WEBVTT - Piggyback Mountain

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<v Speaker 1>The Christian O'Connell Breakfast Show Podcast Melbourne's Gold one oh

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<v Speaker 1>four point three Gold.

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<v Speaker 2>The rest of the world. What goes on in this

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<v Speaker 2>hour stays in this hour, Even the boss doesn't listen. Ladies, gentlemen,

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<v Speaker 2>Welcome to the Christian O'Connell for Redfast Show. Good morning.

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<v Speaker 2>It's the Christian O'Connor Breakfast Show, Wednesday morning.

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<v Speaker 3>What an exciting day today.

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<v Speaker 2>Oh my lordie, Yeah, Patsy. The prize up for graphs

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<v Speaker 2>today is to go and interview your hero. You love

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<v Speaker 2>the guy.

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<v Speaker 3>You're going to see him live tomorrow night. Brian Adams.

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<v Speaker 4>Yes, the man got my T shirt on everything.

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<v Speaker 3>Today you're gonna be in his hotel room interviewing.

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<v Speaker 2>Oh will your tendency to choke on episode? States are high?

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<v Speaker 2>How many? How many quizes do we do?

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<v Speaker 3>Brian Adams? Because it was a six and she lost

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<v Speaker 3>them all we did six.

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<v Speaker 2>Yeah, I let.

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<v Speaker 5>The listeners win that time. Yeah, I was feeling generous.

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<v Speaker 5>It was before Christmas, you know, festive spirit and all that.

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<v Speaker 3>That's lovely.

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<v Speaker 2>Today you're going to play for real. Yeah all right,

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<v Speaker 2>So it's you or a listener interviewing pets. It'll be

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<v Speaker 2>pets a pats between the jones. Okay, well that's what

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<v Speaker 2>you're playing for later on this morning or will be revealed.

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<v Speaker 6>Interesting that last year, this is the same attempt you

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<v Speaker 6>went for, which was confidence up front, and it didn't

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<v Speaker 6>do you any Well.

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<v Speaker 4>Now, come on, let's think positively this time.

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<v Speaker 6>Okay, we did.

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<v Speaker 2>I thought really positively. I was positive you were going

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<v Speaker 2>to screw it up again and time and time again.

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<v Speaker 2>That positive is he paid off you?

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<v Speaker 4>My questions written everything.

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<v Speaker 6>You have to have to research a lot about him

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<v Speaker 6>because you don't know anything.

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<v Speaker 3>Yeah, the first Christian Braddams.

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<v Speaker 2>Who are you?

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<v Speaker 3>What songs would I've heard of yours?

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<v Speaker 2>How do they go? Robert?

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<v Speaker 4>No, I'll have to compose myself.

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<v Speaker 2>Also on today's show, All the Big Footy Shows back

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<v Speaker 2>on TV tonight from Bar the New Look Footy Show

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<v Speaker 2>back tonight. On this show, we will be unfailing. Who

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<v Speaker 2>is our new AFL correspondent? This is exciting, exciting they'd

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<v Speaker 2>be in live tomorrow on tomorrow on this morning show.

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<v Speaker 2>I actually saw this person last night. They carry in

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<v Speaker 2>my house for a little drink and some dinner.

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<v Speaker 4>Oh hello, I have.

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<v Speaker 2>A Wikipedia you know who this person is?

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<v Speaker 3>Okay, we keep how many games? How many games do

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<v Speaker 3>you reckon?

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<v Speaker 2>They played in total to thirty eight three hundred and five.

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<v Speaker 2>I would have said how many goals in three and

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<v Speaker 2>one hundred and five games? Bear in mind they are

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<v Speaker 2>a Hall of Famer Premiership winner, Brownlow winner.

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<v Speaker 6>I reckon I'll write of about three hundred.

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<v Speaker 2>Yeah, I think you'd be happy with that two hundred

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<v Speaker 2>and twenty four.

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<v Speaker 6>Oh really, I was going to go at least one

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<v Speaker 6>a game.

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<v Speaker 2>Anyway, someone else, I hope they're not listening. This is

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<v Speaker 2>really awkward. Hey, listen, I know it's a done deal,

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<v Speaker 2>but it's an undone nail. Now. You didn't get that

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<v Speaker 2>many goals.

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<v Speaker 3>That Oh that ended awkwardly anyway.

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<v Speaker 2>Hopefully we're still excited about it when they come on

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<v Speaker 2>the phone later on this morning. So we got a

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<v Speaker 2>big show for you today and also more VIP tickets

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<v Speaker 2>to go and see Muriel's wording the musical.

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<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 2>So for the last couple of months since the show started,

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<v Speaker 2>I've been doing this thing every week. We do it

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<v Speaker 2>on a Thursday morning at eight am. It's called the

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<v Speaker 2>Isolated Vocal It is really popular, so much so that

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<v Speaker 2>we play some of our favorite ones to you right now,

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<v Speaker 2>the Golden Hour listeners. This is a great one from

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<v Speaker 2>Joe Strummer, legendary front man with the clash. Here it

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<v Speaker 2>almost sounds like Joe is spitting into a microphone. He's

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<v Speaker 2>spitting out the words, He's not phoning it in. And

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<v Speaker 2>that was the power and the fury from the clash.

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<v Speaker 2>This is the isolated vocal. We're here, Joe's isolated vocal.

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<v Speaker 2>Then we play the song in full. Check this out.

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<v Speaker 2>Joe Strummer isolated vocal by order of the prophet. We've

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<v Speaker 2>got that pool his sound detail.

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<v Speaker 7>It's a faithful with a crazy cat ball sound. But

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<v Speaker 7>the bellow when they brought out director Camel Trum. The

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<v Speaker 7>local kit topic is kit topic confirm. As soon as

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<v Speaker 7>the sheriff clear.

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<v Speaker 6>The square, they may have to win.

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<v Speaker 7>Shocking Rocking the Caspar Rock the Caspar, the Showy hicking

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<v Speaker 7>Rocking the Caspar Rock the Caspar.

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<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

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<v Speaker 1>point three On did.

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<v Speaker 2>This day Mystery? On this day all right, twentieth of

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<v Speaker 2>March twentieth and March on this day in Mystery, a

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<v Speaker 2>short play performed by me a live now a live

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<v Speaker 2>radio play. Here we go, well lucky, then you get

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<v Speaker 2>some one man played. Take a seats everyone, as the

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<v Speaker 2>play is about to begin. Take your seats. Please turn

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<v Speaker 2>off your phones, no flash photography. Let me just get

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<v Speaker 2>into motivation to be This person is historical figure that

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<v Speaker 2>changed millions of people's lives all over the world. And

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<v Speaker 2>scene this taste delicious? What's in it? I'm never going

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<v Speaker 2>to tell you, oh scene?

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<v Speaker 6>See you are two different characters all that, Yes.

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<v Speaker 2>I was two different characters. Or for one pay check

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<v Speaker 2>one more scene this taste delicious? What's in it? I'm

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<v Speaker 2>not telling you ever. Scene I'm now back to being

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<v Speaker 2>Christian the DJ.

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<v Speaker 6>Okay, and we know this person by name or we

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<v Speaker 6>just know the product?

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<v Speaker 2>What all right?

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<v Speaker 3>Calling? Now?

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<v Speaker 2>What do you think was invented twentieth of March quite

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<v Speaker 2>a few years ago? Hmm? This is so good.

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<v Speaker 6>This is we're walking out of the aisles.

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<v Speaker 2>I know in the encore. Why are you leaving? Sit

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<v Speaker 2>back down? Oh god, this tastes great. What's in it?

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<v Speaker 2>I've never telling you. I keep telling you that. Okay

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<v Speaker 2>nine four one four one o four three nine four

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<v Speaker 2>one four, one oh four three.

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<v Speaker 3>I think you'll get it.

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<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's gold one oh four

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<v Speaker 1>point three on.

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<v Speaker 2>This day mystery, on this day, all right. Then every

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<v Speaker 2>morning about this time in the Golden Hour, the Secret Hour,

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<v Speaker 2>the first hour of the show, we any think good

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<v Speaker 2>on this day mystery, we give some clues to something

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<v Speaker 2>that happened back in the day today, March the twentieth,

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<v Speaker 2>This happened, This was invented, this came into being. He's great,

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<v Speaker 2>what's in it? You must tell me. I'll never tell you.

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<v Speaker 6>He's not doing voices though, powerful.

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<v Speaker 2>All right, what do you think it was? Let's take

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<v Speaker 2>some guesses now on the line. First of all, we

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<v Speaker 2>got Mick.

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<v Speaker 8>Good morning, Mick, good morning, Christian.

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<v Speaker 3>Hey buddy, welcome to the show.

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<v Speaker 2>What do you think? What do you think it is?

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<v Speaker 8>I think it was Coro Cola.

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<v Speaker 2>Coca Cola with the secret recipe. It's not Coca cola.

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<v Speaker 2>Smart guests though, Mick, tough luck.

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<v Speaker 9>Oh there you go, all right, Thanky.

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<v Speaker 3>You can move on from that shock loss there?

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<v Speaker 5>Oh yeah, other stuff.

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<v Speaker 9>Drink too much of it?

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<v Speaker 2>All right, Mick, Bye bye, Damnic Billy.

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<v Speaker 8>Good morning, Christian, how are we doing.

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<v Speaker 2>I'm good Billy, you well this morning, mate on very well,

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<v Speaker 2>thank you very much, good man.

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<v Speaker 3>All right, and Billy, what do you think it is?

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<v Speaker 2>Then?

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<v Speaker 3>From the powerful acting? What do you think it is?

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<v Speaker 8>I hope it was extremely powerful acting. I hope you

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<v Speaker 8>got paid well. I think it's Colonel Sanders, dirty bird.

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<v Speaker 2>It is well done there this man, Billy, you're right

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<v Speaker 2>nineteen thirty? Can you believe that? Colonel sum twenty?

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<v Speaker 8>I did ninety oh one, But after after saying it,

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<v Speaker 8>I thought, I think it's bit later than that.

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<v Speaker 2>Yeah, I didn't realize it was so long ago, nineteen thirty,

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<v Speaker 2>the first ever KFC by the great Colonel.

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<v Speaker 3>Yeah, Billy would send you a mark well done?

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<v Speaker 2>Do you know the original? This secret? Recipes?

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<v Speaker 3>Got them?

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<v Speaker 2>It got rejected one thousand and nine times. I was

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<v Speaker 2>reading up on his life, quite amazing. Was that a

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<v Speaker 2>shootout with a rival.

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<v Speaker 6>Colonel Sanders?

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<v Speaker 2>A real shooting? These are very different. These were different

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<v Speaker 2>times in nineteen thirties, nineteen late nineteen to twenties as well.

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<v Speaker 2>At one point when he was trying to set up

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<v Speaker 2>some fast food chain with the right, there was a

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<v Speaker 2>shootout outside of garage could you believe that?

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<v Speaker 6>I kind of care actually.

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<v Speaker 2>And the colonel survived. The colonel and he was in

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<v Speaker 2>the army. I thought that was just like a made

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<v Speaker 2>up thinger colonel, So yeah, Colonel Sanders rejected one thousand

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<v Speaker 2>and nine times, never gave up. He thought it this

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<v Speaker 2>great way of doing frying chicken as well, using the

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<v Speaker 2>wire mesh thing.

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<v Speaker 6>That was his breakthrough because it quickened the frying. Oh

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<v Speaker 6>so he kind of invented deep pride.

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<v Speaker 2>Yeah, he realized that normally they used to cook it

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<v Speaker 2>and it would take half an hour, and no one's

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<v Speaker 2>gonna imagine now fast food. If they go that's great,

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<v Speaker 2>it'd be ready in half an hour. But do not

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<v Speaker 2>forget it. I'll go in. But he working he could

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<v Speaker 2>do it within minutes using a mesh grill and put

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<v Speaker 2>it in the fry that way, and it was ready

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<v Speaker 2>within minutes. And that was the game changer. But he

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<v Speaker 2>had his other thing was the amazing sauce. The eleven

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<v Speaker 2>secret herbs and spices, most of which I know in

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<v Speaker 2>ten but one of them is the all important secret one.

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<v Speaker 6>Trying to crack.

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<v Speaker 2>Get this right. It's in a vault handwritten note from

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<v Speaker 2>his original recipe and to keep it a secret to

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<v Speaker 2>this day. There are two different factories each make half

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<v Speaker 2>the sauce.

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<v Speaker 6>Right, Okay, I understand so that that no one person

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<v Speaker 6>besides him, Yeah, who's dead? Now you know what the

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<v Speaker 6>secret ingredient is. Yeah, someone's got to know somewhere on

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<v Speaker 6>earth like who, Like who's the CEO of KFC.

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<v Speaker 2>But do you think even the CEO knows whether he goes?

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<v Speaker 2>Never Timbre it's super from case he left, they get headhunted.

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<v Speaker 6>See I would do that for the cameras, and then

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<v Speaker 6>behind closed doors go go to the.

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<v Speaker 2>All right, that's today's on this day and Mystery, the

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<v Speaker 2>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point

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<v Speaker 2>three Holiday for a song, play that cheesy music, all right,

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<v Speaker 2>holiday for song. Today's holiday is a p and O

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<v Speaker 2>cruise for two to Kangaroo Islands.

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<v Speaker 3>Actually, this is amazing.

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<v Speaker 2>Every day when I read out what the winning holiday is, they.

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<v Speaker 3>Give me like fifteen pages of like some kind.

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<v Speaker 6>Of that's a brochure pretty much.

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<v Speaker 2>Today's there's an entire a four color picture of a

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<v Speaker 2>cruise ship just in case they go, does he actually

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<v Speaker 2>know what a cruise ship is?

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<v Speaker 3>To have them over there in palmy Land.

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<v Speaker 6>We'll describe it for people. What does the ship like?

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<v Speaker 2>A large multi tiered boat powering through the ways majestically.

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<v Speaker 3>That you could be on board four nights.

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<v Speaker 2>On board a piano cruise ship in an ocean view room,

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<v Speaker 2>spending money for your onboard entertainment. It also says here

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<v Speaker 2>you could be giving them some of the ideas what

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<v Speaker 2>you might do. I don't know if you've ever thought

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<v Speaker 2>that if you went on a cruise you might want

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<v Speaker 2>to soak out some of the fresh air. I love

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<v Speaker 2>the idea of people just wandering around inside the cruise

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<v Speaker 2>ship going, are we okay to use the doors? Open

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<v Speaker 2>a window? They never said on the show whining, And

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<v Speaker 2>you could be whining and dining on board the cruises. Shit,

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<v Speaker 2>so I would wake up, put it in your diary.

0:11:30.360 --> 0:11:32.440
<v Speaker 2>Wake up, so cut the fresh air, get on it

0:11:32.480 --> 0:11:34.080
<v Speaker 2>with the wine, do some dining.

0:11:34.240 --> 0:11:36.520
<v Speaker 6>It's not just packed lunches like you thought it would be.

0:11:37.000 --> 0:11:41.200
<v Speaker 2>It is an itinery enjoying some downtime by the pall

0:11:41.480 --> 0:11:45.959
<v Speaker 2>as well as exploring the beautiful Kangaroo Island. Our elderly

0:11:46.000 --> 0:11:49.320
<v Speaker 2>producer Yesterday goes to me, Kangaroo Island is famous for something.

0:11:49.320 --> 0:11:52.200
<v Speaker 2>I'm trying to think what it is. Is it the kangaroos?

