1
00:00:01,160 --> 00:00:01,840
Speaker 1: Podcasting.

2
00:00:02,279 --> 00:00:04,800
Speaker 2: Wow, I've got a new partner. I need some help

3
00:00:05,000 --> 00:00:09,440
Speaker 2: just understanding the mind, that is, the cryptic maze of

4
00:00:09,480 --> 00:00:13,600
Speaker 2: a female's brain. I think when you're in a relationship,

5
00:00:13,600 --> 00:00:17,640
Speaker 2: you build up your boyfriend fitness. So that's understanding what

6
00:00:17,680 --> 00:00:20,320
Speaker 2: a woman needs or what they You know, when they

7
00:00:20,360 --> 00:00:23,120
Speaker 2: say something, you dissect it and you know what they

8
00:00:23,200 --> 00:00:25,040
Speaker 2: really mean by that.

9
00:00:25,360 --> 00:00:28,319
Speaker 1: I think, really this just applies to any relationship, sex

10
00:00:28,400 --> 00:00:31,160
Speaker 1: or no sex, like gender or no gender. I think

11
00:00:31,200 --> 00:00:33,640
Speaker 1: it's just all about spending time with someone so you

12
00:00:33,680 --> 00:00:36,920
Speaker 1: can read their cues a bit better. But I agree

13
00:00:37,000 --> 00:00:40,080
Speaker 1: as a bloke there's certain language that women use that

14
00:00:41,159 --> 00:00:44,280
Speaker 1: definitely comes out as one thing and definitely doesn't mean

15
00:00:44,320 --> 00:00:44,880
Speaker 1: the same thing.

16
00:00:45,560 --> 00:00:47,640
Speaker 2: And one of those pieces of language came up on

17
00:00:47,720 --> 00:00:50,280
Speaker 2: BATCHI last night. So to give a bit of context,

18
00:00:50,280 --> 00:00:52,479
Speaker 2: Pascal has been a bit of a naughty boy. He

19
00:00:52,640 --> 00:00:55,320
Speaker 2: was saying some derogatory things about both the girls, Ellie

20
00:00:55,360 --> 00:00:58,360
Speaker 2: and Becky. The boys dogged him, but I was all

21
00:00:58,400 --> 00:00:59,880
Speaker 2: for it because Pascal is a dog himself.

22
00:01:00,080 --> 00:01:01,560
Speaker 1: Dogging from the boys a bit of a dog INFI

23
00:01:01,640 --> 00:01:03,639
Speaker 1: you can dog a dog, though, I mean, that's exactly.

24
00:01:04,319 --> 00:01:08,360
Speaker 2: And then both Becky and Ellie confronted Pascal and I'll

25
00:01:08,360 --> 00:01:09,240
Speaker 2: just played the audio of that.

26
00:01:09,760 --> 00:01:11,080
Speaker 3: I think you're both pel.

27
00:01:10,880 --> 00:01:14,400
Speaker 1: I'm not buying what you're saying. I just think it's

28
00:01:14,440 --> 00:01:15,240
Speaker 1: time for you to leave.

29
00:01:15,560 --> 00:01:17,440
Speaker 3: Grab a napkin, homie, you just got, sir.

30
00:01:18,080 --> 00:01:21,319
Speaker 2: Here's my question. Will when a woman says to you,

31
00:01:21,360 --> 00:01:24,280
Speaker 2: when your partner says to you, yeah, I think it's

32
00:01:24,319 --> 00:01:28,080
Speaker 2: time for you to leave. Yeah? Do they actually want

33
00:01:28,120 --> 00:01:31,720
Speaker 2: you to leave? Or is that a test to see

34
00:01:31,760 --> 00:01:37,160
Speaker 2: how much you care and you should stay? Good question,

35
00:01:37,800 --> 00:01:42,000
Speaker 2: because I'm lost. I don't know. I think Justin Bieber

36
00:01:42,520 --> 00:01:45,320
Speaker 2: put it perfectly, and he's twenty thirteen song, what do

37
00:01:45,400 --> 00:01:56,880
Speaker 2: you mean? Yeah, it's confusing, confusing.

38
00:01:56,960 --> 00:01:59,640
Speaker 1: I think Pink double down on that with her two

39
00:01:59,640 --> 00:02:02,360
Speaker 1: thousand and five song I'm not sure of the name,

40
00:02:02,400 --> 00:02:07,280
Speaker 1: but this banger.

41
00:02:12,440 --> 00:02:14,800
Speaker 3: Interesting and that's coming from a woman as well. She says,

42
00:02:14,800 --> 00:02:16,639
Speaker 3: go away, come back. I wish you knew the difference.

