1 00:00:00,960 --> 00:00:04,360 Speaker 1: Welcome to your Diary episode. Here's the thing. 2 00:00:04,600 --> 00:00:07,920 Speaker 2: I'm a bit of a nomad, so these episodes come 3 00:00:08,000 --> 00:00:11,120 Speaker 2: to you from wherever I'm living or traveling to at 4 00:00:11,119 --> 00:00:14,480 Speaker 2: the time, so I'll share with you what's going on 5 00:00:14,560 --> 00:00:18,920 Speaker 2: in my world. From book tours, animal encounters, delish meals, 6 00:00:19,440 --> 00:00:24,200 Speaker 2: nature adventures, health discoveries to swimming in hidden Byron Bay beaches. 7 00:00:24,720 --> 00:00:32,400 Speaker 2: Come with me as I share my adventures with you. Hello, 8 00:00:32,960 --> 00:00:37,760 Speaker 2: Welcome to a LA Diary episode, coming to you from 9 00:00:37,920 --> 00:00:41,240 Speaker 2: beautiful Los Angeles. I have my morning coffee in hand, 10 00:00:41,400 --> 00:00:42,720 Speaker 2: having a little swig now. 11 00:00:45,680 --> 00:00:47,000 Speaker 1: Lola coffee. Of course. 12 00:00:47,880 --> 00:00:51,120 Speaker 2: I think this is the fifth LA Diary episode, but 13 00:00:51,159 --> 00:00:53,040 Speaker 2: I don't feel like I've been here five weeks. I'm 14 00:00:53,040 --> 00:00:55,520 Speaker 2: sure I recorded a diary like when I landed on 15 00:00:56,640 --> 00:00:58,480 Speaker 2: late Tuesday and I ask something, so like, I feel 16 00:00:58,480 --> 00:01:03,480 Speaker 2: like I'm at foreign half weeks now. So in this episode, 17 00:01:04,200 --> 00:01:05,959 Speaker 2: I'm just going to turn my little volume up in 18 00:01:06,000 --> 00:01:12,280 Speaker 2: my headphones. In this episode, oh much better. Basically I 19 00:01:12,440 --> 00:01:15,240 Speaker 2: run through what's happened in the last week in Los Angeles, 20 00:01:16,520 --> 00:01:19,200 Speaker 2: and on the Monday episode it's an interview based episode. 21 00:01:19,240 --> 00:01:21,920 Speaker 2: So Monday just gone. You had the incredible Elias Black 22 00:01:21,959 --> 00:01:25,720 Speaker 2: who's legend. He's also on Netflix's Byron Bayze right now, 23 00:01:25,800 --> 00:01:32,000 Speaker 2: but he's a model, surfer, boxer, all round legend, earthy 24 00:01:32,480 --> 00:01:34,840 Speaker 2: virgo and has a really cool voice. So I'd highly 25 00:01:34,840 --> 00:01:37,600 Speaker 2: recommend if you're into dialects and voices like I am. 26 00:01:37,920 --> 00:01:39,480 Speaker 2: It's a fun one to listen to because he's got 27 00:01:39,520 --> 00:01:44,240 Speaker 2: this really cool low register. And then the Friday episode 28 00:01:44,280 --> 00:01:47,400 Speaker 2: is like this diary app and I just bring it 29 00:01:47,440 --> 00:01:50,240 Speaker 2: to you from wherever I've been and whatever I've been doing. 30 00:01:50,400 --> 00:01:51,080 Speaker 1: And then. 31 00:01:52,400 --> 00:01:56,360 Speaker 2: Next Monday episode we have an incredible Australian guest, Hugh 32 00:01:56,440 --> 00:01:59,880 Speaker 2: Van kylen Berg. I'm a mega fan of this human. 33 00:02:00,520 --> 00:02:03,160 Speaker 2: I've read both of his books, so I'll make sure 34 00:02:03,200 --> 00:02:05,280 Speaker 2: that next Friday I do a double book review so 35 00:02:05,320 --> 00:02:08,480 Speaker 2: that we cover both of his books. I think I've 36 00:02:08,520 --> 00:02:13,560 Speaker 2: touched on them both in previous Diary episodes, so I'll 37 00:02:13,560 --> 00:02:15,840 Speaker 2: do a condensed version of both of them, sir, because 38 00:02:15,880 --> 00:02:18,320 Speaker 2: like they kind of feed into one another, but you 39 00:02:18,360 --> 00:02:20,399 Speaker 2: don't need to have read one to read the other. 40 00:02:20,760 --> 00:02:22,560 Speaker 2: And then today we'll be doing a book review of 41 00:02:22,600 --> 00:02:25,839 Speaker 2: the wonderful Kemy's book. Her episode came out a couple 42 00:02:25,919 --> 00:02:30,160 Speaker 2: of weeks ago, so yeah, let's dive into a little 43 00:02:30,400 --> 00:02:32,639 Speaker 2: taste of Los Angeles this week. 44 00:02:33,600 --> 00:02:35,720 Speaker 1: I'm just getting my if you can hear me moving 45 00:02:35,760 --> 00:02:36,480 Speaker 1: away from the. 46 00:02:36,600 --> 00:02:39,520 Speaker 2: Mic, I'm just getting my acting diary because I've gone 47 00:02:39,600 --> 00:02:43,240 Speaker 2: back to acting school. Although it's very different to what 48 00:02:43,280 --> 00:02:46,400 Speaker 2: I did last time I was here. This is improv school, 49 00:02:46,600 --> 00:02:50,320 