0:11:53.800 --> 0:11:56.360
<v Speaker 2>The clue is in the title. Okay, here's the song.

0:11:56.440 --> 0:11:58.080
<v Speaker 2>I'm going to play it now, winning song. When you

0:11:58.080 --> 0:12:00.160
<v Speaker 2>hear this again, not now, because the first time. When

0:12:00.200 --> 0:12:02.360
<v Speaker 2>you hear this song again, that's your chance to call

0:12:02.400 --> 0:12:05.800
<v Speaker 2>in a win that Pinot cruise for two to Kangaroo Island.

0:12:05.800 --> 0:12:07.880
<v Speaker 3>Don't forget if you win. Soak up that fresh air.

0:12:07.920 --> 0:12:08.679
<v Speaker 3>What are there the.

0:12:08.679 --> 0:12:12.520
<v Speaker 1>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

0:12:12.600 --> 0:12:14.800
<v Speaker 2>When you hear this again between now and five o'clock,

0:12:15.000 --> 0:12:17.439
<v Speaker 2>get on that phone as quick as possible nine four

0:12:17.480 --> 0:12:19.959
<v Speaker 2>one oh four to three Men at work down under

0:12:20.800 --> 0:12:23.439
<v Speaker 2>You can be soaking up that fresh air, whining and

0:12:23.480 --> 0:12:25.840
<v Speaker 2>dining probably at the same time, and enjoying downtime by

0:12:25.840 --> 0:12:27.280
<v Speaker 2>the ball double four at the same time. Why not?

0:12:27.760 --> 0:12:28.200
<v Speaker 3>All right?

0:12:29.440 --> 0:12:32.120
<v Speaker 2>This is an exciting show today. There's so much going on.

0:12:32.600 --> 0:12:34.760
<v Speaker 2>We've got the Brian Adams Big Quiz today and it

0:12:34.840 --> 0:12:36.840
<v Speaker 2>really is a big Brian Adams Quiz.

0:12:36.880 --> 0:12:37.560
<v Speaker 3>I have been.

0:12:37.440 --> 0:12:41.320
<v Speaker 2>Besieged, that is the right word, besieged by listeners begging

0:12:41.360 --> 0:12:44.720
<v Speaker 2>me to go along with Pats or to take Pats's place,

0:12:44.760 --> 0:12:47.800
<v Speaker 2>because they're real Brian Adams fans, because there is a

0:12:47.800 --> 0:12:50.680
<v Speaker 2>slot today at five o'clock for someone to go and

0:12:50.720 --> 0:12:54.800
<v Speaker 2>represent this show interviewing Brian Adams. And the boss told

0:12:54.840 --> 0:12:57.560
<v Speaker 2>me yesterday that you soon as a show rap. You're

0:12:57.559 --> 0:13:02.600
<v Speaker 2>in there going, Oh, it's just such a god thirty

0:13:02.679 --> 0:13:06.079
<v Speaker 2>years I've been a fan's Is there any way you

0:13:06.080 --> 0:13:07.760
<v Speaker 2>can have a word with him? He's his talk, he's

0:13:07.800 --> 0:13:09.840
<v Speaker 2>teasing me. I know he's teasing me and I shouldn't buy.

0:13:09.960 --> 0:13:12.720
<v Speaker 2>But he's talking about doing a queers and can you have.

0:13:12.760 --> 0:13:13.840
<v Speaker 4>The word say that?

0:13:13.880 --> 0:13:15.160
<v Speaker 2>Why would the boss like that?

0:13:15.360 --> 0:13:17.040
<v Speaker 4>I did want to know you, right?

0:13:17.120 --> 0:13:19.040
<v Speaker 2>Is this true as well? But apparently, oh here we go,

0:13:19.679 --> 0:13:21.560
<v Speaker 2>you said to the boss. And even if I do

0:13:21.640 --> 0:13:23.520
<v Speaker 2>win it, I just think that he's hired. And Brian

0:13:23.559 --> 0:13:25.439
<v Speaker 2>as look alike?

0:13:25.960 --> 0:13:28.760
<v Speaker 4>I thought, no, Christian, it's an impersonator. It's probably like

0:13:28.960 --> 0:13:32.679
<v Speaker 4>Ryan anyike.

0:13:33.200 --> 0:13:35.560
<v Speaker 2>But now I wish we had at me too. I

0:13:35.640 --> 0:13:37.520
<v Speaker 2>was like, that's such a great that's what I should

0:13:37.559 --> 0:13:44.640
<v Speaker 2>have done. You get all excited. I let you have

0:13:44.679 --> 0:13:47.120
<v Speaker 2>it for a week. All the photos up there? What

0:13:47.240 --> 0:13:48.960
<v Speaker 2>was he like? You know? And then he said this again?

0:13:49.040 --> 0:13:51.120
<v Speaker 2>And then a week later. That wasn't him, by the way.

0:13:51.120 --> 0:13:52.280
<v Speaker 6>No tricks.

0:13:52.440 --> 0:13:54.120
<v Speaker 2>He would have ripped my eyes out. It would have

0:13:54.120 --> 0:13:57.960
<v Speaker 2>been a short love. He is the real, the real one.

0:13:58.160 --> 0:14:00.960
<v Speaker 2>I promise you you are. You are close. But you

0:14:01.080 --> 0:14:03.480
<v Speaker 2>need to win your chance there, which I think is

0:14:03.480 --> 0:14:06.079
<v Speaker 2>only fair. No it's not. You can't.

0:14:06.440 --> 0:14:08.320
<v Speaker 3>I'm sorry, but I'm not convinced.

0:14:08.480 --> 0:14:11.360
<v Speaker 2>But I remain to be proven otherwise I'm not convinced

0:14:11.360 --> 0:14:12.960
<v Speaker 2>you're a genuine fan. I think just one of these

0:14:13.040 --> 0:14:13.760
<v Speaker 2>radio gig.

0:14:13.600 --> 0:14:14.080
<v Speaker 4>Pigs that.

0:14:15.600 --> 0:14:20.960
<v Speaker 2>Prove it. Prove it, sister, and bring it no notice.

0:14:21.000 --> 0:14:22.480
<v Speaker 2>By the way, you've brought in a couple of Brian

0:14:22.480 --> 0:14:24.960
<v Speaker 2>Adams albums that your husband obviously gave to you. It

0:14:25.000 --> 0:14:27.160
<v Speaker 2>is actually you know what it looks like to.

0:14:27.120 --> 0:14:30.120
<v Speaker 4>Remind you much? Their mine? Ready to sign tonight?

0:14:30.240 --> 0:14:34.080
<v Speaker 2>Oh God that they absolutely love that, don't they? Someone

0:14:34.200 --> 0:14:36.120
<v Speaker 2>just getting out a bag full of merch that you're

0:14:36.120 --> 0:14:39.280
<v Speaker 2>going to pork online or down a record fair out where.

0:14:39.600 --> 0:14:43.160
<v Speaker 6>All Australia's best interviews do the same. Andrew Dent will

0:14:43.160 --> 0:14:45.440
<v Speaker 6>take merchant, always.

0:14:45.120 --> 0:14:48.280
<v Speaker 2>Take a load of stuff. Sign this hemsworth buck at.

0:14:48.320 --> 0:14:51.120
<v Speaker 4>Least opportunity tonight, never again in.

0:14:51.080 --> 0:14:55.880
<v Speaker 5>My life, Sign for me it's like fifteen minutes I've

0:14:55.880 --> 0:14:56.760
<v Speaker 5>got with him.

0:14:58.600 --> 0:15:01.480
<v Speaker 2>I haven't got it yet, agreed, it'll get you out

0:15:01.480 --> 0:15:02.320
<v Speaker 2>of my trot I have.

0:15:03.560 --> 0:15:06.600
<v Speaker 4>It's not going to be pretty if I'm not. Let's

0:15:06.680 --> 0:15:08.360
<v Speaker 4>just say that, She threaten.

0:15:08.880 --> 0:15:11.600
<v Speaker 2>It's not pretty. What's going to happen where it'd be princess?

0:15:13.240 --> 0:15:14.760
<v Speaker 4>You might need to find yourself and you.

0:15:16.480 --> 0:15:18.640
<v Speaker 6>Well, you're going to quit the show.

0:15:19.960 --> 0:15:21.960
<v Speaker 3>You what you want? You sound like Trump.

0:15:22.080 --> 0:15:24.240
<v Speaker 4>There'll be in mourning for the rest of the week.

0:15:24.880 --> 0:15:27.440
<v Speaker 2>Because you didn't. You didn't get questions right about Brian Adams,

0:15:27.440 --> 0:15:28.160
<v Speaker 2>because you don't know who.

0:15:28.760 --> 0:15:30.960
<v Speaker 4>It's not going to be pretty. It's I don't know

0:15:30.960 --> 0:15:31.440
<v Speaker 4>what I'll do?

0:15:31.640 --> 0:15:33.120
<v Speaker 2>All right? What listen? It is coming up at half

0:15:33.160 --> 0:15:36.200
<v Speaker 2>seven this morning, Your Date with Destiny, The Brian Adams Quiz,

0:15:36.320 --> 0:15:40.320
<v Speaker 2>the final Brian Adams Quiz. Will Patsy win her chance

0:15:40.360 --> 0:15:43.000
<v Speaker 2>to go and interview tonight at five o'clock or will

0:15:43.040 --> 0:15:45.400
<v Speaker 2>she not? I wanted to guess not.

0:15:45.520 --> 0:15:49.360
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

0:15:49.240 --> 0:15:52.520
<v Speaker 2>Three Christian pats didn't have Monday off, so therefore she

0:15:52.560 --> 0:15:56.400
<v Speaker 2>should get her fifteen minutes with Brian. Thank you hush

0:15:56.520 --> 0:15:58.720
<v Speaker 2>tag girl power Helen.

0:16:00.080 --> 0:16:00.240
<v Speaker 10>Hell.

0:16:00.240 --> 0:16:01.800
<v Speaker 2>And all I want is for the right thing to

0:16:01.840 --> 0:16:03.960
<v Speaker 2>happen here, and it's to go to a genuine fantasy.

0:16:03.960 --> 0:16:06.880
<v Speaker 2>Perhaps perhaps he Here's what's going to happen, right, me

0:16:07.040 --> 0:16:08.560
<v Speaker 2>or you, one of us will be there at five

0:16:08.600 --> 0:16:10.600
<v Speaker 2>o'clock today, So if you don't get the setting number

0:16:10.680 --> 0:16:12.920
<v Speaker 2>questions right, I'll be interviewing Brian ends and let me

0:16:12.920 --> 0:16:15.280
<v Speaker 2>tell you this, I can take or leave him.

0:16:15.960 --> 0:16:17.080
<v Speaker 4>I know that, all right.

0:16:17.440 --> 0:16:18.960
<v Speaker 2>I will do it, and I will look forward to

0:16:19.040 --> 0:16:22.360
<v Speaker 2>chatting to him. But I'll probably be ten minutes late anyway, and.

0:16:23.040 --> 0:16:25.520
<v Speaker 4>That's professional, that's professional.

0:16:25.520 --> 0:16:26.440
<v Speaker 2>But that's what's going to happen.

0:16:27.360 --> 0:16:29.320
<v Speaker 6>Will you write questions you think or just sort of

0:16:29.320 --> 0:16:29.600
<v Speaker 6>wing it?

0:16:29.680 --> 0:16:31.680
<v Speaker 2>Oh well, I'll probably just start looking at my phone

0:16:31.720 --> 0:16:35.000
<v Speaker 2>reading Wikipedia and go so bloody hell, do you know.

0:16:35.040 --> 0:16:39.640
<v Speaker 3>The Wi Fi code is Brian for my wife needs

0:16:39.640 --> 0:16:39.760
<v Speaker 3>to go?

0:16:40.000 --> 0:16:45.880
<v Speaker 2>You're okay, Well, that's what's going to happen. Or you

0:16:46.000 --> 0:16:48.760
<v Speaker 2>get fifteen minutes with someone you've been seeing. How many

0:16:48.800 --> 0:16:49.600
<v Speaker 2>times you've seen him live?

0:16:49.720 --> 0:16:52.720
<v Speaker 5>This is the twelfth on Thursday night, the twelfth, Yeah,

0:16:53.840 --> 0:16:54.560
<v Speaker 5>the twelfth time.

0:16:54.600 --> 0:16:56.320
<v Speaker 6>Has he been to the country that many times?

0:16:56.360 --> 0:16:56.520
<v Speaker 11>Yeah?

0:16:56.600 --> 0:16:59.120
<v Speaker 5>You bet he's out like on average every two years.

0:16:59.160 --> 0:17:00.520
<v Speaker 5>He's phenomenal performer.

0:17:00.840 --> 0:17:02.440
<v Speaker 6>So how do you know so little about him when

0:17:02.440 --> 0:17:02.720
<v Speaker 6>we do.

0:17:02.680 --> 0:17:08.760
<v Speaker 2>The that's embarrassing. Have you got like amnesia every time

0:17:08.760 --> 0:17:10.480
<v Speaker 2>when you see him every two years? Ago? These songs,

0:17:10.520 --> 0:17:12.200
<v Speaker 2>I've never heard them before. They're so good.

0:17:12.320 --> 0:17:13.280
<v Speaker 4>Fifty first dates.

0:17:15.680 --> 0:17:17.760
<v Speaker 2>All right, So we're talking about PATSLS worried. Yesterday I

0:17:17.760 --> 0:17:19.359
<v Speaker 2>went to see the boss about all this Brian Adams

0:17:19.359 --> 0:17:21.280
<v Speaker 2>stuff that actually, even if she does win her way

0:17:21.280 --> 0:17:24.719
<v Speaker 2>there today that somehow I would have hired a professional

0:17:24.840 --> 0:17:27.560
<v Speaker 2>Brian Adams look alike. He I've just had a look

0:17:27.560 --> 0:17:31.800
<v Speaker 2>on a website that apparently is Australia's biggest professional lookerlike agency.

0:17:32.200 --> 0:17:34.040
<v Speaker 2>Someone needs to update the website. The one they're very

0:17:34.040 --> 0:17:36.760
<v Speaker 2>proud of is Michael Jackson on the front page. Yep.

0:17:37.480 --> 0:17:39.760
<v Speaker 3>Anyway, I couldn't find any Brian Adams and.

0:17:39.720 --> 0:17:46.600
<v Speaker 2>Get old of Michael Jackson, but I can't find Brian

0:17:46.640 --> 0:17:50.120
<v Speaker 2>Adams lookerlike. Anyways, Gary's on the line right now talking

0:17:50.160 --> 0:17:55.120
<v Speaker 2>about look alike. He's Gary. Good morning, Christian there, I'm good.

0:17:55.119 --> 0:17:57.600
<v Speaker 2>Listen Gary, my producers has came in. I said, you've

0:17:57.600 --> 0:18:00.320
<v Speaker 2>got to speak to Gary. So people could said that

0:18:00.400 --> 0:18:03.520
<v Speaker 2>he looked like a rock star. Please tell me what's

0:18:03.520 --> 0:18:04.280
<v Speaker 2>the what's the deal?

