WEBVTT - #50: We Have Some News!

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<v Speaker 1>People do some weird shit. I'm Tracy Grimshaw. Welcome to

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<v Speaker 1>a parent affair tonight. We're coming to you from my bedroom.

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<v Speaker 1>Some things make more sense than others.

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<v Speaker 2>Hitch is trading gymnast one commodore games Goald in nineteen ninety.

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<v Speaker 1>That his performance on the pommel Horse Marcus, grow up.

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<v Speaker 1>Bless yourself for observations you didn't ask for.

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<v Speaker 2>You are a cheap tramp and a filthy liar.

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<v Speaker 1>This is just I'm still a couple of mitches.

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<v Speaker 2>Reckon, we should include Jenna's name in the opener.

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<v Speaker 1>Tell about a compromise. We'll say your name, but it's

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<v Speaker 1>said in simlish.

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<v Speaker 2>Drap luby perfect Now his MIXTUREI.

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<v Speaker 1>And yes it's us, get over it. Hello, Yes, it's

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<v Speaker 1>just us two.

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<v Speaker 2>In fact, they're just a couple of mitches. Our third

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<v Speaker 2>wheel is off on assignment. Guys, can you believe she's

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<v Speaker 2>still with us?

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<v Speaker 1>Producer Jenna, groundskeeper Jenna, whatever variation of Jenny you'd like

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<v Speaker 1>to throw at her, she is are still here.

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<v Speaker 2>Well, she's sort of been given a job trial this week,

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<v Speaker 2>a potential promotion. So Jenna has been our producer failed miserably.

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<v Speaker 2>She's hopeless and then she's been demoted to groundskeeper. But

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<v Speaker 2>this is her trial as our roving reporter.

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<v Speaker 1>Well, she has been slowly and steadily increasing her workload.

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<v Speaker 2>That's right, and so we thought let's try and reward her.

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<v Speaker 2>Let's see if she rises to the challenge. She's out

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<v Speaker 2>on location.

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<v Speaker 1>Right now, like a classic news cross that's right.

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<v Speaker 2>You know, like the Today Show Weather reporter. How they

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<v Speaker 2>pop up at random spots every day.

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<v Speaker 1>Yep, Sam Mack's down at the local Rosewood mall.

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<v Speaker 2>Yeap, stuff like that. So she's out on location right now.

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<v Speaker 2>We'll check in with her later on.

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<v Speaker 1>That is something that came up in our Sunday Night Live, right.

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<v Speaker 1>It just came out of blue and we thought, let's

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<v Speaker 1>roll with it.

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<v Speaker 2>Instagram Live every Sunday Night at a couple of minches.

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<v Speaker 2>If you're not already.

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<v Speaker 1>There, you've got to be there. I'll be square this

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<v Speaker 1>week as well, Mitch. I'm bringing back a favorite segment.

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<v Speaker 2>Of ours, Yeah, a talk back to I'm a bit

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<v Speaker 2>worried about this.

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<v Speaker 1>I got to tell you, well, normally you prepared talkback things,

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<v Speaker 1>but I have found one, and it is I could

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<v Speaker 1>not have been happier. It is a cross section of

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<v Speaker 1>things that you love and that I love and that

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<v Speaker 1>the listeners love. And this week it's a mystery.

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<v Speaker 2>What do you mean it's a mystery.

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<v Speaker 1>It's open ended. It's a complete mystery that the host

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<v Speaker 1>of the radio station we're crossing to don't even know

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<v Speaker 1>the answer to. Okay, and we might need to dive in.

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<v Speaker 2>I'm not understanding. I'm not picking up what you put

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<v Speaker 2>down at all.

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<v Speaker 1>The audio that I'm playing still has not been resolved. Oh, okay,

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<v Speaker 1>this is the MH three to seventy of the radio world.

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<v Speaker 2>Okay, yeah, look, this is this is your first time

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<v Speaker 2>bringing a piece of gold you found on talkback radio.

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<v Speaker 2>And look, I'm just gonna put it out there. This

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<v Speaker 2>is my segment. This is my segment, and I take

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<v Speaker 2>its position as the favorite segment very seriously. Every time

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<v Speaker 2>we've done a poll in our Facebook group asking what's

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<v Speaker 2>your favorite segment, everyone, the resounding answer is always talk

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<v Speaker 2>back things. And I wear that as a badge of

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<v Speaker 2>honor because it's my secont.

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<v Speaker 1>Yeah, but it's the audio that.

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<v Speaker 2>Oh it's today, I swear to god.

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<v Speaker 1>It's simply the audio that you find people are just

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<v Speaker 1>saying they love the old people. The segments the hosts.

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<v Speaker 2>Oh, but it's very good storytelling on my.

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<v Speaker 1>Person, good reacting on my behalf too.

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<v Speaker 2>That's right.

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<v Speaker 1>And it's also our fiftieth episode. We should have mentioned

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<v Speaker 1>that at the top, for God's sake.

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<v Speaker 2>Yes it is. It is our fiftieth episode. We've made

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<v Speaker 2>a big who half for our fortieth. I feel like

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<v Speaker 2>we don't want to exhaust all our celebrations. It's coming

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<v Speaker 2>up to Christmas too, we'll probably do some fanfare for that.

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<v Speaker 2>We had the one year anniversary, your birthday. I just

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<v Speaker 2>think we can't have too many celebrations.

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<v Speaker 1>It'll start to wear off. It's also the normally the

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<v Speaker 1>other way around. People hate celebrating their fortieth because you're

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<v Speaker 1>getting out of thirties, and people love the fiftieth at

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<v Speaker 1>an rosl.

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<v Speaker 2>True, we should have gone on that today. We should,

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<v Speaker 2>But I will tell you this, guys, it's a pretty

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<v Speaker 2>big milestone fiftieth episode. And we do have a bit

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<v Speaker 2>of an announcement to share with you later on about

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<v Speaker 2>the show you did.

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<v Speaker 1>It's very exciting. I'm exhausted today. Ah yeah, yeah, us

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<v Speaker 1>why you should have brought it up hosting? Did you say, Arias? Yeah, yeah,

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<v Speaker 1>it was really good. Thank you the ARIA Award, Oh,

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<v Speaker 1>the Annual ARIA Awards twenty twenty ARIA, the first ARIA

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<v Speaker 1>Awards to be held in the pandemic. You can you

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<v Speaker 1>believe it?

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<v Speaker 2>That's right. And you were hosting the pre show the

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<v Speaker 2>bits that would have been the red carpet, And I

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<v Speaker 2>got to tell you, these COVID edition virtual events, they

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<v Speaker 2>are all just perpetually awkward. They're so cringed in general.

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<v Speaker 2>But they were very lucky to get someone who is

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<v Speaker 2>naturally unawkward like yourself to really carry it, because I

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<v Speaker 2>think without you that would have been a shit show.

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<v Speaker 1>Yeah.

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<v Speaker 2>I don't dish out compliments easily, but I think that like,

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<v Speaker 2>thank god they had you, because it would have been

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<v Speaker 2>a disaster without you.

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<v Speaker 1>Oh, that's very sweet, thank you. There was one point

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<v Speaker 1>where we I gave an award out and I no

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<v Speaker 1>one prepped me to give you a warder And I

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<v Speaker 1>had the envelope right and I opened the envelope and

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<v Speaker 1>I didn't know how to pronounce the name. Oh no,

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<v Speaker 1>And I thought, this is not something you can rehearse

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<v Speaker 1>because it's sealed, had like a little black seal.

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<v Speaker 2>They don't tell you in advance.

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<v Speaker 1>No, it was like King Lizard and the gizzard wizard

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<v Speaker 1>or something rymy So I was like, shit, is there

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<v Speaker 1>an ell or is that a g And then I

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<v Speaker 1>thought maybe my ADHD was playing up and it was

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<v Speaker 1>mixing the words around.

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<v Speaker 2>Wait are you talking about Oh no, we had a

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<v Speaker 2>debate in the office today about whether it's lime Cordial.

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<v Speaker 1>Oh is cordial?

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<v Speaker 2>It is called That's what I said. Oh it wasn't

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<v Speaker 2>them right.

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<v Speaker 1>No, No, they were not MA eight Awards. I interviewed

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<v Speaker 1>them live on the red carpet and went, lime Cordial.

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<v Speaker 1>Great to have you. They left. I went coming up

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<v Speaker 1>Guy Sebastian. When some bads came back. Guy Sebastian, I went, guy,

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<v Speaker 1>you're the bell of the ball last year, because he

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<v Speaker 1>hosted this year. It's all the boys from Lime Cordial.

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<v Speaker 1>He went, yeah, lime Cordial doing it. And I went,

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<v Speaker 1>either Guy Sebastian's got it wrong or.

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<v Speaker 2>I have anyway, it's him that was wrong. I was

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<v Speaker 2>arguing in the office today, who would call themselves lime Cordial.

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<v Speaker 2>That's not even the best flavor.

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<v Speaker 1>No, no used red Cordial.

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<v Speaker 2>No, I love that apple one, the apple. No, it's

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<v Speaker 2>like apple and something apple and raspberry. It's like a high.

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<v Speaker 1>Oh I know what you mean. And it's not quite red.

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<v Speaker 1>It's kind of pinky. Yes, the men used to have that.

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<v Speaker 1>It's beautiful. It is good on ice, Yeah, I and

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<v Speaker 1>I like it about probably more concentrate than water. You

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<v Speaker 1>need to have it real sweet, yeah, I think so. Yeah,

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<v Speaker 1>not those canteen ladies school care. There're one milli liter

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<v Speaker 1>drop and the rest was water.

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<v Speaker 2>I know, like, fucking don't be stingy on the concentrate

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<v Speaker 2>barely cordial.

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<v Speaker 1>Anyway, we said congratulations, the winner is King Snioz in

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<v Speaker 1>the Blizzard Dizzerd and the text put the wrong zoom up,

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<v Speaker 1>so someone was like, did I win?

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<v Speaker 2>Oh yeah, because they crossed to whoever won on zoom yeah, which,

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<v Speaker 2>by the way, some of those fucking dim wit artists

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<v Speaker 2>you had to cross to. Did someone not explain to them, Hey,

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<v Speaker 2>when the host talks to you, you have to talk back, clown.

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<v Speaker 2>There were so many times that.

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<v Speaker 1>You like, hey, you've won.

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<v Speaker 2>I don't give me a random singer name rule. Oh no,

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<v Speaker 2>I don't want to bag out rule Beautifully. It sounds

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<v Speaker 2>like he has common sense. Let's make one concrete jungle

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<v Speaker 2>concrete jungle concrete dungle.

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<v Speaker 3>You won the area.

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<v Speaker 2>They just sit there on Zoom like, oh he's literally

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<v Speaker 2>lost for words, he's lost for words. Oh don't And

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<v Speaker 2>then what feels like a year later, thank you so no,

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<v Speaker 2>thank you so much because I try.

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<v Speaker 1>To wrap up because there's been to go thank you anyway.

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<v Speaker 1>Then they go thank you, and all the while I've

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<v Speaker 1>got it inny worm, going wrap up, wrap throat commercials,

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<v Speaker 1>the shark, Shark peace. It's chaos.

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<v Speaker 2>It's impossible to make those sorts of productions punchy and

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<v Speaker 2>like casey when it's when you're dealing with zoom. You

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<v Speaker 2>guys can go and look it up on YouTube if

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<v Speaker 2>you just look up Aris pre show something like that. Yeah,

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<v Speaker 2>it's up on YouTube, so you can watch it back

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<v Speaker 2>and you'll see what I mean that you were the

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<v Speaker 2>only thing holding you with a glue.

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<v Speaker 1>And you know what, I know, a couple of weeks

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<v Speaker 1>ago I mentioned that thank you. That was a very

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<v Speaker 1>nice second compliment. I just went straight over my head.

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<v Speaker 1>So I'm not used to getting them. You know how.

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<v Speaker 1>I got the Swarowsky look book, and you guys help

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<v Speaker 1>me pick the hairpin. I ended up choosing the tiara

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<v Speaker 1>because I thought it would be a more statement piece.

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<v Speaker 1>I did notice that we did two bits of the Tiara.

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<v Speaker 1>I pretended it was Delta Gudrum stolen from her dressing room.

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<v Speaker 1>It's very funny. I think they've let me keep it.

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<v Speaker 1>Oh really, yeah, I think where is it? I think

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<v Speaker 1>let's give it away with a review today?

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<v Speaker 2>Really you're going to give away that? I can't says?

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<v Speaker 2>You also didn't fuck up any client credits.

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<v Speaker 1>I did notice No thanks to Pandora. It was Stella

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<v Speaker 1>mag because I had teleprompter.

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<v Speaker 4>Good.

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<v Speaker 2>So you're gonna give away the bloody cram.

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<v Speaker 1>I'm going to give out two mugs and the Aria's

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<v Speaker 1>pre show Swarovsky Tiara.

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<v Speaker 5>Wow.

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<v Speaker 2>Okay, so I don't even have to bust out the

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<v Speaker 2>red rooster about it. I'm really trying to get rid

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<v Speaker 2>of these. You're not doing me any favors.

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<v Speaker 1>Also, do we really want to give out? Ye? Give

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<v Speaker 1>out the how a fuck it? Anyway? Welcome to the

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<v Speaker 1>fiftieth episode of Is It Just Me? We start the

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<v Speaker 1>show the same way every week. Two gems something we've noticed,

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<v Speaker 1>something we hate or appreciate. I don't know Mitch's, Mitch

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<v Speaker 1>doesn't know mine, and it starts the show. I say

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<v Speaker 1>you go first again?

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<v Speaker 2>Yeah, I reckon this is the third week in a row.

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<v Speaker 2>But you know what, maybe we.

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<v Speaker 1>Just make it a thread that you always start, rather

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<v Speaker 1>than having this conversation at the start of every show.

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<v Speaker 2>But what of mine's rubbish?

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<v Speaker 6>Yeah?

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<v Speaker 1>True? What if I have a really shit one? We

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<v Speaker 1>just have to wait and see. And that's on you.

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<v Speaker 1>No pressure, all right, I'll go here we are? Is

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<v Speaker 1>it just me?

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<v Speaker 2>Two men need to stop being so flaky? Oh, I

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<v Speaker 2>just I can't anymore. Yeah, I've just had I've had

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<v Speaker 2>a two weeks from hell where I've just had countless

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<v Speaker 2>people lead me on and then just not be interested, which,

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<v Speaker 2>by the way, is fine. I'm not desperate and dateless.

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<v Speaker 2>I'm quite happy being single. It's more just the inconvenience. Yes,

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<v Speaker 2>I hate being I hate having my time wasted. The

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<v Speaker 2>ones I actually go on the dates with always a

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<v Speaker 2>good time. I always I always have a good time.

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<v Speaker 2>But it's more the ones where you chat and then

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<v Speaker 2>you exchange numbers, maybe you exchange social media, and then

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<v Speaker 2>it gets to the point where you're like, oh, yeah,

0:10:23.600 --> 0:10:25.080
<v Speaker 2>maybe we should go on a date, we should go

0:10:25.240 --> 0:10:28.520
<v Speaker 2>for a drink sometime, and not to toot my own tit,

0:10:28.840 --> 0:10:31.360
<v Speaker 2>but they're often the one suggesting it to me. Yes,

0:10:32.400 --> 0:10:36.040
<v Speaker 2>And I don't know about you, but if someone suggests

0:10:36.080 --> 0:10:38.280
<v Speaker 2>to you, hey, let's go on a date, is that

0:10:38.360 --> 0:10:39.840
<v Speaker 2>not their cue to organize it?

0:10:40.040 --> 0:10:42.240
<v Speaker 1>Yes, and this can be tricky, but if the person

0:10:42.240 --> 0:10:44.559
<v Speaker 1>that instigates it is normally the one that should be

0:10:44.600 --> 0:10:46.160
<v Speaker 1>following up on these things.

0:10:45.960 --> 0:10:49.040
<v Speaker 2>I feel like that's true, and I'm not going to

0:10:49.080 --> 0:10:51.600
<v Speaker 2>beg and be like, so, whatever happened to that date,

0:10:51.640 --> 0:10:52.440
<v Speaker 2>like are we going or not?

0:10:52.640 --> 0:10:53.120
<v Speaker 1>Yeah?

0:10:53.160 --> 0:10:56.040
<v Speaker 2>I just I've had so many suggestions and I've been like, yeah, sure,

0:10:56.080 --> 0:10:58.040
<v Speaker 2>let's do it, and then we can keep chatting for

0:10:58.200 --> 0:11:00.679
<v Speaker 2>days after and then nothing eventuates, and I'm just like,

0:11:01.600 --> 0:11:04.280
<v Speaker 2>it's so frustrating. Don't ask me in the first time

0:11:04.320 --> 0:11:05.240
<v Speaker 2>if you don't actually want to.

0:11:05.360 --> 0:11:06.960
<v Speaker 1>Is this a new thing or is it a COVID thing?

0:11:07.080 --> 0:11:09.040
<v Speaker 1>You've had this? This has been irking you for years.

0:11:09.160 --> 0:11:11.680
<v Speaker 2>This has been a thing for years, But it's only

0:11:11.720 --> 0:11:16.680
<v Speaker 2>been boiling my blood recently because basically January to August,

0:11:16.840 --> 0:11:19.640
<v Speaker 2>maybe even September, I was just not dating at all,

0:11:19.920 --> 0:11:21.560
<v Speaker 2>Like I was just not interested. But now that things

0:11:21.559 --> 0:11:24.600
<v Speaker 2>are returning to normal, let's let's round upon to socialize.

0:11:24.800 --> 0:11:26.800
<v Speaker 2>I'm back on the dating scene and I'm loving it,

0:11:27.000 --> 0:11:30.080
<v Speaker 2>but I'm also reminded at how frustrating it is. There was,

0:11:30.160 --> 0:11:32.520
<v Speaker 2>there's been a few. One guy messaged me on a

0:11:32.600 --> 0:11:36.800
<v Speaker 2>Sunday yes and goes, hey, I'd like to make you

0:11:36.840 --> 0:11:38.640
<v Speaker 2>dinner next week, and I'm like, that'd be great.

0:11:38.440 --> 0:11:41.319
<v Speaker 7>That's a romant thing to say, as well'd be excited.

0:11:41.440 --> 0:11:44.839
<v Speaker 7>No one's ever offered me that before. It sounded sweat

0:11:44.880 --> 0:11:46.640
<v Speaker 7>and we've been chatting for a bit. It wasn't out

0:11:46.640 --> 0:11:48.600
<v Speaker 7>of the blue, but I was like, sure, let's do it.

0:11:48.840 --> 0:11:51.680
<v Speaker 7>And then messaged him on Friday and said so, like

0:11:51.720 --> 0:11:53.920
<v Speaker 7>are we still doing this? And he goes, sorry, I've

0:11:53.920 --> 0:11:57.040
<v Speaker 7>got a boyfriend now. I was like, it's been three days,

0:11:58.160 --> 0:12:03.200
<v Speaker 7>how did that happen? That's rare, Like congratulations, I'm now married.

0:12:03.240 --> 0:12:05.360
<v Speaker 7>I'm so sorry my child's being born.

0:12:05.600 --> 0:12:06.960
<v Speaker 1>Yes, oh that's the worst.

0:12:07.000 --> 0:12:09.520
<v Speaker 2>And then there was another one that was like, oh yeah,

0:12:09.840 --> 0:12:12.480
<v Speaker 2>let's go on a date, super keen. He was the one,

0:12:12.520 --> 0:12:16.280
<v Speaker 2>you know, pursuing me, And then it was like, oh, sorry,

0:12:16.440 --> 0:12:17.800
<v Speaker 2>we agreed to go that day, but I can't do

0:12:17.840 --> 0:12:19.400
<v Speaker 2>I'm working. Then oh sorry, I've got a family thing.

