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Speaker 1: Keith Urban very sexy, confident guy.

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Speaker 2: Moment.

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Speaker 1: This is a deep cut, but we all remember that

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Speaker 1: moment when we saw the top of his jocks when

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Speaker 1: he was a judge on the Voice that melted the internet.

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Speaker 3: Right.

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Speaker 4: I didn't find him sexy, do you winte him sexy?

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Speaker 3: Absolutely?

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Speaker 2: It's the tats, the tattoos, like that, chemically straightened hair.

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Speaker 3: It's a good looks think it's a good look anyway.

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Speaker 3: That's just because he seems like a lovely guy.

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Speaker 4: I've got I've got to stress that, like he seems

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Speaker 4: like a lovely guy.

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Speaker 1: Confident as well. Yeah, yeah, he's gone a little bit

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Speaker 1: of confidence.

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Speaker 2: Of a glimpse of his job of brief Yes, on

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Speaker 2: the X Factor pretty much, well it was on the Voice.

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Speaker 4: Sorry, but yeah, don't know whether they were.

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Speaker 1: Yeah, but that's why it surprised me to hear that

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Speaker 1: Keith he attended these awards yesterday that when Nicole Kidman

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Speaker 1: was being on it, that's his wife.

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Speaker 5: Yeah.

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Speaker 2: It does into the Film industry Hall of Fame or something.

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Speaker 1: Wasn't she the AFI Life Achievement Achievement Award Awards?

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Speaker 4: Yeah?

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Speaker 1: Shame film industry, Yeah, yeah, yeah, American American American Anyway,

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Speaker 1: now I'm reading this off an article.

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Speaker 3: Keith wasn't doing an interview or anything.

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Speaker 4: Oh what do you mean?

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Speaker 1: Apparently he wasn't doing an interview. He wasn't doing an interview.

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Speaker 1: He just started talking to the crowd. I'm literally reading

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Speaker 1: this off an article. Apparently he just like brings in

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Speaker 1: a crowd of people on the red carpet and starts

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Speaker 1: talking about the time that he met Nicole Kidman. And

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Speaker 1: he has revealed that he was trying to play it cool,

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Speaker 1: but he genuinely felt like he was meeting a real

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Speaker 1: life princess, and he was incredibly nervous talking to her.

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Speaker 1: Somehow he managed to get her number on a little

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Speaker 1: bit of paper. But then he said that he carried

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Speaker 1: around her number in his pocket for a week because

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Speaker 1: he was so nervous to make that phone call.

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Speaker 4: Ah, that's so sweet, so sweet.

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Speaker 1: Finally, after a week he builds up the courage, he

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Speaker 1: calls Nicole Kidman and then now marriage.

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Speaker 4: Ah, that's lovely.

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Speaker 3: Beautiful, beautiful, happy story.

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Speaker 4: How do a number? I mean, geez, times are different, aren't.

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Speaker 3: They number on a piece of paper?

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Speaker 4: When you put yeah, I remember when if you lost

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Speaker 4: the number, it was game.

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Speaker 1: Over because you used to write them on your on

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Speaker 1: your hands and if you got sweaty, which hand I'd

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Speaker 1: write number on hand?

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Speaker 3: Dance floor session number gone.

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Speaker 2: Worry the year six disco because we did have phones

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Speaker 2: when we were clubbing, by the way, not me, not me.

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Speaker 3: I like to be connected with the dance floor. Didn't

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Speaker 3: like the screens anyway. Yeah, I just want to take

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Speaker 3: everyone to the moment.

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Speaker 4: Where is bullshit we're all thinking it anyway, carry.

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Speaker 3: On sometimes palm anyway.

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Speaker 1: I want to take people to the moment where Keith

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Speaker 1: is really nervous about this phone call to Nicole Kidman

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Speaker 1: right and I think there are going to be people

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Speaker 1: listening to us right now.

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Speaker 3: And please thirteen one oh six five is our number.

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Speaker 3: If this is you.

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Speaker 1: If you are currently Keith really nervous about a phone

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Speaker 1: call that you have to make, give us a call

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Speaker 1: because I'm going to help you out. So you're really

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Speaker 1: nervous about a phone call. Maybe it's about someone you

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Speaker 1: want to ask on a date, like Keith. Maybe you've

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Speaker 1: got to have a chat with your boss. Maybe there's

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Speaker 1: a chat with one of your parents that you're going

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Speaker 1: to have. You're really nervous about it. Okay, it doesn't

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Speaker 1: matter what the reason for, the cause you're just feeling

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Speaker 1: really nervous about it. Because up next I'm going to

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Speaker 1: do a dress rehearsal with you of that phone call.

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Speaker 4: I like the show the rehearsal.

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Speaker 1: Yeah, I haven't seen that. Haven't seen that film or show.

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Speaker 1: I don't even know what it is. I haven't seen that.

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Speaker 1: Definitely not copying that. Thirteen one oh six five. Are

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Speaker 1: you nervous about making a phone call?

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Speaker 4: We're gonna do a rehearsal.

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Speaker 3: Apparently there's a TV show that does that.

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Speaker 1: Honestly, that's news to me anyway, Sophie, what are the

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Speaker 1: specs of this phone call that you need to make?

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Speaker 6: Okay, So my best year of boy is been doing

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Speaker 6: a little bit of a dirty on her him out,

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Speaker 6: so I'm a bit nervous to give her a call

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Speaker 6: to give her a heads up on what's happening.

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Speaker 1: You You you need to call your best friend because

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Speaker 1: you know that her boyfriend is cheating on her.

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Speaker 6: Yes, heavy, keep out of it, or I just you

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Speaker 6: know she's my best girl.

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Speaker 2: Like, that's probably the discussion right now is you know,

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Speaker 2: let's let's let's rehearse this. But before we rehearse it,

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Speaker 2: whether it should I yeah, Gere's a spicy meat.

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Speaker 3: But I wasn't expecting this.

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Speaker 1: I feel like you need to say and I don't

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Speaker 1: know whether this is loaded, but I feel like the

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Speaker 1: way you need to go into the phone call is, Hey,

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Speaker 1: I've got some information about what's the boyfriend called Sophie.

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Speaker 2: So Stephen Stephen right, sounds like good face, sounds like

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Speaker 2: you've definitely got his good decision. By the way, let's

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Speaker 2: let's keep all these parties anonymous, just in case they are.

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Speaker 1: I think you call your friend and go, hey, I've

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Speaker 1: come across some information about Stephen.

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Speaker 3: Do you want to hear it?

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Speaker 4: Don't you?

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Speaker 3: Do you? Do you want to hear She's going to

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Speaker 3: say yes what she says.

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Speaker 2: Look, it's like me calling you, going, hey, Woods, look

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Speaker 2: I found someone across is really weird thinking about Mimmy.

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Speaker 4: Do you want to know about it? No?

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Speaker 3: Good spoil things. Things are really good at the moment.

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Speaker 4: You'd want to know. I think you need it. Well, Look,

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Speaker 4: why don't we rehearse it?

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Speaker 3: Which are you.

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Speaker 4: Playing Sophie's best friend?

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Speaker 2: No, I'm directing, so you're playing the Nathan fielder in

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Speaker 2: this area.

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Speaker 3: I don't know.

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Speaker 1: The show's going to stop referencing it, Sophie, you're going

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Speaker 1: to be calling so your best friend, who is being

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Speaker 1: played by will what's her name?

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Speaker 7: Claire?

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Speaker 3: Claire? Okay? Will you are Claire? Can you give me

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Speaker 3: a bit of Claire?

