1 00:00:00,920 --> 00:00:03,480 Speaker 1: The Jonesy demanded show as we know it started in 2 00:00:03,520 --> 00:00:07,080 Speaker 1: the aftermath of the two thousand and four tsunami in Pouquet, 3 00:00:07,320 --> 00:00:08,039 Speaker 1: an under. 4 00:00:07,840 --> 00:00:11,960 Speaker 2: Sea earthquakes enormous way. Since then, we've been here, as 5 00:00:12,000 --> 00:00:14,640 Speaker 2: you're constant, while the world changed. 6 00:00:14,320 --> 00:00:18,160 Speaker 1: Social media, it changed three for brock or Oil wedding. 7 00:00:18,239 --> 00:00:25,319 Speaker 1: Thee I followed nine matter quality like a sentinel. We 8 00:00:25,400 --> 00:00:28,160 Speaker 1: have watched over the world since two thousand and five, 9 00:00:28,360 --> 00:00:29,120 Speaker 1: and thanks. 10 00:00:28,880 --> 00:00:31,600 Speaker 2: To a detailed set of diaries that Jonesy has kept. 11 00:00:31,640 --> 00:00:33,800 Speaker 1: Well they're kind of detailed, but we do have a 12 00:00:33,840 --> 00:00:38,640 Speaker 1: time travelers podcast of a highly successful radio show. Highly 13 00:00:38,680 --> 00:00:44,000 Speaker 1: successful me a podcast of a moderately successful radio show. 14 00:00:44,080 --> 00:00:46,280 Speaker 2: All right, well let's begin, shall we. 15 00:00:46,280 --> 00:00:48,760 Speaker 1: Well we're deep in the guts of twenty ten. 16 00:00:49,159 --> 00:00:51,360 Speaker 2: Well that's a phrase. It gets thrown around a lot, 17 00:00:51,400 --> 00:00:54,000 Speaker 2: doesn't it. Here we are in our time traveling podcast, 18 00:00:54,280 --> 00:00:57,360 Speaker 2: going back through Jonesy's diaries to look at what we 19 00:00:57,360 --> 00:01:02,160 Speaker 2: were doing. They're not personal Michelle kind of diary. 20 00:01:02,280 --> 00:01:04,760 Speaker 1: Oh hang on, they're not. It's a bit like the 21 00:01:04,800 --> 00:01:06,959 Speaker 1: Mark Dessart, you know. And they locked him away in 22 00:01:07,000 --> 00:01:07,680 Speaker 1: that little. 23 00:01:07,480 --> 00:01:08,480 Speaker 2: Room, and what did he do? 24 00:01:08,920 --> 00:01:11,160 Speaker 1: Wrote a diary, started writing saucy novels. 25 00:01:11,400 --> 00:01:14,080 Speaker 2: I write a diary under Kneea the Tree, and then 26 00:01:14,080 --> 00:01:16,280 Speaker 2: they took it away and he started writing with his blood. 27 00:01:16,480 --> 00:01:19,240 Speaker 1: And then he's pooh, really, how do you know that? 28 00:01:19,360 --> 00:01:19,800 Speaker 2: Did I say? 29 00:01:19,800 --> 00:01:23,080 Speaker 1: That movie? Jeffrey Rush, he played the Mark Dessart. 30 00:01:23,120 --> 00:01:24,640 Speaker 2: That's sponsored by Sorbon. 31 00:01:25,959 --> 00:01:27,280 Speaker 1: That's some good brand integration. 32 00:01:27,600 --> 00:01:29,280 Speaker 2: I've read some novels that read like that too. 33 00:01:29,720 --> 00:01:31,920 Speaker 1: Twenty ten. You know, we get written about a bit 34 00:01:31,920 --> 00:01:32,680 Speaker 1: in the newspaper. 35 00:01:32,800 --> 00:01:34,880 Speaker 2: What have we got? Because you keep the newspaper clippings, 36 00:01:35,040 --> 00:01:36,119 Speaker 2: you put them in your diary. 