dacious Amanda Killer narrates the groundbreaking new series Airborne 848 00:38:20,640 --> 00:38:22,600 Speaker 18: seven thirty Friday on ten. 849 00:38:25,200 --> 00:38:26,879 Speaker 3: What's Free More instance. 850 00:38:29,640 --> 00:38:33,399 Speaker 4: And Amanda's you have gone into Attenborough territory as well. 851 00:38:33,520 --> 00:38:35,480 Speaker 1: Now you get your own promo on Channel ten. 852 00:38:35,560 --> 00:38:36,480 Speaker 3: Look at me, look at me? 853 00:38:36,600 --> 00:38:40,360 Speaker 2: Go as I say on Fatnbrog, the female Attinborough offers 854 00:38:40,360 --> 00:38:41,600 Speaker 2: you want me to narrate anything? 855 00:38:41,880 --> 00:38:43,560 Speaker 3: Want me to narrate you going up to the shop, 856 00:38:43,560 --> 00:38:44,160 Speaker 3: So I'll do it. 857 00:38:44,520 --> 00:38:46,480 Speaker 1: Yeah, I'll be all right. Yeah, you can follow me 858 00:38:46,520 --> 00:38:47,440 Speaker 1: out and just rate me. 859 00:38:47,600 --> 00:38:48,040 Speaker 3: Yeah. 860 00:38:48,239 --> 00:38:50,400 Speaker 1: That would be a show where you do a collab, 861 00:38:50,480 --> 00:38:53,120 Speaker 1: you and me together at last in a show. 862 00:38:53,239 --> 00:38:53,719 Speaker 3: What do you think? 863 00:38:53,760 --> 00:38:54,120 Speaker 1: This is? 864 00:38:54,840 --> 00:38:57,120 Speaker 4: Ten questions sixty seconds on the clock. You can pass 865 00:38:57,120 --> 00:38:58,759 Speaker 4: if you don't know an answer. You will come to 866 00:38:58,840 --> 00:39:00,920 Speaker 4: that question of time permits. You get all the questions 867 00:39:01,000 --> 00:39:02,920 Speaker 4: right one thousand dollars and. 868 00:39:02,880 --> 00:39:05,920 Speaker 2: You can make it two thousand dollars by answering one 869 00:39:05,960 --> 00:39:06,720 Speaker 2: bonus question. 870 00:39:06,800 --> 00:39:07,759 Speaker 3: But it's double or not. 871 00:39:08,000 --> 00:39:09,279 Speaker 1: Susan's in Beaumont Hills. 872 00:39:09,320 --> 00:39:13,240 Speaker 12: All I Susan, good morning. How are you very well? 873 00:39:13,320 --> 00:39:15,360 Speaker 2: Let's see what we can do for you. Ten question 874 00:39:15,440 --> 00:39:17,840 Speaker 2: sixty seconds. Say pass if you're not sure, because we 875 00:39:17,920 --> 00:39:18,920 Speaker 2: might have another crack at it. 876 00:39:18,960 --> 00:39:22,000 Speaker 3: Okay, sure, Susan, good luck because here we go. 877 00:39:22,080 --> 00:39:24,560 Speaker 2: He comes Question number one, what day of the week 878 00:39:24,640 --> 00:39:30,440 Speaker 2: is good Friday Friday? Question two What comes next? Abc D? 879 00:39:30,880 --> 00:39:33,480 Speaker 2: Question three? What animal is on our twenty cent coin? 880 00:39:35,560 --> 00:39:35,840 Speaker 14: Hush? 881 00:39:36,320 --> 00:39:40,040 Speaker 2: Question four? Almonds and cashews are types of what n 882 00:39:40,480 --> 00:39:42,080 Speaker 2: question four? Question five? 883 00:39:42,120 --> 00:39:42,760 Speaker 3: True or false? 884 00:39:42,840 --> 00:39:46,360 Speaker 2: Alpha is the first letter of the Greek alphabet true? 885 00:39:46,560 --> 00:39:50,520 Speaker 3: Question six? What color does red and blue make? Purple? 886 00:39:50,840 --> 00:39:53,040 Speaker 2: Question seven? What's the capital city of Singapore? 887 00:39:57,000 --> 00:40:00,279 Speaker 3: Hush question eight? Who sings? Don't stand so close to me? 888 00:40:02,280 --> 00:40:02,520 Speaker 9: Pass? 889 00:40:02,880 --> 00:40:03,600 Speaker 3: Question nine? 890 00:40:03,640 --> 00:40:06,840 Speaker 2: Which cheese is traditionally used on top of pasta? 891 00:40:07,200 --> 00:40:07,640 Speaker 1: Parmazon? 892 00:40:07,840 --> 00:40:10,520 Speaker 3: Question ten? In chess, which piece has the most freedom 893 00:40:10,560 --> 00:40:10,959 Speaker 3: to move? 894 00:40:15,760 --> 00:40:18,279 Speaker 1: Queen king can only do one spot at a time. 895 00:40:18,440 --> 00:40:20,280 Speaker 1: The queen's the queen. 896 00:40:21,600 --> 00:40:23,680 Speaker 2: Do you know what animals on our twenty cent coin? 897 00:40:23,719 --> 00:40:29,640 Speaker 2: If you went back, Yes, it is, and it's almost 898 00:40:29,680 --> 00:40:32,319 Speaker 2: like a trick question. But the capital city of Singapore is? 899 00:40:33,840 --> 00:40:36,080 Speaker 2: Yes it is, and you do know I'm sure who 900 00:40:36,160 --> 00:40:37,719 Speaker 2: sings don't stand so close to me? 901 00:40:39,760 --> 00:40:40,680 Speaker 1: No, that's no. 902 00:40:41,280 --> 00:40:44,279 Speaker 3: The police, the police or sting We would accepted, My. 903 00:40:44,280 --> 00:40:45,440 Speaker 12: Husband would know that. 904 00:40:45,640 --> 00:40:47,280 Speaker 3: Oh, Susan, thank you for playing. 905 00:40:48,400 --> 00:40:49,399 Speaker 12: Thank you so much. 906 00:40:49,880 --> 00:40:53,799 Speaker 4: The same good news though Susan tomorrow is a five grand. 907 00:40:53,680 --> 00:40:55,680 Speaker 3: Friday, it's not great news for Susan. 