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Speaker 4: Hi, Sophie, how are you going?

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Speaker 3: Come mate?

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Speaker 1: You're gonna have to die up? What do you mean

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Speaker 1: if you're going to do a proper rehearsal?

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Speaker 4: Yes, well you need to know. You do a much

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Speaker 4: better woman.

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Speaker 8: Than I do.

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Speaker 3: I will play her. I'm Claire. Okay, where do you

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Speaker 3: think Claire will be?

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Speaker 8: Just?

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Speaker 1: I really want to create the environment, you know, of

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Speaker 1: this actual phone call when it finally.

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Speaker 6: Happens, maybe like leaving the gym?

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Speaker 1: Okay, do you banger? It's a button pusher in here?

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Speaker 1: Do we have Jim Jim sound effect?

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Speaker 3: We've got a restaurant or a party.

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Speaker 1: We'll go with party. We're gonna she goes to a gym.

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Speaker 1: That's a bit of a party vine. Okay, so that's

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Speaker 1: gonna be the background. Okay, Okay, do you ever ringing

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Speaker 1: sound effect? Yes?

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Speaker 5: I do.

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Speaker 3: Okay, let's let's okay. Okay, Sophie, I need to.

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Speaker 4: Turn your mic on new Bagger. Just hit the sound

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Speaker 4: effect icon next time.

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Speaker 3: Are you ready? Okay, see Sophie.

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Speaker 1: M ah, Hey Sophie, Hi great, I'm in a great mode.

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Speaker 6: Hey where are you going?

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Speaker 1: I'm I'm you know what, I'm really good because Steven

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Speaker 1: and I are just in the best position right now.

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Speaker 3: I don't think I've ever been more in love with Stephen,

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Speaker 3: and he just.

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Speaker 1: He just brings me so much joy and I look

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Speaker 1: forward to see all day every day. I look forward

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Speaker 1: to seeing him because he just completes me. But what

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Speaker 1: are you calling about?

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Speaker 6: On the topic of Stephen, I got a bit of goths.

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Speaker 6: Do you want to know.

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Speaker 3: Goss?

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Speaker 6: That's deva yeah, a little goss.

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Speaker 1: Well, yeah, I think I obviously want to hear it. Like,

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Speaker 1: I'm not going to say no to that. I'm not

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Speaker 1: going to say no to that. That'd be ridiculous, exactly,

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Speaker 1: be a goddamn psychopath if I said no to that.

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Speaker 1: Go on, what's the goss about the love of my life?

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Speaker 1: That's just making me so happy at the moment.

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Speaker 6: Okay, So I've seen him down the beach walking the

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Speaker 6: dog with another chick.

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Speaker 3: What do you mean another chick with it?

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Speaker 6: So a friend of ours they looked quite comfortable and

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Speaker 6: probably a bit too comfortable.

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Speaker 3: What were they actually doing.

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Speaker 6: Look a little pash sitting down like hugging. Yeah, probably

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Speaker 6: a bit too much for me. I don't know how

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Speaker 6: you feel about that.

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Speaker 3: You have absolutely destroyed me. Why would you make this

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Speaker 3: phone call. You're a terrible friend and I never want

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Speaker 3: to talk to you again. And scene, Okay, that went awfully.

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Speaker 3: That went really bad, Sophie.

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Speaker 6: That's what I wrote about it.

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Speaker 3: I think you should make.

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Speaker 4: The call right now.

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Speaker 3: Little apology from me. I was arrogant yesterday. I was.

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Speaker 3: I was arrogant, and I was brash.

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Speaker 4: I was.

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Speaker 1: I was up here on radio, you know, teasing people

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Speaker 1: who have made bad speeches before, you know, And I

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Speaker 1: was a little bit high and mighty because I kind

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Speaker 1: of think I'm a pretty good public speaker, and I

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Speaker 1: was laughing at people's expense.

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Speaker 3: Listen to this. Your mom, Your mum was giving a speech.

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Speaker 3: What was the environment? What was the occasion?

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Speaker 9: I was in grade seven, it was at our first

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Speaker 9: ever orientation assembly, and she's famously known for the worst

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Speaker 9: speeches ever.

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Speaker 5: Than she was trying to move on. She said, Oh,

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Speaker 5: I'm just I'm just so excited, so so excited. It's

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Speaker 5: like Christmas. See, you guys are all just Christmas presents

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Speaker 5: that I want to rap and play with.

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Speaker 3: It was a shaka.

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Speaker 1: But look, coincidentally, I've been at home going through this

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Speaker 1: massive box that my mum recently gave me. She's she's

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Speaker 1: just kept everything that I've ever done in my life

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Speaker 1: in this box, and finally she gave it to me.

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Speaker 3: And within that.

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Speaker 1: Box' academically academia brochures?

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Speaker 4: Did you do a brochure?

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Speaker 10: Like?

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Speaker 3: No, I went to like a concert and she kept

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Speaker 3: the brochure for it.

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Speaker 4: You went to a concert with a brochure watching it was?

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Speaker 3: It was probably an orchestra that I went with my

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Speaker 3: grandpa or something. She kept that.

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Speaker 2: She's nice and it has a nice you know, but

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Speaker 2: she kept everything that's nice, including the original notes for

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Speaker 2: a speech that I made at my year six graduation

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Speaker 2: as school captain.

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Speaker 1: Right, So this is actually like this, this is this

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Speaker 1: is the pen to paper. I don't know how she

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Speaker 1: kept it. I don't know how she got it, but

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Speaker 1: I've bloody got it. And it turns out I'm not a.

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Speaker 3: Very good public speaker because this thing is horrific.

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Speaker 4: Or school captain for that matter. You're also a school captain.

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Speaker 4: When I was in school with you, and I wasn't.

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Speaker 3: Good at that.

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Speaker 4: You are barely there.

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Speaker 3: Yeah, I missed a lot.

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Speaker 1: Anyway, I want to kick off because I want to

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Speaker 1: read some of this out because I think we're all

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Speaker 1: going to get a good giggle at this. I want

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Speaker 1: to start off by saying that the first thing I've

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Speaker 1: written on this piece of paper is just speech with

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Speaker 1: three exclamation marks. It is just so I know what

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Speaker 1: it's real, year twelve enthusyears.

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Speaker 3: And then I'm going to go down.

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Speaker 4: There was with the was a look at this, you

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Speaker 4: got like purple texture.

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Speaker 1: Okay, it's clearly been edited by some so you think

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Speaker 1: you had to hand it into a teacher.

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Speaker 3: Either a teacher or my mum.

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Speaker 4: Okay, and he's gone this year.

250
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Speaker 3: And you can.

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Speaker 1: See there's scribbles through a lot of staff which she's gone.

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Speaker 3: You just can't.

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Speaker 4: So are we going to read them out?

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Speaker 3: Well, there's the bits.

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Speaker 1: I'm going, okay, great, because I am to believe that

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Speaker 1: because they were scribbled out, you probably didn't read them.

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Speaker 1: But I'm not one hundred percent and a long time ago.

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Speaker 1: This is the paragraphs. So I was going through all

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Speaker 1: of my teachers and ranking them right, it's the graduation

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Speaker 1: that was the vibe.

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Speaker 4: Of course.

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Speaker 1: This is what I wrote about my year two teacher. Okay,

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Speaker 1: now keep in mind this has been scribbled out. Okay,

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Speaker 1: after year one, I moved on to miss alcoholic.

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Speaker 4: What what?