43
00:02:16,639 --> 00:02:18,480
Speaker 1: I mean, I know there's a lot, there's a big

44
00:02:18,560 --> 00:02:20,840
Speaker 1: load that's passed over to guys in that instance. I mean,

45
00:02:20,880 --> 00:02:22,760
Speaker 1: the Clash might have done it well in this nineteen

46
00:02:22,800 --> 00:02:29,920
Speaker 1: seventy nine number. So look, it's obviously something that's been

47
00:02:29,960 --> 00:02:32,400
Speaker 1: talked about from time eternal. As we continue our music

48
00:02:32,440 --> 00:02:34,639
Speaker 1: safari back to the decades, I'll spare you guys the

49
00:02:35,240 --> 00:02:39,800
Speaker 1: track I had from the sixties there. But interestingly those words, Yeah,

50
00:02:40,040 --> 00:02:44,040
Speaker 1: I think it really depends on tears or no tears.

51
00:02:44,919 --> 00:02:47,799
Speaker 2: Oh hey, sarry before you go on? Like I meant

52
00:02:47,800 --> 00:02:49,800
Speaker 2: the end of day where there's two blogs speculating I

53
00:02:49,840 --> 00:02:52,000
Speaker 2: really love some women to call right now, What do

54
00:02:52,040 --> 00:02:55,119
Speaker 2: your bloody mean when you say I think you should leave?

55
00:02:55,400 --> 00:02:58,040
Speaker 2: Do you want us to actually go or do you

56
00:02:58,080 --> 00:03:00,000
Speaker 2: want us to stay to show how much we care?

57
00:03:00,280 --> 00:03:01,800
Speaker 2: Now go on? Will about these tears?

58
00:03:01,960 --> 00:03:02,200
Speaker 3: Yeah?

59
00:03:02,240 --> 00:03:04,880
Speaker 1: Okay, So I think if a woman is crying, like

60
00:03:04,919 --> 00:03:06,560
Speaker 1: if she's in tears and she says I think you

61
00:03:06,560 --> 00:03:07,360
Speaker 1: should leave.

62
00:03:08,240 --> 00:03:08,600
Speaker 3: Don't go.

63
00:03:09,280 --> 00:03:11,920
Speaker 2: Okay, tears, don't go, because that's like I think you

64
00:03:11,919 --> 00:03:12,359
Speaker 2: should live.

65
00:03:12,400 --> 00:03:13,760
Speaker 1: But at the same time, it's like, you know, I

66
00:03:13,800 --> 00:03:16,000
Speaker 1: want you to stay when it's a test, when do

67
00:03:16,040 --> 00:03:17,880
Speaker 1: they want you to leave? Because if there's no tears

68
00:03:18,280 --> 00:03:20,960
Speaker 1: and it's like unequivocal, like hidden between the eyes, I

69
00:03:21,000 --> 00:03:24,600
Speaker 1: think you should leave, then just get out. For me,

70
00:03:24,639 --> 00:03:27,320
Speaker 1: that's a DIVIDI it's like and like I've got an

71
00:03:27,360 --> 00:03:29,280
Speaker 1: example for this. Once I was watching The Grand Prix

72
00:03:29,320 --> 00:03:31,800
Speaker 1: with my girlfriend Sam. She's dut She's a big maximished

73
00:03:31,840 --> 00:03:35,520
Speaker 1: up and fan Daniel Ricardo knocked no maxist up and

74
00:03:35,560 --> 00:03:37,920
Speaker 1: knocked Daniel Ricardo off the grid. I cracked it a

75
00:03:37,920 --> 00:03:39,480
Speaker 1: call of the STARp and a dog. She looked me

76
00:03:39,520 --> 00:03:42,080
Speaker 1: straight in the eye and said you should leave. I

77
00:03:42,120 --> 00:03:44,800
Speaker 1: was in bed faster than those boys got off the

78
00:03:44,800 --> 00:03:45,600
Speaker 1: grid at the start.

79
00:03:46,040 --> 00:03:46,280
Speaker 4: Wow.

80
00:03:46,400 --> 00:03:47,240
Speaker 3: Okay, and that's easy.

81
00:03:47,280 --> 00:03:48,040
Speaker 2: And that was a good move.

82
00:03:48,120 --> 00:03:50,080
Speaker 3: That was a that was good. That was good. But

83
00:03:50,120 --> 00:03:54,520
Speaker 3: I had stayed there, I probably would have died pasting Wow.