908 00:40:55,680 --> 00:40:57,840 Speaker 1: Well, it's a moot point for Susan because you can 909 00:40:58,000 --> 00:41:01,480 Speaker 1: enter because you did today, but tomorrow you so you 910 00:41:01,520 --> 00:41:04,800 Speaker 1: went through today, you would be risking four thousand dollars, 911 00:41:04,960 --> 00:41:08,000 Speaker 1: five thousand dollars all told, for five thousand dollars. 912 00:41:09,280 --> 00:41:13,600 Speaker 2: Tomorrow is on the line. Thanks Susan, tell your husband tomorrow. 913 00:41:14,200 --> 00:41:15,520 Speaker 1: That's the spirit Susan. 914 00:41:17,320 --> 00:41:18,120 Speaker 3: Shit podcast. 915 00:41:18,320 --> 00:41:20,960 Speaker 1: So you're not putting first traps on your Instagram. 916 00:41:21,160 --> 00:41:24,919 Speaker 2: No, we're clearing out some space in our garage. And 917 00:41:25,480 --> 00:41:27,400 Speaker 2: it's hard at our age to work out what you 918 00:41:27,520 --> 00:41:30,600 Speaker 2: keep and what you get rid of. You know, I'm 919 00:41:30,600 --> 00:41:32,399 Speaker 2: in my sixties, hardly's older than I am. 920 00:41:32,760 --> 00:41:34,520 Speaker 3: What the hell do we do with all our stuff? 921 00:41:34,560 --> 00:41:40,160 Speaker 2: And even though your records not medical records, police records, 922 00:41:40,160 --> 00:41:43,400 Speaker 2: but your actual albums are such an incredible link to 923 00:41:43,440 --> 00:41:46,279 Speaker 2: your past, I can't. I don't want to keep hold 924 00:41:46,320 --> 00:41:47,520 Speaker 2: of all of them. So I had a box of 925 00:41:47,560 --> 00:41:50,080 Speaker 2: them and Liam went through the records. You got, Well, 926 00:41:50,080 --> 00:41:53,280 Speaker 2: Liam loves buying vinyl and it's now one hundred dollars 927 00:41:53,360 --> 00:41:56,919 Speaker 2: to buy a record, can you believe that? So he 928 00:41:56,960 --> 00:41:59,080 Speaker 2: went through and selected a couple of them. I put them, 929 00:41:59,120 --> 00:42:01,520 Speaker 2: and the ones he's selet elected was some of my 930 00:42:01,680 --> 00:42:03,520 Speaker 2: absolute favorites. 931 00:42:03,280 --> 00:42:07,040 Speaker 3: Goodbye Yellow Brick Road right cover Jesus Christ Superstar. 932 00:42:07,440 --> 00:42:09,040 Speaker 1: Yeah, the cover wasn't great. It was system. 933 00:42:09,080 --> 00:42:11,440 Speaker 3: But it's not so much the cover, it's the story. 934 00:42:11,360 --> 00:42:12,200 Speaker 1: The album itself. 935 00:42:12,280 --> 00:42:12,400 Speaker 10: Well. 936 00:42:12,480 --> 00:42:15,799 Speaker 2: But I remember holding it and reading every word that 937 00:42:15,840 --> 00:42:16,839 Speaker 2: was written inside. 938 00:42:16,920 --> 00:42:20,640 Speaker 3: You knew who the producers were. You poured over every 939 00:42:20,760 --> 00:42:22,520 Speaker 3: photograph that was part of the album. 940 00:42:22,560 --> 00:42:26,120 Speaker 1: War of the World's Remember Jewels, what's his name? Jeff 941 00:42:26,160 --> 00:42:28,640 Speaker 1: Wayne's musical version of what was the cover? I was 942 00:42:28,680 --> 00:42:31,080 Speaker 1: great at the Martian blowing up the ship, you know, 943 00:42:31,120 --> 00:42:32,440 Speaker 1: the martianing. 944 00:42:32,800 --> 00:42:35,000 Speaker 3: The martianing Martian was the lush picture of the cover. 945 00:42:35,120 --> 00:42:35,879 Speaker 1: Yeah, it was on the cover. 946 00:42:35,960 --> 00:42:37,920 Speaker 4: It was great, and you'd read all the No one 947 00:42:37,920 --> 00:42:39,640 Speaker 4: would have believed at the last part of them, you know, 948 00:42:39,640 --> 00:42:40,520 Speaker 4: all that junk. 949 00:42:40,320 --> 00:42:41,920 Speaker 3: All that junk, Well, this is the thing. 950 00:42:42,239 --> 00:42:44,799 Speaker 1: Kiss unmasked, Kiss. 951 00:42:45,000 --> 00:42:46,480 Speaker 3: Mass what was then without makeup on? 952 00:42:47,120 --> 00:42:50,200 Speaker 1: No, they took their masks off. It was a cartoon. 953 00:42:50,280 --> 00:42:53,279 Speaker 4: They took their mass off, and that was actually their faces. 954 00:42:53,680 --> 00:42:55,759 Speaker 1: It wasn't until some years later when they did lick 955 00:42:55,800 --> 00:42:57,919 Speaker 1: it up. They took their masks off and everyone put 956 00:42:57,960 --> 00:42:59,920 Speaker 1: them back on. Yeah, yeah, yeah, but that was a 957 00:43:00,200 --> 00:43:00,880 Speaker 1: great cover. 958 00:43:01,560 --> 00:43:03,920 Speaker 2: Remember Captain Fantastic in the Brown Dirt Cowboy? 959 00:43:04,200 --> 00:43:04,759 Speaker 1: Great one? 960 00:43:05,080 --> 00:43:09,000 Speaker 4: Okay, what about Cissy Quatro microphone sweat on the face 961 00:43:09,960 --> 00:43:11,960 Speaker 4: or what about the pros and cons of hitch hiking 962 00:43:12,160 --> 00:43:12,880 Speaker 4: Roger Waters? 963 00:43:13,000 --> 00:43:15,840 Speaker 2: No, I never had that von, But so many people 964 00:43:15,880 --> 00:43:18,160 Speaker 2: responded to this saying that their kids are also going 965 00:43:18,200 --> 00:43:20,479 Speaker 2: through their vinyl but seeing these covers. They were talking 966 00:43:20,520 --> 00:43:24,560 Speaker 2: about what their record cover moments were, because there's a 967 00:43:24,560 --> 00:43:26,800 Speaker 2: giant kick in the heart to see this imagery again. 