0:12:19.440 --> 0:12:21.920
<v Speaker 2>Then oh sorry, I've got this, and I'm like if

0:12:21.920 --> 0:12:24.920
<v Speaker 2>you're not actually interested, you can just stop postponing. It's

0:12:25.000 --> 0:12:28.400
<v Speaker 2>all together canceled and he didn't reply. I was just like,

0:12:28.720 --> 0:12:34.600
<v Speaker 2>why even bother? Like I I feel like unless I

0:12:34.679 --> 0:12:37.480
<v Speaker 2>actually feel something or means something, I just don't say it. Yes,

0:12:37.559 --> 0:12:38.840
<v Speaker 2>I'm not going to tell someone I want to go

0:12:38.840 --> 0:12:39.800
<v Speaker 2>on a date with them if I don't.

0:12:39.840 --> 0:12:41.760
<v Speaker 1>And also not something that you're looking forward to all week,

0:12:41.840 --> 0:12:42.720
<v Speaker 1>like I've got that dinner with me.

0:12:43.480 --> 0:12:45.240
<v Speaker 2>It's not like that I don't look forward to it,

0:12:45.320 --> 0:12:48.480
<v Speaker 2>but it's more like I don't necessarily make plans with

0:12:48.520 --> 0:12:50.199
<v Speaker 2>my friends because I'm oh, I'm pretty sure I meant

0:12:50.200 --> 0:12:51.800
<v Speaker 2>to be seeing someone that day, and then.

0:12:52.240 --> 0:12:53.720
<v Speaker 1>Chip away you when this happens.

0:12:54.000 --> 0:12:56.200
<v Speaker 2>I wouldn't say chips away at me because, like I said,

0:12:56.240 --> 0:13:00.120
<v Speaker 2>I am quite happy being single. It's just annoying. It's like,

0:13:00.320 --> 0:13:01.959
<v Speaker 2>why bother suggesting it if.

0:13:01.920 --> 0:13:03.760
<v Speaker 1>You're not going to follow through? Yeah, I agree, I'm

0:13:03.800 --> 0:13:04.720
<v Speaker 1>pisste off for you.

0:13:05.120 --> 0:13:06.240
<v Speaker 2>It's just so annoying.

0:13:06.559 --> 0:13:08.400
<v Speaker 1>Would it make you feel better if I prank called

0:13:08.440 --> 0:13:10.640
<v Speaker 1>one of them?

0:13:11.320 --> 0:13:12.120
<v Speaker 2>How would that make If.

0:13:13.840 --> 0:13:15.840
<v Speaker 1>I don't know, I'd not think of anything that I

0:13:15.880 --> 0:13:18.200
<v Speaker 1>can do. I don't think that would help anyone. I'll

0:13:18.200 --> 0:13:20.000
<v Speaker 1>call them. No, we shouldn't do that. Now I will

0:13:20.000 --> 0:13:22.920
<v Speaker 1>call them as dot Wigans and just fuck with them.

0:13:22.960 --> 0:13:25.280
<v Speaker 1>Oh my god, I'll call them as dot.

0:13:26.400 --> 0:13:31.280
<v Speaker 2>Someone did suggest that we reprise dot Wiggins prank as

0:13:31.400 --> 0:13:33.720
<v Speaker 2>her back in our most recent talkback tings.

0:13:33.800 --> 0:13:37.440
<v Speaker 1>Yep, oh no, no, Dot Wiggins is my alter ego,

0:13:37.679 --> 0:13:41.160
<v Speaker 1>my eighty seven year old elderly Australian woman who loves

0:13:41.200 --> 0:13:42.959
<v Speaker 1>talkback radio. Let me at all?

0:13:43.200 --> 0:13:45.000
<v Speaker 2>What am I going to say to this twenty year

0:13:45.000 --> 0:13:46.840
<v Speaker 2>old like random off Tinder?

0:13:46.960 --> 0:13:50.520
<v Speaker 1>Oh don't know. I'll pretend that. I'll pretend that I

0:13:50.559 --> 0:13:52.720
<v Speaker 1>think it's my grandson and I've got the number wrong.

0:13:54.240 --> 0:13:55.880
<v Speaker 2>Oh okay, so you're not actually going to tie it

0:13:55.920 --> 0:13:56.400
<v Speaker 2>back to me.

0:13:56.600 --> 0:13:58.520
<v Speaker 1>Or no, no, you'll be There'll be no one.

0:13:58.679 --> 0:14:00.200
<v Speaker 2>That's fine. I thought you were gonna be like my

0:14:00.200 --> 0:14:04.840
<v Speaker 2>grandson Mitchell, with pleasure. With pleasure, I couldn't care less

0:14:04.840 --> 0:14:06.480
<v Speaker 2>if they die. You can fuck with them as much

0:14:06.480 --> 0:14:06.920
<v Speaker 2>as your life.

0:14:06.960 --> 0:14:09.800
<v Speaker 1>Send me the number. I don't what can I do?

0:14:10.480 --> 0:14:12.880
<v Speaker 1>I could probably just say which one do I hate?

0:14:14.160 --> 0:14:16.199
<v Speaker 1>Send me the one that had a fuck has got

0:14:16.200 --> 0:14:16.960
<v Speaker 1>a boyfriend? Now?

0:14:17.640 --> 0:14:20.960
<v Speaker 2>No, I just message him on Instagram? Oh that one?

0:14:21.360 --> 0:14:23.440
<v Speaker 1>Gaze? Move on us. Oh god, there's one here who

0:14:23.440 --> 0:14:24.840
<v Speaker 1>I fox me off.

0:14:24.880 --> 0:14:27.920
<v Speaker 2>When they do this, they suggest that you go on

0:14:28.000 --> 0:14:31.600
<v Speaker 2>a date, they don't make it happen, they don't follow through,

0:14:31.640 --> 0:14:33.440
<v Speaker 2>they don't plan anything, and then you just kind of

0:14:33.440 --> 0:14:35.800
<v Speaker 2>don't speak for ages. And then the next time they

0:14:35.800 --> 0:14:38.000
<v Speaker 2>see you they hit you with the why have we

0:14:38.080 --> 0:14:38.920
<v Speaker 2>gone on that date yet?

0:14:41.120 --> 0:14:42.880
<v Speaker 1>Can you fucking organize it?

0:14:44.440 --> 0:14:45.840
<v Speaker 2>I hate it when they put it back on you.

0:14:45.920 --> 0:14:47.520
<v Speaker 1>That's like when you go to a restaurant, you order

0:14:47.560 --> 0:14:49.440
<v Speaker 1>your food and the waitress goes, I'll be right with you,

0:14:49.480 --> 0:14:51.800
<v Speaker 1>and then ten minutes haven't you guys ordered yet? It's

0:14:51.800 --> 0:14:54.920
<v Speaker 1>like that's your job. That's your job to make sure

0:14:55.000 --> 0:14:55.480
<v Speaker 1>we order.

0:14:55.760 --> 0:14:57.840
<v Speaker 2>That's exactly what it is. Let me find another one.

0:14:57.840 --> 0:14:58.760
<v Speaker 2>I don't want to call him.

0:14:59.280 --> 0:15:01.120
<v Speaker 1>How do you have this? People's number? You develop from

0:15:01.120 --> 0:15:03.320
<v Speaker 1>Tinder to message? It depends.

0:15:03.320 --> 0:15:08.160
<v Speaker 2>Sometimes we go to Instagram, sometimes we go to number depend. Okay,

0:15:08.160 --> 0:15:11.880
<v Speaker 2>so yeah, this one you can this guy, Jamie? Is

0:15:11.880 --> 0:15:12.320
<v Speaker 2>that to you?

0:15:12.880 --> 0:15:14.440
<v Speaker 1>Okay? What can I do to freak him out a

0:15:14.440 --> 0:15:14.800
<v Speaker 1>little bit?

0:15:15.640 --> 0:15:17.600
<v Speaker 2>I want you to bring him out?

0:15:18.000 --> 0:15:27.280
<v Speaker 1>Oh maybe we shouldn't do it. I'm already.

0:15:27.000 --> 0:15:27.160
<v Speaker 6>Did.

0:15:27.160 --> 0:15:30.360
<v Speaker 1>My name is Dotal Wiggins calling from the r T A.

0:15:30.480 --> 0:15:33.640
<v Speaker 1>How are you today, the r T A, Yes, Rose

0:15:33.680 --> 0:15:34.320
<v Speaker 1>Traffic Author.

0:15:35.200 --> 0:15:37.680
<v Speaker 8>Okay, I'm well good here.

0:15:38.520 --> 0:15:42.240
<v Speaker 1>I just have paperwork here and it's saying that we

0:15:42.360 --> 0:15:46.720
<v Speaker 1>have an unregistered vehicle parked on Cherry Blossom Street corner

0:15:46.720 --> 0:15:51.960
<v Speaker 1>of nine Blossom and it's registered under your name. Which

0:15:52.680 --> 0:15:59.200
<v Speaker 1>suburb is that Frankston teen West, Frankston teen West, f

0:15:59.400 --> 0:16:05.680
<v Speaker 1>r A n K S T and teen West Eankston West,

0:16:05.920 --> 0:16:07.440
<v Speaker 1>Rankston teen West.

0:16:07.960 --> 0:16:18.800
<v Speaker 8>Okay, thanks, so mm hmm where okay, and so what's

0:16:19.000 --> 0:16:19.880
<v Speaker 8>what's the issue.

0:16:20.360 --> 0:16:23.640
<v Speaker 1>I'm afraid that there's an unregistered vehicle in your name

0:16:23.760 --> 0:16:26.320
<v Speaker 1>sitting on Cherry Bottom av and it will either be

0:16:26.400 --> 0:16:28.040
<v Speaker 1>toad or you can come and claim in the next

0:16:28.040 --> 0:16:30.240
<v Speaker 1>twenty four hours. I'm just giving you a courtesy call,

0:16:30.320 --> 0:16:30.680
<v Speaker 1>my dear.

0:16:32.360 --> 0:16:34.520
<v Speaker 8>Okay, Well, the thing is is I don't own any

0:16:34.600 --> 0:16:42.560
<v Speaker 8>vehicles whatsoever. Who All right, we'll speak to the r

0:16:42.600 --> 0:16:44.080
<v Speaker 8>t A and I'll see what's happening with that.

0:16:44.400 --> 0:16:46.040
<v Speaker 1>I am the r don't be daft.

0:16:47.360 --> 0:16:49.240
<v Speaker 8>I don't know that you actually are there, because you

0:16:49.360 --> 0:16:51.280
<v Speaker 8>sound a bit odd.

0:16:51.920 --> 0:16:55.800
<v Speaker 1>Beg your pardon. I'm regardless of my age. I've been

0:16:55.840 --> 0:16:58.520
<v Speaker 1>working in the workforce for years. I don't think that

0:16:58.840 --> 0:17:00.960
<v Speaker 1>bears any juffment on my heres the R T?

0:17:03.120 --> 0:17:03.320
<v Speaker 9>Right?

0:17:03.520 --> 0:17:04.920
<v Speaker 8>Okay, so what's your name.

0:17:04.760 --> 0:17:06.639
<v Speaker 1>And what's not capital D?

0:17:08.080 --> 0:17:08.879
<v Speaker 5>D O T.

0:17:09.040 --> 0:17:16.720
<v Speaker 1>Wiggins? Oh sorry, he won't mess with you again.

0:17:18.560 --> 0:17:22.119
<v Speaker 2>He doesn't drive. He's one of the Sydney gaze that

0:17:22.160 --> 0:17:23.920
<v Speaker 2>fits the stereotype can't drive.

0:17:25.480 --> 0:17:26.720
<v Speaker 1>He really persisted with.

0:17:26.680 --> 0:17:29.120
<v Speaker 2>That longer than he needed to, considering he doesn't drive.

0:17:30.640 --> 0:17:34.280
<v Speaker 1>Oh shit. Also, he was googling the fake suburb?

0:17:35.040 --> 0:17:37.720
<v Speaker 2>Is this this part of dots like? Is this dots catchphrase?

0:17:37.840 --> 0:17:38.120
<v Speaker 2>Is going?

0:17:38.200 --> 0:17:38.720
<v Speaker 1>Who?

0:17:38.800 --> 0:17:39.000
<v Speaker 9>When?

0:17:39.000 --> 0:17:39.840
<v Speaker 2>Not making no sense?

0:17:39.920 --> 0:17:42.320
<v Speaker 1>Yeah? Asking who? When he asks what time it is?

0:17:42.480 --> 0:17:42.920
<v Speaker 10>Who?

0:17:44.320 --> 0:17:44.600
<v Speaker 5>All right?

0:17:45.080 --> 0:17:46.639
<v Speaker 1>Just know that you will love and you don't need

0:17:46.640 --> 0:17:47.240
<v Speaker 1>anyone's date.

0:17:47.280 --> 0:17:49.359
<v Speaker 2>No, no, no, no, no no no, that's not the moral

0:17:49.400 --> 0:17:51.280
<v Speaker 2>of the story. The moral of the story is not

0:17:51.320 --> 0:17:54.639
<v Speaker 2>that I'm desperate and dateless. The moral of the story is, guys,

0:17:54.680 --> 0:17:58.440
<v Speaker 2>just don't say things you don't mean. It waste people's time.

0:17:58.560 --> 0:18:00.880
<v Speaker 2>These are actual humans that you're dealing with.

0:18:02.960 --> 0:18:09.040
<v Speaker 1>Put that on the shirt? Is it just me? Do

0:18:09.080 --> 0:18:12.639
<v Speaker 1>you also have no idea where subtitles on Instagram stories

0:18:12.640 --> 0:18:13.240
<v Speaker 1>have come from?

0:18:14.119 --> 0:18:16.000
<v Speaker 2>I don't you mean the ones that people to type

0:18:16.080 --> 0:18:16.360
<v Speaker 2>and tell?

0:18:16.480 --> 0:18:16.680
<v Speaker 3>Yeah?

0:18:16.680 --> 0:18:20.240
<v Speaker 1>I feel like I'm watching an SBS biopic or Naked

0:18:20.280 --> 0:18:24.080
<v Speaker 1>News or serbi an update. Every time I go on Instagram. Yeah,

0:18:24.280 --> 0:18:28.480
<v Speaker 1>Instagram influences will be like, oh, the COVID vaccine came

0:18:28.480 --> 0:18:30.200
<v Speaker 1>out today and I'm so torn, I don't know what

0:18:30.240 --> 0:18:32.600
<v Speaker 1>to do, and then they will type it out for baden,

0:18:32.640 --> 0:18:34.199
<v Speaker 1>word for word on the screen.

0:18:34.320 --> 0:18:36.159
<v Speaker 2>I've noticed that a lot on TikTok as well. They

0:18:36.160 --> 0:18:39.119
<v Speaker 2>put th th for closed captions and then they'll write

0:18:39.160 --> 0:18:40.160
<v Speaker 2>exactly what they say.

0:18:40.400 --> 0:18:41.480
<v Speaker 1>I did see that for a bit, and I thought

0:18:41.640 --> 0:18:43.359
<v Speaker 1>a lot of people getting c C spunk on like

0:18:43.400 --> 0:18:47.080
<v Speaker 1>the chips. It turns out not colose captions. It's off putting.

0:18:47.359 --> 0:18:49.280
<v Speaker 1>And if it's for the heart of hearing or for

0:18:49.400 --> 0:18:52.360
<v Speaker 1>people that are deaf or disabled in that way, then

0:18:52.480 --> 0:18:56.440
<v Speaker 1>great power to you. But who was an email sent out?

0:18:56.800 --> 0:18:59.560
<v Speaker 1>Everyone did all the influencers just get told to start

0:18:59.600 --> 0:18:59.919
<v Speaker 1>doing this.

0:19:00.600 --> 0:19:03.480
<v Speaker 2>No, I feel like it's something that only people who

0:19:03.480 --> 0:19:06.560
<v Speaker 2>are full time influencers would do because that's their livelihood.

0:19:06.600 --> 0:19:10.399
<v Speaker 2>And you know how on Instagram stories, for example, you

0:19:10.440 --> 0:19:13.360
<v Speaker 2>can look at exactly how many people have exited your

0:19:13.400 --> 0:19:17.679
<v Speaker 2>story or swiped away. I guess that that retention is

0:19:17.720 --> 0:19:21.240
<v Speaker 2>what they're trying to build because like, if someone is

0:19:21.280 --> 0:19:24.159
<v Speaker 2>watching without audio, it means that they will still be

0:19:24.200 --> 0:19:26.679
<v Speaker 2>able to watch and keep clicking through. They won't just

0:19:26.720 --> 0:19:28.359
<v Speaker 2>be like, oh I can't hear it, I'm gonna fuck away.

0:19:28.400 --> 0:19:30.160
<v Speaker 1>That's crafty, a good way to keep you watching.

0:19:30.240 --> 0:19:32.000
<v Speaker 2>So I guess that's why people would do it, but

0:19:32.040 --> 0:19:34.280
<v Speaker 2>it would take a lot of time. I can't see

0:19:34.320 --> 0:19:36.440
<v Speaker 2>myself getting amongst it. I've thought about it, but done.

0:19:36.480 --> 0:19:39.160
<v Speaker 1>The majority of people just watch with sound anyway, who's

0:19:39.160 --> 0:19:40.760
<v Speaker 1>watching its sound.

0:19:40.640 --> 0:19:45.639
<v Speaker 2>On Instagram feed where your posts come through on the grid,

0:19:45.760 --> 0:19:49.280
<v Speaker 2>they I think it's twelve percent of people watch with

0:19:49.359 --> 0:19:53.760
<v Speaker 2>audio on, so vast majority of people are scrolling their

0:19:53.760 --> 0:19:57.880
<v Speaker 2>Instagram feeds on mute. Whereas Insta Stories, I think it's

0:19:57.960 --> 0:20:02.399
<v Speaker 2>eighty percent of people are watching with sound. So it's

0:20:02.440 --> 0:20:05.600
<v Speaker 2>pretty safe to assume that most people are watching Instagram

0:20:05.640 --> 0:20:08.760
<v Speaker 2>stories and even more so tiktoks with the audio on.

0:20:08.880 --> 0:20:10.879
<v Speaker 2>So you don't really need to close caption it. But

0:20:10.920 --> 0:20:13.280
<v Speaker 2>it has been helpful sometimes. Abby Chatfield does it a lot.

0:20:13.320 --> 0:20:15.520
<v Speaker 1>Abby does it all the time. If I'm ever in the.

0:20:15.440 --> 0:20:17.720
<v Speaker 2>Bathroom at work and I'm like browsing into the stories,

0:20:17.800 --> 0:20:20.440
<v Speaker 2>and I'll like see Hers come up. I don't want

0:20:20.440 --> 0:20:22.720
<v Speaker 2>to play it out loud. I'll oh, Abby's there. I

0:20:22.720 --> 0:20:25.000
<v Speaker 2>can actually watch hers because she close captions it.

0:20:25.200 --> 0:20:26.800
<v Speaker 1>Yeah, but you lose so much more of the magic

0:20:26.840 --> 0:20:29.080
<v Speaker 1>when you're just reading. I'm not a fan. Also very

0:20:29.080 --> 0:20:30.760
<v Speaker 1>confused by it. I don't know where it came from.

0:20:30.960 --> 0:20:33.320
<v Speaker 1>That's my issue with it. He doesn't bother me that much.

0:20:33.320 --> 0:20:36.240
<v Speaker 1>I'm just like, oh, yeah, I can see that happening. Well,

0:20:36.280 --> 0:20:38.119
<v Speaker 1>I thought, why don't we call the one influencer that

0:20:38.160 --> 0:20:40.120
<v Speaker 1>I know that definitely does it? A friend of mine,

0:20:40.200 --> 0:20:43.480
<v Speaker 1>Zowe Marshall from The Deep podcast, Just my lifelong friend.

0:20:44.800 --> 0:20:47.639
<v Speaker 1>She's been on the show before. She Oh, we sorry

0:20:47.640 --> 0:20:48.760
<v Speaker 1>tunneled her baby.

