1 00:00:00,400 --> 00:00:03,040 Speaker 1: Jum Mission with Jonesy and Amanda. 2 00:00:03,200 --> 00:00:05,200 Speaker 2: We played something on the show the other day and 3 00:00:05,240 --> 00:00:07,040 Speaker 2: we got quite a bit of feedback about it. 4 00:00:07,080 --> 00:00:09,240 Speaker 3: Was it something I'm posting a kitschow? Was it Wham 5 00:00:09,600 --> 00:00:10,920 Speaker 3: wake me Up before you go go? 6 00:00:11,119 --> 00:00:11,280 Speaker 1: No? 7 00:00:12,080 --> 00:00:16,479 Speaker 2: We played a parody written by our mate Alan. What 8 00:00:16,520 --> 00:00:16,880 Speaker 2: do you mean? 9 00:00:16,920 --> 00:00:17,040 Speaker 1: No? 10 00:00:17,079 --> 00:00:18,120 Speaker 2: People loved it. 11 00:00:18,560 --> 00:00:20,160 Speaker 3: What did I say about parody songs? 12 00:00:21,239 --> 00:00:23,120 Speaker 2: You think they're from the nineteen eighties, and I think 13 00:00:23,160 --> 00:00:24,680 Speaker 2: you're a little jealous that you can't write them. 14 00:00:25,079 --> 00:00:28,240 Speaker 3: Okay, maybe maybe. 15 00:00:28,240 --> 00:00:30,600 Speaker 2: Alan said, with us Sydney Siders currently in Lockdown, I 16 00:00:30,640 --> 00:00:33,120 Speaker 2: thought i'd share a parody of Downtown, he said. I 17 00:00:33,159 --> 00:00:35,480 Speaker 2: know I can't sing very well, but I thought i'd 18 00:00:35,479 --> 00:00:37,720 Speaker 2: send it to you anyway. We played it and we 19 00:00:37,840 --> 00:00:40,840 Speaker 2: got so many calls. This is from Musical Theater Fan twelve. 20 00:00:40,880 --> 00:00:43,440 Speaker 2: One of your people, Brendan love your show. I loved 21 00:00:43,479 --> 00:00:46,120 Speaker 2: the Lockdown parody song the other day. I was listening 22 00:00:46,159 --> 00:00:49,000 Speaker 2: to Downtown the night before what Are the Chances? And 23 00:00:49,040 --> 00:00:51,240 Speaker 2: my son kept bugging me to play it again. From 24 00:00:51,280 --> 00:00:52,879 Speaker 2: will you be Playing It Again? We've got lots and 25 00:00:52,880 --> 00:00:54,640 Speaker 2: lots of comments, so let's see. 26 00:00:54,760 --> 00:00:58,080 Speaker 4: Is it like an Alan Jones tsunami? Of comments. I've 27 00:00:58,120 --> 00:01:02,160 Speaker 4: got a tsunami of comments and a lot of a lot. 28 00:01:02,080 --> 00:01:04,360 Speaker 2: Of comments, and I love this. I think it's really clever. 29 00:01:04,480 --> 00:01:07,959 Speaker 2: So let's do it. Here's lockdown parody, as we now 30 00:01:08,040 --> 00:01:09,600 Speaker 2: call it by Alan. 31 00:01:10,160 --> 00:01:14,040 Speaker 1: We're all at home and COVID's making it's lonely because 32 00:01:14,080 --> 00:01:20,080 Speaker 1: we all are in lock down. There's no retail therapy. 