1 00:00:00,040 --> 00:00:01,920 Speaker 1: And there's nothing like catching up with an not so 2 00:00:02,000 --> 00:00:02,440 Speaker 1: old mate. 3 00:00:02,560 --> 00:00:09,840 Speaker 2: Pete Rose, longstanding you two people for years. 4 00:00:09,880 --> 00:00:10,120 Speaker 3: Now. 5 00:00:10,240 --> 00:00:11,000 Speaker 4: How are you, Pete? 6 00:00:11,000 --> 00:00:11,840 Speaker 3: I mean great? Thanks? 7 00:00:11,920 --> 00:00:13,840 Speaker 4: Hey, tell us where you've come from? 8 00:00:13,960 --> 00:00:16,239 Speaker 1: Well morning, where I come from? 9 00:00:16,320 --> 00:00:18,720 Speaker 3: Did you know that Louis Tomlinson was in town? Everybody? 10 00:00:18,840 --> 00:00:21,520 Speaker 3: He's a one direction is one direction? 11 00:00:22,040 --> 00:00:25,000 Speaker 4: He is a one direction member. Yes, you're a one direction. 12 00:00:25,320 --> 00:00:27,800 Speaker 3: One direction direction. I was in the cue. Well, I 13 00:00:27,880 --> 00:00:29,600 Speaker 3: wasn't in the queue. I was dropping off my daughter, 14 00:00:29,640 --> 00:00:33,240 Speaker 3: who's been talking about it for two years. There's no song, 15 00:00:33,360 --> 00:00:36,320 Speaker 3: I don't know, there's no corrections. I can listen to 16 00:00:36,360 --> 00:00:39,040 Speaker 3: a one D track. You identify the singers on the 17 00:00:39,080 --> 00:00:40,640 Speaker 3: track straightway? 18 00:00:41,120 --> 00:00:42,200 Speaker 4: Harry, Harry? 19 00:00:42,240 --> 00:00:43,919 Speaker 1: What's sort of you? More of a Harry Styles kind 20 00:00:43,960 --> 00:00:44,120 Speaker 1: of guy? 21 00:00:44,400 --> 00:00:46,199 Speaker 3: Yes, I got Harry is very intense. I'm going to 22 00:00:46,200 --> 00:00:48,320 Speaker 3: see Harry as well when he comes. Harry. 23 00:00:48,360 --> 00:00:50,080 Speaker 4: Don't you think Harry is justerfu man? 24 00:00:50,120 --> 00:00:50,600 Speaker 3: Have you met? 25 00:00:52,600 --> 00:00:53,400 Speaker 1: Watch him on stage? 26 00:00:53,880 --> 00:00:56,360 Speaker 4: Quite a beautiful man to look at. 27 00:00:56,600 --> 00:00:59,920 Speaker 3: I've got a butterfly in my chest to a fifty? 28 00:01:00,160 --> 00:01:01,040 Speaker 1: Is it a blue tattoo? 29 00:01:03,160 --> 00:01:05,959 Speaker 4: Harry is the justin Timberlake of one direction. 30 00:01:07,040 --> 00:01:10,040 Speaker 2: Clearly your daughter doesn't agree because down there in the 31 00:01:10,160 --> 00:01:12,360 Speaker 2: rain for Louis Thomlinson waiting to buy tickets. 32 00:01:12,400 --> 00:01:16,240 Speaker 3: Okay, so the rules were no sleeping overnight. Okay, I'm 33 00:01:16,280 --> 00:01:21,640 Speaker 3: not my rules. That's six a m. Was sec that time. 34 00:01:22,000 --> 00:01:24,800 Speaker 3: And so I go to and I said, it's raining, 35 00:01:24,800 --> 00:01:29,200 Speaker 3: it's pouring you sure, look, I can go on to 36 00:01:29,280 --> 00:01:34,080 Speaker 3: the radio. We can come with no one there pulling, 37 00:01:34,160 --> 00:01:38,360 Speaker 3: sure enough, And I said, it is the front of 38 00:01:38,360 --> 00:01:42,720 Speaker 3: the cure of the back here. This is okay, hang on, 39 00:01:42,800 --> 00:01:44,240 Speaker 3: what time did you get here six. 40 00:01:44,080 --> 00:01:46,480 Speaker 1: O'clock last night? 