37 00:01:36,200 --> 00:01:40,280 Speaker 1: Well, it's a nice little flavor of where we were 38 00:01:40,800 --> 00:01:41,320 Speaker 1: back then. 39 00:01:41,480 --> 00:01:43,920 Speaker 2: So I can see from here where you've opened your diary, 40 00:01:43,959 --> 00:01:45,120 Speaker 2: I can see newspaper clippings. 41 00:01:45,120 --> 00:01:48,920 Speaker 1: What are they? This is about campaign confidential and this 42 00:01:49,000 --> 00:01:51,840 Speaker 1: is when Julia Gillard was on the hustings. 43 00:01:51,880 --> 00:01:54,280 Speaker 2: So what role was she playing in twenty ten? She 44 00:01:54,720 --> 00:01:55,480 Speaker 2: positioned leader? 45 00:01:56,720 --> 00:01:58,840 Speaker 1: Yeah she was Where was she was? 46 00:01:59,000 --> 00:01:59,520 Speaker 2: Prime minister? 47 00:02:00,080 --> 00:02:02,800 Speaker 1: I can't remember twenty ten? Kevin O seven, she was 48 00:02:02,800 --> 00:02:05,720 Speaker 1: prime minister. Yeah, she was trying to get reelected. 49 00:02:06,800 --> 00:02:09,320 Speaker 2: No, she got drummed out before then, didn't she. 50 00:02:09,440 --> 00:02:11,600 Speaker 1: No, no, no, no no, Because Kevin O seven he 51 00:02:11,639 --> 00:02:14,800 Speaker 1: got in then he went crazy. They flecked him. 52 00:02:15,560 --> 00:02:18,400 Speaker 2: That's a very small praisee of that. 53 00:02:18,760 --> 00:02:21,080 Speaker 1: Yeah. I think this is around the time that she 54 00:02:21,200 --> 00:02:23,120 Speaker 1: was trying to win the hearts and mind. 55 00:02:23,200 --> 00:02:25,680 Speaker 2: Okay, so by now she was prime minister. Yeah, and 56 00:02:25,720 --> 00:02:26,959 Speaker 2: what does it say about her? And why has it 57 00:02:27,000 --> 00:02:28,040 Speaker 2: got anything to do with us? 58 00:02:28,080 --> 00:02:33,040 Speaker 1: In Campaign Confidential, Julia Gillard couldn't bring herself to blame 59 00:02:33,080 --> 00:02:36,160 Speaker 1: the bad Sydney traffic for being fifteen minutes late to 60 00:02:36,240 --> 00:02:40,480 Speaker 1: a radio interview with WSFMS, or it says two WSFMS 61 00:02:40,520 --> 00:02:45,000 Speaker 1: Amanda Keller and Brendan jonesy Jones. She didn't want to 62 00:02:45,000 --> 00:02:48,840 Speaker 1: blame poor infrastructure, goes on to say in another article, 63 00:02:49,200 --> 00:02:52,440 Speaker 1: Gillard did more interviews than usual and shifted towards lifestyle 64 00:02:52,639 --> 00:02:56,239 Speaker 1: and rather than news programs. Her chat on Sydney's WSFM 65 00:02:56,480 --> 00:03:03,200 Speaker 1: spent significant time discussing her culn preferences meeting three vege. Apparently, 66 00:03:04,080 --> 00:03:08,000 Speaker 1: she also picked up a cheesecake for the breakfast toasts. 67 00:03:08,360 --> 00:03:09,160 Speaker 2: She bring in a cheese. 68 00:03:09,480 --> 00:03:11,200 Speaker 1: She put in a cheese because she was on the phone. 69 00:03:11,240 --> 00:03:14,760 Speaker 1: I remember that she was running late and we said 70 00:03:14,800 --> 00:03:16,799 Speaker 1: where are you? Where the buddy? Eh are you? 71 00:03:16,919 --> 00:03:19,160 Speaker 2: Julia? I mean Prime Minister. 72 00:03:19,000 --> 00:03:21,280 Speaker 1: And she said, I'm stuck in traffic and I said, well, 73 00:03:21,480 --> 00:03:23,240 Speaker 1: where are you? And she said she was wandering around 74 00:03:23,240 --> 00:03:25,920 Speaker 1: Parameta there and I said, well, can you get us 75 00:03:25,919 --> 00:03:28,519 Speaker 1: something to eat? She said, oh, okay, what about a cheesecake. 