0:20:48.520 --> 0:20:51.320
<v Speaker 2>Yes, the last episode of season one. You invited her

0:20:51.359 --> 0:20:53.080
<v Speaker 2>one as a guest host has yet to come in.

0:20:53.119 --> 0:20:55.159
<v Speaker 1>But yeah, I'm not that I'm holding grudges. No, no, no,

0:20:55.280 --> 0:20:58.800
<v Speaker 1>We'll try and get her on. Let's call her quickly,

0:20:59.040 --> 0:21:01.439
<v Speaker 1>because you don't want I want to see why she

0:21:01.560 --> 0:21:08.800
<v Speaker 1>does it, honey, Zoe boats Mitch and Mitch. Hello, where

0:21:08.840 --> 0:21:10.280
<v Speaker 1>are you you are? Zen Dayspa?

0:21:11.640 --> 0:21:13.760
<v Speaker 9>I wish I'm not at the day spa.

0:21:14.240 --> 0:21:14.840
<v Speaker 1>Where are you?

0:21:15.720 --> 0:21:16.639
<v Speaker 9>It's on the couch.

0:21:16.840 --> 0:21:22.320
<v Speaker 1>Oh Jesus I need your help because I am very confused.

0:21:22.359 --> 0:21:24.040
<v Speaker 1>And I thought I'm going to call the most famous,

0:21:24.080 --> 0:21:27.480
<v Speaker 1>most well known, and most highest paid influencer that I know,

0:21:29.040 --> 0:21:35.560
<v Speaker 1>and a chatfield was busy. So that's no, no, no,

0:21:35.800 --> 0:21:40.199
<v Speaker 1>I have no idea where subtitles on Instagram stories have

0:21:40.320 --> 0:21:42.399
<v Speaker 1>come from. And I've noticed that you were doing it.

0:21:42.400 --> 0:21:45.200
<v Speaker 1>Did an email go out to influences?

0:21:45.320 --> 0:21:45.919
<v Speaker 2>I've seen this.

0:21:46.119 --> 0:21:48.960
<v Speaker 5>I've not done them because I think it's a lot

0:21:48.960 --> 0:21:51.239
<v Speaker 5>of work. I think you have to remember exactly what

0:21:51.280 --> 0:21:53.000
<v Speaker 5>you say and then you have to type it in.

0:21:53.119 --> 0:21:54.080
<v Speaker 1>Wait, I'm confused.

0:21:54.119 --> 0:21:56.080
<v Speaker 2>You said that you wanted to call a well known

0:21:56.080 --> 0:21:58.560
<v Speaker 2>influencer you know that does it. But Zoe is now

0:21:58.600 --> 0:22:01.160
<v Speaker 2>saying that there are who has time that she's never

0:22:01.160 --> 0:22:01.439
<v Speaker 2>done it.

0:22:01.480 --> 0:22:04.000
<v Speaker 8>Well, may probably try and call Happy again.

0:22:04.080 --> 0:22:06.879
<v Speaker 1>Zoe, you have done it, you like, unless this is

0:22:06.920 --> 0:22:10.560
<v Speaker 1>the one. Now listen, Zoey, we have the same management.

0:22:10.720 --> 0:22:12.600
<v Speaker 1>I have a feeling that you've got to You got

0:22:12.640 --> 0:22:14.639
<v Speaker 1>someone to make a story for you, and your uploaded it.

0:22:14.680 --> 0:22:17.119
<v Speaker 1>You haven't even realized which one.

0:22:17.520 --> 0:22:20.360
<v Speaker 2>I'm so absent right now, I'm like taking.

0:22:20.080 --> 0:22:24.680
<v Speaker 1>Time off, Zoe are to be useless to me? Sorry?

0:22:25.600 --> 0:22:26.240
<v Speaker 6>Is it just me?

0:22:28.680 --> 0:22:32.840
<v Speaker 1>Caselton Heights the number one podcasts of middle aged women

0:22:32.920 --> 0:22:35.760
<v Speaker 1>who say, oh, I won't be able to put these

0:22:35.800 --> 0:22:38.200
<v Speaker 1>down after tasting one darto.

0:22:39.280 --> 0:22:41.880
<v Speaker 2>So that's two times now that Zoe Marshall has been

0:22:42.359 --> 0:22:43.280
<v Speaker 2>sorry tannel on our.

0:22:43.240 --> 0:22:45.119
<v Speaker 1>Show, and technically the first because we did it to

0:22:45.119 --> 0:22:46.920
<v Speaker 1>her infant son Fox before.

0:22:47.480 --> 0:22:49.159
<v Speaker 2>I didn't even get the chance to ask if she

0:22:49.480 --> 0:22:50.640
<v Speaker 2>wanted to come in studio.

0:22:50.840 --> 0:22:53.480
<v Speaker 1>She was hopeless to on that down days she gave

0:22:53.560 --> 0:22:55.600
<v Speaker 1>us no answer and nothing. She just waffled on, well,

0:22:55.600 --> 0:22:58.560
<v Speaker 1>so I'm pretty sure she's wine drunk, but what have you?

0:22:58.560 --> 0:23:01.680
<v Speaker 2>You've definitely seen her doing stories with subtitles because she's

0:23:01.720 --> 0:23:03.520
<v Speaker 2>denying it profusely like it's a murder.

0:23:03.600 --> 0:23:05.440
<v Speaker 1>I would not have called her up on my own

0:23:05.440 --> 0:23:07.280
<v Speaker 1>podcasts and made myself look like an idiot.

0:23:07.480 --> 0:23:10.200
<v Speaker 2>If I wouldn't see us, I wouldn't put it past you.

0:23:10.400 --> 0:23:13.760
<v Speaker 1>How stupid. Anyway, let's read out some reviews. Guys. You

0:23:13.800 --> 0:23:15.520
<v Speaker 1>can be featured on the podcast if you leave us

0:23:15.520 --> 0:23:20.040
<v Speaker 1>a review on Apple Podcasts five stars please. We also,

0:23:20.520 --> 0:23:23.080
<v Speaker 1>at the moment have a couple of mugs left too.

0:23:23.359 --> 0:23:25.400
<v Speaker 2>We're going to order some more. We've got other prizes

0:23:25.400 --> 0:23:28.359
<v Speaker 2>to give away. I'm sensing this is becoming a weekly thing. Yeah,

0:23:28.720 --> 0:23:31.119
<v Speaker 2>may as well be. This section of the show halfway

0:23:31.119 --> 0:23:32.879
<v Speaker 2>through will read out a few reviews. And there have

0:23:33.000 --> 0:23:36.720
<v Speaker 2>been a few people who use Spotify or the iHeartRadio

0:23:36.800 --> 0:23:40.720
<v Speaker 2>app other podcast apps outside of Apple Podcasts, right, and

0:23:40.760 --> 0:23:43.480
<v Speaker 2>they've said I can't leave a review. Well to you,

0:23:43.640 --> 0:23:46.199
<v Speaker 2>I say, Dylan, there's other ways you can help. You

0:23:46.240 --> 0:23:50.480
<v Speaker 2>can leave a review on Facebook or another thing that

0:23:50.520 --> 0:23:53.080
<v Speaker 2>would be helpful is just take an Instagram story of

0:23:53.160 --> 0:23:55.919
<v Speaker 2>you listening to the podcast, like your phone or whatever

0:23:55.920 --> 0:23:58.359
<v Speaker 2>you're doing, and you listen and then target us in

0:23:58.400 --> 0:24:00.320
<v Speaker 2>it so we can reshare it, you know, just share

0:24:00.320 --> 0:24:00.600
<v Speaker 2>and the.

0:24:00.560 --> 0:24:02.479
<v Speaker 1>Love okay, and you know what, we'll count them as

0:24:02.600 --> 0:24:04.080
<v Speaker 1>entries and we'll read them out and we'll say this

0:24:04.119 --> 0:24:05.679
<v Speaker 1>person did that and that counts and they can win

0:24:05.680 --> 0:24:06.320
<v Speaker 1>a mug as well.

0:24:06.440 --> 0:24:09.520
<v Speaker 2>Oh if they put their review on Instagram stories and target.

0:24:09.400 --> 0:24:13.760
<v Speaker 1>Or just put up a screenshot. Yeah, exactly. Okay, this

0:24:13.960 --> 0:24:17.800
<v Speaker 1>is any form of promotion for this podcast is in

0:24:17.800 --> 0:24:18.560
<v Speaker 1>the running for a week.

0:24:18.560 --> 0:24:20.520
<v Speaker 2>We will bribe for praise here.

0:24:20.600 --> 0:24:22.800
<v Speaker 1>And is it just me not afraid to say, let's

0:24:22.800 --> 0:24:25.520
<v Speaker 1>go to Shannon dot Nicole. You're both going places she

0:24:25.920 --> 0:24:27.520
<v Speaker 1>had me there won't even read out the body of

0:24:27.520 --> 0:24:27.800
<v Speaker 1>the review.

0:24:27.840 --> 0:24:30.280
<v Speaker 2>Funnily enough, neither. If it's gone anywhere, Jenna's gone a place.

0:24:30.359 --> 0:24:32.280
<v Speaker 1>Yeah, exactly right. We have to check in with her.

0:24:32.280 --> 0:24:34.680
<v Speaker 1>He's probably waiting on zoom crying and do that effect.

0:24:34.880 --> 0:24:36.640
<v Speaker 1>She says. I listened to your podcast while I drive

0:24:36.680 --> 0:24:38.639
<v Speaker 1>my partner to and from work every day, which is

0:24:38.680 --> 0:24:42.440
<v Speaker 1>a two hour drive. Wow, good day, I tell my toddler.

0:24:42.480 --> 0:24:44.000
<v Speaker 1>We're listening to Uncle Mitch's.

0:24:44.240 --> 0:24:45.119
<v Speaker 2>Oh hell cute.

0:24:45.640 --> 0:24:47.680
<v Speaker 1>You're both going places. Keep it up, lots of love.

0:24:47.720 --> 0:24:50.480
<v Speaker 1>You've just won yourself a mug. Congratulations.

0:24:50.960 --> 0:24:53.560
<v Speaker 2>You've always wanted to be a problematic guncle. Yeah, your

0:24:53.640 --> 0:24:55.280
<v Speaker 2>uncle Mitchellie needs to watch his fail mau.

0:24:55.440 --> 0:24:56.280
<v Speaker 1>Do you like gunkle?

0:24:57.480 --> 0:24:59.920
<v Speaker 2>I don't identify as gunkle, but no, I don't find

0:25:00.080 --> 0:25:03.680
<v Speaker 2>defensive like I would never you know, put on Instagram

0:25:03.760 --> 0:25:06.159
<v Speaker 2>gunkle gdy if I'm looking after Noah and Anna, I

0:25:06.200 --> 0:25:06.879
<v Speaker 2>would never do that.

0:25:06.960 --> 0:25:08.160
<v Speaker 1>I hate that gunkle time.

0:25:09.240 --> 0:25:09.919
<v Speaker 2>You're not a gunkle.

0:25:10.359 --> 0:25:13.480
<v Speaker 1>I'm a guncle. Oh No, my cousin's kids but rather

0:25:13.480 --> 0:25:15.800
<v Speaker 1>the same. I'm their godfather's father. Same.

0:25:16.119 --> 0:25:16.880
<v Speaker 2>It's not the same.

0:25:17.240 --> 0:25:19.520
<v Speaker 1>We've got oh this is Jesus. Why do I choose

0:25:19.560 --> 0:25:25.000
<v Speaker 1>these ones? TD is all Pretzel says, sorry, tada nice.

0:25:25.040 --> 0:25:28.080
<v Speaker 1>This is the best I manage twenty eight staff, and

0:25:28.200 --> 0:25:30.600
<v Speaker 1>every time one comes near me to ask a question,

0:25:30.720 --> 0:25:31.280
<v Speaker 1>I now.

0:25:31.119 --> 0:25:34.000
<v Speaker 2>Say, sorry, dada, Oh my god.

0:25:35.240 --> 0:25:39.399
<v Speaker 1>Oh well done. As if she's a neurosurgeon doctor, we

0:25:39.480 --> 0:25:44.240
<v Speaker 1>have a brain bleed on on patient seven. Sorry my god,

0:25:44.440 --> 0:25:47.199
<v Speaker 1>an operating suite. You can't do that. This is a

0:25:47.200 --> 0:25:49.560
<v Speaker 1>long one, and you fuck off with the long ones.

0:25:50.200 --> 0:25:52.480
<v Speaker 1>Oh come on, I'm not just up my speed. If

0:25:52.520 --> 0:25:54.000
<v Speaker 1>you're listening now and you want to go through the square,

0:25:54.040 --> 0:25:55.560
<v Speaker 1>could you just do two time spending? Speak out this?

0:25:56.640 --> 0:25:58.560
<v Speaker 1>She looks twenty one, says love this podcast to the

0:25:58.560 --> 0:26:00.840
<v Speaker 1>moon and Bag. I often thought and wondered is it

0:26:00.880 --> 0:26:03.439
<v Speaker 1>just me? When I stumbled upon this podcast filled me

0:26:03.480 --> 0:26:06.639
<v Speaker 1>with glee. With groundskeeper Janet Mitch to Midnight and the

0:26:06.680 --> 0:26:10.119
<v Speaker 1>face of Bogan Gate. The weekly episodes are always worth

0:26:10.119 --> 0:26:13.480
<v Speaker 1>the way it's rhyming, I get it. Yeah. The igems also,

0:26:13.560 --> 0:26:16.320
<v Speaker 1>which I totally relate. You got to listen to this podcast.

0:26:16.359 --> 0:26:18.640
<v Speaker 1>It's a laugh a minute content which is never dull.

0:26:18.760 --> 0:26:21.359
<v Speaker 1>And while you're reading this, I'd just like to say Oops, sorry,

0:26:21.400 --> 0:26:25.040
<v Speaker 1>tanah No, that's a real well you know what, it's

0:26:25.040 --> 0:26:29.040
<v Speaker 1>not done, oh ring enchanting, lovable, down to earth individuals.

0:26:29.200 --> 0:26:31.280
<v Speaker 1>I can't wait to hear this rhyme who you just

0:26:31.320 --> 0:26:33.760
<v Speaker 1>want to hug? The big question is does this rhyme

0:26:33.840 --> 0:26:36.040
<v Speaker 1>deserve an exclusive mug?

0:26:37.480 --> 0:26:39.560
<v Speaker 2>I would say, though, I say, yeah, you've won the mark.

0:26:39.640 --> 0:26:42.000
<v Speaker 1>Well done. That is Sheila twenty one.

0:26:42.640 --> 0:26:44.480
<v Speaker 2>We're definitely gonna have to auder more mugs me.

0:26:44.560 --> 0:26:47.240
<v Speaker 1>We really are. If you your name was just called out,

0:26:47.640 --> 0:26:50.159
<v Speaker 1>DM me or the podcast page or Mitch whoever will

0:26:50.200 --> 0:26:52.359
<v Speaker 1>work it out also in the bakhouse. Okay, send it

0:26:52.400 --> 0:26:54.439
<v Speaker 1>to me on Instagram and I will make sure you

0:26:54.440 --> 0:26:55.320
<v Speaker 1>get yourself a mug.

0:26:55.880 --> 0:26:59.520
<v Speaker 2>Mitch is now deputy editor in chief of our Campaigns

0:26:59.520 --> 0:27:00.800
<v Speaker 2>and Activateations department.

0:27:00.960 --> 0:27:03.240
<v Speaker 1>Yes, which is now growing because we.

0:27:03.280 --> 0:27:04.840
<v Speaker 2>Keep promising mugs every bit and.

0:27:06.800 --> 0:27:10.360
<v Speaker 1>Now I know I do, but we really shouldn't make

0:27:10.359 --> 0:27:12.080
<v Speaker 1>our announcement now do anything we should?

0:27:12.440 --> 0:27:16.679
<v Speaker 2>Do you have any like grand Oscars music or like

0:27:17.000 --> 0:27:18.720
<v Speaker 2>a drum roll or something.

0:27:19.119 --> 0:27:20.720
<v Speaker 1>You can make it happen. We didn't.

0:27:20.760 --> 0:27:22.920
<v Speaker 2>We didn't prepare this. It was just before the MIC's

0:27:22.920 --> 0:27:24.320
<v Speaker 2>went on that I was like, oh, should we tell.

0:27:24.200 --> 0:27:26.200
<v Speaker 1>Them yeah, I think we should tell the people here.

0:27:26.080 --> 0:27:28.639
<v Speaker 2>We go something exciting happened in our podcast.

0:27:28.720 --> 0:27:30.800
<v Speaker 1>Well it did. You've been listening to us for well

0:27:30.840 --> 0:27:32.200
<v Speaker 1>over a year now, that's right.

0:27:32.280 --> 0:27:36.440
<v Speaker 2>As you know, we've been hijacking the Kiss FM studios

0:27:36.440 --> 0:27:38.959
<v Speaker 2>where we work for the last year while we've been

0:27:39.000 --> 0:27:41.879
<v Speaker 2>doing this show. And after all this time of invading,

0:27:41.960 --> 0:27:45.399
<v Speaker 2>our parents have finally decided to adopt us. We have

0:27:45.600 --> 0:27:50.760
<v Speaker 2>now been signed as an AARN podcast partner with iHeartRadio.

0:27:50.000 --> 0:27:51.200
<v Speaker 1>Where an I podcast.

0:27:51.600 --> 0:27:56.199
<v Speaker 2>That's right, and so we've been signed, Bitch. It doesn't

0:27:56.240 --> 0:27:58.639
<v Speaker 2>mean much to you, guys, but other than that, in

0:27:58.680 --> 0:27:59.960
<v Speaker 2>fact that you're going to start here.

0:28:00.280 --> 0:28:01.120
<v Speaker 1>Ads pop up.

0:28:01.080 --> 0:28:03.920
<v Speaker 2>In the middle of the show occasionally, but if one

0:28:03.960 --> 0:28:07.560
<v Speaker 2>of you assholes winges even once about that, I swear

0:28:07.600 --> 0:28:09.399
<v Speaker 2>to God, I'm not a fucking charity. I've been doing

0:28:09.440 --> 0:28:11.000
<v Speaker 2>the show for free for a year. If I've got

0:28:11.040 --> 0:28:14.080
<v Speaker 2>the opportunity to make money off it, all this means encourage.

0:28:14.119 --> 0:28:16.959
<v Speaker 1>It is that mommy and Daddy are now we're now

0:28:17.000 --> 0:28:20.840
<v Speaker 1>making back, bitch. We're making right, We're making cash.

0:28:20.960 --> 0:28:24.399
<v Speaker 2>But it's also a big boost for the show. If

0:28:24.440 --> 0:28:26.840
<v Speaker 2>you listen to kids fmily you might even hear ads

0:28:26.880 --> 0:28:28.280
<v Speaker 2>for our show throughout the day.

0:28:28.440 --> 0:28:29.439
<v Speaker 1>What are our AD's gotta be.

0:28:29.680 --> 0:28:31.400
<v Speaker 2>I don't know. We haven't gotten to that point. We've

0:28:31.480 --> 0:28:35.080
<v Speaker 2>only just signed the contract. True, and so you'll also

0:28:35.119 --> 0:28:37.600
<v Speaker 2>see our videos popping up on you know, the kids

0:28:37.640 --> 0:28:42.720
<v Speaker 2>to cram all stuff like that. So it's exciting. We're

0:28:42.720 --> 0:28:43.920
<v Speaker 2>now part of the furniture.

0:28:44.040 --> 0:28:46.680
<v Speaker 1>Yeah, we are now legally contractually. We have to be

0:28:46.720 --> 0:28:49.160
<v Speaker 1>careful what we say, otherwise we might be removed from

0:28:49.160 --> 0:28:49.640
<v Speaker 1>the network.

0:28:49.720 --> 0:28:52.280
<v Speaker 2>I know we're not just sneaking in and like using

0:28:52.280 --> 0:28:56.000
<v Speaker 2>the studio after ours are actually a product of the business.