84
00:03:54,720 --> 00:03:59,720
Speaker 2: Trying to understand the cryptic female mind. Will when a

85
00:03:59,760 --> 00:04:09,280
Speaker 2: woman and says to you, I think you should leave,

86
00:04:12,400 --> 00:04:15,400
Speaker 2: as Beebe said, then do you want us to go?

87
00:04:16,120 --> 00:04:17,880
Speaker 2: He says, do you want me to move when you

88
00:04:17,960 --> 00:04:20,280
Speaker 2: tell me to go? Yeah? Or do you want us

89
00:04:20,320 --> 00:04:22,640
Speaker 2: to stay? Do you want us to stay? Because that

90
00:04:22,680 --> 00:04:26,760
Speaker 2: shows that we care? Now, will you've hypothesized that when

91
00:04:26,839 --> 00:04:29,960
Speaker 2: tears are involved and they say leave, the tear factor

92
00:04:30,040 --> 00:04:33,640
Speaker 2: don't leave. But you think if there's no tears leave

93
00:04:34,480 --> 00:04:37,359
Speaker 2: I think so. I mean, like, I've actually spoken to

94
00:04:37,360 --> 00:04:39,279
Speaker 2: my girlfriend a lot about this. We have a rule

95
00:04:40,440 --> 00:04:42,880
Speaker 2: on the double checking in thing because it starts to

96
00:04:42,920 --> 00:04:45,279
Speaker 2: annoy me after a while. Well you know how you go,

97
00:04:45,320 --> 00:04:47,159
Speaker 2: you okay, they go, yeah, I'm fine, You go okay,

98
00:04:47,360 --> 00:04:49,359
Speaker 2: Are you actually fine orre you just telling me you're fine?

99
00:04:49,560 --> 00:04:51,719
Speaker 2: She has to tell me unequivocally whether she's actually fine

100
00:04:51,760 --> 00:04:52,960
Speaker 2: or just telling me she's fine in that moment.

101
00:04:53,000 --> 00:04:55,280
Speaker 1: If she misses that window, then I act as if

102
00:04:55,320 --> 00:04:55,760
Speaker 1: she's fine.

103
00:04:55,800 --> 00:04:58,359
Speaker 2: That's a whole other can of worms, the whole This

104
00:04:58,440 --> 00:04:58,640
Speaker 2: is the.

105
00:04:58,640 --> 00:05:00,520
Speaker 3: Same thing, though. Do you actual you want me to leave?

106
00:05:00,600 --> 00:05:01,200
Speaker 3: Or jomp me to sday?

107
00:05:01,200 --> 00:05:02,400
Speaker 1: And if she says no, I actually want you to

108
00:05:02,440 --> 00:05:04,080
Speaker 1: leave them, then I double check with you.

109
00:05:04,160 --> 00:05:05,200
Speaker 3: Okay, So we're done there.

110
00:05:05,320 --> 00:05:07,160
Speaker 2: Let's go to Jen here on thirty one O sixty five.

111
00:05:07,240 --> 00:05:07,360
Speaker 4: Gen.

112
00:05:07,400 --> 00:05:09,800
Speaker 2: We need the female opinion here. Do you actually want

113
00:05:09,839 --> 00:05:12,200
Speaker 2: us to go when you tell us to leave? Oh?

114
00:05:12,240 --> 00:05:15,320
Speaker 4: Hell yes? If I say that, it's get out of

115
00:05:15,360 --> 00:05:16,400
Speaker 4: my face, right.

116
00:05:16,279 --> 00:05:19,280
Speaker 2: So Jen, even when you've got tears, because that's Will's.

117
00:05:20,160 --> 00:05:22,440
Speaker 3: If you've got tears, Jen, if you're crying.

118
00:05:22,760 --> 00:05:23,920
Speaker 4: Oh to me, that's even worse.

119
00:05:25,400 --> 00:05:29,840
Speaker 3: We get out of our face, Jen, stay there.

120
00:05:29,880 --> 00:05:31,720
Speaker 1: The language that Wood he's used is he said I

121
00:05:31,760 --> 00:05:34,719
Speaker 1: want you to leave, Like that's very specific. Yeah, what

122
00:05:34,800 --> 00:05:36,520
Speaker 1: about if it was just like, can you just go

123
00:05:37,480 --> 00:05:38,160
Speaker 1: because that for me?

124
00:05:39,000 --> 00:05:43,120
Speaker 4: Just go just so I take it both ways, either

125
00:05:43,160 --> 00:05:46,160
Speaker 4: move to another room or even just go for a

126
00:05:46,240 --> 00:05:49,120
Speaker 4: drive and even do the text message and say are

127
00:05:49,120 --> 00:05:52,400
Speaker 4: you okay? I'm sorry if there's something happened so you want.