Speaker 2: and so can you hear my notes. It's a very 50 00:02:50,360 --> 00:02:57,080 Speaker 2: different ballgame to like scene study and more dramatic, theatrical 51 00:02:57,120 --> 00:02:59,160 Speaker 2: based acting. So this is probably where a lot of 52 00:02:59,160 --> 00:03:03,320 Speaker 2: stand up comedians would start. I would say, and I 53 00:03:03,360 --> 00:03:06,200 Speaker 2: have my first class on Saturday, and it was petrifying 54 00:03:06,360 --> 00:03:08,600 Speaker 2: but awesome but fun. You do it in a proper theater, 55 00:03:09,120 --> 00:03:12,519 Speaker 2: really interesting when you go into the class. In other 56 00:03:12,560 --> 00:03:16,679 Speaker 2: classes I've done in Australia and in America, you kind 57 00:03:16,680 --> 00:03:21,000 Speaker 2: of sit there and you start pretty quickly, or you're 58 00:03:21,040 --> 00:03:24,040 Speaker 2: quietly preparing your scene, or the actors that are going 59 00:03:24,120 --> 00:03:26,920 Speaker 2: up are in the space setting the scene. Whereas this 60 00:03:27,080 --> 00:03:30,240 Speaker 2: they pumped up the jams straight away because think about it, 61 00:03:30,280 --> 00:03:32,200 Speaker 2: like a stand up comedian is going to be performing 62 00:03:32,240 --> 00:03:35,080 Speaker 2: at comedy clubs and so that's going to be the vibes. 63 00:03:35,120 --> 00:03:37,600 Speaker 2: They kind of get used to that straight away. There's 64 00:03:37,640 --> 00:03:39,200 Speaker 2: a lot of theater sports games. 65 00:03:39,240 --> 00:03:41,000 Speaker 1: But what I'm really. 66 00:03:40,760 --> 00:03:45,560 Speaker 2: Excited about is to learn these like integral improv rules, 67 00:03:46,040 --> 00:03:48,080 Speaker 2: and so I've started to learn the basis of them. 68 00:03:48,120 --> 00:03:49,800 Speaker 2: I think I should totally do a diary episode where 69 00:03:49,800 --> 00:03:52,000 Speaker 2: I sit down and go through like improv rules with 70 00:03:52,040 --> 00:03:55,080 Speaker 2: you because I think it's so fascinating, and then we 71 00:03:55,160 --> 00:03:57,520 Speaker 2: do I think I just said, like heaps of theater 72 00:03:57,600 --> 00:04:00,480 Speaker 2: sports and this really cool body warm up switch I 73 00:04:00,480 --> 00:04:03,680 Speaker 2: will one hundred percent use for all of my acting 74 00:04:03,800 --> 00:04:07,720 Speaker 2: stuff moving forward, whether it be a dramatic scene or 75 00:04:07,760 --> 00:04:11,200 Speaker 2: a more comedically toned scene. I would also be using 76 00:04:11,240 --> 00:04:13,440 Speaker 2: these warm ups one hundred percent if I was hosting something. 77 00:04:13,520 --> 00:04:15,800 Speaker 1: So I'm learning so much stuff. 78 00:04:15,800 --> 00:04:17,560 Speaker 2: It is pet frying, though, because at one stage they 79 00:04:17,560 --> 00:04:19,479 Speaker 2: got us all to Sandy Circle, and one at a 80 00:04:19,520 --> 00:04:23,039 Speaker 2: time we had to sing and dance, and of course 81 00:04:23,080 --> 00:04:25,719 Speaker 2: like I can't sing, I'm tone deaf, and because I 82 00:04:25,760 --> 00:04:28,800 Speaker 2: was on the spot, oh my god, I got so nervous. 83 00:04:28,440 --> 00:04:29,560 Speaker 1: Like I literally froze. 84 00:04:29,560 --> 00:04:32,159 Speaker 2: I had no all I could say was Backstreet Boys, 85 00:04:32,200 --> 00:04:33,600 Speaker 2: and then I totally forgot the song. 86 00:04:34,920 --> 00:04:37,120 Speaker 1: So that's probably the one that I was like, I 87 00:04:37,200 --> 00:04:38,000 Speaker 1: want to get out of here. 88 00:04:38,040 --> 00:04:41,160 Speaker 2: I definitely had that feeling wobbly legs, all that kind 89 00:04:41,200 --> 00:04:44,479 Speaker 2: of thing, but it was so worth staying to be 90 00:04:44,640 --> 00:04:46,960 Speaker 2: training improv. So I'll just give you like one of 91 00:04:46,960 --> 00:04:49,280 Speaker 2: the rules today. So one of them is yes and. 92 00:04:49,480 --> 00:04:51,719 Speaker 2: So basically, if an actor comes into the scene and 93 00:04:51,760 --> 00:04:56,480 Speaker 2: tells you a story like we're in an amazing zoo 94 00:04:56,600 --> 00:04:59,640 Speaker 2: right now, you can't block, you can't say no, you 95 00:04:59,640 --> 00:05:03,359 Speaker 2: can't but and you can't disagree, so you go, yeah, 96 00:05:03,520 --> 00:05:06,560 Speaker 2: we're in an amazing zoo right now, and the elephants 97 00:05:06,640 --> 00:05:09,839 Speaker 2: are purple, so they have to go with you yeah, 98 00:05:09,880 --> 