1 00:00:05,400 --> 00:00:09,920 Speaker 1: She stands with the head of the clouds twell. I 2 00:00:10,039 --> 00:00:14,560 Speaker 1: love about Sarah clouds like a wood she uses in 3 00:00:14,680 --> 00:00:20,200 Speaker 1: a hole, air shroud her. Sarah on the clouds, a 4 00:00:20,360 --> 00:00:27,000 Speaker 1: homeless smile and even long cavity she does about ram 5 00:00:27,520 --> 00:00:30,600 Speaker 1: sand and shoulders above the crowd. 6 00:00:31,040 --> 00:00:33,880 Speaker 2: You will call her own clowns. 7 00:00:34,040 --> 00:00:36,800 Speaker 3: Sarah clowns, Sam clown. 8 00:00:38,680 --> 00:00:40,680 Speaker 4: I love that song that you wrote for me. There, Phil, 9 00:00:40,760 --> 00:00:41,159 Speaker 4: that's all right? 10 00:00:41,200 --> 00:00:42,960 Speaker 2: Would it be fair to say that you're slightly hungover? 11 00:00:43,159 --> 00:00:45,360 Speaker 4: You went straight? Just wake me up, drag me in 12 00:00:45,360 --> 00:00:46,440 Speaker 4: here and go straight for the jig. 13 00:00:46,520 --> 00:00:48,800 Speaker 5: I gave you a warning about a week ago, you know, 14 00:00:48,920 --> 00:00:50,760 Speaker 5: and then when I saw you got the whole where 15 00:00:50,760 --> 00:00:51,240 Speaker 5: do I park? 16 00:00:51,320 --> 00:00:53,440 Speaker 2: I thought, I said to everybody. 17 00:00:53,560 --> 00:00:55,560 Speaker 6: She's going to be hungover and she's got gaff on 18 00:00:55,600 --> 00:00:56,040 Speaker 6: her eyes. 19 00:00:57,520 --> 00:00:58,520 Speaker 2: How have the gig's been going? 20 00:00:58,720 --> 00:01:01,200 Speaker 4: Amazing? Yeah, it's a good too. A month on the road. 21 00:01:01,360 --> 00:01:03,080 Speaker 6: It was a bit scary because I was playing piano, 22 00:01:03,200 --> 00:01:04,319 Speaker 6: but it was really fun. 23 00:01:04,440 --> 00:01:07,760 Speaker 7: You know that version that you did after Tina Turner 24 00:01:07,800 --> 00:01:09,759 Speaker 7: died of Private Dancer, which we played on the air here, 25 00:01:09,880 --> 00:01:11,280 Speaker 7: Oh yeah, very good. 26 00:01:11,600 --> 00:01:14,800 Speaker 6: That is a beautiful song. It's written by Mark and Noofler, 27 00:01:14,880 --> 00:01:16,800 Speaker 6: what a great song. And what got me about that 28 00:01:16,880 --> 00:01:18,800 Speaker 6: song the reason I wanted to sing it was there 29 00:01:18,880 --> 00:01:20,440 Speaker 6: was that line in the chorus where she says, I 30 00:01:20,480 --> 00:01:22,360 Speaker 6: mean private dancer, dancer for money. Do what do you 31 00:01:22,400 --> 00:01:24,960 Speaker 6: want me to do? Private dancer dancer for money? Any 32 00:01:25,000 --> 00:01:26,080 Speaker 6: old music will do? 33 00:01:26,600 --> 00:01:28,480 Speaker 4: Is that line? Any old music will do. 34 00:01:28,560 --> 00:01:31,240 Speaker 6: It's like the character in the Dancer like she's just 35 00:01:31,240 --> 00:01:33,080 Speaker 6: so checked out, you know, just sort. 36 00:01:32,920 --> 00:01:35,000 Speaker 4: Of going through the mood. She doesn't care what she's 37 00:01:35,120 --> 00:01:35,600 Speaker 4: dancing too. 38 00:01:35,760 --> 00:01:39,360 Speaker 6: Like that really spoke to me, like that's beautiful, tragically beautiful, based. 39 00:01:39,120 --> 00:01:42,039 Speaker 7: On women that used to dance for money, who essentially 40 00:01:42,080 --> 00:01:43,959 Speaker 7: we just felt like, why am I doing this? 41 00:01:44,240 --> 00:01:46,080 Speaker 4: Yeah? Just look at the wall and think of the money. 