76 00:03:29,080 --> 00:03:31,040 Speaker 1: I would have preferred a homemade cheesecake. 77 00:03:31,080 --> 00:03:34,200 Speaker 2: Oh no, pressure. Remember all that when she first became 78 00:03:34,840 --> 00:03:37,440 Speaker 2: a popular politician, and they took a photo of her 79 00:03:37,480 --> 00:03:40,440 Speaker 2: in camber in her camera flat, and much whoha was 80 00:03:40,440 --> 00:03:42,400 Speaker 2: made of the fact that there wasn't much in the 81 00:03:42,440 --> 00:03:44,840 Speaker 2: way of furnishings and she had a fruit bowl on 82 00:03:44,880 --> 00:03:47,880 Speaker 2: the table with nothing in it. She's always been given 83 00:03:48,000 --> 00:03:51,720 Speaker 2: trouble for not being a domestic person and yet having 84 00:03:51,760 --> 00:03:54,360 Speaker 2: said that, we don't ask it of other politicians. So 85 00:03:54,440 --> 00:03:56,600 Speaker 2: then here we are with Scott Morrison showing us all 86 00:03:56,640 --> 00:03:59,440 Speaker 2: the curries he made. But you know, that sort of 87 00:03:59,480 --> 00:04:02,280 Speaker 2: that image haunted her for some time, So you saying 88 00:04:02,480 --> 00:04:04,840 Speaker 2: make a satin probably didn't go down so well. 89 00:04:05,640 --> 00:04:08,720 Speaker 1: Well, I guess in a way it was just jovial. 90 00:04:09,880 --> 00:04:11,840 Speaker 1: But I look back because I really Rapeulie. 91 00:04:12,440 --> 00:04:15,200 Speaker 2: She like she I did too. I really liked it. 92 00:04:15,280 --> 00:04:17,120 Speaker 1: And you know what, out of all the politicians we've 93 00:04:17,160 --> 00:04:20,520 Speaker 1: spoken to a lot of them, and there's not really 94 00:04:20,600 --> 00:04:21,480 Speaker 1: many normal ones. 95 00:04:21,560 --> 00:04:25,360 Speaker 2: But what's interesting is she's normal. When you meet them. 96 00:04:25,839 --> 00:04:28,120 Speaker 2: Most of them have an aura about them and you think, 97 00:04:28,560 --> 00:04:32,680 Speaker 2: is this charisma that they come with or because of 98 00:04:32,720 --> 00:04:34,719 Speaker 2: the role we give it to them? 99 00:04:34,839 --> 00:04:37,280 Speaker 1: Yeah? Are we expecting too much of them? No? 100 00:04:37,400 --> 00:04:42,040 Speaker 2: Well, I just think like John Howard oozed charisma. You 101 00:04:42,080 --> 00:04:44,600 Speaker 2: would never imagine it, but he had star power. He did, 102 00:04:44,600 --> 00:04:45,320 Speaker 2: didn't he. 103 00:04:45,120 --> 00:04:46,599 Speaker 1: He did have it and you wouldn't have thought that 104 00:04:46,640 --> 00:04:48,120 Speaker 1: he No, you wouldn't. 105 00:04:47,720 --> 00:04:49,600 Speaker 2: Have thought that, but when he walked into a room, 106 00:04:50,000 --> 00:04:52,839 Speaker 2: you knew he was the prime minister. Yeah. I don't 107 00:04:52,880 --> 00:04:54,960 Speaker 2: know if Kevin Rudd had it so much. 108 00:04:55,040 --> 00:04:58,680 Speaker 1: Kevin Rudd changed. I found that before Kevin O seven, 109 00:04:59,200 --> 00:05:00,960 Speaker 1: before he became prime minister. 