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Speaker 1: How did I even know that word? And then I

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Speaker 1: go I moved on to miss alcoholic.

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Speaker 3: It's not so get this.

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Speaker 1: The next line is oh oops, I'm sorry, miss, And

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Speaker 1: then I've written her real name. I'm not going to

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Speaker 1: say what her real name is, but it rhymes with alcoholic.

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Speaker 1: I'm twelve. The gag I've gone for is just your

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Speaker 1: name rhymes with alcoholic. I probably didn't even know what

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Speaker 1: an alcoholic was. I just heard it thrown around and

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Speaker 1: I've gone, here's a gag. I'm gonna I'm gonna call

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Speaker 1: you miss alcoholic, I wrote. I thought she would have

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Speaker 1: been there, she would have been at the grad and

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Speaker 1: I thought that was a nice little icebreaker. Anyway, it

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Speaker 1: goes on, this is what I say about her class.

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Speaker 1: I've got a whole year to talk about miss, and

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Speaker 1: this is what I go with. Now, I remember this

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Speaker 1: one time when miss using every real name there was

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Speaker 1: talking about boring old Poland.

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Speaker 3: I think you must have been from Poland.

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Speaker 1: When this loud, absurd noise happened, everyone turned around and

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Speaker 1: a little red faced boy was sitting on the ground.

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Speaker 3: That boy was me. I farted and that that was

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Speaker 3: where I hinted in the original script.

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Speaker 1: Now wait the other bit, which has been completely scribbled

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Speaker 1: at from whoever edited. This is my final paragraph. Right,

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Speaker 1: So this is the lastest right. This is the year

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Speaker 1: six graduation. Probably Canna pays and drinks in the foyer after.

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Speaker 3: This is what I went with.

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Speaker 1: To all the teachers I've had, I really would like

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Speaker 1: to thank you for my little squeakers, for the little

296
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Speaker 1: smells I do here and there. They are quite putrid.

297
00:13:00,360 --> 00:13:03,600
Speaker 1: But there is one thing that smells worse, the boys toilets.

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Speaker 1: Oh please, someone hire a janitor.

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Speaker 3: Damn.

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Speaker 10: Billie Eilish is hit me hard and Soft tour is

301
00:13:15,920 --> 00:13:19,199
Speaker 10: coming to Australia next February and March. Pre sale tickets

302
00:13:19,200 --> 00:13:22,079
Speaker 10: on sale tomorrow at Billie Eilish dot com.

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Speaker 11: Guess yes, the Fish with Billy Eilish. Guess yes, the

304
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Speaker 11: Fish with Billy Eilish.

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Speaker 3: It's a very strong opener to a very strong game.

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00:13:42,360 --> 00:13:45,200
Speaker 2: Will well we wouldn't call it very strong just yet.

307
00:13:45,440 --> 00:13:48,920
Speaker 2: Probably need probably needs a test verse run.

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Speaker 3: There's no questioning that it's a great prize.

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00:13:51,920 --> 00:13:55,000
Speaker 4: It's a great prize. Billie Eilish. She I gotta saying

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Speaker 4: it like that. You've made me say it like that,

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Speaker 4: Billie Eilish.

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Speaker 2: Billie Eilish is going to be here in Australia next

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Speaker 2: February and March. Pre sale tickets are on sale tomorrow

314
00:14:07,920 --> 00:14:11,280
Speaker 2: or now at Billie Eilish. Sorry, I think it's on

315
00:14:11,320 --> 00:14:13,839
Speaker 2: tomorrow at Billy Eilish dot com. Unless you can win

316
00:14:13,880 --> 00:14:16,640
Speaker 2: in with us right now with a very strange competition.

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00:14:17,080 --> 00:14:18,880
Speaker 2: Explain to everyone what this is, well, I'll explain it

318
00:14:18,920 --> 00:14:19,120
Speaker 2: to me.

319
00:14:19,680 --> 00:14:20,600
Speaker 4: Explain as well.

320
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Speaker 3: What's a simple idea.

321
00:14:21,960 --> 00:14:24,200
Speaker 1: It's a simple idea, but I think it's a great idea.

322
00:14:24,680 --> 00:14:28,080
Speaker 1: Miya is our first ever contestant of Guess the Fish

323
00:14:28,160 --> 00:14:29,760
Speaker 1: for Billy Ilish.

324
00:14:29,800 --> 00:14:32,040
Speaker 3: Maya, Hello, Hello, how are you?

325
00:14:32,400 --> 00:14:35,600
Speaker 1: I'm outstanding you're a massive Billy fan obviously.

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Speaker 5: Yes, huge, of course.

327
00:14:37,160 --> 00:14:39,000
Speaker 1: Of course these tickets would be in the world to you.

328
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Speaker 1: And the great news is this game is very winnable.

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00:14:44,040 --> 00:14:48,000
Speaker 1: So basically all we're going to do is call a

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Speaker 1: restaurant somewhere in Australia, Okay, and that has a fish

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Speaker 1: of the day on the menu, right, Okay, you have

332
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Speaker 1: to guess what the fish of the day is, and

333
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Speaker 1: if you guess correctly, you are going to Billy.

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00:15:05,040 --> 00:15:13,840
Speaker 3: Eilish, Bill, Billie Eilish. Yeah, okay, So what do you reckon.

335
00:15:13,560 --> 00:15:16,560
Speaker 5: Mayer, I'll give it a red hot crack.

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00:15:16,840 --> 00:15:19,760
Speaker 1: Okay, Okay, So I can tell you that we are

337
00:15:19,800 --> 00:15:23,560
Speaker 1: going to be calling a a seafood restaurant. Okay, it's

338
00:15:23,600 --> 00:15:27,440
Speaker 1: it's called r St Seafood restaurant. I can't give you

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00:15:27,520 --> 00:15:28,880
Speaker 1: any more details than that.

340
00:15:29,480 --> 00:15:31,360
Speaker 4: Surely they're going to have more than one fish in

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Speaker 4: the day.

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00:15:31,720 --> 00:15:34,960
Speaker 2: If there's a seafood restaurant, maybe you know what I mean,

343
00:15:35,840 --> 00:15:38,040
Speaker 2: probably have a few different seafood I think what we

344
00:15:38,080 --> 00:15:39,200
Speaker 2: need to do is we need to be calling a

345
00:15:39,200 --> 00:15:41,040
Speaker 2: pub or something and that we've got the market fish there.

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00:15:41,120 --> 00:15:43,560
Speaker 3: It's too late to change the game. We're calling Rst

347
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Speaker 3: seafood restaurant.

348
00:15:45,600 --> 00:15:47,160
Speaker 1: She's in like, if they've got three fishes of the

349
00:15:47,200 --> 00:15:48,640
Speaker 1: day and you guess one of me, you are going

350
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Speaker 1: to Billy.

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Speaker 2: There's a really hard Eilish. I think it's a really

352
00:15:52,520 --> 00:15:55,000
Speaker 2: hard restaurant to call it. You know, if you've caught

353
00:15:55,040 --> 00:15:56,680
Speaker 2: a pub, you'd know there's only a few things that's

354
00:15:56,680 --> 00:15:58,400
Speaker 2: probably gonna be. It's probably gonna be a barral moundy.

355
00:15:58,600 --> 00:16:00,840
Speaker 2: It might be a whole snapper, be a snapper phill it.

356
00:16:00,880 --> 00:16:03,080
Speaker 2: Oh no, I don't know to add up? Doesn't it

357
00:16:03,120 --> 00:16:06,520
Speaker 2: does well? But but we need to give some tickets away.