00:05:13,000 Speaker 2: And then the scene partner will look at you and go, yeah, 99 00:05:13,040 --> 00:05:17,680 Speaker 2: the elephants are purple and their tails are stripey. So 100 00:05:17,760 --> 00:05:19,840 Speaker 2: whether you believe it or not, you're in there and 101 00:05:19,920 --> 00:05:22,440 Speaker 2: you have to like support and agree with and kind 102 00:05:22,480 --> 00:05:25,000 Speaker 2: of like So it's this concept of yes and and 103 00:05:25,040 --> 00:05:27,520 Speaker 2: I love it, Like it's just a really nice way 104 00:05:27,560 --> 00:05:30,200 Speaker 2: to look at things and look at even business meetings 105 00:05:30,240 --> 00:05:30,559 Speaker 2: and stuff. 106 00:05:30,600 --> 00:05:32,679 Speaker 1: It's like being really really open to receive. 107 00:05:32,839 --> 00:05:35,599 Speaker 2: And we do a lot of games for listening because 108 00:05:35,640 --> 00:05:37,839 Speaker 2: you need to be so in tune with what's going 109 00:05:37,880 --> 00:05:40,520 Speaker 2: on in the scene. So yes and and you'll see 110 00:05:40,520 --> 00:05:42,800 Speaker 2: a lot of comedians talk about this technique, so that's 111 00:05:42,839 --> 00:05:48,880 Speaker 2: really cool. Lots of cool warm upy kind of games 112 00:05:48,920 --> 00:05:52,239 Speaker 2: like zipzops app And I know if anyone is comedically trained, 113 00:05:52,240 --> 00:05:54,400 Speaker 2: you'll be like, I know zipzops app, I know mine, 114 00:05:54,480 --> 00:05:56,480 Speaker 2: met Ah, you know, I know the five four three? 115 00:05:56,560 --> 00:05:58,080 Speaker 2: Do you want to shake out like people are gonna 116 00:05:58,120 --> 00:06:00,920 Speaker 2: know these? But zipzops apps cool. You stand in a 117 00:06:00,920 --> 00:06:04,479 Speaker 2: circle and you're literally sending like you know, you clap 118 00:06:04,520 --> 00:06:06,640 Speaker 2: your hands and send a zip to someone across the room. 119 00:06:06,680 --> 00:06:08,920 Speaker 2: Then they send a zop and then there's a zapp. 120 00:06:08,960 --> 00:06:10,599 Speaker 2: But as it speeds up and up and up and 121 00:06:10,640 --> 00:06:13,039 Speaker 2: you get into doubles, it gets really really hard, so 122 00:06:13,040 --> 00:06:15,279 Speaker 2: it could go zip zip zapps ap zops up and 123 00:06:15,320 --> 00:06:17,120 Speaker 2: you've got to be really and it gets faster and 124 00:06:17,160 --> 00:06:18,839 Speaker 2: faster and faster. It just kind of gets you in 125 00:06:18,880 --> 00:06:23,919 Speaker 2: tune with your ensemble. Anyway, so much fun and I 126 00:06:24,120 --> 00:06:28,040 Speaker 2: really really really enjoy just learning it and having. For me, 127 00:06:28,080 --> 00:06:31,080 Speaker 2: it's just adding this more to my skill set. Do 128 00:06:31,200 --> 00:06:33,960 Speaker 2: I see myself being a stand up comedian, No. 129 00:06:34,040 --> 00:06:34,559 Speaker 1: Way, Jose. 130 00:06:35,000 --> 00:06:37,760 Speaker 2: I'm also not a night owl like other than if 131 00:06:37,760 --> 00:06:40,279 Speaker 2: I was called onto a set and ask to be 132 00:06:41,000 --> 00:06:42,960 Speaker 2: you know, in a night should of course you do that, 133 00:06:43,080 --> 00:06:45,640 Speaker 2: but like the idea of like going around and performing 134 00:06:45,640 --> 00:06:48,520 Speaker 2: at clubs and I it's just not my I probably 135 00:06:48,520 --> 00:06:52,680 Speaker 2: sound really like, you know, up myself saying that I'm 136 00:06:52,720 --> 00:06:54,760 Speaker 2: just not really a night and I'm not like a 137 00:06:54,839 --> 00:06:57,400 Speaker 2: clubby kind of person. Also, the thought of just standing 138 00:06:57,440 --> 00:07:01,320 Speaker 2: on stage and like doing a doing your bit and whatnot, 139 00:07:01,320 --> 00:07:04,479 Speaker 2: whereas I'm more interested in a bit is like a joke. 140 00:07:04,560 --> 00:07:06,200 Speaker 1: By the way, I forget that. 141 00:07:06,240 --> 00:07:09,320 Speaker 2: I need to make sure I explain terms because I 142 00:07:09,320 --> 00:07:11,280 Speaker 2: only learned what a bit was because I was listening 143 00:07:11,360 --> 00:07:16,080 Speaker 2: to SmartLess, the Jason Bateman and Willa Nett podcast heaps, 144 00:07:16,080 --> 00:07:17,960 Speaker 2: and they kept going on about bits, and I was like, what, 145 00:07:18,040 --> 00:07:20,440 Speaker 2: there is a bit. It's like a joke, a planned joke, 146 00:07:21,240 --> 00:07:24,920 Speaker 2: or like a gag, and so like, I just don't 147 