0:18:05.840 --> 0:18:09.159
<v Speaker 11>Well, whether it's a blessing or not, I look like

0:18:09.280 --> 0:18:16.760
<v Speaker 11>Iggy pop. Now. I'm an amateur muso. And a mentor

0:18:16.800 --> 0:18:19.719
<v Speaker 11>of mine suggested, mate, you got to do it, and

0:18:19.760 --> 0:18:22.800
<v Speaker 11>I said, who the hell is Iggy pop? And he

0:18:22.920 --> 0:18:26.720
<v Speaker 11>goes check it out? So I did, and I was

0:18:26.720 --> 0:18:29.560
<v Speaker 11>talking for something to do, and there you go. I

0:18:29.720 --> 0:18:32.120
<v Speaker 11>got a band together, end up with the Iggy Pop

0:18:32.160 --> 0:18:34.600
<v Speaker 11>trebut show called the Real Wild chi.

0:18:35.520 --> 0:18:38.000
<v Speaker 2>Iggy Pop right, done some amazing albums like a fun

0:18:38.040 --> 0:18:39.920
<v Speaker 2>House is one that you know, Iggy Popper, Iggy and

0:18:39.920 --> 0:18:42.879
<v Speaker 2>the Stooges did some great, great albums. Best friends with

0:18:43.000 --> 0:18:45.199
<v Speaker 2>David Bowie as well, just to hang out together and

0:18:45.600 --> 0:18:47.640
<v Speaker 2>work on each other's songs, and that they were really

0:18:47.680 --> 0:18:50.480
<v Speaker 2>really close. But so you didn't even know about Iggy

0:18:50.480 --> 0:18:52.840
<v Speaker 2>pop and now you are Iggy Pop tribute act.

0:18:53.560 --> 0:18:56.240
<v Speaker 11>I disregarded him as a bloody idiot.

0:18:56.520 --> 0:19:00.800
<v Speaker 2>You know, I disregard you as a body idiot. I

0:19:00.880 --> 0:19:02.639
<v Speaker 2>love that. That's great. Gary.

0:19:02.680 --> 0:19:06.159
<v Speaker 6>What do your Iggy Popper you seventies eighties or what

0:19:06.200 --> 0:19:07.040
<v Speaker 6>he looks like today?

0:19:07.760 --> 0:19:07.879
<v Speaker 2>Now?

0:19:08.280 --> 0:19:11.080
<v Speaker 11>I look like about two thousand and six say.

0:19:11.160 --> 0:19:12.720
<v Speaker 2>I would say that's fun because I'll tell you what

0:19:12.760 --> 0:19:13.880
<v Speaker 2>the Iggy is ripped.

0:19:15.200 --> 0:19:17.800
<v Speaker 11>Yeah, yeah, we'll see you on one of those wiry,

0:19:17.880 --> 0:19:19.280
<v Speaker 11>wary please little blakes.

0:19:19.560 --> 0:19:21.240
<v Speaker 2>And you've got that, you've got the long straight hair

0:19:21.320 --> 0:19:22.679
<v Speaker 2>Gary I have.

0:19:23.000 --> 0:19:26.919
<v Speaker 11>You can get Jack to look on the Facebook page.

0:19:26.960 --> 0:19:29.760
<v Speaker 11>It's a Iggy Pop triba show the real wild Child

0:19:30.200 --> 0:19:33.440
<v Speaker 11>with the scroogers. We call them the scrooges that keeps

0:19:33.480 --> 0:19:33.920
<v Speaker 11>in the bed.

0:19:34.000 --> 0:19:36.400
<v Speaker 2>I like it, like that's good. And when's your next gig?

0:19:36.440 --> 0:19:37.520
<v Speaker 2>Where can people see you?

0:19:38.640 --> 0:19:42.320
<v Speaker 11>Well, we always do one for his birthday, and he's

0:19:42.359 --> 0:19:45.120
<v Speaker 11>coming out on his birthday at twenty first of April.

0:19:45.600 --> 0:19:50.200
<v Speaker 11>But my bloody guitarists. The whole band's young. My son

0:19:50.280 --> 0:19:54.439
<v Speaker 11>plays bass in the band, but my guitarist is bloody

0:19:54.440 --> 0:19:57.720
<v Speaker 11>getting married, so we couldn't do one too. I was

0:19:57.800 --> 0:19:59.320
<v Speaker 11>going to ask him to come, you.

0:19:59.200 --> 0:20:03.320
<v Speaker 2>Know, please, we will back the campaign for you and

0:20:03.640 --> 0:20:05.720
<v Speaker 2>the real Iggy to meet. We got we could try

0:20:05.760 --> 0:20:09.200
<v Speaker 2>and make that happen. Jax's holding up his laptop. You

0:20:09.240 --> 0:20:12.280
<v Speaker 2>are a dead ringer for Iggy pop. That's incredible. We're

0:20:12.280 --> 0:20:15.960
<v Speaker 2>looking at the really exactly like Garry is spot on.

0:20:16.800 --> 0:20:18.080
<v Speaker 11>It's crazy, isn't it?

0:20:18.200 --> 0:20:18.520
<v Speaker 2>Yeah?

0:20:21.480 --> 0:20:24.920
<v Speaker 11>You know the scary part, Christian, I'm only fifty five

0:20:25.000 --> 0:20:25.880
<v Speaker 11>and seventy?

0:20:26.760 --> 0:20:29.960
<v Speaker 2>Is he? Yeah? Is he really seventy? That's insane, that's

0:20:30.000 --> 0:20:35.119
<v Speaker 2>brilliant seventy one. Actually, it's amazing he's still alive. He

0:20:35.280 --> 0:20:38.320
<v Speaker 2>was a proper rock and roll wild child himself. Hey, Gary,

0:20:38.640 --> 0:20:39.800
<v Speaker 2>I love this toll kin.

0:20:40.160 --> 0:20:40.760
<v Speaker 11>You know so?

0:20:41.480 --> 0:20:42.040
<v Speaker 2>I love this?

0:20:42.040 --> 0:20:43.080
<v Speaker 9>This is great?

0:20:43.320 --> 0:20:44.800
<v Speaker 2>All right, Gary? Good on you.

0:20:45.680 --> 0:20:48.919
<v Speaker 11>Yeah, get your look alike on the pane. There's hapes

0:20:48.920 --> 0:20:50.360
<v Speaker 11>of its all right?

0:20:51.160 --> 0:20:54.639
<v Speaker 2>That now producing the show. Let's do what Gary has said?

0:20:54.760 --> 0:20:56.879
<v Speaker 2>Do you look like a rock star? Okay?

0:20:56.920 --> 0:20:59.320
<v Speaker 3>Has anyone said that you look like a rock star?

0:20:59.720 --> 0:21:01.760
<v Speaker 2>Who is it? Do you think there's anyone out there

0:21:01.760 --> 0:21:03.119
<v Speaker 2>that anyone's ever gone up to a gun? Do you

0:21:03.160 --> 0:21:05.439
<v Speaker 2>know you look like Chad Krueger from Nickelback. You'd be

0:21:05.480 --> 0:21:08.560
<v Speaker 2>so insulted, wouldn't you? Nine four one four one oh

0:21:08.600 --> 0:21:11.520
<v Speaker 2>four three? Are you a Gary? He's literally a dead

0:21:11.560 --> 0:21:12.800
<v Speaker 2>spit of iggy pop.

0:21:12.920 --> 0:21:16.280
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:21:16.320 --> 0:21:16.800
<v Speaker 1>point three.

0:21:17.040 --> 0:21:18.960
<v Speaker 2>I've given up trying to work out what the weather's

0:21:19.000 --> 0:21:20.720
<v Speaker 2>going to be like in Melbourne based on what it's

0:21:20.800 --> 0:21:23.000
<v Speaker 2>like in the morning, because right now it's like the

0:21:23.080 --> 0:21:26.600
<v Speaker 2>world's ended. I'm looking out the window here in Richmond.

0:21:26.920 --> 0:21:29.119
<v Speaker 2>It's like a great kind of FuG over it, like

0:21:29.160 --> 0:21:31.520
<v Speaker 2>the world's been blowing up. And yet I know by

0:21:31.520 --> 0:21:33.240
<v Speaker 2>the time I leave here later on this morning it

0:21:33.520 --> 0:21:35.520
<v Speaker 2>be a beautiful, solid day, not a cloud in the sky.

0:21:35.800 --> 0:21:38.040
<v Speaker 2>I've got no idea day to day what the weather's

0:21:38.040 --> 0:21:40.080
<v Speaker 2>going to be like. All right, this is coming up

0:21:40.080 --> 0:21:42.320
<v Speaker 2>for twenty two eight. In Patsy's News, then you were

0:21:42.320 --> 0:21:45.320
<v Speaker 2>talking about how it's a lawn. Now if it's if

0:21:45.359 --> 0:21:47.879
<v Speaker 2>a property was involved in as you call it, murder,

0:21:48.119 --> 0:21:52.280
<v Speaker 2>is a murder site or drug lab yep, one of

0:21:52.320 --> 0:21:54.800
<v Speaker 2>your favorite phrases of news, along with African gang.

0:21:55.600 --> 0:21:56.560
<v Speaker 4>He'll Billy heroine.

0:21:56.840 --> 0:21:58.679
<v Speaker 2>We shall have a drinking game, shall we. Patsy's a

0:21:58.760 --> 0:22:01.520
<v Speaker 2>drinking gag. You know, he'll be Billy heroin African crime

0:22:02.880 --> 0:22:05.639
<v Speaker 2>and drug drug lab. You have to let people know

0:22:05.760 --> 0:22:09.720
<v Speaker 2>before they possibly buy your your home, correct now? Is

0:22:09.760 --> 0:22:13.200
<v Speaker 2>it the same with ghosts? Jack doesn't believe me, but I.

0:22:13.080 --> 0:22:15.600
<v Speaker 6>Think, okay, go and gone and gone.

0:22:15.760 --> 0:22:19.040
<v Speaker 2>It's true. In England it is the law if you

0:22:19.080 --> 0:22:22.720
<v Speaker 2>know your property is haunted. You can't you need to

0:22:22.760 --> 0:22:26.000
<v Speaker 2>declare that to anyone who's propacly interested in buying it. Oh, no,

0:22:26.040 --> 0:22:27.119
<v Speaker 2>I promise you it is true.

0:22:27.320 --> 0:22:29.080
<v Speaker 5>So do they have a squad that comes around, like

0:22:29.080 --> 0:22:30.800
<v Speaker 5>an official squad who rules.

0:22:30.960 --> 0:22:32.679
<v Speaker 2>Just you would just know if you were living in

0:22:32.680 --> 0:22:34.840
<v Speaker 2>a place and you had a couple of ghostly experiences,

0:22:34.880 --> 0:22:36.920
<v Speaker 2>all right, you would know and you'd have to say

0:22:36.960 --> 0:22:41.160
<v Speaker 2>to someone, Hey, just speaking, you're where upstairs toilet is haunted.

0:22:41.480 --> 0:22:45.480
<v Speaker 2>We've got a haunted Carzi the Dunny is haunted, Poulter Dunny.

0:22:46.560 --> 0:22:48.560
<v Speaker 2>Tell you tell your real estate agent, and you tell

0:22:48.600 --> 0:22:50.879
<v Speaker 2>them all of them. And so the real estate agent

0:22:50.880 --> 0:22:52.800
<v Speaker 2>tells each person that comes in the city, and then

0:22:52.800 --> 0:22:54.159
<v Speaker 2>they've got to put it in the notes, you know,

0:22:54.160 --> 0:22:56.640
<v Speaker 2>when you're like looking at the brochure and they go, oh,

0:22:56.640 --> 0:22:59.000
<v Speaker 2>there's the floor plan and that's where Barry is the ghost.

0:22:59.160 --> 0:23:01.920
<v Speaker 6>In nineteen ninety three, someone who had footsteps in the attic.

0:23:02.080 --> 0:23:04.560
<v Speaker 2>Yeah, by the way, it's always like ghosts that were

0:23:04.800 --> 0:23:06.600
<v Speaker 2>you know, someone interested when they it's never got and

0:23:06.640 --> 0:23:09.440
<v Speaker 2>he's a ghost he used to work in it.

0:23:09.440 --> 0:23:10.960
<v Speaker 3>It's always someone like, oh.

0:23:10.880 --> 0:23:14.199
<v Speaker 6>How do you die? I just got old and it

0:23:14.240 --> 0:23:16.520
<v Speaker 6>found on the stairs, Barry, you have to let them know.

0:23:16.640 --> 0:23:17.480
<v Speaker 2>Is that the case here?

0:23:17.800 --> 0:23:19.720
<v Speaker 6>No, it's not the case anymore.

0:23:19.720 --> 0:23:21.480
<v Speaker 2>I don't want to be buying a place bay side,

0:23:21.520 --> 0:23:26.000
<v Speaker 2>and my first night there I hear suddenly they never

0:23:26.119 --> 0:23:27.240
<v Speaker 2>told us, Sarah.

0:23:27.440 --> 0:23:30.080
<v Speaker 4>Then properties aren't is old here. Maybe that's why.

0:23:29.960 --> 0:23:33.880
<v Speaker 3>You can have young ghosts. He's a millennial ghost.

0:23:34.000 --> 0:23:35.520
<v Speaker 4>You don't medieval buildings.

0:23:36.440 --> 0:23:38.800
<v Speaker 6>But if you just have house creaking noises, which a

0:23:38.800 --> 0:23:42.359
<v Speaker 6>lot of people mistake for ghosts, you know they did.

0:23:42.400 --> 0:23:44.600
<v Speaker 2>I mean I saw that documentary what was it called Ghostbusters?

0:23:44.680 --> 0:23:47.320
<v Speaker 2>And you know Zol was not a creaking floorboard. In

0:23:47.359 --> 0:23:48.560
<v Speaker 2>the end, he lived in the fridge.

0:23:49.080 --> 0:23:51.840
<v Speaker 6>If you just have weird noises, you don't have to disclose.

0:23:52.160 --> 0:23:54.400
<v Speaker 2>You don't like that, Yeah, but that's that's not a ghost,

0:23:54.480 --> 0:23:56.400
<v Speaker 2>is it. You know, if you'd seen if you've seen

0:23:56.400 --> 0:23:57.360
<v Speaker 2>a ghost, so.

0:23:57.320 --> 0:23:59.480
<v Speaker 4>You've got to see a form well, or you.

0:23:59.600 --> 0:24:01.639
<v Speaker 2>Felt a presence, and you know, if you've had a

0:24:01.640 --> 0:24:04.600
<v Speaker 2>ghostly encounter, you know it changes you. It's changed me.

0:24:04.640 --> 0:24:05.679
<v Speaker 2>I've had a ghostly encounter.

0:24:05.720 --> 0:24:06.320
<v Speaker 6>Where did you have?

0:24:06.640 --> 0:24:07.800
<v Speaker 3>Let's save that from the show.

0:24:07.880 --> 0:24:11.320
<v Speaker 2>It's a terrifying story, so much so that the hotel

0:24:11.400 --> 0:24:14.159
<v Speaker 2>rang a couple days later and offered to refund all

0:24:14.200 --> 0:24:15.960
<v Speaker 2>my money because they knew the room was haunted and

0:24:15.960 --> 0:24:18.240
<v Speaker 2>they never warned me about it. I got dragged out

0:24:18.240 --> 0:24:20.960
<v Speaker 2>of bed by ghost. Pause.

0:24:21.080 --> 0:24:22.400
<v Speaker 3>That's not what I'm talking about right now.