358
00:16:07,520 --> 00:16:07,600
Speaker 11: Me.

359
00:16:07,680 --> 00:16:11,120
Speaker 1: It could be a fish whisperer, fish whisper a fish whisperer.

360
00:16:12,000 --> 00:16:12,080
Speaker 10: Me.

361
00:16:12,600 --> 00:16:14,240
Speaker 3: What do you think the fish of the day is?

362
00:16:14,400 --> 00:16:15,640
Speaker 4: You have to say, now do you have to lock

363
00:16:15,680 --> 00:16:16,000
Speaker 4: it in now?

364
00:16:16,080 --> 00:16:17,440
Speaker 1: You have to lock it in now, and then we

365
00:16:17,480 --> 00:16:20,680
Speaker 1: are going to pay the restaurant we find out if

366
00:16:20,680 --> 00:16:21,480
Speaker 1: you're going to billy.

367
00:16:22,080 --> 00:16:26,680
Speaker 5: Oh gosh, okay, I'm going to go. The fish of

368
00:16:26,720 --> 00:16:28,440
Speaker 5: the day is a barrow mundy?

369
00:16:29,400 --> 00:16:32,400
Speaker 1: Safe bet, pretty safe bet. Common fish of the day,

370
00:16:32,440 --> 00:16:33,640
Speaker 1: I would say a baron mundy.

371
00:16:34,200 --> 00:16:37,320
Speaker 3: Maya. I'm going to give you one opportunity to change.

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00:16:37,800 --> 00:16:38,960
Speaker 3: I guess before.

373
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Speaker 1: If you look at the teas and seas of the game,

374
00:16:42,440 --> 00:16:44,920
Speaker 1: which I did ride up last night, you can have

375
00:16:44,960 --> 00:16:46,040
Speaker 1: one opportunity to change.

376
00:16:46,040 --> 00:16:48,560
Speaker 3: Are you staying with Barramundy or are you changing? Maya?

377
00:16:49,120 --> 00:16:52,400
Speaker 5: Oh no, I'm going to stick with it.

378
00:16:52,800 --> 00:16:56,480
Speaker 3: Wow Barrow mundy for Billy. Unbelievable.

379
00:16:56,680 --> 00:16:59,560
Speaker 1: So Maya, let's find out if you and three friends

380
00:16:59,600 --> 00:17:02,440
Speaker 1: are going to see Billie Eilish when she's here in

381
00:17:02,480 --> 00:17:05,240
Speaker 1: Australia early next year, you are going to be making

382
00:17:05,240 --> 00:17:08,639
Speaker 1: the phone call to Rst. Seafood Restaurant. Best of all

383
00:17:08,680 --> 00:17:10,800
Speaker 1: you have to do is ask what's your fish of

384
00:17:10,800 --> 00:17:11,120
Speaker 1: the day?

385
00:17:11,680 --> 00:17:12,560
Speaker 5: Okay, thank you?

386
00:17:12,760 --> 00:17:13,560
Speaker 4: Sorry before we go on.

387
00:17:13,760 --> 00:17:16,639
Speaker 2: I have since found out that, as I suggested before

388
00:17:16,680 --> 00:17:20,000
Speaker 2: the song, there is multiple fishes of the day at

389
00:17:20,040 --> 00:17:23,040
Speaker 2: the seafood restaurant, so if she gets one of those,

390
00:17:23,920 --> 00:17:24,359
Speaker 2: she will go.

391
00:17:25,280 --> 00:17:28,880
Speaker 3: Okay, let's let's get you to call the restaurant. Maya,

392
00:17:28,960 --> 00:17:33,400
Speaker 3: good luck, funny business as well.

393
00:17:36,840 --> 00:17:40,479
Speaker 6: Good afternoon, Rst. Seafood Restaurant. Stacey speaking Hi Stacey.

394
00:17:40,600 --> 00:17:42,480
Speaker 5: Can I please ask what the fish of the day

395
00:17:42,560 --> 00:17:43,000
Speaker 5: is today?

396
00:17:44,119 --> 00:17:47,680
Speaker 6: Certainly so today we've got King George Whiting flathead and

397
00:17:48,040 --> 00:17:49,679
Speaker 6: Marlon Oh I.

398
00:17:49,800 --> 00:17:51,640
Speaker 3: Know, may be.

399
00:17:53,240 --> 00:17:57,240
Speaker 2: No, Now that's what you get for getting a pedestrian

400
00:17:57,280 --> 00:18:01,560
Speaker 2: fish and an exotic yeast. I mean that that was

401
00:18:01,640 --> 00:18:06,480
Speaker 2: that's I'm sorry, but everybody who's bills.

402
00:18:05,800 --> 00:18:09,160
Speaker 1: Seaford Restaurant, you are Will wood currently Sorry, we're playing

403
00:18:09,160 --> 00:18:12,760
Speaker 1: a game to give away tickets to Billy Eilish. Your

404
00:18:12,760 --> 00:18:16,560
Speaker 1: restaurant seem fabulous though, I'm sure it's a great astand.

405
00:18:16,400 --> 00:18:19,639
Speaker 2: You want to have King George White, Marlon and what

406
00:18:19,720 --> 00:18:24,720
Speaker 2: was right straight from Port Philip. I imagine you're.

407
00:18:24,520 --> 00:18:26,200
Speaker 1: In the market for some seafood. Get alongto r C

408
00:18:26,359 --> 00:18:29,800
Speaker 1: Seafood restaurant. Thank you so much for taking that fun call.

409
00:18:29,840 --> 00:18:33,560
Speaker 1: But me, unfortunately you are not going to see Billy like.

410
00:18:34,200 --> 00:18:34,840
Speaker 5: That's okay.

411
00:18:35,160 --> 00:18:39,679
Speaker 4: Worries, Thanks guys, no worries, but I mean ship fish.

412
00:18:43,960 --> 00:18:48,960
Speaker 3: News is though, guess the fish with Bill back? That's

413
00:18:49,040 --> 00:18:49,680
Speaker 3: simple going.

414
00:18:49,680 --> 00:18:51,760
Speaker 4: To come up in the postion meeting, that's for sure.

415
00:18:51,880 --> 00:18:55,040
Speaker 4: I can guarantee it. Will it be back tomorrow? That's

416
00:18:55,040 --> 00:18:56,840
Speaker 4: the big question. You'll have to tune into Will and

417
00:18:56,880 --> 00:18:58,440
Speaker 4: Woody tomorrow to find out.

418
00:19:03,880 --> 00:19:06,359
Speaker 3: Alone it's Will and Woodies.

419
00:19:07,160 --> 00:19:10,520
Speaker 4: Can you put some echo on this old.

420
00:19:12,840 --> 00:19:13,159
Speaker 7: Alright?

421
00:19:13,160 --> 00:19:15,600
Speaker 2: It was pretty common phenomenon for a younger gen to

422
00:19:15,600 --> 00:19:17,199
Speaker 2: think they know everything and an older gen I think

423
00:19:17,200 --> 00:19:19,399
Speaker 2: they know everything. And look we've struck that in here

424
00:19:19,440 --> 00:19:23,080
Speaker 2: with junior producer Analyse, who is a gen Zetta also

425
00:19:23,119 --> 00:19:27,200
Speaker 2: known as annoying wolds, you and I millennials or from

426
00:19:27,240 --> 00:19:27,720
Speaker 2: gen y.

427
00:19:27,960 --> 00:19:32,000
Speaker 3: So cultured, intelligent, deep would be the word that I think.