00:07:24,920 --> 00:07:27,400 Speaker 2: see myself standing on stage like going bit after bit 148 00:07:27,440 --> 00:07:30,800 Speaker 2: after bit. But I think I see myself kind of 149 00:07:30,840 --> 00:07:34,120 Speaker 2: in the sitcom world or like part of an ensemble 150 00:07:34,200 --> 00:07:37,240 Speaker 2: and maybe having a quirky or slightly comedic role. So 151 00:07:37,280 --> 00:07:40,840 Speaker 2: that's why I'm doing this training, because I'm dramatically trained, 152 00:07:40,880 --> 00:07:43,520 Speaker 2: Like I figured out, this is like my fifth year 153 00:07:43,560 --> 00:07:46,400 Speaker 2: straight of training, fourth or fifth year straight or probably 154 00:07:46,480 --> 00:07:49,920 Speaker 2: hit fifth year soon kind of thing, like I'm at that. 155 00:07:50,800 --> 00:07:52,680 Speaker 2: So I haven't done any improv training, which is why 156 00:07:52,720 --> 00:07:56,360 Speaker 2: I'm doing this. So it's a six week course and 157 00:07:56,400 --> 00:07:59,680 Speaker 2: then I'm I've already reached out to other schools to 158 00:08:00,120 --> 00:08:02,640 Speaker 2: hopefully get their intake after this course ends. But I 159 00:08:02,680 --> 00:08:04,520 Speaker 2: try to do one course at a time because it 160 00:08:04,600 --> 00:08:07,320 Speaker 2: is quite immersive and you kind of like like there's 161 00:08:07,400 --> 00:08:10,120 Speaker 2: homework for every week. So I've been doing my homework 162 00:08:11,520 --> 00:08:14,240 Speaker 2: and doing it with mates, but also doing it with myself, 163 00:08:14,320 --> 00:08:20,360 Speaker 2: which is kind of cool and fun. Okay, in prov school, 164 00:08:20,360 --> 00:08:22,480 Speaker 2: that's what I've done. I've joined a yoga school. So 165 00:08:22,760 --> 00:08:25,480 Speaker 2: I live in an area called Los Phelss or Loose Felice, 166 00:08:25,520 --> 00:08:28,960 Speaker 2: which means I think it means happiness or happy, so I. 167 00:08:28,880 --> 00:08:31,000 Speaker 1: Can walk to this yoga studio. It's unreal. 168 00:08:31,320 --> 00:08:33,839 Speaker 2: It's called Yoga Vibe and it's in a little house, 169 00:08:33,840 --> 00:08:37,040 Speaker 2: so they literally have guarded the house and you're practicing 170 00:08:37,080 --> 00:08:39,880 Speaker 2: on the floorboards of what would have been the living room, 171 00:08:39,880 --> 00:08:43,720 Speaker 2: which I love. I've done an amazing hype with my 172 00:08:43,760 --> 00:08:46,560 Speaker 2: mate Sam in Topanga, which so Tobanga is kind of 173 00:08:46,600 --> 00:08:50,000 Speaker 2: like near It's like Santa Monica Mountains but near like 174 00:08:50,080 --> 00:08:53,840 Speaker 2: Calabasas and not quite Malibu, but kind. 175 00:08:53,640 --> 00:08:54,680 Speaker 1: Of in that vicinity. 176 00:08:55,000 --> 00:08:57,920 Speaker 2: So it's about with no traffic early in the morning, 177 00:08:58,040 --> 00:09:01,040 Speaker 2: like a forty minute drive from me here, like and 178 00:09:01,240 --> 00:09:01,760 Speaker 2: kind of like. 179 00:09:02,240 --> 00:09:05,480 Speaker 1: The I said that, am I the east side. 180 00:09:05,840 --> 00:09:07,440 Speaker 2: I have no idea what side, but there's like east 181 00:09:07,480 --> 00:09:11,439 Speaker 2: and West la and I think I'm east side, whereas 182 00:09:11,600 --> 00:09:15,120 Speaker 2: like obviously all the like Observatory in the Griffith Park 183 00:09:15,240 --> 00:09:18,400 Speaker 2: and the Runion those hikes are more super super close 184 00:09:18,440 --> 00:09:19,839 Speaker 2: to me, so. 185 00:09:19,800 --> 00:09:21,040 Speaker 1: It's kind of nice to go for a drive. 186 00:09:21,160 --> 00:09:25,160 Speaker 2: We also found this cafe afterwards called The Pedlar in Calabasas. 187 00:09:25,480 --> 00:09:28,320 Speaker 2: I tried my first ever chuggachino. It's a thing here. 188 00:09:28,440 --> 00:09:32,000 Speaker 2: I had no idea, but basically, you order like a 189 00:09:32,080 --> 00:09:35,520 Speaker 2: regular coffee or latae cappuccino, whatever you want, and then 190 00:09:35,559 --> 00:09:37,920 Speaker 2: they add this thing called chugachino to it. So I 191 00:09:37,960 --> 00:09:41,840 Speaker 2: think it's chugga mushroom, rashi, cinnamon, and monk fruit. It 192 00:09:41,960 --> 00:09:44,400 Speaker 2: tastes delicious like I taste. It felt like I was 193 00:09:44,440 --> 00:09:49,600 Speaker 2: having a chocolate smoothie. It's deer though, like two chuggachinos 194 00:09:50,200 --> 00:09:55,040 Speaker 