968 00:43:27,120 --> 00:43:29,200 Speaker 2: And someone said he loved the thrill of going to 969 00:43:29,239 --> 00:43:31,959 Speaker 2: brashes and buying the latest album when I got paid 970 00:43:32,000 --> 00:43:33,760 Speaker 2: for my part time job at half case? 971 00:43:34,000 --> 00:43:35,000 Speaker 1: What was half face? 972 00:43:35,400 --> 00:43:38,080 Speaker 4: That was a place you could only buy a dozen 973 00:43:38,120 --> 00:43:38,640 Speaker 4: of stuff? 974 00:43:39,880 --> 00:43:42,560 Speaker 3: Really, It's true, like bottles of wine or something. 975 00:43:42,760 --> 00:43:43,200 Speaker 1: Was it six? 976 00:43:43,400 --> 00:43:45,200 Speaker 4: Yeah, you go to somewhere and you go to half 977 00:43:45,239 --> 00:43:48,120 Speaker 4: case and you get like a and you can only 978 00:43:48,120 --> 00:43:51,120 Speaker 4: get half a case of it? 979 00:43:51,200 --> 00:43:51,960 Speaker 1: Right A clap? 980 00:43:53,120 --> 00:43:53,879 Speaker 3: What about this one? 981 00:43:53,920 --> 00:43:56,279 Speaker 2: Someone said, Yellow Brick Road was the first album I 982 00:43:56,320 --> 00:43:57,359 Speaker 2: ever bought in seventy two. 983 00:43:57,400 --> 00:43:59,960 Speaker 3: It cost me twelve dollars. I had it on layby 984 00:44:00,200 --> 00:44:01,480 Speaker 3: for five weeks. 985 00:44:01,200 --> 00:44:03,880 Speaker 1: And I still have the record cover speaks volumes. 986 00:44:03,880 --> 00:44:07,440 Speaker 4: Do you remember spinal tap in the spinal tap for 987 00:44:07,520 --> 00:44:10,480 Speaker 4: their movie for their new album, Smell of the Clove. 988 00:44:11,000 --> 00:44:13,880 Speaker 4: Remember that brew about batting the record. 989 00:44:14,440 --> 00:44:14,760 Speaker 19: Listen. 990 00:44:15,200 --> 00:44:16,160 Speaker 3: They don't like the cover. 991 00:44:16,600 --> 00:44:17,080 Speaker 6: They don't like that. 992 00:44:18,080 --> 00:44:24,040 Speaker 11: They find it very offensive and very sexistensive. You've put 993 00:44:24,360 --> 00:44:28,680 Speaker 11: a greased naked woman on all fours with a dog 994 00:44:28,840 --> 00:44:32,200 Speaker 11: collar around her neck and a leash and a man's 995 00:44:32,480 --> 00:44:35,520 Speaker 11: arm extended out up to here, holding on to the 996 00:44:35,600 --> 00:44:39,040 Speaker 11: leash and pushing a black glove in her face to 997 00:44:39,160 --> 00:44:39,640 Speaker 11: sniff it. 998 00:44:39,960 --> 00:44:41,239 Speaker 1: You don't find that offensive. 999 00:44:41,520 --> 00:44:42,719 Speaker 3: You don't find that sex. 1000 00:44:42,520 --> 00:44:44,040 Speaker 1: Sexus nineteen eighty two. 1001 00:44:44,000 --> 00:44:46,600 Speaker 3: That's right, nineteen eighty two. Get out of the sixties. 1002 00:44:46,640 --> 00:44:48,360 Speaker 11: We don't have this mentality anymore. 1003 00:44:48,480 --> 00:44:50,160 Speaker 1: You should have seen the cover they wanted to do. 1004 00:44:51,440 --> 00:44:54,160 Speaker 1: And that's that's the thing. Because you look at like 1005 00:44:54,200 --> 00:44:55,959 Speaker 1: the record cover top of your mind. 1006 00:44:56,000 --> 00:44:58,839 Speaker 4: You say to someone like you, boy, Tom record cover, 1007 00:44:59,200 --> 00:45:00,600 Speaker 4: what pops ready to your mind? 1008 00:45:00,719 --> 00:45:03,000 Speaker 1: Breakfast in America, Supertramp, great cover. 1009 00:45:03,160 --> 00:45:06,200 Speaker 3: Yeah it was the waitress plates. 1010 00:45:04,800 --> 00:45:06,840 Speaker 1: And she's done like the Statue of Liberty. 1011 00:45:06,920 --> 00:45:09,279 Speaker 3: Yeah yeah, yeah yeah. What about Beatles Abby Road? 1012 00:45:09,400 --> 00:45:13,520 Speaker 2: I mean, these album covers just kiss me, sear it 1013 00:45:13,680 --> 00:45:14,440 Speaker 2: into your memory. 1014 00:45:14,480 --> 00:45:16,799 Speaker 1: Because there were so many conspiracy theories. 1015 00:45:16,520 --> 00:45:18,440 Speaker 3: About you know, someone didn't have shoes on. 1016 00:45:18,880 --> 00:45:21,239 Speaker 4: The fifth Beatle was a Volkswagen Beetle, but the number 1017 00:45:21,239 --> 00:45:23,440 Speaker 4: plate was twenty eight if and a lot of people 1018 00:45:23,440 --> 00:45:26,080 Speaker 4: thought that Paul McCartney had died and he would have 1019 00:45:26,120 --> 00:45:28,440 Speaker 4: been twenty eight if he had not gone right nut 1020 00:45:28,520 --> 00:45:31,120 Speaker 4: jobs anyway, and then they found out the guy. They 1021 00:45:31,160 --> 00:45:33,319 Speaker 4: tried to get rid of the Volkswagen, but the guy 1022 00:45:33,320 --> 00:45:36,160 Speaker 4: had gone on a bus trip to Australia. You know, 1023 00:45:36,480 --> 00:45:38,520 Speaker 4: you go around Australia and a bus, so he's gone 1024 00:45:38,560 --> 00:45:40,279 Speaker 4: for six weeks, so they couldn't move the car. 1025 00:45:41,400 --> 00:45:42,640 Speaker 1: That was the true story. 