110 00:05:01,040 --> 00:05:01,839 Speaker 2: When he was Ben ten. 111 00:05:02,080 --> 00:05:04,440 Speaker 1: When he was Ben ten, he come on our show 112 00:05:04,480 --> 00:05:06,640 Speaker 1: and chatty. Then all of a sudden when he became 113 00:05:06,680 --> 00:05:10,080 Speaker 1: prime minister, he'd start talking in this strange way. 114 00:05:10,720 --> 00:05:12,680 Speaker 2: Well, they have to be so careful, and that's what 115 00:05:12,720 --> 00:05:15,000 Speaker 2: we found also with Julia Gillard. When she was a 116 00:05:15,400 --> 00:05:18,800 Speaker 2: deputy leader, she was more casual and had a laugh 117 00:05:18,839 --> 00:05:21,080 Speaker 2: with us. Once they're prime minister, they know that every 118 00:05:21,120 --> 00:05:22,960 Speaker 2: word they say will be analyzed and they have to 119 00:05:23,000 --> 00:05:25,440 Speaker 2: be so much more careful. Takes the fun out of it. 120 00:05:25,480 --> 00:05:27,280 Speaker 1: How do you feel about Anthony Albanesi. 121 00:05:27,400 --> 00:05:29,680 Speaker 2: I'm a big fan of Anthony Alberesi because I think 122 00:05:29,720 --> 00:05:32,960 Speaker 2: that he's very human. There's no heirs and graces. But 123 00:05:33,360 --> 00:05:35,760 Speaker 2: a lot of people before he was elected didn't feel 124 00:05:35,800 --> 00:05:39,760 Speaker 2: he was prime ministerial enough. But now he's grown into that. 125 00:05:39,880 --> 00:05:43,200 Speaker 1: But you would have said the same about Scott Morrison. Yeah, 126 00:05:43,560 --> 00:05:46,760 Speaker 1: Scomo to me didn't seem prime ministerial at all, but 127 00:05:46,800 --> 00:05:49,760 Speaker 1: then when he got into being the prime minister, it 128 00:05:49,880 --> 00:05:50,960 Speaker 1: suddenly seemed to work. 129 00:05:51,120 --> 00:05:54,120 Speaker 2: Well, that's what I mean is sometimes we give them 130 00:05:54,160 --> 00:05:57,039 Speaker 2: that because of the role they have. They don't necessarily 131 00:05:57,080 --> 00:06:00,440 Speaker 2: come into it with star power. That role comes with that. 132 00:06:00,720 --> 00:06:03,240 Speaker 1: Yeah, but you look at yourself if you're a prime minister, 133 00:06:03,520 --> 00:06:04,160 Speaker 1: how would. 134 00:06:03,960 --> 00:06:06,920 Speaker 2: You go, Well, I've never given it any thought. 135 00:06:07,000 --> 00:06:08,680 Speaker 1: Well, I imagine if you're a prime minister and you 136 00:06:08,720 --> 00:06:11,840 Speaker 1: had to meet with President Z or something. 137 00:06:12,279 --> 00:06:14,880 Speaker 2: Well, that's their skill set, that's their job. They have 138 00:06:14,960 --> 00:06:16,400 Speaker 2: to and that's why it would be a hard job 139 00:06:16,480 --> 00:06:18,680 Speaker 2: in our job. And I often felt this one was 140 00:06:18,720 --> 00:06:21,279 Speaker 2: with beyond two thousand as well. I know a little 141 00:06:21,360 --> 00:06:24,240 Speaker 2: bit about a lot of things. If you're Prime minister, 142 00:06:24,640 --> 00:06:27,479 Speaker 2: you have to deep dive about a whole lot of stuff. 143 00:06:27,480 --> 00:06:29,240 Speaker 2: If you're doing press conference and you want to talk 144 00:06:29,240 --> 00:06:31,680 Speaker 2: about everyone's wearing blue sox in Parliament that day as 145 00:06:31,680 --> 00:06:34,240 Speaker 2: a fundraiser, and someone asked you about our foreign policy 146 00:06:34,240 --> 00:06:36,200 Speaker 2: in the Middle East, you have to know enough to 147 00:06:36,200 --> 00:06:37,680 Speaker 2: be able to answer that. You can't just say, I'm 148 00:06:37,680 --> 00:06:38,679 Speaker 2: here to talk about the socks. 