0:24:22.920 --> 0:24:25.520
<v Speaker 2>I'm talking about if you're buying somewhere in Australia, do

0:24:25.560 --> 0:24:29.280
<v Speaker 2>you need to let people know that there's a ghost there? Okay, nine,

0:24:29.359 --> 0:24:32.239
<v Speaker 2>I'm not making it out. Nine four. Jackie's looking at

0:24:32.240 --> 0:24:35.040
<v Speaker 2>me like, come on nine four one four.

0:24:35.040 --> 0:24:38.480
<v Speaker 1>Three The Christian O'Connell breakfast show, Melbourne's Gold one oh

0:24:38.600 --> 0:24:39.479
<v Speaker 1>four point three.

0:24:39.640 --> 0:24:41.720
<v Speaker 2>So jack doesn't believe me. But I know that it's

0:24:41.720 --> 0:24:42.720
<v Speaker 2>the law in England.

0:24:42.920 --> 0:24:43.159
<v Speaker 1>Jn know.

0:24:43.160 --> 0:24:44.880
<v Speaker 3>If it's the same here, it's got to be right.

0:24:45.280 --> 0:24:45.800
<v Speaker 3>Makes sense.

0:24:45.920 --> 0:24:49.080
<v Speaker 2>If you knew your property that you were selling or

0:24:49.160 --> 0:24:53.960
<v Speaker 2>renting was haunted, you'd need to let the rentors or

0:24:53.960 --> 0:24:56.919
<v Speaker 2>the people are buying your home no to the real agent,

0:24:56.960 --> 0:24:58.159
<v Speaker 2>you'd need to let them know.

0:24:58.280 --> 0:25:00.119
<v Speaker 6>Well, I'm skeptical that that's even in a lat or

0:25:00.160 --> 0:25:00.640
<v Speaker 6>in the UK.

0:25:00.760 --> 0:25:03.119
<v Speaker 2>It is a promise, you is this We were going

0:25:03.160 --> 0:25:05.720
<v Speaker 2>to buy a place one and the state agents who

0:25:05.720 --> 0:25:08.560
<v Speaker 2>called them in the UK, so just to let you

0:25:08.600 --> 0:25:11.400
<v Speaker 2>know they do believe this place to be haunted, my wife.

0:25:11.440 --> 0:25:16.000
<v Speaker 6>And how much would you if they said, we'll knock

0:25:16.000 --> 0:25:18.119
<v Speaker 6>one hundred thousand dollars off the price of a house

0:25:18.560 --> 0:25:20.360
<v Speaker 6>but it is haunted, would you do it?

0:25:20.440 --> 0:25:20.600
<v Speaker 1>No?

0:25:21.160 --> 0:25:23.040
<v Speaker 2>You know, I'm not. I mean yesterday I was sprinkling

0:25:23.080 --> 0:25:26.960
<v Speaker 2>lavender around here. I'm a very easy scared man, easney

0:25:26.960 --> 0:25:27.600
<v Speaker 2>scared man.

0:25:27.960 --> 0:25:30.600
<v Speaker 6>No way, put your essential oils around the house.

0:25:31.560 --> 0:25:34.879
<v Speaker 2>Ghost in there. Okay, Rob's on the line, Come on

0:25:35.000 --> 0:25:38.199
<v Speaker 2>and Rob Gooday, guys are yeah, we're good, Rob. So

0:25:38.440 --> 0:25:39.399
<v Speaker 2>do you know anything about this?

0:25:40.200 --> 0:25:42.560
<v Speaker 12>Well? I was able to break a rental leaf on

0:25:42.640 --> 0:25:45.080
<v Speaker 12>a property by telling the real estate agent that the

0:25:45.080 --> 0:25:45.840
<v Speaker 12>place was haunted.

0:25:47.040 --> 0:25:50.240
<v Speaker 2>See there you go, that's a legal agent.

0:25:50.359 --> 0:25:51.320
<v Speaker 6>Tell your story, Robin.

0:25:52.640 --> 0:25:56.800
<v Speaker 12>So basically, old house in Geelong, and my kids would

0:25:56.920 --> 0:25:59.560
<v Speaker 12>talk about an elderly gentleman with a gray beard in

0:25:59.600 --> 0:26:02.679
<v Speaker 12>one of the beds, and footsteps up and down the

0:26:02.680 --> 0:26:04.919
<v Speaker 12>hallway four times of the day and night, and the

0:26:04.960 --> 0:26:07.720
<v Speaker 12>four in the lound room would just open by itself constantly.

0:26:08.400 --> 0:26:10.439
<v Speaker 12>And it got to the point where the kids were

0:26:10.440 --> 0:26:12.200
<v Speaker 12>getting through upset. So it went to the real estate

0:26:12.320 --> 0:26:15.080
<v Speaker 12>agent and said, listen, places haunted. I've got to break

0:26:15.080 --> 0:26:17.080
<v Speaker 12>my leaf and they didn't even question if. They just

0:26:17.160 --> 0:26:18.160
<v Speaker 12>said that's fine.

0:26:19.320 --> 0:26:20.800
<v Speaker 2>This is a go with two things about this. Who

0:26:20.880 --> 0:26:22.480
<v Speaker 2>knew that there was a ghost out in Geelong? The

0:26:22.960 --> 0:26:25.879
<v Speaker 2>Ghost of Geelong? Maybe Ghostbusters the next movie it should

0:26:25.880 --> 0:26:30.480
<v Speaker 2>be Ghostbusters Threeeelong. And also, what a great way people

0:26:30.520 --> 0:26:32.080
<v Speaker 2>listen now that just want to get out of their

0:26:32.119 --> 0:26:34.920
<v Speaker 2>rental lease agreement just go well, I'd love the place,

0:26:34.960 --> 0:26:37.919
<v Speaker 2>but the old ghosts cropped up again last night and

0:26:37.960 --> 0:26:41.359
<v Speaker 2>they let you go. That's no questions asked, no quibbles.

0:26:40.840 --> 0:26:44.600
<v Speaker 12>No questions asked. No, it's real estate. I actually knew

0:26:44.640 --> 0:26:47.200
<v Speaker 12>it was haunted, and possibly other people had complained.

0:26:47.320 --> 0:26:50.320
<v Speaker 2>There you go. I don't know. Well, it's not a law,

0:26:50.440 --> 0:26:53.159
<v Speaker 2>though it's obviously recognized. Because you know what, you have

0:26:53.200 --> 0:26:55.159
<v Speaker 2>a try and break a rental agreement. They've got you.

0:26:55.280 --> 0:26:56.760
<v Speaker 2>I've got your deposit. Rob.

0:26:56.800 --> 0:26:59.040
<v Speaker 6>Do you ask now for every place that you try

0:26:59.040 --> 0:27:01.160
<v Speaker 6>and rent or buy, do you ask if it's haunted?

0:27:01.560 --> 0:27:04.440
<v Speaker 12>I would, yeah, yeah I do. I don't want to

0:27:04.720 --> 0:27:06.520
<v Speaker 12>put the keys bactory.

0:27:06.720 --> 0:27:08.640
<v Speaker 2>I must have been fighting for the kids. The old

0:27:08.640 --> 0:27:10.720
<v Speaker 2>man with the great beard. I'm getting a bit scared.

0:27:11.400 --> 0:27:13.439
<v Speaker 12>Yeah, it was interesting. That's that's to say the.

0:27:13.480 --> 0:27:15.120
<v Speaker 3>Least all right, Rob, That actually cool?

0:27:15.720 --> 0:27:16.280
<v Speaker 12>Thank you, guys.

0:27:16.720 --> 0:27:19.040
<v Speaker 3>I'm telling you out. If they let him walk out that,

0:27:19.119 --> 0:27:20.120
<v Speaker 3>then they know it's the law.

0:27:21.080 --> 0:27:21.439
<v Speaker 2>Patsy.

0:27:21.480 --> 0:27:22.880
<v Speaker 3>You must have you know about stuff like.

0:27:22.760 --> 0:27:24.120
<v Speaker 4>This ghosty stuff.

0:27:24.240 --> 0:27:24.480
<v Speaker 2>Yep.

0:27:24.560 --> 0:27:26.159
<v Speaker 4>I don't think it's law here, Christian.

0:27:26.920 --> 0:27:28.639
<v Speaker 2>Yeah, it sounds like it should be, though, doesn't it

0:27:28.680 --> 0:27:33.000
<v Speaker 2>sound like it should be law? Ghosts, crime lab, drug lab.

0:27:34.280 --> 0:27:36.240
<v Speaker 6>Apparently there's a ghost working here and they didn't tell

0:27:36.280 --> 0:27:37.520
<v Speaker 6>me before they hired me.

0:27:38.400 --> 0:27:40.360
<v Speaker 4>I guess it's a matter of being able to leave

0:27:40.400 --> 0:27:40.840
<v Speaker 4>your contraved.

0:27:40.880 --> 0:27:45.960
<v Speaker 3>You've got a better kid. You're not gonna back on Fox,

0:27:46.040 --> 0:27:46.280
<v Speaker 3>are you?

0:27:46.359 --> 0:27:46.560
<v Speaker 2>Who?

0:27:46.600 --> 0:27:46.679
<v Speaker 10>Go?

0:27:46.840 --> 0:27:51.840
<v Speaker 2>No ghosts here? Ghost? All right? Well, this is exciting

0:27:52.000 --> 0:27:56.639
<v Speaker 2>coming up after eight o'clock, Patsy's chance to go and

0:27:56.720 --> 0:27:59.439
<v Speaker 2>interview how many times you've seen him live eleven?

0:27:59.520 --> 0:28:01.520
<v Speaker 4>This will be twelve on Thursday tomorrow night.

0:28:01.560 --> 0:28:03.879
<v Speaker 2>He's here Rod Lava a Rena. We're talking about Brian Adams.

0:28:04.400 --> 0:28:07.520
<v Speaker 2>Patsy claims to be a Brian Adams super fan, and

0:28:07.600 --> 0:28:10.199
<v Speaker 2>so I've got the opportunity tonight for someone from this

0:28:10.280 --> 0:28:13.119
<v Speaker 2>show to go and interview Brian at five o'clock. So

0:28:13.280 --> 0:28:15.240
<v Speaker 2>I'm happy for it to be you. Patsy, but you

0:28:15.320 --> 0:28:17.600
<v Speaker 2>need to prove to us for the final time you

0:28:17.720 --> 0:28:19.639
<v Speaker 2>really are a legit fan, because I've got a lot

0:28:19.680 --> 0:28:22.160
<v Speaker 2>of emails and people that have seen him more than

0:28:22.160 --> 0:28:24.600
<v Speaker 2>you that would love to go. So it's either going

0:28:24.600 --> 0:28:27.119
<v Speaker 2>to be me or you interviewing him tonight at five o'clock.

0:28:27.480 --> 0:28:29.199
<v Speaker 4>I've already got my question, may as well be may

0:28:29.280 --> 0:28:30.040
<v Speaker 4>I'm fully prepared.

0:28:30.119 --> 0:28:32.320
<v Speaker 2>Okay, Well, look, I hope it is you, I really do.

0:28:32.440 --> 0:28:34.520
<v Speaker 2>All I will know is we've played a quiz before

0:28:34.560 --> 0:28:37.480
<v Speaker 2>called Lyon or Brian Adams where we were trying to

0:28:37.520 --> 0:28:40.680
<v Speaker 2>give away VIP tickets last year to go and see

0:28:40.760 --> 0:28:41.440
<v Speaker 2>him tomorrow night.

0:28:41.840 --> 0:28:43.720
<v Speaker 3>And do you remember how you got on in that quiz?

0:28:44.520 --> 0:28:45.040
<v Speaker 4>Wasn't great?

0:28:45.360 --> 0:28:48.480
<v Speaker 3>Were all real Brian Adams lyrics? Let's have a reminder.

0:28:48.720 --> 0:28:51.560
<v Speaker 3>Here's how it went down last time.

0:28:51.760 --> 0:28:56.680
<v Speaker 2>Patrina Jones failed dismally at Lion or Brian identifying the

0:28:56.720 --> 0:29:00.520
<v Speaker 2>real or fake Brian Adam's lyrics. Day one fail, odd

0:29:00.760 --> 0:29:01.680
<v Speaker 2>time I'm.

0:29:04.640 --> 0:29:05.200
<v Speaker 4>Going home.

0:29:05.480 --> 0:29:08.800
<v Speaker 2>Day two fail. It's over. It's the second loss in

0:29:08.800 --> 0:29:12.920
<v Speaker 2>a row for Petrina Jones. Day three fail, odd time

0:29:13.320 --> 0:29:16.160
<v Speaker 2>TAXI for bad and it ain't going to rob dam

0:29:16.640 --> 0:29:20.880
<v Speaker 2>nose dives in again. Oh the day four fail. It's

0:29:20.960 --> 0:29:25.440
<v Speaker 2>the quickest croup the week down. Now she can't beat

0:29:25.480 --> 0:29:31.720
<v Speaker 2>the count day five fail? Clan you one one play

0:29:31.960 --> 0:29:36.520
<v Speaker 2>your runner? Now can Petrina redeem herself for the chance

0:29:36.600 --> 0:29:42.440
<v Speaker 2>to meet the legend Brian Adams. Game on, Patsy, good luck,

0:29:43.160 --> 0:29:44.560
<v Speaker 2>thanks boys, we're playing.

0:29:44.360 --> 0:29:46.720
<v Speaker 3>For the last time in ten minutes time stay with us.

0:29:47.080 --> 0:29:47.960
<v Speaker 3>Anything could happen.

0:29:48.080 --> 0:29:51.480
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:29:51.480 --> 0:29:52.000
<v Speaker 1>point three.

0:29:52.240 --> 0:29:54.680
<v Speaker 2>Well, nothing's working here, so I'm playing music off a

0:29:54.800 --> 0:29:55.800
<v Speaker 2>CD old school.

0:29:55.800 --> 0:29:57.000
<v Speaker 3>We're going back to the nineties.

0:29:57.160 --> 0:29:59.640
<v Speaker 2>But there's no advertside that, so you can call us

0:29:59.720 --> 0:30:01.160
<v Speaker 2>up the morning if you just want to plug your

0:30:01.200 --> 0:30:03.840
<v Speaker 2>local business on nine four one four one oh four three,

0:30:04.240 --> 0:30:06.600
<v Speaker 2>I will. Legally, we're not had to play free adverts

0:30:06.600 --> 0:30:08.720
<v Speaker 2>need to charge you a dollar, So if you want

0:30:08.760 --> 0:30:11.720
<v Speaker 2>to do live adverts for your business, now's your chance.

0:30:11.840 --> 0:30:15.080
<v Speaker 2>It's all crashed there nine four one oh four three.

0:30:15.320 --> 0:30:21.080
<v Speaker 2>But don't worry Patsy, even though the ads crash. Quiz No, no, no, no,

0:30:21.120 --> 0:30:24.400
<v Speaker 2>the only no, the only thing that's working is the quiz.

0:30:24.640 --> 0:30:27.160
<v Speaker 2>The quiz we'll play on next up that list, so

0:30:27.160 --> 0:30:28.240
<v Speaker 2>Phil Collins.

0:30:28.000 --> 0:30:31.400
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:30:31.440 --> 0:30:32.320
<v Speaker 1>point three hr.

0:30:32.400 --> 0:30:35.640
<v Speaker 2>Tell you what working everyone up here? The radio stations

0:30:35.720 --> 0:30:38.560
<v Speaker 2>kind of crashed everything in these days. Whatever industry you're working,

0:30:38.600 --> 0:30:41.360
<v Speaker 2>it's all on computer hard drives. And at the moment

0:30:41.400 --> 0:30:43.600
<v Speaker 2>the only one I'm playing playing CDs or music is

0:30:43.600 --> 0:30:45.960
<v Speaker 2>by CDs. I've got no idea when the songs end,

0:30:46.160 --> 0:30:50.320
<v Speaker 2>which makes it fun. Yeah, oh, the engineers here.