1026 00:45:42,719 --> 00:45:45,280 Speaker 3: What does it tell you when you have this reaction 1027 00:45:45,320 --> 00:45:45,840 Speaker 3: to a record? 1028 00:45:46,080 --> 00:45:48,480 Speaker 1: So that's it, it's just the tribal drum will be 1029 00:45:48,520 --> 00:45:48,920 Speaker 1: for this. 1030 00:45:49,160 --> 00:45:51,840 Speaker 3: The record, the record? What was the record? 1031 00:45:52,440 --> 00:45:56,240 Speaker 1: Yeah, yeah, it's not about what's in. 1032 00:45:56,080 --> 00:46:00,120 Speaker 3: The cover, the record cover and what makes you feel. 1033 00:46:01,000 --> 00:46:05,040 Speaker 1: The tribal dramas beating for the record cover. What's wrong 1034 00:46:05,080 --> 00:46:07,719 Speaker 1: with being sexy? I mean there's a long set. 1035 00:46:08,239 --> 00:46:10,120 Speaker 2: I put a picture on my Instagram of some of 1036 00:46:10,160 --> 00:46:13,920 Speaker 2: the albums that my son is taking from our collection. 1037 00:46:13,960 --> 00:46:15,319 Speaker 2: We're trying to do a bit of a clean out 1038 00:46:15,600 --> 00:46:17,920 Speaker 2: and just seeing the record covers gave me such a 1039 00:46:18,000 --> 00:46:18,640 Speaker 2: kick in the heart. 1040 00:46:18,680 --> 00:46:19,799 Speaker 3: Goodbye Olympic Road. 1041 00:46:19,960 --> 00:46:22,080 Speaker 1: You know what I've got meat life, bat out of 1042 00:46:22,160 --> 00:46:22,799 Speaker 1: hell Yeah. 1043 00:46:23,280 --> 00:46:27,400 Speaker 4: Motorbike Wow, like a battering ram on a super black 1044 00:46:27,440 --> 00:46:28,120 Speaker 4: fanom bike. 1045 00:46:28,239 --> 00:46:30,120 Speaker 3: Did you have Rodriguez like I did? 1046 00:46:31,040 --> 00:46:31,960 Speaker 1: Yeas has joined us? 1047 00:46:32,000 --> 00:46:32,280 Speaker 3: Hello? 1048 00:46:32,360 --> 00:46:36,840 Speaker 1: Yeahs you hate going great? 1049 00:46:36,960 --> 00:46:39,520 Speaker 3: What do you think of when we say the record cover? 1050 00:46:40,440 --> 00:46:44,640 Speaker 9: You remember the Midnight four three two one? 1051 00:46:44,840 --> 00:46:45,080 Speaker 1: Yes? 1052 00:46:46,760 --> 00:46:47,560 Speaker 9: The Barcode? 1053 00:46:47,719 --> 00:46:48,319 Speaker 1: Yeah? 1054 00:46:48,640 --> 00:46:51,200 Speaker 9: Yeah, how big a part of our idea of the 1055 00:46:51,239 --> 00:46:51,879 Speaker 9: Barcode now? 1056 00:46:52,000 --> 00:46:54,080 Speaker 1: Yeah, the bark hap and the oils and the and 1057 00:46:54,120 --> 00:46:56,839 Speaker 1: the name of the album was written in the barcade. Yeah, 1058 00:46:56,960 --> 00:46:59,359 Speaker 1: it was kind of subtle. And the oils because they 1059 00:46:59,360 --> 00:47:01,880 Speaker 1: had Red Cell in the sunset as well, which was 1060 00:47:01,920 --> 00:47:06,160 Speaker 1: a post apocalyptic world where the Harbor Bridge in ruins 1061 00:47:06,200 --> 00:47:08,839 Speaker 1: and Sydney and ruins like it is now. 1062 00:47:09,719 --> 00:47:10,359 Speaker 3: Thank you, Yas. 1063 00:47:10,480 --> 00:47:11,279 Speaker 1: That's a great one. 1064 00:47:11,440 --> 00:47:14,319 Speaker 3: Laney, Hi, Laney. What's the album cover for you? 1065 00:47:15,640 --> 00:47:19,319 Speaker 17: The album comes for me now, I don't encourage this nowadays? 1066 00:47:20,360 --> 00:47:24,520 Speaker 17: Is Pink Floyd's Dark Side of the Moon album cover. 1067 00:47:25,040 --> 00:47:27,400 Speaker 17: I see that album cover and I go back to 1068 00:47:27,400 --> 00:47:34,600 Speaker 17: my seventies days when I would take Lsdudy I don't 1069 00:47:34,760 --> 00:47:37,640 Speaker 17: encourage this now, but that would I would look at that, 1070 00:47:37,760 --> 00:47:40,560 Speaker 17: and that would take me back to the seventies. 1071 00:47:41,000 --> 00:47:42,680 Speaker 3: And when you're off your face, would you just look 1072 00:47:42,680 --> 00:47:43,799 Speaker 3: at it for hours on end. 1073 00:47:44,600 --> 00:47:47,879 Speaker 17: I look at it, and I've actually got the cover 1074 00:47:48,080 --> 00:47:51,239 Speaker 17: on my wall in my study as a poster with 1075 00:47:51,360 --> 00:47:54,480 Speaker 17: a few other album covers, and I can look at 1076 00:47:54,480 --> 00:47:58,120 Speaker 17: and I think, jeez, what was I thinking much? 1077 00:47:59,160 --> 00:48:01,920 Speaker 1: I had the prison in the light going through there 1078 00:48:02,960 --> 00:48:05,520 Speaker 1: it is there you go, thank you album? 