41 00:01:46,560 --> 00:01:48,000 Speaker 4: They probably want that. 42 00:01:48,320 --> 00:01:50,200 Speaker 3: Yeah, they said, oh he slipped in the car, and 43 00:01:50,200 --> 00:01:56,800 Speaker 3: SHIPS said, I hope to listen. I'll see him again later. 44 00:01:57,320 --> 00:01:59,480 Speaker 3: Were popping in during the day, and you know, it's 45 00:01:59,520 --> 00:02:03,080 Speaker 3: just seeing right. Of course, she's got a carnival, an 46 00:02:03,080 --> 00:02:04,840 Speaker 3: athletics carnival on at the stadium. 47 00:02:05,120 --> 00:02:07,520 Speaker 4: That couldn't be more convenient. 48 00:02:07,400 --> 00:02:10,600 Speaker 3: Going to the four hundred. Yeah, on the chair. 49 00:02:10,680 --> 00:02:12,160 Speaker 1: You won't have to go and run any races or 50 00:02:12,200 --> 00:02:14,960 Speaker 1: do the long term. It's Billy by proxy. 51 00:02:15,000 --> 00:02:20,680 Speaker 3: He's way too one. He wins. Yeah, So that that's 52 00:02:20,760 --> 00:02:24,280 Speaker 3: my night tonight, I said, Lily. He's not going to 53 00:02:24,320 --> 00:02:27,240 Speaker 3: get onto a probably nine o'clock it's fifteen hours away. 54 00:02:29,360 --> 00:02:30,920 Speaker 3: She was like, didn't sleep. She was excited. 55 00:02:31,280 --> 00:02:33,040 Speaker 2: And you've got a big weekend because you've got a 56 00:02:33,080 --> 00:02:35,200 Speaker 2: show tomorrow night at the Gate. 57 00:02:35,440 --> 00:02:40,040 Speaker 3: In Success the Veil, I got the name. You have 58 00:02:40,080 --> 00:02:44,040 Speaker 3: a habit, have no idea. Okay, that doesn't sound right. 59 00:02:44,200 --> 00:02:47,359 Speaker 3: I was telling people in Success. In Success, it is success, 60 00:02:47,639 --> 00:02:50,000 Speaker 3: it is success. It's something. 61 00:02:51,080 --> 00:02:52,600 Speaker 1: Just google the Veil. 62 00:02:52,720 --> 00:02:54,680 Speaker 3: Google the Veil, which I've done before. I had a 63 00:02:54,720 --> 00:02:56,640 Speaker 3: boor and was packed. It was fantastic. And they have 64 00:02:56,639 --> 00:02:59,040 Speaker 3: another pub called the Quarry which is also in Success 65 00:02:59,080 --> 00:03:01,920 Speaker 3: but closer to the Freeway. I did about a month ago. 66 00:03:02,720 --> 00:03:04,200 Speaker 3: The last time I did it by myself, but this 67 00:03:04,280 --> 00:03:07,079 Speaker 3: time I'm taking Frankie with me. He's my daughter who's 68 00:03:07,080 --> 00:03:09,280 Speaker 3: seen it better all the time. Yeah, amazing. And a 69 00:03:09,320 --> 00:03:10,800 Speaker 3: guy called Andrew Wolf who is a guy. 70 00:03:11,000 --> 00:03:13,000 Speaker 4: Yeah, yeah, we know him. 71 00:03:13,000 --> 00:03:17,360 Speaker 3: It's hilarious. And Micky J and Mickey J. Yeah, and fantastic. 72 00:03:17,520 --> 00:03:20,640 Speaker 2: Check us through oz tics or at the door. But 73 00:03:20,720 --> 00:03:22,239 Speaker 2: don't go to the door of the gate. 74 00:03:23,240 --> 00:03:23,720 Speaker 1: Called the Gate. 75 00:03:23,919 --> 00:03:27,720 Speaker 3: You will be left yes, oh. 76 00:03:27,600 --> 00:03:29,959 Speaker 2: Yeah, okay, yes, please don't go there expecting to see 77 00:03:29,960 --> 00:03:32,919 Speaker 2: the rose thorns tonight me tomorrow night. 