42 00:01:46,120 --> 00:01:47,840 Speaker 2: Yeah, that's exactly right, which is how I do my 43 00:01:47,960 --> 00:01:53,200 Speaker 2: radio sometimes. Did you do any other covers what you're on? 44 00:01:53,520 --> 00:01:55,400 Speaker 6: I did, because now I'm a piano player. I did 45 00:01:55,400 --> 00:01:58,160 Speaker 6: an Elton John song. I didn't buy a yellow bit road. No, 46 00:01:58,320 --> 00:01:59,760 Speaker 6: she's terrifying, but I did it. 47 00:02:00,160 --> 00:02:03,720 Speaker 2: Jan Have you still got Daryl Breathwaits piano? Let's just 48 00:02:03,760 --> 00:02:04,520 Speaker 2: drag it in here. 49 00:02:05,080 --> 00:02:06,840 Speaker 4: Who's Dale Braithwaite or the piano? 50 00:02:08,120 --> 00:02:09,840 Speaker 2: And then you're going to be doing Super Jesus. 51 00:02:09,960 --> 00:02:11,760 Speaker 6: James that you and my tour doing the Who and 52 00:02:11,760 --> 00:02:13,000 Speaker 6: then straight into the Super Jesus. 53 00:02:13,080 --> 00:02:15,399 Speaker 2: So talk to me about the Who stuff we're doing. 54 00:02:15,240 --> 00:02:17,239 Speaker 6: Tommy and from beginning to end, then back with the 55 00:02:17,240 --> 00:02:18,920 Speaker 6: Super Jesus for a huge tour goes. 56 00:02:18,800 --> 00:02:19,520 Speaker 4: To like four months. 57 00:02:19,560 --> 00:02:19,960 Speaker 2: Is that right? 58 00:02:19,960 --> 00:02:21,680 Speaker 4: Where are you going to all around the country? 59 00:02:21,760 --> 00:02:21,880 Speaker 6: Well? 60 00:02:21,919 --> 00:02:24,040 Speaker 7: Sure, thoughs because he's from an up and coming Sydney 61 00:02:24,040 --> 00:02:24,440 Speaker 7: band called. 62 00:02:24,360 --> 00:02:25,160 Speaker 2: The Young Radicals. 63 00:02:25,160 --> 00:02:26,280 Speaker 4: It's the Ritzy kids feel. 64 00:02:26,840 --> 00:02:27,520 Speaker 2: I thought they've got. 65 00:02:27,400 --> 00:02:27,880 Speaker 4: There every time. 66 00:02:28,520 --> 00:02:30,480 Speaker 2: They've got a new ep out called Lick the Spoon. 67 00:02:30,600 --> 00:02:33,359 Speaker 4: It's called Walking Talking, Miss. You're really good at this. Yeah, 68 00:02:33,400 --> 00:02:35,639 Speaker 4: I'm so glad you've done your preparation exactly right. 69 00:02:35,919 --> 00:02:37,960 Speaker 2: So Super Jesus, what a great band. 70 00:02:38,200 --> 00:02:40,400 Speaker 4: Super Jesus, what a great band. 71 00:02:40,600 --> 00:02:43,560 Speaker 7: Although Jenna thinks you maybe should rename the band Baby Jesus. 72 00:02:43,720 --> 00:02:44,799 Speaker 2: Is it too late in the Korean now? 73 00:02:44,840 --> 00:02:45,919 Speaker 4: Well, that's what everyone needs to say. 74 00:02:45,960 --> 00:02:47,520 Speaker 6: When we were on two of the Baby Animals and 75 00:02:47,520 --> 00:02:48,960 Speaker 6: we used to do a jam at the end where 76 00:02:48,960 --> 00:02:51,639 Speaker 6: we had both bands together, people even made t shirts 77 00:02:51,639 --> 00:02:52,799 Speaker 6: that said to Baby. 78 00:02:52,560 --> 00:02:54,480 Speaker 7: Jesus, if you could get one of those, Jenna would 79 00:02:54,480 --> 00:02:55,960 Speaker 7: wear it, you know, they're like. 80 00:02:55,919 --> 00:02:59,000 Speaker 4: Hens teeth now. Yeah, maybe get it on the black market. 81 00:02:59,480 --> 00:03:01,280 Speaker 2: If you need it. Up and Coming Sydney Band for 82 00:03:01,320 --> 00:03:01,919 Speaker 2: any of your. 83 00:03:01,800 --> 00:03:06,959 Speaker 4: Gigs, Sean's your man Radicals The Ritzy Kids Kids is 84 00:03:06,960 --> 00:03:08,680 Speaker 4: a much better name anyway, thank you. 85 00:03:09,080 --> 00:03:10,919 Speaker 2: The House of the Rising Sun. What key is this in? 86 00:03:11,080 --> 00:03:14,440 Speaker 4: I'm playing it in C sharp minor? Yeah? That's it? 87 00:03:15,320 --> 00:03:17,120 Speaker 4: What keys your guitar? Because how many flat are you? 88 00:03:17,120 --> 00:03:18,560 Speaker 7: And yeah? 89 00:03:18,600 --> 00:03:20,679 Speaker 4: Okay? Yeah? So what that's it there? Okay, So that's 90 00:03:20,720 --> 00:03:23,399 Speaker 4: that and then it's this one. 91 00:03:24,680 --> 00:03:29,960 Speaker 6: Yep, yeah, that one, and then this one, yeah, and 92 00:03:30,000 --> 00:03:35,160 Speaker 6: then this one and then this one and then this one. 93 00:03:37,200 --> 00:03:37,440 Speaker 3: Yeah. 94 00:03:37,480 --> 00:03:43,560 Speaker 5: There you go, without any further Ado Sarah from the 95 00:03:43,560 --> 00:03:46,920 Speaker 5: Super Jesus and Solo with Baby Jesus and from the 96 00:03:47,000 --> 00:03:48,680 Speaker 5: up and Coming Sydney Band for the Young Radicals. 