0:28:56.000 --> 0:28:59.600
<v Speaker 1>Congratulations Mitchell, congratulations to you too. Cheez. We should have

0:28:59.600 --> 0:29:01.680
<v Speaker 1>got we had Moi shand on for my birthday.

0:29:02.120 --> 0:29:02.360
<v Speaker 5>It is.

0:29:02.640 --> 0:29:04.960
<v Speaker 1>It's exciting. Anyway, we should continue the show. Wait, we

0:29:05.000 --> 0:29:07.720
<v Speaker 1>should check in with groundskeeper Jenna actually on location.

0:29:08.040 --> 0:29:10.600
<v Speaker 2>Oh yeah, of course, we've even got theme music for her.

0:29:10.640 --> 0:29:13.400
<v Speaker 2>Guys again on the road.

0:29:13.560 --> 0:29:15.480
<v Speaker 1>She is on location, we should say.

0:29:15.880 --> 0:29:18.640
<v Speaker 2>Usually Jenna is here in the studio with us every

0:29:18.680 --> 0:29:20.960
<v Speaker 2>week is our third wheel, but this week it's her

0:29:21.040 --> 0:29:23.640
<v Speaker 2>job trial. She could get a promotion after this. She's

0:29:23.680 --> 0:29:27.640
<v Speaker 2>going to be our roving reporter today. So she's out

0:29:27.640 --> 0:29:30.080
<v Speaker 2>on location. The first spot we've sent her to is

0:29:30.200 --> 0:29:34.080
<v Speaker 2>Blacktown Drive in Cinemas Luxury in Western Sydney.

0:29:34.080 --> 0:29:36.040
<v Speaker 1>I've actually been there on a date. Have you really

0:29:36.400 --> 0:29:37.520
<v Speaker 1>had all?

0:29:37.560 --> 0:29:40.720
<v Speaker 2>I've never spoke to him again, rightly so, Margot Robbie

0:29:40.720 --> 0:29:41.560
<v Speaker 2>film can't even remember.

0:29:41.720 --> 0:29:44.640
<v Speaker 1>Remember that he's still waiting at the front reception. Well

0:29:44.680 --> 0:29:48.400
<v Speaker 1>we'll Mitch Creams return. Actually this came about from an

0:29:48.440 --> 0:29:51.160
<v Speaker 1>Instagram live we did on Sunday Night, Jy Sunday Night.

0:29:51.200 --> 0:29:53.080
<v Speaker 1>I don't know where it came from, but we were

0:29:53.080 --> 0:29:54.480
<v Speaker 1>talking about news crosses.

0:29:54.680 --> 0:29:56.960
<v Speaker 2>Yeah, we were talking about well you and I were

0:29:56.960 --> 0:29:59.840
<v Speaker 2>toying with the idea of doing the show from different locations.

0:30:00.520 --> 0:30:02.680
<v Speaker 2>We would do a show from the Harbor Bridge, or

0:30:02.720 --> 0:30:04.959
<v Speaker 2>we'd record our podcasts from I don't know, just some

0:30:05.080 --> 0:30:07.400
<v Speaker 2>random spots. And then we were like, fuck that the

0:30:07.400 --> 0:30:09.480
<v Speaker 2>studio has got airc on It' summer now in Australia,

0:30:09.560 --> 0:30:11.400
<v Speaker 2>we'll send Jenna out on the road instead as a

0:30:11.480 --> 0:30:12.120
<v Speaker 2>roving reporter.

0:30:12.200 --> 0:30:14.800
<v Speaker 1>If it's a real funck place, She's like Jenna producer.

0:30:14.840 --> 0:30:18.760
<v Speaker 1>Jenna's crossing to us now from a Bilgalo State FORESTO Jenna,

0:30:19.080 --> 0:30:19.360
<v Speaker 1>I know.

0:30:19.640 --> 0:30:23.440
<v Speaker 2>So we were talking about how on those breakfast TV

0:30:23.560 --> 0:30:26.800
<v Speaker 2>shows like Sunrise Today show or stuff like that. Their

0:30:26.840 --> 0:30:29.560
<v Speaker 2>weather reporters just always appear in the most random location

0:30:29.720 --> 0:30:32.480
<v Speaker 2>and it's just so normal. They're like, oh, Sam Mack

0:30:32.600 --> 0:30:35.120
<v Speaker 2>is coming to us from a cherry picking farm. It's like,

0:30:35.760 --> 0:30:39.160
<v Speaker 2>why so, we're just gonna give her random locations to

0:30:39.200 --> 0:30:41.440
<v Speaker 2>go to every show if she's any good today, but

0:30:41.520 --> 0:30:44.440
<v Speaker 2>like much less glamorous. Oh, Jenna's coming to us from

0:30:44.440 --> 0:30:44.880
<v Speaker 2>a dumpster.

0:30:45.120 --> 0:30:48.560
<v Speaker 1>Yeah, she's on zoom now there, Now it's connected a reporter,

0:30:48.720 --> 0:30:53.040
<v Speaker 1>a producer. Jenna is officially on the let's just connect

0:30:53.040 --> 0:30:55.560
<v Speaker 1>her through her. She there or not. She's got terrible

0:30:55.560 --> 0:30:59.360
<v Speaker 1>Wi Fi. There she is. I'll check camera's not turned on. Jenna,

0:30:59.480 --> 0:31:03.440
<v Speaker 1>turn your cam on and your microphone.

0:31:03.920 --> 0:31:05.600
<v Speaker 2>Oh my god.

0:31:06.520 --> 0:31:13.040
<v Speaker 1>If this was the Arias, you'd be fired. She's so far,

0:31:13.160 --> 0:31:17.880
<v Speaker 1>so good. This is crush. She's definitely in it, says

0:31:17.920 --> 0:31:18.920
<v Speaker 1>camera and mic off.

0:31:19.560 --> 0:31:21.360
<v Speaker 2>Jenna, turn your fucking ship on.

0:31:23.120 --> 0:31:25.200
<v Speaker 1>We've got groundskeeper Jenna.

0:31:25.720 --> 0:31:28.320
<v Speaker 2>There she is, she's arrived. Jenna, what are you doing?

0:31:29.680 --> 0:31:34.400
<v Speaker 1>I'm Blacktown driving cross to you.

0:31:35.400 --> 0:31:38.680
<v Speaker 2>Okay, what's happening at the Blacktown drive in?

0:31:40.400 --> 0:31:45.920
<v Speaker 1>You've got Darryl on screen. She's going to perform horses

0:31:46.320 --> 0:31:51.120
<v Speaker 1>where we're actually. Funnily enough, Van's background jams w.

0:31:53.360 --> 0:31:58.360
<v Speaker 2>So we've sent you to Blackdown Drive in Cinema and

0:31:58.400 --> 0:32:01.360
<v Speaker 2>by pure coincidence, you're workplace is putting on an event

0:32:01.360 --> 0:32:02.920
<v Speaker 2>that you would have been at anyway. Oh my god,

0:32:02.960 --> 0:32:06.760
<v Speaker 2>that's so weird that. Wow, we're so good. Okay, so

0:32:07.560 --> 0:32:10.880
<v Speaker 2>what's happening. You've got a virtual zoom appearance from Darryl

0:32:10.960 --> 0:32:16.480
<v Speaker 2>Braithwaite Delta Deltas there.

0:32:16.600 --> 0:32:18.760
<v Speaker 1>Geez from hosting the Arias with Me yesterday.

0:32:19.160 --> 0:32:21.960
<v Speaker 2>It's like, who else is performing at this stupid event?

0:32:23.320 --> 0:32:30.240
<v Speaker 1>It's not stupid, but oh guy Sebastian's brother. Yes, Jenna.

0:32:30.400 --> 0:32:33.400
<v Speaker 1>Something that's that's really big with journalists are vox pops.

0:32:33.400 --> 0:32:37.000
<v Speaker 1>Do you know what a vox pop is? I think

0:32:37.040 --> 0:32:39.120
<v Speaker 1>you run to someone on the street and go, hey,

0:32:39.280 --> 0:32:41.600
<v Speaker 1>you know what, Jenna, you're live on Channel seven. Are

0:32:41.640 --> 0:32:42.240
<v Speaker 1>you enjoying?

0:32:42.840 --> 0:32:45.400
<v Speaker 2>Don't say channel seven? Don't lie it, okay, say hey.

0:32:45.960 --> 0:32:49.320
<v Speaker 1>Come on, Jenna, No, no, go up to someone and

0:32:49.320 --> 0:32:51.920
<v Speaker 1>they'll see us in the studio. Do a live cross, Jennet,

0:32:52.040 --> 0:32:54.440
<v Speaker 1>go for it. I'm not doing a live cross.

0:32:55.240 --> 0:32:57.959
<v Speaker 2>Yeah, but this is your job trial for a potential promotion.

0:32:58.040 --> 0:33:00.640
<v Speaker 2>Now full time our full time reporter.

0:33:00.720 --> 0:33:02.120
<v Speaker 1>If you want to get the role, you'll do a

0:33:02.200 --> 0:33:07.960
<v Speaker 1>quick foxpot with someone there. I forget about it, get

0:33:08.000 --> 0:33:10.400
<v Speaker 1>rid of it all right, Thanks Jenna, appreciate it. Jenna Benson,

0:33:10.760 --> 0:33:14.600
<v Speaker 1>our roving reporter on side of Blacktown RSL. Whatever the

0:33:14.600 --> 0:33:17.400
<v Speaker 1>hell that is? Thank you, Jenna. And she's been cut,

0:33:17.640 --> 0:33:18.000
<v Speaker 1>thank you?

0:33:19.880 --> 0:33:20.640
<v Speaker 2>How embarrassing?

0:33:21.360 --> 0:33:24.160
<v Speaker 1>That almost? Doesn't that make me feel bad for what

0:33:24.200 --> 0:33:24.920
<v Speaker 1>we've done to her?

0:33:25.520 --> 0:33:28.200
<v Speaker 2>Oh? Yeah, we were going to tell her her next

0:33:28.640 --> 0:33:31.760
<v Speaker 2>her next reporting location, her next assignment.

0:33:31.880 --> 0:33:33.880
<v Speaker 1>Well, considering she was so happy to do it on

0:33:33.920 --> 0:33:36.280
<v Speaker 1>the Instagram Live like we just mentioned. Yes, we said

0:33:36.280 --> 0:33:38.440
<v Speaker 1>we'd do a show from the dumpster at the Lenglo

0:33:38.520 --> 0:33:39.080
<v Speaker 1>State Forest.

0:33:39.160 --> 0:33:42.200
<v Speaker 2>Yes, we were planning all sorts of unglamorous locations to

0:33:42.280 --> 0:33:45.360
<v Speaker 2>send Jenna to as our roving reporter. And one of

0:33:45.400 --> 0:33:48.560
<v Speaker 2>them that came up on Instagram Live last Sunday was

0:33:48.600 --> 0:33:51.720
<v Speaker 2>a coffin, like an actual coffin. Yeah, and I said, okay, well,

0:33:51.800 --> 0:33:54.480
<v Speaker 2>let's make this happen. Obviously I wanted to bury her,

0:33:55.000 --> 0:33:57.920
<v Speaker 2>but no, she wasn't down for that. She'd rather do it.

0:33:57.960 --> 0:33:59.480
<v Speaker 2>She's happy to be in the coffin. But it just

0:33:59.600 --> 0:34:01.240
<v Speaker 2>has to be kind of hearings.

0:34:02.200 --> 0:34:06.479
<v Speaker 1>No, it's not. Well, here's the thing. I made the

0:34:06.480 --> 0:34:08.920
<v Speaker 1>call earlier in the day because we had to do

0:34:08.960 --> 0:34:11.040
<v Speaker 1>it during work hours, and it just so happens that

0:34:11.080 --> 0:34:13.680
<v Speaker 1>I was here in the studio recording. So I've made

0:34:13.719 --> 0:34:15.480
<v Speaker 1>the call to the local.

0:34:16.040 --> 0:34:20.360
<v Speaker 2>Casket maker coffin dealer shop. Yeah, coffin deal Yeah, you

0:34:20.440 --> 0:34:22.600
<v Speaker 2>made some inquiries. We want to actually make this happen,

0:34:22.920 --> 0:34:24.600
<v Speaker 2>maybe the last show of the year, Jenn, it can

0:34:24.640 --> 0:34:25.560
<v Speaker 2>be in a coffin.

0:34:25.320 --> 0:34:27.799
<v Speaker 1>Live from a coffin. Yeah. Yeah, So I actually have

0:34:27.840 --> 0:34:29.800
<v Speaker 1>an update and I have a resolution.

0:34:30.120 --> 0:34:33.000
<v Speaker 2>Yes, I am yet to hear the resolution. I was

0:34:33.040 --> 0:34:34.680
<v Speaker 2>waiting for the update on the show today.

0:34:34.800 --> 0:34:35.640
<v Speaker 1>You haven't heard it.

0:34:35.960 --> 0:34:39.160
<v Speaker 2>I should say, this idea must sound so whack if

0:34:39.160 --> 0:34:41.960
<v Speaker 2>someone wasn't watching our Instagram Live, because like I was thinking,

0:34:42.480 --> 0:34:44.680
<v Speaker 2>is it one of those you had to be their thing?

0:34:44.840 --> 0:34:47.120
<v Speaker 2>I think like everyone watching on Instagram Live was like

0:34:47.160 --> 0:34:49.120
<v Speaker 2>caught up in the moment. Oh that's funny. How funny

0:34:49.120 --> 0:34:50.440
<v Speaker 2>would it be if you've put her in a coffin?

0:34:50.480 --> 0:34:51.839
<v Speaker 2>But new listeners are.

0:34:51.760 --> 0:34:54.279
<v Speaker 1>Probably like, what the fuck are they doing? This is fat? Yeah,

0:34:54.280 --> 0:34:56.200
<v Speaker 1>we don't have like the pool of people that watch

0:34:56.200 --> 0:34:58.640
<v Speaker 1>Instagram Live is very small compared to the listeners of

0:34:58.680 --> 0:34:59.360
<v Speaker 1>this podcast.

0:34:59.440 --> 0:35:01.520
<v Speaker 2>Anyway, when we with it, I want to know what happened.

0:35:01.560 --> 0:35:02.760
<v Speaker 2>You called the Coffin dealer.

0:35:02.520 --> 0:35:04.120
<v Speaker 1>Shop, right, I called the Coffin Dealership a couple of

0:35:04.160 --> 0:35:07.400
<v Speaker 1>hours ago before we started recording, and it went really well.

0:35:07.880 --> 0:35:09.920
<v Speaker 1>Oh good, I have the audio. I'm going to roll

0:35:09.920 --> 0:35:11.799
<v Speaker 1>it for you now. He was a lovely guy. He's

0:35:12.040 --> 0:35:16.879
<v Speaker 1>very very apprehensive to start, but I win him over

0:35:17.000 --> 0:35:19.920
<v Speaker 1>towards the end. This is me making a call to

0:35:20.000 --> 0:35:21.239
<v Speaker 1>five Doc Coffins.

0:35:21.440 --> 0:35:23.320
<v Speaker 2>I don't think that's what it's called it caring funeral,

0:35:23.440 --> 0:35:24.280
<v Speaker 2>caring funerals.

0:35:24.320 --> 0:35:25.839
<v Speaker 1>Well, he was very caring, and I promise I get

0:35:25.880 --> 0:35:28.240
<v Speaker 1>a plug in, So let's roll the call. The audio

0:35:28.320 --> 0:35:34.200
<v Speaker 1>from a call fam earlier today, Five Doc Coffins.

0:35:34.360 --> 0:35:35.680
<v Speaker 5>Caring Funerals. Can I help you?

0:35:36.000 --> 0:35:38.839
<v Speaker 1>Good? I is this? This is carrying funerals in five

0:35:38.880 --> 0:35:40.600
<v Speaker 1>Doc that's right? Yeah, good.

0:35:40.800 --> 0:35:40.880
<v Speaker 8>Hi.

0:35:41.000 --> 0:35:45.000
<v Speaker 1>My name is Mitch how I. Actually I'm recording a

0:35:45.000 --> 0:35:47.760
<v Speaker 1>podcast right now. We're doing a segment on the show,

0:35:48.000 --> 0:35:50.799
<v Speaker 1>one of our co ho quiz question. Actually, we have

0:35:50.880 --> 0:35:53.040
<v Speaker 1>been looking all around Australia and we're wondering if you

0:35:53.080 --> 0:35:55.799
<v Speaker 1>guys would be maybe potentially open to contract if we'd

0:35:55.800 --> 0:35:58.120
<v Speaker 1>get a coffin then plug the local business on the podcast.

0:36:01.000 --> 0:36:02.640
<v Speaker 5>We could look at something like that.

0:36:02.760 --> 0:36:05.280
<v Speaker 1>Yeah, well we'll local. So we're in Sydney. We actually

0:36:05.280 --> 0:36:07.440
<v Speaker 1>record really close to five dogs, so we wanted to

0:36:07.480 --> 0:36:09.480
<v Speaker 1>get one that was as close to us as possible

0:36:09.520 --> 0:36:10.919
<v Speaker 1>to support local business.

0:36:11.280 --> 0:36:13.160
<v Speaker 5>Yeah, I we'd be working with you.

0:36:13.280 --> 0:36:16.680
<v Speaker 1>Yeah awesome. Well, essentially one of our co hosts. It

0:36:16.719 --> 0:36:19.840
<v Speaker 1>comes from a fun place. She said that she loves

0:36:19.840 --> 0:36:22.480
<v Speaker 1>our show so much she dedicates her life to the show.

0:36:22.520 --> 0:36:24.040
<v Speaker 1>She'd even do the show from a coffin. So that's

0:36:24.080 --> 0:36:25.480
<v Speaker 1>when we thought, well, let's get one and put it

0:36:25.560 --> 0:36:27.000
<v Speaker 1>to the test and see if she'll actually do it

0:36:27.040 --> 0:36:28.759
<v Speaker 1>from the govern you see.

0:36:28.680 --> 0:36:32.640
<v Speaker 5>Yeah, contact, we'll be able to supply you want to

0:36:32.640 --> 0:36:32.960
<v Speaker 5>help you.

0:36:33.239 --> 0:36:35.680
<v Speaker 1>Oh, that'd be brilliant. A couple questions just to make

0:36:35.680 --> 0:36:38.520
<v Speaker 1>sure everything's all good. Would she be able to breathe

0:36:38.960 --> 0:36:43.520
<v Speaker 1>inside the coffin? Yes, so we wouldn't have to make

0:36:43.520 --> 0:36:44.839
<v Speaker 1>any adjustments.

0:36:45.920 --> 0:36:48.400
<v Speaker 5>No, No, the lids just sort of just sit on.

0:36:49.120 --> 0:36:51.520
<v Speaker 5>It's plenty of your life. It's not it's not a

0:36:51.560 --> 0:36:53.000
<v Speaker 5>rubber seal or anything like that.

0:36:53.360 --> 0:36:56.120
<v Speaker 1>Great, great, okay, and considering we're not you know, using

0:36:56.160 --> 0:37:00.239
<v Speaker 1>the coffin for its intended purpose. It could even just

0:37:00.280 --> 0:37:01.719
<v Speaker 1>be a higher deal. We get it and we give

0:37:01.719 --> 0:37:03.280
<v Speaker 1>it straight back. If it's a show one.

0:37:03.120 --> 0:37:04.799
<v Speaker 5>You know, like like.

0:37:04.920 --> 0:37:07.319
<v Speaker 1>A demo coffin, you know, like a can't dealer ship,

0:37:07.400 --> 0:37:08.920
<v Speaker 1>like a demo, a used model.

0:37:10.280 --> 0:37:14.719
<v Speaker 5>There's the options like that year that gives you the

0:37:14.800 --> 0:37:17.200
<v Speaker 5>chance to maybe having a you know, a bit better

0:37:17.320 --> 0:37:19.759
<v Speaker 5>type of one where the half the leak and open

0:37:19.840 --> 0:37:21.359
<v Speaker 5>up it like a Dracula type one.