78 00:03:33,080 --> 00:03:36,480 Speaker 3: Wolf, I was telling some cats down at the not 79 00:03:36,560 --> 00:03:40,120 Speaker 3: cats people, people of the homeless crew that hang out 80 00:03:40,600 --> 00:03:46,480 Speaker 3: front of Gahn gi Don't. Said, Yeah, I'm working on 81 00:03:46,560 --> 00:03:51,640 Speaker 3: Saturday at the gate and the gate. I said, it's 82 00:03:51,640 --> 00:03:55,320 Speaker 3: on Billiard Drive. Can we come? I said, Shires, Yeah, 83 00:03:55,320 --> 00:03:57,080 Speaker 3: you can come meet me at the front eight o'clo. 84 00:03:57,120 --> 00:03:57,880 Speaker 3: Because they're pretty rough. 85 00:03:58,400 --> 00:04:02,200 Speaker 1: Yeah, but he come in complimentary the total. 86 00:04:02,280 --> 00:04:10,480 Speaker 3: Yeah, And now I realized, I'm told on the gate. 87 00:04:11,640 --> 00:04:13,320 Speaker 1: You are going to the gates of Hell. I'm telling you. 88 00:04:14,760 --> 00:04:19,800 Speaker 3: So, Jason and listening, Jason, another thing like that. 89 00:04:20,120 --> 00:04:21,400 Speaker 4: I reckon they're listening somehow. 90 00:04:22,720 --> 00:04:28,760 Speaker 3: What do you say? Anyway, So that's going to be great, 91 00:04:29,000 --> 00:04:34,159 Speaker 3: huge fun. So yeah, please come down. And are we 92 00:04:34,200 --> 00:04:35,240 Speaker 3: going to talk about the thing? 93 00:04:35,320 --> 00:04:36,720 Speaker 1: Can we talk about the elephant in the room? 94 00:04:36,800 --> 00:04:38,479 Speaker 3: We were just we. 95 00:04:41,440 --> 00:04:46,480 Speaker 2: Were alluding to the fact that there's much rumor about 96 00:04:46,560 --> 00:04:50,680 Speaker 2: Kath and Kim and a twentieth anniversary special that's not 97 00:04:50,880 --> 00:04:54,640 Speaker 2: and whether there may have been some filming in progress 98 00:04:54,760 --> 00:04:57,919 Speaker 2: or indeed even wrap. You will never in the bag, 99 00:04:58,680 --> 00:05:04,000 Speaker 2: never because you know you would be involved legally hypothetically 100 00:05:04,640 --> 00:05:05,960 Speaker 2: if this was happening. 101 00:05:05,680 --> 00:05:07,520 Speaker 3: Yes, you would have been there. I would have been 102 00:05:07,560 --> 00:05:09,560 Speaker 3: You would have been I would have would have I 103 00:05:09,600 --> 00:05:10,400 Speaker 3: would have been there. 104 00:05:10,600 --> 00:05:12,719 Speaker 4: Yeah, I said, bretty, what. 105 00:05:15,040 --> 00:05:19,000 Speaker 1: Yes? You you almost said something? Then, mate? 106 00:05:19,160 --> 00:05:19,760 Speaker 3: What did I say? 107 00:05:19,800 --> 00:05:22,039 Speaker 1: Well, we were playing Devil's Advocate and you came to 108 00:05:22,040 --> 00:05:22,480 Speaker 1: the party. 109 00:05:23,600 --> 00:05:25,880 Speaker 3: We yeah, we filmed something last week. 110 00:05:26,040 --> 00:05:27,120 Speaker 4: You feel something last week? 111 00:05:27,880 --> 00:05:28,159 Speaker 3: Okay? 112 00:05:28,440 --> 00:05:29,599 Speaker 4: Will remain nameless? 113 00:05:30,000 --> 00:05:31,640 Speaker 1: Yeah, new material? 114 00:05:32,160 --> 00:05:34,839 Speaker 3: Yes? No, no, it's old material. 