149 00:06:38,680 --> 00:06:41,719 Speaker 1: I'm going to truck some blue socks over to the 150 00:06:41,760 --> 00:06:42,240 Speaker 1: Middle East. 151 00:06:42,320 --> 00:06:43,720 Speaker 2: Ye see, that's how you'd answer it. 152 00:06:43,760 --> 00:06:46,800 Speaker 1: That's how we ended up with blue poles because GoF 153 00:06:47,920 --> 00:06:50,200 Speaker 1: went and bought it for a million bucks and everyone 154 00:06:50,240 --> 00:06:51,000 Speaker 1: winged about it. 155 00:06:51,120 --> 00:06:53,640 Speaker 2: Now it's worth one hundred and fifty eight thousand gazillion. 156 00:06:53,240 --> 00:06:56,160 Speaker 1: Doll It's actually priceless. Now, it's a priceless work of art. 157 00:06:56,520 --> 00:07:00,479 Speaker 1: Also in the newspaper, you remember the spotted section about 158 00:07:00,520 --> 00:07:04,200 Speaker 1: this Richard Wilkins looking confused. I think it was bewildered. 159 00:07:04,279 --> 00:07:05,560 Speaker 1: Bewildered in the. 160 00:07:05,440 --> 00:07:07,960 Speaker 2: Free Remember once they said that Libby Gore, who was 161 00:07:08,000 --> 00:07:10,000 Speaker 2: el mcfeast, was seeing picking her hair out of a chin, 162 00:07:10,040 --> 00:07:11,480 Speaker 2: and I thought that could easily have been me. 163 00:07:11,680 --> 00:07:15,280 Speaker 1: Could happened to anyone spotted buying a tea pot at 164 00:07:15,400 --> 00:07:19,520 Speaker 1: tea tea two T two? Was it Brendan jonesy Jones? 165 00:07:19,800 --> 00:07:22,680 Speaker 2: Why were you? You're not a tea drinker. You know 166 00:07:22,760 --> 00:07:26,480 Speaker 2: you don't like fancy stuff. Why were you? Broke out 167 00:07:26,560 --> 00:07:27,840 Speaker 2: producers teapots Ora. 168 00:07:28,000 --> 00:07:29,680 Speaker 1: He used to work for us and went over to 169 00:07:29,720 --> 00:07:33,640 Speaker 1: find huge success over the Triple M network. She we 170 00:07:33,720 --> 00:07:36,240 Speaker 1: love Laura playing fair. I am playing fair, you know, 171 00:07:37,240 --> 00:07:41,440 Speaker 1: because that station has gone from strength to strength, hasn't it? Anyway, 172 00:07:42,240 --> 00:07:44,920 Speaker 1: she was over there, I broke her tea pote? 173 00:07:45,000 --> 00:07:47,280 Speaker 2: So how did you break it? 174 00:07:47,480 --> 00:07:49,840 Speaker 1: Moving stuff? Because it's teapote? And I went, I'll break 175 00:07:49,880 --> 00:07:50,360 Speaker 1: you another one. 176 00:07:51,800 --> 00:07:52,560 Speaker 2: What a giveaway. 177 00:07:52,920 --> 00:07:54,000 Speaker 1: I'll buy you another. 178 00:07:54,080 --> 00:07:56,520 Speaker 2: And if I remember correctly, every day, I'll buy you one. 179 00:07:56,520 --> 00:07:57,960 Speaker 2: I'll buy you one. I'll buy you And that went 180 00:07:58,000 --> 00:07:59,960 Speaker 2: on for months and then finally. 181 00:07:59,800 --> 00:08:01,880 Speaker 1: And she is such a lovely person as you say it, 182 00:08:01,920 --> 00:08:04,120 Speaker 1: I I better go and get this teapot. 183 00:08:04,360 --> 00:08:06,080 Speaker 2: She was spotted buying a teapot. 