128
00:05:52,240 --> 00:05:54,680
Speaker 2: You want us to leave, but then send a text

129
00:05:54,720 --> 00:05:59,920
Speaker 2: say in touch like how much time I need specifics here?

130
00:06:01,320 --> 00:06:01,799
Speaker 2: Ten minutes.

131
00:06:01,839 --> 00:06:03,840
Speaker 3: But this is a math's equation thanks to the call Jen.

132
00:06:03,800 --> 00:06:05,279
Speaker 2: Next Jan, I just I just want to know will

133
00:06:05,279 --> 00:06:07,160
Speaker 2: because I'm going to walk into this. It's something in

134
00:06:07,200 --> 00:06:09,279
Speaker 2: a new relationship, and I don't know what to do.

135
00:06:09,320 --> 00:06:11,240
Speaker 3: Just there's something you can ask for specifics.

136
00:06:11,279 --> 00:06:15,240
Speaker 1: It's Taylor made mates horses for causes at lease, It's called.

137
00:06:15,040 --> 00:06:17,920
Speaker 2: At lease at least. What do you think when you

138
00:06:18,000 --> 00:06:19,880
Speaker 2: say you want me to leave? Do you want me

139
00:06:19,920 --> 00:06:20,920
Speaker 2: to go? I want me to stay?

140
00:06:21,560 --> 00:06:23,039
Speaker 4: No, you got to stay always?

141
00:06:23,120 --> 00:06:23,440
Speaker 3: Okay?

142
00:06:23,560 --> 00:06:23,680
Speaker 4: Right?

143
00:06:23,839 --> 00:06:24,200
Speaker 3: Interesting?

144
00:06:24,400 --> 00:06:26,320
Speaker 2: Interesting? What if you say it again? So we'll brought

145
00:06:26,400 --> 00:06:27,520
Speaker 2: up this double check in the.

146
00:06:27,600 --> 00:06:30,520
Speaker 1: Yeah, the double check in subsection two of any relationship

147
00:06:30,560 --> 00:06:31,560
Speaker 1: contract should be.

148
00:06:31,600 --> 00:06:34,680
Speaker 2: So if you say get out and then I stay,

149
00:06:34,760 --> 00:06:36,440
Speaker 2: and then you go get out again, do you want

150
00:06:36,440 --> 00:06:37,159
Speaker 2: me to stay again?

151
00:06:38,279 --> 00:06:40,760
Speaker 4: Oh? No, you should go, but then you always do

152
00:06:40,880 --> 00:06:43,640
Speaker 4: to come back a little bit later with flowers.

153
00:06:43,680 --> 00:06:46,239
Speaker 2: Okay, back on this this this coming back.

154
00:06:46,040 --> 00:06:48,400
Speaker 3: Coming back, it's coming back there? How long?

155
00:06:48,520 --> 00:06:52,080
Speaker 2: Like twenty four hours? Forty eight hours, five minutes?

156
00:06:52,760 --> 00:06:54,360
Speaker 4: Oh no, you don't let them sleep on it.

157
00:06:54,800 --> 00:06:57,040
Speaker 2: Let's want if she has a nap? What if she

158
00:06:57,080 --> 00:06:59,960
Speaker 2: has a nap? Police? She wants?

159
00:07:01,520 --> 00:07:02,839
Speaker 3: No one sleeps on a napwards, can't.

160
00:07:03,279 --> 00:07:06,560
Speaker 1: I once made the mistake when I left, I got

161
00:07:06,560 --> 00:07:08,799
Speaker 1: told to leave, and then I went for a surf.

162
00:07:09,360 --> 00:07:10,760
Speaker 3: I was out there for two and a half hours

163
00:07:11,240 --> 00:07:11,680
Speaker 3: too long.

164
00:07:12,400 --> 00:07:13,560
Speaker 1: I came back and I was like, well, you told

165
00:07:13,600 --> 00:07:15,520
Speaker 1: me to go, Yeah, it's two and a half hours

166
00:07:15,560 --> 00:07:15,800
Speaker 1: too long.

167
00:07:15,800 --> 00:07:16,640
Speaker 3: Aprently that was too long.

168
00:07:16,680 --> 00:07:18,520
Speaker 2: She didn't sleep though, at least it's issue was don't

169
00:07:18,560 --> 00:07:19,360
Speaker 2: let them sleep and I.