115 00:05:35,880 --> 00:05:40,359 Speaker 4: You damn Have you have you seen mag EVANSCI lately? 116 00:05:40,600 --> 00:05:42,320 Speaker 3: Yes? 117 00:05:42,520 --> 00:05:44,240 Speaker 4: Again? How have you seen James? 118 00:05:45,320 --> 00:05:46,440 Speaker 1: He comes back from Paris? 119 00:05:46,760 --> 00:05:56,840 Speaker 4: How's Gina? Just good? Plead Roberts's good? 120 00:05:57,240 --> 00:05:59,200 Speaker 3: It was, it was. Look, we had a really good day. 121 00:05:59,200 --> 00:06:01,000 Speaker 3: It was. It was only a little bit. It's not 122 00:06:01,080 --> 00:06:02,960 Speaker 3: like a whole thing. It's not like a whole series, 123 00:06:03,320 --> 00:06:06,039 Speaker 3: not another movie thing. I think. I think I can't 124 00:06:06,080 --> 00:06:07,840 Speaker 3: tell you when it's going to be on later than. 125 00:06:09,680 --> 00:06:13,120 Speaker 1: Again, what you're five? You're going? 126 00:06:13,600 --> 00:06:15,039 Speaker 3: Well? Hey, I finished? 127 00:06:15,720 --> 00:06:16,080 Speaker 1: Sure? 128 00:06:17,360 --> 00:06:21,080 Speaker 3: Where no one bos out about six? What are you? 129 00:06:21,440 --> 00:06:21,680 Speaker 1: Yeah? 130 00:06:21,760 --> 00:06:22,560 Speaker 3: Four? 131 00:06:22,640 --> 00:06:23,760 Speaker 1: Listening listeners? 132 00:06:25,000 --> 00:06:28,120 Speaker 3: Right? Okay? Sorry, no, but we did this thing, so 133 00:06:29,200 --> 00:06:32,160 Speaker 3: I can't tell it's in it. You're doing it, which 134 00:06:32,200 --> 00:06:34,560 Speaker 3: is great. But Glenn Robins said it came up to 135 00:06:34,600 --> 00:06:37,680 Speaker 3: me and said, that's kel those who Yeah, the character names, 136 00:06:37,720 --> 00:06:42,599 Speaker 3: not the people, Glenn Robbins, that's a quote back for them. Laugh. Anyway, 137 00:06:42,920 --> 00:06:50,159 Speaker 3: a while Pet, you've seen the monitors. I've been avoiding 138 00:06:50,200 --> 00:06:58,279 Speaker 3: the monitors. He said, stop good, you're not looking good. Good. 139 00:06:59,360 --> 00:07:01,680 Speaker 3: I had a look at them, and we're not looking good. 140 00:07:02,080 --> 00:07:02,240 Speaker 1: Right. 141 00:07:02,520 --> 00:07:05,520 Speaker 3: Things have moved on to really, so it's okay for 142 00:07:05,680 --> 00:07:09,200 Speaker 3: kill because they can play. Of course, they're the older couple, 143 00:07:09,480 --> 00:07:11,960 Speaker 3: whereas I'm trying to get away with being maybe forty. 144 00:07:12,840 --> 00:07:19,080 Speaker 3: I'm not even close c G. I yes, so because 145 00:07:19,080 --> 00:07:20,440 Speaker 3: I looked, they gone out. 146 00:07:20,840 --> 00:07:23,400 Speaker 4: Guess this can be dealt with in post production. 147 00:07:23,840 --> 00:07:25,040 Speaker 1: So the guy who the. 148 00:07:25,080 --> 00:07:29,840 Speaker 3: Guy who does all the look for Melbourne Housewives, Oh yeah, 149 00:07:30,520 --> 00:07:31,880 Speaker 3: we did magic with those women. 150 00:07:32,080 --> 00:07:33,760 Speaker 4: I was going to go, Geena, lean on you. 151 00:07:34,160 --> 00:07:39,040 Speaker 3: Yeahs, I'm going to smell amazing. 