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Speaker 1: Jam mission with Jones and Amanda.

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Speaker 2: I've been watching the Block with the Sharks in that

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Speaker 2: as well. No, I haven't been watching the block. What's

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Speaker 2: been happening?

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Speaker 1: Well, I was, I was hoping for the drama. There

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Speaker 1: was some big drama coming up. The photograph taken in

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Speaker 1: my office of our production schedule then handed around the block.

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Speaker 2: It's a slap in the face to everyone involved.

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Speaker 1: I want to speak to the producers. You don't call

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Speaker 1: the shots, bake, we call the shops.

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Speaker 2: Do you know what I say?

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Speaker 1: Don't fight with pigs because you get dirty and they

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Speaker 1: love it. How dare you say that? I was married

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Speaker 1: at first sight?

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Speaker 2: So what's happened? It sounds like, can I ascertain what's happened?

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Speaker 2: Someone's going into the production office, has seen on the

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Speaker 2: board all the things they go to throw at these people,

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Speaker 2: and they've shown everyone much. Scotty Cam says, that's not.

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Speaker 1: I like when Scotty, like when Scotty plays hard Pool.

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Speaker 2: You don't call the shots, bake, we call the shots.

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Speaker 1: Yeah, that was a juicy Well no, because that's on tonight.

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Speaker 1: So that was the hook through. So I watched all

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Speaker 1: of that yesterday and then the hook throws to you, beauty.

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Speaker 1: But the producers. Have you noticed this with TV producers?

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Speaker 1: Are there was a time when no one even knew

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Speaker 1: what a TV producer did, But now and now they're

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Speaker 1: becoming more front of camera.

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Speaker 2: Well I've noticed that also with shows like Married at

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Speaker 2: First Sight, because the producers that will get people and

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Speaker 2: say no, come, come and talk to me, come and

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Speaker 2: stand in here, come and do whatever, because they are

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Speaker 2: the ones that manipulate these entire shows. They run these

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Speaker 2: shows and they're the contact for the participant every day.

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Speaker 2: They are their person. So with the Block and all

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Speaker 2: of those, it's the producers that a big time. And

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Speaker 2: are you saying this? Stepping in front of the camera,

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Speaker 2: you see.

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Speaker 1: More and more involved and you're seeing more of the

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Speaker 1: scaffolding of the show. You know what I mean, because.

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Speaker 2: Seeing scaffolding on the block, it's a building.

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Speaker 1: Ye know, I get it. You just my train of thought,

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Speaker 1: just when now because there used to be a time

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Speaker 1: on certain TV shows you saw the drama and you

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Speaker 1: just thought that that was unfurling, as it naturally was,

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Speaker 1: but there was some behind this scense. Like you and

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Speaker 1: I know that because we work with producers all the time.

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Speaker 1: But to Joe, punter and Betty of Blacktown. Does she care? Like,

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Speaker 1: does she need to know all that stuff? It's like

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Speaker 1: the magician revealing his tricks, you know what I mean.

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Speaker 1: I heard about the Apprentice, you know, the TV show Apprentice.

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Speaker 1: One of the people that I know that went on

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Speaker 1: that show, he said, they set you up to fail constantly.

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Speaker 1: They keep you sitting around for hours doing nothing, and

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Speaker 1: they go, Okay, today's challenges. You've got to build an

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Speaker 1: Eiffel tower in the middle of Sydney and you've got

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Speaker 1: three hours to do it. And you go, well, hang on,

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Speaker 1: I've been sitting around here since five this morning doing nothing.

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Speaker 2: So they want you to be stressed. They want you

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Speaker 2: to be tired and emotional. And same things with those

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Speaker 2: roast ceremonies in the Bachelot. They go, they finish it

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Speaker 2: like three in the morning and load them up on

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Speaker 2: the bill, load them up with booze, and they that's

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Speaker 2: where all the squabbles and the tears all happen.

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Speaker 1: That would explain a lot of the living room, wouldn't it.

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Speaker 2: It's four in the afternoon and I'm tired and emotional.

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Speaker 1: Amanda's sa