33 00:01:20,240 --> 00:01:26,399 Speaker 1: It's groceries only. While we all are in lockdown. There's 34 00:01:26,440 --> 00:01:29,160 Speaker 1: no one in the pubs and clubs, no traffic in 35 00:01:29,240 --> 00:01:33,000 Speaker 1: the city, and living in a hotspot makes life even 36 00:01:33,080 --> 00:01:38,440 Speaker 1: more shitty. So I'll hit the snooze because life's pretty 37 00:01:38,560 --> 00:01:42,000 Speaker 1: nice in bed, where I can stay in my bubble, 38 00:01:42,480 --> 00:01:47,160 Speaker 1: watch Netflix and stand here in lock down. I'll stay 39 00:01:47,200 --> 00:01:51,520 Speaker 1: here under the sheets lock down and buy shitt in 40 00:01:51,760 --> 00:01:57,080 Speaker 1: Ubery's lock Down and post some anti VAXX tweets too. 41 00:01:58,080 --> 00:02:00,000 Speaker 3: It's a little torture, but it's good. It's good. 42 00:02:00,880 --> 00:02:07,280 Speaker 1: Lock my credit cards max. I may as well do 43 00:02:07,480 --> 00:02:10,320 Speaker 1: my text while I have time hearing. 44 00:02:11,440 --> 00:02:12,280 Speaker 3: Lockdown. 45 00:02:12,800 --> 00:02:17,360 Speaker 1: The kids are unruly of abandoned homeschooling cause it's too 46 00:02:17,440 --> 00:02:23,280 Speaker 1: hot in lockdown. We just need human contact. I can't 47 00:02:23,320 --> 00:02:26,840 Speaker 1: wait till this is over. I'll even open my door 48 00:02:26,919 --> 00:02:34,280 Speaker 1: to a witness of Jehovah. I'll chat up see again 49 00:02:34,680 --> 00:02:38,720 Speaker 1: while I just stay in my barble, watch Netflix. 50 00:02:38,280 --> 00:02:41,320 Speaker 2: And stand here in down down. 51 00:02:41,320 --> 00:02:45,680 Speaker 1: Locked, love to pack in a train lockdown, or go 52 00:02:45,880 --> 00:02:50,840 Speaker 1: to a footy game lockdown or a Keith Urban concert. 53 00:02:50,960 --> 00:02:51,600 Speaker 3: Will do. 54 00:02:53,360 --> 00:02:56,200 Speaker 2: As Alan's done a great job. 55 00:02:56,960 --> 00:03:00,240 Speaker 3: It feels like, well, if people start sitting. 56 00:03:00,080 --> 00:03:05,320 Speaker 2: In drawings and I can see Alan, like he said, 57 00:03:05,360 --> 00:03:07,799 Speaker 2: I can't sing, but if there's someone out there who 58 00:03:07,800 --> 00:03:10,040 Speaker 2: could knock out a tune, go for it. 59 00:03:10,080 --> 00:03:12,200 Speaker 3: Well you're going to get to sing it like Richard Marx. 60 00:03:14,600 --> 00:03:19,440 Speaker 2: Probably not Richard Marx, Keith Urban. I know the wiggles. 61 00:03:21,160 --> 00:03:22,640 Speaker 3: You don't want to make it more irritating. 62 00:03:23,400 --> 00:03:25,000 Speaker 1: Excuse me, I. 63 00:03:24,960 --> 00:03:28,960 Speaker 2: Could see Henry the Octopus dancing around. Let me have 64 00:03:29,000 --> 00:03:31,480 Speaker 2: a thing. Will you bang on about Paul Stanley? You 65 00:03:31,560 --> 00:03:36,560 Speaker 2: even put this in the opening of our Chris Kis. 66 00:03:36,800 --> 00:03:38,840 Speaker 2: You've even put this in the opening of our show. 67 00:03:40,160 --> 00:03:40,800 Speaker 4: Personal friend. 68 00:03:40,880 --> 00:03:42,080 Speaker 3: He's a class person friend. 