2: on a base of almond milk costed us like twenty 195 00:09:55,080 --> 00:09:58,040 Speaker 2: six dollars forty, so you convert that to ossie, that's 196 00:09:58,040 --> 00:10:03,720 Speaker 2: gonna be like thirty five forty bucks. So chucka Chinos 197 00:10:03,720 --> 00:10:06,320 Speaker 2: are great, but they are retreat I have tried some 198 00:10:06,360 --> 00:10:08,480 Speaker 2: other coffee, so I might give you quickly like the 199 00:10:08,480 --> 00:10:11,800 Speaker 2: coffee stuff I've tried. I had a really yummy almond 200 00:10:12,840 --> 00:10:14,400 Speaker 2: latte yesterday from Maru. 201 00:10:14,559 --> 00:10:15,880 Speaker 1: That's an amazing coffee shop. 202 00:10:15,920 --> 00:10:18,959 Speaker 2: If you ever be lost fearless, it's definitely where i'd 203 00:10:19,280 --> 00:10:22,120 Speaker 2: go for, like if I wanted that like really great, 204 00:10:22,920 --> 00:10:25,880 Speaker 2: Like in Australia, we're so sport, we have such great coffee. 205 00:10:27,000 --> 00:10:29,320 Speaker 2: So Mara, I got really yummy almond lata and they 206 00:10:29,320 --> 00:10:32,720 Speaker 2: sweet with a littis Stevia, so no sugar. I've been 207 00:10:32,760 --> 00:10:35,560 Speaker 2: seeing on Insta all the debate around like oat milk, 208 00:10:35,800 --> 00:10:38,840 Speaker 2: oat milk versus other milks, and like some oat milks 209 00:10:38,840 --> 00:10:43,800 Speaker 2: being really high in nasty fats and sugars. So I loved, 210 00:10:44,400 --> 00:10:46,920 Speaker 2: I love, love, loved like the creaminess and sweetness of oatmelk. 211 00:10:46,960 --> 00:10:49,800 Speaker 2: But I have tried to make that switch to armand now. 212 00:10:50,720 --> 00:10:52,480 Speaker 2: But I'm sure there'll be like a healthy oat that 213 00:10:52,480 --> 00:10:57,600 Speaker 2: will come out eventually, for sure, I tried another coffee. 214 00:10:57,760 --> 00:11:00,280 Speaker 2: I went for a walk with my mate Sarah Stay 215 00:11:00,320 --> 00:11:02,880 Speaker 2: in Silver Lake and we had. 216 00:11:02,679 --> 00:11:04,400 Speaker 1: A cold brew. 217 00:11:05,120 --> 00:11:08,400 Speaker 2: And so cold brew was just like imagine having a 218 00:11:08,400 --> 00:11:11,360 Speaker 2: batch brew in Australia, but it's cold and on ice 219 00:11:11,440 --> 00:11:13,800 Speaker 2: and it's like clumbs in quite a big I just 220 00:11:13,840 --> 00:11:15,679 Speaker 2: realized I still have some leftover, and I put it 221 00:11:15,679 --> 00:11:16,600 Speaker 2: in the fridge. Yes. 222 00:11:17,400 --> 00:11:17,600 Speaker 1: Yeah. 223 00:11:17,640 --> 00:11:20,760 Speaker 2: We went to a place in Civil Lake called Cafe 224 00:11:20,960 --> 00:11:23,960 Speaker 2: Sito Organico, so I'm guessing it's an organic cafe. It 225 00:11:24,000 --> 00:11:26,760 Speaker 2: was really yummy, really fresh, really, so that's kind of 226 00:11:26,800 --> 00:11:28,840 Speaker 2: going to be my drink for sure in the summer. 227 00:11:28,880 --> 00:11:33,720 Speaker 2: It's not quite summer yet, though I've been submitting myself 228 00:11:33,720 --> 00:11:37,160 Speaker 2: for auditions. I got one callback. It was voiceover base, 229 00:11:37,160 --> 00:11:38,600 Speaker 2: so I just had to record, like the way I'm 230 00:11:38,600 --> 00:11:40,000 Speaker 2: recording to you guys right now. 231 00:11:41,480 --> 00:11:41,840 Speaker 1: Food. 232 00:11:42,559 --> 00:11:47,640 Speaker 2: I had an amazing nice Noois salad yesday with Sam 233 00:11:47,840 --> 00:11:51,120 Speaker 2: at a place in Los Veellas called Figario Bistro. It 234 00:11:51,280 --> 00:11:54,480 Speaker 2: is a French place, but the salad was amazing. It 235 00:11:54,640 --> 00:11:59,120 Speaker 2: wasn't overly expensive either. I'm starting to like not stress 236 00:11:59,120 --> 00:12:02,439 Speaker 2: about cash, but skeing really aware that like I'm living 237 00:12:02,440 --> 00:12:05,480 Speaker 2: off Australian dollars in America, and our dollar is obviously 238 00:12:05,559 --> 00:12:08,400 Speaker 2: not as strong. So just trying to make like really 239 00:12:08,880 --> 00:12:13,720 Speaker 2: savvy choices now with the way that I spend. Yeah, 240 00:12:13,760 --> 00:12:19,199 Speaker 2: so I've submitted myself to auditions. I'm just trying to 241 00:12:19,280 --> 00:12:20,840 Speaker 2: check that I haven't missed anything here. 242 00:12:22,440 --> 00:12:23,200 Speaker 1: Oh I don't know. 243 00:12:23,440 --> 00:12:24,880 Speaker 2: I was thinking about this. I'm