152 00:07:39,280 --> 00:07:42,640 Speaker 1: Yeah, and well not shut up, just bitch about the 153 00:07:42,680 --> 00:07:44,040 Speaker 1: next husband totally. 154 00:07:44,640 --> 00:07:47,640 Speaker 3: Yeah. So there's going to be some tweaking apparently tweaking. Yeah, 155 00:07:47,680 --> 00:07:48,680 Speaker 3: a little bit tweaking. 156 00:07:48,400 --> 00:07:50,520 Speaker 1: Because in the world of high definition, not everyone's rick card. 157 00:07:50,680 --> 00:07:51,440 Speaker 1: You can't just get on there. 158 00:07:51,440 --> 00:07:56,320 Speaker 3: And he does, to be honest. But anyway, it was 159 00:07:56,440 --> 00:07:58,960 Speaker 3: really nice to see everybody. So I didn't know I 160 00:07:59,040 --> 00:08:00,680 Speaker 3: had I spoke to glean quite a lot. But I 161 00:08:00,760 --> 00:08:03,040 Speaker 3: haven't spoken to the girls, spoke to Major during COVID 162 00:08:03,080 --> 00:08:08,600 Speaker 3: for some reason. Yeah, she's she's she's the same, she 163 00:08:08,640 --> 00:08:10,000 Speaker 3: looks the same. Yeah, yeah, mate. 164 00:08:10,000 --> 00:08:11,640 Speaker 2: Put on a bit of she's got a show coming out. 165 00:08:11,640 --> 00:08:13,400 Speaker 2: I'm looking forward to actually the one about that after 166 00:08:13,520 --> 00:08:15,480 Speaker 2: the verdict. Thing that looks good. 167 00:08:17,120 --> 00:08:19,080 Speaker 4: Yeah, documentary, No no, no, I. 168 00:08:19,160 --> 00:08:20,880 Speaker 3: Understand you're saying to me, a lot of time I 169 00:08:21,320 --> 00:08:23,400 Speaker 3: locked off for da series. 170 00:08:23,480 --> 00:08:24,480 Speaker 4: I think it's on Channel nine. 171 00:08:24,840 --> 00:08:28,280 Speaker 3: Yeah, yeah, I'm looking forward. Yeah, talk about it, we'll 172 00:08:28,280 --> 00:08:28,560 Speaker 3: watch it. 173 00:08:28,800 --> 00:08:30,680 Speaker 1: Okay, you know you just referenced to Wait, she will 174 00:08:30,720 --> 00:08:32,199 Speaker 1: never talk to you again, you can. 175 00:08:32,720 --> 00:08:38,199 Speaker 3: Necessary so funny, funny, they say some funny things to 176 00:08:38,240 --> 00:08:41,560 Speaker 3: show on this all. There's some really beautiful updates of everything. 177 00:08:41,720 --> 00:08:44,480 Speaker 3: So there's things that are that are referenced that are 178 00:08:44,679 --> 00:08:47,520 Speaker 3: really now subjects, which is kind of what the girls 179 00:08:47,600 --> 00:08:49,160 Speaker 3: ran out of gas when they finished it. They will 180 00:08:49,200 --> 00:08:52,080 Speaker 3: run out, run out of stuff. King there was nothing 181 00:08:52,160 --> 00:08:54,080 Speaker 3: new for him to talk about. So with a huge 182 00:08:54,120 --> 00:08:57,000 Speaker 3: gap in time with this stuff that's happened through the 183 00:08:57,200 --> 00:08:59,079 Speaker 3: twenty years since we've you know, all ten years since 184 00:08:59,080 --> 00:09:02,280 Speaker 3: we finished it. Yeah, that's really funny to talk about. 185 00:09:02,440 --> 00:09:04,920 Speaker 2: Yeah, well, I mean I loved big girls blouse, which 186 00:09:05,000 --> 00:09:07,400 Speaker 2: is where where it came from, of course, and where 187 00:09:07,440 --> 00:09:10,480 Speaker 2: we got true and true and you know the ladies from. 188 00:09:12,080 --> 00:09:14,160 Speaker 4: Or had bobs, which was so true. I used to 189 00:09:14,200 --> 00:09:17,680 Speaker 4: live in Melbourne. They did all have bobs. Between between 190 00:09:17,720 --> 00:09:19,320 Speaker 4: two Rack and Campbellwell. 