1079 00:48:05,560 --> 00:48:08,600 Speaker 2: Hello Carled what's the record cover that does it for you? 1080 00:48:09,239 --> 00:48:11,640 Speaker 20: Yeah, James Man, And look, my story takes me back 1081 00:48:11,640 --> 00:48:14,359 Speaker 20: to the seventies as well. I was seven years old 1082 00:48:14,360 --> 00:48:17,040 Speaker 20: going shopping with mum at Liverpool and the record store 1083 00:48:17,080 --> 00:48:20,000 Speaker 20: in the corner had these four guys dressed up in 1084 00:48:20,320 --> 00:48:23,319 Speaker 20: outrageous uniforms with makeup and I'm referring to the band 1085 00:48:23,440 --> 00:48:26,960 Speaker 20: Kiss and they were advertising the album Love Gun. And 1086 00:48:27,000 --> 00:48:32,319 Speaker 20: I just looked at that and went, wow band and yeah, 1087 00:48:32,360 --> 00:48:35,120 Speaker 20: that was the album that actually got me introduced to Kiss. 1088 00:48:35,440 --> 00:48:39,040 Speaker 20: And here I am, nearly decades later, still a great fan. 1089 00:48:39,160 --> 00:48:40,960 Speaker 20: So yeah, Kiss, Love Gun, that was. 1090 00:48:40,880 --> 00:48:44,080 Speaker 3: The album that blew your mind. That was the covered band, but. 1091 00:48:44,000 --> 00:48:46,320 Speaker 4: The cover was so good because it had the boys 1092 00:48:46,880 --> 00:48:49,319 Speaker 4: and then were all these girls at their feet in 1093 00:48:49,400 --> 00:48:55,239 Speaker 4: kiss makeup and buzzomy sexy girls. 1094 00:48:55,760 --> 00:48:58,120 Speaker 1: Well, that's that's when you know, don't you, Carla? You 1095 00:48:58,200 --> 00:48:59,680 Speaker 1: just go there. That's what I'm about. 1096 00:49:00,200 --> 00:49:02,960 Speaker 20: That's it, exactly right. And here I am in the 1097 00:49:03,040 --> 00:49:04,760 Speaker 20: fifties and still a Kiss fan. 1098 00:49:04,800 --> 00:49:09,360 Speaker 3: Still knowing what it's about. Jonesy and Amanda. 1099 00:49:10,000 --> 00:49:15,000 Speaker 4: Podcast, Amanda and Jonesy. 1100 00:49:15,040 --> 00:49:17,240 Speaker 1: You staying school and learned school? 1101 00:49:17,920 --> 00:49:23,680 Speaker 4: That's yeah, okay, the tribal dramas beating for the record cover? 1102 00:49:24,040 --> 00:49:26,440 Speaker 1: What's wrong with being sexy? I mean, there's no saying. 1103 00:49:27,760 --> 00:49:32,359 Speaker 2: So evocative, so important to a certain part of your life, 1104 00:49:32,440 --> 00:49:35,799 Speaker 2: and just seeing the artwork again can just absolutely take 1105 00:49:35,800 --> 00:49:36,200 Speaker 2: you back. 1106 00:49:36,480 --> 00:49:39,560 Speaker 1: Yeah, Kiss Unmasked. I've just been looking at Kiss Love Gun. 1107 00:49:39,840 --> 00:49:40,560 Speaker 1: What about that? 1108 00:49:40,800 --> 00:49:43,080 Speaker 2: Look all it is They've got their own faces, but 1109 00:49:43,160 --> 00:49:46,560 Speaker 2: with bosoms as if they're the women at their feet. 1110 00:49:46,680 --> 00:49:48,799 Speaker 1: That's it. Get rid of the middleman or woman, as 1111 00:49:48,800 --> 00:49:49,480 Speaker 1: the case may be. 1112 00:49:50,360 --> 00:49:55,520 Speaker 3: Hello Evan, good morning, how are you, Amanda? What was 1113 00:49:55,560 --> 00:49:56,360 Speaker 3: the record cover? 1114 00:49:57,640 --> 00:49:57,880 Speaker 1: For me? 1115 00:49:57,960 --> 00:49:58,840 Speaker 6: It's a strange one. 1116 00:49:58,760 --> 00:50:03,000 Speaker 9: That's a rival the helicopter. 1117 00:50:03,160 --> 00:50:05,799 Speaker 19: Yeah, so for me as a kid when I got 1118 00:50:05,800 --> 00:50:08,759 Speaker 19: that album sort of just brought up Oh wow, you know, 1119 00:50:09,000 --> 00:50:11,239 Speaker 19: being in a helicopter is in this amazing sort of thing. 1120 00:50:11,640 --> 00:50:14,080 Speaker 19: But also abba was the very first concert I ever 1121 00:50:14,120 --> 00:50:17,040 Speaker 19: went to at the Sydney Showgrounds at moor Park. 1122 00:50:17,760 --> 00:50:19,440 Speaker 2: And now if you went into a helicopter and you 1123 00:50:19,480 --> 00:50:22,720 Speaker 2: squished it like the four of them were. And also 1124 00:50:22,800 --> 00:50:24,439 Speaker 2: what was on there in the back of the car 1125 00:50:24,520 --> 00:50:28,200 Speaker 2: and they're all in their glamorous furs and things or 1126 00:50:28,239 --> 00:50:30,399 Speaker 2: was that the helicopter one they're all. 1127 00:50:30,320 --> 00:50:33,279 Speaker 19: In their I think that was the inside that was 1128 00:50:33,320 --> 00:50:36,080 Speaker 19: the inside solo of the helicopter, because they were because 1129 00:50:36,080 --> 00:50:38,280 Speaker 19: they'd gotten from the helicopter into the car. 1130 00:50:38,280 --> 00:50:40,719 Speaker 4: And they've been cashed. They'd be well cashed up by 1131 00:50:40,760 --> 00:50:41,279 Speaker 4: them as well. 1132 00:50:41,960 --> 00:50:46,880 Speaker 3: Getting an uber Yeah, tapping on of the bus. Thank you, Evan. 1133 00:50:47,360 --> 00:50:48,239 Speaker 1: Ash just joined us. 1134 00:50:48,280 --> 00:50:50,479 Speaker 3: Hi Ash, what's the record for you? What's the cover? 