0:30:51.120 --> 0:30:54.080
<v Speaker 6>He's giving you the Universal keep going down, going about.

0:30:55.280 --> 0:30:59.880
<v Speaker 2>Yeah, he's now leaving where you're going home watching you

0:31:00.160 --> 0:31:02.800
<v Speaker 2>Tube to tour about how to mend the radio station?

0:31:03.640 --> 0:31:05.680
<v Speaker 2>All right, but don't worry, Patsy, we can still have

0:31:05.800 --> 0:31:09.360
<v Speaker 2>the line or Brian Adams quiz. Well, all right, so

0:31:09.880 --> 0:31:14.040
<v Speaker 2>I've got five lyrics here. They're either Brian Adams or

0:31:14.120 --> 0:31:18.000
<v Speaker 2>made up ones lying Adams. Okay, now, Jack, what do

0:31:18.040 --> 0:31:20.360
<v Speaker 2>you think out of five? How many do you think

0:31:20.400 --> 0:31:22.000
<v Speaker 2>she needs to get right to go and interview them

0:31:22.000 --> 0:31:22.959
<v Speaker 2>tonight at five o'clock?

0:31:23.040 --> 0:31:25.760
<v Speaker 6>If I remember correctly, I think you got one out

0:31:25.800 --> 0:31:27.880
<v Speaker 6>of nine correct last time we've played.

0:31:28.600 --> 0:31:31.560
<v Speaker 2>So geez, how many right do we need to prove

0:31:31.560 --> 0:31:33.440
<v Speaker 2>that she's a super fan or our go tonight?

0:31:33.480 --> 0:31:35.200
<v Speaker 6>I think over fifty percent. Three from five.

0:31:36.080 --> 0:31:37.920
<v Speaker 2>I was going to go at least it needs to

0:31:37.960 --> 0:31:42.040
<v Speaker 2>be four from five. Oh no, yeah, four and five. Okay,

0:31:42.200 --> 0:31:47.200
<v Speaker 2>so you get one wrong, you're not going break.

0:31:47.400 --> 0:31:49.040
<v Speaker 4>That's the sound of my heart breaking.

0:31:49.320 --> 0:31:51.120
<v Speaker 2>Well then, but you're parently, you're a fan, so you'll

0:31:51.160 --> 0:31:54.880
<v Speaker 2>smash this. Let's hear from your Yeah no, we also

0:31:54.920 --> 0:31:56.720
<v Speaker 2>had our play in a minute, right your daughter also

0:31:56.800 --> 0:31:58.520
<v Speaker 2>yesterday he was trying to help you out as well.

0:31:58.720 --> 0:32:00.800
<v Speaker 3>All right, so you ready for the first one.

0:32:01.000 --> 0:32:01.520
<v Speaker 4>Bring it on.

0:32:01.840 --> 0:32:06.400
<v Speaker 2>Okay, let's play this clip. I've done it wrong.

0:32:06.400 --> 0:32:10.280
<v Speaker 3>I've screwed it up. That's meant to be the answer

0:32:10.320 --> 0:32:10.800
<v Speaker 3>meant to read.

0:32:11.720 --> 0:32:12.720
<v Speaker 4>I get.

0:32:16.280 --> 0:32:18.040
<v Speaker 3>No, no, no, all right? This one.

0:32:19.040 --> 0:32:21.480
<v Speaker 2>The only thing I know is you and me forever.

0:32:22.760 --> 0:32:25.440
<v Speaker 3>What do you reckon? Lyon or Brian Adams?

0:32:26.440 --> 0:32:26.720
<v Speaker 2>Umm?

0:32:27.680 --> 0:32:28.800
<v Speaker 4>Can you say it again for me?

0:32:28.840 --> 0:32:31.280
<v Speaker 3>Of course I can keep an eye now she's not googling?

0:32:31.280 --> 0:32:32.960
<v Speaker 4>Is she hands afraid?

0:32:33.720 --> 0:32:37.080
<v Speaker 3>The only thing I know is you and me forever?

0:32:38.360 --> 0:32:39.080
<v Speaker 4>That's Brian.

0:32:41.480 --> 0:32:48.560
<v Speaker 6>The only thing one wrong?

0:32:48.600 --> 0:32:51.640
<v Speaker 4>You don't go oh no, come on, give me another chance?

0:32:52.920 --> 0:32:55.080
<v Speaker 6>That it nice?

0:32:55.280 --> 0:32:58.480
<v Speaker 2>All right? What about this one? Give it time to

0:32:58.560 --> 0:33:02.720
<v Speaker 2>settle your precious to me? This isn't a battle. Give

0:33:02.760 --> 0:33:05.920
<v Speaker 2>it time to settle your precious to me? This isn't

0:33:06.000 --> 0:33:06.560
<v Speaker 2>a battle.

0:33:09.000 --> 0:33:10.000
<v Speaker 4>Can I have it one more time?

0:33:10.880 --> 0:33:13.680
<v Speaker 2>Give it time to settle your precious to me? This

0:33:13.760 --> 0:33:17.320
<v Speaker 2>isn't a battle, Lion or Brian Adams?

0:33:18.800 --> 0:33:22.440
<v Speaker 4>Lion, Oh, give it to.

0:33:24.600 --> 0:33:25.640
<v Speaker 3>Well Down's fair?

0:33:31.240 --> 0:33:34.040
<v Speaker 2>All right? Here you go. Hearing your laughter is making

0:33:34.080 --> 0:33:38.720
<v Speaker 2>me smile. Hearing your heartache is breaking my heart.

0:33:39.760 --> 0:33:40.280
<v Speaker 7>Do you reckon?

0:33:41.560 --> 0:33:41.680
<v Speaker 1>Now?

0:33:41.720 --> 0:33:43.120
<v Speaker 4>I reckon? That's lying as well.

0:33:44.640 --> 0:33:45.800
<v Speaker 2>Do you want to hear it one more time?

0:33:46.440 --> 0:33:47.240
<v Speaker 4>No, it's lying?

0:33:47.480 --> 0:33:51.239
<v Speaker 2>Sure, let me read it again. Hearing your laughter is

0:33:51.280 --> 0:33:54.520
<v Speaker 2>making me smile. Hearing your heartache is breaking my heart.

0:33:54.600 --> 0:33:55.280
<v Speaker 2>What do you reckon?

0:33:55.920 --> 0:33:57.800
<v Speaker 4>Trying to read your face? I think it's lying.

0:33:58.720 --> 0:34:01.680
<v Speaker 2>Yeah, I give you last chance to change your mind.

0:34:01.960 --> 0:34:02.840
<v Speaker 6>Not lying.

0:34:10.360 --> 0:34:13.040
<v Speaker 2>Breaking sometimes. I'm going desperate.

0:34:13.080 --> 0:34:15.560
<v Speaker 6>Now you're going to well Now, any wrong guests from here?

0:34:15.760 --> 0:34:20.680
<v Speaker 2>You're already okay. Truth and love are the same to

0:34:20.760 --> 0:34:23.879
<v Speaker 2>me as they are to you. Truth and love are

0:34:23.920 --> 0:34:27.200
<v Speaker 2>the same to me as they are to you. Lyon

0:34:27.440 --> 0:34:28.600
<v Speaker 2>or Brian Adams?

0:34:28.760 --> 0:34:29.560
<v Speaker 4>Is this the last one?

0:34:29.960 --> 0:34:30.920
<v Speaker 3>You've got two more to go?

0:34:31.360 --> 0:34:35.120
<v Speaker 2>You're two questions away from meeting Brian Adams. You've seen

0:34:35.160 --> 0:34:36.560
<v Speaker 2>him live eleven times.

0:34:36.680 --> 0:34:39.239
<v Speaker 4>My whole past, sorry, my whole past.

0:34:39.280 --> 0:34:42.000
<v Speaker 2>What do you think we're ranging some sol portdello and

0:34:42.080 --> 0:34:44.080
<v Speaker 2>knocking shop. You're not going to go and ride him there.

0:34:44.120 --> 0:34:45.120
<v Speaker 2>It's an interview him.

0:34:45.239 --> 0:34:48.799
<v Speaker 4>We'll be professional. Can you give me that one again?

0:34:49.000 --> 0:34:52.560
<v Speaker 2>A pleasure? This is normally where she chokes. We're at

0:34:52.560 --> 0:34:56.080
<v Speaker 2>the choke point. Truth and love are the same to

0:34:56.160 --> 0:35:00.520
<v Speaker 2>me as they are to you, Brian or Lion Adams.

0:35:00.920 --> 0:35:08.400
<v Speaker 6>Lying, Oh truth in wan't the scene to me?

0:35:09.680 --> 0:35:15.400
<v Speaker 2>Cuzy to you? All right, Patsy, I'm gonna play a

0:35:15.440 --> 0:35:17.360
<v Speaker 2>song when we come back. You're gonna have the last

0:35:17.360 --> 0:35:21.560
<v Speaker 2>one on. One question away, okay, one question away from

0:35:21.600 --> 0:35:25.399
<v Speaker 2>going to see and interview Brian Adams tonight at five o'clock.

0:35:25.440 --> 0:35:28.839
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:35:28.840 --> 0:35:30.880
<v Speaker 1>point three.

0:35:30.960 --> 0:35:33.680
<v Speaker 2>Good morning. He just tuned in. Everything is crashed here

0:35:33.680 --> 0:35:36.600
<v Speaker 2>at God one A four point three. I'm actually just

0:35:36.640 --> 0:35:38.560
<v Speaker 2>guessing that the song ends here because I've played it

0:35:38.600 --> 0:35:41.040
<v Speaker 2>so many times I can't even count it down. We're

0:35:41.080 --> 0:35:43.920
<v Speaker 2>doing it blind today, so apologies, Gold one I four

0:35:43.960 --> 0:35:46.200
<v Speaker 2>point three, Come on, It's to Christian O'Connor Breakfast Show.

0:35:46.480 --> 0:35:48.440
<v Speaker 3>So this is really exciting.

0:35:48.360 --> 0:35:51.920
<v Speaker 2>Patsy, you are one question away now from going to

0:35:52.080 --> 0:35:55.960
<v Speaker 2>meet Brian Adams tonight in his hotel room five o'clock.

0:35:55.640 --> 0:35:56.680
<v Speaker 3>Yep, to interview them.

0:35:57.080 --> 0:35:57.759
<v Speaker 4>Coun't wait.

0:35:58.320 --> 0:36:00.960
<v Speaker 2>You see him lying for the twelfth time tomorrow night.

0:36:01.000 --> 0:36:04.000
<v Speaker 2>So here's the situation. You get this one right, you

0:36:04.120 --> 0:36:06.239
<v Speaker 2>go and do the interview. Yes, but just so we

0:36:06.360 --> 0:36:09.000
<v Speaker 2>both call with this. You get this one wrong. I

0:36:09.120 --> 0:36:12.759
<v Speaker 2>do the interview, and I've never seen him live. I've

0:36:12.800 --> 0:36:14.520
<v Speaker 2>actually sung with him when he came in once of

0:36:14.560 --> 0:36:16.920
<v Speaker 2>my old radio show. He's a lovely guy. But then

0:36:17.040 --> 0:36:19.320
<v Speaker 2>I go, okay, okay, you're cool.

0:36:19.840 --> 0:36:22.600
<v Speaker 4>Well now I'm not cool, But okay, you're sitting the rules.

0:36:22.600 --> 0:36:23.240
<v Speaker 4>You're the boss.

0:36:23.400 --> 0:36:25.359
<v Speaker 2>But do you agree? Is that fair?

0:36:26.160 --> 0:36:28.040
<v Speaker 3>You're on a roll, you're tearing through this?

0:36:28.120 --> 0:36:28.919
<v Speaker 4>All right, that's fair?

0:36:29.320 --> 0:36:33.240
<v Speaker 2>So really there's everything to lose here. Am I adding

0:36:33.280 --> 0:36:33.879
<v Speaker 2>the pressure on?

0:36:35.200 --> 0:36:37.000
<v Speaker 4>Not at all? The angels are with me, do you

0:36:37.040 --> 0:36:37.239
<v Speaker 4>know what?

0:36:37.280 --> 0:36:39.359
<v Speaker 2>I genuinely one hundred percent I want you to get

0:36:39.360 --> 0:36:42.920
<v Speaker 2>this right. You've got this, pat Okay, yeah, all right,

0:36:42.920 --> 0:36:44.759
<v Speaker 2>I've got two choices. Which one am I going to

0:36:44.840 --> 0:36:48.680
<v Speaker 2>go with? All Right, Okay, here's this a real or

0:36:48.719 --> 0:36:53.400
<v Speaker 2>made up Brian Adams lyric, Release me from your grip.

0:36:53.800 --> 0:36:55.000
<v Speaker 2>I've lost the will to live.

0:36:57.239 --> 0:36:59.120
<v Speaker 4>We've done this one before, haven't we.

0:36:58.880 --> 0:37:04.120
<v Speaker 2>We have, we have no and you got it wrong

0:37:04.200 --> 0:37:07.160
<v Speaker 2>last time. Do you know which way you went?

0:37:07.320 --> 0:37:09.000
<v Speaker 4>I can't even remember which way I went.

0:37:09.200 --> 0:37:13.120
<v Speaker 6>Great, Just go opposite to what your gut tells you.

0:37:13.160 --> 0:37:14.759
<v Speaker 4>Can you say it one more time for me?

0:37:15.840 --> 0:37:17.840
<v Speaker 2>It's all on this Patsy. That's not on it, by

0:37:17.840 --> 0:37:21.120
<v Speaker 2>the way. That's me. Pressure, Release me from your grip.

0:37:21.600 --> 0:37:24.560
<v Speaker 2>I've lost the will to live? Is that Brian or

0:37:24.680 --> 0:37:28.240
<v Speaker 2>Lyon Adams? Get it wrong? I go tonight to interview

0:37:28.239 --> 0:37:37.040
<v Speaker 2>and get it right. You're there, pressure five four three, lion.

0:37:38.360 --> 0:37:44.720
<v Speaker 4>One, look at in idie. Put me out of my misery.

0:37:46.120 --> 0:37:53.640
<v Speaker 2>Release it's going. Well done. Oh my god.

0:37:54.840 --> 0:37:57.000
<v Speaker 6>They took a quiz of questions that we have done

0:37:57.000 --> 0:37:58.160
<v Speaker 6>before and that.

0:37:58.320 --> 0:38:00.560
<v Speaker 4>Was easy boys, easy on me.

0:38:00.640 --> 0:38:03.600
<v Speaker 2>Thank you so much, well done, well done. So can

0:38:03.600 --> 0:38:05.080
<v Speaker 2>you believe it? You're going to go and meet Bran

0:38:05.520 --> 0:38:08.000
<v Speaker 2>It genuinely is in his hotel room tonight. It's hotel

0:38:08.040 --> 0:38:09.799
<v Speaker 2>sweet you get to interview him as well for the

0:38:09.840 --> 0:38:12.560
<v Speaker 2>show which we can all hear tomorrow morning. Yep, goodness

0:38:12.560 --> 0:38:14.200
<v Speaker 2>knows what that's going to sound like and it's not

0:38:14.200 --> 0:38:17.840
<v Speaker 2>going to be many foss Nickson. Is it touch me,

0:38:18.080 --> 0:38:21.080
<v Speaker 2>touch my boobs? Please stop for you said he's your

0:38:21.120 --> 0:38:23.400
<v Speaker 2>whole boss. It's an interview.

