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Speaker 1: Job mission with Jones and Amanda.

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Speaker 2: Imagine this, Imagine going on the Bachelor. Things don't work out,

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Speaker 2: then you're the bachelorette, then you get a breakfast radio gig.

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Speaker 2: Then you find yourself on Home and Away and one

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Speaker 2: of its biggest stars. What an extraordinary journey. Sam Frost, Hello, Hi,

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Speaker 2: thanks having me Sam.

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Speaker 3: How good are you on Home and All?

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Speaker 4: Good? That's very generous and kind.

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Speaker 1: Thank you.

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Speaker 4: You're learning the right.

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Speaker 3: You're very modest. This is some of Sam's work. If

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Speaker 3: you haven't seen her on Home and Away, you.

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Speaker 4: Look really stressed.

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Speaker 2: If we don't find her within the first forty.

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Speaker 1: Eight hours, Joe must be worried, sick. Yeah, it's not easy,

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Speaker 1: but the cops are onto it.

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Speaker 4: Right, you'll find her. Look, I get it must be

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Speaker 4: really tough.

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Speaker 3: So if you ever need.

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Speaker 1: Anyone to talk to you, I'm here.

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Speaker 3: That's you.

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Speaker 1: Oh so dramatic.

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Speaker 4: I love it.

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Speaker 3: And you know what I've learnt with Home because my

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Speaker 3: secret dream is to be on Home and Away? So

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Speaker 3: I practice and what what do you actually practice? I

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Speaker 3: just practice scenes. But what it is the key to

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Speaker 3: acting on Home and Away is you've got to all

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Speaker 3: my sigh when you talk, so it's like this you say,

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Speaker 3: you say, I've got to get down, I've got to

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Speaker 3: get down to the cafe, got to get the twisties.

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Speaker 4: You try it, it's true, but then you know what

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Speaker 4: you also have to really master is like after every

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Speaker 4: conversation just looking out to nothing like and make your

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Speaker 4: eyes fiddle around.

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Speaker 1: And you're about longing. That's basically it. You've mastered it.

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Speaker 1: That's what you need to do well.

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Speaker 2: When you first joined there, like I mean, do you

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Speaker 2: are you given a chance to rehearse and then you

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Speaker 2: do take after take or the schedule so quick it's okay, Sam,

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Speaker 2: You're up and you go, look, it.

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Speaker 1: Is actually pretty quick. You do have time to block

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Speaker 1: out the scene and rehearse it. But it is like

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Speaker 1: we shoot one scene in an hour and that's like

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Speaker 1: on set, so it's pretty much yeah, you get in,

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Speaker 1: you do it, and then you go home and sometimes

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Speaker 1: you're like it goes so fast and you go, was

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Speaker 1: that even good? I don't even know what I was doing,

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Speaker 1: But yeah, I'm grateful that I've got a lot of

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Speaker 1: supportive colleagues that have been really patient awesome during the time.

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Speaker 2: Is it also, as we read that you have to

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Speaker 2: stay up late at night and go and learn reams

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Speaker 2: of script.

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Speaker 1: Yeah, absolutely, because we'll have days like there will be

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Speaker 1: twelve hour days and you've got seen enough to see

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Speaker 1: after scene, so you just your brain can't retain a

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Speaker 1: whole weeks full of scripts. I mean, you can do

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Speaker 1: all the work, but then you know, you do the day,

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Speaker 1: and then at the end of that day, then you'll

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Speaker 1: have to refresh for the next day. So you're always

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Speaker 1: up late hours and your weekends are doing script work.

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Speaker 1: So yeah, when we're on, we're on.

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Speaker 3: And Jasmine, your character has a bit of a love

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Speaker 3: interest blooming with cash. Yes, it's so not not not

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Speaker 3: the currency.

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Speaker 2: This is the character bag with a dollar sign on it, Okay, exactly.

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Speaker 1: Yeah, Well, I've got a new cop in town and

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Speaker 1: people love it. He's gorgeous, he's so nice, and you know,

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Speaker 1: there's always a few hurdles to jump through in some

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Speaker 1: of it. Nothing isn't straightforward, but yeah, he's delightful. I

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Speaker 1: think people really like him. He's just an absolute gentleman.

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Speaker 1: And yeah, like it's good for just to be happy

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Speaker 1: because my character has been so depressed and she's been

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Speaker 1: grieving for over a year and all these traumatic things

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Speaker 1: keep happening to her, So I think people will be

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Speaker 1: happy that she finally, you know, has a man to

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Speaker 1: flirt with and who knows what's going to happen.