428
00:19:33,560 --> 00:19:35,479
Speaker 4: Was in Africa last time we spoke about it. So

429
00:19:35,600 --> 00:19:38,439
Speaker 4: that is true, Ab, How are you going good?

430
00:19:38,520 --> 00:19:38,720
Speaker 3: Good?

431
00:19:38,760 --> 00:19:41,040
Speaker 10: I'd just like to add on that gen zs and

432
00:19:41,119 --> 00:19:43,240
Speaker 10: myself are also known as brainiacs.

433
00:19:44,000 --> 00:19:46,919
Speaker 1: Although we had a conversation earlier this week where you

434
00:19:46,960 --> 00:19:50,040
Speaker 1: said your over use of the word sleigh means that.

435
00:19:50,000 --> 00:19:53,000
Speaker 3: You're worried, but your vocabulary is dropping. Could you say

436
00:19:53,000 --> 00:19:53,840
Speaker 3: slayter everything?

437
00:19:53,920 --> 00:19:56,800
Speaker 10: And I've stopped saying it, even though right now it's

438
00:19:56,840 --> 00:19:58,159
Speaker 10: like on the tip of my tongue and I just

439
00:19:58,160 --> 00:19:59,320
Speaker 10: want to say, but I'm not going to.

440
00:19:59,359 --> 00:20:02,359
Speaker 2: All right, Ab, let's get into it because I do

441
00:20:02,720 --> 00:20:04,359
Speaker 2: tire of your energy.

442
00:20:05,760 --> 00:20:13,680
Speaker 4: Let's let's let's kick it off. Who is harumbeih from

443
00:20:13,720 --> 00:20:14,520
Speaker 4: a movie.

444
00:20:16,040 --> 00:20:19,119
Speaker 10: Like a it seems like the Lion King kind of character.

445
00:20:19,240 --> 00:20:22,400
Speaker 10: But I'm not I'm drifting away from that and I'm

446
00:20:22,400 --> 00:20:23,160
Speaker 10: getting an actor.

447
00:20:24,119 --> 00:20:25,760
Speaker 12: I was going to say, a character like a little

448
00:20:25,840 --> 00:20:27,160
Speaker 12: monster or something.

449
00:20:26,960 --> 00:20:29,280
Speaker 3: Monster from the Lion King.

450
00:20:29,480 --> 00:20:31,840
Speaker 4: No monster from the Lion King. Have you seen the

451
00:20:31,880 --> 00:20:32,320
Speaker 4: Lion King?

452
00:20:32,680 --> 00:20:36,439
Speaker 2: I have in the original Yes, with my fussa more

453
00:20:36,880 --> 00:20:38,800
Speaker 2: in both the original and live action.

454
00:20:39,000 --> 00:20:40,600
Speaker 12: I've seen the real original.

455
00:20:42,720 --> 00:20:46,119
Speaker 3: Let's go back is a Yeah, I would.

456
00:20:45,840 --> 00:20:49,080
Speaker 10: Say, not from the Lion King, but a little monster

457
00:20:49,680 --> 00:20:51,840
Speaker 10: monster that's red and furry.

458
00:20:52,359 --> 00:20:54,040
Speaker 3: That's what I'm talking about.

459
00:20:54,440 --> 00:20:55,440
Speaker 4: I think you're talking about.

460
00:20:55,200 --> 00:21:02,840
Speaker 2: Almoo red faurry monster. No, it's Elmo is a gorilla.

461
00:21:02,440 --> 00:21:05,359
Speaker 4: That was shot in a zoo. He got too close

462
00:21:05,400 --> 00:21:05,840
Speaker 4: to a child.

463
00:21:06,160 --> 00:21:10,320
Speaker 3: Do you remember that? Do you remember the harambe went

464
00:21:10,400 --> 00:21:11,320
Speaker 3: viral online?

465
00:21:11,680 --> 00:21:11,960
Speaker 11: No?

466
00:21:12,320 --> 00:21:13,640
Speaker 12: Did they have the internet back then?

467
00:21:14,119 --> 00:21:14,439
Speaker 11: Oh?

468
00:21:14,800 --> 00:21:17,640
Speaker 3: Got us back like that?

469
00:21:20,040 --> 00:21:24,080
Speaker 10: Okay, this one might be an easy one. Who is

470
00:21:24,720 --> 00:21:25,280
Speaker 10: Mimi Web?

471
00:21:26,040 --> 00:21:31,159
Speaker 1: We've interviewed her. She's in English? Er, yes, TikTok, TikTok. Yes,

472
00:21:31,200 --> 00:21:34,119
Speaker 1: she opened for Justin Baby. She lost her bags.

473
00:21:35,520 --> 00:21:40,399
Speaker 4: By will.

474
00:21:43,359 --> 00:21:45,280
Speaker 2: Get us because you didn't think that we would have

475
00:21:45,280 --> 00:21:46,480
Speaker 2: remembered who we interviewed.

476
00:21:47,080 --> 00:21:48,560
Speaker 3: Yeah, well you never forget guy.

477
00:21:48,560 --> 00:21:49,800
Speaker 4: I certainly remembered her.

478
00:21:52,760 --> 00:21:56,640
Speaker 3: One absolutely absolutely. Do you know who Skippy is?

479
00:21:57,240 --> 00:21:57,440
Speaker 4: Yes?

480
00:21:57,520 --> 00:22:01,000
Speaker 3: Kangaroo bank bang standing that stands Skippy?

481
00:22:01,760 --> 00:22:04,240
Speaker 4: What the cameroon?

482
00:22:04,520 --> 00:22:06,440
Speaker 3: Hang on? Hang on, hang on? In a what he's

483
00:22:06,440 --> 00:22:06,920
Speaker 3: in a movie?

484
00:22:06,960 --> 00:22:09,280
Speaker 10: But he's there's a movie where he's referenced, But he's

485
00:22:09,320 --> 00:22:10,160
Speaker 10: Skippy The kangaroo.

486
00:22:10,200 --> 00:22:10,800
Speaker 12: He's a big deal.

487
00:22:10,880 --> 00:22:11,680
Speaker 3: What's the theme song?

488
00:22:13,320 --> 00:22:17,320
Speaker 4: But like what but you said? You said that?

489
00:22:17,359 --> 00:22:19,560
Speaker 2: He said he's referenced, but what is he? But what

490
00:22:19,680 --> 00:22:22,280
Speaker 2: is his O G thing? He's referenced somewhere in a movie,

491
00:22:22,280 --> 00:22:25,760
Speaker 2: which is what you know him from? What's the reference about?

492
00:22:26,800 --> 00:22:27,720
Speaker 2: He's a kangaroo?

493
00:22:28,119 --> 00:22:29,920
Speaker 4: I don't know, because are you talking like a real

494
00:22:29,960 --> 00:22:31,040
Speaker 4: life kangaroo? Here?

495
00:22:32,640 --> 00:22:32,880
Speaker 3: Yes?

496
00:22:33,520 --> 00:22:34,399
Speaker 2: Wow, she doesn't know.

497
00:22:34,720 --> 00:22:36,480
Speaker 4: She doesn't know, doesn't know.

498
00:22:36,480 --> 00:22:37,920
Speaker 3: W What did Skippy do?

499
00:22:38,840 --> 00:22:40,480
Speaker 12: I don't know? Like jump in the out back?

500
00:22:40,640 --> 00:22:40,720
Speaker 2: Like?