0:38:23.760 --> 0:38:25.520
<v Speaker 5>I don't I don't want him to have to send

0:38:25.520 --> 0:38:27.600
<v Speaker 5>in security, Chris, that'll.

0:38:27.440 --> 0:38:30.560
<v Speaker 6>Be there already. I mean we should as a radio station,

0:38:30.719 --> 0:38:31.600
<v Speaker 6>make sure that they're there.

0:38:31.960 --> 0:38:34.200
<v Speaker 2>If you work for the PR company, you're pulling. If

0:38:34.200 --> 0:38:36.319
<v Speaker 2>you here, if you've heard the last ten or fifteen minutes,

0:38:36.320 --> 0:38:39.640
<v Speaker 2>you're not letting her anywhere high security room.

0:38:39.680 --> 0:38:42.320
<v Speaker 6>You'll probably be on another side of brim class.

0:38:42.680 --> 0:38:47.440
<v Speaker 2>You'll be wiling animal reactor, shopping with a face mask.

0:38:47.600 --> 0:38:50.239
<v Speaker 5>With all my merchandise in a big ik A bet

0:38:50.280 --> 0:38:52.120
<v Speaker 5>all right, well done, Patsy.

0:38:52.120 --> 0:38:55.720
<v Speaker 2>Patsy Tonight five o'clock she finally gets to meet and interview.

0:38:55.760 --> 0:38:56.520
<v Speaker 3>What's the sound of that?

0:38:56.680 --> 0:38:59.160
<v Speaker 2>Was that a dress coming off or the bring? I

0:38:59.160 --> 0:38:59.560
<v Speaker 2>don't know.

0:39:00.120 --> 0:39:03.880
<v Speaker 1>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

0:39:04.160 --> 0:39:06.360
<v Speaker 2>Yesterday we were talking about how today I wanted to

0:39:06.400 --> 0:39:08.600
<v Speaker 2>try out what would happen if we called a load

0:39:08.640 --> 0:39:11.520
<v Speaker 2>of Melbourne payphones. I saw one at the weekend. I

0:39:11.520 --> 0:39:14.279
<v Speaker 2>haven't seen a payphone in ages and I couldn't believe

0:39:14.280 --> 0:39:16.799
<v Speaker 2>they still exist, but they do. And a load of

0:39:16.840 --> 0:39:19.040
<v Speaker 2>you emailed me with phone numbers that we asked. However,

0:39:19.080 --> 0:39:21.200
<v Speaker 2>we tried them all yesterday after the show. You can't

0:39:21.239 --> 0:39:22.040
<v Speaker 2>call them anymore?

0:39:22.480 --> 0:39:24.160
<v Speaker 6>Well, I don't know if you. Yeah, for a long

0:39:24.200 --> 0:39:27.560
<v Speaker 6>time in Australia you've not been able to call a payphone,

0:39:28.120 --> 0:39:30.239
<v Speaker 6>but you see it in American movies, and I guess

0:39:30.320 --> 0:39:31.880
<v Speaker 6>you can a payphone.

0:39:31.880 --> 0:39:37.080
<v Speaker 2>That's Colin Farrell movie will it was Keith for Sutherland.

0:39:35.880 --> 0:39:36.720
<v Speaker 6>That movie in Australia.

0:39:36.760 --> 0:39:38.560
<v Speaker 2>No, when the UK you can as well. You still

0:39:38.560 --> 0:39:40.839
<v Speaker 2>call them. You can reverse the chargers and say, look,

0:39:40.840 --> 0:39:43.520
<v Speaker 2>can you call me back at this payphone. But it's

0:39:43.600 --> 0:39:45.600
<v Speaker 2>a question. If you can't call them, what are they

0:39:45.640 --> 0:39:48.120
<v Speaker 2>being used for? Is it if you people have run out,

0:39:48.239 --> 0:39:49.080
<v Speaker 2>they've lost their phone.

0:39:49.120 --> 0:39:51.960
<v Speaker 6>I guess I struggle to believe that they're being used

0:39:51.960 --> 0:39:54.400
<v Speaker 6>at all anymore. Do you think it's for you know,

0:39:55.480 --> 0:39:57.200
<v Speaker 6>nefarious activity.

0:39:56.760 --> 0:39:59.160
<v Speaker 3>Let's just say nefarious activities?

0:39:59.440 --> 0:40:02.279
<v Speaker 2>Great word that And I'm hoping that everyone listening right

0:40:02.280 --> 0:40:04.320
<v Speaker 2>now knows that we're referring to rather than being a

0:40:04.360 --> 0:40:06.319
<v Speaker 2>little bit crude with the language right now and dare

0:40:06.320 --> 0:40:10.160
<v Speaker 2>I say it salty nefarious activities that that would lend

0:40:10.160 --> 0:40:11.600
<v Speaker 2>me to. Really, that's the only reason you'd be using

0:40:11.600 --> 0:40:14.800
<v Speaker 2>a payphone or superheroes, or as my dad always says,

0:40:15.239 --> 0:40:18.360
<v Speaker 2>they're up to something. My dad used to always be

0:40:18.400 --> 0:40:20.120
<v Speaker 2>obsessed with what are they up to down there at

0:40:20.200 --> 0:40:23.440
<v Speaker 2>number seventy two? They're up to something right now.

0:40:23.600 --> 0:40:27.399
<v Speaker 6>So I would come home from school some days Dad

0:40:27.520 --> 0:40:29.920
<v Speaker 6>was just looking out the problem the house.

0:40:29.760 --> 0:40:32.160
<v Speaker 2>Of the right. We used to have these net curtains

0:40:32.200 --> 0:40:34.399
<v Speaker 2>up right and my dad's favorite position, and my mum

0:40:34.640 --> 0:40:38.360
<v Speaker 2>would be hiding behind a net curtain, just observing the street.

0:40:38.680 --> 0:40:39.880
<v Speaker 6>What's a neck curtain.

0:40:40.000 --> 0:40:44.240
<v Speaker 2>It's like sheer curtain, so it's not your main curtain.

0:40:44.239 --> 0:40:46.680
<v Speaker 2>It's one that you let's light in, but you can

0:40:46.800 --> 0:40:50.840
<v Speaker 2>just be slightly hidden behind it to observe the neighbors.

0:40:50.920 --> 0:40:55.000
<v Speaker 3>And that car turning around in the you know there's

0:40:55.000 --> 0:40:55.680
<v Speaker 3>going to be one of.

0:40:55.600 --> 0:41:01.000
<v Speaker 2>Those nosy neighbors peering from behind the curtains. But someone

0:41:01.040 --> 0:41:03.720
<v Speaker 2>did there let me know that. Perhaps have a guess

0:41:04.120 --> 0:41:07.080
<v Speaker 2>how many payphones there are in this country right now?

0:41:07.320 --> 0:41:10.880
<v Speaker 5>Oh wow, okay, I know there's four in my immediate

0:41:10.960 --> 0:41:13.400
<v Speaker 5>local area.

0:41:13.520 --> 0:41:16.920
<v Speaker 2>Are going to go Springs Brooms got.

0:41:16.680 --> 0:41:18.320
<v Speaker 4>One five hundred thousand.

0:41:22.920 --> 0:41:25.239
<v Speaker 2>I don't know I got the answer was really high.

0:41:25.280 --> 0:41:28.279
<v Speaker 2>Now it's just twenty four thousand and sixty seven. I

0:41:28.320 --> 0:41:31.280
<v Speaker 2>would have said at number oh numpty in there Skiddy

0:41:31.280 --> 0:41:35.640
<v Speaker 2>with Brian Adams, tickets a million, I don't know, five billion.

0:41:35.840 --> 0:41:37.319
<v Speaker 4>I'm on cloud nine.

0:41:37.640 --> 0:41:39.359
<v Speaker 2>Sorry, you're quite right, all right, We've got we need

0:41:39.400 --> 0:41:41.600
<v Speaker 2>you to settle down. You gotta do the news Port present.

0:41:41.719 --> 0:41:45.120
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:41:45.120 --> 0:41:45.800
<v Speaker 1>point three.

0:41:45.840 --> 0:41:48.040
<v Speaker 2>Every day this week we've got Muriels were in the

0:41:48.120 --> 0:41:51.520
<v Speaker 2>musical VIP packages. You have three friends hitting the town,

0:41:51.880 --> 0:41:55.000
<v Speaker 2>a reserve tickets to the show, a lavish I love.

0:41:55.080 --> 0:41:57.920
<v Speaker 2>There's that lavish dinner plus an overnight stay at a

0:41:57.960 --> 0:41:59.480
<v Speaker 2>boutique city hotel.

0:42:00.239 --> 0:42:04.040
<v Speaker 3>What we're looking for is your wedding stories, Bride.

0:42:04.600 --> 0:42:07.520
<v Speaker 2>I'm supposed to be you for it. Christin o'connells.

0:42:07.760 --> 0:42:09.520
<v Speaker 8>You're a terrible Muriel.

0:42:09.400 --> 0:42:15.960
<v Speaker 2>Murial's wheel of wedding woes. Okay today, then we're looking

0:42:15.960 --> 0:42:18.920
<v Speaker 2>for your stories of what happened at the wedding reception.

0:42:19.360 --> 0:42:21.960
<v Speaker 2>I'm remember many years ago going to a wedding reception.

0:42:22.000 --> 0:42:24.600
<v Speaker 2>I think everybody. Every guy has got one of his

0:42:24.640 --> 0:42:27.880
<v Speaker 2>friends who's a loose cannon. Ye, so's the guy on

0:42:27.960 --> 0:42:30.480
<v Speaker 2>about second or third marriage or just about to go

0:42:30.520 --> 0:42:33.520
<v Speaker 2>through the first divorce. They're literally like they're just trouble

0:42:33.760 --> 0:42:36.359
<v Speaker 2>and alcohol in them are not a good mix. This

0:42:36.400 --> 0:42:39.040
<v Speaker 2>guy started drinking too early that our friend's wedding, right

0:42:39.080 --> 0:42:42.600
<v Speaker 2>at about eleven in the morning, and just as the

0:42:42.640 --> 0:42:45.560
<v Speaker 2>best man was about to open up a bottle of champagne.

0:42:45.840 --> 0:42:47.560
<v Speaker 2>You don't they do at the end of all the speeches,

0:42:47.560 --> 0:42:49.480
<v Speaker 2>and they are going to pour a drink for all

0:42:49.520 --> 0:42:52.080
<v Speaker 2>the bridesmaids to toast what a great job they've done.

0:42:53.680 --> 0:42:54.160
<v Speaker 3>He told me.

0:42:54.160 --> 0:42:56.759
<v Speaker 2>He whispered to me, Oh, David doesn't know that I've

0:42:56.800 --> 0:42:59.799
<v Speaker 2>shooken that botle up, and I'm like, as I'm going.

0:43:00.800 --> 0:43:03.720
<v Speaker 2>He tries to open it, but he's leaning over the bottle,

0:43:03.800 --> 0:43:06.360
<v Speaker 2>so the court goes flying into his face and knocks

0:43:06.400 --> 0:43:09.799
<v Speaker 2>him like over, literally goes flying over. He really helps

0:43:09.840 --> 0:43:10.759
<v Speaker 2>if he had a big bruise on.

0:43:10.680 --> 0:43:11.880
<v Speaker 3>His forehead for the rest of the night.

0:43:12.280 --> 0:43:16.279
<v Speaker 2>So looking for wedding reception stories, everything happens at wedding receptions.

0:43:16.480 --> 0:43:19.200
<v Speaker 2>You hear people hooking up, You hear people breaking up.

0:43:19.440 --> 0:43:23.080
<v Speaker 2>You hear about fights, you hear about terrible speeches. A

0:43:23.160 --> 0:43:25.840
<v Speaker 2>friend of mine was a wedding reception one the best

0:43:25.920 --> 0:43:27.239
<v Speaker 2>man was Simon Cow.

0:43:28.120 --> 0:43:29.480
<v Speaker 3>Guess what The speech was?

0:43:29.560 --> 0:43:33.200
<v Speaker 2>Really over the top and mean really really really really

0:43:33.239 --> 0:43:37.479
<v Speaker 2>bad with his character. People actually complained and the mum

0:43:38.040 --> 0:43:41.440
<v Speaker 2>started crying with some awful, awful stories about what this

0:43:41.480 --> 0:43:42.960
<v Speaker 2>guy used to be like when he was seeing I

0:43:43.000 --> 0:43:46.480
<v Speaker 2>mean like really unfunny stories. And imagine that Simon Cow

0:43:46.600 --> 0:43:48.680
<v Speaker 2>doing the best man speech. All right, then what happened

0:43:48.680 --> 0:43:50.799
<v Speaker 2>at the wedding reception? For looking for We're looking for

0:43:50.840 --> 0:43:53.799
<v Speaker 2>your stories on nine four one four one four three

0:43:53.960 --> 0:43:54.720
<v Speaker 2>nine four one.

0:43:54.600 --> 0:43:57.439
<v Speaker 1>Four one o four three The Christian O'Connell Breakfast Show,

0:43:57.600 --> 0:43:59.600
<v Speaker 1>Melbourne's Gold one oh four point.

0:43:59.400 --> 0:44:03.040
<v Speaker 2>Three Looking for your wedding stories today VIP tickets to

0:44:03.080 --> 0:44:06.239
<v Speaker 2>go and see Muriel's Weddings up for grabs and it's

0:44:06.440 --> 0:44:08.600
<v Speaker 2>what happened at the wedding reception to stories about great

0:44:08.600 --> 0:44:10.720
<v Speaker 2>stories about what happened at the wedding reception.

0:44:10.760 --> 0:44:13.920
<v Speaker 3>Nine four one four one four three John.

0:44:13.719 --> 0:44:16.480
<v Speaker 2>Good morning, good morning, question, how are you? I'm good,

0:44:16.520 --> 0:44:18.480
<v Speaker 2>Welcome to the show, John, Thanks for corning. What's your

0:44:18.480 --> 0:44:19.120
<v Speaker 2>story mate?

0:44:19.719 --> 0:44:22.359
<v Speaker 8>We got married at the year are very up in the.

0:44:22.040 --> 0:44:25.520
<v Speaker 10>By in the bush, and one of our friends' partners

0:44:25.520 --> 0:44:27.920
<v Speaker 10>that she invited, we'd never met before.

0:44:27.800 --> 0:44:30.080
<v Speaker 8>And he was from the army, and he came out

0:44:30.120 --> 0:44:32.040
<v Speaker 8>and when we got to the place, he actually was

0:44:32.120 --> 0:44:33.560
<v Speaker 8>kept going in and out and we kept saying, what's

0:44:33.600 --> 0:44:36.480
<v Speaker 8>going on here? And he was actually stalking the perimeter

0:44:36.600 --> 0:44:39.480
<v Speaker 8>around to make sure that no one was spying on

0:44:39.600 --> 0:44:40.520
<v Speaker 8>us or coming in.

0:44:41.440 --> 0:44:45.600
<v Speaker 2>It was pretty weird. Robert meet the Fockers, watching you

0:44:46.840 --> 0:44:49.960
<v Speaker 2>exactly right, and then light detector for the groom.