1135 00:50:51,440 --> 00:50:51,600 Speaker 14: Hi? 1136 00:50:51,719 --> 00:50:54,440 Speaker 5: Guys, so nice to chat with you. So I've got 1137 00:50:54,440 --> 00:50:56,719 Speaker 5: a bit of a time capsule story. I used to 1138 00:50:56,800 --> 00:50:59,160 Speaker 5: live in Melbourne and I rented this a really old 1139 00:50:59,160 --> 00:51:02,160 Speaker 5: apartment there and I heard some knocking one morning in 1140 00:51:02,200 --> 00:51:05,239 Speaker 5: the ceiling. Decided to go and explore and I found 1141 00:51:05,280 --> 00:51:08,480 Speaker 5: a whole bunch of records covered in dust, some dock 1142 00:51:08,640 --> 00:51:12,319 Speaker 5: Martins and old hair dryer from one of those old 1143 00:51:12,360 --> 00:51:16,080 Speaker 5: ones that had a shower cap and someone One of 1144 00:51:16,120 --> 00:51:20,680 Speaker 5: the records was the Rolling Stones first press, one of 1145 00:51:20,719 --> 00:51:24,120 Speaker 5: the vinyls, and it was nineteen sixty four with the 1146 00:51:24,800 --> 00:51:29,319 Speaker 5: Stones on the front wearing suits and it even had 1147 00:51:29,320 --> 00:51:34,000 Speaker 5: the photo folded up inside of it too. Yeah, and 1148 00:51:34,040 --> 00:51:35,839 Speaker 5: it was pretty cool. So I did play them. They 1149 00:51:35,880 --> 00:51:39,000 Speaker 5: all worked, and then because I was a unique student 1150 00:51:39,000 --> 00:51:40,839 Speaker 5: at the time, I ended up selling it a few 1151 00:51:40,920 --> 00:51:42,319 Speaker 5: years later for quite a bit of money. 1152 00:51:42,320 --> 00:51:43,840 Speaker 12: Actually, what did you get for it? 1153 00:51:43,640 --> 00:51:46,239 Speaker 5: But I got about three hundred I think I could 1154 00:51:46,239 --> 00:51:48,040 Speaker 5: have got more if I held on to it. 1155 00:51:48,480 --> 00:51:51,520 Speaker 4: And I didn't have the original photo inside on the 1156 00:51:51,520 --> 00:51:53,840 Speaker 4: original photo that I took for the album inside. 1157 00:51:53,960 --> 00:51:56,840 Speaker 5: Yeah, yeah, it was inside folded up. It wasn't in 1158 00:51:56,880 --> 00:52:01,719 Speaker 5: great conditions, but it was really really cool experience. It 1159 00:52:01,800 --> 00:52:04,800 Speaker 5: was definitely sparked this huge lot of vinyl. 1160 00:52:04,960 --> 00:52:07,280 Speaker 2: I had to ask you, what was the noise inside 1161 00:52:07,280 --> 00:52:07,680 Speaker 2: the roof? 1162 00:52:09,040 --> 00:52:11,920 Speaker 5: Probably a rash, right, So that person was. 1163 00:52:12,000 --> 00:52:16,040 Speaker 2: Still living up there, just checking there was Mick Jagger 1164 00:52:16,080 --> 00:52:17,440 Speaker 2: living in my ceiling cavity. 1165 00:52:17,600 --> 00:52:20,160 Speaker 1: Because the Rolling Stones, I had sticky fingers with the Zippra. 1166 00:52:20,400 --> 00:52:21,759 Speaker 3: I remember that one. 1167 00:52:21,640 --> 00:52:24,000 Speaker 4: And then people were complaining because the zipper was scratching 1168 00:52:24,040 --> 00:52:27,040 Speaker 4: the records, so the record company had to reissue it. 1169 00:52:26,960 --> 00:52:28,200 Speaker 3: And then that one became a collector. 1170 00:52:28,640 --> 00:52:31,600 Speaker 1: But that one that Ash is talking about, I might google. 1171 00:52:31,600 --> 00:52:35,319 Speaker 2: Interesting that is worth Halloween. What's a record album that 1172 00:52:35,400 --> 00:52:36,080 Speaker 2: does it for you? 1173 00:52:37,080 --> 00:52:41,280 Speaker 6: Good morning James and Amanda Jose. You might remember woolth 1174 00:52:42,080 --> 00:52:45,479 Speaker 6: and carrying Barren. The Kingsway had a little saw called 1175 00:52:45,520 --> 00:52:49,800 Speaker 6: Wolveris Variety. Yes, back in the late seventies, I was 1176 00:52:49,880 --> 00:52:53,080 Speaker 6: a seventeen year old and I was talking and they 1177 00:52:53,120 --> 00:52:55,200 Speaker 6: had a record collection in the front and going through 1178 00:52:55,239 --> 00:52:58,799 Speaker 6: and I found this album Classic Diamond. Oh, this is 1179 00:52:58,840 --> 00:53:03,200 Speaker 6: great Neil Diamond. Everything I was looking for, this is anyway. 1180 00:53:03,239 --> 00:53:06,239 Speaker 6: I boarded, rushed home and put it on and there 1181 00:53:06,280 --> 00:53:09,600 Speaker 6: was no Neil Diamond there at all? Where's he singing? 1182 00:53:10,280 --> 00:53:12,560 Speaker 6: And then because I've got the album back out and 1183 00:53:12,600 --> 00:53:14,680 Speaker 6: that look and it says the hits of Neil Diamond 1184 00:53:15,000 --> 00:53:16,839 Speaker 6: played by the London Philharmonical. 1185 00:53:19,640 --> 00:53:22,960 Speaker 2: Yeah, it's my dad buying me the Beatles. And it 1186 00:53:23,000 --> 00:53:26,440 Speaker 2: was Pinky and Perky singing the songs, singing pigs, singing, 1187 00:53:26,800 --> 00:53:29,000 Speaker 2: chip Monkey, pigs got us. 1188 00:53:28,960 --> 00:53:29,600 Speaker 3: A beauty ian. 1189 00:53:29,760 --> 00:53:30,839 Speaker 1: You've got to look at the cover. 1190 00:53:31,000 --> 00:53:32,440 Speaker 3: You've got to read the cover. 1191 00:53:33,000 --> 00:53:33,560 Speaker 1: Thank you for it. 1192 00:53:33,760 --> 00:53:36,880 Speaker 2: I've loved this trip down our emotional memory lane. 1193 00:53:37,520 --> 00:53:39,480 Speaker 1: Okay, that was an album too. 1194 00:53:42,320 --> 00:53:45,760 Speaker 4: Podcast and we were just talking about the record cover 1195 00:53:45,920 --> 00:53:48,560 Speaker 4: and ash rang Us before she had the Rolling Stones 1196 00:53:48,600 --> 00:53:51,320 Speaker 4: first press album. This is their debut album back in 1197 00:53:51,360 --> 00:53:53,960 Speaker 4: nineteen sixty four. She found in the roosts bace of 1198 00:53:53,960 --> 00:53:57,399 Speaker 4: a house sild for three hundred bucks. It's now worth 1199 00:53:57,400 --> 00:53:58,840 Speaker 4: two thousand and seven and one dollars. 