0:37:21.480 --> 0:37:23.360
<v Speaker 1>Oh and you know what, she's very pale too, so

0:37:23.400 --> 0:37:26.280
<v Speaker 1>that'll work. That'll be great, very dracula esque.

0:37:26.719 --> 0:37:30.920
<v Speaker 5>I could send you see some pictures and then oh.

0:37:30.040 --> 0:37:32.359
<v Speaker 1>I would I would love that, so we could get

0:37:32.360 --> 0:37:34.160
<v Speaker 1>the coffin. We'll plug it hard, we get we get

0:37:34.200 --> 0:37:36.680
<v Speaker 1>a lot of like at least one hundred thousand listens

0:37:36.680 --> 0:37:38.600
<v Speaker 1>per day on our pitch, so you get a good

0:37:38.680 --> 0:37:42.000
<v Speaker 1>amount of business and then I'll help you.

0:37:42.680 --> 0:37:43.279
<v Speaker 2>Amazing.

0:37:43.480 --> 0:37:44.200
<v Speaker 1>What was your name?

0:37:44.960 --> 0:37:45.320
<v Speaker 4>Adam?

0:37:45.400 --> 0:37:48.200
<v Speaker 1>Adam? God? You're good? Adam? Now would it be easier

0:37:48.360 --> 0:37:50.040
<v Speaker 1>for us to come to you or can we get

0:37:50.040 --> 0:37:51.919
<v Speaker 1>it delivered here? And then how will it work?

0:37:54.080 --> 0:37:54.360
<v Speaker 6>God?

0:37:54.520 --> 0:37:58.200
<v Speaker 1>You are good? Okay, great, Well I've got and do

0:37:58.200 --> 0:37:59.719
<v Speaker 1>you have colors? Or is it all sort of a bit,

0:37:59.760 --> 0:38:01.120
<v Speaker 1>you know, sad dark line.

0:38:02.520 --> 0:38:03.800
<v Speaker 5>We can choose the color.

0:38:04.000 --> 0:38:07.000
<v Speaker 1>Great, Adam, my name's Mitch. I'll be in contact probably

0:38:07.000 --> 0:38:07.920
<v Speaker 1>in the early next week.

0:38:08.400 --> 0:38:09.440
<v Speaker 5>I can not problem.

0:38:09.520 --> 0:38:12.480
<v Speaker 1>Adam. You're a bloody legend. Thank you so much. I

0:38:12.520 --> 0:38:13.200
<v Speaker 1>appreciate it.

0:38:13.600 --> 0:38:15.880
<v Speaker 5>You've got a real radio voice.

0:38:15.880 --> 0:38:18.799
<v Speaker 1>Oh it helps that I've got the microphone. I think

0:38:18.840 --> 0:38:21.239
<v Speaker 1>anyone speaking into this it sound like Ray Hadley, So

0:38:21.280 --> 0:38:25.399
<v Speaker 1>it does it? Does there have you lifting for me? Mate?

0:38:25.640 --> 0:38:28.600
<v Speaker 1>Old bait? Oh yeah, old bait. Ray? Oh god, Ray

0:38:28.600 --> 0:38:29.960
<v Speaker 1>and Allen will be in the business for a coffin

0:38:29.960 --> 0:38:32.640
<v Speaker 1>for themselves very soon. My god, the next generation is

0:38:32.680 --> 0:38:33.200
<v Speaker 1>coming on up.

0:38:33.480 --> 0:38:36.200
<v Speaker 5>A few people want to put him in, I think, so.

0:38:36.680 --> 0:38:40.839
<v Speaker 1>I know, my god, that Kyle Sandaland's too bloody laugh and.

0:38:40.800 --> 0:38:44.960
<v Speaker 5>Race Batler, I understand the battler's I'm a batler myself. Butler, Butler, No,

0:38:45.120 --> 0:38:47.479
<v Speaker 5>how can you understand the battler when you're informing and dollar?

0:38:48.960 --> 0:38:52.239
<v Speaker 1>I completely agree. Give us a rest, rape and the

0:38:52.320 --> 0:38:54.200
<v Speaker 1>and the audience believing they eat it up.

0:38:54.560 --> 0:38:58.839
<v Speaker 5>Oh no, no, I know when Kyle rating that was good?

0:38:59.080 --> 0:39:02.360
<v Speaker 1>Wasn't that golden? That was golden? Well, my name is

0:39:02.520 --> 0:39:04.399
<v Speaker 1>so I actually do the night show at Kiss FM.

0:39:05.120 --> 0:39:08.719
<v Speaker 1>Oh yeah, so I work with anyway, we'll talk. I'll

0:39:08.719 --> 0:39:12.080
<v Speaker 1>give you a text next week. Okay, Adam, thanks buddy,

0:39:12.080 --> 0:39:14.120
<v Speaker 1>appreciate it. Have a great day, so you mate.

0:39:16.719 --> 0:39:18.279
<v Speaker 2>Okay, we have a lot to unpack here.

0:39:20.080 --> 0:39:21.800
<v Speaker 1>He was so keen it will happen.

0:39:21.840 --> 0:39:23.759
<v Speaker 2>Okay, so he's willing to work with this. But he

0:39:23.840 --> 0:39:26.200
<v Speaker 2>kept using the word higher because he realize that contra

0:39:26.280 --> 0:39:29.680
<v Speaker 2>means that he provides the product and we provide the exposure.

0:39:29.920 --> 0:39:33.000
<v Speaker 2>We don't pay shit, no, of course.

0:39:32.800 --> 0:39:34.959
<v Speaker 1>But I sort of insinuated that he would be getting

0:39:35.000 --> 0:39:35.840
<v Speaker 1>this coffin back.

0:39:36.600 --> 0:39:39.560
<v Speaker 2>Yeah, and he said higher. And I'm like, in what

0:39:39.680 --> 0:39:43.000
<v Speaker 2>scenario do people do coffin higher? You usually get buried

0:39:43.000 --> 0:39:43.279
<v Speaker 2>in them?

0:39:43.320 --> 0:39:46.480
<v Speaker 1>Is that not the point? True? Actually, you can't borrow

0:39:46.520 --> 0:39:48.200
<v Speaker 1>a coffin stays in the earth.

0:39:48.239 --> 0:39:49.520
<v Speaker 2>How do you give it back? Where do you put

0:39:49.560 --> 0:39:51.080
<v Speaker 2>the person? After he done with the coffin?

0:39:51.320 --> 0:39:53.879
<v Speaker 1>I've got his details, so I will I will make

0:39:53.920 --> 0:39:56.080
<v Speaker 1>this happen. This can be my mission. But wasn't I good?

0:39:56.160 --> 0:39:57.759
<v Speaker 1>Come on? Yeah?

0:39:57.920 --> 0:40:02.040
<v Speaker 2>Look, he actually didn't take much vincing. He agreed pretty

0:40:02.080 --> 0:40:03.919
<v Speaker 2>early on in the call, which is why it's most

0:40:04.000 --> 0:40:06.399
<v Speaker 2>confusing to me that you proceeded to lie and say

0:40:06.400 --> 0:40:08.279
<v Speaker 2>that we get one hundred thousand list of the day.

0:40:08.360 --> 0:40:10.320
<v Speaker 2>If he didn't need to lie, he already agreed.

0:40:10.640 --> 0:40:13.400
<v Speaker 1>I got nervous why he'd already.

0:40:13.400 --> 0:40:14.759
<v Speaker 2>He said, Yep, we can do that, we can work

0:40:14.800 --> 0:40:16.200
<v Speaker 2>with that. You didn't even question it.

0:40:16.239 --> 0:40:18.000
<v Speaker 1>I wanted to over deliver on the campaign.

0:40:18.040 --> 0:40:20.359
<v Speaker 2>Okay, Well, good to know that she won't suffocate in

0:40:20.400 --> 0:40:22.760
<v Speaker 2>the coffin, because I wasn't down for an open casket.

0:40:22.800 --> 0:40:24.319
<v Speaker 2>I think if Jenna's going to be doing the show

0:40:24.360 --> 0:40:26.879
<v Speaker 2>live from a coffin, she's got to be in at

0:40:26.920 --> 0:40:29.359
<v Speaker 2>lid close. In fact, I hope they bring it in.

0:40:29.600 --> 0:40:31.279
<v Speaker 2>You know how they kind of wheel the coffin in

0:40:31.320 --> 0:40:34.319
<v Speaker 2>on that weird stretch of bed thing. Yes, yes, ideally

0:40:34.760 --> 0:40:36.640
<v Speaker 2>it would be brought into one of those Yeah, and

0:40:36.680 --> 0:40:38.439
<v Speaker 2>we'd be able to lock it. And then we could

0:40:38.600 --> 0:40:41.000
<v Speaker 2>push Jenna to a mystery location and she has no

0:40:41.040 --> 0:40:42.280
<v Speaker 2>idea where she is in the building.

0:40:42.520 --> 0:40:43.880
<v Speaker 1>Oh, then we opened the coffin and then all of

0:40:43.880 --> 0:40:45.319
<v Speaker 1>a sudden, she goes, how the hell did I get

0:40:45.360 --> 0:40:46.400
<v Speaker 1>to you know, Wollongong.

0:40:46.800 --> 0:40:49.359
<v Speaker 2>Yeah, maybe we put her in the coffin. Yeah, And

0:40:49.400 --> 0:40:51.719
<v Speaker 2>then okay, when you text him next week ask if

0:40:51.719 --> 0:40:54.480
<v Speaker 2>we can borrow the hearse. I think we drive her somewhere.

0:40:54.880 --> 0:40:56.640
<v Speaker 1>Oh my god, do you think that would they have

0:40:56.680 --> 0:40:57.160
<v Speaker 1>a hearse?

0:40:57.760 --> 0:41:00.600
<v Speaker 2>How else is he delivering the barst You're going to

0:41:00.640 --> 0:41:02.920
<v Speaker 2>carry it over from five dogs in his torago?

0:41:03.920 --> 0:41:05.600
<v Speaker 1>Ah? God, we did well with that one.

0:41:05.680 --> 0:41:07.240
<v Speaker 2>Is she going to do the whole show with the coffin?

0:41:07.360 --> 0:41:09.040
<v Speaker 1>Yes, the whole thing. She won't be able to get out.

0:41:09.160 --> 0:41:10.400
<v Speaker 2>What do you think it's going to sound like in

0:41:10.440 --> 0:41:14.040
<v Speaker 2>the coffin? Like it's going to have that hollow wooden sound.

0:41:14.960 --> 0:41:17.480
<v Speaker 1>Her microphone will be muffled totally like this, I turn

0:41:17.560 --> 0:41:18.080
<v Speaker 1>this mic on.

0:41:18.320 --> 0:41:19.359
<v Speaker 2>I'm going to get under the desk.

0:41:19.400 --> 0:41:25.960
<v Speaker 1>What number is it? Six? Ours are going cold? Three

0:41:26.040 --> 0:41:30.319
<v Speaker 1>to one. Hi, it's Jenna.

0:41:30.360 --> 0:41:31.120
<v Speaker 2>I'm in a coffin.

0:41:31.160 --> 0:41:33.359
<v Speaker 1>Here we are the episode from a coffin producer, Jenna,

0:41:33.440 --> 0:41:34.160
<v Speaker 1>How is it in there?

0:41:34.440 --> 0:41:37.360
<v Speaker 2>It's it's very coostrophiing.

0:41:36.880 --> 0:41:39.960
<v Speaker 1>Oh no, Jenna, I believe there's a there's a hand

0:41:39.960 --> 0:41:41.520
<v Speaker 1>in there, so we've left a hand and a foot

0:41:41.560 --> 0:41:45.000
<v Speaker 1>in there from the previous owner like person. There's stains

0:41:45.040 --> 0:41:49.120
<v Speaker 1>on the wall to genera can see. How does it

0:41:49.160 --> 0:41:51.279
<v Speaker 1>sound sound so convincing? Great?

0:41:52.840 --> 0:41:55.799
<v Speaker 2>Yeah, there'll be no trickery about it. She'll actually be

0:41:55.800 --> 0:41:56.880
<v Speaker 2>in a coffin when we do it.

0:41:56.960 --> 0:42:00.879
<v Speaker 1>Yeah. Anyway, all right, well last show the year. Get ready, guys, all.

0:42:00.840 --> 0:42:04.200
<v Speaker 2>Right, good to know s to come. Well before we go, Well,

0:42:04.200 --> 0:42:06.560
<v Speaker 2>believe you've got a talkback tings. You're gonna ruin my segment.

0:42:06.680 --> 0:42:08.839
<v Speaker 1>No, I'm not. I'm gonna make this the best segment ever.

0:42:09.120 --> 0:42:09.680
<v Speaker 2>You better be.

0:42:12.320 --> 0:42:15.360
<v Speaker 1>Yeah, this is talkback things. You do this set up,

0:42:15.400 --> 0:42:16.120
<v Speaker 1>I guess, Mitch.

0:42:16.080 --> 0:42:18.240
<v Speaker 2>It's where I find little bits of gold on talkback

0:42:18.320 --> 0:42:20.840
<v Speaker 2>radio because it's a world of its own that I

0:42:20.840 --> 0:42:23.800
<v Speaker 2>feel a lot of our listeners don't really get amongst.

0:42:23.920 --> 0:42:27.120
<v Speaker 2>So they're not familiar with the kind of bizarre magic

0:42:27.120 --> 0:42:29.640
<v Speaker 2>that happens on talkback radio. Old made at the funeral home.

0:42:29.680 --> 0:42:31.160
<v Speaker 2>He's fully aware, he listens.

0:42:31.239 --> 0:42:33.560
<v Speaker 1>Oh, the moment I mentioned Ray Hadley, he do life

0:42:34.440 --> 0:42:35.840
<v Speaker 1>bled into his vat exactly.

0:42:35.880 --> 0:42:37.319
<v Speaker 2>He figured out he had something in common and you

0:42:37.360 --> 0:42:39.640
<v Speaker 2>went from there exactly. But today you've found the audio

0:42:39.840 --> 0:42:40.799
<v Speaker 2>I have, and.

0:42:40.840 --> 0:42:43.439
<v Speaker 1>In fact it's a mystery edition.

0:42:43.960 --> 0:42:45.920
<v Speaker 2>Yes, I'm a little bit I'm a little bit unsure

0:42:45.920 --> 0:42:46.719
<v Speaker 2>of what you mean by that.

0:42:46.880 --> 0:42:50.640
<v Speaker 1>No, the thing is, this is a piece of audio

0:42:50.840 --> 0:42:54.880
<v Speaker 1>that is from an Australian radio station down in Melbourne.

0:42:55.239 --> 0:42:58.400
<v Speaker 2>Okay, three A Oh this is big. This is the

0:42:58.400 --> 0:43:00.520
<v Speaker 2>first time we've ventured outside of two with them.

0:43:00.719 --> 0:43:04.040
<v Speaker 1>Yes, correct, very true. I haven't heard of these announcers before.

0:43:04.760 --> 0:43:07.120
<v Speaker 1>I'm going to get the date. Hold on, wait there,

0:43:07.120 --> 0:43:07.960
<v Speaker 1>I actually didn't get this.

0:43:09.239 --> 0:43:12.799
<v Speaker 2>Okay, See, this wouldn't happen if it was me. Like

0:43:12.800 --> 0:43:14.080
<v Speaker 2>I said, very good storytelling.

0:43:14.120 --> 0:43:18.279
<v Speaker 1>You'll cut this out all right. Three AW News Talk

0:43:18.360 --> 0:43:21.640
<v Speaker 1>six ' niney three in twenty and twelve. This is

0:43:21.719 --> 0:43:23.359
<v Speaker 1>eight years ago, Mitchell.

0:43:24.239 --> 0:43:27.120
<v Speaker 2>Well, don't be withholding good information from me. Why is

0:43:27.160 --> 0:43:27.680
<v Speaker 2>it only.

0:43:27.520 --> 0:43:31.240
<v Speaker 1>Coming up now. Someone called through to the three AW

0:43:31.360 --> 0:43:36.320
<v Speaker 1>program huh late at night? Someone that you admire very much, right,

0:43:36.560 --> 0:43:40.560
<v Speaker 1>someone that you look up to, someone who's music you consume.

0:43:40.960 --> 0:43:43.880
<v Speaker 1>Mitchell Coomb's Lady Gaga called three AW talkback radio to

0:43:43.880 --> 0:43:46.720
<v Speaker 1>have a chat eight years ago, in twenty twelve.

0:43:46.840 --> 0:43:50.000
<v Speaker 2>Oh god, in twenty twelve, she would have been on

0:43:50.040 --> 0:43:52.919
<v Speaker 2>the Born This Way ball correct on two. She could

0:43:52.920 --> 0:43:53.680
<v Speaker 2>have been in an Australia.

0:43:53.920 --> 0:43:56.920
<v Speaker 1>She was in Melbourne on this exact date. That's why

0:43:57.440 --> 0:43:59.640
<v Speaker 1>your kidding. The mystery is open ended because it was

0:43:59.680 --> 0:44:03.839
<v Speaker 1>never confirmed nor denied and the dates line up.

0:44:05.080 --> 0:44:08.920
<v Speaker 2>Wow, So Lady Gaga was just sitting around in her

0:44:08.920 --> 0:44:12.320
<v Speaker 2>hotel room on tour in twenty twelve. We're just tuning

0:44:12.400 --> 0:44:14.880
<v Speaker 2>the old wireless found a station and it was like,

0:44:14.880 --> 0:44:15.839
<v Speaker 2>I'm going to have a yarn.

0:44:15.920 --> 0:44:18.120
<v Speaker 1>Here's the thing. No one knows if it's her because

0:44:18.120 --> 0:44:20.759
<v Speaker 1>she never admits to being Lady Gaga. It's almost as

0:44:20.800 --> 0:44:23.920
<v Speaker 1>if she wanted to call through to talk about how

0:44:24.400 --> 0:44:27.719
<v Speaker 1>good Lady Gaga was without ever revealing that it was

0:44:27.800 --> 0:44:28.440
<v Speaker 1>Lady Garda.

0:44:28.440 --> 0:44:30.920
<v Speaker 2>Oh god, it sounds like something that we would do,

0:44:31.000 --> 0:44:33.719
<v Speaker 2>like we oh, idea a da prank called the radio station.

0:44:33.760 --> 0:44:35.560
<v Speaker 2>It would have been her and her makeup artist or something.

0:44:35.640 --> 0:44:37.359
<v Speaker 1>Yeah, one hundred percent, I have it here. Are you

0:44:37.400 --> 0:44:41.280
<v Speaker 1>ready to roll the mystery talkback Thanks featuring Lady Gaga.

0:44:42.760 --> 0:44:45.240
<v Speaker 2>I gotta tell you the audio better not disappoint because

0:44:45.280 --> 0:44:47.400
<v Speaker 2>so far this is definitely a bit of gold on

0:44:47.480 --> 0:44:49.360
<v Speaker 2>talkback radio that I haven't heard before.

0:44:49.400 --> 0:44:51.000
<v Speaker 1>Oh, you're gonna love it. I can't believe I haven't

0:44:51.000 --> 0:44:52.920
<v Speaker 1>heard this. It'll blow you away, and I think out

0:44:52.960 --> 0:44:56.400
<v Speaker 1>of anyone in the world, you'll be able to decipher

0:44:56.560 --> 0:44:58.560
<v Speaker 1>if it is in fact. Stephanie Jima roster.

0:44:59.440 --> 0:45:04.800
<v Speaker 2>That wasn't an I would have done the research. Uh, Stephanie, Joeanne,

0:45:04.840 --> 0:45:06.760
<v Speaker 2>Angelina Geminint.

0:45:06.800 --> 0:45:10.400
<v Speaker 1>Okay, let's roll the audio my jury, first edition of

0:45:10.400 --> 0:45:11.400
<v Speaker 1>Talkback Teams. Let's go.