69 00:03:41,920 --> 00:03:43,280 Speaker 2: Then why did you call him and ask him? 70 00:03:43,320 --> 00:03:44,320 Speaker 3: So it's a funny thing with that. 71 00:03:44,400 --> 00:03:46,560 Speaker 4: I have my phone with Paul's number in it, and 72 00:03:46,600 --> 00:03:49,760 Speaker 4: I lost it, and he's got my number so he 73 00:03:49,760 --> 00:03:50,280 Speaker 4: could call me. 74 00:03:51,520 --> 00:03:53,840 Speaker 3: So he's got my number, so Paul would ring me. 75 00:03:53,880 --> 00:03:56,480 Speaker 4: And if Paul right now knew if anyone from the 76 00:03:56,520 --> 00:03:59,320 Speaker 4: Kiss Army's listening, get Paul to give him my deats, 77 00:03:59,320 --> 00:04:00,680 Speaker 4: get him hooked me up. 78 00:04:01,640 --> 00:04:03,360 Speaker 2: You know who else you bang on about being a 79 00:04:03,360 --> 00:04:05,080 Speaker 2: great personal friend of yours is Michael. 80 00:04:05,200 --> 00:04:08,160 Speaker 3: Michael Bolton and I have regular chats. 81 00:04:08,440 --> 00:04:10,960 Speaker 2: Do you want to ask him to maybe sing? 82 00:04:11,240 --> 00:04:13,840 Speaker 3: No, the thing is with Michael. You scare Michael a bit. 83 00:04:14,000 --> 00:04:15,080 Speaker 3: Mem we host that thing. 84 00:04:15,200 --> 00:04:17,960 Speaker 4: You scared me, you liked you know, you scared him. 85 00:04:19,440 --> 00:04:21,600 Speaker 4: Sometimes you scare the straits a little. 86 00:04:21,360 --> 00:04:22,760 Speaker 3: Bit with your ways. 87 00:04:23,000 --> 00:04:23,680 Speaker 2: What did I do? 88 00:04:24,440 --> 00:04:27,600 Speaker 4: We're just being you your four months and I just 89 00:04:28,000 --> 00:04:29,400 Speaker 4: I remember at the time he had that look on 90 00:04:29,440 --> 00:04:31,120 Speaker 4: his face. And I've seen you do it to people. 91 00:04:31,279 --> 00:04:32,640 Speaker 4: People come up to you and they think they can 92 00:04:32,680 --> 00:04:34,279 Speaker 4: banter with you, and you just pick them apart. 93 00:04:34,360 --> 00:04:35,159 Speaker 2: That's not true. 94 00:04:35,240 --> 00:04:35,719 Speaker 3: I've seen you. 95 00:04:36,240 --> 00:04:39,719 Speaker 2: That's not true. Lovely lovely to people. 96 00:04:40,000 --> 00:04:43,479 Speaker 4: Lovely, But you raise a sharp You're like you know, 97 00:04:43,480 --> 00:04:45,080 Speaker 4: and you've got to be careful with that. 98 00:04:45,040 --> 00:04:48,120 Speaker 3: That's all I'm saying. It's like playing tennis. 99 00:04:48,160 --> 00:04:51,120 Speaker 4: If I went and played tennis with who's really good 100 00:04:51,240 --> 00:04:52,040 Speaker 4: STEFFI Graff. 101 00:04:54,560 --> 00:04:55,119 Speaker 2: She's good. 102 00:04:55,440 --> 00:04:56,120 Speaker 3: What did you say? 103 00:04:56,200 --> 00:04:56,279 Speaker 2: Now? 104 00:04:56,600 --> 00:04:57,520 Speaker 3: Did she stop playing? 105 00:04:57,600 --> 00:04:57,800 Speaker 2: Yeah? 106 00:04:57,839 --> 00:04:59,520 Speaker 3: But she's still? Who's good? Now? 107 00:05:00,560 --> 00:05:00,960 Speaker 2: Rafael? 108 00:05:01,680 --> 00:05:05,000 Speaker 3: I'm playing with him and he just he aced me 109 00:05:05,080 --> 00:05:06,480 Speaker 3: all the time. That's what you do? 110 00:05:07,120 --> 00:05:08,640 Speaker 2: Oh are you scared of Rafael Nadal? 