1200 00:53:58,880 --> 00:54:00,920 Speaker 3: Don't tell her that, but I think you've done a 1201 00:54:01,000 --> 00:54:01,400 Speaker 3: right at it. 1202 00:54:01,400 --> 00:54:03,120 Speaker 4: You don't what time waste is coming around there looking 1203 00:54:03,120 --> 00:54:06,240 Speaker 4: at the album? What about Rip Snorter or Ripper seventy six? 1204 00:54:06,600 --> 00:54:09,040 Speaker 4: Because Ripper had the butt cheek, rip Snorter had a 1205 00:54:09,040 --> 00:54:11,680 Speaker 4: pig's head? Which would you prefer? I spent a long 1206 00:54:11,680 --> 00:54:13,760 Speaker 4: time looking at that, Butchet, I'm sure you go. How 1207 00:54:14,040 --> 00:54:16,080 Speaker 4: they got to write Darryl braithway down the bottom of 1208 00:54:16,120 --> 00:54:19,400 Speaker 4: the cheek. You had to admire the writing. 1209 00:54:19,040 --> 00:54:22,440 Speaker 2: Skills of the person that was doing it and the 1210 00:54:22,480 --> 00:54:25,319 Speaker 2: patients of the model. So many people, though, have said 1211 00:54:25,320 --> 00:54:27,520 Speaker 2: that they can't bear to part with their records and 1212 00:54:27,520 --> 00:54:30,080 Speaker 2: we're all at the age where where you're thinking, do 1213 00:54:30,160 --> 00:54:31,920 Speaker 2: you hold onto this stuff or do you let it go? 1214 00:54:32,080 --> 00:54:32,759 Speaker 3: And I know that. 1215 00:54:34,400 --> 00:54:37,520 Speaker 2: Decluttering experts would say you get the same kick from 1216 00:54:37,520 --> 00:54:40,600 Speaker 2: a photograph of it than you do of the actual 1217 00:54:40,680 --> 00:54:43,520 Speaker 2: album itself. But lots of people saying, don't get rid 1218 00:54:43,520 --> 00:54:44,760 Speaker 2: of them. But oh what a quandary. 1219 00:54:44,840 --> 00:54:49,080 Speaker 1: Yeah, but records take up no space, no space. You've 1220 00:54:49,080 --> 00:54:50,680 Speaker 1: got an anvil collection, No, but. 1221 00:54:52,239 --> 00:54:53,120 Speaker 3: I'm keeping that. 1222 00:54:53,360 --> 00:54:55,000 Speaker 1: Unless it's the record of anvil. 1223 00:54:55,080 --> 00:54:57,160 Speaker 3: I'm keeping all my heavy anvils. 1224 00:54:57,360 --> 00:54:57,440 Speaker 10: No. 1225 00:54:57,600 --> 00:55:00,800 Speaker 2: But at some point, do I how I haven't looked 1226 00:55:00,800 --> 00:55:03,120 Speaker 2: at these for decades? 1227 00:55:03,239 --> 00:55:04,600 Speaker 1: How much space do they take? Was it a milk 1228 00:55:04,600 --> 00:55:05,120 Speaker 1: crate's worth? 1229 00:55:05,480 --> 00:55:06,799 Speaker 3: About four milk crates worth? 1230 00:55:06,920 --> 00:55:08,560 Speaker 1: Give them to me, I'll put them in. I've got 1231 00:55:08,560 --> 00:55:09,879 Speaker 1: plenty of space, no place. 1232 00:55:09,960 --> 00:55:12,160 Speaker 3: But then what's the part. I'm not going to look 1233 00:55:12,160 --> 00:55:14,279 Speaker 3: at them in my house around and look at them 1234 00:55:14,320 --> 00:55:16,799 Speaker 3: in your house. We'll live in your roof cavity and 1235 00:55:16,840 --> 00:55:17,840 Speaker 3: go through them all. 1236 00:55:19,440 --> 00:55:21,640 Speaker 1: Like a modern day and Frank is living in a 1237 00:55:21,800 --> 00:55:25,160 Speaker 1: roof yeah with a nice wren. 1238 00:55:25,360 --> 00:55:25,520 Speaker 8: Yeah. 1239 00:55:26,960 --> 00:55:28,759 Speaker 3: Sham Notion podcast. 1240 00:55:37,120 --> 00:55:40,240 Speaker 2: Thanks to Miselle, Stocks and Gravies, we have twenty thousand 1241 00:55:40,280 --> 00:55:42,879 Speaker 2: dollars to give to our favorite ghoulie of the year. 1242 00:55:42,960 --> 00:55:44,080 Speaker 1: What have we got today? 1243 00:55:44,719 --> 00:55:47,440 Speaker 15: Those people who think the best way to take butter 1244 00:55:47,520 --> 00:55:49,719 Speaker 15: out of the container is to grab a knife and 1245 00:55:49,719 --> 00:55:51,839 Speaker 15: put it at a ninety degree angle and take a 1246 00:55:51,840 --> 00:55:54,279 Speaker 15: big chunk straight out of the middle. How hard is 1247 00:55:54,280 --> 00:55:56,120 Speaker 15: it to grab a knife and put it at a 1248 00:55:56,160 --> 00:55:59,000 Speaker 15: forty five degree angle and either spread from left to right, 1249 00:55:59,080 --> 00:55:59,719 Speaker 15: right to left. 1250 00:56:00,000 --> 00:56:02,160 Speaker 1: I think it's still perfect in the container. 1251 00:56:02,880 --> 00:56:05,200 Speaker 2: It's very free, it is very precise. It's like how 1252 00:56:05,239 --> 00:56:07,480 Speaker 2: you get the toothpaste out your squeezer at the top 1253 00:56:07,520 --> 00:56:08,680 Speaker 2: or an even pusher. 1254 00:56:09,200 --> 00:56:10,200 Speaker 1: I'm an even pusher. 