184 00:08:06,120 --> 00:08:08,920 Speaker 1: It was seventy bucks as well, so I'm glad they 185 00:08:08,920 --> 00:08:12,000 Speaker 1: didn't put that in the article. I was upset about 186 00:08:12,040 --> 00:08:12,560 Speaker 1: the price. 187 00:08:13,960 --> 00:08:16,400 Speaker 2: Are you saying it out loud. Now you realize you're 188 00:08:16,440 --> 00:08:17,160 Speaker 2: saying it out loud. 189 00:08:17,160 --> 00:08:18,880 Speaker 1: Now Tea two is having a lot. 190 00:08:20,080 --> 00:08:21,440 Speaker 2: They do very nice teapots. 191 00:08:21,960 --> 00:08:25,760 Speaker 1: Back in twenty ten or there's an email here from 192 00:08:25,840 --> 00:08:26,880 Speaker 1: Henry Hubers. 193 00:08:27,000 --> 00:08:29,880 Speaker 2: What does he say? It says, why have you kept it? 194 00:08:30,560 --> 00:08:32,360 Speaker 1: I just it's all grist for the mill. Actually I've 195 00:08:32,360 --> 00:08:34,400 Speaker 1: written something on the back. It was a script for something, 196 00:08:35,559 --> 00:08:40,520 Speaker 1: the lame o mile. What's this, Amanda? Two thousand and nine, 197 00:08:40,679 --> 00:08:42,880 Speaker 1: there was a drought in Sydney. Although this had nothing 198 00:08:42,880 --> 00:08:45,240 Speaker 1: to do with the lack of rain. This was another 199 00:08:45,720 --> 00:08:48,760 Speaker 1: kind of drought. What have you got? I got four? Four? 200 00:08:48,800 --> 00:08:51,680 Speaker 1: I need ten. There's a lot running in this my 201 00:08:51,800 --> 00:08:56,120 Speaker 1: whole business. Four it's all I got. That's been a recall, 202 00:08:56,280 --> 00:08:59,360 Speaker 1: I recall what's up for? I don't know who would 203 00:08:59,400 --> 00:09:02,000 Speaker 1: have thought too much of a little thing called iodine 204 00:09:02,000 --> 00:09:05,440 Speaker 1: would bring whole milk industry crashing ball. 205 00:09:05,480 --> 00:09:07,920 Speaker 2: There was member. Don't mention it, Brendan, you got in 206 00:09:08,000 --> 00:09:09,520 Speaker 2: trouble with our legal department. 207 00:09:10,080 --> 00:09:12,520 Speaker 1: Trouble mention it about the soy milk people. 208 00:09:12,520 --> 00:09:13,959 Speaker 2: Why are you saying because. 209 00:09:13,679 --> 00:09:15,760 Speaker 1: There was a bon soy it was bon SOI There 210 00:09:15,800 --> 00:09:18,840 Speaker 1: was trouble it again and then we had the legal 211 00:09:18,840 --> 00:09:21,199 Speaker 1: people saying we can't do jokes about soy. 212 00:09:20,960 --> 00:09:23,199 Speaker 2: Mal and here you are doing it again. 213 00:09:23,000 --> 00:09:25,920 Speaker 1: And I'm reading this. It's so lame. I should have 214 00:09:25,920 --> 00:09:28,160 Speaker 1: been shot for it just being lame, because it's all 215 00:09:28,200 --> 00:09:30,320 Speaker 1: in my writing? Did you do this? During doing this? 216 00:09:31,360 --> 00:09:34,480 Speaker 1: On the back of that, though, that lame script is 217 00:09:34,520 --> 00:09:38,640 Speaker 1: an email from Henry Hubers. Henry writes, you are one 218 00:09:38,679 --> 00:09:43,439 Speaker 1: sexy woman, and oh it's hard to decide if your humor, 219 00:09:43,600 --> 00:09:46,440 Speaker 1: slash wit or your natural good looks that I find 220 00:09:46,480 --> 00:09:50,120 Speaker 1: attractive more. I piss myself laughing. 