like, do I tell 244 00:12:24,880 --> 00:12:26,200 Speaker 2: you this? Do I not tell you this? I'm going 245 00:12:26,240 --> 00:12:28,800 Speaker 2: to tell you because we're all friends here. But I 246 00:12:28,920 --> 00:12:33,680 Speaker 2: have my first general this week with an agent. So 247 00:12:33,840 --> 00:12:36,680 Speaker 2: in America you have an agent and a manager. In 248 00:12:36,720 --> 00:12:42,000 Speaker 2: Australia usually the one person does both things. So I 249 00:12:42,040 --> 00:12:47,400 Speaker 2: have that. They've asked for headshots, actor resume, press kits, everything, 250 00:12:47,520 --> 00:12:49,040 Speaker 2: and I was like, shit, I mean timbers, I don't 251 00:12:49,080 --> 00:12:52,520 Speaker 2: really have an actor resume, so I've kind of like 252 00:12:52,559 --> 00:12:55,080 Speaker 2: been working on that this week, got all printed off, 253 00:12:55,120 --> 00:12:59,000 Speaker 2: so I've got that tomorrow. I'm kind of nervous, but 254 00:12:59,160 --> 00:13:03,160 Speaker 2: I'm also so just excited to learn and see where 255 00:13:03,160 --> 00:13:05,319 Speaker 2: they would see me sitting as an actor. So I'm 256 00:13:05,320 --> 00:13:07,760 Speaker 2: going to go in and ask for representation as an actor, 257 00:13:07,960 --> 00:13:12,080 Speaker 2: a TV host, and a voiceover actor. So in Australia, 258 00:13:12,240 --> 00:13:15,120 Speaker 2: I as you know, like I've got an amazing team 259 00:13:15,120 --> 00:13:16,960 Speaker 2: that I work with on all La La Berry stuff, 260 00:13:17,000 --> 00:13:19,439 Speaker 2: but they don't really do my acting stuff. I've got 261 00:13:19,440 --> 00:13:23,559 Speaker 2: a different manager for that. But like even just last week, 262 00:13:23,559 --> 00:13:26,280 Speaker 2: I got an email back going, we can't get you 263 00:13:26,280 --> 00:13:28,560 Speaker 2: any roles, like you're not the right demographic to be 264 00:13:28,559 --> 00:13:31,040 Speaker 2: getting roles right now. And I'm like, okay, And this 265 00:13:31,080 --> 00:13:33,559 Speaker 2: is why I'm me now, like because I want more opportunities. 266 00:13:33,640 --> 00:13:36,760 Speaker 2: So I am just like literally here, I'm going to 267 00:13:36,800 --> 00:13:39,360 Speaker 2: take as many generals as I can. I'm just like 268 00:13:39,760 --> 00:13:43,840 Speaker 2: ready to try and get representation and then hopefully be 269 00:13:43,880 --> 00:13:48,360 Speaker 2: in audition rooms. I'm on the online casting websites. That's 270 00:13:48,400 --> 00:13:51,760 Speaker 2: how I've been submitting myself for auditions. But you just 271 00:13:52,000 --> 00:13:54,319 Speaker 2: it's a lot of sifting through, Like there's a lot 272 00:13:54,320 --> 00:13:56,800 Speaker 2: that a like must be comfortable with nudity, and I'm like, okay, 273 00:13:56,840 --> 00:13:57,600 Speaker 2: that could be a porno. 274 00:13:57,760 --> 00:13:58,360 Speaker 1: Like you've got to. 275 00:13:58,360 --> 00:14:00,480 Speaker 2: Be really careful, not careful, You've just got to be 276 00:14:00,480 --> 00:14:03,880 Speaker 2: able to filter and make sure that you're submitting for 277 00:14:03,920 --> 00:14:06,920 Speaker 2: stuff that is not necessarily legit, but just in line 278 00:14:06,960 --> 00:14:08,560 Speaker 2: with what you want to do. So I've been trying 279 00:14:08,600 --> 00:14:11,320 Speaker 2: to submit for more like commercials and ads, which is 280 00:14:11,480 --> 00:14:13,719 Speaker 2: often how a lot of actors make money until they 281 00:14:13,760 --> 00:14:16,080 Speaker 2: kind of like get signed to a TV show or 282 00:14:16,120 --> 00:14:21,720 Speaker 2: a movie. So that is my like update, Oh I've 283 00:14:21,760 --> 00:14:26,160 Speaker 2: got can you hear this? I've got protein bars to 284 00:14:26,280 --> 00:14:29,720 Speaker 2: rotest for you. I've found some with no artificial sweetness 285 00:14:31,280 --> 00:14:32,120 Speaker 2: which are really good. 286 00:14:32,400 --> 00:14:33,280 Speaker 1: Have I gotten here too? 287 00:14:33,440 --> 00:14:37,480 Speaker 2: Okay, So for sure if you want a delicious tasting 288 00:14:37,560 --> 00:14:41,800 Speaker 2: protein bar, the brand is Think they literally are gluten free, 289 00:14:41,840 --> 00:14:45,000 Speaker 2: they have no artificial sweetness. They tell you how many 290 00:14:45,040 --> 00:14:46,960 Speaker 2: netcubs are in there, they tell you how many grams 291 00:14:47,000 --> 00:14:49,600 Speaker 2: of