0:44:53.120 --> 0:44:53.719
<v Speaker 12>He had the.

0:44:53.719 --> 0:44:57.000
<v Speaker 10>Makeup on the face, and and we all stayed on

0:44:57.040 --> 0:45:00.640
<v Speaker 10>the premises in cabins, and before we all out there,

0:45:00.440 --> 0:45:02.400
<v Speaker 10>he was going in and out all the rooms and

0:45:02.480 --> 0:45:05.080
<v Speaker 10>checking that there was no bombs or anything set up.

0:45:06.480 --> 0:45:07.640
<v Speaker 6>John, who's after you?

0:45:10.719 --> 0:45:11.040
<v Speaker 13>The window?

0:45:11.160 --> 0:45:12.640
<v Speaker 8>Someone looking through the window over here?

0:45:14.400 --> 0:45:16.960
<v Speaker 3>Who's the guy taking photos? That's the photographer.

0:45:20.800 --> 0:45:22.839
<v Speaker 2>As a getaway driver there now, that's the guy taking

0:45:22.920 --> 0:45:26.520
<v Speaker 2>him to the reception. That's a great one.

0:45:26.560 --> 0:45:28.680
<v Speaker 6>Who was your bride wearing that white dress? It could

0:45:28.680 --> 0:45:29.640
<v Speaker 6>be concealing anything.

0:45:32.080 --> 0:45:35.880
<v Speaker 2>Margaret, good morning, good morning, how are you. I'm good, Margaret.

0:45:35.920 --> 0:45:37.799
<v Speaker 2>I hope you're well this morning. Thanks for cooling the show.

0:45:37.960 --> 0:45:40.319
<v Speaker 2>What's the story about the wedding reception? Oh?

0:45:40.360 --> 0:45:44.240
<v Speaker 9>Look, I had a beautiful wedding in the church and everything.

0:45:44.360 --> 0:45:47.040
<v Speaker 9>My mother got to walk me down the aisle, my father.

0:45:47.280 --> 0:45:51.360
<v Speaker 9>It was just magical. The reception was beautiful. Friend's family

0:45:51.480 --> 0:45:54.600
<v Speaker 9>was gorgeous, and I thought, I'm just going to take

0:45:54.640 --> 0:45:56.520
<v Speaker 9>a moment and take all this seeing. I'm going to

0:45:56.600 --> 0:45:59.719
<v Speaker 9>sit here by myself at the bridle table and just

0:45:59.800 --> 0:46:01.719
<v Speaker 9>look around and try and take it all in and

0:46:01.760 --> 0:46:04.959
<v Speaker 9>be in the present. And then my husband's dear, old

0:46:05.360 --> 0:46:06.319
<v Speaker 9>dead uncle.

0:46:06.080 --> 0:46:09.680
<v Speaker 14>Now came and sat beside me and started saying if

0:46:09.719 --> 0:46:13.480
<v Speaker 14>I really needed a man as opposed to the man

0:46:13.520 --> 0:46:17.680
<v Speaker 14>I just married, that he was available for me anytime

0:46:17.719 --> 0:46:21.040
<v Speaker 14>through the night. And he really started on me.

0:46:21.560 --> 0:46:24.560
<v Speaker 9>It was quite bizarre. I couldn't tell my husband because

0:46:24.600 --> 0:46:27.360
<v Speaker 9>he would have knocked him out. I just had to

0:46:27.440 --> 0:46:30.520
<v Speaker 9>keep it all to myself. So it was just the

0:46:30.600 --> 0:46:33.320
<v Speaker 9>weirdest thing. And yet he was a drinker. It was

0:46:33.360 --> 0:46:38.600
<v Speaker 9>just the weirdest thing, the weirdest, weirdest thing, so weird.

0:46:39.040 --> 0:46:42.359
<v Speaker 2>It really odd that hit upon by your uncle at

0:46:42.360 --> 0:46:43.000
<v Speaker 2>your own wedding.

0:46:44.200 --> 0:46:49.720
<v Speaker 9>My husband's uncle, He wasn't my husband's uncle.

0:46:50.320 --> 0:46:53.759
<v Speaker 2>Wow, okay, all right, Margaret, thank you very much for cool.

0:46:54.520 --> 0:46:55.360
<v Speaker 9>No, let's take.

0:46:56.760 --> 0:47:01.680
<v Speaker 2>What's going on out there. It's fair in mind. An

0:47:01.680 --> 0:47:04.160
<v Speaker 2>hour ago, producer Brad said to me, why didn't you

0:47:04.200 --> 0:47:06.400
<v Speaker 2>get into calling for wedding funny stories today about if

0:47:06.400 --> 0:47:07.800
<v Speaker 2>anyone's been ditched at the altar?

0:47:08.960 --> 0:47:10.400
<v Speaker 3>What's funny about those stories?

0:47:10.440 --> 0:47:12.880
<v Speaker 2>You know? Yeah? And then he left. He never turned

0:47:12.960 --> 0:47:14.520
<v Speaker 2>up and I was crying. I've been in therapy for

0:47:14.560 --> 0:47:16.600
<v Speaker 2>five years. Haha, You've won.

0:47:18.400 --> 0:47:20.759
<v Speaker 6>How about this time yesterday, twenty four hours ago? The

0:47:20.800 --> 0:47:23.040
<v Speaker 6>peptole we got from Beck. Hey, just trust us to

0:47:23.040 --> 0:47:24.040
<v Speaker 6>put can you trust us?

0:47:25.600 --> 0:47:28.040
<v Speaker 2>Don't need you selecting what callers you want to talk to.

0:47:28.360 --> 0:47:31.040
<v Speaker 2>We do that. Let's have one about a creepy uncle.

0:47:31.360 --> 0:47:33.360
<v Speaker 2>Let's just a phone in tomorrow about creepy uncles for

0:47:33.400 --> 0:47:35.080
<v Speaker 2>an hour, creepy family members.

0:47:34.800 --> 0:47:35.120
<v Speaker 3>All right?

0:47:35.200 --> 0:47:37.279
<v Speaker 2>Nine four one four one O four three would take

0:47:37.320 --> 0:47:39.040
<v Speaker 2>some more calls. Next where I go and yell at someone?

0:47:39.120 --> 0:47:42.520
<v Speaker 1>The Christian O'Connell breakfast show, Melbourne's Gold one oh four

0:47:42.520 --> 0:47:43.160
<v Speaker 1>point three.

0:47:43.320 --> 0:47:44.080
<v Speaker 3>Vicky's on the line.

0:47:44.080 --> 0:47:46.839
<v Speaker 2>Good morning, Vicky, Good morning Christian. How are you? I'm

0:47:46.880 --> 0:47:48.480
<v Speaker 2>pretty good, Vicky. I hope you well this morning. Then,

0:47:48.480 --> 0:47:49.960
<v Speaker 2>So what happened at the wedding reception?

0:47:50.680 --> 0:47:53.520
<v Speaker 13>I was the bride and I just located my knee

0:47:53.560 --> 0:47:54.800
<v Speaker 13>during the time warp.

0:47:56.920 --> 0:47:57.880
<v Speaker 3>Dance law injuries.

0:47:57.880 --> 0:48:04.040
<v Speaker 2>There's another phone and about that. That's it's a workout now,

0:48:04.120 --> 0:48:04.440
<v Speaker 2>isn't it.

0:48:04.480 --> 0:48:07.279
<v Speaker 5>You know the time warp when they say put your

0:48:07.320 --> 0:48:09.239
<v Speaker 5>hands on your hips and bring your knees.

0:48:08.960 --> 0:48:11.680
<v Speaker 9>Insight, I's got my right knee went the opposite way.

0:48:12.000 --> 0:48:16.520
<v Speaker 2>So what what happened? Because I was supposed to be acony.

0:48:15.360 --> 0:48:17.440
<v Speaker 9>Well, I've done it before, so I knew what had happened.

0:48:17.480 --> 0:48:19.960
<v Speaker 12>So as I felt, I wept it back into place.

0:48:20.760 --> 0:48:23.160
<v Speaker 13>And then the DJ stopped the music and said, oh,

0:48:23.239 --> 0:48:23.560
<v Speaker 13>we have.

0:48:23.600 --> 0:48:28.880
<v Speaker 2>A bride down, Vicky. That's a great one. Thank you

0:48:29.000 --> 0:48:35.520
<v Speaker 2>very much. Sheaicol, No, no worries, thank you no uh Leana, Hello,

0:48:35.920 --> 0:48:38.000
<v Speaker 2>welcome to the show. What's the story about what happened

0:48:38.000 --> 0:48:39.880
<v Speaker 2>at the wedding reception? So?

0:48:40.040 --> 0:48:42.239
<v Speaker 13>I was about three years old and I was at

0:48:42.239 --> 0:48:45.280
<v Speaker 13>my Auntie's wedding and it was during the best man's speech,

0:48:45.320 --> 0:48:48.840
<v Speaker 13>which apparently was like super beautiful and emotional, and I

0:48:49.000 --> 0:48:53.080
<v Speaker 13>drunk so much lemonade at the reception I projectile vomited.

0:48:52.800 --> 0:48:57.560
<v Speaker 2>Everywhere during his speech.

0:48:58.640 --> 0:49:00.759
<v Speaker 13>Yeah, during the speech, which was apparently it was like

0:49:00.840 --> 0:49:04.120
<v Speaker 13>so beautiful and then just this little kid starts vomiting.

0:49:05.320 --> 0:49:10.280
<v Speaker 2>Oh that's fantastic, and imagine the mess everywhere. Yo. All right, Leana,

0:49:10.400 --> 0:49:12.520
<v Speaker 2>thank you very much. Who are we giving the tickets to?

0:49:12.719 --> 0:49:16.640
<v Speaker 2>I think let's do the time what Vicky, you've got

0:49:16.680 --> 0:49:17.400
<v Speaker 2>the tickets?

0:49:17.800 --> 0:49:18.760
<v Speaker 13>Thank you so much.

0:49:18.840 --> 0:49:21.160
<v Speaker 2>All right, So this is this great price you have

0:49:21.160 --> 0:49:23.600
<v Speaker 2>to see Muriel's word in the musical this vip so

0:49:23.960 --> 0:49:27.799
<v Speaker 2>get great tickets, lavish dinner and an overnight stay a

0:49:27.840 --> 0:49:31.600
<v Speaker 2>boutique city hotel. Well done, thank you so much. All right,

0:49:31.600 --> 0:49:34.719
<v Speaker 2>that's for your deisicated niece. Mura's Wedding, the musical now

0:49:34.719 --> 0:49:37.720
<v Speaker 2>playing at Her Majesty's Theater for a strictly limited run.

0:49:37.960 --> 0:49:40.120
<v Speaker 2>Don't miss out Melbourne book now at.

0:49:40.000 --> 0:49:43.719
<v Speaker 1>Ticktech, The Christian O'Connell Breakfast Show Melbourne's Gold one oh

0:49:43.800 --> 0:49:44.880
<v Speaker 1>four point three.

0:49:46.680 --> 0:49:50.160
<v Speaker 2>Seems right that on International Happy Day, Pats finally wins

0:49:50.160 --> 0:49:52.400
<v Speaker 2>the chance to go and meet Brian Adams. Tonight in

0:49:52.480 --> 0:49:55.440
<v Speaker 2>interviewing for the show five o'clock Send the vibes on

0:49:55.520 --> 0:49:58.759
<v Speaker 2>the time way stuff for International Happy Day, make a

0:49:58.880 --> 0:50:03.560
<v Speaker 2>movie Happy Sorry, looking at my notes here, I've got okay,

0:50:03.600 --> 0:50:12.000
<v Speaker 2>make a movie happy, I've got dude, where's my smile? Yeah, okay, dude,

0:50:12.040 --> 0:50:15.400
<v Speaker 2>where's my smile? There will be cake instead of there

0:50:15.400 --> 0:50:15.960
<v Speaker 2>will be blood.

0:50:16.640 --> 0:50:18.400
<v Speaker 3>Different movie with Daniel d Lewis.

0:50:18.480 --> 0:50:23.040
<v Speaker 2>That's a cake maker. There will be cake. Reservoir. Puppies.

0:50:23.960 --> 0:50:29.120
<v Speaker 2>What's cutter? What's cutter than puppies? Piggyback Mountain? Very different movie.

0:50:29.520 --> 0:50:38.880
<v Speaker 2>Who doesn't love a piggyback? I'd like to see a remaker.

0:50:38.920 --> 0:50:41.600
<v Speaker 2>Broke Back Mountain. Piggyback Mountain. This the two guys giving

0:50:41.640 --> 0:50:44.719
<v Speaker 2>each other piggybacks lovely. Marley Lives for Ever?

0:50:45.360 --> 0:50:50.040
<v Speaker 4>Oh yeah, like that. That's such a sad movie.

0:50:50.120 --> 0:50:54.040
<v Speaker 2>Oh it's too sad. Yeah, Marley Lives Forever. And Tickle

0:50:54.080 --> 0:50:57.880
<v Speaker 2>Fight Club. That's all the tickles. You don't tell very

0:50:58.360 --> 0:51:00.560
<v Speaker 2>so that's an that creepy unk earlier, that phone call

0:51:00.600 --> 0:51:04.080
<v Speaker 2>twenty minutes ago. All right, what have you got hello?

0:51:04.280 --> 0:51:06.319
<v Speaker 6>Bad boys becomes good boy.

0:51:06.600 --> 0:51:08.920
<v Speaker 2>You're about to collapse.

0:51:08.960 --> 0:51:13.239
<v Speaker 6>Bad boys become good boys. My first entry is good

0:51:13.239 --> 0:51:15.120
<v Speaker 6>boys good boys too.

0:51:16.800 --> 0:51:20.839
<v Speaker 2>Card Come on, you've broken through the bottom of the barrel. Now,

0:51:21.080 --> 0:51:23.040
<v Speaker 2>come on, I know you're not well.

0:51:23.719 --> 0:51:28.400
<v Speaker 6>Bliss bliss bang bang kiss, kiss, bang bang bliss move.

0:51:28.800 --> 0:51:31.279
<v Speaker 2>No, these are not good, mate, I don't like seeing.

0:51:31.000 --> 0:51:36.200
<v Speaker 6>You like this, Mary McGuire, Jerry maguire.

0:51:37.880 --> 0:51:41.520
<v Speaker 2>All right, texting us yours on oh four seven five

0:51:42.360 --> 0:51:45.200
<v Speaker 2>three one O four three. Let's just move on, but

0:51:45.280 --> 0:51:47.759
<v Speaker 2>tend that last bit never happened, all right, make a

0:51:47.840 --> 0:51:50.800
<v Speaker 2>movie happy. That's today's time. Where to texting your happy

0:51:50.840 --> 0:51:54.479
<v Speaker 2>movies on O four seven five O three one O four.

0:51:54.480 --> 0:51:57.040
<v Speaker 3>Three, Piggyback Mountain, Let's end strong.

0:51:57.160 --> 0:52:02.440
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold four point three.

0:52:01.680 --> 0:52:03.920
<v Speaker 3>About tonight, No, I'm going to be tonight.

0:52:05.880 --> 0:52:08.839
<v Speaker 2>Patsy is still grinning from finding out earlier on.

0:52:08.760 --> 0:52:10.280
<v Speaker 3>The show that she's won the big prize.