0:45:11.600 --> 0:45:13.800
<v Speaker 4>It is thirteen to two Melbourne down three w and A,

0:45:13.840 --> 0:45:16.200
<v Speaker 4>Birward and Bob. Please hold but right now, Stephanie of

0:45:16.280 --> 0:45:19.919
<v Speaker 4>Richmond is here. Hello Stephanie, Hello, how are you? I'm good.

0:45:19.920 --> 0:45:20.640
<v Speaker 4>I hope you're well.

0:45:21.680 --> 0:45:23.960
<v Speaker 10>Yeah, aren't you? Guys? How's the ever.

0:45:26.000 --> 0:45:27.680
<v Speaker 4>You guys?

0:45:27.719 --> 0:45:28.160
<v Speaker 10>Hello?

0:45:28.440 --> 0:45:33.400
<v Speaker 4>Yes, I just didn't catch the last part. Stephanie. How's

0:45:33.440 --> 0:45:36.359
<v Speaker 4>the weather? Oh, the weather, that's fine, It's fine. Yes,

0:45:36.560 --> 0:45:38.759
<v Speaker 4>I hope it's fine in Richmond. Well, it's it's a

0:45:38.760 --> 0:45:43.600
<v Speaker 4>bit drizzly, it's cold, but we seem to be okay. Yes,

0:45:43.920 --> 0:45:44.839
<v Speaker 4>what else do you want to say?

0:45:45.800 --> 0:45:50.239
<v Speaker 10>I was at a concert on Saturday night. Yes, it

0:45:50.400 --> 0:45:52.719
<v Speaker 10>was one of the best concerts that had been to

0:45:53.239 --> 0:45:55.280
<v Speaker 10>Who was it, Lady Graco?

0:45:55.719 --> 0:45:59.040
<v Speaker 4>Oh wow, yeah, of course. Everyone seems to just love it.

0:45:59.120 --> 0:46:01.399
<v Speaker 4>The John Burns on Break from the Breakfast program said

0:46:01.400 --> 0:46:03.000
<v Speaker 4>it was better than the first time he saw her.

0:46:03.760 --> 0:46:10.600
<v Speaker 10>I was absolutely I was a speechless her shows her performance.

0:46:10.719 --> 0:46:11.880
<v Speaker 10>It was unbelievable.

0:46:12.320 --> 0:46:17.879
<v Speaker 4>Yes, and how many costume changes were there. I don't

0:46:17.920 --> 0:46:19.640
<v Speaker 4>know how she does it, though she must have a well,

0:46:19.680 --> 0:46:21.800
<v Speaker 4>she has arrived with the whole team of people, hasn't

0:46:21.840 --> 0:46:23.479
<v Speaker 4>she of course to help her do all.

0:46:23.360 --> 0:46:25.360
<v Speaker 10>That stuffy But she does.

0:46:25.960 --> 0:46:27.200
<v Speaker 4>Yeah, I'm glad you enjoyed it.

0:46:27.800 --> 0:46:28.560
<v Speaker 10>Oh, thank you.

0:46:28.840 --> 0:46:33.759
<v Speaker 4>That's all right, Bye, Stephanie, Okay, bye, Now that's it.

0:46:36.200 --> 0:46:36.840
<v Speaker 1>That's the audio.

0:46:38.280 --> 0:46:43.680
<v Speaker 2>Okay. I'm not convinced either way. Either it's her trying

0:46:43.680 --> 0:46:46.880
<v Speaker 2>to alter her voice to sound different, or it's someone

0:46:46.920 --> 0:46:50.120
<v Speaker 2>who isn't her trying to sound like her, because there

0:46:50.120 --> 0:46:52.840
<v Speaker 2>were glimpses of her voice, like it was the vocal

0:46:53.040 --> 0:46:55.360
<v Speaker 2>right that I was like, oh, that's her, but the

0:46:55.480 --> 0:46:57.120
<v Speaker 2>tone was not her at all.

0:46:57.320 --> 0:46:59.279
<v Speaker 1>To add to the mystery, there was a full thread

0:46:59.320 --> 0:47:01.680
<v Speaker 1>on three a W six nine three news talk page

0:47:02.400 --> 0:47:06.040
<v Speaker 1>that has since been removed. Oh that I was only

0:47:06.040 --> 0:47:08.200
<v Speaker 1>reading about a month ago when I found this audio.

0:47:08.680 --> 0:47:11.200
<v Speaker 2>Okay, how did you find this audio?

0:47:11.280 --> 0:47:12.640
<v Speaker 1>It was sent to me by contact.

0:47:12.640 --> 0:47:16.000
<v Speaker 2>I can't reveal her, and they probably dis googled that.

0:47:16.120 --> 0:47:19.800
<v Speaker 1>Yeah, sure, dear lady Gaga, call the three a W

0:47:20.239 --> 0:47:24.759
<v Speaker 1>open line. It's been viewed one hundred thousand times twenty

0:47:24.880 --> 0:47:28.880
<v Speaker 1>twelve don't forget her voice would have sounded different in

0:47:28.920 --> 0:47:31.640
<v Speaker 1>twenty twelve too. That was the start. That was the

0:47:31.680 --> 0:47:32.520
<v Speaker 1>start of her career.

0:47:32.840 --> 0:47:37.120
<v Speaker 2>No, no, I reckon twenty twelve she'd really developed that

0:47:37.680 --> 0:47:41.080
<v Speaker 2>deep huskinness. She was a bit more baby and mouthy

0:47:41.200 --> 0:47:43.360
<v Speaker 2>back in two thousand and eight when she first started.

0:47:43.640 --> 0:47:46.359
<v Speaker 2>She'd been around for a while. In twenty twelve, Henna

0:47:46.440 --> 0:47:48.160
<v Speaker 2>May says, the dates match up.

0:47:48.360 --> 0:47:50.239
<v Speaker 1>I was there at the concert in Melbourne. That is

0:47:50.280 --> 0:47:52.680
<v Speaker 1>her voice. Her voice is identical to when I saw

0:47:52.719 --> 0:47:53.880
<v Speaker 1>her in concert.

0:47:55.160 --> 0:47:57.400
<v Speaker 2>That's not identical to her voice, though. They can't just

0:47:57.440 --> 0:47:59.680
<v Speaker 2>say that, oh, that's identical to her voice. No, we've

0:47:59.719 --> 0:48:01.120
<v Speaker 2>all her at at Toobu. You don't have to be

0:48:01.160 --> 0:48:01.920
<v Speaker 2>at the concert to hear.

0:48:02.480 --> 0:48:04.960
<v Speaker 1>Do you think it's Lady Gaga or not? I don't

0:48:05.000 --> 0:48:07.120
<v Speaker 1>care either way. I actually think it is her because

0:48:07.120 --> 0:48:09.880
<v Speaker 1>I love the mental picture of her baked off her mind.

0:48:10.200 --> 0:48:12.719
<v Speaker 1>She would have been with her makeup artistle you said

0:48:12.719 --> 0:48:15.040
<v Speaker 1>in a hotel? Shall we just car the radio station?

0:48:15.360 --> 0:48:16.440
<v Speaker 1>It's a terrible impression.

0:48:19.200 --> 0:48:22.680
<v Speaker 2>God, I mean, I want to believe it's true, but

0:48:22.719 --> 0:48:24.719
<v Speaker 2>I'm not. I think I think it's more likely some

0:48:24.880 --> 0:48:26.799
<v Speaker 2>smart ass gay. It would have been someone like you

0:48:26.960 --> 0:48:29.399
<v Speaker 2>or I. Yeah, it was like, let's go, let's call

0:48:29.440 --> 0:48:32.080
<v Speaker 2>and pretend to be Lady Gaga calling a radio station.

0:48:32.200 --> 0:48:34.080
<v Speaker 1>There when I podcast in twenty twelve, no one had

0:48:34.080 --> 0:48:36.000
<v Speaker 1>any real reason other than to do it for their

0:48:36.040 --> 0:48:37.560
<v Speaker 1>own amusement.

0:48:38.960 --> 0:48:42.600
<v Speaker 2>I don't know if you realize this, but sometimes friends

0:48:42.760 --> 0:48:46.160
<v Speaker 2>like to have fun together and not record it. Sometimes

0:48:46.200 --> 0:48:49.279
<v Speaker 2>people just are funny and not for content purposes.

0:48:49.480 --> 0:48:49.960
<v Speaker 1>Very true.

0:48:50.040 --> 0:48:51.640
<v Speaker 2>Do you know how many prank calls I've done that

0:48:51.680 --> 0:48:52.440
<v Speaker 2>I haven't recorded?

0:48:52.560 --> 0:48:55.520
<v Speaker 1>Really? Oh my word, Actually I've been involved in. That's

0:48:55.520 --> 0:48:57.400
<v Speaker 1>how this podcast started. I think we're driving back from

0:48:57.400 --> 0:49:00.120
<v Speaker 1>down the coast with Ring Poppy.

0:49:00.680 --> 0:49:03.080
<v Speaker 2>That's how Coughing Fit Chicken started. I was like, just

0:49:03.160 --> 0:49:04.920
<v Speaker 2>called the radio station and just cough at them, And

0:49:04.920 --> 0:49:07.080
<v Speaker 2>then I was like, why was that genius? We need

0:49:07.080 --> 0:49:07.400
<v Speaker 2>to do that?

0:49:07.480 --> 0:49:10.759
<v Speaker 1>Yeah, that was ridiculous. Should we called three a W

0:49:10.920 --> 0:49:13.719
<v Speaker 1>nine six three and ask Maybe the phone operator knows

0:49:13.760 --> 0:49:16.320
<v Speaker 1>about it. Maybe it's a famous thing in the halls

0:49:16.320 --> 0:49:20.120
<v Speaker 1>of three a W. It's Dot making a comeback, Yes,

0:49:21.000 --> 0:49:23.360
<v Speaker 1>Dot returning for the second time this episode. What are

0:49:23.400 --> 0:49:23.799
<v Speaker 1>you going to do?

0:49:23.840 --> 0:49:26.520
<v Speaker 2>You're going to call them and ask about them? MI

0:49:26.680 --> 0:49:27.920
<v Speaker 2>three just asked straight up.

0:49:28.000 --> 0:49:30.319
<v Speaker 1>Yep, okay music, So.

0:49:32.200 --> 0:49:34.360
<v Speaker 2>Here we go, sorr w.

0:49:35.239 --> 0:49:36.960
<v Speaker 6>My name is dot dot.

0:49:37.000 --> 0:49:38.000
<v Speaker 8>What did you want to chat about?

0:49:38.280 --> 0:49:38.800
<v Speaker 1>Good question?

0:49:39.000 --> 0:49:41.480
<v Speaker 6>I have just discovered YouTube.

0:49:42.560 --> 0:49:45.320
<v Speaker 1>Uh and I look at the clip clips on nine

0:49:45.600 --> 0:49:48.200
<v Speaker 1>of you and the and the page, and I've seen

0:49:48.560 --> 0:49:52.240
<v Speaker 1>did Leady Gaga called the thraw three a W? Sorry?

0:49:52.239 --> 0:49:57.080
<v Speaker 1>Hot nine? Lady Gaga called up the radio program years ago?

0:49:57.440 --> 0:50:00.799
<v Speaker 8>Yes, well we believe, but how do I can't get

0:50:00.840 --> 0:50:01.440
<v Speaker 8>my head?

0:50:01.440 --> 0:50:05.600
<v Speaker 1>My grandchildren is a little gay grandchild. He loves loves lady.

0:50:05.840 --> 0:50:06.120
<v Speaker 1>Did it?

0:50:06.560 --> 0:50:06.680
<v Speaker 2>Yes?

0:50:06.840 --> 0:50:07.520
<v Speaker 1>It not happen.

0:50:08.440 --> 0:50:09.759
<v Speaker 5>No, well we think it did.

0:50:10.040 --> 0:50:10.840
<v Speaker 8>She was in town.

0:50:11.440 --> 0:50:12.719
<v Speaker 2>It sounds exactly like her.

0:50:12.719 --> 0:50:14.040
<v Speaker 1>And she called herself Stephanie.

0:50:15.120 --> 0:50:15.920
<v Speaker 8>Well that's a real.

0:50:15.840 --> 0:50:21.520
<v Speaker 1>Name, oh, Lady Gaga? Yes, but did she really call?

0:50:22.239 --> 0:50:22.520
<v Speaker 2>Wow?

0:50:22.760 --> 0:50:23.360
<v Speaker 1>Who knows?

0:50:23.480 --> 0:50:25.160
<v Speaker 9>Who knows?

0:50:24.040 --> 0:50:24.080
<v Speaker 1>What?

0:50:25.800 --> 0:50:26.160
<v Speaker 2>Story?

0:50:27.239 --> 0:50:29.239
<v Speaker 1>So the rumor in the building, So is it like

0:50:29.280 --> 0:50:32.640
<v Speaker 1>a like a like a tale told in the building

0:50:32.760 --> 0:50:33.160
<v Speaker 1>down there?

0:50:33.640 --> 0:50:34.160
<v Speaker 2>No, it's not.

0:50:34.200 --> 0:50:35.440
<v Speaker 9>We do a lot of radio.

0:50:35.239 --> 0:50:37.840
<v Speaker 1>Here in another day, another time.

0:50:38.320 --> 0:50:40.640
<v Speaker 5>Yes, lovely to chat to you, unless you want to

0:50:40.680 --> 0:50:42.320
<v Speaker 5>talk to Dennis.

0:50:42.040 --> 0:50:44.600
<v Speaker 1>Put me on. No, I'm not sure I want to.

0:50:45.440 --> 0:50:46.840
<v Speaker 2>Are you taking the mickey a little?

0:50:48.080 --> 0:50:48.480
<v Speaker 1>Who?

0:50:48.600 --> 0:50:48.960
<v Speaker 2>All right?

0:50:49.360 --> 0:50:50.040
<v Speaker 8>Lovely to chat to you.

0:50:50.080 --> 0:50:53.239
<v Speaker 9>I haven't talked to a Dot before name?

0:50:53.280 --> 0:50:57.800
<v Speaker 2>Okay, take care bye. Well she was the right bitch,

0:50:57.880 --> 0:51:00.680
<v Speaker 2>wasn't she? Yeah?

0:51:00.719 --> 0:51:01.120
<v Speaker 1>I think so.

0:51:01.520 --> 0:51:02.920
<v Speaker 2>I've never spoken would done before?

0:51:03.080 --> 0:51:03.560
<v Speaker 1>What are you doing?

0:51:03.640 --> 0:51:08.120
<v Speaker 2>Absolute?

0:51:08.360 --> 0:51:09.040
<v Speaker 3>Just got back?

0:51:09.080 --> 0:51:10.200
<v Speaker 2>You're just trying to snitch on me?

0:51:11.600 --> 0:51:13.640
<v Speaker 1>Just call back while I was bitching. That happened. I

0:51:13.640 --> 0:51:18.000
<v Speaker 1>didn't do it with my hand. Somebody's going on in

0:51:18.000 --> 0:51:21.319
<v Speaker 1>this studio. Everything's just stopped working a mystery. What just

0:51:21.320 --> 0:51:24.320
<v Speaker 1>happened sounds creepy?

0:51:25.480 --> 0:51:27.680
<v Speaker 2>Well they Well, I'll make bitch tips believes that it

0:51:27.719 --> 0:51:28.520
<v Speaker 2>was Lady Gaga.

0:51:28.719 --> 0:51:30.520
<v Speaker 1>She went straight into it, knew exactly what Dot was

0:51:30.520 --> 0:51:31.080
<v Speaker 1>talking about.

0:51:32.160 --> 0:51:35.799
<v Speaker 2>Well as if she's never spoken to someone called Dot.

0:51:35.840 --> 0:51:36.359
<v Speaker 1>It's three eight.

0:51:36.719 --> 0:51:38.640
<v Speaker 2>Yeah, I know everyone's called Dot.

0:51:38.600 --> 0:51:42.520
<v Speaker 1>And common John. How have you impressed my talkback things?

0:51:42.560 --> 0:51:44.000
<v Speaker 1>How would you rated out of ten? Because I was

0:51:44.000 --> 0:51:44.640
<v Speaker 1>impressed with it?

0:51:46.360 --> 0:51:48.720
<v Speaker 2>Oh, there's a few categories that I can work around.

0:51:48.719 --> 0:51:51.000
<v Speaker 2>The content itself, the audio ten out of ten, My

0:51:51.080 --> 0:51:54.360
<v Speaker 2>level of intrigue ten out of ten. Your research rubbish?

0:51:54.520 --> 0:51:56.280
<v Speaker 1>Yeah, no, I would take points off myself.

0:51:58.560 --> 0:52:00.799
<v Speaker 2>This is just my own perfection. This is not like

0:52:01.600 --> 0:52:03.920
<v Speaker 2>a criticism of you, per se, but it fucks me

0:52:03.960 --> 0:52:07.759
<v Speaker 2>off so much that you don't use our wosh. You

0:52:07.800 --> 0:52:10.000
<v Speaker 2>know the little sound effect that I used to top

0:52:10.040 --> 0:52:12.040
<v Speaker 2>and tail every piece of audio I play. It's like

0:52:12.040 --> 0:52:14.120
<v Speaker 2>a little bookend. Whenever we play.

0:52:13.840 --> 0:52:15.440
<v Speaker 1>A ground here, it's like isolated.

0:52:15.480 --> 0:52:17.440
<v Speaker 2>Find an old grab of mine and you'll see that.

0:52:17.480 --> 0:52:19.839
<v Speaker 2>I put our bet at the little beep thing at

0:52:19.880 --> 0:52:21.560
<v Speaker 2>the start and end, so that you know when it

0:52:21.640 --> 0:52:23.120
<v Speaker 2>starts and when it finishes.

0:52:23.600 --> 0:52:24.640
<v Speaker 1>Right, So we have.

0:52:27.920 --> 0:52:29.600
<v Speaker 2>A right So I put the little but at the

0:52:29.600 --> 0:52:31.799
<v Speaker 2>start and finish. You do not. It's just like a

0:52:31.840 --> 0:52:34.480
<v Speaker 2>cold start, yes, And so the audio just kind of

0:52:34.480 --> 0:52:36.319
<v Speaker 2>starts and then it finishes, and I don't know because

0:52:36.360 --> 0:52:39.759
<v Speaker 2>we went through this whole process in our very first episode.

0:52:40.200 --> 0:52:42.560
<v Speaker 2>I brought on these Wosh options and we settled that

0:52:42.760 --> 0:52:44.200
<v Speaker 2>wash and you don't even fucking use.

0:52:44.080 --> 0:52:46.279
<v Speaker 1>It selected it. So so you're mad that I just

0:52:46.320 --> 0:52:46.839
<v Speaker 1>played it.

0:52:46.800 --> 0:52:48.560
<v Speaker 4>Is thirteen to two Melbourne like that.

0:52:48.760 --> 0:52:53.400
<v Speaker 2>Yes, had the because that's our It's like it's an identifier.

0:52:53.440 --> 0:52:55.200
<v Speaker 2>It's part of our show's identity.

0:52:55.280 --> 0:52:57.279
<v Speaker 1>Okay, well I've got the wosh here isolated.

0:52:57.560 --> 0:52:59.440
<v Speaker 2>Yeah, because I put them in there in the first episode.

0:52:59.440 --> 0:53:00.279
<v Speaker 2>They should all be there.

0:53:00.320 --> 0:53:03.279
<v Speaker 1>Oh yeah, true, it is so I could just play

0:53:03.320 --> 0:53:04.920
<v Speaker 1>it and play the audio. If that would make you

0:53:04.960 --> 0:53:07.560
<v Speaker 1>happier and get me to ten out of ten points, you.

0:53:07.600 --> 0:53:09.440
<v Speaker 2>Would, actually, I feel like there's got to be an

0:53:09.440 --> 0:53:10.480
<v Speaker 2>easy way, though, you're really going.

0:53:10.480 --> 0:53:12.600
<v Speaker 1>To do yees Oh, here's the three.

0:53:12.480 --> 0:53:14.239
<v Speaker 2>A W trick you like to click one and click

0:53:14.280 --> 0:53:15.040
<v Speaker 2>the other really quickly.