501
00:22:41,040 --> 00:22:44,040
Speaker 3: Wow, he watch Skippy? He's a national treasure?

502
00:22:44,840 --> 00:22:45,119
Speaker 9: Is he not?

503
00:22:45,440 --> 00:22:47,720
Speaker 12: Skippy? Not based on like a real kangaroo?

504
00:22:48,359 --> 00:22:49,600
Speaker 3: Absolutely is based on a real kangaroo.

505
00:22:49,680 --> 00:22:52,360
Speaker 2: I don't think it's based on a real kangaroo.

506
00:22:53,000 --> 00:22:55,960
Speaker 4: Let's just get another Jesus Christ.

507
00:22:56,320 --> 00:23:01,879
Speaker 1: Okay Jojo Sewa Jojo s old actress, child star who

508
00:23:02,000 --> 00:23:04,120
Speaker 1: was recently she's going through her naughty face.

509
00:23:04,119 --> 00:23:08,159
Speaker 3: She's going through a bad guy with little corks on it, or.

510
00:23:11,160 --> 00:23:12,720
Speaker 12: She's going through a bran.

511
00:23:12,800 --> 00:23:13,680
Speaker 4: She's called herself.

512
00:23:14,480 --> 00:23:16,000
Speaker 12: She's got she said she's going No.

513
00:23:15,880 --> 00:23:24,520
Speaker 8: One cares, glad to get a whole lot worse. Well,

514
00:23:24,800 --> 00:23:27,800
Speaker 8: very niche, very very niche, she's a tiny bit niche.

515
00:23:27,840 --> 00:23:34,120
Speaker 1: But there is a certain niche of architectural interest hobbyists.

516
00:23:34,400 --> 00:23:37,639
Speaker 1: But I think are very interested by this. Okay, So

517
00:23:38,119 --> 00:23:40,880
Speaker 1: under my house there is a room. Okay, if you're

518
00:23:40,920 --> 00:23:43,800
Speaker 1: not across this. It's been classified as an undercroft. Yesterday

519
00:23:43,800 --> 00:23:45,760
Speaker 1: I made a pitch for it to be a bunker. Okay,

520
00:23:45,800 --> 00:23:48,280
Speaker 1: it turns out it's definitely not a bunker. It can't

521
00:23:48,280 --> 00:23:50,480
Speaker 1: be classified as a bunker. I want to have another

522
00:23:50,520 --> 00:23:52,639
Speaker 1: crack at calling it something else because I hate the

523
00:23:52,720 --> 00:23:53,520
Speaker 1: name undercroft.

524
00:23:53,760 --> 00:23:58,359
Speaker 3: Right, dungeon nobody cares. I think people are very interested

525
00:23:58,400 --> 00:23:58,639
Speaker 3: by this.

526
00:23:58,920 --> 00:24:00,800
Speaker 1: I think I think it could be a dungeon and

527
00:24:01,000 --> 00:24:04,879
Speaker 1: will be exciting. The very exciting news is I have

528
00:24:04,960 --> 00:24:08,720
Speaker 1: been exchanging emails with a man called Professor Guy Geltner.

529
00:24:08,840 --> 00:24:13,400
Speaker 1: You need Okay, maybe maybe I do. This guy wrote

530
00:24:13,440 --> 00:24:16,600
Speaker 1: a book called The Medieval Prison, a social History.

531
00:24:16,640 --> 00:24:18,000
Speaker 3: He knows dungeons.

532
00:24:18,280 --> 00:24:22,239
Speaker 2: Okay, so if we talk to him in Bloody we

533
00:24:22,280 --> 00:24:23,239
Speaker 2: do so.

534
00:24:23,680 --> 00:24:26,720
Speaker 1: Professor Guy Geltner joins us right now, Guy, thank you

535
00:24:26,760 --> 00:24:27,760
Speaker 1: so much for joining us.

536
00:24:27,960 --> 00:24:30,680
Speaker 13: It's my pleasure having what.

537
00:24:30,440 --> 00:24:34,120
Speaker 3: What do you think I have under my house? Guy?

538
00:24:34,520 --> 00:24:37,240
Speaker 13: All right, so we'll be a few questions. Let's analyze

539
00:24:37,280 --> 00:24:39,680
Speaker 13: the situation. So what do you have under your hat?

540
00:24:39,800 --> 00:24:40,359
Speaker 6: Is it dark?

541
00:24:40,840 --> 00:24:41,040
Speaker 3: Yes?

542
00:24:41,880 --> 00:24:42,919
Speaker 13: Is it locked?

543
00:24:43,119 --> 00:24:44,840
Speaker 1: If you're in the underca you can just get out,

544
00:24:44,840 --> 00:24:46,159
Speaker 1: but it locks from the you need a key to

545
00:24:46,160 --> 00:24:47,200
Speaker 1: get in from the outside.

546
00:24:47,440 --> 00:24:50,960
Speaker 13: All right, so this is looking good. Now more difficult

547
00:24:51,000 --> 00:24:53,960
Speaker 13: question are there any skeletons?

548
00:24:54,000 --> 00:24:57,640
Speaker 1: Not that I have found, but I wouldn't I wouldn't

549
00:24:57,640 --> 00:24:58,159
Speaker 1: be shocked.

550
00:24:58,200 --> 00:25:00,000
Speaker 3: Good question that I haven't had a good excavator.

551
00:25:01,160 --> 00:25:04,439
Speaker 13: Okay, so it's possible. You're not ruling it out. Is

552
00:25:04,560 --> 00:25:07,640
Speaker 13: there something like arms or gunpowder?

553
00:25:09,920 --> 00:25:13,879
Speaker 1: I haven't seen any guns or weapons. What do I

554
00:25:13,960 --> 00:25:16,600
Speaker 1: have to do? What does that space need to have

555
00:25:17,119 --> 00:25:18,760
Speaker 1: actually as a dungeon?

556
00:25:19,520 --> 00:25:23,840
Speaker 13: Well, really historically it needs to have four tall and

557
00:25:24,480 --> 00:25:27,680
Speaker 13: fortified walls around it, because the dungeon is what we

558
00:25:27,960 --> 00:25:30,240
Speaker 13: what an English we refer to as to keep. So

559
00:25:30,320 --> 00:25:34,199
Speaker 13: it's the fortified tower. It's a central tower that's actually

560
00:25:34,280 --> 00:25:36,240
Speaker 13: inside a military compound.

561
00:25:36,520 --> 00:25:40,880
Speaker 1: Wow, well, a military compound.

562
00:25:40,480 --> 00:25:41,680
Speaker 4: I have a daughter.

563
00:25:43,000 --> 00:25:45,200
Speaker 1: It's a wall zone in there, so I would say

564
00:25:45,240 --> 00:25:46,399
Speaker 1: the house is a military compound.

565
00:25:46,480 --> 00:25:49,720
Speaker 13: Go on, okay, well you know, and then in that keep,

566
00:25:49,800 --> 00:25:51,840
Speaker 13: So at the bottom of that keep, what is technically

567
00:25:51,920 --> 00:25:57,280
Speaker 13: the or or the dungeon. It would it would be

568
00:25:57,359 --> 00:26:01,720
Speaker 13: a place where sometimes you would store or arms, or

569
00:26:01,800 --> 00:26:06,199
Speaker 13: kegs of gunpowder or and because it's so secure and

570
00:26:06,280 --> 00:26:09,600
Speaker 13: easy to defend, that would be some a place in

571
00:26:09,720 --> 00:26:12,240
Speaker 13: a in a military compound where you could throw the

572
00:26:12,280 --> 00:26:14,720
Speaker 13: odd prisoner to and maybe forget about them. In the

573
00:26:14,760 --> 00:26:17,879
Speaker 13: Middle Ages, inmates were sometimes very high class people that

574
00:26:18,000 --> 00:26:22,080
Speaker 13: you abducted from the battlefield to then demand ransom from.

