1 00:00:00,400 --> 00:00:03,520 Speaker 1: Dumb mission with Jonesy and Amanda. 2 00:00:03,480 --> 00:00:08,959 Speaker 2: Well the Block this year mid filming there were lockdowns 3 00:00:08,960 --> 00:00:12,880 Speaker 2: on site. Auctions have been given the flick. There's sort 4 00:00:12,880 --> 00:00:18,560 Speaker 2: of some controversy with between judges and contestants, a bit 5 00:00:18,600 --> 00:00:21,280 Speaker 2: of tension, but it wouldn't be the same without all 6 00:00:21,320 --> 00:00:23,759 Speaker 2: of that going on. Shana Blaze joins us. Now, Hi, Shane, 7 00:00:23,840 --> 00:00:24,440 Speaker 2: how are you? 8 00:00:25,400 --> 00:00:25,680 Speaker 3: Oh? 9 00:00:25,720 --> 00:00:28,720 Speaker 1: I love that intro? Does my name always say controversy? 10 00:00:29,000 --> 00:00:31,160 Speaker 2: Well, drama drama. 11 00:00:33,520 --> 00:00:38,120 Speaker 1: Look, when you have something that's brought with tender emotions 12 00:00:38,159 --> 00:00:41,159 Speaker 1: and people doing things on a timeline, and then you've 13 00:00:41,200 --> 00:00:43,159 Speaker 1: got COVID, there's always going to be some sort of 14 00:00:43,240 --> 00:00:44,160 Speaker 1: drama of some sort. 15 00:00:44,680 --> 00:00:47,599 Speaker 2: What I was asking speculating about before, because there are 16 00:00:47,680 --> 00:00:51,000 Speaker 2: themes like era themes this time around with the houses, 17 00:00:51,280 --> 00:00:53,559 Speaker 2: does that put anyone at a disadvantage Rather than just 18 00:00:53,600 --> 00:00:55,760 Speaker 2: making the best house you can and making it look 19 00:00:55,800 --> 00:00:59,400 Speaker 2: as great as you imagine, you're locked into a theme 20 00:00:59,440 --> 00:01:01,920 Speaker 2: and not all by want to buy a nineteen ten house. 21 00:01:03,240 --> 00:01:06,839 Speaker 1: Well, to tell you the truth in Brighton period homes 22 00:01:06,840 --> 00:01:09,680 Speaker 1: in that area is what it's all about. That if 23 00:01:09,720 --> 00:01:12,679 Speaker 1: you walk around, every house has some sort of era 24 00:01:12,840 --> 00:01:16,040 Speaker 1: about it, So it does suit the area, and at 25 00:01:16,080 --> 00:01:18,959 Speaker 1: the same time they are given when they first walk 26 00:01:19,000 --> 00:01:21,600 Speaker 1: in the brief, they know what it is. It doesn't 27 00:01:21,640 --> 00:01:24,080 Speaker 1: take a lot of research to really find out what 28 00:01:24,240 --> 00:01:28,640 Speaker 1: the basic architectural elements are. And then they've got supplies 29 00:01:28,680 --> 00:01:32,840 Speaker 1: that will guide them towards colors and surfaces that will 30 00:01:32,880 --> 00:01:36,120 Speaker 1: actually suit that. So they are given a bit of 31 00:01:36,120 --> 00:01:38,880 Speaker 1: a push into that, and it really comes down to 32 00:01:38,959 --> 00:01:42,640 Speaker 1: whether they stand to the brief or they don't. It's, 33 00:01:42,800 --> 00:01:45,280 Speaker 1: you know, as a designer, it's a designer's dream, but 34 00:01:45,480 --> 00:01:48,360 Speaker 1: as their person no, So I get what you're saying 35 00:01:48,400 --> 00:01:52,200 Speaker 1: about coming and doing the best house possible. But to 36 00:01:52,200 --> 00:01:54,720 Speaker 1: tell you the truth, we've had those years where we 37 00:01:54,800 --> 00:01:58,120 Speaker 1: give contestants a house and if they don't have any guidelines, 38 00:01:58,280 --> 00:02:00,760 Speaker 1: they slammeder for a long time. So I feel like 39 00:02:01,080 --> 00:02:04,520 Speaker 1: a really good set of rules to get them started 40 00:02:04,560 --> 00:02:05,640 Speaker 1: on a really good track. 