221 00:09:50,280 --> 00:09:52,000 Speaker 2: I'm sure he didn't emphasize that. 222 00:09:52,160 --> 00:09:56,240 Speaker 1: Listening to you and Jonesy, secretly, I wish my wife 223 00:09:56,520 --> 00:09:59,760 Speaker 1: had half of your brain sometimes a place I would 224 00:09:59,760 --> 00:10:03,760 Speaker 1: see and ponder life with love the radio. I'm a 225 00:10:03,800 --> 00:10:08,000 Speaker 1: massive fan. Keep it coming. That's a Henry. I wonder 226 00:10:08,000 --> 00:10:09,120 Speaker 1: if Henry's still around. 227 00:10:09,679 --> 00:10:10,360 Speaker 2: What's his name? 228 00:10:10,480 --> 00:10:13,439 Speaker 1: Henry Hoopers? I could out? 229 00:10:14,600 --> 00:10:15,200 Speaker 2: What are you doing? 230 00:10:16,960 --> 00:10:17,080 Speaker 1: Oh? 231 00:10:17,160 --> 00:10:23,640 Speaker 2: Don't give him his privacy? Please? Is he in prison? 232 00:10:23,760 --> 00:10:25,240 Speaker 1: Do you know what? In two thousand and so off 233 00:10:25,320 --> 00:10:28,880 Speaker 1: Mike about this? In twenty ten we didn't have Facebook, 234 00:10:29,280 --> 00:10:31,839 Speaker 1: Messenger or anything that like that. So I'm just giving 235 00:10:31,840 --> 00:10:34,079 Speaker 1: a point of reference. There he is. 236 00:10:34,600 --> 00:10:37,680 Speaker 2: Let's have a look. Oh, he looks nice and that's 237 00:10:37,679 --> 00:10:40,920 Speaker 2: his lovely wife with him. Who'll be thrilled to hear this. 238 00:10:42,440 --> 00:10:43,440 Speaker 2: He looks very nice. 239 00:10:43,480 --> 00:10:46,200 Speaker 1: He might have flicked over to the successful Triple M network. 240 00:10:47,120 --> 00:10:47,920 Speaker 2: He'll be with us. 241 00:10:48,160 --> 00:10:50,640 Speaker 1: He'll be with us, of course he will be. Well, 242 00:10:50,679 --> 00:10:52,600 Speaker 1: the look at that, you've got some praise there also 243 00:10:52,960 --> 00:10:59,360 Speaker 1: another newspaper article here. Twitter of the Week Radio dure 244 00:10:59,360 --> 00:11:03,440 Speaker 1: Brenda radio duo Brendan Jones and Amanda Keller aka Jonesy 245 00:11:03,400 --> 00:11:07,199 Speaker 1: and Amanda turned TV critics on Thursday night with this 246 00:11:07,240 --> 00:11:11,240 Speaker 1: tweet on nine's Cops l Ac. Cops l a C 247 00:11:11,600 --> 00:11:14,160 Speaker 1: just delivered a baby with no blood in the back 248 00:11:14,200 --> 00:11:16,440 Speaker 1: of a police car and no baby. 249 00:11:16,800 --> 00:11:19,280 Speaker 2: Tell me about Cops LAC. I remember Kate Richie was 250 00:11:19,320 --> 00:11:19,520 Speaker 2: in it. 251 00:11:19,960 --> 00:11:20,640 Speaker 1: Great shot. 252 00:11:21,160 --> 00:11:22,480 Speaker 2: Who are the la C's what's that? 253 00:11:22,600 --> 00:11:25,760 Speaker 1: Matt Lac is Local AIA command. 254 00:11:26,320 --> 00:11:29,400 Speaker 2: So they've made a police show about the smallest police 255 00:11:29,520 --> 00:11:30,439 Speaker 2: unit you can imagine. 256 00:11:30,480 --> 00:11:33,480 Speaker 1: It was pretty much watching RBT in New Zealand. 