575
00:26:22,240 --> 00:26:25,240
Speaker 1: Do I need to hold something of importance, like a

576
00:26:25,280 --> 00:26:29,199
Speaker 1: prisoner for this room to be classified.

577
00:26:30,720 --> 00:26:33,159
Speaker 13: I'd say, strictly speaking, no, you need to fortify that.

578
00:26:33,240 --> 00:26:37,600
Speaker 13: It needs to be kept underguard whatever there.

579
00:26:40,880 --> 00:26:48,119
Speaker 2: I might because I got it a fortified military base

580
00:26:48,200 --> 00:26:52,200
Speaker 2: with a god out in front of it. You keep gunpowder, guns,

581
00:26:52,480 --> 00:26:55,720
Speaker 2: or prisoners of high importance in and.

582
00:26:55,680 --> 00:26:59,719
Speaker 3: I would happily guard the room at all times.

583
00:27:00,280 --> 00:27:01,360
Speaker 4: Guard the room at all time.

584
00:27:01,560 --> 00:27:04,560
Speaker 1: I am really I'm really standing anywhere but that door

585
00:27:04,640 --> 00:27:08,440
Speaker 1: of of that dungeon really So if I guard it

586
00:27:08,480 --> 00:27:10,439
Speaker 1: and there is a prisoner, I don't know how I'm

587
00:27:10,440 --> 00:27:11,080
Speaker 1: going to figure that out.

588
00:27:11,119 --> 00:27:13,080
Speaker 3: But if as a prisoner in there, can I call

589
00:27:13,119 --> 00:27:13,720
Speaker 3: it a dungeon?

590
00:27:13,880 --> 00:27:17,960
Speaker 1: According to your research and study.

591
00:27:17,760 --> 00:27:23,600
Speaker 13: Yeah, it's one of the elements. It's definitely not a sense.

592
00:27:23,840 --> 00:27:27,600
Speaker 1: That's amazing, Professor Guy Geldiner, You're obviously very very good

593
00:27:27,680 --> 00:27:30,600
Speaker 1: at what you do. Thank you so much for joining us.

594
00:27:30,680 --> 00:27:33,240
Speaker 1: I heard a hesitant yes there, and I'm going to

595
00:27:33,320 --> 00:27:36,600
Speaker 1: run with it. So thank you so much for joining us.

596
00:27:37,280 --> 00:27:38,199
Speaker 13: Thank you for having me.

597
00:27:39,000 --> 00:27:43,800
Speaker 2: It's not a yes, it's not a yes. It's not now.

598
00:27:43,840 --> 00:27:45,399
Speaker 2: And I don't even need to remind every one of

599
00:27:45,400 --> 00:27:47,960
Speaker 2: that because they heard it. No, Okay, I guess not fortified.

600
00:27:48,480 --> 00:27:51,520
Speaker 2: I haven't got political prisoners in there. You haven't got guns,

601
00:27:51,560 --> 00:27:54,040
Speaker 2: you haven't got gun counter. You're not guarding it all

602
00:27:54,080 --> 00:27:54,480
Speaker 2: the time.

603
00:27:54,960 --> 00:27:57,480
Speaker 1: Well I am, Actually I don't know when I do

604
00:27:57,520 --> 00:28:02,760
Speaker 1: at home, and I'm always I have one more crack, no,

605
00:28:02,840 --> 00:28:05,840
Speaker 1: hang on, hang on thirteen one oh sixty five. There's

606
00:28:05,840 --> 00:28:08,720
Speaker 1: a lot of people listening who are invested. They're so invested. Wow,

607
00:28:08,920 --> 00:28:12,520
Speaker 1: what comes to mind for you when you think dungeon?

608
00:28:13,720 --> 00:28:16,159
Speaker 1: That's all I want to ask. Okay, so thirteen.

609
00:28:15,920 --> 00:28:17,879
Speaker 4: One oh six, I've heard from a dungeon expert.

610
00:28:18,040 --> 00:28:20,919
Speaker 1: Yeah, well, sometimes the experts get lost in it, you know,

611
00:28:20,960 --> 00:28:22,959
Speaker 1: they get they're too close, they're too close to it.

612
00:28:23,040 --> 00:28:25,440
Speaker 1: I just want to know what the common person believes here, right,

613
00:28:25,640 --> 00:28:28,600
Speaker 1: what comes to mind when you think of dungeon? Okay,

614
00:28:28,640 --> 00:28:31,280
Speaker 1: and if that at all reflects the room under my house,

615
00:28:31,280 --> 00:28:32,200
Speaker 1: then it's a bloody dungeon.

616
00:28:32,240 --> 00:28:36,400
Speaker 2: Will for me is one hundred percent your final pitch?

617
00:28:36,720 --> 00:28:37,400
Speaker 3: I agree.

618
00:28:37,760 --> 00:28:40,840
Speaker 1: I just I am of the belief that the room

619
00:28:41,080 --> 00:28:44,400
Speaker 1: under my house could be called a dungeon. Okay, right

620
00:28:44,440 --> 00:28:47,520
Speaker 1: now it's been defined as an undercroft by the listeners

621
00:28:47,560 --> 00:28:48,080
Speaker 1: of this show.

622
00:28:48,400 --> 00:28:49,880
Speaker 3: I absolutely hate that.

623
00:28:49,960 --> 00:28:52,480
Speaker 1: I couldn't hate that more and I'm embarrassed that I

624
00:28:52,480 --> 00:28:53,840
Speaker 1: have an undercroft under my house.

625
00:28:54,160 --> 00:28:56,320
Speaker 4: Well, you haven't got a seller, you haven't got a bunker.

626
00:28:56,600 --> 00:28:59,400
Speaker 2: But I don't think, given that we just spoke to

627
00:28:59,480 --> 00:29:04,040
Speaker 2: a prof Bessa in dungeons, that you do not have

628
00:29:04,120 --> 00:29:04,640
Speaker 2: a dungeon.

629
00:29:04,680 --> 00:29:05,840
Speaker 3: I think he got too lost in it.

630
00:29:05,880 --> 00:29:08,480
Speaker 1: He's been in any evil dungeon world for too long

631
00:29:08,520 --> 00:29:10,520
Speaker 1: and he's lost sight of what a dungeon bloody is.

632
00:29:10,520 --> 00:29:11,800
Speaker 3: And I've got one under my house.

633
00:29:15,080 --> 00:29:19,400
Speaker 1: So I think what my final attempt here, My final

634
00:29:19,440 --> 00:29:22,959
Speaker 1: pitch is just for the for the random common person

635
00:29:23,000 --> 00:29:23,840
Speaker 1: within Australia.

636
00:29:24,720 --> 00:29:27,160
Speaker 3: What is a dungeon to them? Okay?

637
00:29:27,240 --> 00:29:29,960
Speaker 1: And if you agree that they're describing what is under

638
00:29:29,960 --> 00:29:31,680
Speaker 1: my house. Then I think I can call it a dungeon.

639
00:29:31,840 --> 00:29:33,680
Speaker 3: We've got no.