sugar, and they're tell you how much protein. So 292 00:14:49,720 --> 00:14:52,560 Speaker 2: I think I'm going to switch to Think bars. I 293 00:14:52,600 --> 00:14:56,360 Speaker 2: still have been having one bars, which I got onto 294 00:14:56,440 --> 00:14:58,520 Speaker 2: last time. I found them again at Albertson. So my 295 00:14:58,560 --> 00:15:02,160 Speaker 2: favorite flavor is the maple glaz donut and. 296 00:15:01,920 --> 00:15:02,560 Speaker 1: The bar bell. 297 00:15:03,520 --> 00:15:05,840 Speaker 2: I've had the cookies and cream yesterday and I've still 298 00:15:05,880 --> 00:15:08,160 Speaker 2: got a white chocolate armon leftover. But they do use 299 00:15:08,240 --> 00:15:12,360 Speaker 2: artificial sweetness, so they're out like they are. I'm phasing 300 00:15:12,400 --> 00:15:14,640 Speaker 2: the artificial sweetness ones to TA totally out. I'll switch 301 00:15:14,720 --> 00:15:17,760 Speaker 2: to So when I'm in Australia, I love Smart bars 302 00:15:17,800 --> 00:15:19,400 Speaker 2: but you can't get them here, so I'm going to 303 00:15:19,440 --> 00:15:23,320 Speaker 2: switch to Think Here and No Cow. They're the two 304 00:15:23,320 --> 00:15:25,560 Speaker 2: brands that I found that don't use artificial sweetness but 305 00:15:25,600 --> 00:15:29,640 Speaker 2: have great macros. So like Great Protein to car Ratio 306 00:15:29,800 --> 00:15:32,720 Speaker 2: because I kind of want low sugar really delicious. I'm 307 00:15:32,720 --> 00:15:35,040 Speaker 2: a sweet tooth, which is why I like having protein 308 00:15:35,080 --> 00:15:39,040 Speaker 2: bars because it kind of satiates that like sweet hankering 309 00:15:39,160 --> 00:15:39,440 Speaker 2: for me. 310 00:15:40,560 --> 00:15:44,120 Speaker 1: So they're my bar reviews for you. Book review time. 311 00:15:44,280 --> 00:15:46,080 Speaker 2: I promised i'd do it last week, and I realized 312 00:15:46,120 --> 00:15:48,560 Speaker 2: as soon as I stopped recording that I hadn't. It's 313 00:15:48,600 --> 00:15:52,480 Speaker 2: called Power, a Woman's Guide, A Guide to Living and 314 00:15:52,560 --> 00:15:57,160 Speaker 2: Leading without Apology, is by Kemmy Neck for pill. Kemmy 315 00:15:57,480 --> 00:16:01,680 Speaker 2: is a personal coach and and she's got it, says 316 00:16:01,680 --> 00:16:05,720 Speaker 2: he dare to lead facilitator. And I'm just checking the time. 317 00:16:05,760 --> 00:16:09,840 Speaker 2: I know in America you have to move your car 318 00:16:09,920 --> 00:16:12,680 Speaker 2: for street sweeper. I've got fifteen minutes otherwise you get fined. 319 00:16:14,160 --> 00:16:16,400 Speaker 2: This book is alsome. It's really easy to read. It 320 00:16:16,440 --> 00:16:20,000 Speaker 2: feels like she's chatting to you. I had so many 321 00:16:20,000 --> 00:16:22,320 Speaker 2: favorite moments from it, and I didn't write them down 322 00:16:22,320 --> 00:16:24,400 Speaker 2: because I was like, oh, remember to talk about that. 323 00:16:25,080 --> 00:16:27,720 Speaker 2: She talks about the power of taking up space and 324 00:16:27,720 --> 00:16:30,120 Speaker 2: why you can and why it's a good thing. She 325 00:16:30,160 --> 00:16:32,320 Speaker 2: talks about like owning your privilege as well, which she 326 00:16:32,400 --> 00:16:35,000 Speaker 2: kind of touched on when I interviewed her, So if 327 00:16:35,000 --> 00:16:38,600 Speaker 2: you go back two weeks ago, that's the Kemi interview. 328 00:16:39,800 --> 00:16:41,920 Speaker 1: She talks about empathy, talks a lot about her. 329 00:16:41,880 --> 00:16:47,080 Speaker 2: Childhood and kind of like how she was bulliable, also 330 00:16:47,280 --> 00:16:50,080 Speaker 2: acknowledges when she felt like she was doing the wrong 331 00:16:50,120 --> 00:16:54,160 Speaker 2: thing as well, which is really cool. The acronym of 332 00:16:54,200 --> 00:16:56,840 Speaker 2: this book for power, So the PE stands for presents, 333 00:16:56,960 --> 00:17:00,400 Speaker 2: the O is for ownership, W is for wisdom, E 334 00:17:00,760 --> 00:17:04,280 Speaker 2: is for equality, and R is for responsibility. But my 335 00:17:04,520 --> 00:17:07,080 Speaker 2: favorite bit that I read, I hope I can find 336 00:17:07,080 --> 00:17:10,120 Speaker 2: it for you, was all about delight. 