170
00:07:19,400 --> 00:07:21,560
Speaker 3: Send it in sleep. She's just like, what the hell?

171
00:07:21,960 --> 00:07:23,400
Speaker 3: Well what am I meant to do there that.

172
00:07:23,840 --> 00:07:25,800
Speaker 2: I'm agreeing with you. I'm furiously agreeing with you. She

173
00:07:25,800 --> 00:07:27,360
Speaker 2: hasn't slept in that two and a half hours, so

174
00:07:27,400 --> 00:07:28,840
Speaker 2: you should be in the clear. Did you come back

175
00:07:28,840 --> 00:07:29,360
Speaker 2: with flowers?

176
00:07:29,440 --> 00:07:30,040
Speaker 3: Absolutely not?

177
00:07:30,280 --> 00:07:30,720
Speaker 2: You think of them?

178
00:07:30,720 --> 00:07:33,600
Speaker 3: Came back and I said, can you rid it's got Susan.

179
00:07:34,040 --> 00:07:37,680
Speaker 2: Susan, Susan, you know we're talking about when when you

180
00:07:37,760 --> 00:07:39,720
Speaker 2: tell us to leave, When you tell your partner to leave,

181
00:07:39,720 --> 00:07:40,720
Speaker 2: do you want us to leave or do you want

182
00:07:40,760 --> 00:07:41,160
Speaker 2: us to stay?

183
00:07:41,640 --> 00:07:45,960
Speaker 4: No, it's a warning. It's just stop for a play again.

184
00:07:46,080 --> 00:07:47,640
Speaker 3: It's a warning.

185
00:07:47,760 --> 00:07:48,240
Speaker 2: She says.

186
00:07:48,680 --> 00:07:51,360
Speaker 4: Leave That means I don't like where this is going.

187
00:07:51,560 --> 00:07:52,720
Speaker 3: You're not doing it for me.

188
00:07:53,000 --> 00:07:55,360
Speaker 4: Stop what are you doing? Tell me what I want

189
00:07:55,440 --> 00:07:56,520
Speaker 4: to hear, and then.

190
00:07:56,480 --> 00:07:57,280
Speaker 1: We'll be Okay.

191
00:07:57,360 --> 00:07:58,160
Speaker 3: What do you want to hear?

192
00:07:58,200 --> 00:08:01,160
Speaker 4: Susan, Never leave, because you're just sending a whole other

193
00:08:01,280 --> 00:08:03,880
Speaker 4: can of one that you left and I told you leave,

194
00:08:03,920 --> 00:08:05,520
Speaker 4: But you know that I don't mean leave when I.

195
00:08:05,520 --> 00:08:08,840
Speaker 2: Say leaves you confused things?

196
00:08:08,840 --> 00:08:12,400
Speaker 1: No, But Susan, surely, surely we're in our rights there

197
00:08:12,440 --> 00:08:14,080
Speaker 1: to say how you told me to leave?

198
00:08:16,760 --> 00:08:19,280
Speaker 4: Yes, but you're meant to know that I'm your girlfriend,

199
00:08:20,000 --> 00:08:23,600
Speaker 4: flash wife. When I say leave, obviously leave, Susan.

200
00:08:23,960 --> 00:08:25,920
Speaker 3: We're probably a few times in the world.

201
00:08:26,120 --> 00:08:28,520
Speaker 1: Soon do you leave, then, Susan, When do you leave?

202
00:08:30,200 --> 00:08:30,520
Speaker 4: You live?

203
00:08:30,560 --> 00:08:32,680
Speaker 1: When I get up and walk away because I can't

204
00:08:32,720 --> 00:08:33,120
Speaker 1: stand you?

205
00:08:33,200 --> 00:08:35,160
Speaker 3: An? You so you can leave?

206
00:08:36,120 --> 00:08:38,480
Speaker 2: You Okay, you can leave?

207
00:08:41,040 --> 00:08:44,360
Speaker 3: She's still going. Yes, Susan, are you in a relationship, Susan,

208
00:08:44,760 --> 00:08:45,000
Speaker 3: I am.

209
00:08:45,080 --> 00:08:45,839
Speaker 2: I'm getting married.

210
00:08:46,440 --> 00:08:50,560
Speaker 1: Congratulations, lucky man.

211
00:08:50,200 --> 00:08:51,520
Speaker 3: You see what you're hearing.

212
00:08:51,720 --> 00:08:54,840
Speaker 1: Find us on Instagram and Facebook search Will and wood

213
00:08:54,880 --> 00:08:55,000
Speaker 1: Lea