0:53:15.120 --> 0:53:19.239
<v Speaker 1>Here's a three a W call and let me put

0:53:19.239 --> 0:53:21.719
<v Speaker 1>it on two different faders. Wait there, okay, all right,

0:53:21.760 --> 0:53:23.919
<v Speaker 1>here is the Lady Gaga three a W call.

0:53:24.400 --> 0:53:25.719
<v Speaker 4>It is thirtey to two Melbourne time.

0:53:29.320 --> 0:53:33.319
<v Speaker 2>Yes, did they give you a little countdown so you'll

0:53:33.360 --> 0:53:34.680
<v Speaker 2>know when the grab's about to finish?

0:53:35.120 --> 0:53:35.319
<v Speaker 9>Bye?

0:53:35.440 --> 0:53:36.400
<v Speaker 4>Definitely take care.

0:53:37.840 --> 0:53:38.920
<v Speaker 1>Beautiful.

0:53:39.360 --> 0:53:40.080
<v Speaker 2>Yeah that was good.

0:53:40.120 --> 0:53:42.480
<v Speaker 1>Actually, ten out of ten. What a brain power to

0:53:42.520 --> 0:53:44.759
<v Speaker 1>be honest. I can't commit to that every week. My

0:53:44.800 --> 0:53:46.239
<v Speaker 1>fat fingers are already exhausted.

0:53:47.880 --> 0:53:49.680
<v Speaker 2>It's nice to get it off my chest, though it's

0:53:49.800 --> 0:53:52.719
<v Speaker 2>always bothered me. I don't know if people listening to

0:53:52.760 --> 0:53:55.640
<v Speaker 2>this episode have any future plans of listening back to

0:53:55.760 --> 0:53:58.360
<v Speaker 2>old episodes, but please keep an ear out. I always

0:53:58.520 --> 0:54:01.719
<v Speaker 2>put our woosh we as a team.

0:54:02.040 --> 0:54:04.959
<v Speaker 1>Traded to as a family, the unit the listeners trying

0:54:05.520 --> 0:54:06.200
<v Speaker 1>yeap very.

0:54:06.000 --> 0:54:08.600
<v Speaker 2>True, and then you've just abandoned her and you don't

0:54:08.600 --> 0:54:10.400
<v Speaker 2>ever bother to put her on your sound effect.

0:54:10.520 --> 0:54:12.200
<v Speaker 1>That's a very busy week with our host of the

0:54:12.200 --> 0:54:14.160
<v Speaker 1>fucking Arius in your break.

0:54:15.280 --> 0:54:17.840
<v Speaker 2>I love that the isolated wosh is still there. We

0:54:17.880 --> 0:54:19.040
<v Speaker 2>could do like a fake grab.

0:54:19.560 --> 0:54:20.520
<v Speaker 1>Yeah we could.

0:54:20.560 --> 0:54:24.440
<v Speaker 2>I'll be a news reporter. A podcast stunt gone wrong

0:54:24.719 --> 0:54:28.279
<v Speaker 2>has ended a young woman's life. Twenty six year old

0:54:28.320 --> 0:54:31.879
<v Speaker 2>Jenna Benson was broadcasting from within a coffin as part

0:54:31.920 --> 0:54:34.840
<v Speaker 2>of a gag dared by her co hosts Mitchell Churi

0:54:35.200 --> 0:54:38.080
<v Speaker 2>and Mitchell Coombs when she struggled to breathe and they

0:54:38.080 --> 0:54:41.040
<v Speaker 2>thought she was kidding. She then perished. Here is the

0:54:41.120 --> 0:54:43.240
<v Speaker 2>last moments as she struggled.

0:54:42.760 --> 0:54:45.120
<v Speaker 1>For her she struggled for breath.

0:54:48.960 --> 0:55:03.920
<v Speaker 2>Of course, absolutely shocking scenes. Let's go out of our

0:55:03.920 --> 0:55:05.359
<v Speaker 2>political report. You get what I'm saying.

0:55:05.360 --> 0:55:05.880
<v Speaker 1>I know what you mean.

0:55:06.040 --> 0:55:07.240
<v Speaker 2>Yeah, yeah, we could.

0:55:07.760 --> 0:55:08.960
<v Speaker 1>It's too lazy to do it.

0:55:09.840 --> 0:55:10.839
<v Speaker 2>I love them.

0:55:11.239 --> 0:55:14.040
<v Speaker 1>Ah very fun, aren't they love the wosh? It's a

0:55:14.080 --> 0:55:16.319
<v Speaker 1>good wosh. Should for season three? Should we change up

0:55:16.360 --> 0:55:17.600
<v Speaker 1>the wash?

0:55:17.640 --> 0:55:18.480
<v Speaker 2>Absolutely not?

0:55:18.640 --> 0:55:22.480
<v Speaker 1>We could? What is it? Sounds a fucking star trek

0:55:22.480 --> 0:55:26.560
<v Speaker 1>thing up the spaceships crashing into the globe nor.

0:55:27.560 --> 0:55:32.080
<v Speaker 2>Eric, No, I will not have this you you agreed

0:55:32.120 --> 0:55:33.080
<v Speaker 2>to that woosh.

0:55:34.400 --> 0:55:37.120
<v Speaker 1>As a special place in my heart, wouldn't it be

0:55:37.120 --> 0:55:39.120
<v Speaker 1>absolutely supressing it? People are going to get confused.

0:55:39.480 --> 0:55:41.400
<v Speaker 2>Would it wired their brains to think that that's a

0:55:41.480 --> 0:55:43.680
<v Speaker 2>start and finish of an old piece of audio?

0:55:44.719 --> 0:55:49.960
<v Speaker 1>Anyway, guys, Anyway, we're back next week, episode fifty one,

0:55:50.120 --> 0:55:51.839
<v Speaker 1>and then it's the downward slope to the new year.

0:55:51.840 --> 0:55:54.200
<v Speaker 1>We haven't worked out how many more episodes until where

0:55:54.880 --> 0:55:57.560
<v Speaker 1>we're going to wrap up for season two, but we'll

0:55:57.560 --> 0:55:58.759
<v Speaker 1>have an announcement on that soon.

0:55:58.880 --> 0:56:03.799
<v Speaker 2>Well, I now have the next seven weeks of sleeping in. Well,

0:56:03.840 --> 0:56:06.480
<v Speaker 2>I don't have to set my three forty five am

0:56:06.480 --> 0:56:10.160
<v Speaker 2>alarm again until like mid January. Kyle and Jack you

0:56:10.280 --> 0:56:12.279
<v Speaker 2>are on holiday, so I don't have to get up

0:56:12.280 --> 0:56:12.840
<v Speaker 2>early anymore.

0:56:12.880 --> 0:56:13.960
<v Speaker 1>So I've got all.

0:56:14.120 --> 0:56:15.759
<v Speaker 2>I've got so much life in me, I can just

0:56:15.840 --> 0:56:16.359
<v Speaker 2>power through.

0:56:16.480 --> 0:56:20.360
<v Speaker 1>Are you going away? No bogen Gate Christmas? Yeah, I

0:56:20.360 --> 0:56:22.120
<v Speaker 1>will be heading back home. We'll talk about that in

0:56:22.120 --> 0:56:25.400
<v Speaker 1>the Christmas episode. We will be back. I just assume

0:56:25.440 --> 0:56:28.080
<v Speaker 1>we're doing a Christmas episode, probably back next week.

0:56:28.080 --> 0:56:28.239
<v Speaker 6>Guys.

0:56:28.280 --> 0:56:30.840
<v Speaker 1>Thanks for listening. Five star review if you don't mind,

0:56:30.880 --> 0:56:32.640
<v Speaker 1>and if you want to join the secret Facebook group

0:56:32.680 --> 0:56:34.280
<v Speaker 1>full of idiots. There's a lot of behind the scenes

0:56:34.280 --> 0:56:36.000
<v Speaker 1>of gost too and stuff that we don't talk about

0:56:36.160 --> 0:56:39.760
<v Speaker 1>on this podcast. Conversation extends Endurant Idiots.

0:56:39.880 --> 0:56:42.279
<v Speaker 2>That's right, the Facebook group Durant Idiots. You've got to

0:56:42.320 --> 0:56:44.520
<v Speaker 2>answer the question to get in, though you don't get

0:56:44.520 --> 0:56:44.840
<v Speaker 2>the answer.

0:56:44.880 --> 0:56:47.880
<v Speaker 1>Yes, you made one viral TikTok about in during idiots,

0:56:47.960 --> 0:56:50.399
<v Speaker 1>and now we have hundreds of people trying to enter.

0:56:50.480 --> 0:56:52.279
<v Speaker 2>We don't let them unless they know the answer to

0:56:52.320 --> 0:56:53.280
<v Speaker 2>the entry questions.

0:56:53.320 --> 0:56:56.640
<v Speaker 1>So good lack crafty, all right, We will see you

0:56:56.640 --> 0:56:58.480
<v Speaker 1>guys next week. Thanks for listening to Mitchell.

0:56:58.600 --> 0:57:00.840
<v Speaker 2>Catch it by just me.

0:57:01.480 --> 0:57:04.319
<v Speaker 3>Don't forget to subscribe and leave a review on your

0:57:04.320 --> 0:57:13.480
<v Speaker 3>podcast app or follow on Spotify.

0:57:17.840 --> 0:57:21.640
<v Speaker 2>Welcome to add Brief. This is the secret segment on

0:57:21.680 --> 0:57:24.080
<v Speaker 2>the end. We hope to trick people out of listening,

0:57:24.120 --> 0:57:25.680
<v Speaker 2>and this is the answer you need to get into

0:57:25.720 --> 0:57:28.720
<v Speaker 2>the Facebook group. Yea, their question is what's the name

0:57:28.760 --> 0:57:31.240
<v Speaker 2>of the secret segment? The answer is add brief and

0:57:31.280 --> 0:57:34.560
<v Speaker 2>everyone else. We've got all these pending people and it

0:57:34.600 --> 0:57:35.840
<v Speaker 2>says like, I don't.

0:57:35.640 --> 0:57:38.400
<v Speaker 1>Know, let's go to one now. Someone said I just

0:57:38.400 --> 0:57:39.240
<v Speaker 1>follow your TikTok.

0:57:39.400 --> 0:57:41.280
<v Speaker 2>Well, then you're not getting in the growth, you don't

0:57:41.320 --> 0:57:42.800
<v Speaker 2>count as a valued listener.

0:57:42.960 --> 0:57:48.240
<v Speaker 1>Sorry, endurant idiots. The name endurant me idiots means that

0:57:48.320 --> 0:57:52.400
<v Speaker 1>you are endurant enough you listen to the secret segment exactly,

0:57:52.520 --> 0:57:54.680
<v Speaker 1>or someone here, what's the name add brief? They don't

0:57:54.680 --> 0:57:57.360
<v Speaker 1>get the joke, they're just spelling add.

0:57:57.160 --> 0:57:59.640
<v Speaker 2>Brief dumbass is Honestly, hey.

0:57:59.640 --> 0:58:02.480
<v Speaker 1>This can often be like the crunchy chips at the

0:58:02.480 --> 0:58:04.600
<v Speaker 1>bottom of a chip bag. That can be the best.

0:58:05.080 --> 0:58:06.640
<v Speaker 1>At other times it could be the simply the worst.

0:58:07.360 --> 0:58:10.160
<v Speaker 2>Oh yeah, totally that it's usually garbage, Like we just

0:58:10.240 --> 0:58:13.960
<v Speaker 2>come on weird tangents and talk shit. I liked was

0:58:14.000 --> 0:58:15.600
<v Speaker 2>it last week when we called our parents?

0:58:15.920 --> 0:58:17.720
<v Speaker 1>That was cute? Actually? Yeah, we got my parents and

0:58:17.800 --> 0:58:18.960
<v Speaker 1>my sister. You know that.

0:58:19.000 --> 0:58:22.320
<v Speaker 2>I for the very first time uploaded something from A

0:58:22.520 --> 0:58:25.720
<v Speaker 2>to D Brief as an episode like highlights. Really yeah,

0:58:25.800 --> 0:58:28.200
<v Speaker 2>it went up at its own standalone little pre was

0:58:28.240 --> 0:58:31.520
<v Speaker 2>it us calling our parents? Because it was quite good?

0:58:31.520 --> 0:58:32.880
<v Speaker 2>So that was something good that came.

0:58:32.800 --> 0:58:34.720
<v Speaker 1>Out of ady debrief that made some people cry.

0:58:35.320 --> 0:58:38.600
<v Speaker 2>It did, and it really showed off how different our

0:58:38.640 --> 0:58:39.120
<v Speaker 2>parents are.

0:58:39.720 --> 0:58:41.720
<v Speaker 1>There's one thing we've learned. If something works, let's do

0:58:41.800 --> 0:58:43.720
<v Speaker 1>it until it's dead. So why don't we ring. Let's

0:58:43.760 --> 0:58:44.400
<v Speaker 1>ring your sister.

0:58:47.480 --> 0:58:49.600
<v Speaker 2>But then we have to call your sisters to show

0:58:49.600 --> 0:58:51.560
<v Speaker 2>that how different the sisters are to each other.

0:58:51.760 --> 0:58:54.960
<v Speaker 1>We called my sister last week, so avidles, so just

0:58:54.960 --> 0:58:56.320
<v Speaker 1>take a mental mise it last week.

0:58:56.440 --> 0:58:59.520
<v Speaker 2>Yeah, okay, Well in a nutshell, what are your siblings like?

0:58:59.520 --> 0:59:00.280
<v Speaker 2>Are they different to you?

0:59:00.360 --> 0:59:03.720
<v Speaker 1>Well, my sister's a cop, straight to the point, very funny.

0:59:03.800 --> 0:59:05.560
<v Speaker 1>My older sister and we get along like a house

0:59:05.600 --> 0:59:08.320
<v Speaker 1>on fire. She's very me than my younger sister. No,

0:59:08.520 --> 0:59:15.400
<v Speaker 1>she's just cute to boot, very introverted, very smart and sensible. Yeah, okay,

0:59:15.640 --> 0:59:18.160
<v Speaker 1>the opposite of me in some ways.

0:59:18.760 --> 0:59:23.560
<v Speaker 2>Well, me and my siblings, we couldn't be more polar

0:59:23.600 --> 0:59:27.640
<v Speaker 2>opposites to each other in terms of like on the surface, Yes,

0:59:27.840 --> 0:59:34.000
<v Speaker 2>because nicole's quite a you know, sensible, polite, very nice,

0:59:34.120 --> 0:59:39.760
<v Speaker 2>well mannered family woman. Yes, she's got children married, yep,

0:59:40.520 --> 0:59:42.880
<v Speaker 2>very wholesome as a house to look after a dog.

0:59:43.800 --> 0:59:49.480
<v Speaker 2>And then my brother is a fucking dopey, straight trady

0:59:49.560 --> 0:59:52.600
<v Speaker 2>that faces football and is always covered in dirt and

0:59:52.640 --> 0:59:55.680
<v Speaker 2>has a bruise at least some spot in his body.

0:59:56.440 --> 1:00:00.640
<v Speaker 2>Man of very few words like absolute Oka a bloke,

1:00:00.920 --> 1:00:04.360
<v Speaker 2>and then there's me who's just a bloody efffescentt drunk.

1:00:04.080 --> 1:00:06.000
<v Speaker 1>Puff exactly right.

1:00:06.040 --> 1:00:07.480
<v Speaker 2>How do we all come from the same parents.

1:00:07.520 --> 1:00:09.840
<v Speaker 1>I want to bring your sister then, out of those comparisons,

1:00:09.880 --> 1:00:10.680
<v Speaker 1>I've met your sister.

1:00:10.880 --> 1:00:13.200
<v Speaker 2>We're very similar in terms of sense of I.

1:00:13.120 --> 1:00:16.480
<v Speaker 1>Was gonna say the same jokes that I get last

1:00:16.520 --> 1:00:17.880
<v Speaker 1>from from you, I got from her.

1:00:18.000 --> 1:00:20.520
<v Speaker 2>Yeah, like she we have the same That's what That's

1:00:20.560 --> 1:00:22.080
<v Speaker 2>what I meant when I said that, like on the

1:00:22.160 --> 1:00:26.479
<v Speaker 2>surface we're very different from but where very personality wise,

1:00:26.640 --> 1:00:28.720
<v Speaker 2>Mark Nicole and I that's ring Nicole.

1:00:29.360 --> 1:00:32.000
<v Speaker 1>Sure, send me a number past the phone.

1:00:34.120 --> 1:00:36.960
<v Speaker 2>It's kind of like the kids might be in bed.

1:00:37.360 --> 1:00:39.880
<v Speaker 1>What are they called again, Jemimah? Now we're in Anna

1:00:40.040 --> 1:00:41.520
<v Speaker 1>Moses and thank you.

1:00:42.080 --> 1:00:44.840
<v Speaker 2>So I I wonder if they'll talk to me on

1:00:44.880 --> 1:00:46.520
<v Speaker 2>the phone. I talked them on video chat a lot,

1:00:46.800 --> 1:00:49.160
<v Speaker 2>but they have never I don't think I've thrown some

1:00:49.280 --> 1:00:49.800
<v Speaker 2>on the phone.

1:00:49.640 --> 1:00:52.240
<v Speaker 1>Before first or they like the Mormon kids that don't

1:00:52.240 --> 1:00:52.760
<v Speaker 1>know what the phone is.

1:00:52.880 --> 1:00:58.480
<v Speaker 2>They play ipatternship. Also, she does she hates phone calls.

1:00:59.440 --> 1:01:01.520
<v Speaker 2>She did answer Hello is Mitchell and Mitchell?

1:01:02.560 --> 1:01:02.760
<v Speaker 4>Hi?

1:01:03.360 --> 1:01:04.200
<v Speaker 1>Hi, what's happening.

1:01:05.440 --> 1:01:06.960
<v Speaker 9>You just reading bedtime stories?

1:01:07.280 --> 1:01:10.479
<v Speaker 1>Well, don't let us stop, you continue, they are still awake.

1:01:10.480 --> 1:01:24.800
<v Speaker 2>I was just saying I wasn't sure, but.

1:01:24.720 --> 1:01:27.920
<v Speaker 1>It sounds like she's at a crash. What book you're

1:01:27.920 --> 1:01:29.600
<v Speaker 1>reading him?

1:01:29.680 --> 1:01:31.560
<v Speaker 2>I don't know. What's a book called?

1:01:31.800 --> 1:01:36.440
<v Speaker 9>What's the book about? It's called find Out About Feelings?

1:01:36.520 --> 1:01:39.040
<v Speaker 9>And on each page it talks about some kid and

1:01:39.080 --> 1:01:40.680
<v Speaker 9>what they did that day, and then it's like, do

1:01:40.680 --> 1:01:42.560
<v Speaker 9>you think they felt happy? You're sad, and you've got

1:01:42.560 --> 1:01:44.800
<v Speaker 9>to lift the flap and choose the right expression for

1:01:45.640 --> 1:01:46.480
<v Speaker 9>what they were feeling.

1:01:49.440 --> 1:01:54.160
<v Speaker 2>It's actually quite helpful, am I one speaker? You were?

1:01:54.240 --> 1:01:57.360
<v Speaker 9>But then I couldn't hear you because will be polite.

1:01:57.360 --> 1:01:58.520
<v Speaker 2>I was going to say, I was going to say

1:01:58.560 --> 1:02:00.000
<v Speaker 2>hi to Noah.

1:02:00.560 --> 1:02:02.479
<v Speaker 9>Noah un wants to talk to you.

1:02:03.560 --> 1:02:08.920
<v Speaker 2>Hi, Noah, WHI are you going to Anna Pops for Christmas? What?

1:02:10.280 --> 1:02:11.320
<v Speaker 2>I'll see you there.

1:02:13.720 --> 1:02:14.640
<v Speaker 1>Christmas?

1:02:19.280 --> 1:02:19.720
<v Speaker 6>Oh?