1255 00:56:10,960 --> 00:56:12,480 Speaker 3: And what did you do this with the butter? Do 1256 00:56:12,520 --> 00:56:13,680 Speaker 3: you make it flat all the way? 1257 00:56:13,840 --> 00:56:14,080 Speaker 1: Yeah? 1258 00:56:14,200 --> 00:56:17,200 Speaker 2: Yeah, like the ad I like to scrape around the 1259 00:56:17,239 --> 00:56:18,520 Speaker 2: sides and make a big Well. 1260 00:56:19,320 --> 00:56:20,160 Speaker 3: What else have we got? 1261 00:56:20,800 --> 00:56:24,080 Speaker 7: People in offices can determine what construction workers were on 1262 00:56:24,120 --> 00:56:28,080 Speaker 7: a site. We have to wear long pants, long sleeves, glasses, gloves, 1263 00:56:28,440 --> 00:56:31,080 Speaker 7: hard hat and on a forty degree day, I would 1264 00:56:31,120 --> 00:56:33,280 Speaker 7: like to see these guys get out and do painting 1265 00:56:33,600 --> 00:56:34,480 Speaker 7: in that attire. 1266 00:56:35,000 --> 00:56:35,880 Speaker 1: It's just crazy. 1267 00:56:36,239 --> 00:56:37,560 Speaker 3: It's awful litigation, isn't it? 1268 00:56:40,120 --> 00:56:42,880 Speaker 4: Answer and stuff like that. If you're on a building site. Yeah, 1269 00:56:42,920 --> 00:56:46,000 Speaker 4: but you know this is the world we live in. 1270 00:56:46,040 --> 00:56:47,279 Speaker 1: The suits are making. 1271 00:56:47,040 --> 00:56:49,000 Speaker 2: All the decision form that you have to wear in 1272 00:56:49,080 --> 00:56:51,080 Speaker 2: here that merch that you choose to wear. 1273 00:56:51,880 --> 00:56:55,160 Speaker 1: I chose to wear this myself about with the good. 1274 00:56:55,200 --> 00:56:58,160 Speaker 4: If you dip downhoad the iet radio app and record 1275 00:56:58,200 --> 00:57:00,759 Speaker 4: your gulie it is seven to nine. 1276 00:57:01,680 --> 00:57:03,439 Speaker 3: I favor call the email or Facebook friend. 1277 00:57:03,440 --> 00:57:05,760 Speaker 2: When's the family pass of the Sydney Royalis to show 1278 00:57:06,160 --> 00:57:08,160 Speaker 2: Jones did a made a showbag and tickets to ride 1279 00:57:08,160 --> 00:57:12,320 Speaker 2: the Dodge Jams. This Easter show opens tomorrow, April eleven 1280 00:57:12,360 --> 00:57:13,000 Speaker 2: to twenty two. 1281 00:57:13,040 --> 00:57:14,719 Speaker 3: It's Everyone's happy place. 1282 00:57:14,800 --> 00:57:17,520 Speaker 2: Grab early bird tickets today and save at eastershow dot 1283 00:57:17,560 --> 00:57:18,200 Speaker 2: com to au. 1284 00:57:18,200 --> 00:57:20,600 Speaker 1: Jones demand t towel coming your way as well. 1285 00:57:21,000 --> 00:57:23,440 Speaker 2: This week we've been giving away the chance twenty thousand 1286 00:57:23,480 --> 00:57:27,400 Speaker 2: dollars playing jam narration thanks to Airborne TV show on 1287 00:57:27,440 --> 00:57:27,880 Speaker 2: Friday night. 1288 00:57:27,960 --> 00:57:29,720 Speaker 1: This is your star turn as a narrator. 1289 00:57:29,840 --> 00:57:32,600 Speaker 2: Of course, I narrated the lyrics this morning to come 1290 00:57:32,680 --> 00:57:34,880 Speaker 2: fly with Me the Frank Sinatra song. 1291 00:57:35,000 --> 00:57:35,200 Speaker 1: Yep. 1292 00:57:35,520 --> 00:57:38,360 Speaker 2: Steve from Harrington Park guested, but it was what he 1293 00:57:38,440 --> 00:57:40,600 Speaker 2: shared with us after that brought a tear to our eye. 1294 00:57:40,760 --> 00:57:43,520 Speaker 9: Yeah, and I tell you a story just quickly. 1295 00:57:43,840 --> 00:57:46,560 Speaker 16: My dad passed away last week and we had his 1296 00:57:46,640 --> 00:57:51,040 Speaker 16: funeral last Wednesday. And he was a massive Frank Sinatra fan, 1297 00:57:51,520 --> 00:57:55,480 Speaker 16: and I think he said that down to me this morning, Steve. 1298 00:57:56,960 --> 00:57:59,920 Speaker 2: Steve said he'd never called a radio radio station before, 1299 00:58:00,080 --> 00:58:02,000 Speaker 2: and he was he felt compelled to do it. He 1300 00:58:02,040 --> 00:58:05,920 Speaker 2: felt his dad was talking to him so emotional, beautiful, 1301 00:58:06,320 --> 00:58:07,040 Speaker 2: giving him one. 1302 00:58:07,600 --> 00:58:11,440 Speaker 3: Oh, Brendon, right at you. Two, that's enough. On one 1303 00:58:11,440 --> 00:58:11,919 Speaker 3: point seven. 1304 00:58:12,040 --> 00:58:16,640 Speaker 2: Famous five continues with Rob Duckworth, bon Jovi, Madonna, Robbie Williams, 1305 00:58:16,720 --> 00:58:17,640 Speaker 2: John Farnmon, pink On. 1306 00:58:17,760 --> 00:58:20,920 Speaker 3: Listen out because when we play them, we'll pay you. 1307 00:58:22,400 --> 00:58:25,440 Speaker 1: Catching, isn't it from six to night for jam Nation? 1308 00:58:25,840 --> 00:58:26,000 Speaker 3: Good? 1309 00:58:26,720 --> 00:58:26,840 Speaker 2: Then? 1310 00:58:27,120 --> 00:58:34,400 Speaker 7: Well, thank god, that's overde good bite wipe You. 1311 00:58:34,360 --> 00:58:37,920 Speaker 2: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 1312 00:58:37,920 --> 00:58:52,080 Speaker 2: wherever you get your podcasts. Catch up on what you've 1313 00:58:52,120 --> 00:58:54,240 Speaker 2: missed on the free iHeartRadio app