337 00:17:11,040 --> 00:17:12,439 Speaker 1: Let me see if I can find it for you. 338 00:17:13,480 --> 00:17:15,600 Speaker 2: I just loved it. It was all about delight, and 339 00:17:15,600 --> 00:17:17,119 Speaker 2: I was like, this is so cool. 340 00:17:17,160 --> 00:17:17,720 Speaker 1: The way that. 341 00:17:17,640 --> 00:17:22,720 Speaker 2: She got a really cool way of writing, really cool 342 00:17:22,760 --> 00:17:27,439 Speaker 2: way of She's like direct, but not in your face direct. 343 00:17:27,800 --> 00:17:31,719 Speaker 1: So it's very very very very very easy to the 344 00:17:31,760 --> 00:17:33,240 Speaker 1: power of delight. I found it. 345 00:17:33,240 --> 00:17:35,440 Speaker 2: So it's in part two Presents. Power of Delight is 346 00:17:35,480 --> 00:17:39,119 Speaker 2: on page seventy. Oh yeah, I was looking. I was 347 00:17:39,200 --> 00:17:41,480 Speaker 2: not looking. The right section goes, I was not looking. 348 00:17:41,600 --> 00:17:42,120 Speaker 2: I found it. 349 00:17:43,160 --> 00:17:44,119 Speaker 1: The Power of Delight. 350 00:17:45,160 --> 00:17:47,119 Speaker 2: She's a written I love this, even the first sentence. 351 00:17:47,200 --> 00:17:50,280 Speaker 2: As far as I'm concerned, delight is a much needed. 352 00:17:50,000 --> 00:17:51,760 Speaker 1: Power in today's world. 353 00:17:52,160 --> 00:17:56,240 Speaker 2: Big Magic by Elizabeth Gilbert is one of my creative bibles. 354 00:17:56,400 --> 00:17:58,679 Speaker 2: I have not read that. Everybody tells me to read that, 355 00:17:59,440 --> 00:18:04,320 Speaker 2: so I just think you'll find this book. It's really 356 00:18:04,400 --> 00:18:07,600 Speaker 2: quick read. It's really easy to read. The fonts are 357 00:18:07,640 --> 00:18:10,240 Speaker 2: really easy size too, so the book will feel big 358 00:18:10,240 --> 00:18:11,760 Speaker 2: when you pick it up. But like I think, they're 359 00:18:11,800 --> 00:18:15,280 Speaker 2: printed a really nice reading font so it's so easy. 360 00:18:15,400 --> 00:18:17,480 Speaker 2: I've got like coffee stains all over mine now. It's 361 00:18:17,520 --> 00:18:19,879 Speaker 2: definitely well lived. I'm actually going to lend this to 362 00:18:19,920 --> 00:18:23,600 Speaker 2: an actor friend as well, because I just think it's really. 363 00:18:24,800 --> 00:18:26,520 Speaker 1: Inspiring and helpful. 364 00:18:26,840 --> 00:18:30,680 Speaker 2: And yeah, congratulations Cami, and thank you for jumping on 365 00:18:30,720 --> 00:18:31,040 Speaker 2: the pod. 366 00:18:31,119 --> 00:18:33,879 Speaker 1: So that is your diary. 367 00:18:34,000 --> 00:18:37,000 Speaker 2: Check in I next time I'll tell you how weak 368 00:18:37,000 --> 00:18:39,760 Speaker 2: to it improv school goes and you no, no, no, 369 00:18:39,840 --> 00:18:41,280 Speaker 2: I'll let you know if I get signed to this 370 00:18:41,359 --> 00:18:44,399 Speaker 2: agent or not. I'm not I'm not holding my breath, 371 00:18:44,440 --> 00:18:46,640 Speaker 2: like I have reached out to a lot of other 372 00:18:46,680 --> 00:18:50,440 Speaker 2: places and literally got peanuts back, literally no response already, 373 00:18:51,040 --> 00:18:54,920 Speaker 2: And even though Alay is way more open and functional 374 00:18:54,960 --> 00:18:57,959 Speaker 2: than it was this time last year, it still is 375 00:18:58,000 --> 00:19:00,280 Speaker 2: hard to get a literally like in the. 376 00:19:00,240 --> 00:19:02,119 Speaker 1: Door, real life meeting. 377 00:19:02,280 --> 00:19:07,280 Speaker 2: So I am just so grateful for my mate that 378 00:19:07,359 --> 00:19:09,200 Speaker 2: set this meeting up for me, because I wouldn't have 379 00:19:09,320 --> 00:19:11,119 Speaker 2: to be able to get it without I don't think. 380 00:19:11,359 --> 00:19:13,679 Speaker 1: So yeah that's me. 381 00:19:13,880 --> 00:19:16,120 Speaker 2: Send me some good juju, send me some good luck, 382 00:19:16,320 --> 00:19:19,000 Speaker 2: and I can't wait to chat to you soon. Remember 383 00:19:19,040 --> 00:19:22,680 Speaker 2: Monday's EP is with the incredible Hugh Van Kilemberg, an 384 00:19:22,720 --> 00:19:26,240 Speaker 2: amazing speaker actually just was at the Melbourne Comedy Festival, 385 00:19:26,320 --> 00:19:29,080 Speaker 2: and an amazing author too, So I'm really really looking 386 00:19:29,119 --> 00:19:30,600 Speaker 2: forward to this episode. 387 00:19:30,200 --> 00:19:33,119 Speaker 1: Coming out on Monday. 388 00:19:33,800 --> 00:19:37,000 Speaker 2: Monday Monday, Big Love, Go do the stuff that makes 389 00:19:37,000 --> 00:19:38,680 Speaker 2: you happy and chase those dreams. 390 00:19:38,840 --> 00:19:39,119 Speaker 1: Boy,