41 00:02:06,320 --> 00:02:09,080 Speaker 3: What would you like to see in ways of the theme? 42 00:02:09,360 --> 00:02:11,280 Speaker 3: Is there one that hasn't been explored. 43 00:02:10,880 --> 00:02:14,440 Speaker 1: Yet within the certain style? 44 00:02:14,680 --> 00:02:17,120 Speaker 3: Yeah, we just in the So if someone said, oh, Shana, 45 00:02:17,520 --> 00:02:18,760 Speaker 3: what are we going to do next to you for 46 00:02:18,800 --> 00:02:19,200 Speaker 3: the block? 47 00:02:19,480 --> 00:02:20,359 Speaker 4: What would you like to see? 48 00:02:20,360 --> 00:02:23,480 Speaker 3: We've seen, you know, a medieval Dungeon would be something 49 00:02:23,520 --> 00:02:25,760 Speaker 3: that something that hasn't been explored yet. 50 00:02:25,760 --> 00:02:27,680 Speaker 4: Did you think, yeah, that'd be great. 51 00:02:28,200 --> 00:02:29,920 Speaker 1: Yeah, if we do it in medieval, they're not going 52 00:02:29,960 --> 00:02:31,360 Speaker 1: to have to come back in twelve months and do 53 00:02:31,520 --> 00:02:32,919 Speaker 1: selling houses on it. I think. 54 00:02:34,919 --> 00:02:37,840 Speaker 4: I remember, I remember the medieval castle thing in selling houses. 55 00:02:38,560 --> 00:02:41,720 Speaker 1: Oh that was a baddie. That was quite funny. Look, 56 00:02:41,760 --> 00:02:46,480 Speaker 1: I don't I don't think we've had a theme that 57 00:02:46,480 --> 00:02:48,600 Speaker 1: we haven't really touched on with it. We've sort of 58 00:02:48,600 --> 00:02:51,840 Speaker 1: been like on a lot of trends. I think, you know, 59 00:02:52,360 --> 00:02:56,200 Speaker 1: quite architectural minimalism is really hard unless you're an expert, 60 00:02:56,760 --> 00:02:59,200 Speaker 1: and you know, we've worked in quite a few period 61 00:02:59,280 --> 00:03:03,160 Speaker 1: stars that art decko. I think the Victorian was touched 62 00:03:03,200 --> 00:03:05,280 Speaker 1: a little bit in South Melbourne in the first year 63 00:03:05,280 --> 00:03:08,240 Speaker 1: that I started, but no one really stuck to that. 64 00:03:08,760 --> 00:03:12,280 Speaker 1: I would love to see the beautiful eighteen eighty eighteen 65 00:03:12,400 --> 00:03:16,640 Speaker 1: ninety Victorian. There are beautiful houses Matt's and. 66 00:03:16,680 --> 00:03:21,480 Speaker 2: A Girl with modern plumbing with and modern. 67 00:03:21,280 --> 00:03:25,520 Speaker 1: Lighting too, because those windows are all based around the 68 00:03:25,560 --> 00:03:29,639 Speaker 1: English Northern Hemisphere. So that's why those places are so dark, 69 00:03:29,720 --> 00:03:32,240 Speaker 1: because they're based on the Northern Hemisphere stuff. 70 00:03:32,360 --> 00:03:34,280 Speaker 3: And you can guarantee that'd be a fair share of 71 00:03:34,280 --> 00:03:35,960 Speaker 3: pillows in that place as well, wouldn't they. 72 00:03:36,880 --> 00:03:40,800 Speaker 4: Oh women, what's with women and pillows? Shane? 73 00:03:40,840 --> 00:03:42,640 Speaker 3: And what is it with you women and pillows? I 74 00:03:42,640 --> 00:03:44,800 Speaker 3: don't understand it. How many pillows do you need? 75 00:03:45,600 --> 00:03:51,320 Speaker 1: It's well, you know, there's meersonality and then there's just glamour. 