97 00:03:50,040 --> 00:03:50,200 Speaker 3: Time. 98 00:03:52,800 --> 00:03:54,240 Speaker 2: Hang, I'm gonna plug your microphone. 99 00:03:54,320 --> 00:03:55,000 Speaker 4: The echo. 100 00:03:56,440 --> 00:03:57,160 Speaker 2: There is. 101 00:03:58,600 --> 00:04:11,480 Speaker 3: House in only they come'tresing song. 102 00:04:14,640 --> 00:04:21,920 Speaker 4: And it's breed n one of many a poor soul. 103 00:04:23,800 --> 00:04:24,160 Speaker 7: I know. 104 00:04:25,760 --> 00:04:40,120 Speaker 3: Guess my mother she. 105 00:04:40,320 --> 00:04:50,200 Speaker 1: Wants a tailor, she said, are these new blue jeans. 106 00:04:52,640 --> 00:04:53,800 Speaker 8: And my brid. 107 00:04:56,440 --> 00:04:56,880 Speaker 3: Again? 108 00:04:57,120 --> 00:05:00,039 Speaker 8: The man. 109 00:05:00,560 --> 00:05:11,720 Speaker 4: Down in new all legs? Now the only thing again, 110 00:05:12,000 --> 00:05:12,680 Speaker 4: will niece? 111 00:05:14,839 --> 00:05:19,080 Speaker 9: Is it? See true? 112 00:05:21,960 --> 00:05:22,960 Speaker 3: Hell up. 113 00:05:24,400 --> 00:05:28,440 Speaker 4: Time it's satisfied. 114 00:05:29,560 --> 00:05:30,240 Speaker 3: It's weird. 115 00:05:31,360 --> 00:05:34,200 Speaker 4: He's on a drum. 116 00:05:55,760 --> 00:05:57,200 Speaker 3: Are the children? 117 00:05:59,560 --> 00:05:59,760 Speaker 10: Is it. 118 00:06:01,480 --> 00:06:11,640 Speaker 3: Wod incense? 119 00:06:12,720 --> 00:06:15,000 Speaker 4: And mister ree at. 120 00:06:14,880 --> 00:06:40,599 Speaker 10: The hell of the riseing shot. 121 00:06:40,760 --> 00:06:49,120 Speaker 6: I got one foot on the platform. 122 00:06:47,080 --> 00:06:49,160 Speaker 3: And then. 123 00:06:51,960 --> 00:06:57,719 Speaker 8: The tree, and I'm going. 124 00:06:59,200 --> 00:07:02,200 Speaker 3: Back to New. 125 00:07:02,440 --> 00:07:08,320 Speaker 1: Orleans to advable lands. 126 00:07:10,000 --> 00:07:26,840 Speaker 9: Changed there is it has in New all. 127 00:07:26,960 --> 00:07:41,080 Speaker 8: Leans they called theirs and it's been. 128 00:07:44,200 --> 00:07:47,000 Speaker 4: Of many a poor soul. 129 00:07:48,520 --> 00:07:55,920 Speaker 1: And God, I know, well, And. 130 00:08:02,800 --> 00:08:06,600 Speaker 2: Why how'd that feel for you? 131 00:08:06,640 --> 00:08:06,880 Speaker 3: Sean? 132 00:08:06,920 --> 00:08:09,440 Speaker 4: Pretty good? I thought, Sean really sort of stole the 133 00:08:09,440 --> 00:08:10,000 Speaker 4: show there. 134 00:08:10,360 --> 00:08:12,040 Speaker 2: I was even when it comes to. 135 00:08:12,280 --> 00:08:14,360 Speaker 4: Give me a crack man, give me a break, I know, right. 136 00:08:14,480 --> 00:08:16,000 Speaker 2: And I like the way he sort of nudged you 137 00:08:16,080 --> 00:08:18,000 Speaker 2: out of the way as well. A lot of the time. 138 00:08:18,040 --> 00:08:19,400 Speaker 2: You know, you didn't get the vocal in there, but 139 00:08:19,720 --> 00:08:21,800 Speaker 2: it's because you didn't have the microphone with the echo 140 00:08:21,880 --> 00:08:23,920 Speaker 2: on it. We've only got one. I think we made 141 00:08:23,960 --> 00:08:24,400 Speaker 2: a becho. 142 00:08:25,760 --> 00:08:27,440 Speaker 4: I made a echo. I don't know about you.