640
00:29:33,600 --> 00:29:37,040
Speaker 1: No, that's fair, and that's fair. Victoria, you've given us

641
00:29:37,040 --> 00:29:39,920
Speaker 1: a tingle. I what do you think what comes to

642
00:29:40,000 --> 00:29:41,720
Speaker 1: mind when when you think dungeon?

643
00:29:42,760 --> 00:29:47,240
Speaker 6: Well, when I think dungeon, I'm thinking red, room fifty

644
00:29:47,280 --> 00:29:47,920
Speaker 6: shades or gray.

645
00:29:49,440 --> 00:29:50,800
Speaker 4: I would take it there.

646
00:29:50,960 --> 00:29:55,560
Speaker 1: I will give video evidence in within two hours. I

647
00:29:55,560 --> 00:29:58,480
Speaker 1: will give video evidence. The light in my dungeon is red?

648
00:29:59,520 --> 00:29:59,880
Speaker 1: Did you love?

649
00:30:00,160 --> 00:30:01,480
Speaker 4: Did you put a red rory?

650
00:30:02,080 --> 00:30:04,400
Speaker 3: Wow? Victim was sick? Then I love that thought?

651
00:30:04,520 --> 00:30:05,960
Speaker 4: You got it? Vic as well? That's also going to

652
00:30:06,040 --> 00:30:07,240
Speaker 4: be a weird. Yeah, I did get weird?

653
00:30:07,400 --> 00:30:09,680
Speaker 3: What happened there? Anyway?

654
00:30:10,000 --> 00:30:14,160
Speaker 2: So she's talking, she's talking chains, she's talking.

655
00:30:14,200 --> 00:30:16,240
Speaker 3: And red light and I promise you there is a

656
00:30:16,280 --> 00:30:16,960
Speaker 3: red light.

657
00:30:18,800 --> 00:30:19,800
Speaker 4: Talking.

658
00:30:20,360 --> 00:30:21,280
Speaker 3: It's not sex dungeons.

659
00:30:21,280 --> 00:30:24,000
Speaker 4: Well it sounds a lot like hit mate. That's well,

660
00:30:24,240 --> 00:30:26,480
Speaker 4: she said red room fifty shades are great.

661
00:30:26,640 --> 00:30:28,520
Speaker 1: Well there is a red light in there. Okay, So tick,

662
00:30:28,880 --> 00:30:30,040
Speaker 1: let's go to Dave here.

663
00:30:30,680 --> 00:30:33,200
Speaker 4: I think I think you'd need some some sort of chainery.

664
00:30:34,360 --> 00:30:34,800
Speaker 2: Do you do?

665
00:30:35,480 --> 00:30:37,840
Speaker 3: Easy to add? I can add that, Dave, what do

666
00:30:37,880 --> 00:30:39,720
Speaker 3: you think it makes a dungeon, my friend.

667
00:30:40,080 --> 00:30:43,920
Speaker 7: Well, I reckon dungeons. So we've been thinking what dungeons

668
00:30:43,960 --> 00:30:48,440
Speaker 7: and dragons. Media people change a rack, even a cage

669
00:30:48,480 --> 00:30:53,400
Speaker 7: with a cage. You like a bird cage, human size bird.

670
00:30:53,160 --> 00:30:57,680
Speaker 1: Cage, a huge cage age? Yeah, prison, okay, I can

671
00:30:57,720 --> 00:30:58,360
Speaker 1: add chains.

672
00:30:58,440 --> 00:30:59,719
Speaker 4: You don't know what a rack is, right?

673
00:31:00,440 --> 00:31:00,640
Speaker 7: Yeah?

674
00:31:00,760 --> 00:31:01,719
Speaker 3: I thought that was random.

675
00:31:01,760 --> 00:31:05,040
Speaker 4: What do you mean rag stretched people out on when

676
00:31:05,040 --> 00:31:05,760
Speaker 4: you torture them?

677
00:31:05,800 --> 00:31:07,840
Speaker 1: Okay, if I get that on Amazon, done, I'll get

678
00:31:07,840 --> 00:31:11,719
Speaker 1: a rack. That's what I did, is google rack anyway.

679
00:31:12,440 --> 00:31:15,440
Speaker 3: Sorry. And a big cage. I can get a child.

680
00:31:15,520 --> 00:31:17,880
Speaker 3: I can get a big gauge. Going to get a

681
00:31:17,920 --> 00:31:19,320
Speaker 3: rack down there. You're going to get a cage down

682
00:31:19,360 --> 00:31:21,040
Speaker 3: They're going to get James down there. We're going to

683
00:31:21,040 --> 00:31:22,240
Speaker 3: have a party in the dungeon.

684
00:31:22,560 --> 00:31:25,200
Speaker 1: Let's go to Megan now, by the way, sorry before

685
00:31:25,200 --> 00:31:27,600
Speaker 1: I go to Meghan. These are all very easy to

686
00:31:27,640 --> 00:31:29,880
Speaker 1: put into the into the room under my house. And

687
00:31:29,920 --> 00:31:32,040
Speaker 1: I think if I do that, it is a dungeon.

688
00:31:32,320 --> 00:31:32,680
Speaker 11: Megan.

689
00:31:33,040 --> 00:31:35,320
Speaker 1: What do you what do you think of when when

690
00:31:35,400 --> 00:31:38,040
Speaker 1: when you say dungeons, stop laughing making this is serious.

691
00:31:39,560 --> 00:31:43,480
Speaker 9: He's very and he's very serious Woody because when I

692
00:31:43,640 --> 00:31:46,200
Speaker 9: think of that. I think you need to have a

693
00:31:46,200 --> 00:31:50,800
Speaker 9: prisoner and like chained up and you need to do

694
00:31:50,840 --> 00:31:54,800
Speaker 9: a bit of torture on that turp, a bit of torture, ye,

695
00:31:55,400 --> 00:31:57,680
Speaker 9: And I think it needs to be willed.

696
00:31:59,240 --> 00:32:05,480
Speaker 2: It's a great thank you very much, fear off that

697
00:32:05,600 --> 00:32:08,640
Speaker 2: is that come on a bit of fun in more

698
00:32:08,680 --> 00:32:11,600
Speaker 2: worlds am I going down there? I mean, there's there's

699
00:32:11,640 --> 00:32:13,240
Speaker 2: nothing down there that's enticing.

700
00:32:13,840 --> 00:32:19,840
Speaker 14: Red light chains, a rack, Sarah, Sarah, what do you

701
00:32:22,960 --> 00:32:24,959
Speaker 14: what do you think turned into a dungeon.

702
00:32:25,720 --> 00:32:28,400
Speaker 2: I think you need prisoners, just like the castles to

703
00:32:29,080 --> 00:32:31,800
Speaker 2: I mean, Meghan said this, I do think that for

704
00:32:31,880 --> 00:32:33,640
Speaker 2: your which again, let's just count it out.

705
00:32:33,680 --> 00:32:35,959
Speaker 3: Brolet's let's just step it out. Let's step it out.

706
00:32:36,000 --> 00:32:37,880
Speaker 2: I need business, I said, count it out, like, I mean,

707
00:32:38,000 --> 00:32:41,680
Speaker 2: let's just discount this whole thing. Going to have a

708
00:32:41,720 --> 00:32:44,280
Speaker 2: prisoner under your house, it's illegal.

709
00:32:44,440 --> 00:32:46,040
Speaker 1: I think it's a big problem at the moment. Over

710
00:32:46,080 --> 00:32:48,560
Speaker 1: crowded of prisons come to the dungeon

711
00:32:50,960 --> 00:32:54,760
Speaker 4: You that's just not willing