257 00:11:33,640 --> 00:11:35,960 Speaker 2: And so what some of the crimes they look at? 258 00:11:36,080 --> 00:11:38,400 Speaker 1: Well, the story was the baby being bored in the 259 00:11:38,400 --> 00:11:41,240 Speaker 1: back of the police car. But this woman in the 260 00:11:41,280 --> 00:11:45,920 Speaker 1: position and one of the cops Lac fully dressed. Yeah, 261 00:11:45,960 --> 00:11:48,959 Speaker 1: well she was in the birthing position. And then one 262 00:11:48,960 --> 00:11:52,240 Speaker 1: of the cops Lac guys, whoever the guy was, he's 263 00:11:52,440 --> 00:11:54,400 Speaker 1: down at the business end trying to get the baby out, 264 00:11:54,400 --> 00:11:57,200 Speaker 1: and she's screaming and she's got sweat sprayed on her 265 00:11:57,200 --> 00:12:00,160 Speaker 1: face i'd say, from a water bottle, and then as 266 00:12:00,200 --> 00:12:04,080 Speaker 1: a whore and a baby. But the baby comes out 267 00:12:04,440 --> 00:12:06,880 Speaker 1: and it's instantly presented to the mum in in. 268 00:12:06,840 --> 00:12:09,079 Speaker 2: A towel with no muck on it. 269 00:12:09,240 --> 00:12:12,080 Speaker 1: No muck at all, and no baby. It was just like, 270 00:12:12,240 --> 00:12:14,319 Speaker 1: look like they gave Tony a towel. 271 00:12:14,000 --> 00:12:16,079 Speaker 2: Right, like when you go on a cruise and they 272 00:12:16,080 --> 00:12:19,280 Speaker 2: do towel art on your bed. It's wrapped up a towel. 273 00:12:20,360 --> 00:12:22,760 Speaker 1: It could have been tail art. It just handed to her. 274 00:12:23,360 --> 00:12:26,640 Speaker 1: And it was famously later on in the movie The 275 00:12:26,679 --> 00:12:29,840 Speaker 1: Sniper Clinice, they couldn't get the baby. 276 00:12:30,559 --> 00:12:33,200 Speaker 2: And that became a small scene, the small scene that 277 00:12:33,240 --> 00:12:35,559 Speaker 2: took over the entire narrative because the baby was. 278 00:12:35,559 --> 00:12:37,960 Speaker 1: Fake and Cleonice, we just said bring in the fake 279 00:12:38,120 --> 00:12:40,400 Speaker 1: baby because he's of that era, and they did never 280 00:12:40,600 --> 00:12:43,760 Speaker 1: just accepted it. Cops Laco, they could have just got 281 00:12:44,240 --> 00:12:48,040 Speaker 1: like a dummy baby surely instead of the towel art. 282 00:12:48,280 --> 00:12:50,520 Speaker 2: And so the mom gave birth with no muck on 283 00:12:50,640 --> 00:12:53,120 Speaker 2: her cellfie, no muck at all. They didn't have to 284 00:12:53,120 --> 00:12:54,120 Speaker 2: hose out the police car. 285 00:12:54,280 --> 00:12:56,480 Speaker 1: No no, there was no no blood nothing. 286 00:12:56,520 --> 00:12:59,080 Speaker 2: No thank you, ma'am. Now I've really got to go 287 00:12:59,120 --> 00:13:03,240 Speaker 2: and solve some more in incredible crimes of littering. What 288 00:13:03,960 --> 00:13:04,760 Speaker 2: a month or a. 289 00:13:04,840 --> 00:13:09,440 Speaker 1: Year in Channel ten recommission cops LAC. I'd like to 290 00:13:09,440 --> 00:13:11,760 Speaker 1: see that come back, wouldn't you. Sure? 291 00:13:12,280 --> 00:13:14,880 Speaker 2: Well, I've enjoyed this, this has been great. Come buy 292 00:13:14,920 --> 00:13:15,520 Speaker 2: me a teapot. 293 00:13:15,760 --> 00:13:19,640 Speaker 1: I will. I'll just be careful this time. Please until 294 00:13:19,720 --> 00:13:21,600 Speaker 1: next time, Good good day to you. 295 00:13:21,760 --> 00:13:25,160 Speaker 2: Catch Jonesy and Amanda's podcast on the iHeartRadio app or 296 00:13:25,160 --> 00:13:26,959 Speaker 2: wherever you get your podcasts