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Speaker 2: Well, you know, and you're not saying, we've got to

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Speaker 2: Roger Corsa and he was talking about doctor Doctor and

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Speaker 2: they have an intimacy coach to help with the pashion

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Speaker 2: and all that sort of stuff. Do you how do

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Speaker 2: you feel is it do you get any help or

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Speaker 2: is it just okay? You too now kiss?

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Speaker 1: Yeah. Look, we used to just going straight for it

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Speaker 1: pretty much, but now they've just recent Yeah, and it

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Speaker 1: was really weird because you just, you know, sometimes you

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Speaker 1: have you know, it's awkward to talk about these things

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Speaker 1: like going, oh, how do you but you're trying to

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Speaker 1: figure it out on set. So now we actually do

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Speaker 1: have an intimacy coach and it's just so much better

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Speaker 1: and you're just kind of able to map out scenes

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Speaker 1: so choreography as opposed to just going in there and

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Speaker 1: going and just winging it. But yeah, I found it,

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Speaker 1: especially like with Nick who plays Cash, he's heaven. He's

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Speaker 1: the most delightful person. And they established an intimacy coach

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Speaker 1: coach first up so once, so our relationship professionally has

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Speaker 1: started on that professional level. So then it's just easier.

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Speaker 1: You know the boundaries and you can sort another out beforehand.

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Speaker 3: Because if you were single, are you are you single

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Speaker 3: at the moment? I am, Yeah, So you're single, so

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Speaker 3: you're with Nick? Does that? How does that not blossom

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Speaker 3: into something else?

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Speaker 2: It's called acting bring.

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Speaker 1: And also like Nick's married as well, so it's a

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Speaker 1: really important Yeah, and it's really important, but it is

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Speaker 1: a really valid conversation to have, and I think it's

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Speaker 1: a really his wife is such a beautiful woman, and

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Speaker 1: I think one of the most important things you can do,

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Speaker 1: especially if you're working intimately with someone, is like my

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Speaker 1: priority was to make sure she felt comfortable because I

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Speaker 1: want him to be able to come to work and

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Speaker 1: have a fun and comfortable relationship with me, and I

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Speaker 1: want his beautiful wife to you know, feel really you know,

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Speaker 1: safe and loved. And you know it's because it would

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Speaker 1: be weird. I think it would be weird. Like it's

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Speaker 1: fine for me because I know I'm professional, but.

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Speaker 4: It would be weird.

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Speaker 1: And you know, I got we go on to sit

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Speaker 1: and do our job and then as soon as you

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Speaker 1: call cut like you're just like, oh, NIC's works, like

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Speaker 1: you know, it's so professional, but I could imagine being

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Speaker 1: a partner that would be really difficult. So yeah, we

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Speaker 1: just basically just make sure what my priority is his

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Speaker 1: beautiful wife, making sure that she feels nice, uncomfortable and

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Speaker 1: Nick feels comfortable, and that that's my job.

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Speaker 2: Because when you're going to do it. Also, you, particularly

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Speaker 2: before you had an intimacy coach, you don't know how

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Speaker 2: you well, you know how you look when you're passion

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Speaker 2: because you've done the Bachelor on a Bachelorette. But for

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Speaker 2: most of us, you want to kind of get your

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Speaker 2: best and you want to look.

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Speaker 1: Like you're good at it.

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Speaker 3: Because I'm worried because I think i'd be I'd look good,

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Speaker 3: but I look like one of the geeks on Beauty

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Speaker 3: and the Geek. Did you see that guy the other

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Speaker 3: night look like he was eating a mango?

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Speaker 2: Yeah, I can't do.

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Speaker 4: Sometimes you didn't get right.

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Speaker 1: You just don't know what to look like. You don't

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Speaker 1: think too much about what it looks like because else

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Speaker 1: you just end up just getting too self content.

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Speaker 2: Yeah, just passion yourself.

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Speaker 3: As long as you don't get a passion scene with

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Speaker 3: alf imagine.

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Speaker 2: That awkward an intimacy coach. It'd all be fine.

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Speaker 3: I think I could see that. I could see that happening.

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Speaker 3: You're a professional, Sam.

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Speaker 1: You could do it.

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Speaker 3: Yeah, the story right now, as I sigh in my acting,

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Speaker 3: you can. You can catch Home and Away tonight, seven o'clock.

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Speaker 3: Come on, you try Amanda.

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Speaker 2: Seven o'clock on seven and seven plus, Sam Frist, Thank you,

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Speaker 2: thank it's been a delight, Thank you, thank you.

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Speaker 1: Thanks so much.

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Speaker 4: Jonesy and Amanda's Nation