1:02:19.920 --> 1:02:21.840
<v Speaker 1>How cute? I can't wait. I'm gonna go.

1:02:22.040 --> 1:02:24.040
<v Speaker 2>I feel like you get him a better Christmas present now?

1:02:24.880 --> 1:02:36.960
<v Speaker 2>And Noah, it's me, you know, so Noah, maybe maybe

1:02:37.000 --> 1:02:39.560
<v Speaker 2>maybe it's time to get you some new shoes. I

1:02:39.600 --> 1:02:42.040
<v Speaker 2>know that your current favorite pair I got you right,

1:02:43.800 --> 1:02:45.080
<v Speaker 2>Do you have a new favorite color?

1:02:46.960 --> 1:02:47.080
<v Speaker 9>Who?

1:02:48.720 --> 1:02:49.000
<v Speaker 1>Blue?

1:02:49.280 --> 1:02:52.360
<v Speaker 2>Who can do? What about Anna?

1:02:57.320 --> 1:03:01.360
<v Speaker 8>Oh?

1:03:02.640 --> 1:03:02.880
<v Speaker 9>Hello?

1:03:03.800 --> 1:03:08.240
<v Speaker 1>Oh I got to the bark.

1:03:10.440 --> 1:03:16.160
<v Speaker 2>Uncle. Is that Anna saying nana?

1:03:16.960 --> 1:03:17.160
<v Speaker 10>Yeah?

1:03:17.880 --> 1:03:25.480
<v Speaker 2>I thought so yea not getting anything?

1:03:27.480 --> 1:03:32.160
<v Speaker 1>Do they live in a westfield in a food court?

1:03:32.280 --> 1:03:32.440
<v Speaker 9>Hi?

1:03:32.520 --> 1:03:43.400
<v Speaker 1>Anna up? I'll forget about it. Hangouf family, Merry Christmas.

1:03:43.440 --> 1:03:44.680
<v Speaker 1>I did not decide for any of that.

1:03:45.200 --> 1:03:48.840
<v Speaker 8>You know, Sorry, they're climbing or I got no idea?

1:03:48.800 --> 1:03:49.439
<v Speaker 1>What's going on?

1:03:49.600 --> 1:03:49.800
<v Speaker 2>Yeah?

1:03:50.080 --> 1:03:51.720
<v Speaker 1>And put him to bed and cover wine?

1:03:53.120 --> 1:03:53.400
<v Speaker 5>Drink?

1:03:53.520 --> 1:03:57.240
<v Speaker 1>Oh, have an apple, juice? Lea something spiky blood sugar?

1:03:59.360 --> 1:03:59.680
<v Speaker 5>All right?

1:03:59.720 --> 1:04:01.120
<v Speaker 1>Have I couldn't do that with that?

1:04:01.280 --> 1:04:08.440
<v Speaker 2>Yeah, fine, her life, she's happy. Yeah, No, they're not

1:04:08.520 --> 1:04:10.560
<v Speaker 2>usually like that. They usually I can have a conversation

1:04:10.680 --> 1:04:12.800
<v Speaker 2>with them. But even over the phone, I don't know

1:04:12.840 --> 1:04:13.560
<v Speaker 2>what that was about.

1:04:13.640 --> 1:04:18.800
<v Speaker 1>She was like, I'm reading them a book? Is that read?

1:04:19.040 --> 1:04:22.160
<v Speaker 2>I don't want to make wild and baseless claims about

1:04:22.200 --> 1:04:24.760
<v Speaker 2>my sister's parenting, but it sounded like she doped them.

1:04:24.920 --> 1:04:30.600
<v Speaker 2>They were just like in Unison.

1:04:30.840 --> 1:04:33.640
<v Speaker 1>Yeah, it's almost like someone was giving them a Chinese

1:04:33.640 --> 1:04:39.880
<v Speaker 1>burn on their arm consistently for thirteen minutes. I'm not

1:04:39.920 --> 1:04:43.240
<v Speaker 1>even convinced there was two of them there. It sounded

1:04:43.280 --> 1:04:45.920
<v Speaker 1>like they were fourteen. Maybe she's secretly at the pub

1:04:46.160 --> 1:04:49.120
<v Speaker 1>and she just went shit because she doesn't drink. Oh yeah,

1:04:49.360 --> 1:04:53.120
<v Speaker 1>how does she not drink and have that life? The

1:04:53.200 --> 1:04:54.720
<v Speaker 1>only thing that to get me through parenthood?

1:04:55.120 --> 1:04:56.480
<v Speaker 2>Well, no, it's going to be happy to see me.

1:04:56.520 --> 1:04:56.880
<v Speaker 2>That's good.

1:04:56.880 --> 1:04:59.200
<v Speaker 1>And I don't even have any babies to call prepare

1:04:59.240 --> 1:05:00.240
<v Speaker 1>to see if mine.

1:05:00.120 --> 1:05:03.480
<v Speaker 2>He's got It's like a thing every year that I

1:05:03.520 --> 1:05:08.760
<v Speaker 2>get Noah and Anna the little kids size Converse shoes

1:05:09.480 --> 1:05:11.760
<v Speaker 2>and they're so cute. I can't wait to go find

1:05:11.760 --> 1:05:12.920
<v Speaker 2>new once for Christmas this year.

1:05:12.920 --> 1:05:14.640
<v Speaker 1>And we've got hate and are in the Blenciaga store

1:05:14.680 --> 1:05:16.160
<v Speaker 1>over the weekend because it was a sale, the only

1:05:16.200 --> 1:05:17.600
<v Speaker 1>reason we can afford to go there, and they've got

1:05:17.600 --> 1:05:21.440
<v Speaker 1>little mini Blenciaga shoes are like eight thousand dollars for babies.

1:05:21.520 --> 1:05:23.640
<v Speaker 1>It's like their football grow in six months and they'll

1:05:23.680 --> 1:05:24.640
<v Speaker 1>never be able to wear them again.

1:05:24.760 --> 1:05:25.439
<v Speaker 2>Well, that's the waste.

1:05:25.440 --> 1:05:27.800
<v Speaker 1>I wouldn't do that. I address my children exclusively and

1:05:27.840 --> 1:05:30.440
<v Speaker 1>came out, Oh no, my brother's up to can you

1:05:30.480 --> 1:05:32.640
<v Speaker 1>call him to as well? While we're at it? Are

1:05:32.640 --> 1:05:35.040
<v Speaker 1>we going to call one of your siblings? We can

1:05:35.160 --> 1:05:35.880
<v Speaker 1>call if you want.

1:05:36.320 --> 1:05:38.120
<v Speaker 2>You know, it's only if you feel like it's actually

1:05:38.120 --> 1:05:40.080
<v Speaker 2>gonna highlight how different there. You don't have to do

1:05:40.160 --> 1:05:40.600
<v Speaker 2>you don't want to.

1:05:40.640 --> 1:05:42.040
<v Speaker 1>My little sister will hate that we call her on

1:05:42.080 --> 1:05:42.600
<v Speaker 1>the podcast.

1:05:42.880 --> 1:05:43.840
<v Speaker 2>Oh would she.

1:05:43.960 --> 1:05:45.400
<v Speaker 1>Hate it, would not enjoy it at all.

1:05:47.560 --> 1:05:49.560
<v Speaker 2>Oh, Mark's been on before, actually has been before when

1:05:49.600 --> 1:05:56.640
<v Speaker 2>we did straight talk Yeah with Pether. So we've established

1:05:56.640 --> 1:06:00.000
<v Speaker 2>that Nicole is wrangling her herd of children, trying to

1:06:00.000 --> 1:06:02.919
<v Speaker 2>put into bed. Let's see what marks up to see

1:06:02.920 --> 1:06:04.760
<v Speaker 2>if there's any stark difference.

1:06:04.880 --> 1:06:09.400
<v Speaker 1>Probably a lake fishing on the spit. Put a girl

1:06:09.440 --> 1:06:18.000
<v Speaker 1>on the spit, pa. Maybe Dutch would come back. What's

1:06:18.000 --> 1:06:18.760
<v Speaker 1>something that he does?

1:06:20.680 --> 1:06:21.680
<v Speaker 4>It's not available.

1:06:21.760 --> 1:06:23.439
<v Speaker 2>It's probably the private numbers.

1:06:24.880 --> 1:06:25.520
<v Speaker 8>Get an audio.

1:06:28.280 --> 1:06:32.880
<v Speaker 6>Wiggins here, you popped into my apartment the other day

1:06:33.000 --> 1:06:38.720
<v Speaker 6>to work on the brick work. Just say the brilliant job,

1:06:44.160 --> 1:06:53.520
<v Speaker 6>the cooking and the ground fantastically done. Should say that, proud,

1:06:54.120 --> 1:06:54.760
<v Speaker 6>thank you darling?

1:06:55.200 --> 1:07:02.720
<v Speaker 2>Who Yeah, I love that. That's become dots like now

1:07:03.080 --> 1:07:03.800
<v Speaker 2>a catchphrase.

1:07:03.840 --> 1:07:04.160
<v Speaker 1>You're saying.

1:07:04.200 --> 1:07:07.880
<v Speaker 2>Who questions that make no sense? How old are you?

1:07:07.960 --> 1:07:08.120
<v Speaker 3>Who?

1:07:08.320 --> 1:07:13.000
<v Speaker 1>You can't speak to? Neil? You one more time? Yeah?

1:07:13.040 --> 1:07:14.640
<v Speaker 2>Go on, try again. I reckon. He wouldn't have answered

1:07:14.640 --> 1:07:15.600
<v Speaker 2>because it's a private number.

1:07:16.640 --> 1:07:17.000
<v Speaker 1>Here we go.

1:07:17.520 --> 1:07:24.440
<v Speaker 2>If you persist, he'll answer, Yeah, I probably think it's

1:07:24.480 --> 1:07:28.080
<v Speaker 2>the FEDS. He's probably on the run, let's be honest,

1:07:28.120 --> 1:07:31.200
<v Speaker 2>so he might be dodging the call on purpose. I'll

1:07:31.240 --> 1:07:31.560
<v Speaker 2>just be me.

1:07:31.720 --> 1:07:32.160
<v Speaker 1>It's fine.

1:07:33.080 --> 1:07:35.200
<v Speaker 2>I think we've exhauced the dot enough for one episode.

1:07:36.880 --> 1:07:37.040
<v Speaker 10>More.

1:07:37.880 --> 1:07:40.240
<v Speaker 2>He'll be like, oh, fuck, they called again, maybe should answer,

1:07:40.280 --> 1:07:42.840
<v Speaker 2>And then the third time he'll go, ah, a better

1:07:43.400 --> 1:07:45.560
<v Speaker 2>take it off to.

1:07:45.640 --> 1:07:48.880
<v Speaker 1>Some girl that he found at the local pub. He's

1:07:48.920 --> 1:07:49.440
<v Speaker 1>a gentleman.

1:07:50.760 --> 1:07:53.320
<v Speaker 2>About time you answered. I said you'd answer on the

1:07:53.360 --> 1:07:59.240
<v Speaker 2>third one. No, Mark, I'm calling from this studio or

1:07:59.240 --> 1:07:59.920
<v Speaker 2>doing the podcast.

1:08:00.280 --> 1:08:01.520
<v Speaker 1>Two I'm here as well, mate.

1:08:02.360 --> 1:08:08.120
<v Speaker 2>Oh, don't worry, No, you just need to answer a question. Honestly,

1:08:08.200 --> 1:08:10.880
<v Speaker 2>it's nothing bad. We just we're just checking in to

1:08:11.000 --> 1:08:14.320
<v Speaker 2>see how different my siblings are to each other and myself.

1:08:14.560 --> 1:08:17.200
<v Speaker 2>So we've already called Nicole and asked what she's up to.

1:08:17.400 --> 1:08:18.600
<v Speaker 2>So what are you currently up to?

1:08:20.680 --> 1:08:21.120
<v Speaker 4>Not much?

1:08:22.320 --> 1:08:24.960
<v Speaker 2>Okay, thanks for your time, right, I appreciate you coming.

1:08:29.760 --> 1:08:34.479
<v Speaker 5>You want to know what I'm doing? Yeah, honest, watching

1:08:34.720 --> 1:08:39.000
<v Speaker 5>some cricket on the TV From twenty twelve.

1:08:39.560 --> 1:08:40.240
<v Speaker 1>What's the room?

1:08:41.880 --> 1:08:43.559
<v Speaker 2>Couldn't you just google the result?

1:08:45.400 --> 1:08:48.360
<v Speaker 8>Noah, I've saying it before. Not much on.

1:08:49.240 --> 1:08:50.479
<v Speaker 1>So it's like when you go back and watch an

1:08:50.479 --> 1:08:53.080
<v Speaker 1>episode of Friends, except it's a four hour game of cricket.

1:08:53.560 --> 1:08:54.360
<v Speaker 8>It's a test match.

1:08:54.400 --> 1:08:55.439
<v Speaker 5>It goes to five days.

1:08:56.439 --> 1:08:57.120
<v Speaker 1>What day are you on?

1:08:58.520 --> 1:08:58.720
<v Speaker 8>One?

1:08:59.479 --> 1:08:59.639
<v Speaker 9>Oh?

1:08:59.800 --> 1:09:00.960
<v Speaker 2>You going to make it to the end?

1:09:02.120 --> 1:09:03.400
<v Speaker 8>I don't know how long do you reckon?

1:09:03.479 --> 1:09:07.760
<v Speaker 1>It goes for five days? As in what is as in?

1:09:07.840 --> 1:09:08.679
<v Speaker 2>What is a one day?

1:09:09.840 --> 1:09:10.040
<v Speaker 4>Yeah?

1:09:10.479 --> 1:09:12.479
<v Speaker 2>Oh, like fucking six hours or something?

1:09:13.479 --> 1:09:13.679
<v Speaker 5>Yeah?

1:09:14.200 --> 1:09:15.000
<v Speaker 2>Did I get that right?

1:09:15.880 --> 1:09:16.080
<v Speaker 8>Yeah?

1:09:17.200 --> 1:09:19.439
<v Speaker 1>Fuck doesn't even know. I just had to get that.

1:09:20.080 --> 1:09:22.280
<v Speaker 2>But don't they have to do like don't they because

1:09:22.320 --> 1:09:24.160
<v Speaker 2>it's the gentlemen's sport. They don't have halftime. They have

1:09:24.320 --> 1:09:26.120
<v Speaker 2>lunch and and recess and ship.

1:09:26.240 --> 1:09:29.640
<v Speaker 8>They do, yes, lunch and tea and ship like that.

1:09:30.080 --> 1:09:33.040
<v Speaker 1>Jesus grow up. They would have been ball tampering in

1:09:33.120 --> 1:09:35.519
<v Speaker 1>the in twenty twelve as well. They wouldn't given a ship.

1:09:36.520 --> 1:09:38.200
<v Speaker 8>I'll get over it, Mitchell.

1:09:39.120 --> 1:09:40.720
<v Speaker 1>It's the one reference I know and.

1:09:40.800 --> 1:09:43.080
<v Speaker 2>I got anyway, who's winning the.

1:09:43.160 --> 1:09:46.320
<v Speaker 1>Indies or the West, the West Indies or the North

1:09:46.320 --> 1:09:52.320
<v Speaker 1>INDIESH yeah, that's North North Indies. They want those ashes.

1:09:52.520 --> 1:09:55.719
<v Speaker 2>Do they have teams like the North Indy, the North

1:09:55.800 --> 1:10:00.200
<v Speaker 2>Indy Mighty Ducks, or like the South Pakistan Slot.

1:10:00.400 --> 1:10:05.000
<v Speaker 1>Yeah, yeah, this was weird, or the Mumbai Monkeys.

1:10:08.080 --> 1:10:10.800
<v Speaker 8>They do not the international teams. But then you have

1:10:10.960 --> 1:10:13.639
<v Speaker 8>your competitions in India where they have the Mumbai whatever.

1:10:13.680 --> 1:10:15.280
<v Speaker 1>You just say, monkeys by monkeys.

1:10:15.320 --> 1:10:17.800
<v Speaker 2>Yeah, yeah, yeah, okay.

1:10:18.120 --> 1:10:24.080
<v Speaker 1>I like the tristled and Tigers my team. Yeah, we'll

1:10:24.240 --> 1:10:26.120
<v Speaker 1>enjoy Mitch. You and I are part of the Paramount

1:10:26.120 --> 1:10:30.200
<v Speaker 1>of Puffs. Yeah I bet yeah, we are. Love a

1:10:30.240 --> 1:10:34.439
<v Speaker 1>bit of ball tampering, all right, just joking. Thank you

1:10:34.520 --> 1:10:35.800
<v Speaker 1>for coming on, buddy, We appreciate it.

1:10:36.640 --> 1:10:39.759
<v Speaker 8>No, no, thank you for your time. It was buddy, unreal.

1:10:40.320 --> 1:10:42.000
<v Speaker 2>Next time you get a call from a private number,

1:10:42.080 --> 1:10:42.800
<v Speaker 2>just assume it's us.

1:10:42.920 --> 1:10:46.439
<v Speaker 8>Yeah, no, well, I will ring three times.

1:10:46.640 --> 1:10:49.760
<v Speaker 1>Yeah, I knew one card, all right, Markey, love you

1:10:49.800 --> 1:10:51.679
<v Speaker 1>to work, Love you to work, Love you to bits.

1:10:51.760 --> 1:10:57.800
<v Speaker 1>See buddy, he's gone, should quickly ring. Becky Cheery got

1:10:57.800 --> 1:10:59.599
<v Speaker 1>the other one. Now she won't outs. I'm telling you now,

1:11:00.400 --> 1:11:04.880
<v Speaker 1>Oh go on, I'll try. She'll know I'm recording. They

1:11:04.920 --> 1:11:07.599
<v Speaker 1>all know that my radio shows on in nine minutes.

1:11:07.600 --> 1:11:10.240
<v Speaker 2>I have to go, doesn't matter. I'll go on with

1:11:10.320 --> 1:11:12.160
<v Speaker 2>you know, you're the one that wanted to call your sister.

1:11:17.280 --> 1:11:20.680
<v Speaker 1>Sorry was the MICLM, she'll be freaking out going, who

1:11:21.240 --> 1:11:21.400
<v Speaker 1>is this?

1:11:23.520 --> 1:11:25.720
<v Speaker 8>Hi, it's Rach. Leave a message.

1:11:27.360 --> 1:11:29.920
<v Speaker 1>That that's my other sister because Rachel didn't want to

1:11:29.960 --> 1:11:35.280
<v Speaker 1>do her. Okay, that thuns that that's Becky doing Rachel's voicemail.

1:11:35.800 --> 1:11:37.080
<v Speaker 1>Blessed a bit, So I do have to go. The

1:11:37.160 --> 1:11:39.120
<v Speaker 1>radio show is on very soon. If you want to

1:11:39.160 --> 1:11:41.240
<v Speaker 1>hear my sister Becky, go to the last week's episode

1:11:41.240 --> 1:11:44.400
<v Speaker 1>and you can hear her chat. Great episode, see episode fifty.

1:11:44.439 --> 1:11:46.920
<v Speaker 1>Want happy fifty of Darling and congratulations on signing.

1:11:47.120 --> 1:11:49.280
<v Speaker 2>Oh yes, right back at you, Dylan.

1:11:49.320 --> 1:11:51.720
<v Speaker 1>We're now on iHeart podcast. If there's an ad for

1:11:52.120 --> 1:11:54.519
<v Speaker 1>you know, Australian eggs after this, Hey, I know we

1:11:54.640 --> 1:11:57.000
<v Speaker 1>laughed at it a year ago, but it's making us

1:11:57.120 --> 1:11:59.120
<v Speaker 1>money right now, so we'll take what we can get,

1:11:59.439 --> 1:11:59.760
<v Speaker 1>all right.

1:12:00.160 --> 1:12:01.240
<v Speaker 2>We'll catch you back next week.

1:12:01.360 --> 1:12:01.880
<v Speaker 1>So yeah,