111 00:05:09,320 --> 00:05:10,840 Speaker 3: But if I was to face him in a tennis cot, 112 00:05:10,880 --> 00:05:11,279 Speaker 3: then yes? 113 00:05:11,320 --> 00:05:13,479 Speaker 2: Could he sing? Could he sing this song? 114 00:05:13,680 --> 00:05:17,039 Speaker 3: He couldn't. Who are you your boyfriend? Barry Manilou, he'd 115 00:05:17,040 --> 00:05:22,160 Speaker 3: be up for it. Hi, everybody, It's hello Barry Manelo Amanda. 116 00:05:22,480 --> 00:05:24,800 Speaker 1: Now wait a minute, does anybody call you? 117 00:05:25,960 --> 00:05:26,560 Speaker 2: Oh? Man? 118 00:05:26,680 --> 00:05:27,560 Speaker 3: No time, Barry. 119 00:05:29,120 --> 00:05:30,720 Speaker 2: You know when Barry and eye catch up, we don't 120 00:05:30,720 --> 00:05:31,640 Speaker 2: like to talk shop. 121 00:05:32,760 --> 00:05:33,680 Speaker 3: What do you talk about? 122 00:05:34,200 --> 00:05:35,000 Speaker 2: Just our feelings? 123 00:05:35,240 --> 00:05:35,400 Speaker 4: Right? 124 00:05:36,560 --> 00:05:37,880 Speaker 3: I wish I was a fly on the wall for 125 00:05:37,920 --> 00:05:40,880 Speaker 3: that conversation. So what else is human nature? Okay? 126 00:05:40,880 --> 00:05:43,680 Speaker 4: Who let's narrow it down. So Paul Stanley's out unless 127 00:05:43,680 --> 00:05:44,320 Speaker 4: he contacts me. 128 00:05:44,640 --> 00:05:48,640 Speaker 3: Well that's unlikely. That's unlikely, Michael Bolton. You scare him, 129 00:05:48,680 --> 00:05:49,320 Speaker 3: so we don't want. 130 00:05:49,240 --> 00:05:53,920 Speaker 2: To play tennis with him sometime apparently, Ah, human nature, 131 00:05:55,560 --> 00:05:58,159 Speaker 2: I think they're all. I don't know. They're in different studies. 132 00:05:58,200 --> 00:06:00,920 Speaker 3: Ray McLachlin, he records. Is he out of the woods. 133 00:06:00,920 --> 00:06:02,000 Speaker 3: Now we're still in. 134 00:06:02,200 --> 00:06:04,360 Speaker 2: You know who? Do you know who? We could use? 135 00:06:04,760 --> 00:06:08,239 Speaker 2: Richard Clapton, Dick. I've got lots of photos of Richard 136 00:06:08,320 --> 00:06:11,960 Speaker 2: Clapton on my phone. The Dick Picts call them, I reckon. 137 00:06:12,160 --> 00:06:13,560 Speaker 2: If we called Richard, he'd have a go. 138 00:06:15,279 --> 00:06:17,200 Speaker 3: What do you mean we Why don't you call Richard? 139 00:06:17,400 --> 00:06:18,279 Speaker 3: Why don't you run this? 140 00:06:18,560 --> 00:06:18,800 Speaker 1: So we are? 141 00:06:18,839 --> 00:06:19,640 Speaker 3: You gonna call him now? 142 00:06:20,120 --> 00:06:22,080 Speaker 2: But before the end of the show, I'll call Richard Clapton. 143 00:06:22,120 --> 00:06:22,640 Speaker 3: What do I call him? 144 00:06:22,680 --> 00:06:22,760 Speaker 2: Now? 145 00:06:22,800 --> 00:06:24,400 Speaker 3: He's a musician. I don't get up to the crack 146 00:06:24,400 --> 00:06:25,040 Speaker 3: of noon. 147 00:06:24,880 --> 00:06:26,640 Speaker 2: All right, I'll wait a bit later, okay. 148 00:06:27,040 --> 00:06:28,760 Speaker 1: Jonesy and Amanda's gamation