76 00:03:51,720 --> 00:03:53,880 Speaker 1: I think it just adds a sense of softness that 77 00:03:54,640 --> 00:03:57,360 Speaker 1: it's better than changing the room every day, buying a 78 00:03:57,400 --> 00:04:00,760 Speaker 1: new couch and changing the wall color. Were just a 79 00:04:00,800 --> 00:04:02,720 Speaker 1: little bit of a chained, a little bit of fun, 80 00:04:02,880 --> 00:04:05,440 Speaker 1: and they're luxurious and they put a smile on your face. 81 00:04:06,320 --> 00:04:08,480 Speaker 2: Speaking about putting a smile on your face, I don't 82 00:04:08,480 --> 00:04:10,600 Speaker 2: know if you've seen the latest new idea, but apparently 83 00:04:10,640 --> 00:04:12,440 Speaker 2: you and Shane warn are a perfect match. 84 00:04:13,080 --> 00:04:17,040 Speaker 1: Wow ah, Darling, Well he's a weighing overseas at the moment. 85 00:04:17,120 --> 00:04:20,080 Speaker 4: Oh yeah, just. 86 00:04:24,160 --> 00:04:25,720 Speaker 2: A bit of Shane on the pillow. 87 00:04:26,200 --> 00:04:29,760 Speaker 3: I must I must say, making up that crap. I 88 00:04:29,839 --> 00:04:32,440 Speaker 3: must say, Shane, I'm very staked with the block this year. 89 00:04:32,480 --> 00:04:34,760 Speaker 3: I like how you guys handled the pandemic. This is 90 00:04:34,760 --> 00:04:37,840 Speaker 3: how quick the pandemic went in Block time. I'm shutting 91 00:04:37,920 --> 00:04:42,320 Speaker 3: it down now, shut down and then in the same 92 00:04:42,360 --> 00:04:46,200 Speaker 3: episode on behalf of Myself, Keith and Dan and the 93 00:04:46,400 --> 00:04:47,599 Speaker 3: entire crew that's here. 94 00:04:48,000 --> 00:04:51,960 Speaker 4: It's so bloody terrific to have you back in real life. 95 00:04:51,960 --> 00:04:53,520 Speaker 4: If only Channel nine ran the. 96 00:04:53,480 --> 00:04:57,880 Speaker 1: World, you know what, we've had so much misery. I'm 97 00:04:57,920 --> 00:05:00,440 Speaker 1: glad they didn't drag on that because you know as 98 00:05:00,520 --> 00:05:04,760 Speaker 1: much that the rest of it still is running COVID restrictions, 99 00:05:04,839 --> 00:05:07,120 Speaker 1: and you know, in Melbourne it's just, you know, we're 100 00:05:07,160 --> 00:05:10,840 Speaker 1: really struggling, really struggling in Melbourne. But at the same 101 00:05:10,880 --> 00:05:13,960 Speaker 1: time we want a little bit of happiness and we 102 00:05:14,000 --> 00:05:16,280 Speaker 1: all know what everyone's been through. The whole world went 103 00:05:16,320 --> 00:05:19,159 Speaker 1: through it together. So yeah, just shut the door and 104 00:05:19,200 --> 00:05:20,960 Speaker 1: open a new one and open. 105 00:05:20,839 --> 00:05:24,120 Speaker 3: Up a pillow shop. The pillow industry handle is thriving. 106 00:05:25,440 --> 00:05:26,600 Speaker 1: Joni, you're obsessed. 107 00:05:26,680 --> 00:05:30,080 Speaker 3: I'm obsessed. Well you and Shane Wall I'm obsessed with 108 00:05:30,080 --> 00:05:34,320 Speaker 3: that as well. I like that he's bored you over. 109 00:05:34,760 --> 00:05:38,039 Speaker 1: So yeah, Jennyth and cricket tips, I've got a few. 110 00:05:38,279 --> 00:05:41,520 Speaker 3: Really catch the block tonight, seven o'clock on nine. Shade 111 00:05:41,520 --> 00:05:42,960 Speaker 3: a Blaze. Thank you for joining us to talk 112 00:05:43,000 --> 00:05:48,120 Speaker 1: To you, lovely Cherry bye with Jos and Amanda