191 00:09:18,960 --> 00:09:20,880 Speaker 3: There's nothing but bobs, even the men. 192 00:09:24,280 --> 00:09:27,599 Speaker 4: Little Lord lays everywhere there was. 193 00:09:29,559 --> 00:09:31,719 Speaker 3: But yeah, so it's going to be really good. I think. 194 00:09:31,760 --> 00:09:33,240 Speaker 3: I don't like I haven't seen a cat. I don't 195 00:09:33,240 --> 00:09:34,920 Speaker 3: know what it's like, but it was really nice dress 196 00:09:35,040 --> 00:09:40,239 Speaker 3: up again. Yeah, and you like Catholics weird. 197 00:09:43,840 --> 00:09:47,000 Speaker 1: And it's because get a tweak and nothing changes apart 198 00:09:47,000 --> 00:09:49,120 Speaker 1: from the fact that, let's be honest, we're little bit older, 199 00:09:49,120 --> 00:09:50,560 Speaker 1: but the house is. But the real house is been 200 00:09:50,640 --> 00:09:52,280 Speaker 1: knocked down there exactly renovating it. 201 00:09:53,320 --> 00:09:56,839 Speaker 4: Didn't you You visited the house someoneted. 202 00:09:56,880 --> 00:09:59,079 Speaker 1: Melbourne to Christmases ago. I said, anything you want to 203 00:09:59,080 --> 00:10:01,080 Speaker 1: do while we're in Victoria, got anywhere in Victoria, said 204 00:10:01,080 --> 00:10:02,199 Speaker 1: I want to see the Kath and Kim house. So 205 00:10:02,280 --> 00:10:04,480 Speaker 1: we got on a tram, a train and three taxis 206 00:10:04,520 --> 00:10:06,040 Speaker 1: in an uber and we find the crowd the house 207 00:10:06,360 --> 00:10:10,200 Speaker 1: and he ran out he ran out, got three photos nervously, 208 00:10:10,280 --> 00:10:12,080 Speaker 1: so you didn't have the locals telling well for the owners. 209 00:10:12,559 --> 00:10:14,599 Speaker 1: Jump back in the cabs, looking at the guard. The 210 00:10:14,679 --> 00:10:18,440 Speaker 1: cap cost hundred and forty bucks, looking at these two 211 00:10:18,440 --> 00:10:22,240 Speaker 1: Ossie guys, going what are you guys doing? Well, we're 212 00:10:22,280 --> 00:10:25,800 Speaker 1: going the three photos well an adventure. 213 00:10:26,040 --> 00:10:28,920 Speaker 2: Well back to the one direction ticket line for you, 214 00:10:29,800 --> 00:10:32,560 Speaker 2: Well the Louis Thomason, I should say, not one direction, 215 00:10:32,880 --> 00:10:36,120 Speaker 2: and tomorrow night you can get tickets out the door 216 00:10:36,160 --> 00:10:38,000 Speaker 2: all through OZ ticks for the veil. 217 00:10:38,320 --> 00:10:42,000 Speaker 3: Veil in success, the veil, not the gate, not the gate. 218 00:10:43,600 --> 00:10:45,280 Speaker 1: Yeah, okay it is too Yeah, so. 219 00:10:45,360 --> 00:10:47,080 Speaker 3: The veil in successfully the veil. 220 00:10:47,480 --> 00:10:48,520 Speaker 4: Thanks for coming in page. 221 00:10:49,000 --> 00:10:51,320 Speaker 3: Nice to see you about. 222 00:10:51,960 --> 00:10:55,480 Speaker 1: No, we might say it's not Pete Rose. Yeah is 223 00:10:55,520 --> 00:10:55,800 Speaker 1: fine