0:52:10.360 --> 0:52:12.319
<v Speaker 2>Rightly, so she's off to interview for the show Brian

0:52:12.360 --> 0:52:14.319
<v Speaker 2>Adams tonight. She just said to Jack and I that

0:52:14.320 --> 0:52:16.200
<v Speaker 2>she's going to ask him if he could take a

0:52:16.239 --> 0:52:18.040
<v Speaker 2>photo of her like his French girls.

0:52:20.520 --> 0:52:22.600
<v Speaker 4>Why not if you have his camera on hand?

0:52:22.600 --> 0:52:24.000
<v Speaker 3>I'm sure security camera?

0:52:24.120 --> 0:52:26.120
<v Speaker 2>Yeah for you? All right? Then today's that word time

0:52:26.160 --> 0:52:29.720
<v Speaker 2>waste on International Happy Day is make a movie happy?

0:52:30.160 --> 0:52:34.120
<v Speaker 2>You ready? Ready forget kill Bill? Tickle Bill? It's all

0:52:34.200 --> 0:52:37.759
<v Speaker 2>right Silver Alex Thrill Bill. I don't Bill Ones coming

0:52:37.800 --> 0:52:42.879
<v Speaker 2>fur Silver plus Tickling Private, Ryan silver Bed and Croydon Weld.

0:52:43.360 --> 0:52:50.040
<v Speaker 2>I like what you did last summer is so slight, Darren,

0:52:50.040 --> 0:52:53.200
<v Speaker 2>Sorry Darren, you did well done, Darren, gold Blossom jat

0:52:53.239 --> 0:52:56.160
<v Speaker 2>there for I like what you did last summer Cape Cheer,

0:52:56.560 --> 0:53:02.560
<v Speaker 2>very different movie. Amanda and Rosebud well done. Alive hard,

0:53:04.160 --> 0:53:04.960
<v Speaker 2>I'm alive like.

0:53:07.600 --> 0:53:08.960
<v Speaker 6>Yep, not even that happy.

0:53:08.840 --> 0:53:10.840
<v Speaker 3>Bronce taken then returned.

0:53:12.440 --> 0:53:14.560
<v Speaker 6>Yeah, I mean happy ending Gold.

0:53:14.640 --> 0:53:17.120
<v Speaker 2>No, you didn't need to say that. Julian Morabin. Four

0:53:17.160 --> 0:53:23.440
<v Speaker 2>weddings and a profeterole sure gold Gold for the use

0:53:23.440 --> 0:53:25.400
<v Speaker 2>of the word profitterole at the end there, Jeremy and

0:53:25.440 --> 0:53:30.359
<v Speaker 2>mitcham the Green Smile, Silvil, Plastic, Smart, aliciare well done,

0:53:30.520 --> 0:53:35.040
<v Speaker 2>good Will Hugging Gold, Billy and Port Melbourne, well done.

0:53:36.200 --> 0:53:37.359
<v Speaker 2>Ten things I Love about you?

0:53:38.120 --> 0:53:40.160
<v Speaker 6>Too easy, Silver, too easy?

0:53:40.640 --> 0:53:42.600
<v Speaker 2>Too easy? Why are they going to work hard? They

0:53:42.600 --> 0:53:46.880
<v Speaker 2>don't win anything? Too easy, listen to the King? Too easy,

0:53:47.080 --> 0:53:50.279
<v Speaker 2>work hard on my subjects, Cuddle Bill instead of kill Bill.

0:53:50.320 --> 0:53:52.440
<v Speaker 2>I had too many kill Bill Ones today. All right,

0:53:52.520 --> 0:53:53.839
<v Speaker 2>Julian Mrabin, word on, thank you.

0:53:53.960 --> 0:53:57.359
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's gold one oh four

0:53:57.400 --> 0:53:58.319
<v Speaker 1>point three.

0:53:58.160 --> 0:54:01.279
<v Speaker 2>One sleep to go for the AFL Footy is back

0:54:01.360 --> 0:54:04.279
<v Speaker 2>tomorrow and very excited to announce that coming in making

0:54:04.320 --> 0:54:06.120
<v Speaker 2>his debut on the show. It's not really his debut,

0:54:06.120 --> 0:54:08.840
<v Speaker 2>but his new role. We've signed him up. We have

0:54:09.000 --> 0:54:11.719
<v Speaker 2>Shane Crawford. He's going to be our new AFL guy

0:54:11.880 --> 0:54:14.040
<v Speaker 2>on the show, coming in on the show every week

0:54:14.280 --> 0:54:16.200
<v Speaker 2>and he starts tomorrow morning at eight.

0:54:16.320 --> 0:54:19.000
<v Speaker 6>Now as a coincidence that you've become best chums with

0:54:19.080 --> 0:54:23.160
<v Speaker 6>him over the last few weeks and now on the show.

0:54:23.040 --> 0:54:26.600
<v Speaker 2>Four months, I've been rigorously auditioning him, okay, holding us

0:54:26.640 --> 0:54:29.160
<v Speaker 2>over his head, so he has He's come good. He's

0:54:29.160 --> 0:54:32.600
<v Speaker 2>past the testing and he starts tomorrow as our proper

0:54:32.680 --> 0:54:35.239
<v Speaker 2>AFL guy. If you know what crawl'site, there'd be some

0:54:35.440 --> 0:54:38.040
<v Speaker 2>AFL chat, but there also be some other whatever's fizzing

0:54:38.040 --> 0:54:40.359
<v Speaker 2>around his head. He came out for He came out

0:54:40.360 --> 0:54:42.279
<v Speaker 2>to see me last night to chat about something else

0:54:42.960 --> 0:54:44.640
<v Speaker 2>which we can't talk about yet. They're going to be

0:54:44.640 --> 0:54:49.120
<v Speaker 2>doing with him right and another person and my wife

0:54:49.200 --> 0:54:51.759
<v Speaker 2>gave him our leftover tea to take home like he

0:54:52.000 --> 0:54:55.000
<v Speaker 2>was a kid going off for the day.

0:54:55.440 --> 0:54:57.520
<v Speaker 6>Remember when your friend would come over, or you would

0:54:57.520 --> 0:54:59.560
<v Speaker 6>go over to a friend's house and their parents would

0:54:59.600 --> 0:55:00.960
<v Speaker 6>make sure that you're eating enough.

0:55:02.160 --> 0:55:04.480
<v Speaker 2>Well, my wife hadn't seen Crawf since he's got out

0:55:04.520 --> 0:55:06.640
<v Speaker 2>the jungle, and he's lost like a lot of weight

0:55:06.960 --> 0:55:09.600
<v Speaker 2>by ten or twelve k and he looks really good,

0:55:09.760 --> 0:55:11.719
<v Speaker 2>you honestly, but my wife was worried that he looked

0:55:11.760 --> 0:55:14.319
<v Speaker 2>a bit too thin. So ken and God, to be honest,

0:55:14.320 --> 0:55:16.520
<v Speaker 2>there's a really old dry mankey Lasagna.

0:55:18.239 --> 0:55:19.800
<v Speaker 3>And I said to him, as how walks back to

0:55:19.840 --> 0:55:20.120
<v Speaker 3>his car.

0:55:20.840 --> 0:55:23.440
<v Speaker 2>Mate is really dry that don't worry about you know,

0:55:24.280 --> 0:55:26.200
<v Speaker 2>sending anyone. Yeah, I said, don't worry if you don't

0:55:26.200 --> 0:55:27.600
<v Speaker 2>eat that. You know it's pretty rough.

0:55:27.719 --> 0:55:29.200
<v Speaker 6>So do you watch him from the window then to

0:55:29.200 --> 0:55:30.720
<v Speaker 6>see if he puts in your neighbors being.

0:55:33.640 --> 0:55:35.960
<v Speaker 2>Yeah, if you're driving around bay side you think it's roadkill.

0:55:36.120 --> 0:55:38.799
<v Speaker 2>It's my life's leftover, leftover la.

0:55:40.920 --> 0:55:44.880
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four point.

0:55:44.600 --> 0:55:47.280
<v Speaker 2>Three Today another chance you'd win holiday for a song.

0:55:47.600 --> 0:55:50.080
<v Speaker 2>All you listening out for is men at works down Under.

0:55:50.120 --> 0:55:52.000
<v Speaker 2>When you hear it between now and five call him.

0:55:52.280 --> 0:55:57.520
<v Speaker 2>Today's trip is a piano cruise for two to Kangaroo Island.

0:55:58.040 --> 0:56:00.480
<v Speaker 2>I didn't know this, but I found out earlier that

0:56:00.880 --> 0:56:04.080
<v Speaker 2>on Kangaroo Island they've got kangaroos that are only native

0:56:04.239 --> 0:56:08.120
<v Speaker 2>to the island and they're super friendly. Really yep, because

0:56:08.120 --> 0:56:10.359
<v Speaker 2>other kangaroos, they can actually ask you up.

0:56:10.440 --> 0:56:10.560
<v Speaker 10>Well.

0:56:10.640 --> 0:56:13.080
<v Speaker 2>Notice that they with their feet, they can stomach apart

0:56:14.160 --> 0:56:14.520
<v Speaker 2>they can.

0:56:14.840 --> 0:56:15.760
<v Speaker 4>Yeah, I know they're fierce.

0:56:16.160 --> 0:56:17.839
<v Speaker 6>These ones are so friendly and you get to take

0:56:17.920 --> 0:56:19.399
<v Speaker 6>one each home on the three.

0:56:19.560 --> 0:56:24.200
<v Speaker 2>Yeah, that's the price. You get your own complimentary kangaroo

0:56:24.200 --> 0:56:26.279
<v Speaker 2>when you go to Kangaroo Island. So what a great

0:56:26.280 --> 0:56:28.600
<v Speaker 2>thing to win only on Gold one oh four point

0:56:28.640 --> 0:56:29.120
<v Speaker 2>three The.

0:56:29.120 --> 0:56:32.359
<v Speaker 1>Christian who Connell Breakfast Show Melbourne's Gold one oh four

0:56:32.360 --> 0:56:32.879
<v Speaker 1>point three.

0:56:33.160 --> 0:56:34.359
<v Speaker 2>So we say good luck.

0:56:35.080 --> 0:56:36.399
<v Speaker 4>Won't need it, No, you won't.

0:56:36.400 --> 0:56:37.680
<v Speaker 3>But I'm just saying, do you know what that's the

0:56:37.719 --> 0:56:38.160
<v Speaker 3>wrong word?

0:56:38.480 --> 0:56:38.800
<v Speaker 2>Enjoy?

0:56:38.960 --> 0:56:42.400
<v Speaker 5>I will, honestly, I'll save it every I don't know

0:56:42.400 --> 0:56:45.160
<v Speaker 5>what my response will be like when I first meet him.

0:56:45.200 --> 0:56:47.920
<v Speaker 6>So you got full professional interview Brian Adams today. You've

0:56:47.960 --> 0:56:50.080
<v Speaker 6>got three albums? There is that too many?

0:56:50.160 --> 0:56:52.959
<v Speaker 2>I mean I need to ask how many is three

0:56:53.040 --> 0:56:53.520
<v Speaker 2>too many?

0:56:53.719 --> 0:56:55.840
<v Speaker 3>You can't turn up with stuff.

0:56:55.640 --> 0:56:58.759
<v Speaker 2>To be signed. They hate that? Oh do they?

0:56:59.120 --> 0:57:01.360
<v Speaker 6>You're not a fan in the interaction you're.

0:57:01.239 --> 0:57:02.279
<v Speaker 3>In, you're representing.

0:57:02.800 --> 0:57:07.080
<v Speaker 5>Yeah, so I'm crossing the line between professional and crazy

0:57:07.120 --> 0:57:08.240
<v Speaker 5>fan lady, Now.

0:57:08.160 --> 0:57:10.040
<v Speaker 2>What I would do? Can I suggest you take those

0:57:10.040 --> 0:57:12.919
<v Speaker 2>along the vinyl? It's a talking point. He goes, Oh, wow,

0:57:13.000 --> 0:57:16.000
<v Speaker 2>I remember that he's about Then suddenly you thrust a

0:57:16.000 --> 0:57:18.080
<v Speaker 2>pen in his face and just go sign it, or

0:57:18.120 --> 0:57:21.640
<v Speaker 2>you get this and then see what happens. Have you

0:57:21.640 --> 0:57:23.440
<v Speaker 2>thought about the actual interview itself?

0:57:23.560 --> 0:57:23.960
<v Speaker 6>I have.

0:57:24.520 --> 0:57:27.200
<v Speaker 2>I've been before when you meet an idol, right and

0:57:27.240 --> 0:57:30.840
<v Speaker 2>you get it's intimidy. Oh, totally takes a while to

0:57:30.840 --> 0:57:31.720
<v Speaker 2>actually and this is for you.

0:57:32.800 --> 0:57:33.280
<v Speaker 4>Yeah, I know.

0:57:33.560 --> 0:57:35.880
<v Speaker 5>I'll have to ask him something about music and Shina Light,

0:57:35.960 --> 0:57:37.040
<v Speaker 5>his new his new single.

0:57:37.360 --> 0:57:38.880
<v Speaker 2>That would be really interesting to not play any of

0:57:38.920 --> 0:57:44.560
<v Speaker 2>that tomorrow, so we're not playing I.

0:57:44.520 --> 0:57:46.800
<v Speaker 5>Want to ask him everything except for music, to be honest.

0:57:46.840 --> 0:57:49.520
<v Speaker 5>I want to ask him about his foundation, about his photography,

0:57:49.560 --> 0:57:50.520
<v Speaker 5>which is unbelievable.

0:57:50.560 --> 0:57:52.480
<v Speaker 3>It's foundation for his skin. I wouldn't bring out him.

0:57:52.480 --> 0:57:53.640
<v Speaker 2>He's very touchy about it.

0:57:53.680 --> 0:57:54.720
<v Speaker 4>He's vaganism.

0:57:54.960 --> 0:57:56.720
<v Speaker 2>He should be great. And what time We're not playing

0:57:56.720 --> 0:58:01.320
<v Speaker 2>that tomorrow? Well, what'd you before to cress or mung beans.

0:58:01.440 --> 0:58:04.520
<v Speaker 6>What's your favorite stop digital less l R camera.

0:58:06.640 --> 0:58:08.920
<v Speaker 5>I don't want to ask him the questions that every

0:58:09.040 --> 0:58:11.040
<v Speaker 5>other journalist there tonight will be asking.

0:58:11.120 --> 0:58:12.960
<v Speaker 4>He's got to be sick of hearing the same question.

0:58:13.080 --> 0:58:16.680
<v Speaker 2>So you're going big on veganism and his camera.

0:58:16.400 --> 0:58:22.560
<v Speaker 5>Work and maybe his foundation and foundation Soldier photography that

0:58:22.640 --> 0:58:24.640
<v Speaker 5>he's done of the veterans, which is that is a

0:58:24.760 --> 0:58:25.800
<v Speaker 5>very very good course.

0:58:25.880 --> 0:58:29.440
<v Speaker 2>Yeah, very good cause. Okay, tune into My Morning at

0:58:29.440 --> 0:58:33.320
<v Speaker 2>five past six to hear the big interview. Sorry, that's

0:58:33.360 --> 0:58:39.080
<v Speaker 2>not fair. Five to six Tyler Today's show Piggyback Mountain.

0:58:39.200 --> 0:58:40.760
<v Speaker 2>We're back tomorrow morning. Thanks for listening.

0:58:40.920 --> 0:58:44.240
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:58:44.320 --> 0:58:44.840
<v Speaker 1>point three